“
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
”
”
Bob Moorehead (Words Aptly Spoken)
“
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with a cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?”
The moon did not answer.
“Do you have any friends?” she asked.
The moon did not answer.
“Don’t you get tired of always playing it cool?”
The moon did not answer.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
If there is one fact we really can prove, from the history that we really do know, it is that despotism can be a development, often a late development and very often indeed the end of societies that have been highly democratic. A despotism may almost be defined as a tired democracy. As fatigue falls on a community, the citizens are less inclined for that eternal vigilance which has truly been called the price of liberty; and they prefer to arm only one single sentinel to watch the city while they sleep.
”
”
G.K. Chesterton (The Everlasting Man)
“
Lately, though, he'd just been tired in general. Tired of people. Tired of books and TV and the nightly news and songs on the radio he'd heard years before and hadn't liked much in the first place. He was tired of his clothes and tired of his hair and tired of other people's clothes and other people's hair. He was tired of wishing things made sense. He'd gotten to a point where he was pretty sure he'd heard everything anyone had to say on any given subject and so it seemed he spent his days listening to old recordings of things that hadn't seemed fresh the first time he'd heard them.
Maybe he was simply tired of life, of the absolute effort it took to get up every goddamned morning and walk out with into the same fucking day with only slight variations in the weather and food.
He wondered if this was what clinical depression felt like, a total numbness, a weary lack of hope.
”
”
Dennis Lehane (Mystic River)
“
It was late, and we were tired.
We assumed there would be other nights.
Anna’s breathing started to slow, but I still wanted to talk.
She rolled onto her side.
I said, I want to tell you something.
She said, You can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father’s shed were sighing.
The sheets were rising and falling around me with Anna’s breathing.
I thought about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled on my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you, Oskar.
It’s always necessary.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
She was tempted to take the elevator instead of the stairs just this once. But that was how it started. Take the elevator tonight because she was tired and her feet hurt from having been trapped in three-inch stilettos all day, and then tomorrow she'd want to take it because she was running late. Then, the next thing she knew she'd be taking elevators all over the place because she got winded climbing stairs.
”
”
Melissa F. Miller (Inadvertent Disclosure (Sasha McCandless, #2))
“
What would she be saying if she did? That she did want to marry him? For ten years, at least, since she was twelve or thirteen, Rosa had been declaring roundly to anyone who asked that she had no intention of getting married, ever, and that if she ever did, it would be when she was old and tired of life. When this declaration in its various forms had ceased to shock people sufficiently, she had taken to adding that the man she finally married would be no older than twenty-five. But lately she had been starting to experience strong, inarticulate feelings of longing, of a desire to be with Joe all the time, to inhabit his life and allow him to inhabit hers, to engage with him in some kind of joint enterprise, in a collaboration that would be their lives. She didn't suppose they needed to get married to do that, and she knew that she certainly ought to not want to. But did she?
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs."
"That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats."
Templeton's eyes were blazing.
" Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me."
"It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..."
"That's enough!" cried Templeton. "Don't tell me anymore I'm going!
”
”
E.B. White (Charlotte’s Web)
“
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
You are 'the best of cut-throats:'--do not start;
The phrase is Shakespeare's, and not misapplied:--
War's a brain-spattering, windpipe-slitting art,
Unless her cause by Right be sanctified.
If you have acted once a generous part,
The World, not the World's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gained by Waterloo?
I am no flatterer--you've supped full of flattery:
They say you like it too--'tis no great wonder:
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder;
Called 'Saviour of the Nations'--not yet saved,
And Europe's Liberator--still enslaved.
I've done. Now go and dine from off the plate
Presented by the Prince of the Brazils,
And send the sentinel before your gate
A slice or two from your luxurious meals:
He fought, but has not fed so well of late...
”
”
Lord Byron (Don Juan)
“
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
”
”
Zadie Smith (White Teeth)
“
Once I got over feeling sick in the morning, I’ve been feeling good,” Levela said. “Vigorous and strong. Although, lately, I get tired easily. I want to sleep late and take naps in the day, and sometimes if I stand for a long time, my back hurts.” “Sounds about right, wouldn’t you say,” Velima said, smiling at her daughter. “Just the way you are supposed to feel.
