“
Beneath the makeup and behind the smile I am just a girl who wishes for the world.
”
”
Marilyn Monroe
“
It's so curious: one can resist tears and 'behave' very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer... and everything collapses.
”
”
Colette Gauthier-Villars
“
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.
She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.
You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
”
”
Rosemarie Urquico
“
I'm the girl who is lost in space, the girl who is disappearing always, forever fading away and receding farther and farther into the background. Just like the Cheshire cat, someday I will suddenly leave, but the artificial warmth of my smile, that phony, clownish curve, the kind you see on miserably sad people and villains in Disney movies, will remain behind as an ironic remnant. I am the girl you see in the photograph from some party someplace or some picnic in the park, the one who is in fact soon to be gone. When you look at the picture again, I want to assure you, I will no longer be there. I will be erased from history, like a traitor in the Soviet Union. Because with every day that goes by, I feel myself becoming more and more invisible...
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”
My scalp prickled where his fingers had been. “You haven’t,” I said.
“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”
“No,” I said.
“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”
“That you have told me.” My breath caught a little as I spoke.
“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”
“You have.”
“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”
“You did not.”
“There is this too.” His hand was ceaseless now. “I know I have told you of this.”
I closed my eyes. “Tell me again,” I said.
”
”
Madeline Miller (The Song of Achilles)
“
And there it is, against all hope, like the sun peeking out from behind the clouds. The smallest hint of a smile.
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
Say something in Mandarin,” said Tessa, with a smile.
Jem said something that sounded like a lot of breathy vowels and
consonants run together, his voice rising and falling melodically: “Ni
hen piao liang.”
“What did you say?” Tessa was curious.
“I said your hair is coming undone — here,” he said, and reached out
and tucked an escaping curl back behind her ear. Tessa felt the blood
spill hot up into her face, and was glad for the dimness of the
carriage. “You have to be careful with it,” he said, taking his hand
back, slowly, his fingers lingering against her cheek.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Frank heard a laugh behind him. He glanced back and couldn't believe what he saw. Nico di Angelo was actually smiling.
"That's more like it," Nico said. "Let's turn this tide!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see.
“Five dollars says you can’t do it again,” I said, coming up behind him.
Patch looked back and grinned. “I don’t want your money, Angel.”
“Hey now, kids, let’s keep this discussion PG-rated,” Rixon said.
“All three remaining pins,” I challenged Patch.
“What kind of prize are we talking about?” he asked.
“Bloody hell,” Rixon said. “Can’t this wait until you’re alone?”
Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table.
“Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
“You got lucky,” I said.
“I’m about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Honestly, as much as I love my brother, I’m not sure how I feel about him hanging out in your bedroom.” He reached out with a muscular arm and used his fingers to brush a few strands of hair off my cheek, tucking them behind my ear. I shivered, and he smiled. “I feel like I need to mark my territory.” “Shut up.” “Oh, I love it when you get all bossy-pants. It’s sexy.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
He was looking at her from behind the smiling that wasn't smiling but was something you were not supposed to see beyond.
”
”
William Faulkner
“
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice. "You want me bad.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
Are you ever afraid to go to sleep? Afraid of what comes next?”
He smiles a sad little smile and I swear it’s like he knows. “Sometimes I’m afraid of what I’m leaving behind,” he says.
”
”
Lauren Oliver (Before I Fall)
“
Behind every smile there's teeth.
”
”
Confucius
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Celeste walked up, as strong as I’d ever seen her, and whispered something into Maxon’s ear.
When she was done, he smiled. “I don’t think that will be necessary.”
“Good.” She left, closing the door behind her, and I stood to take whatever was coming.
“What was that about?” I asked, nodding toward the door.
“Oh, Celeste was making it clear that if I hurt you, she’d make me cry,” he said with a smile.
I laughed. “I’ve been on the receiving end of those nails, so be careful there.”
“Yes, ma’am.
”
”
Kiera Cass (The One (The Selection, #3))
“
The look in Marlee's eyes was triumphant, and the smile hiding behind her cup of tea said, 'Gotcha'!
”
”
Kiera Cass (The Elite (The Selection, #2))
“
Leo smiled nervously. Maybe he and Percy did share something else – a stupid sense of humour.
‘Yeah, I bet that would totally be against her sponsorship deal. THOSE ARE NOT THE OFFICIAL SHOES OF THE OLYMPICS! YOU WILL DIE NOW!’
