Beginnings Are Scary Quotes

I was beginning to see, though, that the unknown wasn't always the greatest thing to fear. The people who know you best can be risker, because the words they say and things they think have the potential to be not only scary but true, as well.

beginnings are usually scary, and endings are usually sad, but its everything in between that makes it all worth living.

Beginnings are usually scary, endings are usually sad, but it's what's in the middle that counts. So when you find yourself at the beginning, just give hope a chance to float up. And it will.

I have realized; it is during the times I am far outside my element that I experience myself the most. That I see and feel who I really am, the most! I think that's what a comet is like, you see, a comet is born in the outer realms of the universe! But it's only when it ventures too close to our sun or to other stars that it releases the blazing "tail" behind it and shoots brazen through the heavens! And meteors become sucked into our atmosphere before they burst like firecrackers and realize that they're shooting stars! That's why I enjoy taking myself out of my own element, my own comfort zone, and hurling myself out into the unknown. Because it's during those scary moments, those unsure steps taken, that I am able to see that I'm like a comet hitting a new atmosphere: suddenly I illuminate magnificently and fire dusts begin to fall off of me! I discover a smile I didn't know I had, I uncover a feeling that I didn't know existed in me... I see myself. I'm a shooting star. A meteor shower. But I'm not going to die out. I guess I'm more like a comet then. I'm just going to keep on coming back.

So, how was work? You clearly missed me.” I put my hands on my face in embarrassment and he just laughs a bit to himself. “It was boring.” It’s the truth. “No one to antagonize, huh?” “I tried abusing some of the gentle folk in payroll but they got all teary.” “The trick is to find that one person who can give it back as good as they can take it.” He takes out a pan and begins to fry the vegetables in a single, stingy drop of oil. “Sonja Rutherford, probably. That scary lady in the mailroom that looks like an albino Morticia Addams.” “Don’t line my replacement up too quick. You’ll hurt my feelings.

no matter how early you rise or how late you turn in, you never see that point where light begins or the first bruise of darkness bleeds in under its fragile skin; the beauty, and the scary, unfathomable wisdom of transition.

MY PAJAMAS ARE soaked with sweat when I jolt awake and there is a third person in my bedroom. A man I’ve never seen before. I begin screaming like an injured monkey. “Calm down,” Josh says into my ear. I scramble into his lap and press my face into his collar bone, huffing his cedar scent so hard I probably suck out his ghost. I’m about to be taken to a scary medical facility, away from the safety of my bed and these arms. “Don’t let them, Josh! I’ll get better!” “I’m a doctor, Lucy. How long and what symptoms?” The man puts on some gloves.

Dear Karen, I've been thinking about Us, the story of us. How the fuck do I sum it up? Has it been perfect? Hardly. Any story with me at the center of it will never be anything less than a big smiling mess. But here's what I know for sure—our time in the sun has been a thing of absolute fucking beauty. The nightmares, the hangovers, the fucking and the punching. The gorgeous shimmering insanity of the city of ours. Where for years I woke up, fucked up, said I was sorry, passed out and did it all over again. As a writer, I'm a sucker for happy endings. The guy gets the girl, she saves him from himself, fade to fucking black. As a guy who loves a girl, I realize there's no such thing. There's no sunset. There's just now, and there's just the two of us, which can be scary fucking ugly sometimes. But if you close your eyes and listen for the whisper of your heart—if you simply keep trying and never ever give up, no matter how many times you get it wrong, until the beginning and the end blur into something called until we meet again -- and that's it. I didn't know how to finish it, because it's not over. It'll never be over, as longs as there's you, and there's me, and there's hope, and grace.

It’s a strange place, The Imagination. A lot of fun by day, when there are all sorts of reassuring and familiar sights and people around. But it’s scary, and cold at night, and places you knew perfectly well by daylight aren’t the same after the sun’s gone down. You can get lost easily there, and some people never find their way back. You can hear a few of them, when the ghost moon shines, and the wind’s in the right direction. They scream for a while, and then they stop. And in the silence you hear something else: the sound of something large and quiet, tentatively beginning to feed... The imagination is a dangerous place, after all, and you can always use a guide to the territory.

Sometimes when you think you are done, it is just the edge of beginning. Probably that's why we decide we're done. It's getting too scary. We are touching down onto something real. It is beyond the point when you think you are done that often something strong comes out.

All beginnings are scary, like all endings are sad, but that’s the journey and everything in between is worth experiencing.

If destiny could bring two people together, then it could just as easily tear them apart, and, if it could tear two people apart, then it could just as easily bring them back together again. There was no beginning, middle and end to destiny. It wasn't neat and manageable. It was random and scary.

I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.

And the scary hairy vaginas in vacuum sealed packages!” “And the pee-in-your-ass-douches!

A ghost is something that fills a hole inside you, where you lost something. It's a memory. Sometimes it can be painful, and sometimes it can be scary. Sometimes it's hard to tell where the ghost ends and real life begins.

Sometimes the way to personal freedom seems scary - Take the first step to begin the release of doubt and fear. Each new step builds confidence. Breathe. Don't look back.

Beginning is scary, exciting, terrifying, and all things amazing. Begin even when you're not sure.....What do you have to lose?

Frank turned to look down at me, and he was right there, so close. Hi, he said. I looked up at him.Now that the moment was here, it didn't feel scary. What would happen would happen, and I couldn't know or control it. But I was ready for it to begin. Hey, I said. In a well-ordered universe, he said, and I could hear how nervous he was, I'd be able to do this. He leaned his head down and kissed me softly, then pulled back, making sure this was okay. I smiled at him. Then we must be in one, I said. And as the sun rose behind us and he bent his head down to kiss me again, I leaned forward. Toward him, and to whatever came next.

I am beginning to unlearn what I used to believe about control and love. Now I think that maybe control is not love. I think that control might actually be the opposite of love, because control leaves no room for trust—and maybe love without trust is not love at all. I am beginning to play with the idea that love is trusting that other people Feel, Know, and Imagine, too. Maybe love is respecting what your people feel, trusting that they know, and believing that they have their own unseen order for their lives pressing through their own skin. Maybe my role with the people I love is not imagining the truest, most beautiful life for them and then pushing them toward it. Maybe I’m just supposed to ask what they feel and know and imagine. And then, no matter how different their unseen order is from mine, ask what I can do to support their vision. Trusting people is terrifying. Maybe if love is not a little scary and out of our control, then it is not love at all. It is wild to let others be wild.

What's important about morality in politics is us. We own the chicken farm. We must give our bird-brained, feather-headed politicians morals. Politicians love to think of themselves as "free-range" but they do not have the capacity to hunt or gather morals in the wild. If we fail to supply them with morality, politicians begin to act very scary in the barnyard. These are enormous headless chickens and they have nukes.