”
”
Jean M. Auel (The Land of Painted Caves (Earth's Children, #6))
“
She faced him, sitting up very straight in bed, the little wool shawl hunched about her shoulders. “Dirk, are you ever going back to architecture? The war is history, it’s now or never with you. Pretty soon it will be too late. Are you ever going back to architecture? To your profession?
A clean amputation. “No, Mother.”
She gave an actual gasp, as though icy water had been thrown full in her face. She looked suddenly old, tired. Her shoulders sagged. He stood in the doorway, braced for her reproaches. But when she spoke it was to reproach herself. “Then I’m a failure.”
“Oh, what nonsense, Mother. I’m happy. You can’t live somebody else’s life. You used to tell me, when I was a kid I remember, that life wasn’t just an adventure, to be taken as it came, with the hope that something glorious was hidden just around the corner. You said you had lived that way and it hadn’t worked. You said ——”
She interrupted him with a little cry. “I know I did. I know I did.” Suddenly she raised a warning finger. Her eyes were luminous, prophetic. “Dirk, you can’t desert her like that!”
“Desert who?” He was startled.
“Beauty! Self-expression. Whatever you want to call it. You wait! She’ll turn on you some day. Some day you’ll want her, and she won’t be there.
”
”
Edna Ferber (So Big)
“
How are you?
I'm shattered, thanks, how are you? I walk aimlessly through the rooms of my house, what have you been up to? I have woken up in the middle of the last 240 nights in a heart-pounding sweat, what's new with you? I sometimes wish I would never wake up, have you been on vacation this year? I ache for the arms of my sweetheart to hold me tight, how's your family? I feel barren and useless and creepy and mundane, seen any good movies lately? I'm terrified that I'll feel this way forever, I like that sweater you're wearing. I keep seeing his body on the hospital gurney, don't you love this weather. My broken heart is in my throat, let's do lunch. I'm so completely and utterly tired of being sad, thanks, how are you?
”
”
Christine Silverstein
“
put it up for sale at an asking price of $25 million. I first looked at Mar-a-Lago while vacationing in Palm Beach in 1982. Almost immediately I put in a bid of $15 million, and it was promptly rejected. Over the next few years, the foundation signed contracts with several other buyers at higher prices than I’d offered, only to have them fall through before closing. Each time that happened, I put in another bid, but always at a lower sum than before. Finally, in late 1985, I put in a cash offer of $5 million, plus another $3 million for the furnishings in the house. Apparently, the foundation was tired of broken deals. They accepted my offer, and we closed one month later. The day the deal was announced, the Palm Beach Daily News ran a huge front-page story with the headline MAR-A-LAGO’S BARGAIN PRICE ROCKS COMMUNITY. Soon, several far more modest estates on property a fraction of Mar-a-Lago’s size sold for prices in excess of $18 million. I’ve been told that the furnishings in Mar-a-Lago alone are worth more than I paid for the house. It just goes to show that it pays to move quickly and decisively when the time is right. Upkeep
”
”
Donald J. Trump (Trump: The Art of the Deal)
“
Well, how are you?” my mother went on. “You spend all day on your feet, Keiko. It must be tiring. Um, how have things been lately? What’s new?” Hearing her pry like this, I got the feeling that somehow she was still hoping for some kind of new development in my life. She was probably a bit tired of how I hadn’t progressed at all in eighteen years. When I told her everything was fine as usual, she sounded both relieved and disappointed at once.
”
”
Sayaka Murata (Convenience Store Woman)
“
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring—and all of the acts carried out—on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
Clank, crash, clank. Ramona forgot about her father being out of a job, she forgot how cross he had been since he gave up smoking, she forgot about her mother coming home tired from work and about Beezus being grouchy lately. She was filled with joy.
”
”
Beverly Cleary (Ramona and Her Father (Ramona, #4))
“
She had this habit. Drove me up the wall. She’d come home from work, and the first thing she’d do was take off her shoes and leave them by the door. Her socks would follow, just laid out on the floor. A trail of clothes left there, waiting for me to pick them up. I asked her why she just didn’t put them in the hamper like a normal person. You know what she said?” “What?” Wallace asked. “She said that life was more than dirty socks.” Wallace stared at him. “That … doesn’t mean anything.” Nelson’s smile widened. “Right? But it made perfect sense to her.” His smile trembled. “I came home one day. I was late. I opened the door, and there were no shoes right inside. No socks on the floor. No trail of clothes. I thought for once she’d picked up after herself. I was … relieved? I was tired and didn’t want to have to clean up her mess. I called for her. She didn’t answer. I went through the house, room by room, but she wasn’t there. Late, I told myself. It happens. And then the phone rang. That was the day I learned my wife had passed unexpectedly. And it’s funny, really. Because even as they told me she was gone, that it had been quick and she hadn’t suffered, all I could think about was how I’d give anything to have her shoes by the door. Her dirty socks on the floor. A trail of clothes leading toward the bedroom.
