Bees In The Garden Quotes

We've searched our database for all the quotes and captions related to Bees In The Garden. Here they are! All 100 of them:

Today I'm flying low and I'm not saying a word. I'm letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I'm taking the day off. Quiet as a feather. I hardly move though really I'm traveling a terrific distance. Stillness. One of the doors into the temple.
Mary Oliver (A Thousand Mornings: Poems)
I came to realize that one single human being, comprehended in his depth, who gives generously from the treasures of his heart, bestows on us more riches than Caesar or Alexander could ever conquer. Here is our kingdom, the best of monarchies, the best republic. Here is our garden, our happiness.
Ernst Jünger (The Glass Bees)
The men of experiment are like the ant; they only collect and use. But the bee gathers its materials from the flowers of the garden and of the field, but transforms and digests it by a power of its own.
Leonardo da Vinci (Leonardo's Notebooks)
Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
Tom Robbins (Wild Ducks Flying Backward)
A poor old Widow in her weeds Sowed her garden with wild-flower seeds; Not too shallow, and not too deep, And down came April -- drip -- drip -- drip. Up shone May, like gold, and soon Green as an arbour grew leafy June. And now all summer she sits and sews Where willow herb, comfrey, bugloss blows, Teasle and pansy, meadowsweet, Campion, toadflax, and rough hawksbit; Brown bee orchis, and Peals of Bells; Clover, burnet, and thyme she smells; Like Oberon's meadows her garden is Drowsy from dawn to dusk with bees. Weeps she never, but sometimes sighs, And peeps at her garden with bright brown eyes; And all she has is all she needs -- A poor Old Widow in her weeds.
Walter de la Mare (Peacock Pie)
And now you ask in your heart, ‘How shall we distinguish that which is good in pleasure from that which is not good?’ Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy. * People of Orphalese, be in your pleasures like the flowers and the bees.
Kahlil Gibran (The Prophet)
bees are the batteries of orchards, gardens, guard them.
Carol Ann Duffy (The Bees)
For this, let gardens grow, where beelines end, sighing in roses, saffron blooms, buddleia; where bees pray on their knees, sing, praise in pear trees, plum trees; bees are the batteries of orchards, gardens, guard them.
Carol Ann Duffy (The Bees)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
In Egypt, I loved the perfume of the lotus. A flower would bloom in the pool at dawn, filling the entire garden with a blue musk so powerful it seemed that even the fish and ducks would swoon. By night, the flower might wither but the perfume lasted. Fainter and fainter, but never quite gone. Even many days later, the lotus remained in the garden. Months would pass and a bee would alight near the spot where the lotus had blossomed, and its essence was released again, momentary but undeniable.
Anita Diamant (The Red Tent)
Surely there was some divine trick to make the hours go faster. To let them slip past unseen, to sleep for years, so that when I woke again the world would be new. I closed my eyes. Through the window I heard the bees singing in the garden. My lion’s tail beat against the stones. An eternity later, when I opened my eyes, the shadows had not even moved.
Madeline Miller (Circe)
A good house, deep in the woods, with a garden all around it and a river flowing past it. Fruit trees, and flowers planted for the bees. A place to grow my herbs. Silence in winter, and in summer nothing but the birds. Lonely as the grave, and every bit as restful.
Mary Stewart (Thornyhold)
Don't wear perfume in the garden - unless you want to be pollinated by bees!
Anne Raver
The men of experiment are like the ant, they only collect and use; the reasoners resemble spiders, who make cobwebs out of their own substance. But the bee takes the middle course: it gathers its material from the flowers of the garden and field, but transforms and digests it by a power of its own.
Francis Bacon
A flower's structure leads a bee toward having pollen adhere to its body . . . we don't know of any such reason why beautiful places attract humans.
David Rains Wallace (Untamed Garden and Other Personal Essays)
Today Today I’m flying low and I’m not saying a word. I’m letting all the voodoos of ambition sleep. The world goes on as it must, the bees in the garden rumbling a little, the fish leaping, the gnats getting eaten. And so forth. But I’m taking the day off. Quiet as a feather. I hardly move though really I’m traveling a terrific distance. Stillness. One of the doors into the temple.
Mary Oliver (A Thousand Mornings: Poems)
Contact with [menstrual blood] turns new wine sour, crops touched by it become barren, grafts die, seed in gardens are dried up, the fruit of trees fall off, the edge of steel and the gleam of ivory are dulled, hives of bees die, even bronze and iron are at once seized by rust, and a horrible smell fills the air; to taste it drives dogs mad and infects their bites with an incurable poison.
Pliny the Elder (Natural History: A Selection)
Where have I been while this person is leading my life with her patience, will and order? In the garden; on the bee and under the bee; in the crown gathering cumulus and flensing it from the boughs
Sharon Olds
Dutifully, the Count put the spoon in his mouth. In an instant, there was the familiar sweetness of fresh honey—sunlit, golden, and gay. Given the time of year, the Count was expecting this first impression to be followed by a hint of lilacs from the Alexander Gardens or cherry blossoms from the Garden Ring. But as the elixir dissolved on his tongue, the Count became aware of something else entirely. Rather than the flowering trees of Central Moscow, the honey had a hint of a grassy riverbank . . . the trace of a summer breeze . . . a suggestion of a pergola . . . But most of all there was the unmistakable essence of a thousand apple trees in bloom. "Nizhny Novgorod", he said. And it was.
