“
How marvelous books are, crossing worlds and centuries, defeating ignorance and, finally, cruel time itself.
”
”
Gore Vidal (Julian)
“
No one's life should be rooted in fear. We are born for wonder, for joy, for hope, for love, to marvel at the mystery of existence, to be ravished by the beauty of the world, to seek truth and meaning, to acquire wisdom, and by our treatment of others to brighten the corner where we are.
”
”
Dean Koontz (Life Expectancy)
“
His eyes shone when he looked at her, green as spring grass.
He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you.
Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
”
”
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
“
His fingers slipped under it as his hand curved on my shoulder. "You lie so sweetly".
I ignored that. "Casteel---"
"But not as sweet as you say my name".
I let out a little growl. "You are..."
"Marvelous? Charming? Undeniable?"
"Increasingly annoying
”
”
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
“
Sevro." I lean forward. "Your eyes..."
He leans in close. "Do you like 'em?"
"Bloodydamn. Did you get Carved?"
"By the best in the business. Do you like 'em?"
"They're bloodydamn marvelous. Fit you like a glove."
He punches his hands together. "Glad you said that. Cuz they're yours."
I blanch. "What?"
"They're yours."
"My what?"
"Your eyes!"
"My eyes..."
"Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back."
"No!" I say. "It's just I forgot how crazy you are."
"Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?"
"Finders keepers," I say with a shrug.
”
”
Pierce Brown (Morning Star (Red Rising Saga, #3))
“
All great discoveries...are products as much of doubt as of certainty, and the two in opposition clear the air for marvelous accidents.
”
”
Mark Helprin (Winter's Tale)
“
After a moment, he said, in almost marveling tones, 'Are you deranged?
”
”
Naomi Novik (Uprooted)
“
Good is not a thing you are. It's a thing you do.
”
”
G. Willow Wilson (Ms. Marvel (2014-2015) #5)
“
Each second we live is a new and unique moment of the universe, a moment that will never be again And what do we teach our children? We teach them that two and two make four, and that Paris is the capital of France. When will we also teach them what they are? We should say to each of them: Do you know what you are? You are a marvel. You are unique. In all the years that have passed, there has never been another child like you. Your legs, your arms, your clever fingers, the way you move. You may become a Shakespeare, a Michaelangelo, a Beethoven. You have the capacity for anything. Yes, you are a marvel. And when you grow up, can you then harm another who is, like you, a marvel? You must work, we must all work, to make the world worthy of its children.
”
”
Pau Casals
“
Good is not a thing you are. It's a thing you do.
”
”
G. Willow Wilson (Ms. Marvel, Vol. 1: No Normal)
“
Let's lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are.
”
”
Stan Lee
“
But just as we can all agree on what is red, even if we will never know if we each see it in the same way, so we can all agree - can’t we? - that no matter how confident we may appear to others, inside we are all sobbing, scared and uncertain for much of the time. Or perhaps it’s just me.
Oh God, perhaps it really is just me.
Actually it doesn’t really matter, when you come to think of it. If it is just me, then you are reading the story of some weird freak. You are free to treat this book like science fiction, fantasy or exotic travel literature. Are there really men like Stephen Fry on this planet? Goodness, how alien some people are. And if I am not alone, then neither are you, and hand in hand we can marvel together at the strangeness of the human condition.
”
”
Stephen Fry (The Fry Chronicles)
“
I know what it's like. I've seen it played out a zillion times. You're waiting for that magical day when someone makes the connection and recognizes who you really are. Maybe they'll first catch the sparkle in your eye. Or perhaps they'll marvel at your insights and the depth of your spirit. Someone who will help you connect the dots, believe in yourself, and make sense of it all. Someone who will understand you, approve of you, and unhesitatingly give you a leg up so that life can pluck your ready, ripened self from the branch of magnificence. Well, I'm here to tell you, your wait is over. That someone, is you.
”
”
Mike Dooley
“
In a very real way, then, materials are a reflection of who we are, a multi-scale expression of our human need and desires.
”
”
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
“
I bring my hand to my face and pull away tiny pieces of the jagged scab. My face reflects in the rounded airplane window, and I see it is now a tiny Massachusetts, with Cape Cod curling toward my ear. In only a few more days it will be gone. I feel the fresh, smooth parts and marvel at how soft they are. New skin amazes me. New skin is a miracle. It is proof that we can heal.
”
”
A.S. King (Everybody Sees the Ants)
“
In the history of the world many souls have been, are, and will be, and with a little reflection this is marvelous and not depressing. Many jerks are made gloomy about it, for they think quantity buries them alive. That's just crazy. Numbers are very dangerous, but the main thing about them is that they humble your pride. And that's good.
”
”
Saul Bellow (Henderson the Rain King)
“
The first flash of color always excites me as much as the first frail, courageous bloom of spring. This is, in a sense, my season--sometimes warm and, when the wind blows an alert, sometimes cold. But there is a clarity about September. On clear days, the sun seems brighter, the sky more blue, the white clouds take on marvelous shapes; the moon is a wonderful apparition, rising gold, cooling to silver; and the stars are so big. The September storms--the hurricane warnings far away, the sudden gales, the downpour of rain that we have so badly needed here for so long--are exhilarating, and there's a promise that what September starts, October will carry on, catching the torch flung into her hand.
”
”
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
“
It wasn’t the physical act alone. It was the way he felt watching Edwin read; it was the feeling he had every time his eyes sought Edwin in a room and landed on an angle of the man’s face, any movement of those delicate fingers: There you are. I’ve been waiting for you.
”
”
Freya Marske (A Marvellous Light (The Last Binding, #1))
“
Human understanding is marvellously enlightened by daily conversation with men, for we are, otherwise, compressed and heaped up in ourselves, and have our sight limited to the length of our own noses.
”
”
Michel de Montaigne
“
Good is not a thing you are. It is a thing you do.
”
”
G. Willow Wilson
“
The less you demand total fulfillment from relationships, the more you can appreciate them for the beautiful tapestries they are, in which absolute and relative, perfect and imperfect, infinite and finite are marvelously interwoven. You can stop fighting the shifting tides of relative love and learn to ride them instead. And you come to appreciate more fully the simple, ordinary heroism involved in opening to another person and forging real intimacy.
”
”
John Welwood (Perfect Love, Imperfect Relationships: Healing the Wound of the Heart)
“
You're looking so well, darling. You really are. They've done a marvelous job. I don't know what sort of cream they've put on you down at the morgue, but I want some. Honestly, you look better than you have in years. You look like you're alive!
”
”
Wes Anderson
“
Ultron: Stark asked for a savior, and settled for a slave.
The Vision: I suppose we're both disappointments.
Ultron: [laughs] I suppose we are.
The Vision: Humans are odd. They think order and chaos are somehow opposites and try to control what won't be. But there is grace in their failings. I think you missed that.
Ultron: They're doomed!
The Vision: Yes... but a thing isn't beautiful because it lasts. It is a privilege to be among them.
Ultron: You're unbelievably naïve.
The Vision: Well, I was born yesterday.
”
”
Joss Whedon
“
For what are called criminals nowadays are not criminals at all. Starvation, and not sin, is the parent of modern crime. That indeed is the reason why our criminals are, as a class, so absolutely uninteresting from any psychological point of view. They are not marvellous Macbeths and terrible Vautrins. They are merely what ordinary, respectable, commonplace people would be if they had not got enough to eat.
