Beige Color Quotes

You're really going to try this time, you swear it, this time you'll do everything not in shades of beige and gray but in bright, bold, brilliant, beautiful color.

We live in a society and a culture and an economic model that tries to make everything look right. Look at computers. Why are they all putty-colored or off-fucking-white? You make something off-white or beige because you are afraid to use any other color – because you don’t want to offend anybody. But by definition, when you make something no one hates, no one loves it. So I am interested in imperfections, quirkiness, insanity, unpredictability. That’s what we really pay attention to anyway. We don’t talk about planes flying; we talk about them crashing.

Where is it written that houses must be beige? Any dun colored house would look better if painted pineapple, cream, ochre, or even a smart sage.

Red is such an interesting color to correlate with emotion, because it’s on both ends of the spectrum. On one end you have happiness, falling in love, infatuation with someone, passion, all that. On the other end, you’ve got obsession, jealousy, danger, fear, anger and frustration. All those emotions — spanning from intense love, intense frustration, jealousy, confusion, all of that — in my mind, all those emotions are red. You know, there’s nothing in between. There’s nothing beige about any of those feelings, it all comes back to me, and it’s red.

Cool is the Kevin Jonas of compliments. It’s like saying your favorite color is beige.

I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.* *When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray?

Having spent a week seeing little other than beige throughout all of the school, the colors overwhelmed Alicia, seeming to spill into her other senses.

I was born in Hell. But I am no demon. I am beige and colorful. I was quiet in this room. But I am learning to be loud. Can you hear me? I will make my mark, wherever i am. It is my space. I'll make it mine. I choose. I choose.If I voice my truth, no one loses.

The worst thing is to have all that clout and not know your own mind. If she says her (Marilyn Monroe's)favorite color is beige, that has to be a definite possibility. Then she will be as dangerous as a Chinese Empress.

All the other children at my school are stupid. Except I'm not meant to call them stupid, even though this is what they are. I'm meant to say that they have learning difficulties or that they have special needs. But this is stupid because everyone has learning difficulties because learning to speak French or understanding relativity is difficult and also everyone has special needs, like Father, who has to carry a little packet of artificial sweetening tablets around with him to put in his coffee to stop him from getting fat, or Mrs. Peters, who wears a beige-colored hearing aid, or Siobhan, who has glasses so thick that they give you a headache if you borrow them, and none of these people are Special Needs, even if they have special needs. But Siobhan said we have to use those words because people used to call children like the children at school spaz and crip and mong, which were nasty words. But that is stupid too because sometimes the children from the school down the road see us in the street when we're getting off the bus and they shout, "Special Needs! Special Needs!" But I don't take any notice because I don't listen to what other people say and only sticks and stones can break my bones and I have a Swiss Army knife if they hit me and if I kill them it will be self-defense and I won't go to prison.

Just to be difficult, I kept on my tee and my panties (which thank God, were mocha-colored satin hipsters with a load of beige lace and not ratty old ones that sagged at the ass)

He’s right. I should have told him how I felt forever ago. I just couldn’t. I was scared telling him I loved him would mean it would all fall apart and it would destroy me if it didn’t work out. He always tells me I color his entire world, but he did the same thing for me. If what I felt for Jimmy is beige, then what I feel for Rome is a damn box of Crayola crayons. I shouldn’t have been such a baby and just let him know. He is perfect for me, Nash.

Crayola crayons, in the familiar yellow-and-green box, labeled LIBRARY PACK. Inside were the colors of Dinsy’s world: Reference Maroon, Brown Leather, Peplum Beige, Reader’s Guide Green, World Book Red, Card Catalog Cream, Date Stamp Purple, and Palatino Black.

Discard anything that creates visual noise. The objects I have at home are white, beige, gray, and the colors of wood, pleasing to the eye and in harmony among themselves. The balance is disrupted when I have something in a flashy neon color or a primary color that’s too bold; they stand out too much and disturb the peaceful atmosphere.

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal--and a piece of parchment. It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed.

Joseph would reach out to me occasionally, the same way the desert blooms a flower every now and then. You get so used to the subtleties of beige and brown, and then a sunshine-yellow poppy bursts from the arm of a prickly pear. How I loved those flower moments, like when he pointed out the moon and Jupiter, but they were rare, and never to be expected.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Beige is the color of indecision

Who would dare admit a longing for a White nation so full of hate that it drove its citizens of color to madness, to death or to exile? How to confess even to one's ownself, that our eyes, historically customed to granite buildings, wide paved avenues, chromed cars, and brown, black, beige, pink, and white-skinned people, often ached for those familiar sights?