Amor Towles (A Gentleman in Moscow)
But in the garden the sun still shone. The innumerable bees hummed. The scent of thyme hung on the air. But only the Natterjack was there to breathe the fragrant essence of it. He and the garden were waiting. They were waiting for more children. They didn't care how long they waited. They had all the time in the world. -The Time Garden, Edward Eager
Edward Eager (The Time Garden (Tales of Magic, #4))
If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.
Haruki Murakami (Blind Willow, Sleeping Woman)
Those who have handled sciences have been either men of experiment or men of dogmas. The men of experiment are like the ant, they only collect and use; the reasoners resemble spiders, who make cobwebs out of their own substance. But the bee takes a middle course: it gathers its material from the flowers of the garden and of the field, but transforms and digests it by a power of its own. Not unlike this is the true business of philosophy; for it neither relies solely or chiefly on the powers of the mind, nor does it take the matter which it gathers from natural history and mechanical experiments and lay it up in the memory whole, as it finds it, but lays it up in the understanding altered and digested.
Francis Bacon
The afternoon was dragging towards its mellow hour. The sun was deepening the gold of its lances, the bees were going home and the birds were flying past less often.
Frances Hodgson Burnett (The Secret Garden)
Flies can be sitting in a garden and completely ignore the beautiful flowers around them. Instead they'll go right for the rotting banana peel or piece of trash. Bees, on the other hand, could be sitting in a room full of trash and find the tiniest speck of fruit or honey to land on. Don't be a fly. Become a bee and stay a bee. Look for the good in every circumstance, even the most horrible and disgusting places. There's always some honey to land on.
Marilyn Grey (Down from the Clouds (Unspoken #2))
The Flowers All the names I know from nurse: Gardener's garters, Shepherd's purse, Bachelor's buttons, Lady's smock, And the Lady Hollyhock. Fairy places, fairy things, Fairy woods where the wild bee wings, Tiny trees for tiny dames-- These must all be fairy names! Tiny woods below whose boughs Shady fairies weave a house; Tiny tree-tops, rose or thyme, Where the braver fairies climb! Fair are grown-up people's trees, But the fairest woods are these; Where, if I were not so tall, I should live for good and all
Robert Louis Stevenson
The majesty of nature is not restricted to canyons and mountains. It can be found in the wilds of perception--the sensory spaces that lie outside our Umwelt and within those of other animals. To perceive the world through other senses is to find splendor in familiarity and the sacred in the mundane. Wonders exist in a backyard garden, where bees take the measure of a flower’s electric fields, leafhoppers send vibrational melodies through the stems of plants, and birds behold the hidden palates of rurples and grurples...Wilderness is not distant. We are continually immersed in it. It is there for us to imagine, to savor and to protect.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
Well did the traveler know those garden lands that lie betwixt the wood of the Cerenerian Sea, and blithely did he follow the singing river Oukranos that marked his course. The sun rose higher over gentle slopes of grove and lawn, and heightened the colors of the thousand flowers that starred each knoll and dingle. A blessed haze lies upon all this region, wherein is held a little more of the sunlight than other places hold, and a little more of the summer's humming music of birds and bees; so that men walk through it as through a faery place, and feel greater joy and wonder than they ever afterward remember.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
For honey bees, a dandelion is the first sign of Spring!
June Stoyer
Each Whining Thing (1929) When stripèd snakes shall creep upon us And the nervous screams of birds Make silent all the fountains and the orchards and when these Have caught upon the wing each wing That flutters from the sky Then shall I and then shall I Rip out the smiles from garden walks Transform the minnows into hawks Tarantulas and bees Then shall I and then shall I Unmake each whining thing.
Paul Bowles (Next to Nothing: Collected Poems, 1926-1977)
It is an utter violation of good breeding and training to speak or to behave in a way that disrespects, embarrasses, or otherwise denigrates aother human being; in so doing, you denigrate yourself as well.
Maureen Lang (Bees in the Butterfly Garden (The Gilded Legacy, #1))
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love.
Fiona Valpy (The Beekeeper's Promise)
There is another sky, Ever serene and fair, And there is another sunshine, Though it be darkness there; Never mind faded forests, Austin, Never mind silent fields - Here is a little forest, Whose leaf is ever green; Here is a brighter garden, Where not a frost has been; In its unfading flowers I hear the bright bee hum: Prithee, my brother, Into my garden come!
Emily Dickinson
In the quiet of the garden then the robin shook his worm, and swallowed its life from the light into darkness with the quick indifference of a god.
Chris Cleave (Little Bee)
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
The book was commonly known as the Buggre Alle This Bible. The lengthy compositor's error, if such it may be called, occurs in the book of Ezekiel, chapter 48, verse five. 2. And bye the border of Dan, fromme the east side fo the west side, a portion for Afher. 3. And by the border of Afher, fromme the east side even untoe the west side, a portion for Naphtali. 4. And by the border of Naphtali, from the east side untoe the west side, a portion for Manaffeh. 5. Buggre Alle this for a Larke. I amme sick to mye Hart of typefettinge. Master Biltonn if no Gentelmann, and Master Scagges noe more than a tighte fisted Southwarke Knobbefticke. I telle you, onne a daye laike thif Ennywone withe half and oz of Sense shoulde bee oute in the Sunneshain, ane nott Stucke here alle the liuelong daie inn thif mowldey olde By-Our-Lady Workefhoppe. @ *"Æ@;!* 6. And bye the border of Ephraim, from the east fide even untoe the west fide, a portion for Reuben.* * The Buggre Alle This Bible was also noteworthy for having twenty-seven verses in the third chapter of Genesis, instead of the more usual twenty-four. They followed verse 24, which in the King James version reads: "So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life," and read: 25 And the Lord spake unto the Angel that guarded the eastern gate, saying Where is the flaming sword which was given unto thee? 26 And the Angel said, I had it here only a moment ago, I must have put it down some where, forget my head next. 27 And the Lord did not ask him again.