There is something scary about letting ourselves go. It means that we will screw up, that we will relinquish the possibility of perfection. It means that we will say things we didn’t mean to say and express feelings we can’t explain. It means that we will be onstage and not have complete control, that we won’t know what we’re going to play until we begin, until the bow is drawn across the strings. While this spontaneous method might be frightening, it’s also an extremely valuable source of creativity…the lesson about letting go is that we contain our own creativity. We are so worried about playing the wrong note or saying the wrong thing that we end up with nothing at all.

The interesting (and sometimes scary) thing about living a purposeful life is you begin to realize that, in a very real way, your life is not your own. You’re not here to just get all the good stuff for yourself — and maybe your loved ones — so you can live a happy, pleasure-filled existence. You are part of a larger organism, a larger system, and all the good that you receive, all the talent you possess, everything that you have, is not for your benefit only — but for the benefit of the whole system. And the more you surrender to this, the more the universe will pour its bounty through you so you can be a bigger giver.

Walking a lonely path by yourself, one that no one else has walked before, is only scary before you begin. Once you're walking the road, you just have to make sure that you never glance back. Never let people's incredulity, their judgement, their doubt or hate creep in.

WHENEVER SOMEBODY STARTS KEEPING SCORE IN a relationship the relationship begins to die.

Bernice Pruitt: My dad says that childhood is the happiest time of my life. But, I think he's wrong. I think my mom's right. She says that... [Bernice's voice fades as Birdee takes over] Birdee Pruitt: [laughing] Childhood is what you spend the rest of your life trying to overcome. That's what momma always says. She says that beginnings are scary, endings are usually sad, but it's the middle that counts the most. Try to remember that when you find yourself at a new beginning. Just give hope a chance to float up. And it will, too...

It was amazing and scary at the same time. Having a dream is fantastic! Changing its status from "Dream" to "Reality", is freaking awesome, but it scares you to death in the beginning,

Time to walk yourself into the nearest bookstore and blow your budget on a fancy new journal – because as scary as this moment is, it’s also the moment when your life (your real life) begins.

The grace to be a beginner is always the best prayer for an artist. The beginner’s humility and openness lead to exploration. Exploration leads to accomplishment. All of it begins at the beginning, with the first small and scary step . . . . Wherever you are is always the right place. There is never a need to fix anything, to hitch up the bootstraps of the soul and start at some higher place. Start right where you are.

Staring into someone’s eyes for a long time is psychic. At first it’s very strange and scary - scarier than the first time you have sex. Then you begin to relax, and the person you’re looking at may become very beautiful. As you look into their eyes, you may see them change sex or race. You can see the child in an old person and a young person may appear ancient. Just looking into someone’s eyes for a long time can be trippier than taking acid.

The Hearse Song Don't you ever laugh as the hearse goes by, For you may be the next to die. They wrap you up in a big white sheet From your head down to your feet. They put you in a big black box And cover you up with dirt and rocks. All goes well for about a week, Then your coffin begins to leak. The worms crawl in, the worms crawl out, The worms play pinochle on your snout. They eat your eyes, they eat your nose, They eat the jelly between your toes. A big green worm with rolling eyes Crawls in your stomach and out your eyes. Your stomach turns a slimy green, And pus pours out like whipping cream. You spread it on a slice of bread, And that's what you eat when you're dead.

Being open about who you are can be a little scary, but I think that after you’ve explored your first dungeon, or been hounded through a forest by an unknown threat, you begin to worry less about the approval of others and more about whether you remembered to bring a torch.

Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?

beginnings are usually scary and sending are sad, but its everything inbetween that makes life worth living

There was no beginning, middle and end to destiny, it wasn't neat and manageable. It was random and scary and if it wanted to it would.

New beginnings no matter how scary are worth it for all the beauty and adventure they bring

In the beginning, we are all strangers.

Yet beginnings are also scary, for they require a new commitment.

Quick charm will always be easier for me than deep connection. People out there are easier than the ones in here. But quick charm is like sugar—it rots us. It winds us up and leaves us jonesing, but it doesn’t feed us. Only love feeds us. And love happens over years, repetitive motions, staying, staying, staying. Showing up again. Coming clean again, being seen again. That’s how love is built. And if you can wean yourself off the drug of quick charm, off the drug of being good at something, losing yourself in something, the drug of work or money or information or marathon training—whatever it is you do to avoid the scary intimacy required for a rich home life—that’s when love can begin. But only then. It’s all in here, not out there.

It comes out of my mouth like water: the things he said at the beginning, what it's like to know a person's smell, the anxious catch that now has dulled to normal when I hold the pay phone and it rings and rings. How underneath I don't believe he's coming anymore, and I wish I could turn the air beside me into something solid to fill the hole he leaves. How sometimes when he'd touch me I'd go out onto the very edges of myself, far like on a tightrope or a plank, and balance knowing there was only air to catch me; how he'd hold me there till it got scary, sometimes longer, and it was realer and more raw than any thing I'd ever felt. How he would always close his eyes and seem so comfortable, casual even, and I was always amazed at that: how brave he must be for it not to scare him at all. How sometimes it broke me into two pieces, and I'd lie there under him naked and stretched out past my skin, and another me would watch from the ceiling. Even if it was too much I had to grow to hold it, because it belonged to me now, and I belonged to him, and if I let any of the pressure of it spill like water from my faucet mouth, it would all leak out and be gone from me forever. That's what he always said.

The journey of finding you can be scary all in itself. The journey to finding the real you start behind the walls of yesterday. Reaching down through the years of hurt can remind you of why you built the wall. However, the journey of finding your voice begins by taking the bricks down one by one until you find the strength to push the wall down. Then you can start over building an improved wall with a door for someone to enter.

Bear with us! Beginnings don’t have to be scary, but it’s nice to know what you’re doing! If you need help putting a plan together for your digital marketing, Ketchup can help! Get in touch today to see what we can do for your business!

Life’s journey doesn’t start on the highest mountain peak where a clear view of the trail ahead, obstacles and all, is laid out for us to observe before setting foot on the path. No. Life’s journey begins on a low road, in a valley, or even down inside a pit where the trail beyond can only be seen in short stretches, and any obstacles are met as they come. This makes life trying, even scary at times. Have faith that God gave you this life, and hence it is worth seeing through to the end of the trail.