Hazel rolled her eyes. ‘You’re both impossible.’
Behind Leo, a thunderous voice shook the ruins: ‘YOU WILL DIE NOW!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I could get you to smile like that, and without sales tax."
I whirled around to find the real Patch standing in the fitting room behind me. He was wearing jeans and a snug white tee. His arms were folded loosely over his chest, and his black eyes smiled down at me.
Heat that wasn't entirely uncomfortable flushed through my body.
"I could make all kinds of pervert jokes right now," I quipped.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back.
”
”
C. JoyBell C.
“
Would you like me to grovel with gratitude for bringing me here, High Lord?"
"Ah. The Suriel told you nothing important, did it?"
That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats."
Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh.
"I might die of surprise," Lucien said behind me. "You made a joke, Feyre."
I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat.
"I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said.
A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
She loved all the wolves behind her house, but she loved one of them most of all.
And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever.
Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield.
A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile.
It was a life I didn't want to leave behind.
It was a life I didn't want to forget.
I wasn't done with it yet. There was so much more to say.
”
”
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
“
Tamani smiled softly and lifted a hand to her face, tucking a strand of hair behind her ear and letting his thumb rest on her cheek. 'Trust me, it's no picnic missing you. I wouldn't wish it on anyone.
”
”
Aprilynne Pike (Spells (Wings, #2))
“
Hide your craziness behind a beautiful smile. That's all you need.
”
”
Paulo Coelho
“
Nothing's impossible," Poppet responds. She smiles at him and jumps, her red hair trailing out behind her as she falls.
”
”
Erin Morgenstern (The Night Circus)
“
I walk up right behind Frannie, where she’s sitting near the door, in time to hear her say, “You know what, Tay? Go to Hell,” and I smile, because I think it’s cute that she’s inviting her friends along.
”
”
Lisa Desrochers (Personal Demons (Personal Demons, #1))
“
The universe is one being. Everything and everyone is interconnected through an invisible web of stories. Whether we are aware of it or not, we are all in a silent conversation. Do no harm. Practise compassion. And do not gossip behind anyone's back - not even seemingly innocent remark! The words that come out of our mouth do not vanish but are perpetually stored in infinite space, and they will come back to us in due time. One man's pain will hurt us all. One man's joy will make everyone smile.
”
”
Elif Shafak (The Forty Rules of Love)
“
You okay?"
"Fine."
"Your heart's beating really fast."
"Gee, thanks. That's very comforting that you can hear it."
He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff.
"Yeah, I know it is. Sorry. Just stay behind me if there's trouble."
"You sound like Shane."
"Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck."
"Liar.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Sam smiled. “Think of all the people in the world,” he said, tucking my longest hair behind my ear. “And I was lucky enough to find you twice.”.
”
”
Taylor Jenkins Reid (One True Loves)
“
Monsters were supposed to be scary and ugly. They weren’t supposed to hide behind friendly smiles and well-trimmed hair. Goodness, twisted as it might be, was not meant to be locked away in an icy heart and anxious exterior.
”
”
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
there are some poems
that we leave behind
some that leave us behind
while some just live
silently
in the heart
crumble, sometimes
dwindle
disappear
die
and are reborn
when you smile again.
”
”
Sanober Khan (Turquoise Silence)
“
[T.J.] I pulled my arms out from underneath her body and tucked her hair behind her ears. “I love you, Anna.”
The surprised look on her face told me she hadn’t seen that coming.
“You weren’t supposed to fall in love,” she whispered.
“Well, I did,” I said, looking into her eyes. “I’ve been in love with you for months. I’m telling you now because I think you love me too, Anna. You just don’t think you’re supposed to. You’ll tell me when you’re ready. I can wait.” I pulled her mouth down to mine and kissed her and when it ended, I smiled and said, “Happy birthday.
”
”
Tracey Garvis Graves (On the Island (On the Island, #1))
“
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
”
”
James Patterson
“
She nodded, grabbed her purse out of the drawer and skedaddled, walking like she was on a catwalk, one foot in front of the other, her ass swaying under the skirt of her expensive, tailored suit.
Bitch. I thought again, watching her go.
“No comparison,” Luke said after the door closed behind Dawn and I turned to him.
“Excuse me?”
“Dawn’s a man eater. You’re not. No comparison,” Luke answered and I didn’t know how to take that.