Neil Gaiman
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kakuzō Okakura (The Book of Tea)
Bees - Bees helps feeding entire species on Mother Earth by pollinating crops, wild plants and cultivated plants. v/s Humans - We mostly gather and relish on these foods and crops, hardly caring to plant a single flower as a return gift for our humble bees to feed on. Go Garden! Bee a Human! Save Bees! Save Food for Our Generations to Come!
RESHMA CHEKNATH UMESH (DEAR READER BY JULIE)
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
Tom Robbins
A rainbow is a storm’s masterpiece. A seed is a flower’s masterpiece. A rock is a diamond’s masterpiece. A butterfly is a caterpillar’s masterpiece. A flame is a spark’s masterpiece. A drop is an ocean’s masterpiece. A brick is a mansion’s masterpiece. A cell is a body’s masterpiece. A nest is a bird’s masterpiece. A flame is a spark’s masterpiece. A note is a symphony’s masterpiece. A flower is a garden’s masterpiece. Herbs are a plant’s masterpiece. Honey is a bee’s masterpiece. Silk is a spider’s masterpiece. Wool is a sheep’s masterpiece. Perfume is a flower’s masterpiece. Syrup is a tree’s masterpiece. Wine is a grape’s masterpiece. Fruit is a seed’s masterpiece. Pearls are an oyster’s masterpiece. Beauty is a sky’s masterpiece. Charm is a star’s masterpiece. Spring is nature’s masterpiece. Time is eternity’s masterpiece. Energy is light’s masterpiece. Heat is fire’s masterpiece. Knowledge is truth’s masterpiece. Thoughts are the mind’s masterpiece. Desires are the heart’s masterpiece. Experiences are the soul’s masterpiece. Intelligence is nature’s masterpiece. Enlightenment is wisdom’s masterpiece. The world is the universe’s masterpiece. Life is the Divine One’s masterpiece. Awareness is life’s masterpiece.
Matshona Dhliwayo
I just love it. It’s none bare. It’s covered wi’ growin’ things as smells sweet. It’s fair lovely in spring an’ summer when th’ gorse an’ broom an’ heather’s in flower. It smells o’ honey an’ there’s such a lot o’ fresh air—an’ th’ sky looks so high an’ th’ bees an’ skylarks makes such a nice noise hummin’ an’ singin’. Eh! I wouldn’t live away from th’ moor for anythin’.
Francis Hodgson Burnett (The Secret Garden)
I’m charming and handsome. They take my pen. I buy the poem from the garden of bees for one euro. A touch on the arm. A mystery word. The sky has two faces. For reasons unaccountable my hand trembles. In Roman times if they were horrified of bees they kept it secret
Matthew Rohrer
I know you find your banishment from court hard, but, believe me, it could be much, much worse. This is not a true prison. You can come out here to the garden and see the sky and listen to the birds singing and the bees humming in the flowers. You can work with your own two hands and see things you have planted grow and bring beauty to the world. You can eat what you have grown, and that is a joy too. Then there is the music and the singing, which is a balm to the soul, and the convent itself is filled with beauty, the soaring pillars and the windows glowing like jewels and the embroidered tapestries.
Kate Forsyth (Bitter Greens)
Hovering wasps and bees drilled into the moist nectar oozing from the rotting pears, then flew off and circled in drunken euphoria, wasted in the Garden of Eden.
Michael Hornburg (Downers Grove)
A person could hardly prevent thoughts introduced by others; it was what one did with such thoughts that proved to be improper or not.
Maureen Lang (Bees in the Butterfly Garden (The Gilded Legacy, #1))
Marriage is holy in God’s eyes, a symbol of loyalty that mirrors God’s loyalty to us. It’s a union that will make one man and one woman better together than they can be apart.
Maureen Lang (Bees in the Butterfly Garden (The Gilded Legacy, #1))
I have not told my garden yet, Lest that should conquer me; I have not quite the strength now To break it to the bee.
Emily Dickinson (The Poems of Emily Dickinson)
She knew nothing about him, other than what he revealed of himself through his garden.
Gail Anderson-Dargatz (A Recipe for Bees)
Once they are gone, they are gone forever. ---- Sheila Colla, referring to our endangered native bees, as noted on the blog Liber Ero (from the book The Humane Gardener)
Nancy Lawson
To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
John Keats (To Autumn)
installed in Europe. Berlin had only 120,000 cars, but at any given moment all of them seemed to collect here, like bees to a hive. One could watch the whirl of cars and people from an outdoor
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
While most of the flowers in the garden had rich scents and colors, we also had two magnolia trees, with huge but pale and scentless flowers. The magnolia flowers, when ripe, would be crawling with tiny insects, little beetles. Magnolias, my mother explained, were among the most ancient of flowering plants and had appeared nearly a hundred million years ago, at a time when “modern” insects like bees had not yet evolved, so they had to rely on a more ancient insect, a beetle, for pollination. Bees and butterflies, flowers with colors and scents, were not preordained, waiting in the wings—and they might never have appeared. They would develop together, in infinitesimal stages, over millions of years. The idea of a world without bees or butterflies, without scent or color, affected me with a sense of awe.