Even in an absence of major incidents, the residue of “little t traumas” accumulates: bullying, educational and professional uncertainty, emotional manipulation, discrepancies between what we perceive or express and what others see or express, and gaslighting (being convinced that mistreatment is the invention of one’s own mind) make it difficult to imagine—much less establish—healthy interpersonal boundaries or a sense of where “I begin and you end.” If others’ reactions are our main source of determining who and how we are, and if, as Dr. Salters-Pedneault asserts, those reactions have been unpredictable and/or scary, we are literally without a framework within which to develop a strong sense of identity

They're power-hungry, the mundane said of the magical people. They're immoral, people said, and they're scary. Playing with the dark arts could plunge me into evil. I'd be pulled toward depravity. Blasphemy would begin to seem like truth, bad like good, God like Satan. It had happened to people through the centuries, they said. And they were right. All that did happen.

Being willing to experience stressful emotions helps you get used to them, know their course, and become familiar with them. This allows your brain to see them as less dangerous or scary and more manageable and temporary. You begin to drop your aversion to them, and this makes it less likely they can lead you into a downward spiral of panic and fearful or angry reactivity

Among the most supported theories is that what is actually most useful about telling our secrets goes further than simple stress release; putting our experiences into words helps us begin to make sense of our thoughts and feelings. Remember, especially for children, secrets are often the product of moments when we say to ourselves, if we say anything at all, “There are no words. I don’t know what to do with that. I don’t know where to put that.” What does it mean, then, to take a feeling or an experience and, literally, “put it into words”? Words are labels and categories. They are boxes that organize the scattered contents of our minds. So when we talk about our experiences we are sorting them out, whether we intend to be or not, just by putting them into places where they might fit. We are able to say, “There are words. I do know what to do with that. I do know where to put that.” The very act of doing so makes our most confusing or disturbing experiences more organized and understandable, and it makes them less scary and upsetting as well. Like P. D. James said about the detective story, putting feelings into words can be a restoration of order.

When I asked her why she loved horror movies so much, she merely shrugged and said that sometimes she liked to be scared. I didn’t get it, any more than I did the allure of rolling around with wheels on your feet. Why would someone want to be scared? Weren’t there more than enough scary things in real life to keep us awake at night? Now, though, I think I understand. Marge liked those films precisely because they weren’t real. Any fright she felt in the course of the film was quantifiable; it would begin, and then it would end, and she would leave the theater, emotionally spent yet relieved that all was well in the world.

Why are you having a neighborhood potluck? Because we like potlucks, and we have one every year. Why do you have one every year? Because we like to get our neighbors together at the beginning of the summer. Why do you like to get your neighbors together at the beginning of the summer? I guess, if you really think about it, it’s a way of marking the time and reconnecting after the hectic school year. Aha. And why is that important? Because when we have more time in the summer to be together, it’s when we remember what community is, and it helps us forge the bonds that make this a great place to live. Aha. And safer. Aha. And a place that embodies the values we want our children to grow up with, like that strangers aren’t scary. Aha. Now we’re getting somewhere.

There were dragons when I was a boy. Ah, there were great, grim sky dragons that nested on the clifftops like gigantic, scary birds. Little, brown, scuttly dragons that hunted down the mice and rats in well-organized packs. Preposterously huge sea dragons that were twenty times as big as the big blue whale. Some say they crawled back into the sea, leaving not a bone nor a fang for men to remember them by. Others say they were nothing but folktales to begin with. I’m okay with that. Legend says that when the ground quakes, or lava spews from the earth, it’s the dragons, letting us know they’re still here, waiting for us to figure out how to get along. Yes, the world believes the dragons are gone, if they ever existed at all. But we Berkians, we know otherwise. And we’ll guard this secret until the time comes when dragons can return in peace.

Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed. The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies. But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow. This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.

I silently assessed our predicament before deciding to implement the only real plan I could come up with. It was a risky plan—a plan that could easily backfire. But it was my only option. I was going to have to scare my mother out of the forest. Normally, I wouldn’t have been able to think of anything frightening enough to breach her grown-up resistance to scary kid stories. But a few nights earlier, she had watched The Texas Chainsaw Massacre while she thought I was asleep. Unfortunately, I wasn’t asleep. I was hiding behind the couch. And I had imprinted everything I’d seen that night. I imagine it would be pretty terrifying to be wandering through the forest at night when, out of nowhere, your eight-year-old child begins describing the plot from the horror film you watched the other night, which, as far as you know, she hadn’t seen. But my mother maintained her composure very well—until a twig snapped, at which point she whirled around shrieking, “WE HAVE A DOG!” As if Murphy’s presence were enough to deter a homicidal psychopath with a chainsaw. It was too much. All the helplessness and frustration that she had been trying so hard to hide from us came rushing to the surface.

Jesus and the apostles and prophets were men of courage. God sent them and us out into the world to open our mouths and make a holy ruckus for all evil and every kind of darkness. But this is not an easy, carefree existence, and there are temptations at every point to compromise, to ease up, to settle down. Nobody announces that they are going to compromise. It all begins very subtly. And the terrifying thing is that it frequently begins with a Bible verse used to defend it. The Devil prowls about as an angel of light. We begin reading the Bible selectively, which is to say, we begin to limit what we will let God say. We begin to limit God’s authority. It’s much easier and more convenient to skim piously while underlining and highlighting the passages that make us feel happy and warm inside, or apply only to other people out there, because it’s scary to do anything else. When we substitute faithfulness with this sort of cowardice, we do so telling ourselves that we’re actually doing the right thing. In reality we have substituted the living God for an idol, but our idols are trimmed out in our pet theological frills. We call our compromise boldness, but it is actually fear. Idols are fear incarnate.

As the season changed to autumn and the air turned crisp, we took out our cosy sweaters, snuggled in warm blankets, and found comfort in the little things like warm drinks. While we watched the leaves change their colour from green to yellow, bright orange or red, we came to realize that it was also the right time for us to make a change in our life, to make a new beginning. It has been a different kind of year. Things have changed around here, the circumstances we found ourselves in were like a restless wave. A sudden storm came on, producing wind and hail, changing the rule of the game. From one day to the next, there was little room for manoeuvre left. Where was the fun in that, we wondered. Things just didn’t go well and the situation was getting harder. We could sense along the way that it was time to let go of something that no longer served us. Our instincts told us that the time has come to turn the page, to allow new things to happen and think new thoughts. At first, it was hard to admit that there was no way around it of letting go because we fell in a comfort zone and getting out of it can be uncomfortable. We didn’t want to leave a place that was so familiar to us. New beginnings can be scary. But luckily, the autumn season taught us that change can be beautiful.

Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.