”
”
Oscar Wilde (The Soul of Man under Socialism)
“
our acquaintances—not our friends—are our greatest source of new ideas and information. the internet lets us exploit the power of these kinds of distant connections with marvellous efficiency.
”
”
Malcolm Gladwell
“
It’s messing people up, this social pressure to “find your passion” and “know what it is you want to do”. It’s perfectly fine to just live your moments fully, and marvel as many small and large passions, many small and large purposes enter and leave your life. For many people there is no realization, no bliss to follow, no discovery of your life’s purpose. This isn’t sad, it’s just the way things are. Stop trying to find the forest and just enjoy the trees.
”
”
Sally Coulter
“
The trick is to maintain a kind of naïve amazement at each instant of experience - but, as Montaigne learned, one of the best techniques for doing this is to write about everything. Simply describing an object on your table, or the view from your window opens your eyes to how marvelous such ordinary things are. To look inside yourself is to open up an even more fantastical realm.
”
”
Sarah Bakewell (How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer)
“
But—pardon me if I seem inquisitive—are you not all rather—ahem! rather unusual?" asked the Woggle-Bug, looking from one to another with unconcealed interest. "Not more so than yourself," answered the Scarecrow. "Everything in life is unusual until you get accustomed to it.
”
”
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
“
No matter how honest scientists think they are, they are still influenced by various unconscious assumptions that prevent them from attaining true objectivity. Expressed in a sentence, Fort's principle goes something like this: People with a psychological need to believe in marvels are no more prejudiced and gullible than people with a psychological need not to believe in marvels.
”
”
Colin Wilson (Mysteries)
“
Kaitlyn remebered the things he'd given her, the sun-flooded afternoons, and the cool healing ocean waves, and the music he'd written. He'd given her everything that was best in him, everything he was.
She wanted to give him the same thing back.
I don't know how you can love me. The words came soflty, as if he were thinking them to himself. You've seen what I am.
That's why I do love you, Kaitlyn told him. I hope you'll still love me when you see what I am.
"I know what you are, Kait. Everything beautiful and brave and gallant and..." He stopped as if his throat had closed. "Everything that makes me want to be better for you. That makes me sorry I'm such a stupid mess..."
You looked like a knight with that shard, Kaitlyn said, moving toward him.
"Really?" He laughed shakily.
My knight. And I never said thank you.
She was almost touching him, now. Looking up into his eyes. What she could feel in him was something she'd only felt before when she gave him her life energy. Childlike, marveling joy. Trust and vulnerability. And such love...
Then she was in his arms and they weren't separate beings any longer. Their minds were together, sharing thoughts, sharing happiness beyond thought. Sharing everything.
She never even knew whether he kissed her.
”
”
L.J. Smith (Dark Visions (Dark Visions, #1-3))
“
It takes a man at least three weeks to realize you’re not actively seeking him out. After four weeks, he’s wondering what the hell you’re doing. After five to six weeks, chances are he’ll be acting like a high school girl wondering where the hell you are, and what the hell you’re doing…if he cared for you at all. If he hasn’t contacted you within eight weeks he’s definitely moved on and you should do the same. Don’t give him another thought. Don’t let it consume your mind. Move on and be marvelous.
”
”
Leslie Braswell (Ignore the Guy, Get the Guy: The Art of No Contact: A Woman's Survival Guide to Mastering a Breakup and Taking Back Her Power)
“
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people,are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new
tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an
abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.
”
”
Alan W. Watts
“
I'm not afraid of you. I'm not afraid of anything."
"Yes, you are, on both counts. You're afraid of everything. In England there are castles with stone walls that go up over a hundred feet, built during a time when it was the strength of your fortress that won battles. Each time I look at you, I marvel at the feat of organic engineering that's allowed you to create such a fortification within a perfect composition of female flesh.
”
”
Joey W. Hill (Ice Queen (Nature of Desire, #3))
“
Of all the places I have walked into, libraries must be the most magical. Have you ever opened the cover of a book and wondered what you would find inside? Where you would go? Whom you would meet? A story has the power to send you back in time or into the future, to transport you to other lands and kingdoms. I’ve met ogres, talking rabbits, and some of my best friends in the pages of books.
Librarians might just have the best jobs ever. With each library card they hand out, they offer a ticket to strange and marvelous worlds. Open a book and, like Reading Beauty, you might fall under a spell—the magic of a deep read. But chances are, unlike the Sleeping Beauty of the original fairy tale, you will never want the spell to be broken.
”
”
Kimberly Long Cockroft (Reading Beauty)
“
They were staggered to learn that a real tangible person, living in Minnesota, and married to their own flesh-and-blood relation, could apparently believe that divorce may not always be immoral; that illegitimate children do not bear any special and guaranteed form of curse; that there are ethical authorities outside of the Hebrew Bible; that men have drunk wine yet not died in the gutter; that the capitalistic system of distribution and the Baptist wedding-ceremony were not known in the Garden of Eden; that mushrooms are as edible as corn-beef hash; that the word "dude" is no longer frequently used; that there are Ministers of the Gospel who accept evolution; that some persons of apparent intelligence and business ability do not always vote the Republican ticket straight; that it is not a universal custom to wear scratchy flannels next the skin in winter; that a violin is not inherently more immoral than a chapel organ; that some poets do not have long hair; and that Jews are not always peddlers or pants-makers.
"Where does she get all them theories?" marveled Uncle Whittier Smail; while Aunt Bessie inquired, "Do you suppose there's many folks got notions like hers? My! If there are," and her tone settled the fact that there were not, "I just don't know what the world's coming to!
”
”
Sinclair Lewis (Main Street)
“
Your cruelties and mistakes may look damning to you, but that is not what I see. Every human conversation is more elegant and complex than the entire solar system that contains it. You have no idea how marvelous you are, but I am not only here to protect what you are now, I am here to protect what you will become. I can't tell you what that might be because I don't know. That unknown is a diamond in a universe of dirt. Uncertainty. Unpredictability. It is when you turn your emotions into art. It is BTS and the Sistine Chapel and Rumi's poetry and Ross Geller on the stairs yelling, 'Pivot.' Every creation great and small, they are our diamonds. And what you may be in two hundred years, we can guess with fair accuracy. What you are in two thousand . . . Oh, my friends . . . my best friends, you cannot know.
”
”
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
“
Do we know exactly who we are? The more urgently we quest for our authentic selves, the more they tend to recede. The Knight and Sancho, as the great work closes, know exactly who they are, not so much by their adventures as through their marvelous conversations, be they quarrels or exchanges of insights.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
After a moment, he said, in almost marveling tones, “Are you deranged?
”
”
Naomi Novik (Uprooted)
“
Without memories we wouldn't know who we are, how we once were, who we'd like to be in the memorable future. We are the sum of our memories.
”
”
Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
“
The magnetized mountain and the genie who swore to kill his benefactor are—who would deny it?—marvelous, but not so much more than the morning itself and the mere fact of being.
”
”
Jorge Luis Borges (Ficciones)
“
What marvel-inspiring forces of nature mothers truly are; somehow everything always comes back to and down to them.
