Before Sunrise Quotes

We've searched our database for all the quotes and captions related to Before Sunrise. Here they are! All 100 of them:

The first sign that Karma was now in cahoots with the Devil Incarnate to ruin her existance should've been before sunrise and pre-coffee.
Kelly Moran (The Dysfunctional Test)
I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
I always feel this pressure of being a strong and independent icon of womanhood, and without making it look my whole life is revolving around some guy. But loving someone, and being loved means so much to me. We always make fun of it and stuff. But isn't everything we do in life a way to be loved a little more?
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
You can never replace anyone because everyone is made up of such beautiful specific details.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
I think I’m always so much more happy with books and movies and stuff. I think I get more excited about well-done representations of life than life itself. - Celine
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
I guess when you are young, you believe that you will meet many people with whom you'll connect with, but later in life you realize it only happens a few times.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
Among my stillness was a pounding heart.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Yeah, a memory's never finished, if you really think about it.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Isn't everything we do in life a way to be loved a little more?
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
How could the world be falling apart before sunrise? It wasn't civilized.
Leigh Bardugo (King of Scars (King of Scars, #1))
Even being alone it's better than sitting next to your lover and feeling lonely. - Celine
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
I was having this awful nightmare that I was 32. And then I woke up and I was 23. So relieved. And then I woke up for real, and I was 32.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
no one really knows anyone. That’s the thing about relationships - people are always saying, “I want to know you, I want to know who you are.” But it is so hard for anyone to even know themselves. Who I am is always changing, so how can anyone else share in that?
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Remember how far you’ve come, and you won’t have to rely on a destiny for your future. It will come on your own.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Wake! For the Sun, who scatter'd into flight The Stars before him from the Field of Night, Drives Night along with them from Heav'n, and strikes The Sultan's Turret with a Shaft of Light
Omar Khayyám (The Ruba'iyat of Omar Khayyam)
She affected me, even when she was absent.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Nothing is more beautiful than the loveliness of the woods before sunrise.
George Washington Carver (George Washington Carver in his own words)
So often in my life I've been with people and shared beautiful moments like travelling or staying up all night and watching the sunrise, and I knew it was a special moment, but something was always wrong. I wished I'd been with someone else. I knew that what I was feeling - exactly what was so important to me - they didn't understand.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
…[Thomas Wolfe] says that we are the sum of all the moments of our lives, and that, uh, anybody who sits down to write is gonna use the clay of their own life, that you can’t avoid that.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Men go out with me, we break up and then they get married. And later they call me to thank me for teaching them what love is. That I tought them to care and respect women. (...) I wanna kill them! Why didn't they ask me to marry them? I would've said no, but at least they could have asked.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
He was acting like our kiss had broken him, and his reaction was breaking me.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
I like you, Dawn. I've seen a lot of humans, from far away and up close. I've never met one like you. I think you're the closest thing to a sunrise I'll ever see.
J.A. London (Darkness Before Dawn (Darkness Before Dawn #1))
Silver hidden in the gold, Young man hidden in the old, Laughing lord with weeping eyes, Bring king and ring before sunrise! -Hilarion, The Great and Terrible Quest
Margaret Lovett (The Great and Terrible Quest)
My last sunrise. That morning, I was not yet a vampire. And I saw my last sunrise. I remember it completely; yet I do not think I remember any other sunrise before it.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
You are both stars, don’t forget. When the stars exploded billions of years ago, they formed everything that is this world. The moon, the trees, everything we know is stardust. So don’t forget. You are stardust. - ROSE PEDDLER
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
I always think that I’m still this 13-year old boy that doesn’t really know how to be an adult, pretending to live my life, taking notes for when I’ll really have to do it.
Richard Linklater (Before Sunrise)
I was born into chaos. I didn’t know what peace felt like.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Baby, you are gonna miss that plane.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
Some day I shall sing to thee in the sunrise of some other world, I have seen thee before in the light of the earth, in the love of man.