Just as there are batterers who will victimize partner after partner, so are there serial victims, women who will select more than one violent man. Given that violence is often the result of an inability to influence events in any other way, and that this is often the result of an inability or unwillingness to effectively communicate, it is interesting to consider the wide appeal of the so-called strong and silent type. The reason often cited by women for the attraction is that the silent man is mysterious, and it may be that physical strength, which in evolutionary terms brought security, now adds an element of danger. The combination means that one cannot be completely certain what this man is feeling or thinking (because he is silent), and there might be fairly high stakes (because he is strong and potentially dangerous). I asked a friend who has often followed her attraction to the strong and silent type how long she likes men to remain silent. “About two or three weeks,” she answered, “Just long enough to get me interested. I like to be intrigued, not tricked. The tough part is finding someone who is mysterious but not secretive, strong but not scary.” One of the most common errors in selecting a boyfriend or spouse is basing the prediction on potential. This is actually predicting what certain elements might add up to in some different context: He isn’t working now, but he could be really successful. He’s going to be a great artist—of course he can’t paint under present circumstances. He’s a little edgy and aggressive these days, but that’s just until he gets settled. Listen to the words: isn’t working; can’t paint; is aggressive. What a person is doing now is the context for successful predictions, and marrying a man on the basis of potential, or for that matter hiring an employee solely on the basis of potential, is a sure way to interfere with intuition. That’s because the focus on potential carries our imagination to how things might be or could be and away from how they are now. Spousal abuse is committed by people who are with remarkable frequency described by their victims as having been “the sweetest, the gentlest, the kindest, the most attentive,” etc. Indeed, many were all of these things during the selection process and often still are—between violent incidents. But even though these men are frequently kind and gentle in the beginning, there are always warning signs. Victims, however, may not always choose to detect them.

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.

Get dressed. We’re going hunting,” he says randomly. In my half-woke state, I feel like I’ve missed something crucial, because I don’t understand how those words are supposed to make sense. “I’m sorry, but what?” I ask, sipping the coffee like the lack of caffeine is the reason I heard him wrong. “We’re going hunting. Emit has some rogue, unregistered wolves who’ve just done something heinous and stupid, and we’re taking you with us, apparently.” “I don’t want to hunt wolves,” I point out, taking a step back, since he’s acting very un-Vance-like. “I don’t want you to hunt wolves, but apparently you’re going with us, or you’re going with him,” he says bitterly, glancing over his shoulder to where there’s a large SUV. Emit’s behind the wheel, smirking like he’s proud of all this. “Yeah, no. Thanks for the offer,” I say as I shut the door…and lock it. I sip my coffee again, as Lemon drinks hers in the kitchen. Her phone rings, and she stands and answers it, while I go to the fridge in search of something to eat. I hear the door unlocking, and look over my shoulder, as Lemon gives me a very unapologetic grin. “Sorry,” she says, confusing me. “But he’s still my alpha.” Emit walks in, filling up my doorway, before he grins over at me in a way that’s sort of…scary. “It’s not really optional,” he says before he stalks to me so fast I don’t have time to react, and I’m unceremoniously slung over his shoulder. My breath comes out in a surprised rush, and I bounce against him as my mind comes to terms with why the world has tipped upside down. Ingrid comes down the stairs with a small bag, giving me a shitty excuse for a contrite smile. “I’ll remember this,” I tell the traitorous omegas dryly, as they give me a little wave and send me on my way like this is a planned vacation. I don’t really put up a fight. I’ve never seen Emit actually determined to do anything, but clearly I’m outnumbered and out wolfed on this one... I allow a small smile as I’m dropped to my feet, and then wipe the smile away because I’m supposed to be annoyed... I climb in as my backpack and small duffel finish flopping to a stop, and close my robe a little more before digging for my boots. “We’ve got everything here under control! Don’t worry about deliveries or the store,” Leiza calls very excitedly, bouncing on her feet. “This is a hunting trip to kill things, right?” I ask Vance directly, though my eyes are on the very happy omegas, who are animatedly waving from the porch now. “Yes,” he states in a tone that assures me he’s not one bit happy I’m here. “Why are they treating it like I’m going on spring break?” I ask, genuinely concerned about their level of enthusiasm. I thought they were a little saner than this. Emit snorts, but clears his expression quickly. “Do I want to know what spring break is a euphemism for?” Vance asks Emit. “You’re really that old?” I groan. “Do you know how long a century is?” Vance asks me dryly. “I averaged a C on vocab tests, so yeah,” I retort, matching his condescension. Emit releases a rumble of laughter, as his body shakes with the force. Then he pulls out and begins to drive us off on our hunt. I’m so not adjusting this fast, but it seems I have no choice in the matter. It’s like a snowball rolling downhill, gaining size and momentum. Either I’ll boulder through anything when I reach the bottom, or I’ll simply go splat into a mountainside. “Do you know how quickly the vernacular shifts and accents devolve, evolve, or simply cease to exist?” Vance asks me. Now I feel a little talked down to. “No.” “I swear he used to be fun,” Emit tells me, smiling at me through the rearview

How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10

I’m surprised at you,” Mada said. Cass lowered her head. Had she been foolish to think Mada might understand? “I figured you would be.” Mada squeezed her hand. “No, silly. I’m surprised you let yourself fall for Falco in the first place.” She looked at Cass with wide, affectionate eyes. “It’s scary to give part of yourself to someone else. I know what it’s like to be terrified of pain. Of loss.” “What do you mean?” Cass was startled; she was sure her friend was going to lecture her for her indiscretion. “When my mother died, my father nearly went insane with grief.” Madalena toyed with the golden crucifix hanging from her belt. “And even though I was only ten years old, I couldn’t imagine ever letting myself love someone like that. Setting myself up for all that pain.” “But Marco--” Cass started. “I didn’t love him from the beginning,” Mada said. “He was kind and handsome, but I still found reasons not to like him. His hands were rough. He sometimes smelled of ship parts--of tallow and burning coal.” She shrugged. “But as you can see, he won me over.” Cass bunched up her eyebrows. “So you’re saying I’ll grow to love Luca?” Mada grinned. “I would. Did you see the muscles on that man? Toting all those heavy legal tomes around must be working in his favor.