”
”
Jaiya John (Black Baby White Hands: A View from the Crib)
“
I find it surreal, then perfectly normal. I'm struck by how fast the surreal becomes the norm. I marvel at how unexciting it is to be famous, how mundane famous people are. They're confused, uncertain, insecure, and often hate what they do. It's something we always hear - like that old adage that money can't buy happiness-but we never believe it until we see it ourselves. Seeing it in 1992 brings me a new measure of confidence.
”
”
Andre Agassi (Open)
“
...behind the scene, under the surface of reality, you are all actors, marvelously skilled at playing parts and in getting lost in the mazes of your own minds and the entanglements of your own affairs, as if this were the most urgent thing going on. But behind the scenes, in the green room - in the very back of your mind and the very depth of your soul - you always have a sneaking suspicion that you might not be the you that you think you are.
”
”
Alan W. Watts
“
The moderns, carrying little baggage of the kind that Shelly called "merely cultural," not even living in the traditional air, but breathing into their space helmets a scientific mixture of synthetic gases (and polluted at that) are the true pioneers. Their circuitry seems to include no atavistic domestic sentiment, they have suffered empathectomy, their computers hum no ghostly feedback of Home, Sweet Home. How marvelously free they are! How unutterably deprived!
”
”
Wallace Stegner (Angle of Repose)
“
People have to be secure in order to transfer their money to you. Never forget that. How you make them secure is to not come at them from above (action, yang) telling them how marvelous the product is and how marvelous you are. Instead, work on their comfort zone first, keeping silent for the most part, leading things along effortlessly by asking questions (nonaction, yin). When you do get to talk, be sure to tell them that everything is cozy, safe, and secure. People need to hear that. Work on their positive energy, and tell them about the good fortune that is about to descend upon them in these exciting and positive times. Then, and only then, mention the dumb screws.
”
”
Stuart Wilde (Infinite Self: 33 Steps to Reclaiming Your Inner Power)
“
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost.
To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are.
This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision.
High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
”
”
Fernando Pessoa (The Book of Disquiet)
“
And no matter how much the gray people in power despise knowledge, they can’t do anything about historical objectivity; they can slow it down, but they can’t stop it. Despising and fearing knowledge, they will nonetheless inevitably decide to promote it in order to survive. Sooner or later they will be forced to allow universities and scientific societies, to create research centers, observatories, and laboratories, and thus to create a cadre of people of thought and knowledge: people who are completely beyond their control, people with a completely different psychology and with completely different needs. And these people cannot exist and certainly cannot function in the former atmosphere of low self-interest, banal preoccupations, dull self-satisfaction, and purely carnal needs. They need a new atmosphere— an atmosphere of comprehensive and inclusive learning, permeated with creative tension; they need writers, artists, composers— and the gray people in power are forced to make this concession too. The obstinate ones will be swept aside by their more cunning opponents in the struggle for power, but those who make this concession are, inevitably and paradoxically, digging their own graves against their will. For fatal to the ignorant egoists and fanatics is the growth of a full range of culture in the people— from research in the natural sciences to the ability to marvel at great music. And then comes the associated process of the broad intellectualization of society: an era in which grayness fights its last battles with a brutality that takes humanity back to the middle ages, loses these battles, and forever disappears as an actual force.
”
”
Arkady Strugatsky (Hard to Be a God)
“
Oh, what marvelous egomaniacs you men are!
”
”
Nora Roberts
“
Four brothers,” Daphne said, shoving the wicket into the ground, “provide quite a marvelous education.”
“The things you must have learned,” Kate said, quite impressed. “Can you give a man a black eye? Knock him to the ground?”
Daphne grinned wickedly. “Ask my husband.”
“Ask me what?” the duke called out from where he and Colin were placing a wicket on a tree root on the opposite side of the tree.
“Nothing,” the duchess called out innocently. “I’ve also learned,” she whispered to Kate, “when it’s best just to keep one’s mouth shut. Men are much easier to manage once you understand a few basic facts about their nature.”
“Which are?” Kate prompted.
Daphne leaned forward and whispered behind her cupped hand, “They’re not as smart as we are, they’re not as intuitive as we are, and they certainly don’t need to know about fifty percent of what we do.”
She looked around. “He didn’t hear that, did he?”
Simon stepped out from behind the tree. “Every word.”
Kate choked on a laugh as Daphne jumped a foot.
“But it’s true,” Daphne said archly.
Simon crossed his arms. “I’ll let you think so.” He turned to Kate. “I’ve learned a thing or two about women over the years.”
“Really?” Kate asked, fascinated.
He nodded and leaned in, as if imparting a grave state secret. “They’re much easier to manage if one allows them to believe that they are smarter and more intuitive than men. And,” he added with a superior glance at his wife, “our lives are much more peaceful if we pretend that we’re only aware of about fifty percent of what they do.”
Colin approached, swinging a mallet in a low arc. “Are they having a spat?” he asked Kate.
“A discussion,” Daphne corrected.
“God save me from such discussions,” Colin muttered.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Young people have a marvelous faculty of either dying or adapting themselves to circumstances. Even if they are unhappy - very unhappy - it is astonishing how easily they can be prevented from finding it out, or at any rate from attributing it to any other cause than their own sinfulness.
To parents who wish to lead a quiet life I would say: Tell your children that they are naughty - much naughtier than most children. Point to the young people of some acquaintances as models of perfection and impress your own children with a deep sense of their own inferiority. You carry so many more guns than they do that they cannot fight you. This is called moral influence, and it will enable you to bounce them as much as you please. They think you know and they will not have yet caught you lying often enough to suspect that you are not the unworldly and scrupulously truthful person which you represent yourself to be; nor yet will they know how great a coward you are, nor how soon you will run away if they fight you with persistency and judgment. You keep the dice and throw them both for your children and yourself. Load them then, for you can easily manage to stop your children from examining them. Tell them how singularly indulgent you are; insist on the incalculable benefit you conferred upon them, firstly in bringing them into the world at all, but more particularly in bringing them into it as your own children rather than anyone else's... You hold all the trump cards, or if you do not you can filch them; if you play them with anything like judgment you will find yourselves heads of happy, united, God-fearing families... True, your children will probably find out all about it some day, but not until too late to be of much service to them or inconvenience to yourself.
”
”
Samuel Butler (The Way of All Flesh)
“
what allows us to behave as humans are our clothes, our homes, our cities, our stuff, which we animate through our customs and language. (This becomes clear if you ever visit a disaster zone.) The material world is not just a display of our technology and culture, it is part of us. We invented it, we made it, and in turn it makes us who we are.
”
”
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
“
Being a friend meant accepting those unknowable things. It meant saying, “Look! Look how big my leg is! And look how small yours is! Look how marvelously different we are, you and I, and yet here we are, together in this strange world!
”
”
Rachel Joyce (Miss Benson's Beetle)
“
I think', said Sally, 'it must be marvellous to be a novelist. You're frightfully dreamy and unpractical and unbusinesslike, and people imagine they can fairly swindle you as much as they want - and then you sit down and write a book about them which fairly shows them what swine they all are, and it's the most terrific success and you make pots of money.