Oliver Sacks (The River of Consciousness)
At an overgrown garden with a weathered picket fence, I stop and lean over the fence to sniff at a pristine bright red rose bloom between hundreds of others on a lush rose bush. They all exude an intoxicating scent, which obviously also pleases the bees, who, despite the twilight, are still out and about in astonishing numbers to diligently collect pollen. I deeply inhale the sweet smell and then walk on with a dreamy smile.
Jutta Swietlinski (Flowing like Water)
Like his father before him he had come to love being on land and spent most days in the garden, where he grew vegetables and kept bees that were known for honey that was so sweet strong men cried when they tasted it.
Alice Hoffman (Magic Lessons (Practical Magic #0.1))
There is a bench in the back of my garden shaded by Virginia creeper, climbing roses, and a white pine where I sit early in the morning and watch the action. Light blue bells of a dwarf campanula drift over the rock garden just before my eyes. Behind it, a three-foot stand of aconite is flowering now, each dark blue cowl-like corolla bowed for worship or intrigue: thus its common name, monkshood. Next to the aconite, black madonna lilies with their seductive Easter scent are just coming into bloom. At the back of the garden, a hollow log, used in its glory days for a base to split kindling, now spills white cascade petunias and lobelia. I can't get enough of watching the bees and trying to imagine how they experience the abundance of, say, a blue campanula blosssom, the dizzy light pulsing, every fiber of being immersed in the flower. ... Last night, after a day in the garden, I asked Robin to explain (again) photosynthesis to me. I can't take in this business of _eating light_ and turning it into stem and thorn and flower... I would not call this meditation, sitting in the back garden. Maybe I would call it eating light. Mystical traditions recognize two kinds of practice: _apophatic mysticism_, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and _kataphatic mysticism_, less well defined: an openhearted surrender to the beauty of creation. Maybe Francis of Assissi was, on the whole, a kataphatic mystic, as was Thérèse of Lisieux in her exuberant momemnts: but the fact is, kataphatic mysticism has low status in religious circles. Francis and Thérèse were made, really made, any mother superior will let you know, in the dark nights of their lives: no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms. When I was twelve and had my first menstrual period, my grandmother took me aside and said, 'Now your childhood is over. You will never really be happy again.' That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism. But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
Outside, in the garden, it was playtime. Naked in the warm June sunshine, six or seven hundred little boys and girls were running with shrill yells over the lawns, or playing ball games, or squatting silently in twos and threes among the flowering shrubs. The roses were in bloom, two nightingales soliloquized in the boscage, a cuckoo was just going out of tune among the lime trees. The air was drowsy with the murmur of bees and helicopters.
Aldous Huxley (Brave New World)
Outside, in the garden, it was playtime. Naked in the warm June sunshine, six or seven hundred little boys and girls were running with shrill yells over the lawns, or playing ball games, or squatting silently in twos and threes among the flowering shrubs. The roses were in bloom, two nightingales soliloquized in the boskage, a cuckoo was just going out of tune among the lime trees. The air was drowsy with the murmur of bees and helicopters.
Aldous Huxley (Brave New World)
On the day I lose my phone, I decide to live à la Ladakh: write a letter on paper, go to the post office, wait for his reply for a long time, appreciate a meal a day and a few clothes, be grateful for having been born as a human, read the Tibetan Book of the Dead, buy vegetables from an old street vendor, and save a bee’s life. On the day I lose my wallet, I decide to live à la Ladakh: plant a seed, wait for a long time, and share the fruit with a worm.
Alexandria Ryu (Ink Garden: Poems)
Years passed with nothing to show in a land once so enchanted that bees and butterflies slept safe in the blossoms after their nectar was gathered. Here was a place that defined beauty in petals and leaves, scent and sight, hue and touch.
Ellen Herrick (The Forbidden Garden)
In the corner of my garden There is a favorite spot, Which sun and rain tend faithfully And which I planted not. Here is the haven of wild flowers, The kingdom of birds and bees; Here in the silvery moonlight Sprites dance 'neath singing trees.
Sylvia Plath
Polyphiloprogenitive The sapient sutlers of the Lord Drift across the window-panes. In the beginning was the Word. In the beginning was the Word. Superfetation of to en, And at the mensual turn of time Produced enervate Origen. A painter of the Umbrian school Designed upon a gesso ground The nimbus of the Baptized God. The wilderness is cracked and browned But through the water pale and thin Still shine the unoffending feet And there above the painter set The Father and the Paraclete. . . . . . . The sable presbyters approach The avenue of penitence; The young are red and pustular Clutching piaculative pence. Under the penitential gates Sustained by staring Seraphim Where the souls of the devout Burn invisible and dim. Along the garden-wall the bees With hairy bellies pass between The staminate and pistilate, Blest office of the epicene. Sweeney shifts from ham to ham Stirring the water in his bath. The masters of the subtle schools Are controversial, polymath.