When you have conflict with someone, you are inherently having some difference of opinions. They are not agreeing with or approving of some opinion, idea, or action of yours. This can feel like a rejection of you as a person, and can be uncomfortable and scary. It might even feel like this conflict is the beginning of the end of the relationship. While the fear of being rejected or abandoned is more acute when someone is yelling, or telling you they hate you, we can still feel it even with subtle disagreements

6. Say Yes A big part of getting ahead in life is a willingness to say ‘Why not?’ when others just say ‘Why?’ In my experience, many people cross their arms, sit back and say ‘Why should I?’, and then let great possibilities slip by them. A champion in life always goes against the grain and takes the path less trodden. And that means learning to say ‘Why not?’ instead of ‘Why?’ This is especially important in the early days of building a career or following a dream. You have got to get out there and get busy opening up lots of oysters in search of that pearl. You have got to try different things, meet loads of people, take people up on crazy offers and generally get busy living! It’s almost always better, especially in the early stages, to say yes and to try something, rather than saying no because you fear where a yes will take you. More often than not, saying no means that nothing will change in your life. A yes, however, has the power to create change. And change is where we create room for success. And, by the way, the only person who likes change is a baby with a wet nappy! Change is scary and often uncomfortable, but life begins outside our comfort zone, so learn to embrace it and get used to it. Champions have to do that every single day.

Sometimes the way to personal freedom seems scary - Take the first step to begin the release of doubt and fear. Each new step builds confidence. Breathe. Don't look back.

Bad Job     I got a gig at a trucking company, loading freight, And damn it was bad, sweating in a suicidal St. Louis Summer night   And the dudes in the place were scary looking and numb, Most of them were around thirty to fifty years of age, most Were supporting families; and I was only, twenty-one at the time. My trainer showing me the ropes and the wharves, as it all seemed Too much for me at the time, As the planets in my head swirled One had to do so much to earn a living… so much The guys so scary looking, they had been there so long That were beginning to look like the truck, the trailer, The freight, the skids and the boxes As

So tell me about yourself,” I say, mentally rolling my eyes for sounding like an interviewer. “Where’d you grow up? What’s your favorite color? Biggest fear? All the basics.” He laughs, kicking at a cluster of broken flower petals on the ground. “I’d hardly put my biggest fear in the basics category.” “You know what I mean. I feel like I don’t know that much about you, in the broad scheme of things.” “Well, in the broad scheme,” he begins, “I grew up all over the world, my favorite color changes every day, and I’m terrified of green eyes.” I raise my brows and imagine my eyes shooting him with green laser beams. “That’s--” I stop myself from saying weird. “Why?” “It’s just this feeling I have.” “My eyes are sort of greenish,” I say through a nervous laugh. “Am I that scary?” He looks at me and we both slow to a stop. A Vespa shoots past, swirling our hair in the wind. He doesn’t speak, doesn’t blink, so I don’t either. I get the impression he’s trying to subliminally relay his answer to me. That I’m supposed to know what he’s thinking. I don’t.

The Farmer’s Almanac promised a cold winter. The coldest in decades. Andrew grinned, unaware of how hideously ugly it made him. Let the winter be record breaking. The year would be marked in infamy and not for the weather alone. He could imagine the headlines, mentioning it as the winter of death, as his spree was just beginning. It would put the town on the map.

Their story was nothing like a romantic movie despite the epic crowd scene. Theirs was a tale of clumsy beginnings, quick getaways, and right when she thought a scary ending was inevitable, he’d managed to swoop in and let her save him. They were all the genres rolled into one.

At first, all I saw next was a broad smile in the dark, and then Jorek collided with Akos. Akos looked too confused to return the embrace--actually, he didn’t seem particularly affectionate, as a rule, I had noticed--but he managed to give Jorek a good-natured slap on the shoulder as he pulled away. “Took you long enough to get here,” Jorek said. “I was beginning to think you guys got kidnapped by the chancellor.” “No,” Akos said. “Actually, we abandoned her in an escape pod.” “Really?” Jorek’s eyebrows popped up. “That’s sort of a shame. I liked her.” “You liked her?” I said. “Miss Noavek,” Jorek said, bobbing his head to me. He turned back to Akos. “Yeah, she was a little scary, and apparently I gravitate toward that quality in friends.” My cheeks warmed as he looked from Akos to me and back again, pointedly. Jorek thought of me as a friend?

Though Roscoe had been hopeful of staying the night, he was beginning to lose his inclination. Louisa Brooks was almost as scary as wild pigs, in his view.

I am beginning to unlearn what I used to believe about control and love. Now I think that maybe control is not love. I think that control might actually be the opposite of love, because control leaves no room for trust—and maybe love without trust is not love at all. I am beginning to play with the idea that love is trusting that other people Feel, Know, and Imagine, too. Maybe love is respecting what your people feel, trusting that they know, and believing that they have their own unseen order for their lives pressing through their own skin. Maybe my role with the people I love is not imagining the truest, most beautiful life for them and then pushing them toward it. Maybe I’m just supposed to ask what they feel and know and imagine. And then, no matter how different their unseen order is from mine, ask what I can do to support their vision. Trusting people is terrifying. Maybe if love is not a little scary and out of our control, then it is not love at all. It is wild to let others be wild

Try these journal prompts as you work to integrate your type 8 shadows: See yourself through your ex’s eyes. This can be a difficult exercise, but if anyone’s up for it, Challenger, it’s you. Write a letter to yourself from your ex’s point of view. Take a moment to remember all you did wrong and write it down—even if (especially if!) you think the failure of the relationship was their fault, not yours. What negative traits of yours do you need to own and master to be better in your next relationship? Write a letter to the person who hurt you the most in your past. Tell them everything they did that made you feel unworthy of love or less-than. Don’t be afraid to hit below the belt! Get it all out! When you’re done, put the letter away somewhere safe. Come back and re-read it two weeks later and consider whether you can see any of the negative qualities of this person in yourself. How have you hurt others? Is it similar to the way you’ve been hurt? Think about the people you love most. If you had the power, what would you like to change about them in order to improve your relationship with them? (This might also have to do with the way you resolve conflicts.) How does this action reflect on you? Based on this exercise, is there anything you might consider improving in yourself to help? TYPE 8 SELF-CARE PRESCRIPTION Type 8s tend to struggle with inaction when it comes to self-care. Since you’re always seeking progress and pushing yourself, it’s challenging for you to sit in a quiet place alone and rest. But the world is a complicated place, and you are prone to feeling angry about the things you can’t control or change. You want so much to do something to heal the pain of the world, to fix the broken systems. But you can’t fight for others until you’ve first fought for yourself by releasing the need for control and choosing stillness. Being still probably feels unnatural to you, even scary, but that’s where your real inner work begins! Learn your limits. As an energetic 8, you frequently push yourself to your limits, even if you’re unaware you’re doing so. Pay closer attention to your own feelings, and force yourself to rest and recover whenever necessary, instead of pushing through. You’ll be much better off for it! Practice mindful breathing for anger management. When you feel the need to let loose with an angry tirade, take it as a cue to practice your calming breaths. Find an outdoor exercise activity you love. When you’re feeling especially furious or antsy, hop on your bike and go for a ride or do a few laps around the neighborhood. These activities are healthy outlets for that restless energy of yours. Let others take the lead sometimes. With your commanding presence and direct approach, you make a natural leader. But sometimes, you need to step back and allow someone else to step up to bat. Take a break and learn not to carry all responsibilities on your own shoulders; this will benefit both you and your relationships with others.