”
”
Christopher Isherwood (Goodbye to Berlin)
“
It is possible that our race may be an accident, in a meaningless universe, living its brief life uncared-for, on this dark, cooling star: but even so -- and all the more -- what marvelous creatures we are! What fairy story, what tale from the Arabian Nights of the jinns, is a hundredth part as wonderful as this true fairy story of simians! It is so much more heartening, too, than the tales we invent. A universe capable of giving birth to many such accidents is -- blind or not -- a good world to live in, a promising universe.
”
”
Clarence Day Jr. (This Simian World)
“
I know it’s hard sometimes to recognize how truly beautiful you are, and how truly worthy of love you have always been and will always be. It’s hard sometimes to see the truth of your divinity amidst the closed, judgmental opinions of the outside world, and of your own critical mind. But your beauty and your worthiness have nothing to do with anyone’s opinions, or anyone’s mind, not even your own. Your real truth lives in the heart, and your heart, as big and open and generous as it is, will never stop marveling at your stunning existence.
”
”
Scott Stabile
“
You’re waiting for that magical day when someone makes the connection and recognizes who you really are. Maybe they’ll first catch the sparkle in your eye. Or perhaps they’ll marvel at your insights and the depth of your spirit. Someone who will help you connect the dots, believe in yourself, and make sense of it all. Someone who will understand you, approve of you, and unhesitatingly give you a leg up so that life can pluck your ready, ripened self from the branch of magnificence. Well, I’m here to tell you, your wait is over. That someone, is you.
”
”
Mike Dooley (Notes from the Universe: New Perspectives from an Old Friend)
“
The function of education, then, is to help you from childhood not to imitate anybody, but to be yourself all the time. And this is a most difficult thing to do: whether you are ugly or beautiful, whether you are envious or jealous, always to be what you are, but understand it. To be yourself is very difficult, because you think that what you are is ignoble, and that if you could only change what you are into something noble it would be marvellous; but that never happens. Whereas, if you look at what you actually are and understand it, then in that very understanding there is a transformation. So freedom lies, not in trying to become something different, nor in doing whatever you happen to feel like doing, nor in following the authority of tradition, of your parents, of your guru, but in understanding what you are from moment to moment.
”
”
J. Krishnamurti (Think on These Things)
“
I marvelled, not for the first time, at the cruel complacency of ordinary things. But no, not cruel, not complacent, only indifferent, as how could they be otherwise? Henceforth, I would have to address things as they are, not as I imagine them, for this was a new version of reality.
”
”
John Banville (The Sea)
“
No one’s life should be rooted in fear. We are born for wonder, for joy, for hope, for love, to marvel at the mystery of existence, to be ravished by the beauty of the world, to seek truth and meaning, to acquire wisdom, and by our treatment of others to brighten the corner where we are.
”
”
Dean Koontz (Life Expectancy)
“
Well, they’re right,” I told her. “But do you know how lovely you are?” She looked confused. “Do you mean pretty?” “Yes, but in a way where I can see it.” I lifted a hand and touched a finger to her heart. “And I can feel it because you’re pretty inside too.” She seemed to marvel at that. “No one ever told me I was pretty inside.” “Well, you are and don’t ever stop being that way because it really doesn’t matter what you look like on the outside. It only matters how you are on the inside.
”
”
Kristen Ashley (The Time in Between (Magdalene, #3))
“
How cross you are!’ marvelled Miss Thane. ‘I suppose when one reaches middle age it is difficult to sympathize with the follies of youth.’
Sir Tristram had walked over to the other side of the room to pick up his coat and hat, but this was too much for him, and he turned and said with undue emphasis: ‘It may interest you to know, ma’am, that I am one-and-thirty years old, and not yet in my dotage!’
‘Why, of course not!’ said Miss Thane soothingly. ‘You have only entered upon what one may call the sober time of life. Let me help you to put on your coat!’
‘Thank you,’ said Sir Tristram. ‘Perhaps you would also like to give me the support of your arm as far as to the door?
”
”
Georgette Heyer (The Talisman Ring)
“
I had drawn you as Paris in dainty armour, and as Adonis with huntsman's cloak and polished boar-spear. Crowned with heavy lotus-blossoms you had sat on the prow of Adrian's barge, gazing across the green turbid Nile. You had leaned over the still pool of some Greek woodland and seen in the water's silent silver the marvel of your own face. And it had all been what art should be—unconscious, ideal, and remote. One day, a fatal day I sometimes think, I determined to paint a wonderful portrait of you as you actually are, not in the costume of dead ages, but in your own dress and in your own time.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Leave home. Fail marvelously, and succeed even better. Kick your feet up and wonder when you will be back. Stay out late. Make telephone calls from unfamiliar street corners. When your mother’s voice comes from far away and asks where you are, squint down the road and tell her you aren’t sure. Make uncertainty your home. Put the mat out for yourself. Look at your watch and think of how you’re almost home.
”
”
Nick Burd (The Letter Q: Queer Writers' Notes to their Younger Selves)
“
They take my breath away, Killian. How grand and marvelous, how utterly magnificent they are. I have never beheld such an astounding, impressive sight. Apart from seeing you unclothed, of course," she added.
”
”
Leigh Ann Edwards (The Witch's Daughter (Irish Witch #2))
“
Addy,” said Mrs. Kaur. “I’ll still have to log it, and account for it later.”
“Blame me,” said Robin at once.
One thick black eyebrow arched.
Miss Morrissey leaned forward and smiled at her sister. “Would you say Sir Robert is a threatening figure?”
“Er,” said Mrs. Kaur. It was the most diplomatic single syllable Robin had ever heard.
“Are you afraid for your maidenly virtue?”
“I’m married, Addy,” said Kitty Kaur dryly. “I have none.” She eyed Robin. “He does seem the kind of well-built, pugnacious fellow who would follow through on a threat of bodily harm.”
“I beg your pardon,” Robin began to protest, and then the penny dropped. “Oh. Would it help if I raised my voice?”
“Yes, that would do nicely. Sir Robert strong-armed my sister into bringing him here to seek my help, and threatened us with harm unless I abused my access to the lockroom in order to locate Mr. Courcey. Overcome by concern for his friend, of course, but still. Most brutish behavior.”
“And we are but feeble women,” said Miss Morrissey. “Woe.”
“Your sister is a magician,” Robin said, pointing out what seemed the largest hole in this story.
“Woe,” said Mrs. Kaur firmly, and Robin recalled what Miss Morrissey had said about the assumptions made by men.
”
”
Freya Marske (A Marvellous Light (The Last Binding, #1))
“
And it's so pretty and secluded," went on Mrs. Digby, "with these glorious rhododendrons. Look how pretty they are, all sprayed with the water--like fairy jewels--and the rustic seat against those dark cypresses at the back. Really Italian. And the scent of the lilac is so marvellous!"
Mr. Spiller knew that the cypresses were, in fact, yews, but he did not correct her. A little ignorance was becoming in a woman.