“Is that good?”
The half-smile came back.
“Most men prefer to do the eating.”
Holy fucking cow.
”
”
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
“
What is given may be taken away, at any time. Cruelty and devastation wait for you around corners, inside coffers, behind doors: they can leap out at you at any time, like a thief or brigand. The trick is never to let down your guard. Never think you are safe. Never take for granted that your children's hearts beat, that they sup milk, that they draw breath, that they walk and speak and smile and argue and play. Never for a moment forget they may be gone, snatched from you, in the blink of an eye, borne away from you like thistledown.
”
”
Maggie O'Farrell (Hamnet)
“
Later,” I said to the room at large as I didn’t want to appear rude.
For some reason this was met by Shirleen saying, "I’ll put money down that she’s living with him in four days.”
My confused gaze swung to Shirleen but she was looking at the movie star glamour girl who was looking at me.
“Three days,” Glamour girl said, smiling at me and I thought, in other circumstances, I would have liked to meet her.
“A week, she’s got spirit,” The other black lady said. She was smiling at me too, not like I was the butt of some joke, but in a kind way.
I opened the outer door.
Before it closed behind me, I heard Luke say strangely, “Tonight.”
Then everyone laughed.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
At that moment, Harry fully understood for the first time why people said Dumbledore was the only wizard Voldemort had ever feared. The look upon Dumbledore's face as he stared down at the unconscious form of Mad-Eye moody was more terrible than Harry could have ever imagined. There was no benign smile upon Dumbledore's face, no twinkle in the eyes behind the spectacles. There was cold fury in every line of the ancient face; a sense of power radiated from Dumbledore as though he were giving off burning heat.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
Nesryn Sobbed, tugging and tugging.
Sartaq smiled at her ــ gently. Sweetly. In a way she had not yet seen.
"I Loved you before I ever set eyes on you," he said.
"Please," Nesryn wept.
Sartaq's hand tightened on hers. "I wish we'd had time."
A Hiss behind him, a rising bulk of shining black ــ
Then the prince was gone. Ripped from her hands.
As if he had never been.
”
”
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
“
Wei WuXian smiled again, “Do you know why I’m not carrying my sword? It wouldn’t make a difference if I told you anyways.”
He turned around, stating one word at a time, “Because I want you to know that even if I don’t use my sword, with nothing but what you call a ‘crooked path,' I will still rise unparalleled and leave all of you staring at me from behind.
”
”
墨香铜臭 (魔道祖师 [Mó Dào Zǔ Shī])
“
We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.
And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny.
We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…
”
”
Daphne du Maurier
“
He climbed up behind Hazel. Arion took off across the water, the nymphs screaming behind them, and Narcissus shouting, "Bring me back! Bring me back!" As Arion raced towards the Argo II, Leo remembered what Nemesis had said about Echo and Narcissus: Perhaps they'll teach you a lesson. Leo had thought she'd meant Narcissus, but now he wondered if the real lesson for him was Echo--invisible to her brethren, cursed to love someone who didn't care for her. A seventh wheel. He tried to shake that thought. He clung to the sheet of bronze like a shield. He was determined never to forget Echo's face. She deserved at least one person who saw her and knew how good she was. Leo closed his eyes, but the memory of her smile was already fading.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
What? I’m not suppose to date or hang out with anyone now?”
Daemon smiled. “Anyone human, yes.”
“Whatever.” I shook my head, standing. “This is a stupid conversation. I’m not dating anyone anyway, but if I were, I wouldn’t stop just because you said so.”
“You wouldn’t?” His hand shot out, tucking back a strand of hair behind my ear. “We’ll just have to see about that.”
I stepped sideways, keeping distance between us. “There’s nothing to see.”
Challenge filled his eyes. “If you say so, Kitten.”
Folding my arms, I sighed. “This isn’t a game.”
“I know, but if it were, I’d win.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation.
The little girl looks up. Puts the doll down. Smiles.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
I have realized that mystery is what keeps people away, and I’ve grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let’s peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Flipping to the front, I caught Aiden's gaze and offered a sympathetic smile.
"Skittles?"
"Please."
I dumped some into his open palm, then picked out the green ones. Aiden grinned at me.
"You know I don't like the green ones?"
Shrugging, I popped them in my mouth.
"The few times I've seen you eat them, you leave the green ones behind."