I have a friend dying of AIDS. Before I was leaving for a trip, we were talking. He said, ‘I didn’t want this, and I hated this, and I was terrified of this, but it turns out that this illness has been my greatest gift.’ He said, ‘Now, every moment is so precious to me. All the people in my life are so precious to me. My whole life means so much to me.’ Something had really changed, and he felt ready for his death. Something that was horrifying and scary had turned into a gift. Things falling apart is a kind of testing and also a kind of healing. We think that the point is to pass the test or to overcome the problem, but the truth is that things don’t really get solved; they come together, and they fall apart-- then they come together again and fall apart again. It’s just like that. The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy. When we think that something is going to bring us pleasure, we don’t know what’s really going to happen. When we think something is going to give us misery, we don’t know. Letting there be room for not knowing is the most important thing of all. We try to do what we think is going to help, but we don’t know; we never know if we’re going to fall flat or sit up tall. When there’s a big disappointment, we don’t know if that’s the end of the story. It may be just the beginning of a great adventure.

I have a friend dying of AIDS. Before I was leaving for a trip, we were talking. He said, ‘I didn’t want this, and I hated this, and I was terrified of this, but it turns out that this illness has been my greatest gift.’ He said, ‘Now, every moment is so precious to me. All the people in my life are so precious to me. My whole life means so much to me.’ Something had really changed, and he felt ready for his death. Something that was horrifying and scary had turned into a gift. Things falling apart is a kind of testing and also a kind of healing. We think that the point is to pass the test or to overcome the problem, but the truth is that things don’t really get solved; they come together, and they fall apart-- then they come together again and fall apart again. It’s just like that. The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy. When we think that something is going to bring us pleasure, we don’t know what’s really going to happen. When we think something is going to give us misery, we don’t know. Letting there be room for not knowing is the most important thing of all. We try to do what we think is going to help, but we don’t know; we never know if we’re going to fall flat or sit up tall. When there’s a big disappointment, we don’t know if that’s the end of the story. It may be just the beginning of a great adventure.

Fear in response to something that has happened is a reaction.  Fear that lingers is most often a feeling.  And in that case, the solution, strange as it may seem, is to just choose another feeling.  Choosing another feeling is actually easier than it sounds. Simply take an action that moves you forward despite your fearful feelings, and the fear will begin to dissipate.  For example: If the goal of returning to college seems overwhelming or even scary, accept that. Then simply figure out a less scary first step like checking out college websites, and do that. After you do that, the next step might be touring a campus or two. Don’t focus on your fear or even what it might be like to be in college. Instead focus on the smaller, more manageable next step.

When a cat comes home for the first time, it can be a very stressful time. They usually come from a place they know well and are suddenly thrown into a world that smells strange, looks huge and can be very scary. For your cat's first few days in a new home, it's best to keep things simple in the beginning. Cat comfort at home In general, it is important to offer your cat the following comforts so that it feels much happier and safer in its own home: Access to a garden – This comes in various forms, but it is important that your cat has control over it. Cat flaps are ideal in this situation and can greatly improve their behavior so they don't feel trapped when they really want to be in their own territory. The territory should extend beyond the walls of your home and may even extend into several neighboring gardens. Let the cat decide if and how much it wants to go outside to create a positive environment for everyone (FIV+ cats only stay indoors, but you can do a lot to keep them busy indoors, or give them a fully fenced yard). The spaces in their home environment where they can retreat and be left alone. These areas can be hiding places under tables, in cozy cat beds and even in elevated places.

Menopause is not the beginning of the end, as I once called it; in fact, it’s the end of the beginning. And it ushers in a new phase that can be gruelling and scary, but at the very same time can be liberating and truly magnificent.

grateful for: Our forties and beyond; because this time in our lives is one of change and reinvention, of endings and beginnings that aren’t all welcome or planned, but will end up taking us on new and different paths that will be as wonderful as they are scary.

A capable wife who can find?” Really? This question in Proverbs 31:10 is snarky! Yet this is the nature of Proverbs: Its insights can be acidic, comforting, funny, scary. Proverbs captures some of the same qualities that catch our attention in quips on our T-shirts: “What goes around comes around.” “If you’re too open-minded, your brains will fall out.” People have always favored edgy, clever, pithy sayings—even if they’re a little mean. So we understand this about the style of Proverbs, set it aside, and look to see if something more important is being said. It is. The author describes not simply the virtues of a capable wife but the characteristics of wisdom itself. Verse 26 says that the wife “opens her mouth with wisdom.” In verse 27, translated as “she looks well to the ways of her household,” that first Hebrew phrase (“she looks well to”) is pronounced sophia (tzo-fi-ya). Sophia is the Greek word for wisdom. It’s probably an intentional pun. Wisdom is “in the house,” so to speak! And what does wisdom do? It “does not eat the bread of idleness.” Wisdom is not passive but attentive and active. Now the many tasks that lead up to verses 26 and 27 are put into context: The wise one goes to work, acts with savvy and kindness, takes responsibility, dispenses justice and mercy, serves and honors those around her. Wisdom is not something to be possessed as an achievement or an academic exercise: It is meant to be lived. There’s our message. Not that we are never to reflect or contemplate or spend time listening to and learning from God; but when we have learned something, that’s just the beginning. The learning becomes real when we act upon it. We grow wise as we apply God’s word in our daily decisions. We can’t leave wisdom sitting in the corner.

Be genuine: Why is it said that the truth will set you free? People are punished and ostracized all the time for telling the truth. Lies often succeed. A polite agreement to go along and make no waves has brought money and power to many people. But “The truth shall set you free” wasn’t meant as practical advice. There’s a spiritual intent behind the words, saying in essence, “You cannot set yourself free, but truth can.” In other words, truth has the power to set aside what is false, and doing so can set us free. The ego’s agenda is to keep itself going. At crucial moments, however, the truth speaks to us; it tells us how things really are, not forever or for all people but right at this moment for us alone. This impulse must be honored if you wish to break free. When I think of what a flash of truth is like, some examples come to mind: Knowing that you can’t be what someone else wants you to be, no matter how much you love the other person. Knowing that you love, even when it’s scary to say so. Knowing that someone else’s fight isn’t yours. Knowing that you are better than what you appear to be. Knowing that you will survive. Knowing that you have to go your own way, no matter what the cost. Each sentence begins with the word knowing because the silent witness is that level where you know yourself, without regard for what others think they know. To speak your truth isn’t the same as bursting out with all the unpleasant things you’ve been too afraid or too polite to say. Such outbursts always have a feeling of pressure and tension behind them; they are grounded in frustration; they carry anger and hurt. The kind of truth that comes from the knower is calm; it doesn’t refer to how anyone else is behaving; it brings clarity to who you are. Value these flashes. You can’t make them appear, but you can encourage them by being genuine and not letting yourself fall into a persona created just to make you feel safe and accepted.