Rabindranath Tagore (Stray Birds)
Give me a number between one and ten.” “Two.” “Forget that, then. Between five and ten.” “Seven.” “That’s how many times you’re coming before sunrise...
C.D. Reiss (Resist (Songs of Submission, #6))
Even being alone it's better than sitting next to your lover and feeling lonely.
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
I see the people that do the real work, and what in a way is really sad is that the people that are often the most giving, hardworking, and capable of making this world better don't really have the ambition and ego to be a leader—they don't see any interest in the rewards, they don't care if their names ever appear in the press, they actually enjoy the process of helping others, they are truly in the moment.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Watching them was like watching the sunset and the sunrise, equally beautiful in different ways.
Shannon A. Thompson (Death Before Daylight (Timely Death, #3))
See. The whole concept of love is much more complex. Love’s like God or something: It’s everywhere...I see it, I feel it, but I don’t know if another person is going to hand it to me.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
He loved her beyond earth, heaven, or hell. Every moment out of her company was agony; every moment with her was the only peace he had ever known. Every touch of her hands left an imprint that ate down to his soul. He would have killed himself before admitting it to anyone. The truth was buried deep in his heart.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
At least I want to get up early one more morning, before sunrise. Before the birds, even. I want to throw cold water on my face and be at my work table when the sky lightens and smoke begins to rise from the chimneys of the other houses. I want to see the waves break on this rocky beach, not just hear them break as I did in my sleep. I want to see again the ships that pass through the Strait from every seafaring country in the world - old, dirty freighters just barely moving along, and the swift new cargo vessels painted every color under the sun that cut the water as they pass. I want to keep an eye out for them. And for the little boat that plies the water between the ships and the pilot station near the lighthouse. I want to see them take a man off the ship and put another one up on board. I want to spend the day watching this happen and reach my own conclusions. I hate to seem greedy - I have so much to be thankful for already. But I want to get up early one more morning, at least. And go to my place with some coffee and wait. Just wait, to see what's going to happen.
Raymond Carver
I believe if there's any kind of God it wouldn't be in any of us, not you or me but just this little space in between. If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.
Richard Linklater (Before Sunrise)
Memory is a wonderful thing if you don’t have to deal with the past.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Sunrise, sunset, changes right before my eyes, but your vision stays forever in my heart
Karla M. Nashar (Bellamore: A Beautiful Love To Remember)
It was almost painful to be different.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Fun fact: The planet Venus- aka, the 'morning star' when it appears before sunrise, outshining all the stars in the heavens-was once known as Luciferin. Funner fact: The chemical that makes fireflies' butts light up is called "luciferin
Jeri Smith-Ready (Nyx in the House of Night: Mythology, Folklore and Religion in the PC and Kristin Cast Vampyre Series)
I have nothing to offer you," he finally said in a guttural voice. "Nothing." Win's lips had turned dry. She moistened them, and tried to speak through a thrill of anxious trembling. "You have yourself," she whispered. "You don't know me. You think you do, but you don't. The things I've done, the things I'm capable of--you and your family, all you know of life comes from books. If you understood anything--" "Make me understand. Tell me what is so terrible that you must keep pushing me away." He shook his head. "Then stop torturing the both of us," she said unsteadily. "Leave me, or let me go." "I can't," he snapped. "I can't, damn you." And before she could make a sound, he kissed her.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Chaos within destiny. It was the definition of our love.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
His hands fell to my hips, and his fingers dug through my rain-drenched clothes.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
O sky above me, you modest, glowing sky! O you, my happiness before sunrise! Day is coming: so let us part!
Friedrich Nietzsche (Thus Spoke Zarathustra)
Sometimes I get up before sunrise to watch the way the dark thins out and objects slowly reveal themselves, the trees, the rest of the landscape. You can hear the river below and roosters in the village. The light of dawn, cold and blue, gradually fills the world, and it's the same in every place I've been.