Deacon popped his head between our seats.
"That's true love right there."
"That it is."
Aiden's gaze flicked to the road. I flushed like a little schoolgirl and focused on the remaining pieces of candy until Deacon drifted back into his seat. I handed all the red ones to Aiden.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
Asher was a vampire. How much more dangerous could he be with a gun? But I couldn't do it. "Let me test my understanding. Is Asher going to ride in the car with us to the meeting?"
I must to give you directions," Asher said.
Then lean against the Jeep." He frowned at me in an amused, condescending sort of way.
Excuse me?"
I don't care if you're the second coming of the Antichrist, you can't sit behind me in my own car until I know you're not carrying a weapon." Asher smiled briliantly at both of us, flashing fang.
...I could rip you into pieces with my bare hands, and you're worried I have a gun?" He chuckled, a low, skin-prickling sound. "That is so very cute.
”
”
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
“
The rose fell into his lap, and he looked up, startled. Mimi grinned.
"Hey handsom" Mimi sent.
"What's up?" Jack replied, without speaking.
"Just thinking of you."
Jack's smile deepened, and he threw the rose back at her so that it landed in her lap. Mimi tucked it behind her ear and fluttered her eyelashes appreciatively.
”
”
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
“
The more I learned the less I felt I knew you and I got lost counting stars, I fell dreaming. Sometimes I’d wander away. Maybe I wasn’t ready or maybe it was just a hard time to love. You always reminded me of home and I could never fathom the reasoning behind your smile. Perhaps one day, if we believe enough, we’ll find our way.
”
”
Robert M. Drake
“
Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia."
Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so."
His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Catch me, Seth," she invited.
He paused.
"Faeries chase," he said, an then , with a flirtatious smile, he turned away, but before he could take a second step, she was behind him, arms around him, lips pressed against his neck.
"I seem caught," he murmured.
The Summer Queen whispered, "Me too."
And They fell together in a bed of flowers that now covered the floor
”
”
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
“
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
”
”
Sarah Williams (Twilight Hours: A Legacy of Verse)
“
Shame on you, Crispin. Married how long, and you haven't spanked your wife with a metal spatula yet?"
I'd gotten used to Ian's assumption that everyone was as perverted as he was, so I didn't miss a beat.
"We prefer blender beaters for our kitchen utensil kink," I said with a straight face.
Bones hid his smile behind his hand, but Ian looked intrigued.
"I haven't tried that ... oh, you're lying, aren't you?"
"Ya think?" I asked with a snort.
Ian gave a sigh of exaggerated patience and glanced at Bones.
"Being related to her through you is a real trial.
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary.
"Clary," Jace said. "Open your eyes.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.'
Grantaire was on his feet.
The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard.
He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras.
'Two at one shot,' he said.
And, turning toward Enjolras gently, he said to him, 'Will you permit it?'
Enjolras shook his hand with a smile.
The smile had not finished before the report was heard.
Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted.
Grantaire, struck down, collapsed at his feet.
”
”
Victor Hugo (Les Misérables)
“
How are you, Rory?' [the Doctor] asked.
I [Rory]... answered him. 'It's been odd being you.'
'Isn't it?' The Doctor's smile didn't quite reach his eyes.
'How do you cope?'
'Ah...' The Doctor picked away at a scrap of loose paint on the door. 'Well, I just get as close as I can to a happy ending, then I shut the door behind me and move on.'
I nodded.
We shut the door behind us and moved on.
”
”
James Goss (Doctor Who: Dead of Winter)
“
Slowly, she turned to him. It was her face—or it would be in a few years. When she Settled. But it wasn’t the slightly older features that knocked the breath from him. It was the hand on her rounded belly. She stared toward him, hair still flowing. Behind her, four small figures emerged. Rowan fell to his knees. The tallest: a girl with golden hair and pine-green eyes, solemn-faced and as proud as her mother. The boy beside her, nearly her height, smiled at him, warm and bright, his Ashryver eyes near-glowing beneath his cap of silver hair. The boy next to him, silver-haired and green-eyed, might as well have been Rowan’s twin. And the smallest girl, clinging to her mother’s legs … A fine-boned, silver-haired child, little more than a babe, her blue eyes harking back to a lineage he did not know. Children. His children. Their children. With another mere weeks from being born. His family. The family he might have, the future he might have. The most beautiful thing he’d ever seen.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be 'interesting' to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest's clothing just visible in the window behind her, the one smiling at the telephoto lens. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely... by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria — which is our actual experience.