”
”
T.J. Klune (Under the Whispering Door)
“
DOCTOR AIN WAS recognized on the Omaha-Chicago flight. A biologist colleague from Pasadena came out of the toilet and saw Ain in an aisle seat. Five years before, this man had been jealous of Ain's huge grants. Now he nodded coldly and was surprised at the intensity of Ain's response. He almost turned back to speak, but he felt too tired; like nearly everyone, he was fighting the flu.
The stewardess handing out coats after they landed remembered Ain too: A tall thin nondescript man with rusty hair. He held up the line staring at her; since he already had his raincoat with him she decided it was some kooky kind of pass and waved him on.
She saw Ain shamble off into the airport smog, apparently alone. Despite the big Civil Defense signs, O'Hare was late getting underground. No one noticed the woman.
- 'The Last Flight of Doctor Ain
”
”
James Tiptree Jr.
“
Oskar.
The night before I lost everything was like any other night. Anna and I kept each other awake very late. We laughed. Young sisters in bed under the roof of their childhood home. Wind on the window.
How could anything less deserve to be destroyed?
I thought we would be awake all night. Awake for the rest of our lives. The spaces between our words grew.
It became difficult to tell when we were talking and when we were silent.
The hairs on our arms touched.
It was late, and we were tired.
We assumed there would be other nights.
Anna’s breathing started to slow, but I still wanted to talk.
She rolled onto her side.
I said, I want to tell you something.
She said, You can tell me tomorrow.
I had never told her how much I loved her.
She was my sister.
We slept in the same bed.
There was never a right time to say it.
It was always unnecessary.
The books in my father’s shed were sighing.
The sheets were rising and falling around me with Anna’s breathing.
I though about waking her.
But it was unnecessary.
There would be other nights.
And how can you say I love you to someone you love?
I rolled onto my side and fell asleep next to her.
Here is the point of everything I have been trying to tell you, Oskar.
It’s always necessary.
I love you,
Grandma
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Whatever you do, don’t feel sorry for me. I know it’s the best you can do. Life hasn’t hit you in your perfect little bubble yet. Please don’t try to understand. Nobody can. No one knows what it’s like to be me, except others like me. You’re making me pissed. You’re making me feel bad. Stop reminding me that I have no life. I don’t care about your prom. Yes, I know I haven’t talked to you in a while. NO, I’m not ignoring you, but it’s not exactly like you’ve been calling me either. I just haven’t been feeling well lately. I’m tired and my body is aching all over. It’s hurting all the time. I can barely move when it rains, and some days I just don’t want to do anything. SHUT UP.
”
”
Jacquelyn Nicole Davis (Trace The Grace: A Memoir)
“
Good afternoon, affianced wife.” As if she’d conjured him with her thoughts, Benjamin stood in the door to the office, hat in hand. “Must you call me that?” He sauntered around her desk and leaned down to buss her cheek. “Yes, until I can call you wife in truth. You look tired, Maggie mine. Has some wretched bounder been keeping you up all night?” “Not lately.
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
Coming along the road towards me on his way to the covert, his head high, his body smeared all breast-deep in clay that stained the lower half of him copper ochre, came a fox hound, a pale hound. He was alone which was wrong. But being alone made him the type of all hounds that ever existed.
He was running as if he'd been running all day, and he was running as if he would never stop, tongue out and eyes fixed. He was running to be with the rest of the hounds and the sound was drawing him along the rainy roads as if he were underwater and swimming up to the light to breathe.
I was transfixed. I'd never seen a hound be a hound before. He was doing exactly what he needed to be doing. He was tired but joyful. He was late but getting there. Lost but catching up.