FRIDAY Luke 21:25–36 REFLECTION This Jesus taught as a second Jeremiah. “The world’s a scary place, but don’t let your hearts be troubled. I have overcome the world. So wait in the midst of it all, just before the dawn, for in the midst of the night there are strange and redeeming events afoot.” And with this the church begins a new year, asked to begin afresh, not just on a calendar, but in individual hearts, in relationships, in congregations, and in our yearning for a promise worth living for. Hearers of this passage are bidden to live lives of faithful, active waiting in the meantime because they hear again the name of the One who holds them in the ending time. WESLEY D. AVRAM RESPONSE What fresh thing is waiting to be born in your life or the life of the congregation of which you are a part? PRAYER Redeeming God, I wait with fresh eyes and ears for the new things you will do in my life. Amen.

Phil and Miss Kay have left a legacy of love for their children and grandchildren. They’ve been teaching us their whole lives what Christ has taught them about love, sacrifice, forgiveness, and grace. We want to carry on the Robertson legacy with our old and new friends, including those who know us from the television show. It’s a little scary to know we’re being watched, but we look at it as a privilege to be able to show who we are and how we live our lives to so many others. We work hard to love each other and love others. But in the end, it’s our children who are most important. We want to carry on our family legacy with our four children and someday our grandchildren and great-grandchildren. It’s an awesome responsibility to be parents and to know that what we are doing with our kids will have eternal consequences because we know this world is not our home--we’re just passing through. Yet even though parenting is a huge responsibility and a lot of work, it’s also true that Lily, Merritt, Priscilla, and River have been the biggest blessings we’ve ever experienced. God’s goodness shines through their eyes. Our lives have been filled with love and laughter and lots of fun, but there have been stumbles and struggles and tears too. Life is complicated, but we know that if we continue to follow the Lord, step by step, He’ll shine a light and lead us down the right path. He’ll do that for you, too, if you only ask Him. Once upon a time, a girl from town met a boy from the woods. And you know what? They lived happily ever after. The end. Well, actually, it’s just the beginning! Love always and forever, Jep and Jessica

But, could it also be that when you feel passionate about something and make an intention known, your thoughts, words, and energy begin to create that possibility? 

Judge leaned back in the passenger seat of Michaels’ truck, content as could be. They’d stayed at the cabin an entire week, after Judge fully convinced Michaels’ Lieutenants that they needed the time together. They learned more of each other, physically, but especially emotionally. They were compatible on so many levels. Both men as simple as the days. Relationships were scary and took work, but Judge believed theirs would come easily. Why he’d had such negative thoughts in the beginning was a mystery to him. He knew Michaels loved him, really loved him. Nothing was guaranteed, life didn’t promise tomorrow. Michaels was a cop, he had a dangerous job, so Judge would have to learn to trust in his partner’s instincts and believe in him. Believe he knew what he was doing and he’d come home to him every night. They

Disruptive awakening is your signal that you’re ready to take the initial step toward attaining your authentic identity and moving into a more deeply guided awareness of your personal path and purpose in life. While awakening experiences are often unexpected, and even scary, in truth they are invitations from your Spirit to remember and begin living at the highest level of your inner truth.

You’ll be okay now,” I told him softly. “I’m sorry they hurt you.” I touched his scary features. “You need a name. How about … Mismatch?” I touched his misshapen eye and uneven fangs. “I don’t care what she says. You’re a gargoyle. You’re my gargoyle.

Failure can feel like the ultimate death sentence, but it’s actually a step forward. When we fail, life is pushing us in a different direction so we can experience something new. One adventure has ended and another is about to begin, because it must. Think of your activities in life as scientific experiments. Scientists expect the vast majority of their tests to fail, but they still view each test as a step forward, regardless of the outcome. This is because each failed test rules out that particular approach, narrowing the remaining scope of potential solutions. You might be thinking, “What if all of my experiments fail until the day I die?” Great question. That might happen, depending on how you define failure and success. Here’s the magical solution to that problem: The results of your experiments are of little consequence. Only the experiments themselves matter. The old platitude is true: It’s about the journey, not the destination. Doing experiments will account for 99% of your time on this earth. That’s the journey. The result of your experiments is the other 1%. If you enjoy 99% of your life (the time spent in experimentation), who cares about the results? This is how to remove the problem of failure. Failure is just a temporary result. Its effect is as big or as small as you allow it to be. Elon Musk is becoming a household name. He cofounded Paypal. He now runs two companies simultaneously. The first, Tesla Motors, builds electric cars. The second, SpaceX, builds rocket ships. Many people think of Elon Musk as a real-world Iron Man—a superhero. He’s a living legend. He works extremely hard, and he’s brilliant. Did you know that Elon Musk never worked at Netscape? This is interesting because he actually wanted to work there very badly. He applied to Netscape while he was in grad school at Stanford, but never received a response. He even went to Netscape’s lobby with resume in hand, hoping to talk to someone about getting a job. No one in the lobby ever spoke to Elon that day. After getting nervous and feeling ashamed of himself, he walked out. That’s right. Elon Musk failed to get hired at Netscape. The recruiting managers didn’t see a need for him, and he was too ashamed to keep badgering them. So what happened next? Well, we know what happened from there. Musk went on to become one of the most successful and respected visionaries of our time.[30] Take a deep breath and realize that there are no life-ending failures, only experiments and results. It’s also important to realize that you are not the failure—the experiment is the failure. It is impossible for a person to be a failure. A person’s life is just a collection of experiments. We’re meant to enjoy them and grow from them. If you learn to love the process of experimentation, the prospect of failure isn’t so scary anymore.

Things to remember about passive aggression:   ●       Passive aggression is learned in childhood from interactions with authority figures. ●       It is a defensive behavioral style, focused on avoiding intimacy. ●       The passive aggressive man changes himself; his wife does not/cannot change him.   We know that upon reading these three things, you may begin to despair about growing old in an empty marriage. “My husband will never agree to change himself,” is probably what you’re thinking. It is painful and scary. However, the aim of this book is not to scare you away or discourage you. Right now, your job is to look at your situation realistically. What are the real consequences of staying with your husband? Perhaps the better question is, what are the real consequences of not changing the way you react to passive aggression? This book will give you an overview of the devastating consequences of letting passive aggression go unchallenged in your home. The key here is this:

What do you think would have happened to me if a neighborhood of Puerto Ricans saw a scary-looking black dude trying to kick down the door of one of their fellow countrymen?