Andrzej Stasiuk (On The Road To Babadag: Travels in the Other Europe)
A waltz for a night
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
...like a sunrise or sunset, anything so ephemeral. Just like our life - we appear and we disappear and we are so important to some, but, we are just passing through.
Richard Linklater (Before Midnight)
There is, I have heard, a little thing called sunrise, in which the sun reverses the process we all viewed the night before. You might assume such a thing as mythical as those beasts that guard the corners of the earth, but I have it on the finest authority, and have, indeed, from time to time, regarded it with my own eyes.
Lauren Willig (The Garden Intrigue (Pink Carnation, #9))
Let me sing you a waltz / Out of nowhere, out of my thoughts / Let me sing you a waltz / About this one night stand / You were, for me, that night / Everything I always dreamt of in life / But now you're gone / You are far gone / All the way to your island of rain / It was for you just a one night thing / But you were much more to me, just so you know / I don't care what they say / I know what you meant for me that day / I just want another try, I just want another night / Even if it doesn't seem quite right / You meant for me much more than anyone I've met before / One single night with you, little Jesse, is worth a thousand with anybody / I have no bitterness, my sweet / I'll never forget this one night thing / Even tomorrow in other arms, my heart will stay yours until I die / Let me sing you a waltz / Out of nowhere, out of my blues / Let me sing you a waltz / About this lovely one night stand
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She (She, #1))
How is it that everything must begin and end with you? There you are, before sunrise, perfuming the world with your scent. Have you made a deal with the moon so that you can linger even when she tapers off? And what about the wind? Even when he has been scolded and is sitting in a corner, there you are, my calm before the storm. Despite the inevitable destruction and my ruin, there you are again, my calm after the storm. I must, I really must know: 'How is it that there was never you until there was and then all was you?
Kamand Kojouri
Out my window this morning, just before sunrise, a deer stood in a fog so dense and bright that the second one, not too far away, looked like the unfinished shadow of the first. You can color that in. You can call it ‘The History of Memory
Ocean Vuong (On Earth We're Briefly Gorgeous)
That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched its whole magnificence for the last time as if it were the first. And then I said farewell to sun light, and set out to become what I became.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
Often he rose early in the morning, before anyone else, and poured himself liquid through the sunrise streets, and everything seemed beautiful, everything in its proper orbit, nothing impossible, the entire world attainable.
Robert Cormier (The Chocolate War (Chocolate War, #1))
Daydream delusion, limousine eyelash Oh baby with your pretty face Drop a tear in my wineglass. Look at those big eyes See what you mean to me Sweet-cakes and milkshakes I'm a delusion angel I'm a fantasy parade. I want you to know what I think Don't want you to guess anymore You have no idea where I came from We have no idea where we're going Lodged in life Like branches in a river Flowing downstream Caught in the current I carry you, You'll carry me That's how it could be Don't you know me? Don't you know me by now?
before sunrise
This morning I woke up before the alarm clock went off and the sky outside was a big red ocean. You're beautiful when you're sleeping so I spent an hour observing the way you breathe. Inhale, exhale, without a thought of tomorrow. The window was open and the air was so crisp and I couldn't imagine how to ever ask for more than this.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Instead, I woke early the next morning, before sunrise, and went out into the world. I walked past my car. I stepped onto the pavement, still warm from the previous day’s sun. I started walking. In bare feet, I traveled upriver toward the place where I was born and will someday die. At that moment, if you had broken open my heart you could have looked inside and seen the thin white skeletons of one thousand salmon.
Sherman Alexie (The Toughest Indian in the World)
Cupping his face in her hands, she looked into eyes that had seen thousands of sunrises before she was even a glimmer in the scheme of the universe. "But you have an advantage," she whispered. "You're a little bit human now.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Maybe loneliness is an acquired taste, or maybe it's like plunging your hand in ice water--it hurts like hell in the beginning, and then you go numb.