T.S. Eliot
Some cities in Europe are using every available bit of space to create native gardens meant to feed bees, roadsides and medians, on top of bus stops.” She sighed. “I wish we’d do something like that here. We have plenty of unused corners of land to help bees.
Susan Mallery (The Boardwalk Bookshop)
Some people consider moss a nuisance, but I find it to be utterly beautiful in its simplicity. Moss symbolizes a charitable nature and a mother's love, and every time I see it, it makes me remember my mama. She's the one who taught me---and Bee---all about the language of flowers.
Heather Webber (In the Middle of Hickory Lane)
Sardar Harbans Singh passed away peacefully in a wicker rocking-chair in a Srinigar garden of spring flowers and honeybees with his favourite tartan rug across his knees and his beloved son, Yuvraj the exporter of handicrafts, by his side, and when he stopped breathing the bees stopped buzzing and the air silenced its whispers and Yuvraj understood that the story of the world he had known all his life was coming to an end, and that what followed would follow as it had to, but it would unquestionably be less graceful, less courteous and less civilized than what had gone.
Salman Rushdie (Shalimar the Clown)
There is no magic to immortality. In Egypt, I loved the perfume of the lotus. A flower would bloom in the pool at dawn, filling the entire garden with a blue musk so powerful it seemed that even the fish and ducks would swoon. By night, the flower might wither but the perfume lasted. Fainter and fainter, but never quite gone. Even many days later, the lotus remained in the garden. Months would pass and a bee would alight near the spot where the lotus had blossomed, and its essence was released again, momentary but undeniable. Egypt loved the lotus becuase it never dies. It is the same for people who are loved. Thus can something as insignificant as a name-two syllables, one high, one sweet- summon up the innumerable smiles, tears, sighs and dreams of a human life. If you sit on the bank of a river, you see only a small part of its surface. And yet, the water before your eyes is proof of unknowable depths. My heart brims with thanks for the kindness you have shown me by sitting on the bank of this river, by visiting the echoes of my name. Blessings on your eyes and on your children. Blessings on the ground beneath you. Wherever you walk, I go with you.
Anita Diamant (The Red Tent)
I am like a bee attracted by the scent of flowers—no perfume smells sweeter than that of a rose in an English garden. Wear it always,’ he urged, pausing mere inches from where she stood, ‘never change it, for to me it has become your hallmark, the scent I associate only with you." -Terzan Helios
Margaret Rome (Second-Best Bride)
It's a beautifully beautiful day. A moment to reflect on the beautiful truth that a heart is like a garden. With Roses of Happiness, there would be thorns of pain, with Sunflowers of Joy, there would be weeds of dismay, with colours of Sunshine there would be covers of cloud, after all that's what makes a beautiful garden, a garden that thrives and breathes in all seasons with every hue of Life, every emotion that makes our heart alive in tears and smiles, feeling all the numbness of Life yet warming up to the possibility of a new day as the fallen leaves make way for the new ones, as the bee hums along a bud to see a blossoming rose no matter the thorns, no matter the waves of Life. It is a beautifully beautiful day, and I am happy to be alive. Alive to the possibility of a new day, a tomorrow where a whole new garden of new experiences awaits. To the Hope of Spring. Love & Light, always - Debatrayee
Debatrayee Banerjee
One bee does not make a swarm. One wasp does not make a nest. One wolf does not make a pack. One bull does not make a herd. One dog does not make a litter. One sheep does not make a flock. One lion does not make a pride. One branch does not make a tree. One pebble does not make a hill. One rock does not make a mountain. One dune does not make a desert. One spark does not make a flame. One finger does not make a hand. One color does not make a rainbow. One leaf does not make a plant. One flower does not make a garden. One seed does not make a forest. One drop does not make an ocean. One cloud does not make a sky. One star does not make a galaxy. One world does not make a universe.
Matshona Dhliwayo
we believed that God worried over us each of us. Strange that we should realize Pride is a sin yet still be willing prey to such arrogance. We had only to look around us to know how foolish the idea was. Where was the farmer who knew each of his seeds by name? Where was the beekeeper who labled his bees? Where was the herdsman who distinguished among individual blades of grass? Compared to the size of creation, what were we but very small beings, as bees are small, as seeds of corn are small, as blades of grass are small? And yet corn becomes bread; bees make honey; grass is turned into flesh, or into gardens. Very small beings are important, not individually but for what they become, if they become…. The
Sheri S. Tepper (Grass (Arbai, #1))
They all seemed hungry, happy, and healthy enough in their buzzing—oh the days were hot, and the noise of bees filled the air that was dusty with pollen and sun haze, and there were tiny black flies stuck to one another crowded by the creek and a creek stink rising from the deep pool under the willow tree where a wheat sack of new kittens had been drowned, and their tiny terrible struggling had shot like an electric current through the confusion of muddy water and up the arm of the person who had tied the stone around the mouth of the sack and thrust it into the water; and the culprit had not been able to brush away the current; it penetrated her body and made her heart beat with fear and pity. I was the culprit.