”
”
Helen Macdonald (Vesper Flights)
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
How could it be, she wondered. How could it be that the simple act of having a child did this to you? Had every birth in the world ruined every woman in the world? Was this a secret they’d been keeping, or had she just not been listening? Underneath all the vacuous, cruel wisdom the women who saw her in her late stages of pregnancy imparted to her, most of which had to do with banking sleep or measuring every precious moment because it all goes so fast, were they really telling her to mark her personhood? The other women in her prenatal yoga class had kept up an email chain, and in their messages, she tried to discern that they, too, were terrified and violated and sad and broken, but they weren’t. Trust her, they just weren’t. They made jokes about how they were tired and it was a tragedy that one of them had had an epidural and it was a tragedy that one of them couldn’t produce enough milk for her baby and had to supplement with formula. She wanted to write back to tell them she couldn’t look in the mirror at herself. She wanted someone to understand how small she was now. She wanted to ask one of them if this was the real her—if the real her had been revealed to her suddenly that day in the hospital, or if she would somehow bounce back. Bouncing back was a language they understood: their vaginas needed to bounce back, their breasts needed to bounce back, would their abdomens ever bounce back. With a few small adjustments, these women would acclimate to life. They would recognize themselves. But would Rachel? Would Rachel bounce back? The entire phrase “bouncing back” seemed to her like it existed to make fun of her. There was no bouncing. There was no back.
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
attention. Billy lit his second cigarette from the end of his first one and flicked the butt to the ground as Linc heaved himself off his bike. Billy felt the heat of his gaze. Then heard his gravelly voice. “You’re that hang-around, aren’t you? The one’s been sittin’ at the bar lately.” “Yeah,” Billy answered, “I—” but his words were swallowed up by sounds his brain couldn’t quite process right away. A rush of air, a squeal of tires, the screech of metal against metal, and the howl of
”
”
Lisa Regan (Her Final Confession (Detective Josie Quinn, #4))
“
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
“
My life was such a careful balance, a fragile nexus of work and attention and preparation and planning, like the old vaudeville trick of spinning plates on poles all over a stage, running from one to another to another, not letting any of them fall. I’d been so good at it, the running and the spinning. I’d been getting up before dawn and staying late after school and running and spinning the plates for as long as I could remember. I was getting so tired. I didn’t want to run and spin anymore. But I didn’t know what would happen, I didn’t know who I would be, if one of the plates broke.
”
”
Katherine Howe (Conversion)
“
She let her bad mood seethe into the silence of the carriage. Finally, she couldn’t bear the vicious cycle of her thoughts, the way they kept returning to Irex and her stupid decision to humiliate him at Bite and Sting. “Well?” she asked Arin.
He sat across from her in the carriage, but didn’t lift his eyes to meet hers. He studied his hands. “Well, what?”
“What do you think?”
“About?”
“About the party. About anything. About the bargain we made that you could at least pretend to uphold.”
“You want to gossip about the party.” He seemed tired.
“I want you to speak to me.”
He looked at her then. She found that she had clenched her silk skirts in a fist. She let go. “For example, I know you overheard about Senator Andrax. Do you think he merits torture? Death?”
“He deserves what he gets,” he said, and went quiet again.
Kestrel gave up. She sank into her anger.
“That isn’t what’s bothering you.” Arin sounded reluctant, almost incredulous, as if he couldn’t believe the words coming from his mouth.
Kestrel waited.
He said, “That man is an ass.”
It was clear whom he meant. It was clear that no slave should ever say that of any Valorian. But it was magic to hear the words out loud. Kestrel breathed a laugh. “And I am a fool.” She pressed chilly hands to her forehead. “I knew what he’s like. I should have never played Bite and Sting with him. Or I should have let him win.”
The corner of Arin’s mouth twitched. “I enjoyed watching him lose.”
There was silence, and Kestrel, though she felt comforted, knew that Arin’s understanding of the afternoon had been fairly complete. He had waited beyond the laran trees, listening to her and Irex. Would he have continued to do nothing, had something else happened?
“Do you know how to play Bite and Sting?” she asked.
“Maybe.”
“Either you do or you don’t.”
“Whether I know or don’t doesn’t matter.”
She made an impatient noise. “Because?”