Tiffany Schmidt (Bright Before Sunrise)
Sometimes an outside perspective is the clearer perspective.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Frodo heard a sweet singing running in his mind: a song that seemed to come like a pale light behind a grey rain-curtain, and growing stronger to turn the veil all to glass and silver, until at last it was rolled back, and a far green country opened before him under a swift sunrise.
J.R.R. Tolkien
I hate being told by strange men in the street to smile, to make them feel better about their boring lives
Julie Deply "Celine"
That’s what I like about traveling—you can sit down, maybe talk to someone interesting, see something beautiful, read a good book, and that’s enough to qualify as a good day. You do that at home and everyone thinks you’re a bum.
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
My problem stemmed from not forgiving myself.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
Before we met, I was drowned in a deep blue sky, I thought I would never look forward again, I believed I would always stay stuck, Since that first snow, nothing remained the same, I came to know there was more to life, I realized I was ever ready to move on, All I needed was somebody like you, All I wanted was to trust in your vibe, In those shimmery eyes, I saw cheesy sunrise, In those silent moments, I heard the roar of rivers, In those joyous chattering, I sensed peaceful sunsets, In those pineapple thoughts, I lived life to the fullest, In that crazy ocean of love, I left footprints on the water, Trust me, in that lovely smile, I saw a sky I won't forget.
Hareem Ch (Another World)
Matthias appeared in front of them. “We should go soon. We have little more than an hour before sunrise.” “What exactly are you wearing?” Nina asked, staring at the tufted cap and woolly red vest Matthias had put on over his clothes. “Kaz procured papers for us in case we’re stopped in the Ravkan quarter. We’re Sven and Catrine Alfsson. Fjerdan defectors seeking asylum at the Ravkan embassy.” It made sense. If they were stopped, there was no way Matthias could pass himself off as Ravkan, but Nina could easily manage Fjerdan. “Are we married, Matthias?” she said, batting her lashes. He consulted the papers and frowned. “I believe we’re brother and sister.” Jesper ambled over, rubbing the sleep from his eyes. “Not creepy at all.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Nice is for people we forget.
Tiffany Schmidt (Bright Before Sunrise)
Tom, how many children do you think I have to have before I figure out you get them by having sex?" "Of course there would be protection," he offered. "Tons of it.
Robyn Carr (Sunrise Point (Virgin River, #17))
It's a tiny bestseller, but, officially yes. But, hey, most people haven't read Moby-Dick, so why the hell should they read my book?
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
Fun? “Katrina, I didn’t request to be set up on a date. I can’t go meet a complete stranger and….” he scanned the email again. “…and spend the night with her?
Lia Davis
His eyes narrowed to slits. Power passed over her, intensifying her desire for him. She moaned and rotated her hips against him. “What will you do with me now?
Lia Davis
It was a quiet way - He asked if I was his - I made no answer of the tongue But answer of the eyes - And then He bore me on Before this mortal noise With swiftness, as of Chariots and distance, as of Wheels. This World did drop away As acres from the feet of one that leaneth from Balloon Upon an Ether Street. The Gulf behind was not, The Continents were new - Eternity was due. No Seasons were to us - It was not Night nor Morn - But Sunrise stopped upon the place And Fastened in Dawn.
Emily Dickinson (The Complete Poems of Emily Dickinson)
I remember the first year after my second child was born, what I can remember of it at all, as a year of disarray, of overturned glasses of milk, of toys on the floor, of hours from sunrise to sunset that were horribly busy but filled with what, at the end of the day, seemed like absolutely nothing at all. What saved my sanity were books. What saved my sanity was disappearing, if only for fifteen minutes before I inevitably began to nod off in bed...and as it was for me when I was young and surrounded by siblings, as it is today when I am surrounded by children, reading continues to provide an escape from a crowded house into an imaginary room of one's own.
Anna Quindlen (How Reading Changed My Life)
God loves me,' she said to her dazed-eyed reflection. 'God likes me. Freckles and all.