Janet Frame (Scented Gardens for the Blind)
The garden flourished that summer because Magnus's mother was determined to feed her family despite the depredations of the distant war. In the fall, there were beans and tomatoes and pickles to can, and jar after jar of applesauce. Mama's hives yielded fresh honey, and then willow skeps were winterized. The bees would not come out until the air warmed and the sun appeared.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
It is sad when man’s unhappiness veils from him the smiling face of nature. The promise of the early morning was maintained. The sky was of a translucent blue, broken with islands and continents of clouds, dazzling white like cotton-wool. A soft, warm breeze blew from the west, the birds sang merrily in every garden bush, and Cullerne was a town of gardens, where men could sit each under his own vine and fig-tree. The bees issued forth from their hives, and hummed with cheery droning chorus in the ivy-berries that covered the wall-tops with deep purple. The old vanes on the corner pinnacles of Saint Sepulchre’s tower shone as if they had been regilt. Great flocks of plovers flew wheeling over Cullerne marsh, and flashed with a blinking silver gleam as they changed their course suddenly. Even through the open window of the organist’s room fell a shaft of golden sunlight that lit up the peonies of the faded, threadbare carpet. But inside beat two poor human hearts, one unhappy and one hopeless, and saw nothing of the gold vanes, or the purple ivy-berries, or the plovers, or the sunlight, and heard nothing of the birds or the bees.
John Meade Falkner (The Nebuly Coat)
But that evening, driving back to the plant in the little underground train, I firmly believed my bad luck was over. One of the cars I had admired that morning took me back to the city. Fortunately some shops were still open here and there; I could buy myself a new suit. For Teresa I bought a nice summer dress with red stripes, which reminded me of the one in which I had seen her for the first time. It fitted to perfection – I knew her measurements. She had shared many hours with me, mainly bitter ones. We went out for dinner; it was one of the days one never forgets. Quite soon the happenings in Zapparoni's garden began to fade in my memory. There is much that is illusory in techniques. But I never forgot Teresa's words, and her smile when she spoke. Now she was happy about me. This smile was more powerful than all the automatons – it was a ray of reality.
Ernst Jünger (The Glass Bees)
There was no sort of change from dawn to sunset. My heart was heavy for all those whom I had lost. It seemed to me that life was but a sequence of tender ties, formed only to be ruptured, and leave the torn heart aching. I missed, moreover, the glad, sweet, summer season in the open air; the freedom of the old fruit gardens and flower-covered ways; the homely, happy sounds of all the stirring bees and chirming birds, of the ducks in the dark cool pond, and the lowing cattle in the poplarbelted meadows.
Ouida (Puck)
This summer of 1533 has been a summer of cloudless days, of strawberry feasts in London gardens, the drone of fumbling bees, warm evenings to stroll under rose arbours and hear from the allées the sound of young gentlemen quarrelling over their bowls. The grain harvest is abundant even in the north. The trees are bowed under the weight of ripening fruit. As if he has decreed that the heat must continue, the king's court burns bright through the autumn. Monseigneur the queen's father shines like the sun, and around him
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
If I was a flower, I would sell perfume. If I was a plant, I would sell herbs. If I was a seed, I would sell wood. If I was a tree, I would sell forests. If I was a garden, I would sell beauty. If I was a plant, I would sell medicine. If I was a fish, I would sell oceans. If I was a bee, I would sell honey. If I was a spider, I would sell silk. If I was a firebug, I would sell light. If I was a sheep, I would sell wool. If I was a rabbit, I would sell carrots. If I was a cow, I would sell leather. If I was a hen, I would sell eggs. If I was a stream, I would sell lakes. If I was a river, I would sell seas. If I was a bird, I would sell skies. If I was a monkey, I would sell trees. If I was a dog, I would sell plains. If I was a bear, I would sell caves. If I was a goat, I would sell mountains. If I was a fox, I would sell wit. If I was a dove, I would sell peace. If I was a bear, I would sell valor. If I was a camel, I would sell grit. If I was an owl, I would sell wisdom. If I was a lion, I would sell strength. If I was an elephant, I would sell might.
Matshona Dhliwayo
In the evenings they would sometimes sit out in the garden and listen to the steady hum of the bees‘ industry and breathe in the honey in full flow. The Boys learnt how the different sounds from the hive denoted different moods, different activities, and that each worker, far from being a mere gatherer of nectar or builder of comb, carried out a whole host of duties at various points in her short life―a nursemaid to the larvae, a sentry to keep out robber bees, a carpet sweeper to keep the hive tidy, a punka-wallah when it got too hot.
Mick Jackson (Five Boys)
What I mean is,’ continued Amit, ‘it sprouts, and grows, and spreads, and drops down branches that become trunks or intertwine with other branches. Sometimes branches die. Sometimes the main trunk dies, and the structure is held up by the supporting trunks. When you go to the Botanical Garden you’ll see what I mean. It has its own life—but so do the snakes and birds and bees and lizards and termites that live in it and on it and off it. But then it’s also like the Ganges in its upper, middle and lower courses—including its delta—of course.
Vikram Seth (A Suitable Boy)
See, birds of every varied voice Around us in the woods rejoice, On creeper, shrub, and plant alight, Or wing from tree to tree their flight. Each bird his kindly mate has found, And loud their notes of triumph sound, Blending in sweetest music like The distant warblings of the shrike. See how the river banks are lined With birds of every hue and kind. Here in his joy the Koïl sings, There the glad wild-cock flaps his wings. The blooms of bright Aśokas526where The song of wild bees fills the air, And the soft whisper of the boughs Increase my longing for my spouse. The vernal flush of flower and spray Will burn my very soul away. What use, what care have I for life If I no more may see my wife Soft speaker with the glorious hair, And eyes with silken lashes fair? Now is the time when all day long The Koïls fill the woods with song. And gardens bloom at spring's sweet touch Which my beloved loved so much. Ah me, Sumitrá's son, the fire Of sorrow, sprung from soft desire, Fanned by the charms the spring time shows, Will burn my heart and end my woes, Whose sad eyes look on each fair tree,
Vālmīki (The Rámáyan of Válmíki)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To-morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness?
