Before The Coffee Gets Cold Quotes

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At the end of the day, whether one returns to the past or travels to the future, the present doesn't change.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
I was so absorbed in the things that I couldn’t change, I forgot the most important thing.
Toshikazu Kawaguchi (Before the Coffee Gets Cold)
Seasons flow in a cycle. Life too, passes through difficult winters. But after any winter, spring will follow.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
It takes courage to say what has to be said.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
She wanted to do things without having to worry what others thought. She simply lived for her freedom.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
With the coffee in front of her, she closed her eyes, and inhaled deeply. It was her moment of happiness.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Water flows from high places to low places. That is the nature of gravity. Emotions also seem to act according to gravity. When in the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out. This is especially the case when you are trying to hide your sadness or vulnerability. It is much easier to conceal sadness from a stranger, or from someone you don’t trust.
Toshikazu Kawaguchi (Before the Coffee Gets Cold)
We can never truly see into the hearts of others. When people get lost in their own worries they can be blind to the feelings of those most important to them.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
But Kazu still goes on believing that, no matter what difficulties people face, they will always have the strength to overcome them. It just takes heart. And if the chair can change someone’s heart, it clearly has its purpose.
Toshikazu Kawaguchi (Before the Coffee Gets Cold)
. . . as the future hasn't happened yet, I guess that's up to you. . .
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
People don’t see things and hear things as objectively as they might think. The visual and auditory information that enters the mind is distorted by experiences, thoughts, circumstances, wild fancies, prejudices, preferences, knowledge, awareness, and countless other workings of the mind.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
The kindness in his smile seemed infinite.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
no matter what difficulties people face, they will always have the strength to overcome them. It just takes heart.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
We must become friends before this coffee cools.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
There is no greater suffering than that of a parent who is unable to save their own child who wants to die.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Things that you put off saying until tomorrow are sometimes never said
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
The present hadn’t changed—but those two people had. Both Kohtake and Hirai returned to the present with a changed heart.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Negativity is food for malady, one might say.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
At the end of the day, whether one returns to the past or travels to the future, the present does not change. So it raises the question: just what is the point of that chair?
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
If you could go back, who would you want to meet?
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
I want to find work that is worth spending a lifetime on
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Sometimes life is stranger than fiction, but sometimes it's incomparable in other ways. Sometimes it's heaven that the false fire of imagination could never capture.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
A parent’s love for their child is bottomless. Their children remain children, no matter how old they grow.
Toshikazu Kawaguchi (Tales from the Café: Before the Coffee Gets Cold)
surviving alone is much the same as dying alone
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
When in the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out. This is especially the case when you are trying to hide your sadness or vulnerability. It is much easier to conceal sadness from a stranger, or from someone you don't trust.
Toshikazu Kawaguchi (Before the Coffee Gets Cold: Tales from the Café (Before the Coffee Gets Cold, #2))
Something I strongly believe is that we mustn't allow the death of a person to be the cause of unhappiness. The reason for that is simple: if we let everyone who dies be a cause for unhappiness, that would mean people are being born to be unhappy. But the opposite in fact is true. People are always born for the sake of happiness.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Just remember. Drink the coffee before it goes cold,” she whispered.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
If this continues, I won’t find myself in the present or past; I’ll simply vanish in a wisp of smoke.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Even if I am dead, I want you to live with a smile on your face
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Sometimes people will only confide in someone they trust, but other times they need the listener to be a complete stranger.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
She took an instant liking to her. Treat them mean, keep them keen, that was Hirai’s motto.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
People’s true feelings are not in plain sight. The other person might not be thinking anything, but there is a tendency to just assume what the other is feeling without reaching out and asking.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Indecisiveness is self-destructive,
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
At least I want to get up early one more morning, before sunrise. Before the birds, even. I want to throw cold water on my face and be at my work table when the sky lightens and smoke begins to rise from the chimneys of the other houses. I want to see the waves break on this rocky beach, not just hear them break as I did in my sleep. I want to see again the ships that pass through the Strait from every seafaring country in the world - old, dirty freighters just barely moving along, and the swift new cargo vessels painted every color under the sun that cut the water as they pass. I want to keep an eye out for them. And for the little boat that plies the water between the ships and the pilot station near the lighthouse. I want to see them take a man off the ship and put another one up on board. I want to spend the day watching this happen and reach my own conclusions. I hate to seem greedy - I have so much to be thankful for already. But I want to get up early one more morning, at least. And go to my place with some coffee and wait. Just wait, to see what's going to happen.