”
”
Dorothy L. Sayers (Hangman's Holiday: A Collection of Short Mysteries (Lord Peter Wimsey # 9))
“
Because you learn things when you talk to people, especially people who aren't like you. You learn what a goddamned polyglot race we are, we marvelous human beings. Some people are friendly. Some people are gruff. Some want security. Others want independence. Some want the government to run things. Some want to run things on their own. Some people need a helping hand. Some people need a kick in the pants. Some want to live and to die in the same small town. Some want to ramble the wide world. Some are content with little. Some cannot stop striving. Some want to life beside a true love, to worship a single god. Some crave a universe of loves, a universe of gods. I could go on and on. The differences between them, between me and you, between you and the woman sitting next to you at the hairdresser, wearing that dress you'd never wear in a million years, reading that book you wouldn't touch. The genius of politics, of people like Frank, is to link them all, understand them all, to represent them all. Not just the ones you agree with, the ones that think and act like you do.
”
”
Beatriz Williams (Tiny Little Thing (Schuyler Sisters, #2))
“
In your travels, do not draw your attention to those stones in the dirt that cause your feet to ache. But rather draw your attention to the loveliness of all that does surround you. Marvel at the blades of grass that seem to turn silk under the loom of golden leaves that share with you the sun’s warmth and ponder the impression of that morning fog whose kiss good morning gently asks Mother Nature to arise so that her spirit can bask in the beauty of her own imagination as she gazes into the distance, not in fear, but in awe of that beauty which will cause the imagination to create all endless possibilities that the spirit knows to already exist. Remember that your spirit is not a device that heeds to walls and streets that tell you where to go. Your spirit is your attention drawn to that beauty in the distance that only you can look to. Your spirit is connected to your environment by the imagination and the travel that you possess. Walk with your spirit in front of you and you will become part of that beauty in the distance that causes you to marvel with gladness. You will always be beautiful because this is who you are.
”
”
Luccini Shurod (The Painter)
“
Where’d it go? I said.
Where’d what go? She said.
The ring, I said.
What ring? She said.
She got straight down and looked in the pool : she saw the winged thing.
That’s not a ring, she said. That’s a seed.
I told her what happened : she laughed.
Oh, she said. That sort of ring. I thought you meant a ring for a finger, like a wedding ring or a gold ring.
My eyes filled with tears and she saw.
Why are you crying? She said. Don’t cry. Your sort of ring is much better than those.
It went, I said. It’s gone.
Ah, she said. Is that why you’re crying? But it hasn’t gone at all. And that’s why it’s better than gold. It hasn’t gone, it’s just that we can’t see it any more. In fact, it’s still going, still growing. It’ll never stop going, or growing wider and wider, the ring you saw. You were lucky to see it at all. Cause when it got to the edge of the puddle it left the puddle and entered the air instead, it went invisible. A marvel. Didn’t you feel it go through you? No? But I did, you’re inside it now. I am too. We both are. And the yard. And the brickpiles. And the sandpiles … See how far your eye can go. … It’s passing through them and nothing and nobody will feel a thing but there it is doing it nonetheless. … The ring you saw in the water’ll never stop travelling till the edge of the world and then when it reaches the edge it’ll go beyond that too. Nothing can stop it.
”
”
Ali Smith (How to be Both)
“
The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.
”
”
Horace Mann (A Few Thoughts For A Young Man)
“
Ensor sees with his imagination, but his vision is perfectly accurate, of an almost geometric precision. He is one of the very few who can really see. Like you, he has an obsession with masks; he is a seer as you and I are. The common herd, of course thinks that he is mad.
*****************
You shall see what sort of man Ensor is, and what a marvellous insight he has into the invisible realm where our vices are created... those vices for which our faces make masks.
”
”
Jean Lorrain (Monsieur de Phocas)
“
At first all was well. In fact, all was terrific. The Takers were pedaling away and the wings of their craft were flapping beautifully. They felt wonderful, exhilarated. They were experiencing the freedom of the air: freedom from restraints that bind and limit the rest of the biological community. And with that freedom came marvels—all the things you mentioned the other day: urbanization, technology, literacy, mathematics, science. “Their flight could never end, it could only go on becoming more and more exciting. They couldn’t know, couldn’t even have guessed that, like our hapless airman, they were in the air but not in flight. They were in free fall, because their craft was simply not in compliance with the law that makes flight possible. But their disillusionment is far away in the future, and so they’re pedaling away and having a wonderful time. Like our airman, they see strange sights in the course of their fall. They see the remains of craft very like their own—not destroyed, merely abandoned—by the Maya, by the Hohokam, by the Anasazi, by the peoples of the Hopewell cult, to mention only a few of those found here in the New World. ‘Why,’ they wonder, ‘are these craft on the ground instead of in the air? Why would any people prefer to be earthbound when they could have the freedom of the air, as we do?’ It’s beyond comprehension, an unfathomable mystery.
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit)
“
I sometimes marvel at how far I’ve come - blissful, even, in the knowledge that I am slowly becoming a well-evolved human being - only to have the illusion shattered by an episode of bad behaviour that contradicts the new and reinforces the old. At these junctures of self-reflection, I ask the question: “are all my years of hard work unraveling before my eyes, or am I just having an episode?” For the sake of personal growth and the pursuit of equanimity, I choose the latter and accept that, on this journey of evolution, I may not encounter just one bad day, but a group of many.
”
”
B.G. Bowers (Death and Life)
“
You must let him love you as you are, not as you intend to be. Let him love you as you are, without a single plea for reform. It is all about grace, Tim. All of life is grace. We deserve nothing; we are given everything. Until now you have only experienced the drippings of grace. You have longed for the real thing, like the longing for the scent of a flower you have never been able to find, or the echo of a tune you have not yet heard, or news from a country you have never visited. Well, now you have found it. Grace is the thing you have been searching for, and it is all around you.
”
”
James Bryan Smith (Room of Marvels: A Novel)
“
I took a minute to marvel at the space he'd been given. Tall ceilings that sloped with the ceiling of the turret. A full-sized bed, chairs and a coffee table, a pair of casement windows that overlooked the St. Genesius chapel. The walls were plastered white. A fireplace at the far corner was heaped with wood, and I walked over to touch it. It looked a hundred years old.
Watson leaned against the wall. "I want to use that to dramatically burn a letter at least once before this program's over."
"Fireplaces," I informed him, "are wasted on teenage boys."
"I'm not arguing with you there.
”
”
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
“
We carry old secrets too painful to utter, too shameful to acknowledge, too burdensome to bear, of failures we cannot undo, of alienations we regret but cannot fix, of grandiose exhibits we cannot curb. And you know them. You know them all. And so we take a deep sigh in your presence, no longer needing to pretend and cover up and deny. We mostly do not have big sins to confess, only modest shames that do not fit our hoped-for selves. And then we find that your knowing is more powerful than our secrets. You know and do not turn away, and our secrets that seemed too powerful are emptied of strength, secrets that seemed too burdensome are now less severe. We marvel that when you find us out you stay with us, taking us seriously, taking our secrets soberly, but not ultimately, overpowering our little failure with your massive love and abiding patience. We long to be fully, honestly exposed to your gaze of gentleness. In the moment of your knowing we are eased and lightened, and we feel the surge of joy move in our bodies, because we are not ours in cringing but yours in communion. We are yours and find the truth before you makes us free for wonder, love, and praise—and new life.