”
”
Joan Didion
“
I dug the untraceable phone Patch had given me out of my handbag and dialled his number.
"I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very dark, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice."You want me bad."
"I need and an endorphin boost."
"And making out in an abandoned barn with me will give you one?"
"No, it will probably put me in an endorphin coma, and I'm more than happy to test the theory.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
It’s important to keep up appearances with books,” I explained. “Image goes a long way in this business.”
He dared a look over at me, still nervous but steadily recovering his composure. “I go more for content.”
"Really?” I repositioned slightly so that we were touching again, the soft flannel of his shirt brushing my bare skin. “Because I could have sworn a moment ago you were pretty caught up in outside appearance.”
His eyes shifted down again, but I could see a smile curving his lips. “Well. Some things are so striking, they can’t help but draw attention to themselves.”
"And doesn’t that make you curious about what’s inside?”
"Mostly it makes me want to get you some advanced copies.”
Advanced copies? What did he—?
"Seth? Seth, where—ah, there you are.” Paige turned down our aisle, Doug following behind. She brightened when she saw me, and I felt my stomach sink out of me and hit the floor with a thud as I put two and two together. No. No. It couldn’t be—
"Ah, Georgina. I see you’ve already met Seth Mortensen.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Cricket walks several steps behind me. It's a careful distance. I wonder if he's looking at my butt.
WHY DID I JUST THINK THAT? Now my butt feels COLOSSAL. Maybe he's looking at my legs. Is that better? Or worse? Do I want him looking at me? I hold on to the bottom of my dress as I climb into the backseat and crawl to the other side. I'm sure he's looking at my butt. He has to be. It's huge, and it's right there, and it's huge.
No. I'm acting crazy.
I glance over, and he smiles at me as he buckles his seat belt.
My cheeks grow warm.
WHAT IS WRONG WITH ME?
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Puck rolled his eyes. Holding out his hand, he gave me an encouraging smile. “Come on, Princess. Don’t want to get separated in here.” I clasped his hand, and he curled his fingers around mine. “Let’s go, then. Rusty can bring up the read. That way, if we’re jumped from behind, we won’t lose anything important.”
I felt Ironhorse’s indignant snort as we entered the tunnel, and I pressed closer to Puck as the shadows closed in on us like grasping fingers.
- Puck, Meghan Chase, and Ironhorse, page 152.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Our life is a short time in expectation, a time in which sadness and joy kiss each other at every moment. There is a quality of sadness that pervades all the moments of our lives. It seems that there is no such thing as a clear-cut pure joy, but that even in the most happy moments of our existence we sense a tinge of sadness. In every satisfaction, there is an awareness of limitations. In every success, there is the fear of jealousy. Behind every smile, there is a tear. In every embrace, there is loneliness. In every friendship, distance. And in all forms of light, there is the knowledge of surrounding darkness . . . But this intimate experience in which every bit of life is touched by a bit of death can point us beyond the limits of our existence. It can do so by making us look forward in expectation to the day when our hearts will be filled with perfect joy, a joy that no one shall take away from us.
”
”
Henri J.M. Nouwen (Making All Things New: An Invitation to the Spiritual Life)
“
Well,” Puck said cheerfully, forcing a rather pained smile, “it’s just like old times, isn’t it? You, me, ice-boy, the future of the Nevernever hanging in the balance…we just have to wait for Furball to show up and then it’ll be perfect.” “He is already here, Goodfellow,” came a familiar voice behind us, sounding bored and offended all at once. “Where he has been for much of the conversation, waiting for you to see past the end of your nose.” “Yep.” Puck sighed as we all turned to face Grimalkin. “Just like old times.
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes.
But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
”
”
Hanya Yanagihara (A Little Life)
“
Hers was a memory made up of snapshorts: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield.
A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile.
It was a life I didn't want to leave behind.
It was a life I didn't want to forget
I wasn't done with it yet. There was so much more to say.
”
”
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
“
But what of you?” Gabriel said, and they
were very close now, almost touching. “It is
your choice to make now, to stay or return.”
“I will stay,” Cecily said. “I choose the
war.”
Gabriel let out the breath he hadn’t realized
he was holding. “You will give up your
home?”