Raymond Carver
Doing things differently from everyone else would normally antagonize those making sure no one went against the grain, but no one ever thought that way with Kei. She was always everyone’s friend; she had that sort of effect on people.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
I never could have imagined that this, this casual conversation could make me so happy.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
If I had led a sad life as a result of my sister's death, then it would have been as if her death had caused it. So, I thought I mustn't allow that to happen. I swore to myself that I would make sure that I was happy. My joy would be the legacy of my sister's life.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Kohtake, though, liked her coffee hot, even in summer. She liked the aroma of it when it was freshly brewed. She couldn't enjoy iced coffee in the same way. Coffee was far more pleasurable when it was hot.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Well, I read that when you give a gift to someone who is striving to achieve their dreams, you have to give them the most cherished thing you have. Some days, that person who is chasing their dreams will not be able to find the strength to keep going. It will be bitter and painful, and they will have to weigh up their dreams and reality to make a choice. When that happens, the person gifted with the most precious thing will be able to fight on a little more. It apparently helps them to feel they are not alone. So, I'm giving you this book because I want you to fight for your dream.'" - Before Your Memory Fades (Before the Coffee Gets Cold, #3), p. 313
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
People tend to feel happy when spring arrives, especially after a cold winter. When spring begins, however, cannot be pinpointed to one particular moment. There is no one day that clearly marks when winter ends and spring begins. Spring hides inside winter. We notice it emerging with our eyes, our skin, and other senses. We find it in new buds, a comfortable breeze and the warmth of the sun. It exists alongside winter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
At the end of the day, whether one returns to the past or travels to the future, the present does not change.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Remember---drink the coffee before it goes cold.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
It is up to each individual to decide how they feel about the words of others and what action they wish to take.
Toshikazu Kawaguchi (Before We Say Goodbye (Before the Coffee Gets Cold, #4))
I cannot stand the idea of us staying together only out of sympathy
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
If you try to find happiness after this, then this child will have put those seventy days towards making you happy. In that case, its life has meaning. You are the one who is able to create meaning for why that child was granted life. Therefore, you absolutely must try to be happy. The one person who would want that for you the most is that child.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Don't ever forget me until the end of ages.' 'The end of ages?' 'Because my love for you runs deeper than any grudge.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
People tend to feel happy when spring arrives, especially after a cold winter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
I’ll mourn how I mourn. Everyone’s different,
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Kazu still goes on believeing that, no matter what difficulties people face, they will always have the strength to overcome them. It just takes heart. And if the chair can change someone's heart, it clearly has its purpose. But with her cool expression, she will just say, "Drink the coffee before it gets cold.
Toshikazu Kawaguchi
The visual and auditory information that enters the mind is distorted by experiences, thoughts, circumstances, wild fancies, prejudices, preferences, knowledge, awareness, and countless other workings of the mind.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
She moved with an impenetrable beauty, as if she was performing a solemn ritual.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Well, surviving alone is much the same as dying alone, don’t you think?
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
I’d be happy to be born, even for only one day if one day was all I had.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
And if the chair can change someone’s heart, it clearly has its purpose.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Water flows from high places to low places. That is the nature of gravity. Emotions also seem to act according to gravity. When I’m the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
For a parent, a child is a child for ever. Never ever expect ing anything in return, she was simply a mother who wanted her child to be happy, always, to shower him with love.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
I want my child to be happy. How can such a simple wish be so terribly scary?
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
It could have been anyone,” I said. “All the women who look at you when we go out. Ms. Bisette at school. God, even Hiyam. Why me?” He stared at the coffee table, the reflection of snow like confectioner’s sugar sifting down. “It couldn’t have been anyone,” he said softly. “For a long time before I met you, I felt my life was this kind of test. I was in deep, cold water, swimming for shore, and my arms were getting tired,my skin numb. On the shore was everything I thought I wanted: a better job, a house, a family.” He swallowed, his throat cording with tension. “But I could barely keep my head above water. Eventually I stopped seeing the shore. Only cold dark blue, in all directions. I know it’s cliché, but when I met you, my eyes opened. I looked around, and realized I could stand up whenever I wanted. There was firm ground under my feet. That shore in the distance was an illusion. I was already somewhere beautiful.