Kakuzō Okakura (El libro del té (Spanish Edition))
Ahead, a house sits close to the road: a small, single-story place painted mint green. Ivy grows up one corner and onto the roof, the green tendrils swaying like a girl's hair let loose from a braid. In front there's a full and busy vegetable garden, with plants jostling for real estate and bees making a steady, low, collective hum. It reminds me of the aunties' gardens, and my nonna's when I was a kid. Tomato plants twist gently skywards, their lazy stems tied to stakes. Leafy heads of herbs- dark parsley, fine-fuzzed purple sage, bright basil that the caterpillars love to punch holes in. Rows and rows of asparagus. Whoever lives here must work in the garden a lot. It's wild but abundant, and I know it takes a special vigilance to maintain a garden of this size. The light wind lifts the hair from my neck and brings the smell of tomato stalks. The scent, green and full of promise, brings to mind a childhood memory- playing in Aunty Rosa's yard as Papa speaks with a cousin, someone from Italy. I am imagining families of fairies living in the berry bushes: making their clothes from spiderweb silk, flitting with wings that glimmer pink and green like dragonflies'.
Hannah Tunnicliffe (Season of Salt and Honey)
Sugar-cube houses spilled down the last slope toward the sea. A full moon floated above the inky water; the air from the gardens they passed smelled of gardenias and jasmine. She slept as soon as she put her head on the pillow of the small white hotel room. When she opened the creaky blue shutters the following morning, brilliant sunlight fell in through the window and the hum of the bees on the vines below filled the room. The sea was every color of delphinium and larkspur. The smell of food drifted up from the small restaurant below her balcony. Bacon, fresh bread, coffee, cinnamon.
Ella Griffin (The Flower Arrangement)
Agnes has a patch of land at Hewlands, leased from her brother, stretching from the house where she was born to the forest. She keeps bees here, in hemp-woven skeps, which hum with industrious and absorbed life; there are rows of herbs, flowers, plants, stems that wind up supporting twigs. Agnes’s witch garden, her stepmother calls it, with a roll of her eyes. Agnes can be seen, most weeks, moving up and down the rows of these plants, pulling up weeds, laying her hand to the coils of her hives, pruning stems here and there, secreting certain blooms, leaves, pods, petals, seeds in a leather bag at her hip.
Maggie O'Farrell (Hamnet)
It’s all true. I needed to talk to Bernadette about her blackberry bushes, which are growing down her hill, under my fence, and invading my garden. I was forced to hire a specialist, who said Bernadette’s blackberries are going to destroy the foundation of my home. Naturally, I wanted to have a friendly chat with Bernadette. So I walked up to her car while she was in the pickup line. Mea culpa! But how else are you ever going to get a word with that woman? She’s like Franklin Delano Roosevelt. You see her only from the waist up, driving past. I don’t think she has once gotten out of her car to walk Bee into school.
Maria Semple (Where'd You Go, Bernadette)
If bees make honey, you can create candy. If flowers make gardens, you can create perfumes. If plants make herbs, you can create medicine. If deserts make dunes, you can create oases. If seeds make trees, you can create forests. If clouds make rain, you can create lakes. If stars make light, you can create lamps. If stones make hills, you can create garrisons. If rocks make mountains, you can create towers. If spiders make webs, you can create fortresses. If ants make colonies, you can create houses. If bees make hives, you can create mansions. If termites make mounds, you can create palaces. If birds make nests, you can create castles.
Matshona Dhliwayo
No more noisy, loud words from me---such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song. Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work. Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum. Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
Rabindranath Tagore (Gitanjali)
Absence " Then the birds stitching the dawn with their song have patterned your name. Then the green bowl of the garden filling with light is your gaze. Then the lawn lengthening and warming itself is your skin. Then a cloud disclosing itself overhead is your opening hand. Then the first seven bells from the church pine on the air. Then the sun's soft bite on my face is your mouth. Then a bee in a rose is your fingertip touching me here. Then the trees bending and meshing their leaves are what we would do. Then my steps to the river are text to a prayer printing the ground. Then the river searching its bank for your shape is desire. Then a fish nuzzling for the water's throat has a lover's ease. Then a shawl of sunlight dropped in the grass is a garment discarded. Then a sudden scatter of summer rain is your tongue. Then a butterfly paused on a trembling leaf is your breath. Then the gauzy mist relaxed on the ground is your pose. Then the fruit from the cherry tree falling on grass is your kiss, your kiss. Then the day's hours are theatres of air where I watch you entranced. Then the sun's light going down from the sky is the length of your back. Then the evening bells over the rooftops are lovers' vows. Then the river staring up, lovesick for the moon, is my long night. Then the stars between us are love urging its light.
Carol Ann Duffy (Rapture)
But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.
Sarah Jio (The Violets of March)
At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.