“A drafty old house in Yorkshire?” Cecily
said. “This is London.”
“And give up what is familiar?”
“Familiar is dull.”
“And give up seeing your parents? It is
against the Law …”
She smiled, the glimmer of a smile.
“Everyone breaks the Law.”
“Cecy,” he said, and closed the distance
between them, though it was not much, and
then he was kissing her—his hands awkward
around her shoulders at first, slipping on the
stiff taffeta of her gown before his fingers
slid behind her head, tangling in her soft,
warm hair. She stiffened in surprise before
softening against him, the seam of her lips
parting as he tasted the sweetness of her
mouth. When she drew away at last, he felt
light-headed. “Cecy?” he said again, his
voice hoarse.
“Five,” she said. Her lips and cheeks were
flushed, but her gaze was steady.
“Five?” he echoed blankly.
907/1090
“My rating,” she said, and smiled at him.
“Your skill and technique may, perhaps, require
work, but the native talent is certainly
there. What you require is practice.”
“And you are willing to be my tutor?”
“I should be very insulted if you chose another,”
she said, and leaned up to kiss him
again.
”
”
Cassandra Clare
“
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek."
I smiled my best smile of the day. "Hello Auri," I said. "You smell like a
pretty young girl."
"I do," she agreed happily.
She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked.
"What did you bring me?" I countered.
She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce."
"It's a clever lettuce then."
"Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater.
I unwrapped my bundle. "I brought you some potatoes, half a squash,
and a bottle of beer that thinks it is a loaf of bread."
"What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back
"It knows it's a squash," I said. "But it's pretending to be the setting sun."
"And the potatoes?" she asked.
"They're sleeping," I said. "And cold, I'm afraid."
She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
”
”
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
“
What?" he whispered. "What are you smiling about?"
My fingers brushed against his hair, trying to smooth it down. I realized what I was doing a full minute after Liam had closed his eyes and leaned into my touch. Embarrassment flared up my chest, but he grabbed my hand before I could pull back and tucked it under his chin.
"Nope," he whispered, when I tried to tug it away. "Mine now."
Dangerous. This is dangerous. The warning was fleeting, banished to the back corners of my mind, where it wouldn't interrupt how good it felt to touch him - how right.
"I'm going to need it back eventually," I said, letting him run it along the stubble on his chin.
"Too bad."
"...crackers..." a voice breathed out behind us, "yessss..."
Both of us turned, watching as Chubs twisted around in his seat and settled back down, still fast asleep.
I pressed a hand over my mouth to keep from laughing. Liam rolled his eyes, smiling.
"He dreams about food," he said. "A lot."
"At least they're good dreams."
"Yeah," Liam agreed. "I guess he's lucky.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
He remembered how nice the kids at Camp Half-Blood had been to him after the war with Kronos. Great job, Nico! Thanks for bringing the armies of the Underworld to save us! Everybody smiled. They all invited him to sit at their table. After about a week, his welcome wore thin. Campers would jump when he walked up behind them. He would emerge from the shadows at the campfire, startle somebody and see the discomfort in their eyes: Are you still here? Why are you here? It didn’t help that immediately after the war with Kronos, Annabeth and Percy had started dating … Nico set down his fartura. Suddenly it didn’t taste so good.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
My chair rolls to a stop. his voice cut short, followed by a thump and sliding sound. My wheelchair rolls forward again. I look back and see Ragnar pushing it innocently along. Sevro isn't in the hallway behind us. I frown, wondering where he went, till he bursts out of a side passage.
"You! Troll!" Sevro shouts. "I'm a terrorist warlord! Stop throwing me. You made me drop my candy!" Sevro looks at the floor of the hallway. "Wait. Where is it? Dammit, Ragnar. Where is my peanut bar? You know how many people I had to kill to get that? Six! Six!"
Ragnar chews quietly above me, and though I'm probably mistaken, I think I see him smile.
”
”
Pierce Brown (Morning Star (Red Rising Saga, #3))
“
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away.
“Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.”
Agatha gaped at him dumbly.
“Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress.
“Where is she?” Agatha croaked. “Is she safe?”
“Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies.
“Put me down,” she sputtered—
“More bad ideas from the princess.”
“Put me down!”Tedros obeyed and Agatha pulled away.
“I’m not a princess!” she snapped, fixing her collar.
“If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled.
“One . . . two . . . three . . .”She fainted in his arms.