His teeth flashed in the late, shifting light. “Because you would not want to play against me.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
LATER.—After seven days of almost ceaseless goose-stepping, speech-making, and pageantry, the party rally came to an end tonight. And though dead tired and rapidly developing a bad case of crowd-phobia, I’m glad I came. You have to go through one of these to understand Hitler’s hold on the people, to feel the dynamic in the movement he’s unleashed and the sheer, disciplined strength the Germans possess. And now—as Hitler told the correspondents yesterday in explaining his technique—the half-million men who’ve been here during the week will go back to their towns and villages and preach the new gospel with new fanaticism. Shall sleep late tomorrow and take the night train back to Berlin.
”
”
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
“
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
I loved my wife,” Nelson said, and anything else Wallace had to say died on his tongue. “She was … vibrant. A spitfire. There wasn’t anyone like her in all the world, and for some reason, she chose me. She loved me.” He smiled, though Wallace thought it was more to himself than anything else. “She had this habit. Drove me up the wall. She’d come home from work, and the first thing she’d do was take off her shoes and leave them by the door. Her socks would follow, just laid out on the floor. A trail of clothes left there, waiting for me to pick them up. I asked her why she just didn’t put them in the hamper like a normal person. You know what she said?” “What?” Wallace asked. “She said that life was more than dirty socks.” Wallace stared at him. “That … doesn’t mean anything.” Nelson’s smile widened. “Right? But it made perfect sense to her.” His smile trembled. “I came home one day. I was late. I opened the door, and there were no shoes right inside. No socks on the floor. No trail of clothes. I thought for once she’d picked up after herself. I was … relieved? I was tired and didn’t want to have to clean up her mess. I called for her. She didn’t answer. I went through the house, room by room, but she wasn’t there. Late, I told myself. It happens. And then the phone rang. That was the day I learned my wife had passed unexpectedly. And it’s funny, really. Because even as they told me she was gone, that it had been quick and she hadn’t suffered, all I could think about was how I’d give anything to have her shoes by the door. Her dirty socks on the floor. A trail of clothes leading toward the bedroom.
”
”
T.J. Klune (Under the Whispering Door)
“
Say more about the Crips and the Bloods,” Richard said, stalling for time while he tried to get his mental house in order. “To us they look the same. Urban black kids with similar demographics and tastes. Seems like they all ought to pull together. But that’s not where they’re at. They are shooting each other to death because they see the Other as less than human. And I’m saying it has been the case for a long time in T’Rain that those people we have lately started calling the Earthtone Coalition have always looked at the ones we now call the Forces of Brightness and seen them as tacky, uncultured, not really playing the game in character. And what happened in the last few months was that the F.O.B. types just got tired of it and rose up and, you know, asserted their pride in their identity, kind of like the gay rights movement with those goddamned rainbow flags. And as long as it’s possible for those two groups to identify each other on sight, each one of them is going to see the other as, well, the Other, and killing people based on that is way more ingrained than killing them on this completely bogus and flimsy fake-Good and fake-Evil dichotomy that we were working with before.” “I get it,” Richard said. “But is that all we are? Just digital Crips and Bloods?” “What if it’s true?” Devin shrugged. “Then you’re not doing your fucking job,” Richard said. “Because the world is supposed to have a real story to it. Not just people killing each other over color schemes.” “Maybe you’re not doing yours,” Devin said. “How can I write a story about Good and Evil in a world where those concepts have no real meaning—no consequences?” “What sort of consequences do you have in mind? We can’t send people’s characters to virtual Hell.” “I know. Only Limbo.” They both laughed.
”
”
Neal Stephenson (Reamde)
“
Lately I have been spending hours sitting between the library stacks and thinking about my future. Looking at the books lining the shelves, I remember how I coveted the privilege to read as a child, how much I risked for knowledge, and how the joy of reading always outweighed the fear. I used to marvel at the innate right those authors felt they had to speak their mind in whatever way they saw fit, to put down on paper their innermost thoughts, when I couldn’t contemplate a day that I would not feel compelled to keep secrets. I am so tired of being ashamed of my true self. I am exhausted by the years I have spent pretending to be pious and chastising myself for my faithlessness. I want to be free—physically, yes, but free in every way, free to acknowledge myself for who I am, free to present my true face to the world. I want to be on this library shelf, alongside these other authors, for whom truth is a birthright.