Kate Morton (The House at Riverton)
Is there any finer phrase in the English language than Midsummer Day? There are no words to touch it for conjuring. It is the beginning of blooming roses and ripening corn, of days that stretch on, reaching for midnight until the spangled blue velvet of night descends and beginning again before cockcrow, when the dew jewels the grass like diamonds scattered while the earth slumbers. I, of course, expected rain. Not just rain, but torrential, heaving, biblical rain—the sort to set arks afloat. Everything else had gone awry, why not that? But when I awoke on Midsummer Day, the sun greeted me cordially, coaxing the dew from the grass and the early roses as a light breeze wafted the scent of charred chimney over the gardens. I stood at the window and breathed in deeply all the scents of summer, fresh grass and carp ponds and blossoming herb knots until the whole of it mingled in my head and made me dizzy. A bee floated lazily in the window and out again as if beckoning me to follow.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
A snake doesn't need feet in grass. A seed doesn't need eyes in soil. A bird doesn't need a parachute in air. A fish doesn't need a suit in water. A bee doesn't need sugar in a hive. A spider doesn't need thread in a bush. A flower doesn't need perfume in a garden. A bat doesn't need binoculars in a cave. A giraffe doesn't need a ladder in the woods. A cricket doesn't need a violin in nature. A camel doesn't need wheels in a desert. A wolf doesn't need a knife in a forest. A lion doesn't need a spear in a jungle. If you throw a bird off a cliff, you are helping it find its wings. If you throw a fish into water, you are helping it find its fins. If you throw a seed into soil, you are helping it find its roots. If you throw a bat into the dark, you are helping it find its eyes. If you throw a flower into dirt, you are helping it find its petals. If you throw a cub into the jungle, you are helping it find its fight. If you throw a camel into the desert, you are helping it find its stride. If you throw a scorpion into nature, you are helping it find its sting. If you throw a serpent into grass, you are helping it find its fangs. If you throw a wolf into the jungle, you are helping it find its bite.
Matshona Dhliwayo
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.
Joanne Harris (Blackberry Wine)
She closed her eyes and listened to the drone of bees as they moved lazily among the flowering bursts of deep pink hydrangea and delicate tendrils of sweet pea that wound through the basket-bed borders. Although she was still very weak, it was pleasant to sit in warm lethargy, half-drowsing like a cat. She was slow to respond when she heard a sound from the doorway... a single light rap, as if the visitor was reluctant to disrupt her reverie with a loud knock. Blinking her sun-dazzled eyes, Annabelle remained sitting with her legs tucked beneath her. The mass of light speckles gradually faded from her vision, and she found herself staring at Simon Hunt's dark, lean form. He had leaned part of his weight on the doorjamb, bracing a shoulder against it in an unselfconsciously rakish pose. His head was slightly tilted as he considered her with an unfathomable expression. Annabelle's pulse escalated to a mad clatter. As usual, Hunt was dressed impeccably, but the gentlemanly attire did nothing to disguise the virile energy that seemed to emanate from him. She recalled the hardness of his arms and chest as he had carried her, the touch of his hands on her body... oh, she would never be able to look at him again without remembering! "You look like a butterfly that's just flown in from the garden," Hunt said softly.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He'd have liked to believe in a supreme God, although he'd have preferred a half-hour's chat with Him before committing himself, to clear up one or two points. He'd sat in all sorts of churches, waiting for that single flash of blue light, and it hadn't come. And then he'd tried to become an official Atheist and hadn't got the rock-hard, self-satisfied strenght of belief even for that. And every single political party had seemed to him equally dishonest. And he'd given up on ecology when the ecology magazine he'd been subscribing to had shown its readers a plan of a self-suficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother's house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word 'community' too often; Newton had always suspected that people who regularly used the word 'community' were using it in a very specific sense that excluded him and everyone he knew.
Terry Pratchett
Not long after I'd first met Doc, we were sitting on our rock on the hill behind the rose garden and I had asked him why I was a sinner and what I had done to be condemned to eternal hell fire unless I was born again. He sat for a long time looking over the valley, and then he said, :Peekay, God is too busy making the sun come up and go down and watching so the moon floats just right in the sky to be concerned with such rubbish. Only man ants always God should be there to condemn this on and save that one. Always it is man who wants to make heaven and hell. God is too busy training the bees to make honey and every morning opening up all the new flowers for business."He paused and smiled "In Mexico there is a cactus that even sometimes you would think God forgets. But no, my friend, this is not so. On a full moon in the desert every one hundred years he remembers and he opens up a single flower to bloom. And if you should be there and you see this beautiful cactus blossom painted silver by the moon and laughing up at the stars, this, Peekay, is heaven.: He looked at me, his deep blue eyes sharp and penetrating. "This is the faith in God the cactus has". We had sat for a while before he spoke again. "it is better just to get on with the business living and minding your own business and maybe, if God likes the way you do things, he may just let you flower for a day or a night. But don't go pestering and begging and telling him all your stupid little sins, that way you will spoil his day. Absoloodle.
Bruce Courtenay
He appeared to live entirely on sweet tea, condensed milk, hand-rolled cigarettes, and a sort of sullen internal energy. Shadwell had a Cause, which he followed with the full resources of his soul and his Pensioner’s Concessionary Travel Pass. He believed in it. It powered him like a turbine. Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
It should be unnecessary to state that sincerity and honesty are required in all things, so long as your sincere honesty is in the best interests of others. If not, then by all means seek the virtue of silence.
Maureen Lang (Bees in the Butterfly Garden (The Gilded Legacy, #1))