Leah Raeder (Unteachable)
You should be proud of yourself for sticking with it and never giving up. You were amazing in your persistence. It didn't happen by magic! Remember when I called out to you on that day? Your life didn't suddenly transform by itself, did it? None of your problems suddenly fixed themselves, did they? But you looked to the future and preserved. You have what you have today because you never gave up telling yourself that you had to be happy.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Inside every person is an inherent capability to make it through any kind of difficulty. Everyone has that energy. But sometimes when that energy flows via our anxiety valve, the flow can be restricted. The greater that anxiety, the greater the strength needed to open the valve and release the energy. That strength is empowered by hope. You could say that hope is the power to believe in the future.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
As long as he felt that there was someone who would find joy in his success, that was enough for him.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
His despair at life had metamorphosed into hope.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
He thought it was a shame, but there was no point dwelling on things one couldn't control.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
I could talk to her, but I couldn't' tell her anything.
Toshikazu Kawaguchi (Before We Say Goodbye (Before the Coffee Gets Cold, #4))
It wasn’t that he was dissatisfied with his ordinary life, or was just that from somewhere in his heart he heard, I want to find work that is worth spending a lifetime on.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Not having any regrets might actually be my biggest regret. I wish I was capable of feeling regret.
Toshikazu Kawaguchi (Before We Say Goodbye (Before the Coffee Gets Cold, #4))
Water flows from high places to low places. That is the nature of gravity. Emotions also seem to act according to gravity. When in the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
At that moment, Kei’s heart sang with happiness: she was the mother of this child. She wasn’t just a parent—she was the mother of the girl standing before her. She was unable to stop the tears from gushing.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Fumiko saw Goro’s face as he glanced back before leaving the café. She saw his face for only a split second but he was smiling wonderfully, just like the time when he had said, “Perhaps you could buy me a coffee?
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
I will remember this comforting warmth for the rest of my life
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
It takes talent not to give up
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
nothing comes about by itself
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
That strength is empowered by hope. You could say that hope is the power to believe in the future.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
You seized the happiness you have now.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
She saw his face for only a split second but he was smiling wonderfully, just like the time when he had said, “Perhaps you could buy me a coffee?
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Regret comes in two flavors: actions taken and opportunities missed.
Toshikazu Kawaguchi (Before We Forget Kindness (Before the Coffee Gets Cold, #5))
If the world were to end tomorrow, which would you do? 1. Keep quiet about it because they wouldn't properly understand. 2. Tell the truth because you will feel guilty keeping quiet.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
There are many crossroads in life. All regrets stem from what happened at one moment we never imagined would happen to us. When our own action brings about an unexpected result, how can we not experience huge regret? After all, do we ever get another shot?
Toshikazu Kawaguchi (Before We Say Goodbye (Before the Coffee Gets Cold, #4))
You’re a nurse, so I can only assume you have already noticed. I have an illness where I forget things. “I imagine that as I keep on losing my memory, you will be able to put aside your own feelings and care for me with the detachment of a nurse, and that you can do that no matter what strange things I say or do—even if I forget who you are. “So I ask you never to forget one thing. You are my wife, and if life becomes too hard for you as my wife, I want you to leave me. “You don’t have to stay by me as a nurse. If I am no good as a husband, then I want you to leave me. All I ask is that you can do what you can as my wife. We are husband and wife after all. Even if I lose my memory, I want to be together as husband and wife. I cannot stand the idea of us staying together only out of sympathy. “This is something I cannot say to your face, so I wrote it in a letter.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
I’ll mourn how I mourn. Everyone’s different.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Nostalgia and weirdness became tangled together, and Todoroki found himself chuckling.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Cheri grinned cockily at Pam and turned to Chelsea. “I figure my coffee won’t have time to get cold before this is over.
C.B. Cook (Paralyzed Dreams)
And if she couldn’t change reality, there was no point returning to the past.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
When I leave the back to you, I know I' ve got someone I can count on
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
I've never said anything like this before, so you might not believe me. I wanted you to know that I was happy because of you. I wanted to tell you. I was happy. Thank you.