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
It was a lovely night, so warm that he threw his coat over his arm, and did not even put his silk scarf round his throat. As he strolled home, smoking his cigarette, two young men in evening dress passed him. He heard one of them whisper to the other, ‘That is Dorian Gray.’ He remembered how pleased he used to be when we was pointed out, or stared at, or talked about. He was tired of hearing his own name now. Half the charm of the little village where he had been so often lately was that no one knew who he was. He had often told the girl whom he had lured to love him that he was poor, and she had believed him. He had told her once that he was wicked, and she had laughed at him, and answered that wicked people were always very old and very ugly. What a laugh she had! – just like a thrush singing. And how pretty she had been in her cotton dresses and her large hats! She knew nothing, but she had everything that he had lost.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Lately, it's really been bothering me that, I don't know, the way people work like this every day from morning to night is kind of weird. Hasn't it ever struck you as strange? I mean, all I do here is do the work that my bosses tell me to do the way they tell me to do it. I don't have to think at all. It's like I just put my brain in a locker before I start work and pick it up on the way home. I spend seven hours a day at a workbench, planting hairs into wig bases, then I eat dinner in the cafeteria, take a bath, and of course I have to sleep, like everybody else, so out of a twenty-four-hour day, the amount of free time I have is nothing. And because I'm so tired from work, the "free time" I have I mostly spend lying around in a fog. I don't have any time to sit and think about anything. Of course, I don't have to work at weekends, but then I have to catch up on the laundry and cleaning, and sometimes I go into town, and before I know it the weekend is over
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
The first Easter Chris was gone, I stayed up late Saturday night to hide the Easter eggs. We got up early, and I watched as Bubba and Angel went to work finding them. You can’t help but smile at kids who are just alive with the fun of it all. For a few moments I was so absolutely into their happiness that I forgot how tired I was, and didn’t think of Chris or the fact that we were missing him so badly.
Finally, after all the eggs and candy were gathered, I told the kids I was going to take a shower and get ready for the rest of the day. I was feeling great--until I closed the door behind me.
The sense of loss that I’d been screening out hit me. It drove me to my knees, and I began crying uncontrollably.
There was a knock on the door. Angel opened it and looked in. I did my best to smile. “Hey, what’s up?” I asked.
“Are you okay, Momma?”
“Yes.”
“You miss Daddy?” she asked.
I nodded.
Angel came in and gave me a hug. “You know he’s still here with us, right?”
“Yes. Yes, I do.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
What are you doing?”
“Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute.
It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon.
“You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Two hours later there was no call, and still no answer when I tried his cell phone. Around midnight, the clock and I had a conversation, I told the clock I wanted to wait another fifteen minutes before my new life began, the life in which Karl had been killed in a plane crash. I requested fifteen minutes more in this world—which I was quickly coming to see as the past—before figuring out who to call, who to wake up. You’ll remember this feeling when the phone rings, I told myself. You’ll remember how scared you were when he calls to tell you he’s fine. And it was true. As many times as I’ve been in exactly this situation, I never forget it, and it never fails to shock me, the flood of adrenaline that does not serve for fight or flight but drowns me. At twelve-thirty I shifted my perspective again, from wondering what it would be like if he were dead to the knowledge that he was dead, and I decided I could wait another fifteen minutes. He would be dead forever, so what difference did it make if I have myself a little more time? I still had no idea what I was supposed to do.
After I had extended the final cutoff two more times, he walked in the door. That’s how these stories always end, of course, except for the one time they don’t. I saw the headlights against the garage door and went outside in the rain to meet him with my love and my rage and my sick relief. I wanted to kill him because he had not been killed. I wanted to step into his open jacket and stay there for the rest of my life. How had he not called?
“I did call. I called you from Kentucky.”
“But you never told me you’d left Kentucky.”
“It took a long time to get the transponder fixed.”
“Then why didn’t you call to say you’d landed?”
“It was too late.” In the house, he went to the refrigerator and poured himself a glass of orange juice. He was dead tired but not dead. “I didn’t want to wake you up.”
He might as well have said, I thought you were sleeping because I have no idea who you are, or who any normal people.
I stayed awake for what was left of the night to watch him, just to make sure he was really there.