”
”
Walter Brueggemann (Prayers for a Privileged People)
“
Perhaps the largest single trouble with our abundance of possessions is the fact that so many of them are owned, not because of what they are, but because of what they confer on us. They are there, but we seldom look at them. We have so much, but we love precious little of it for itself. After the itch of the mind has been scratched, matter itself goes into the discard; the junkyard is the true monument of our society. We have the most marvelous garbage the world has ever produced. Literally. Have you ever looked hard at a tin can? Don't. It will break your heart to throw it out, all silver and round and handy. But the truth is you have to throw it out. We produce so much that there isn't time or room to keep it. What is sad, though, is that the knack of wonder goes into the trash can with it. The tinfoil collectors and the fancy ribbon savers may be absurd, but they're not crazy. They are the ones who still retain the capacity for wonder that is at the root of caring
”
”
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
“
All through our education we are being taught a kind of reverse mindfulness. A kind of Future Studies where- via the guise of mathematics, or literature, or history, or computer programming, or French- we are being taught to think of a time different to the time we are in. Exam time. Job time. When-we-are-grown-up time.
To see the act of learning as something not for its own sake but because of what it will get you reduces the wonder of humanity. We are thinking, feeling, art-making, knowledge-hungry, marvelous animals, who understand ourselves and our world through the act of learning. It is an end in itself. It has far more to offer than the things it lets us write on application forms. It is a way to love living right now.
”
”
Matt Haig (Notes on a Nervous Planet)
“
Perfect is not defined by people who make money out of your insecurities, nor is it defined by a male gaze or the opinions of those who wish to demean you. Perfect is what you are when you are listening only to the beat of your own heart, the sound of your own feet on the road ahead of you, the one pure voice that exists inside you telling you that you are fine, just the way you are.
”
”
Lisa Jewell (Breaking the Dark (Marvel Crime, #1))
“
We live in a story in our heads that is always trying to get us to “do” life, dictating to us, telling us we need to make ourselves and our lives better or different from what they are. In our endless trying, we have forgotten how to be. We have forgotten how to open to the marvelous and magical adventure of life. We have forgotten how to trust ourselves, to trust our lives, and to live in joy.
”
”
Mary O'Malley
“
Most of our elderly English painters spend their wicked and wasted lives in poaching upon the domain of the poets, marring their motives by clumsy treatment, and striving to render, by visible form or colour, the marvel of what is invisible, the splendour of what is not seen. Their pictures are, as a natural consequence, insufferably tedious. They have degraded the invisible arts into the obvious arts.
”
”
Oscar Wilde (The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything (Green Integer))
“
Listening, not jargon, is the path into the heart of music. And if we listen at a deep enough level, we enter into the magic of the song - no degrees or formal credentials required.
[...] [C]areful listening can demystify virtually all of the intricacies and marvels of jazz. [...] [T]he people who first gave us jazz did so without much formal study - and, in some instances, with none at all. But they knew how to listen.
”
”
Ted Gioia (How to Listen to Jazz)
“
The largest, and most provocative, sense in which a technological singularity might be an existential opportunity can only be grasped by stepping outside the human perspective altogether and adopting a more cosmological point of view. It is surely the height of anthropocentric thinking to suppose that the story of matter in this corner of the universe climaxes with human society and the myriad living brains embedded in it, marvelous as they are. Perhaps matter still has a long way to go on the scale of complexity. Perhaps there are forms of consciousness yet to arise that are, in some sense, superior to our own. Should we recoil from this prospect, or rejoice in it? Can we even make sense of such an idea? Whether or not the singularity is near, these are questions worth asking, not least because in attempting to answer them we shed new light on ourselves and our place in the order of things.
Murray Shanahan
”
”
Murray Shanahan (The Technological Singularity)
“
My throat raw with emotion, I said, “I thought love was supposed to be weak knees and butterflies in your stomach and a terrible longing that could never be quenched.” Eeny shook her head, chuckled, came over and embraced me. “No, child,” she said gently, patting my back. “That’s romance. Romance is built on doubt. Love is solid. Constant. If you’re not careful, you might mistake it for bein’ boring because it’s so reliable. Love is warm and deep and comfortable, just right, so you float in it peacefully without ever being scalded or frozen, like a perfect, relaxing bubble bath. “But it’s also fierce and strong and demands all the best parts of you, the parts that are giving and honest and true. Love makes you a better person. It makes you want to be a better person. You know it’s love when you feel comfortable just as you are, when you feel seen and understood, when you know you could tell all your darkest truths and they’d be accepted without judgement.” Eeny pulled away and gently smoothed a hand over my hair. “Love isn’t butterflies, boo. It isn’t weak knees. It’s a pride of lions. It’s a pack of wolves. It’s ‘I’ve got your back even if it costs me my own life,’ because unlike romance that fizzles at the first sign of trouble, love will fight to the death. When it’s love, you’ll go to war to avenge even the slightest offense. And you’ll be justified. “Because of all the marvelous and terrible things we can experience in this life, love is the only one that will last beyond it.
”
”
J.T. Geissinger (Burn for You (Slow Burn, #1))
“
The great archetypal stories provide a framework or model for an individual's belief system. They are, in Isak Dinesen's marvelous expression, 'a serious statement of our existence.' The stories and tales handed down to us from the cultures that proceded us were the most serious, succinct expressions of the accumulated wisdom of those cultures. They were created in a symbolic, metaphoric story language and then hones by centuries of tongue-polishing to a crystalline perfection....
"And if we deny our children their cultural, historic heritage, their birthright to these stories, what then? Instead of creating men and women who have a grasp of literary allusion and symbolic language, and a metaphorical tool for dealing with the problems of life, we will be forming stunted boys and girls who speak only a barren language, a language that accurately reflects their equally barren minds. Language helps develop life as surely as it reflects life. It is the most important part of the human condition.
”
”
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
“
It took me many more years of prospective follow-up, and many more years of emotional growth, to learn to take love seriously. What it looks like—God, a nurse, a child, a good Samaritan, or any of its other guises—is different for everybody. But love is love. At age seventy-five, Camille took the opportunity to describe in greater detail how love had healed him. This time he needed no recourse to Freud or Jesus. Before there were dysfunctional families, I came from one. My professional life hasn’t been disappointing—far from it—but the truly gratifying unfolding has been into the person I’ve slowly become: comfortable, joyful, connected and effective. Since it wasn’t widely available then, I hadn’t read that children’s classic, The Velveteen Rabbit, which tells how connectedness is something we must let happen to us, and then we become solid and whole. As that tale recounts tenderly, only love can make us real. Denied this in boyhood for reasons I now understand, it took me years to tap substitute sources. What seems marvelous is how many there are and how restorative they prove. What durable and pliable creatures we are, and what a storehouse of goodwill lurks in the social fabric. . . . I never dreamed my later years would be so stimulating and rewarding. That convalescent year, transformative though it was, was not the end of Camille’s story. Once he grasped what had happened, he seized the ball and ran with it, straight into a developmental explosion that went on for thirty years. A
”
”
George E. Vaillant (Triumphs of Experience: The Men of the Harvard Grant Study)
“
She’d just come back when Marvel tapped the computer screen and said, “See, what happened was, this guy, Representative Diller, got the licensing fees on semi-trailers reduced by about half, so they’d supposedly be in line with what they were in the surrounding states. He said he wanted to do that so the trucking companies wouldn’t move out of Minnesota. But what you see over here is a bunch of 1099 forms that were sent by trucking companies to Sisseton High-Line Consulting, LLC, of Sisseton, South Dakota. Over here is the South Dakota LLC form and we find out that a Cheryl Diller is the president of Sisseton High-Line Consulting. And we see that she got, mmm, fifty-five thousand dollars for consulting work that year, from trucking companies.” “So if these two Dillers are related . . .” Lucas began. “I promise you, they are,” Marvel said. Kidd said, “Marvel’s a state senator. In Arkansas.” Marvel added, “This shit goes on all the time. On everything you can think of, and probably a lot you can’t think of.