“Definitely a princess,” he said.
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
But I'm learning it's human nature to want the things you can't have. What changes is how you go about pursuing the things you want. When you're a little kid and you're told no, you scream and throw a temper tantrum. When you're a teenager and your parents tell you no, you're old enough to internalize your temper tantrum. But you're smarter and you're sneakier this time around. So you nod and act like you care when they say no, when they tell you who you can be friends with, when they say the know what's best.
But then you go behind their backs to do it anyway.
Because at some point, you need to start calling the shots. At some point, you need to start believing you know whats best. Or, I thought with a smile, you just stop asking for their permission in the first place.
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face.
For a brief moment,I'm lost to my surroundings.
The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance.
This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face.
Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede.
But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram.
This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
“
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-"
"Stop it," Ash said in a faint voice. "That isn't fair."
Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them.
"Ash is right, this is totally unfair," Jared told her. "If you insist on this-"
"Oh, I do," Kami assured him.
"Then I insist on hooking up with Rusty instead of Ash. It's the least you can do."
"Ugh," Ash protested. "You guys, stop."
"She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty."
Ash gave this some thought. "Okay, I'll have Rusty too."
The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised.
"Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.
”
”
Fyodor Dostoevsky (The Idiot)
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
I mean it. I can't go alone. And I really can't go with Levana."
"Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege."
A hush passed between them...
"Cinder."
She couldn't help it. She looked at him...
"200,000 single girls," he said. "Why not you?"
Cyborg. Lunar. Mechanic. She was the last thing he wanted.
She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me."
The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator.
"Come to the ball with me."
She froze. Everyone in the hallway froze.
Cinder turned back. Kai was still standing in elevator B one hand propping open the door.
Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with.
Flirting.
Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
”
”
Marissa Meyer
“
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
”
”
Donna Tartt (The Goldfinch)
“
The return of the voices would end in a migraine that made my whole body throb. I could do nothing except lie in a blacked-out room waiting for the voices to get infected by the pains in my head and clear off.
Knowing I was different with my OCD, anorexia and the voices that no one else seemed to hear made me feel isolated, disconnected. I took everything too seriously. I analysed things to death. I turned every word, and the intonation of every word over in my mind trying to decide exactly what it meant, whether there was a subtext or an implied criticism. I tried to recall the expressions on people’s faces, how those expressions changed, what they meant, whether what they said and the look on their faces matched and were therefore genuine or whether it was a sham, the kind word touched by irony or sarcasm, the smile that means pity.
When people looked at me closely could they see the little girl in my head, being abused in those pornographic clips projected behind my eyes?
That is what I would often be thinking and such thoughts ate away at the façade of self-confidence I was constantly raising and repairing.
(describing dissociative identity disorder/mpd symptoms)
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The
guards didn’t. Their knuckles were white on their weapons.
May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.”
Very funny,” Mrs. Grant said. Morley gave her a grave look.
I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You
should feel quite secure.”
Well, I’m sorry, I don’t,” she said. “You’re just—”
Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me.
It’ll pass. You seem like the no-nonsense sort. I like that.”
Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding.
You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the
conversation.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this?
You couldn't
Daemon sat back-
A fist pounded on the door, and Andrew's voice intruded.
"Daemon, are you awake?"
We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?"
My hands dropped to my sides. "Maybe"
The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny."
Daemon squeezed his eyes shut. "Son of a bitch..."
"It's okay." I started to sit up. "He needs you."
He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back."
Settling in, I smiled. "Try not to kill him."
"No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit."
A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?"
"Your timing sucks on an epic level," Daemon shot back.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
Talaith leaned forward, studied her youngest daughter. “You think you’re evil?”
“Pure evil,” Izzy clarified, which got her a rather vicious glare from Rhi. An expression Dagmar had never thought the young,
perpetually smiling or sobbing girl was capable of.
“Why would you think you’re evil?”
“It’s a feeling I have.”
“No. Someone told her.”
Rhi glowered at her sister. “I never said that.”
“You didn’t have to,” Izzy shot back. “I know you.”
“Well, who told her that?” Talaith demanded.
And, as one, they all turned and looked at Gwenvael.
He blinked, sat up straight. “I would never say such a thing to my dear sweet niece!”
“You said it to me,” Talwyn snapped.
“That’s because you’re not my dear sweet niece. You’re the rude little cow who threw a knife at my head.”