”
”
Ann Patchett (These Precious Days: Essays)
“
Somebody had been doing some major league tampering to my car. The brake lines were cut. The tires were on fire. There was carbon monoxide coming out of everything. And the radio was tuned to a station I didn’t like. I had to tip my booby-trapped hat to whoever tampered with this car. I was late with my payments on the car anyway, and it looked like a lot of repair work was going to have to be done no matter how this came out, so I figured let the finance company worry about it. I called them up on my cell phone, told them where the car was, and jumped out. I was going over sixty at the time, but luckily I didn't hit the ground. There was a cliff there and I just went harmlessly over that. But just when you’re sailing along, thinking everything is going to be okay, something unexpected comes along to jar you out of your complacency. For me, in this case, it was the bottom of the cliff. I got bruised up pretty bad – they say I bounced for an hour - but luckily no bones were broken. That's where that protective layer of fat I was telling you about comes in.
”
”
John Swartzwelder (The Time Machine Did It)
“
Doubtless, if, at that time, I had paid more attention to what was in my mind when I pronounced the words "going to Florence, to Parma, to Pisa, to Venice,” I should have realised that what I saw was in no sense a town, but something as different from anything that I knew, something as delicious, as might be, for a human race whose whole existence had passed in a series of late winter afternoons, that inconceivable marvel, a morning in spring. These images, unreal, fixed, always alike, filling all my nights and days, differentiated this period in my life from those which had gone before it (and might easily have been confused with it by an observer who saw things only from without, that is to say who saw nothing), as in an opera a melodic theme introduces a novel atmosphere which one could never have suspected if one had done no more than read the libretto, still less if one had remained outside the theatre counting only the minutes as they passed. And besides, even from the point of view of mere quantity, in our lives the days are not all equal. To get through each day, natures that are at all highly strung, as was mine, are equipped, like motor-cars, with different gears. There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes. During this month—in which I turned over and over in my mind, like a tune of which one never tires, these visions of Florence, Venice, Pisa, of which the desire that they excited in me retained something as profoundly personal as if it had been love, love for a person—I never ceased to believe that they corresponded to a reality independent of myself, and they made me conscious of as glorious a hope as could have been cherished by a Christian in the primitive age of faith on the eve of his entry into Paradise. Thus, without my paying any heed to the contradiction that there was in my wishing to look at and to touch with the organs of my senses what had been elaborated by the spell of my dreams and not perceived by my senses at all—though all the more tempting to them, in consequence, more different from anything that they knew— it was that which recalled to me the reality of these visions that most inflamed my desire, by seeming to offer the promise that it would be gratified.
”
”
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
“
You look a bit tired,love; haven't you been sleeping well?"
"I've been sleeping just fine," she lied. "I was out late last night." Deliberately she turned to him. "On a date."
Alan controlled the swift surge of jealousy. Her ability to push the right buttons to get under his skin was no longer a surprise.He met the simmering gray eyes briefly. "Have a good time?"
"I had a marvelous time. David's a musician, very senstive.Very passionate," she added with relish. "I'm crazy about him." David might have been surprised, as he was engaged to one of Shelby's closest friends, but she doubted the subject would come up again. "As a matter of fact," she continued with sudden inspiration, "he's coming by to pick me up at seven.So, I'd appreciate it if you'd just turn around and take me home."
Instead of obliging as she hoped or raging as she expected, Alan glanced at his watch. "That's too bad.I doubt we'll be back by then." While Shelby sat in stony silence he pulled up to the curb. "Better put on your jacket; we'll have to walk half a block." When she neither moved nor spoke, he leaned across her as if to open the door. His mouth brushed over her ear. "Unless you'd like to stay in the car and neck.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
From Tomorrow to Yesterday
The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods.
He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment.
She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
”
”
Jens Christian Grøndahl (An Altered Light)
“
back. She knew she was lucky to have a job but she didn’t feel lucky. She felt depressed. Sad. Tired. And most of all, confused. She knew this was the week of Ruth Ann’s trial. There hadn’t been any press coverage yet, but she remembered the date. She had wanted to call Rick and wish him luck. In fact, she had picked up the phone several times and started to dial the number, but she just couldn’t go through with it. Not after all the things they had said to each other. She opened the back door to the office and stepped out into the night. The parking lot was barren except for her white Mustang, and the only sounds she heard were the passing of cars on Greensboro a few blocks up. She shut the door behind her, putting the key in the dead bolt and twisting it. “Kinda late for a pretty girl like you to be out.” Dawn turned to the sound of the voice, her stomach tightening into a knot. The lot was sparsely lit, and for a moment she didn’t see him. Then, standing by her Mustang, she saw a tall man dressed in khaki pants and a golf shirt. As he stepped toward her, she noticed that his hair was sandy blond and he had a patch of stubble on his face. “Can I help you?” Dawn asked, her voice shaky. She reached into her pocket for her cell phone but then remembered that the battery was dead. Damn, damn, damn. The man was in front of her now. He had continued to approach as if his appearance were completely natural.