Toshikazu Kawaguchi (Before We Say Goodbye (Before the Coffee Gets Cold, #4))
After a long silence of being lost in her feelings, Hirai managed to mutter just two words 'Thank you'. She didn't know whether that one phrase could contain all these feelings or whether it conveyed how she felt. But every part of her at that moment was invested in those two words.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Water flows from high places to low places. That is the nature of gravity. Emotions also seem to act according to gravity. When in the presence of someone with whom you have a bond, and to whom you have entrusted your feelings, it is hard to lie and get away with it. The truth just wants to come flowing out. This is especially the case when you are trying to hide your sadness or vulnerability. It is much easier to conceal sadness from a stranger, or from someone you don’t trust. Hirai saw Kei as a confidante with whom she could share anything. The emotional gravity was strong. Kei was able to accept anything—forgive anything—that Hirai let flow out. A single kind word from Kei could cut the cords of tension that ran through her.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
With you gone, there's nothing to live for.' He started bawling uncontrollably. But Setsuko just smiled back fondly. He was precious to her. 'But I am still here,' she reminded him gently. 'I'll always be by your side,' she said without hesitation. 'Even though I die, as long as you don't forget me, I'll always be in your heart.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
Reiji was now realizing how important the ordinary life that we take for granted is and how much happiness can be experienced from having someone you care about by your side. Things that you put off saying until tomorrow are sometimes never said.
Toshikazu Kawaguchi (Before Your Memory Fades (Before the Coffee Gets Cold, #3))
You know how much your father loved you. Don't you think it would be painful for him to see the unhappy face of someone he loved? So why don't you smile every day so that your father can smile his box? Our smiles allow him to smile. Our happiness allows your father to be happy in his box.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
The sensation that she was a spirit, shimmering and swirling like steam, now left her, and she began to regain awareness of her limbs. In a panic, she felt her body and face, to make sure it was herself who had appeared. When she came to her senses, a man was there before her, watching her strange behavior, puzzled.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
Kiyoshi looked pleased, and smiling broadly, he slowly inhaled over the cup. Upon observing this, Nagare’s narrow eyes arched in pleasure. That the coffee he served in the cafe was never just ordinary was a source of great pride and joy to him. He puffed out his chest with an air of satisfaction and retired behind the counter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
It wasn't until later that she learned he could barely read or write. When she found it, she asked him how he managed to read all the long letters she wrote to him. Apparently, he just allowed his eyes to wander over them. Then he just wrote in his reply the vague impression he got from his gazing. But with the last letter, after casting his eyes over it, he was overcome with a feeling that he had missed something important. He read it word for word while asking different people to tell him what the words meant - hence the long time it took to reply.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
The waitress’s name was Kazu Tokita. Kazu was a cousin of the proprietor. She was waitressing while attending Tokyo University of the Arts. She had quite a pretty face, a pale complexion and narrow almond-shaped eyes, yet her features were not memorable. It was the type of face that if you glanced at it, closed your eyes and then tried to remember what you saw, nothing would come to mind. In a word, she was inconspicuous. She had no presence. She didn’t have many friends either. Not that she worried about it—Kazu was the sort of person who found interpersonal relationships rather tedious.
Toshikazu Kawaguchi (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
She was so ridiculously happy that most days she didn't know how to contain it. Every morning before dawn she would unwrap her long limbs reluctantly from those of her husband, drink the coffee he insisted on making for her, then walk down to open the library and get the stove going, ready for the others to arrive. Despite the cold and the brutal hour, she was almost always to be found smiling. If Peggy Van Cleve's friends chose to remark that Alice Guisler had let herself go something awful since she'd started up at that library, what with her un-set hair and her mannish outfits (and to think her so refined and well-dressed when she came, and all!), then Fred couldn't have noticed less. He was married to the most beautiful woman in the world, and every night after they had each finished work, and put away the dishes side by side, he made sure to pay homage. In the still air of Split Creek it was not unusual for those who were walking past in the darkness to shake an amused head at the breathless and joyous sounds emanating from the house behind the library. In Baileyville, in winter, there was not much to do after the sun went down, after all.
Jojo Moyes (The Giver of Stars)
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
How did you find me?" "I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track." But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together. "...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost." I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?" "I wanted to. Almost did, a bunch of times." "Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me. "Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago." "You knew about that?" He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up." "Don't say that," I said quickly. Then: "You were never part of what I wanted to forget." "Nice of you to say, but I know it's not true." I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me. "You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?" "I have to go." "No! Already?" I didn't want to let him out of my sight. "Don't worry," he said. "Just have to go to work. I'll be around." "Give me your number. I'll call you." "I don't have a phone right now." "Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff." "You have a boyfriend," he finally said. "I saw you guys holding hands." I nodded. "Ethan." "For how long?" "Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug. "You lost your lisp." And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us." He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?" "Yeah," I said, unable to take my eyes off of him. "Tomorrow.
Sara Zarr (Sweethearts)