”
”
John Sandford (Silken Prey (Lucas Davenport #23))
“
Chapter I. Ignorance is Strength. Throughout recorded time, and probably since the end of the Neolithic Age, there have been three kinds of people in the world, the High, the Middle and the Low. They have been subdivided in many ways, they have borne countless different names, and their relative numbers, as well as their attitude towards one another, have varied from age to age: but the essential structure of society has never altered. Even after enormous upheavals and seemingly irrevocable changes, the same pattern has always reasserted itself, just as a gyroscope will always return to equilibrium, however far it is pushed one way or the other. ‘Julia, are you awake?’ said Winston. ‘Yes, my love, I’m listening. Go on. It’s marvellous.’ He continued reading: The aims of these three groups are entirely irreconcilable. The aim of the High is to remain where they are. The aim of the Middle is to change places with the High. The aim of the Low, when they have an aim—for it is an abiding characteristic of the Low that they are too much crushed by drudgery to be more than intermittently conscious of anything outside their daily lives—is to abolish all distinctions and create a society in which all men shall be equal. Thus throughout history a struggle which is the same in its main outlines recurs over and over again. For long periods the High seem to be securely in power, but sooner or later there always comes a moment when they lose either their belief in themselves or their capacity to govern efficiently, or both. They are then overthrown by the Middle, who enlist the Low on their side by pretending to them that they are fighting for liberty and justice. As soon as they have reached their objective, the Middle thrust the Low back into their old position of servitude, and themselves become the High. Presently a new Middle group splits off from one of the other groups, or from both of them, and the struggle begins over again. Of the three groups, only the Low are never even temporarily successful in achieving their aims. It would be an exaggeration to say that throughout history there has been no progress of a material kind. Even today, in a period of decline, the average human being is physically better off than he was a few centuries ago. But no advance in wealth, no softening of manners, no reform or revolution has ever brought human equality a millimetre nearer. From the point of view of the Low, no historic change has ever meant much more than a change in the name of their masters.
”
”
George Orwell (1984)
“
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
”
”
David Foster Wallace (Infinite Jest)
“
Partly for this reason Sir Thomas Gresham had recently built the Royal Exchange, the most fabulous commercial building of its day. (Gresham is traditionally associated with Gresham’s law—that bad money drives out good—which he may or may not actually have formulated.) Modeled on the Bourse in Antwerp, the Exchange contained 150 small shops, making it one of the world’s first shopping malls, but its primary purpose and virtue was that for the first time it allowed City merchants—some four thousand of them—to conduct their business indoors out of the rain. We may marvel that they waited so long to escape the English weather, but there we are.
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Bill Bryson (Shakespeare: The World as Stage)
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My throat raw with emotion, I said, “I thought love was supposed to be weak knees and butterflies in your stomach and a terrible longing that could never be quenched.”
Eeny shook her head, chuckled, came over and embraced me. “No, child,” she said gently, patting my back. “That’s romance. Romance is built on doubt. Love is solid. Constant. If you’re not careful, you might mistake it for bein’ boring because it’s so reliable. Love is warm and deep and comfortable, just right, so you float in it peacefully without ever being scalded or frozen, like a perfect, relaxing bubble bath.
“But it’s also fierce and strong and demands all the best parts of you, the parts that are giving and honest and true. Love makes you a better person. It makes you want to be a better person. You know it’s love when you feel comfortable just as you are, when you feel seen and understood, when you know you could tell all your darkest truths and they’d be accepted without judgement.”
Eeny pulled away and gently smoothed a hand over my hair. “Love isn’t butterflies, boo. It isn’t weak knees. It’s a pride of lions. It’s a pack of wolves. It’s ‘I’ve got your back even if it costs me my own life,’ because unlike romance that fizzles at the first sign of trouble, love will fight to the death. When it’s love, you’ll go to war to avenge even the slightest offense. And you’ll be justified.
“Because of all the marvelous and terrible things we can experience in this life, love is the only one that will last beyond it.
”
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J.T. Geissinger
“
Where were you yesterday?"
"Yesterday? Where was I-let me see...."
"I thought you took a powder."
"Me? How could that be?"
"You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit.
"But you did leave town yesterday," said Ramona.
"How do you know-are you having me tailed by a private eye?"
"Miss Schwartz saw you in Grand Central with a valise in your hand."
"Who?
Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona."
"Oh..." said Herzog.
Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim.
"Well, were you running away?" she said.
"Why should I? You're a marvelous woman, Ramona."
"In that case you're being very odd, Moses."
"Well, I suppose I am one of the odder beasts."
"But I know better than to be proud and demanding.”
“Life has taught me to be humble."
Moses shut his eyes and raised his brows. Here we go.
"Perhaps you feel a natural superiority because of your education."
"Education! But I don't know anything..."
"Your accomplishments. You're in Who's Who.
I'm only a merchant-a petit-bourgeois type."
"You don't really believe this. Ramona."
"Then why do you keep aloof, and make me chase you?
I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement."
"A high-minded intellectual ninny, square ..."
"Who?"
"Myself, I mean."
She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.”
“Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything.
Ramona paused, and Herzog said, "It's true-I have a lot to learn.”
Excerpt From: Bellow, Saul. “Herzog.” iBooks.
This material may be protected by copyright.
”
”
Saul Bellow (Herzog)
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April 1 Heartiness v. Heartlessness towards Others It is Christ . . . who also maketh intercession for us. . . . The Spirit . . . maketh intercession for the saints. Romans 8:34, 27 Do we need any more argument than this to become intercessors—that Christ “ever liveth to make intercession”; that the Holy Spirit “maketh intercession for the saints”? Are we living in such vital relationship to our fellow men that we do the work of intercession as the Spirit-taught children of God? Begin with the circumstances we are in—our homes, our business, our country, the present crisis as it touches us and others—are these things crushing us? Are they badgering us out of the presence of God and leaving us no time for worship? Then let us call a halt, and get into such living relationship with God that our relationship to others may be maintained on the line of intercession whereby God works His marvels. Beware of outstripping God by your very longing to do His will. We run ahead of Him in a thousand and one activities, consequently we get so burdened with persons and with difficulties that we do not worship God, we do not intercede. If once the burden and the pressure come upon us and we are not in the worshipping attitude, it will produce not only hardness toward God but despair in our own souls. God continually introduces us to people for whom we have no affinity, and unless we are worshipping God, the most natural thing to do is to treat them heartlessly, to give them a text like the jab of a spear, or leave them with a rapped-out counsel of God and go. A heartless Christian must be a terrible grief to Our Lord. Are we in the direct line of the intercession of our Lord and of the Holy Spirit?