They have the same relationship that all progressive middle-class women have with their cleaning ladies, although Maman really thinks she is the exception: a good old rose-colored paternalistic relationship (we offer her coffee, give her decent pay, never scold, pass on old clothes and broken furniture, and show an interest in her children, and in return she brings us roses and brown and beige crocheted bedspreads).

Out there in the middle of the maelstrom the Eater awaits, heaving and gulping, its mouth like a giant clam’s . . . its mind a frenzy of beige-colored rapid foam. A horrifying uproar, all things considered. Imagine floating through that nonsense in a life jacket. —EDWARD ABBEY

Usually, we think of an apple as being red. This is not the same red as that of a cherry or tomato. A lemon is yellow and an orange like that of its name. Bricks vary from beige to yellow to orange, and from ochre to brown to deep violet. Foliage appears in innumerable shades of green. In all these cases the colors named are surface colors. In a very different was, distant mountains appear uniformly blue, no matter whether covered with green trees or consisting of earth and rocks. The sun is glaring white in daytime, but it is full red at sunset. The white ceiling of houses surrounded by lawns or the white-painted eaves of a roof on a sunny day appear in bright green, which is reflected from the grass on the ground. All these cases present film colors. They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.

Color--that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light

If we take all the money away from every billionaire and divide that $6.5 trillion by the world’s population of 7.125 billion, we each get a check for $912.28. I just searched auto.com. You can get a 1998 Chevy Lumina with 180,000 miles for $999 in beige (although the door color does not seem to match the fender). But everybody knows that all the money in the world

Her true skin color was a light beige, like the skin of pencil shavings, and was soft as it was when her mother lotioned her before bed every night. Stephanie did not have the memory of those nights, but they were the reason she subconsciously pumped two servings of shea butter before she sleeps. Mothers lived in a child forever, the way their own mothers lived in them. With one mother’s kiss, a child received a recipe made by a thousand seasoned souls—a generation of love transferred in everything a woman did.

A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass

Often, when I looked back over my first three months as an immortal, I imagined how the thread of my life might look in the Fates’ loom—who knew but that it actually existed? I was sure my thread must have changed color; I thought it had probably started out as a nice beige, something supportive and non-confrontational, something that would look good in the background. Now it felt like it must be bright crimson, or maybe glistening gold. The tapestry of family and friends that wove together around me was a beautiful, glowing thing, full of their bright, complementary colors.

Who knows what advantages you might find in a smaller home, even beyond what you were initially hoping for, after you move in? Maybe you'll be inspired to become a more creative person when you take up residence in a quaint older neighborhood and get out of that suburban tract where you can have a house of any color as long as it's beige. Maybe by putting your preadolescent kids in a bedroom together, they'll socialize better and develop closer bonds. Maybe you and your spouse will rediscover each other when you're actually spending time together instead of tag-teaming on chores.

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.

They put me in jail. Holy shit. They put me in fucking jail. Call my mother and tell her I love her, call my father and tell him I can’t loan him any more money, call my grandmother and tell her she needs to stop day drinking. I am never getting out of this. All right, on the plus side, it’s not like I’m sitting in a city jail. It’s a hotel holding room, which basically means beige-colored carpet with beige walls and a beige futon. In Vegas, if they put you in beige, you are seriously fucked. No sequins or rhinestones anywhere means I must have done something abominable. Okay. I take three deep breaths, trying to achieve my zone neutrality. Or something. I don’t know! Okay, keep calm, Julia. Maybe they can help. Maybe they can help piece together whatever insane stuff you did last night. Or rather, the weird shit that your David Tennant personality did. On second thought, maybe talking about Doctor Who would be a very bad thing right now. The door opens, and Gray Suit— his name’s actually Todd, but I’m sticking with Gray Suit— enters and sits down in a chair opposite me. “Now Ms. Stevens—” “I’m not going to prison,” I blurt out. “I’m too soft. I watched Orange is the New Black. I don’t want to eat tampon sandwiches.” Gray Suit blinks slowly. “Okay. I’ll bear that in mind.” “Look, what the hell am I even doing here?” I snap. Great, Julia. Get snippy with the authorities. This’ll go down swimmingly. “What is happening?” Gray Suit sighs. “It’s about what you did last night, Ms. Stevens.

