Beige Colour Quotes

I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?

Red is such an interesting color to correlate with emotion, because it’s on both ends of the spectrum. On one end you have happiness, falling in love, infatuation with someone, passion, all that. On the other end, you’ve got obsession, jealousy, danger, fear, anger and frustration. All those emotions — spanning from intense love, intense frustration, jealousy, confusion, all of that — in my mind, all those emotions are red. You know, there’s nothing in between. There’s nothing beige about any of those feelings, it all comes back to me, and it’s red.

There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.

My darling, what a cat they have! Something perfectly stupendous. Siamese, in colour dark beige, or taupe, with chocolate paws and the tail the same. Moreover, his tail is comparatively short, so his croup has something of a little dog, or rather, a kangaroo, and that’s its colour, too. And that special silkiness of short fur, and some very tender white tints on its folds, and wonderful clear-blue eyes, turning transparently green towards evening, and a pensive tenderness of its walk, a sort of heavenly circumspection of movement. An amazing, sacred animal, and so quiet – it’s unclear what he is looking at with those eyes filled to the brim with sapphire water.

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal--and a piece of parchment. It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed.

(T)here is no darkness, not the kind they imagine. Everything is composed of webs and lattices and upheavals of sound and texture... Colour - that's another thing people don't expect. In her imagination, in her dreams, everything has colour. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard room projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver, pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.

to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding Relativity is difficult, and also everyone has special needs, like father who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him getting fat, or Mrs peters who wears a beige-coloured hearing aid, or Siobhan who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs.

First-generation immigrants are a species all their own. They wear a lot of beige, grey or brown. Colours that do not stand out. Colours that whisper, never shout. There is a tendency to formality in their mannerisms, a wish to be treated with dignity. They move with a slight ungainliness, not quite at ease in their surroundings. Both eternally grateful for the chances life has given them and scarred by what it has snatched away, always out of place, separated from others by some unspoken experience, like survivors of a car accident.

There's a faulty signal on this line, about halfway through my journey. I assume it must be faulty, in any case, because it's almost always red; we stop there most days, sometimes just for a few seconds, sometimes for minutes on end. If I sit in carriage D, which I usually do, and the train stops at this signal, which it almost always does, I have a perfect view into my favourite trackside house: number fifteen. Number fifteen is much like the other houses along this stretch of track: a Victorian semi, two storeys high, overlooking a narrow, well-tended garden which runs around twenty feet down towards some fencing, beyond which lie a few metres of no man's land before you get to the railway track. I know this house by heart. I know every brick, I know the colour of the curtains in the upstairs bedroom (beige, with a dark-blue print), I know that the paint is peeling off the bathroom window frame and that there are four tiles missing from a section of the roof over on the right-hand side.

I get up and stare out at the place where I live. I’m right at the heart of Planet Normal. Its strangest resident maybe, but I don’t care about that. I like a place where dads go to work in the mornings and people grumble when the post is late. If Rattigan’s army of the undead is out there waiting for me, they’re well disguised. There are some clouds dotting the sky. Those high stately ones that look like ships sailing in from the west. There aren’t many of them, though, and the sun is already well into its stride. It’s going to be hot. Drift downstairs. Eat a nectarine straight from the fridge. Make tea. Eat something else, because we citizens of Planet Normal don’t get by on a single nectarine. I unlock my garden shed and open a window in there, because if it’s hot outside, the shed can get boiling. It’ll be too hot even with the window open, but I lock up all the same. I always do. I’d intended to shower and stuff, but I did all that last night and I’ve already let too much time drift by to do it all again now. Sharp means sharp, now, Griffiths. Apart from sniffing my wrists to make sure they don’t smell of the firing range, I do as little as I can. But I have to get dressed. That’s easy, normally. Select a bland, appropriate outfit from the array of bland, appropriate outfits I have in my wardrobe. I used to own almost nothing that wasn’t black, navy, tan, white, charcoal or a pink so muted that you might as well call it beige. I never thought those colours suited me particularly. I didn’t have an opinion on the subject. It was just a question of following the golden rule: observe what others do, then follow suit. A palette of muted classic colours seemed like the safest way to achieve the right effect. Since Kay turned fourteen or fifteen, however, she’s campaigned to get me to liven up my wardrobe. It’s still hardly vibrating with life. It still looks something like an exhibition of Next office wear, 2004‒10. All the same, I have options now that I wouldn’t have had a few years back. And today I’ll be seeing Dave Brydon. He’ll be seeing me. I want his eyes on me, and I want his eyes to be hungry ones, sexed up and passionate. I

Nightingale contemplated the automobiles passing by. “I say,” he said. “Which one of these cars is a taxi?” “That beige one with the check pattern,” I said, and hailed it. “It would be easier if there were some consistency,” said Nightingale. “Perhaps they should paint them all a single colour.

The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?

Crikey,’ I said. ‘I’m told that this place has all the warmth and charm of a lawyer’s waiting room,’ said Mark. It did, too. The walls and flooring and kitchen cabinets were all beige, and the furnishings black. The only touch of colour was provided by two big canvases on the far wall, each one sporting a single red squiggle on a white background. I find it hard to be impressed by art that looks like it took longer to hang straight on the wall than it did to produce. However, those whose living rooms are a symphony of plum and orange are in no position to criticise anybody else’s interior design. And perhaps he loved it.

In here please,’ Rachel said, pointing to a formal lounge that was drowning in beige. For some reason Kim found herself disappointed in the woman’s creativity. She would have liked to see colour, personality, something that matched the fire with which they’d just been

There aren't just red and white and brilliant white, they don’t have names like ‘brave beige’ and ‘mermaid sheen’, no, these colours announce themselves like a discreet sommelier at a nice restaurant who murmurs excellent choice. Here, beige is split into bone, pigeon, tallow, wevet—beige is not beige in this kind of taste-country, it is rustically referenced to make you believe you are cleverer than you are and you deserve to be gently handled.

Her hair has been dyed that indeterminate colour inexplicably beloved of middle-aged women, which is neither brown nor blonde but somewhere in between. A kind of beige.

A door in the corner was painted the same colour as the walls. Beige. An old padlock kept it closed. She checked the seams and saw that they’d been painted over. It didn’t look like the door had been opened in years. An old storage cupboard. She made a mental note of it and headed for the filing cabinet. The bottom two drawers were empty, but the top one had a number of hanging files. She walked her fingers over them, reading the names as she went. When she reached Hammond, she stopped and pulled it out. Pausing only when she spotted another name. Grace Melver. The person who had reported him missing. She pulled that one too and pinned them under her arm as she closed the top drawer.  She took one more look around and then headed for the desk, putting the files down. Roper would keep Mary busy for a few more minutes, which meant she could dig into the cold hard facts.  Her father was at the back of her chair, looking over her head, his big hands resting on her shoulders. Information is your friend, he’d say. Acquire it ruthlessly.  She rubbed her eyes, ignoring the sting from the alcohol-based sanitiser, and dove in.  If there was anything to find, she’d find it.  Chapter

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.