Society needs to see it as normal and expected, not scary and threatening, when people have different beliefs about the universe—beliefs that are unspeakably precious to them and organize their whole lives. These unshared beliefs will create uncomfortable social tensions. Society must embrace these tensions as healthy and beneficial, rather than shying away from them in fear. Societies where people feel free to have disagreements about the meaning of life are strong and confident in themselves, as they need to be to thrive. Societies where people keep their uncomfortable disagreements hushed up for fear of what might happen if they were aired are weak and hollow. Look back through history and you see the same pattern.

That being said, getting thrown to crash into, and sometimes through, solid objects was becoming a disturbingly common occurrence in my life as of late. Considering the overall painfulness of such experiences, I was beginning to find myself oddly nostalgic about just having my underwear bunched up my ass by some prankster.

How quiet it is,' Danny said, digging in his knapsack for the canteen full of water he had brought. 'You don’t realize how scary it is, having a whole mountain on top of you, until you’re in the dark as I was in that tunnel, or when you begin hearing the silence.' 'I didn’t know you could hear silence,' said Irene. 'Then just listen.' They sat still, and Danny added, 'Put out the flashlights for a minute.' In the dark, they understood what he meant. All the familiar noises of the upper world were gone: the wind, the rustle of branches or leaves, the chirping of birds, the sounds of automobiles and doors slamming, and people laughing. There was nothing but the faint tinkle of droplets of water, each drop like a distant musical chime, and each one pursued by tiny echoes. Then, after such a note had sounded there would be a long and empty quiet in which they could hear their own breathing and the steady beating of their hearts. They found themselves straining their eyes to see something, anything — the slightest sign of light, but they could not even tell the difference between opening their eyes and shutting them. Irene burst out suddenly, 'Put on the lights!' Danny let out his breath with a whoosh. They all snapped on their lamps, and as the welcome light flooded the chamber, he said, 'It’s — it’s like being buried alive.' 'Don’t let’s try that experiment again,' Irene said, with a shiver. 'I just hope we get out of here before our flashlights give out.

beginnings are usually scary and endings, well, endings are usually pretty sad, but it’s everything in between that makes life worth living.

This is the part that's going to be hard to explain: How can I tell you why two people who were afraid of everything—other people, open places, noise, confusion, life itself—wound up riding the subways alone under Manhattan late at night? Okay, it's like this: When everything is unfamiliar and scary, your heart pounds just getting change from the grocery cashier. That feels like enough to kill you right there. So the danger of the subways at night can't be much worse. All danger begins to fall into the same category. You have no way to sink any deeper into fear. Besides,

That is not how a business professional views his job. The responsibilities are mostly yours . You have to find ways to make sure that the wage paid to you is a bargain. You have to find out what most needs doing, and you have to do it. You have to know when you have made a mistake, and you must bring it to the attention of your boss or supervisor . . . oops! I mean, your customer. Finding a job is just the beginning. Now you must grow in that job, always seeking new areas to expand your responsibilities and continually seeking ways to enhance your usefulness. If your job truly provides no scope at all for these growth strategies, then, as scary as it may be, think seriously about quitting! Find a new job in which you see fewer limitations on your potential.

One day I realized something obvious: In all these movies, there was a similar plot. The hero is always weak at the beginning and strong at the end, or a jerk at the beginning and kind at the end, or cowardly at the beginning and brave at the end. In other words, heroes are almost always screwups. But it hardly mattered. All the hero has to do to make the story great is struggle with doubt, face their demons, and muster enough strength to destroy the Death Star. That said, I noticed another thing. The strongest character in a story isn’t the hero, it’s the guide. Yoda. Haymitch. It’s the guide who gets the hero back on track. The guide gives the hero a plan and enough confidence to enter the fight. The guide has walked the path of the hero and has the advice and wisdom to get the hero through their troubles so they can beat the resistance. The more I studied story, the more I realized I needed a guide.

Scary stories protect us. They have since the beginning of story itself. That's what they were made for. And children, especially, need scary stories. They keep children away dangerous places and dubious people. The old folk stories of nixies kept children away from the edges of dangerous waters. Tales of ghosts to this day keep children away from abandoned, tetanus-filled houses. Stories of the Candy Man keep them from talking to strangers. If we keep children away from scary stories, we are doing them a disservice. These books warn them against things that busy adults might have failed to mention. Moms and Dads and Schools are often afraid to talk about monsters and boogeymen, because they are afraid of scaring the children. But scary books for don't mind doling out a good scare- that's their job, after all, and they do it better than anyone else.

Listening to our intuition can be scary or extremely daunting. This is because our intuition lives in the space of the unknown. In other words, our intuition is spiritual and operates in the field of infinite possibilities, which by nature is the field of the unknown. We as humans always fear the unknown because we can’t predict what might happen. It is only when we step into the unknown that we can begin to experience the limitless possibilities that life can bring to us. This is why magical things and miracles happen when we trust our intuition. We are literally stepping into the zone of pure possibility. It is for this reason that we only need to know the “what” of what we want to manifest, but not the “how”.

Sometimes, if a spirit doesn’t feel heard by the medium, they begin acting out in other ways. Poltergeist activity, scary manifestations. A bit like a child throwing a tantrum.

[...] the upside is too great and the downside too scary not to pursue authentic relationships. But how do we begin? Casual friendships are easy, but deeper relationships can be much more challenging to initiate and cultivate. On top of that, a lot of people have let their friendship-building skills atrophy over time, if they ever possessed them at all. So let’s start here and now. Let’s stop waiting for friendships to just happen. The time has come to shelve our loneliness and, as outlandish as it sounds, get extremely intentional about building some relationships. With the Bible providing our guidance, let’s get back to basics. What are the ingredients in a friendship that’s rich and real, caring and enduring, intimate and mutually fulfilling? I’ve found that there are at least five that are essential in developing ongoing, secure, and satisfying friendships: affinity, acceptance, authenticity, assistance, and affirmation.

Sundown, and the bellies of the clouds flush pink. Renton reflecting that no matter how early you rise or how late you turn in, you never see that point where light begins or the first bruise of darkness bleeds in under its fragile skin; the beauty, and the scary, unfathomable wisdom of transition.

If you go on exposing yourself, in the beginning it is going to be really very scary but soon you will start gaining strenght because once the truth is exposed it becomes stronger and the untruth dies.