He saw her as he would always see her, a slender girl in a simple beige dress, curled in a large wing chair by the white fireplace. The chair was a gaudy piece patterned in greens and purples, like tropical flowers, with a scrawl of cerise breaking the pattern. Her hair was the color of palest gold, a silvery gold, and she wore it pulled away from her face into a curl at the back of her neck. She had a fine face, nothing pretty-pretty about it, a strong face with high cheek bones and a straight nose. Her eyes were beautiful, sea blue, slanted like wings; and her mouth was a beautiful curve. Yet she wasn’t beautiful; you wouldn’t look at her in a room of pretty women, in a bar or night spot. You wouldn’t notice her; she’d be too quiet; she was a lady and she wouldn’t want to be noticed.

Since your asshole ex-husband took all his shit with him and we have nothing fun to burn, we’ll start with this pile of shitty clothes,” she tells me, kicking the stack with her toe. “We’re not burning my clothes. Do you have any idea how expensive those pieces were?” I argue, even though the sight of all my monotone, plain clothing makes me want to reach for the closest lighter. “Cindy, you had a breakthrough the other night. You are on the track toward recovery and the first step is admitting you have a problem. Repeat after me: I will no longer put things on my body that are golden wheat, ecru, light baby-shit tan, or anything else in the beige family unless what I’m putting on my body is an actual man with that color skin tone,” Ariel recites, putting her hands on her hips and raising one eyebrow as she waits for me to comply with her request. “And we don’t have to burn everything. Just a few pieces to make you feel better. And by you I mean me, because if I have to look at this crap any longer, I’m going to throw up in my mouth. We can sell the rest.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

Consider, for example, a cichlid fish known as Haplochromis burtoni that comes from the lakes of East Africa.9 In this species, only a small number of males secure a breeding territory, and they are not discreet about their privileged social status. In contrast to their drably beige nonterritorial counterparts, territorial males sport bold splashes of red and orange, and intimidating black eye stripes. The typical day for a territorial male involves a busy schedule of unreconstructed masculinity: fighting off intruders, risking predation in order to woo a female into his territory, then, having inseminated her by ejaculating into her mouth, immediately setting off in pursuit of a new female. Add to this the fact that territorial males boast significantly larger testes and have higher circulating levels of testosterone than submissive nonterritorial males, and a T-Rex view of the situation seems almost irresistible. These high-T fish are kings indeed, presumably thanks to the effects of all that testosterone on their bodies, brain, and behavior. With a large dose of artistic license, we might even imagine the reaction were a group of feminist cichlid fish to start agitating for greater territorial equality between the sexes. It’s not discrimination, the feminist fish would be told, in tones of regret almost thick enough to hide the condescension, but testosterone. But even in the cichlid fish, testosterone isn’t the omnipotent player it at first seems to be. If it were, then castrating a territorial fish would be a guaranteed method of bringing about his social downfall. Yet it isn’t. When a castrated territorial fish is put in a tank with an intact nonterritorial male of a similar size, the castrated male continues to dominate (although less aggressively). Despite his flatlined T levels, the status quo persists.10 If you want to bring down a territorial male, no radical surgical operations are required. Instead, simply put him in a tank with a larger territorial male fish. Within a few days, the smaller male will lose his bold colors, neurons in a region of the brain involved in gonadal activity will reduce in size, and his testes will also correspondingly shrink. Exactly the opposite happens when a previously submissive, nonterritorial male is experimentally maneuvered into envied territorial status (by moving him into a new community with only females and smaller males): the neurons that direct gonadal growth expand, and his testes—the primary source of testosterone production—enlarge.11 In other words, the T-Rex scenario places the chain of events precisely the wrong way around. As Francis and his colleagues, who carried out these studies, conclude: “Social events regulate gonadal events.”12

COLEMAN SLEEPING BAG: LIGHTWEIGHT, LIME GREEN W/ BEIGE INTERIOR, WELL USED, ZIPPER BROKEN. 22 T-SHIRTS, SEVEN: ASSORTED BRANDS, COLORS, AND STYLES. 23 ENERGIZER LED FLASHLIGHT (NO BATTERIES). 24 SCARF: GRAY/BLUE STRIPED ACRYLIC FABRIC, FRINGE MISSING ON ONE END.

Up until I was thirty years old I was your standard issue Christian- the kind christian schools and churches in our town pounded out year after year like spiritual Model-T's, mostly in one color-beige. We were covenant children, so we figured we came with a cradle-to-grave, salvational warrantee.