Sarah Sundin (The Sea Before Us (Sunrise at Normandy, #1))
time is a lie …
Richard Linklater (Before Sunrise & Before Sunset: Two Screenplays)
War?' The word held too much definition for three letters.
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
He's wrong--high school isn't a pyramid with all the power clustered in a chosen few at the top--it's more of a movie theater with twenty-two screens showing simultaneously. The love story in theater three doesn't care what happens on the football field in theater twelve. Actors and audiences overlap on the screen in the hallways, but there's a place for everyone.
Tiffany Schmidt (Bright Before Sunrise)
As it peaks over the horizon, does not a sunrise whisper the opportunity to try again. And if the day passes and our efforts were stunted by the bane of our insecurities or blunted by the challenges of life, does not a sunset invite us to rest before it whispers the same message the next morning?
Craig D. Lounsbrough
No, you need to cry.' He gently pressed her head to his shoulder, knocking her cap askew. 'My mama says women need to cry every once in a while. Washes away all the weakness so you can stay strong. Always let a lady cry, she says.
Sarah Sundin (The Sea Before Us (Sunrise at Normandy, #1))
I always have this strange feeling that I am this very old woman laying down about to die. You know, that my life is just her memories, or something.
Céline
How could it be late, when you’re the sunrise? There’s no morning sky or lark-song before you appear. No butterfly would dare unfold its wings. The day waits on you, my heart, just as the harvest waits the reaper.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
If there's any kind of magic in this world it must be in the attempt of understanding someone sharing something. I know, it's almost impossible to succeed but who cares really? The answer must be in the attempt.
Céline
At night it felt as if we were walking with the moon. It followed us under thick clouds and waited for us at the other end of dark forest paths. It would disappear with sunrise but return again, hovering on our path. Some nights the sky wept stars that quickly floated and disappeared into the darkness before our wishes could meet them. Under these stars I used to hear stories, but now it seemed as if it was the sky that was telling us a story as its stars fell, violently colliding with each other. The moon hid behind clouds to avoid seeing what was happening.
Ishmael Beah (A Long Way Gone: Memoirs of a Boy Soldier)
Time and again the sun sets like a bedimming curtain before my eyes, taking with it all illumination, warmth, and color.  I am overwhelmed by night and the monsters that lurk in shadows of despair.  But alas, stars twinkle from afar, shedding the tiniest rays of lighted hope.  I am reminded that the sun also rises and that morning's glory shall restore beauty to my world.  The realization of this dream is only a matter of waiting out the dreary night.  So, I shall persevere.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.
Andy Behrman (Electroboy: A Memoir of Mania)
She walked into the kitchen, turned on the light and saw through the window that the eastern sky as dark red. It was her favorite time of the day. She stepped out onto the back step. It was cool. She also liked it when it was cold and she could stand there taking in the cold morning while the sky was red, and time stopped stood still, and rested for a minute. People thought that time never stood still, except in Joshua when the sun stood still; but she knew that for a minute before sunrise when the sky began to lighten, showing dark early clouds, there was often a pause when nothing moved, not even time, and she was always happy to be up and in that moment; sometimes she tried to stand perfectly still, to not move with time not moving, and it seemed that if she were not careful she might slip out of this world and into another. That made the moment risky, bright shining, and very still at the same time. She hoped that when her time came, it would be close to morning, and she could wait for the still moment.
Clyde Edgerton (Walking Across Egypt (Turtleback School & Library Binding Edition))
on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.
Charles Bukowski (Love Is a Dog from Hell)
Kev loved her. Not in the way that novelists and poets described. Nothing so tame. He loved her beyond earth, heaven, or hell. Every moment out of her company was agony; every moment with her was the only peace he had ever known. Every touch of her hands left an imprint that ate down to his soul. He would have killed himself before admitting it to anyone. The truth was buried deep in his heart.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
To anticipate, not the sunrise and the dawn merely, but, if possible, Nature herself! How many mornings, summer and winter, before yet any neighbor was stirring about his business, have I been about mine...So many autumn, ay, and winter days, spent outside the town, trying to hear what was in the wind, to hear and carry it express! I well-nigh sunk all my capital in it, and lost my own breath into the bargain, running in the face of it.