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Oswald Chambers (My Utmost for His Highest)
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However, the many-instants interpretation puts an intriguingly different slant on causality, suggesting that it operates in nothing like the way we normally believe it to. In both classical physics and Everett's original scheme, what happens now is the consequence of the past. But with many instants, each Now 'competes' with all other Nows in a timeless beauty contest to win the highest probability. The ability of each Now to 'resonate' with the other Nows is what counts. Its chance to exist is determined by what it is in itself. The structure of things is the determining power in a timeless world.
The same applies to us, for our conscious instants are embedded in the Nows. The probability of us experiencing ourselves doing something is just the sum of the probabilities for all the different Nows in which that experience is embedded. Everything we experience is brought into existence by being what it is. Our very nature determines whether we shall or shall not be. I find that consoling. We are because of what we are. our existence is determined by the way we relate to (or resonate with) everything else that can be. Although Darwinism is a marvellous theory, and I greatly admire and respect Richard Dawkins's writings, one day the theory of evolution will be subsumed in a greater scheme, just as Newtonian mechanics was subsumed in relativity without in any way ceasing to be great and valid science. For this reason, and for the remarks just made, I do not think that we are robots or that anything happens by chance. That view arises because we do not have a large enough perspective on things. We are the answers to the question of what can be maximally sensitive to the totality of what is possible. That is quite Darwinian. Species, ultimately genes, exist only if they fit in an environment. Platonia is the ultimate environment.
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Julian Barbour
“
Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.
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Arthur Conan Doyle (The Complete Sherlock Holmes)
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Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
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Oscar Wilde (The Picture of Dorian Gray)
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Historically, holism had been a break from the reductionist methods of science. Holism (...) is a way of viewing the universe as a web of interactions and relationships. Whole systems (and the universe can be seen as an overarching system of systems) have properties beyond those of their parts. All things are, in some sense, alive, or a part of a living system; the real world of mind and matter, body and consciousness, cannot be understood by reducing it to pieces and parts. 'Matter is mind' – this is perhaps the holists' quintessential belief. The founding theories of holism had tried to explain how mind emerges from the material universe, how the consciousness of all things is interconnected.
The first science, of course, had failed utterly to do this. The first science had resigned human beings to acting as objective observers of a mechanistic and meaningless universe. A dead universe. The human mind, according to the determinists, was merely the by-product of brain chemistry. Chemical laws, the way the elements combine and interact, were formulated as complete and immutable truths. The elements themselves were seen as indivisible lumps of matter, devoid of consciousness, untouched and unaffected by the very consciousnesses seeking to understand how living minds can be assembled from dead matter. The logical conclusion of these assumptions and conceptions was that people are like chemical robots possessing no free will. No wonder the human race, during the Holocaust Century, had fallen into insanity and despair.
Holism had been an attempt to restore life to this universe and to reconnect human beings with it. To heal the split between self and other. (...) Each quantum event, each of the trillions of times reality's particles interact with each other every instant, is like a note that rings and resonates throughout the great bell of creation. And the sound of the ringing propagates instantaneously, everywhere at once, interconnecting all things. This is a truth of our universe. It is a mystical truth, that reality at its deepest level is an undivided wholeness. It has been formalized and canonized, and taught to the swarms of humanity searching for a fundamental unity. Only, human beings have learned it as a theory and a doctrine, not as an experience. A true holism should embrace not only the theory of living systems, but also the reality of the belly, of wind, hunger, and snowworms roasting over a fire on a cold winter night. A man or woman (or child) to be fully human, should always marvel at the mystery of life. We each should be able to face the universe and drink in the stream of photons shimmering across the light-distances, to listen to the ringing of the farthest galaxies, to feel the electrons of each haemoglobin molecule spinning and vibrating deep inside the blood. No one should ever feel cut off from the ocean of mind and memory surging all around; no one should ever stare up at the icy stars and feel abandoned or alone. It was partly the fault of holism that a whole civilization had suffered the abandonment of its finest senses, ten thousand trillion islands of consciousness born into the pain and promise of neverness, awaiting death with glassy eyes and murmured abstractions upon their lips, always fearing life, always longing for a deeper and truer experience of living.
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David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))
“
Did you ever consider how ridiculous it would be to try to cram on a farm—to forget to plant in the spring, play all summer and then cram in the fall to bring in the harvest? The farm is a natural system. The price must be paid and the process followed. You always reap what you sow; there is no shortcut. This principle is also true, ultimately, in human behavior, in human relationships. They, too, are natural systems based on the law of the harvest. In the short run, in an artificial social system such as school, you may be able to get by if you learn how to manipulate the man-made rules, to “play the game.” In most one-shot or short-lived human interactions, you can use the Personality Ethic to get by and to make favorable impressions through charm and skill and pretending to be interested in other people’s hobbies. You can pick up quick, easy techniques that may work in short-term situations. But secondary traits alone have no permanent worth in long-term relationships. Eventually, if there isn’t deep integrity and fundamental character strength, the challenges of life will cause true motives to surface and human relationship failure will replace short-term success. Many people with secondary greatness—that is, social recognition for their talents—lack primary greatness or goodness in their character. Sooner or later, you’ll see this in every long-term relationship they have, whether it is with a business associate, a spouse, a friend, or a teenage child going through an identity crisis. It is character that communicates most eloquently. As Emerson once put it, “What you are shouts so loudly in my ears I cannot hear what you say.” There are, of course, situations where people have character strength but they lack communication skills, and that undoubtedly affects the quality of relationships as well. But the effects are still secondary. In the last analysis, what we are communicates far more eloquently than anything we say or do. We all know it. There are people we trust absolutely because we know their character. Whether they’re eloquent or not, whether they have the human relations techniques or not, we trust them, and we work successfully with them. In the words of William George Jordan, “Into the hands of every individual is given a marvelous power for good or evil—the silent, unconscious, unseen influence of his life. This is simply the constant radiation of what man really is, not what he pretends to be.
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Stephen R. Covey (The 7 Habits of Highly Effective People)
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But it hasn’t gone at all. And that’s why it’s better than gold. It hasn’t gone, it’s just that we can’t see it any more. In fact, it’s still going, still growing. It’ll never stop going, or growing wider and wider, the ring you saw. You were lucky to see it at all. Cause when it got to the edge of the puddle it left the puddle and entered the air instead, it went invisible. A marvel. Didn’t you feel it go through you? No? But it did, you’re inside it now. I am too. We both are. And the yard. And the brickpiles. And the sandpiles. And the firing shed. And the houses. And the horses, and your father, your uncle, and your brothers, and the workmen, and the street. And the other houses. And the walls, and the gardens and houses, the churches, the palace tower, the top of the cathedral, the river, the fields behind us, the fields way over there, see? See how far your eye can go. See the tower and the houses in the distance? It’s passing through them and nothing and nobody will feel a thing but there it is doing it nonetheless. And imagine it circling the fields and the farms we can’t see from here. And the towns beyond those fields and farms all the way to the sea. And across the sea. The ring you saw in the water’ll never stop travelling till the edge of the world and then when it reaches the edge it’ll go beyond that too. Nothing can stop it. She looked down into the horse piss.
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Ali Smith (How to Be Both)