It was like The Wizard of Oz, instant beautiful color, only Quinn had been living in worse than black-and-white Kansas. He’d been trapped in a monochromatic world of beige, of nice, of going with the flow, not making waves. Eli was the whole super-sized box of crayons, with no rules about staying in the lines.

Don't let the case from 1995 fool you. Early Bill Gates Beige is just a color. Many wonders lurk therein." "Many wonders?" "A fast-as-hell processor. Shit-tons of memory. A hard drive that could crack nuts. And best of all, for our purposes, some very expensive audio editing software that I did not pay for." "Ah. And the rest of this stuff--over here on the bookcase?" "External drives. A CD burner. Extra parts. And that thing on the end that looks like a little hot plate is a mug-warmer my grandmother gave me for Christmas. So that's not part of FrankenHal.

Blanca came in and out of my life over the next few weeks, but she never came far enough for me to see her. I failed to meet her in so many different ways that I began to know her anyway. I knew the qualities of her particular absence. I dressed up for it. I wore a suit that I had never gotten the hang of in the seventies, but now it felt all right. It’s an unusual suit because it’s light beige, almost off-white. You don’t see that color much in big amounts, suit and jacket both. It became my uniform for not meeting Blanca.

She’s exchanged truth for pleasantries. Strength for weakness. A colorful, vibrant soul for boring beige. I can’t feel bad for hurting her because that’s what the universe does to a person when they’ve forgotten their path.

The hospital issue was a pale beige color that made my Native-toned skin look greenish.

Pink is what red looks like when it kicks off its shoes and lets its hair down. Pink is the boudoir color, the cherubic color, the color of Heaven's gates. . . . Pink is as laid back as beige, but while beige is dull and bland, pink is laid back with attitude. -The Eight-Story Kiss

A saturated color is its purest version, the kind you might find on a children’s building-block set. The truest blue and the sunniest yellow: these colors are strong and intense. To desaturate colors, you add gray to them, making them duller versions of themselves. Spring green becomes olive; cerulean becomes slate. Beige is a desaturated yellow—a yellow with all the joy sucked out of it! Gray is the ultimate desaturated color, containing only white and black.

Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the

He shimmered in the mirrors. An infinite number of Adrians in beige corduroy trousers and plum-colored turtlenecks and brown suede jackets. An infinite number of dirty toenails in an infinite number of Indian sandals. An infinite number of meerschaum pipes between his beautiful curling lips. My zipless fuck? My man under the bed! Multiplied like the lovers in Last Year at Marienbad. Multiplied like Andy Warhol’s self-portraits. Multiplied like the Thousand and One Buddhas in the Temple at Kyoto. (Each Buddha has six arms, each arm has an extra eye … how many pricks did these millions of Adrians have? And each prick symbolizing the infinite wisdom and infinite compassion of God?)

...the blue sea glass I gave her rolls around on her fingertips. 'Each piece reminds me that sometimes in a world of beige sand, the ocean tosses out a colorful piece of glass.

In the evening, Kye used our rice cooker to make homemade yaksik. She mixed rice with local honey, soy sauce, and sesame oil, adding pine nuts, pitted jujubes, raisins, and chestnuts. She rolled the mixture out on a cutting board and divided the flattened cake into smaller squares. Fresh out of the rice cooker it was steaming and gooey. The colors were golden and autumnal, the jujubes a rich, dark red, the light-beige chestnuts framed by the bronze, caramelized rice.

And it's way too... not beige to come from your kitchens." "A neutral palette is universally appropriate." That's not how you pronounce 'dull.

It was just as easy to be beige around stubbornly ignorant folks as it was to be colorful around those with a thirst for knowledge and truth.

A saturated color is its purest version, the kind you might find on a children’s building-block set. The truest blue and the sunniest yellow: these colors are strong and intense. To desaturate colors, you add gray to them, making them duller versions of themselves. Spring green becomes olive; cerulean becomes slate. Beige is a desaturated yellow—a yellow with all the joy sucked out of it!