Henry David Thoreau (Walden)
In times like these I always cheered myself up with a certain story. I forgot just when I first heard it, or who I heard it from... but, back when I was young it would cheer me up when I was feeling depressed. Basically, you think of life in terms of a single 24 hour day. So if you take the average human lifespan, to be around 72 years, then dividing that by 24... that comes to 3 years per hour. Meaning, that if you were 18 it'd only be 6 AM! 6 in the morning is nothing! Schools aren't even open by then! It's only been a couple of hours before sunrise, the day's just begun! So if you're 18, you can still fix you life by then! In fact even if you were 30 year old, that's still only 10 AM! The sun's still high, and there's still 2 hours until noon! You still have the whole afternoon to fix your life! You could still make something of yourself. I've always been thinking that, but... I'm now 45 years old! 45 divided by 3 is 15 meaning, that the time 3PM! Ring Ring Ring! I can hear the clock, ringing in my mind! There's only 2 hours before work is over at 5PM! I can't redo anything, it's almost time to go home already.
Nobuyuki Fukumoto (Saikyō Densetsu Kurosawa 9)
Once, not long ago, in her life before the front lines, she would have thought this was ridiculous. She would have said no, I have other plans right now. But that was before, a time that was gilded by a different slant of light, and this present moment was now limned in the blue tinge of after. She had seen the fragility of life. How one could wake to a sunrise and die by sunset. She had run through the smoke and the fire and the agony with Roman, his hand in hers. They had both tasted Death, brushed shoulders with it. They had scars on their skin and on their souls from that fractured moment, and now Iris saw more than she had before. She saw the light, but she also saw the shadows.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Dazzling and tremendous how quick the sunrise would kill me, If I could not now and always send sunrise out of me. We also ascend dazzling and tremendous as the sun, We found our own my soul in the calm and cool of the daybreak. My voice goes after what my eyes cannot reach, With the twirl of my tongue I encompass worlds and volumes of worlds. Speech is the twin of my vision.... it is unequal to measure itself. It provokes me forever, It says sarcastically, Walt, you understand enough.... why don’t you let it out then? Come now I will not be tantalized.... you conceive too much of articulation. Do you not know how the buds beneath are folded? Waiting in gloom protected by frost, The dirt receding before my prophetical screams, I underlying causes to balance them at last, My knowledge my live parts.... it keeping tally with the meaning of things, Happiness.... which whoever hears me let him or her set out in search of this day.
Walt Whitman (Leaves of Grass)
Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
She’s the reason he will probably become an embittered old fuck before he’s even of legal drinking age, distrusting women and writing rude songs about them, and basically from here into eternity thinking all chicks are lying cheating sluts because one of them broke his heart. He’s the type of guy that makes girls like me frigid. I’m the girl who knows he’s capable of poetry, because, like I said, there are things I just know. I’m the one who could give him that old-fashioned song title of a thing called Devotion and True Love (However Complicated), if he ever gave a girl like me a second glance. I’m the less-than-five-minute girlfriend who for one too-brief kiss fantasized about ditching this joint with him, going all the way punk with him at a fucking jazz club in the Village or something. Maybe I would have treated him to borscht at Veselka at five in the morning, maybe I would have walked along Battery Park with him at sunrise, holding his hand, knowing I would become the one who would believe in him. I would tell him, I heard you play, I’ve read your poetry, not that crap your band just performed, but those love letters and songs you wrote to Tris. I know what you’re capable of and it’s certainly more than being a bassist in an average queercore band—you’re better than that; and dude, having a drummer, it’s like key, you fucking need one. I would be equipment bitch for him every night, no complaints. But, no, he’s the type with a complex for the Tris type: the big tits, the dumb giggle, the blowhard. Literally.
Rachel Cohn
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who