“I wasn’t aiming for you. I was aiming for Mum.”
“She’s right,” Annwyl admitted. “I just ducked behind you.” She shrugged. “Sorry.
”
”
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
“
Yeah," he grount out. "I nailed her."
"Where?" Luc always wanted the dirty details.
"Stockroom. Pay up."
Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties.
"Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister."
"Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?"
His body heated as though remembering. And wanting again.
"Of course I was."
Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around.
"It's not what you think," he said lamely, because it was exactly what she thought.
"Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?"
"Ah..."
"That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten."
She winked and left him, jaw-dropped and gaping, as she sauntered away.
”
”
Larissa Ione (Author)
“
So, ninety-five percent of the time."
She craned her head back to look up at time. "Ninety-five percent? What's the other five percent?"
"Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks."
"Ducks?"
He waved her question away. "All right. Now watch this." He took her shoulders and turned her gently, so they were both facing the same way. A moment later--she wasn't sure how--the walls of the room seemed to melt away around them, and she found herself stepping out onto cobblestones. She gasped, turning to look behind her, and saw only a black wall, windows high up in an old stone building. Rows of similar house lined the canal they stood besides. If she craned her head to the left, she could see in the distance that the canal opened out into a much larger waterway, lined with grand buildings. Everywhere was the smell of water and stone.
"Cool, huh?" Jace said proudly. She turned and looked at him.
"Ducks?" She said again.
A smile tugged the edge of his mouth. "I hate ducks. Don't know hy. I just always have.
”
”
Cassandra Clare
“
The two angels were both tall, but Aodhan was perhaps an inch taller, and now his eyes locked with Illium's for a long, quiet moment before he lowered his head slightly. Illium raised his hand, the movement slow, hesitant....and then his fingers brushed Aodhan's cheek just below the cut that had almost sealed. The first ray of dawn kissed the tear that rolled down Illium's face, caressed the painful wonder on Aodhan's as he lifted his hand to clasp the wrist of his friend's hand.
That instant of contact, the power of it, stole her breath.
Then Illium smiled, said something that made Aodhan's lips curve-Elena thought it might've been "Welcome back, Sparkle"-and they were separating to sweep off the Tower in a symphony of wild silver blue and heartbreaking light.
"Raphael," she whispered, having felt him come up behind her. "Did you see?"
"Yes." His hand on her nape, his thumb brushing over her pulse. "Of course it would be Illium who reached him," he murmured.
”
”
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
”
”
Paulo Coelho (Adultery)
“
Or perhaps we should just ask Todd."
I pound the glass right at his face. He doesn't even flinch.
And then she says, "Todd would never tell you. Never."
And the Mayor just looks at me.
And he smiles
My stomach sinks, my heart drops, my head feels so light I feel like I'm going to drop right to the ground.
Oh, Viola-
Viola, please-
Forgive me.
"Captain Hammar," the Mayor says and Viola's plunged into the water again, unable to not scream out in fright as down she goes.
"NO!" I shout, pressing myself against the mirror.
But the Mayor ain't even looking at her.
He's looking right at me, as if he could see me even if I was behind a brick wall.
"STOP IT!" I shout as she's thrashing again-
And more-
And more-
"VIOLA!"
And I'm pounding even tho my hands are breaking-
And Mr. Hammar is grinning and holding her there-
"VIOLA!"
And her wrist are starting to bleed from where she's pulling-
"I'LL KILL YOU!"-
I'm shouting into the Mayor's face-
With all my Noise-
"I'LL KILL YOU!"-
And still holding her there-
"VIOLA! VIOLA!"-
But it's Davy-
Of all people-
It's Davy who stops it.
”
”
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
“
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other.
“Are you sober?” I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. “I am."
“Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.”
“Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ”
He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears.
I anticipate the next time you are troubled and must close your eyes again.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
”
”
Banana Yoshimoto (Lizard)
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
But then I realized, they weren't calling out for their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers, purgers, women smiling into mirrors, women in girdles, women on barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in in for me? Not the women watching TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying lonliness is the human condition, get used to it.
The wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough for us to hid in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.
”
”
Janet Fitch (White Oleander)
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled.
There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation.
She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come.
I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it.
Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?”
She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?”
She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.”
This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment.
I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness.
When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
”
”
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
“
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self.
It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!
Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight.
You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))