If you haven’t had the pleasure of physically comparing different Wall Street trading floors, you needn’t bother. They are all basically alike. The floor itself is a checkerboard of stained carpet squares covering a maze of twisted wires and electronic equipment. These removable squares serve as the lid of a massive trash can, and hidden below are dozens of half-empty Chinese food containers and mice. (Mice love trading floors, and banking employees are constantly discussing creative ways to trap and kill them.) If you stop by virtually any trading floor on Wall Street, this is what you will inevitably encounter: Hundreds of telephones are ringing. Television monitors are blasting news and flashing scattered bond quotes. One of the checkerboard squares is upended, and several maintenance men are taking a break to yell at each other in front of a pile of circuits and cables. Dozens of traders and salespeople are standing at three-foot intervals face-to-face at several long rectangular desks, which are stacked with a rainbow of colorful computers, flashing monitors, blue Reuters and green Telerate screens, beige Bloomberg data systems, and customized black broker quote boxes.

Seela had told her on another visit that her decorator claimed beige was the classiest color, a phrasing that repudiated the statement.

What is basic? First and foremost, it is the CUT. Many people think that we are talking about color and picture things in black and white or maybe in beige and blue. However, the basics don’t mean a particular color; they mean the cut and the ability of every thing to work with each other thing. They can be of any color at all!

One of those Southern California buildings that could be found on every block and was built out of ugly in one of three colors: sun-blinding white, three-day-old salmon, and suicide beige.

Each piece reminds me that sometimes in a world of beige sand, the ocean tosses out a colorful piece of glass.

Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.

Those of us who have found ourselves stuck here in Paris Village are part of a tribe, a cluster of people made of plaster and mud, an intermixing of races bound by common troubles. We make up a color wheel of faces from alabaster, ivory, beige, and khaki, to russet, cinnamon, mahogany, and coffee. Yes, we are an assorted box of chocolates, white to dark, fruits and nuts included.

Coincidentally, most of his attacks had been in beige and yellow houses, and people began painting their homes different colors, hoping that would make him pass their place.

Last color bleeds from the trees, the slow drip of rain, collapsing. The feverish maples decline. We pause to pick mushrooms, stick into our sacks these squat, warty, beige and tan hammers, these spongy plungers and rams, these alien, faceless denizens of damp. They are not in our book. As we walk through this flaccid rain, this vague sense of loss and wrong, we don’t talk. But we wonder about maples and mushrooms, about us: Anything you can’t name is dangerous.

He was looking at her. Vibrant red curls tumbled around her face like falling petals. Their color rejected the darkness around them as if they burned with their own secret fire. Her eyes were dark, perhaps brown or green, and so deeply rooted he thought he could follow them to the center of the earth. Her skin was unevenly tanned, light beige along the top of her nose, fading to the palest sand in the slope of her cheeks.

His office was done in the same beige and green tones and the walls were covered with abstract art which lent color, but no meaning, to his surroundings.

A loveless existence is like a coma of the soul, where all colors blend into an uninteresting beige. Your compass spins aimlessly, your map is a doodle of confusion. You're lost and the breadcrumbs have all been eaten.

Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.

Al observarlo venir con los caballos, se reflejó en él un rayo de sol, tenía un porte muy aristocrático que lo hacía ver irresistiblemente bello, con su camisa blanca de cuello alto y escote pronunciado, que le dejaba ver parte de sus minúsculos vellos en su pecho perfectamente esculpido. Se podía notar una personalidad que lo dejaba ver agresivo e imponente, con esa capa marrón que le ondeaba con el viento y le dejaba ver los vuelos de las mangas de su camisa. Su pantalón color beige, le ceñía la forma de sus gruesas piernas y esas botas negras, altas y brillantes le realzaban el porte y la presencia y —junto con la fusta en su mano—, me hacía verlo como el imponente amo de todo. Me pareció tan gallardo y varonil, que parecía haber salido de una pintura de finales del siglo XVIII o principios del XIX. —“Mi Darcy personal” —pensé suspirando y asociándolo inmediatamente, con mi galán literario preferido. Eso hacía que mi mente volara y ya no supiera que pensar. Me sentía en una completa fantasía y más, estando junto a él.

How Etha missed the varied hues of Illinois! The jade of tender corn husks, the violet shadows of distant trees, the furry scarlet spears of sumac. In Oklahoma, the palette was nothing but brown. Brown bridal trains of dust billowed behind tractors. Curtains turned from white to strong coffee. Folks spit river mud after a duster. Washes of beige, cinnamon, and umber bled into the blue sky, depending on which direction the wind blew. The people, the land, the buildings absorbed the dust. All other colors leached away, while brown and its infinite variations remained.

in a colorful scarf and an oversized beige sweater that made me look like I was the guest speaker at the Yarn of the Month Club