”
”
Robert Bailey (The Professor (McMurtrie and Drake, #1))
“
It’s not even that I trust him not to leave. I know this won’t last. I’d rather be me than him. The words are coming so easily. The pages are coming easily. At the end of my dream, Eve put the apple back on the branch. The tree went back into the ground. It became a sapling, which became a seed. God brought together the land and the water, the sky and the water, the water and the water, evening and morning, something and nothing. He said, Let there be light. And there was darkness. Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late. We laughed. Young sisters in a bed under the roof of their childhood home. Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night. Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs of our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I thought about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you,
”
”
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
“
Noah had grown tired of being a prophet of doom, forever announcing a catastrophe that never came and that no one took seriously. One day, he clothed himself in sackcloth and covered his head with ashes. Only a man who was mourning [the death of] a beloved child or his wife was allowed to do this. Clothed in the garb of truth, bearer of sorrow, he went back to the city, resolved to turn the curiosity, spitefulness, and superstition of its inhabitants to his advantage. Soon a small crowd of curious people had gathered around him. They asked him questions. They asked if someone had died, and who the dead person was. Noah replied to them that many had died, and then, to the great amusement of his listeners, said that they themselves were the dead of whom he spoke. When he was asked when this catastrophe had taken place, he replied to them: “Tomorrow.” Profiting from their attention and confusion, Noah drew himself up to his full height and said these words: “The day after tomorrow, the flood will be something that will have been. And when the flood will have been, everything that is will never have existed. When the flood will have carried off everything that is, everything that will have been, it will be too late to remember, for there will no longer be anyone alive. And so there will no longer be any difference between the dead and those who mourn them. If I have come before you, it is in order to reverse time, to mourn tomorrow’s dead today. The day after tomorrow it will be too late.” With this he went back whence he had come, took off the sackcloth [that he wore], cleaned his face of the ashes that covered it, and went to his workshop. That evening a carpenter knocked on his door and said to him: “Let me help you build the ark, so that it may become false.” Later a roofer joined them, saying: “It is raining over the mountains, let me help you, so that it may become false.”14
”
”
Jean-Pierre Dupuy (The Mark of the Sacred (Cultural Memory in the Present))
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights).
But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the
manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens.
Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.
”
”
Robert O. Paxton (The Anatomy of Fascism)
“
We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right.
It was a fifty-fifty call and he relented.
Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness.
We had found salvation, and I was beat.
The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement.
The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown.
I felt so proud.
In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind.
As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why.
First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block.
There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive.
Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.”
We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
About four months into it, we were shooting hoops in my dad’s driveway when Chip stopped in his tracks, held me in his arms, looked into my eyes under the starry sky, and said, “I love you.”
And I looked at him and said, “Thank you.”
“Thank you?” Chip said.
I know I should have said, “I love you too,” but this whole thing had been such a whirlwind, and I was just trying to process it all. No guy had ever told me he loved me before, and here Chip was saying it after what seemed like such a short period of time.
Chip got angry. He grabbed his basketball from under my arm and went storming off with it like a four-year-old.
I really thought, What in the world is with this girl? I just told her I loved her, and that’s all she can say? It’s not like I just went around saying that to people all the time. So saying it was a big deal for me too. But now I was stomping down the driveway going, Okay, that’s it. Am I dating an emotionless cyborg or something? I’m going home.
Chip took off in his big, white Chevy truck with the Z71 stickers on the side, even squealing his tires a bit as he drove off, and it really sank in what a big deal that must have been for him. I felt bad--so bad that I actually got up the courage to call him later that night. I explained myself, and he said he understood, and by the end of the phone call we were right back to being ourselves.
Two weeks later, when Chip said, “I love you” again, I responded, “I love you too.” There was no hesitation. I knew I loved him, and I knew it was okay to say so.
I’m not sure why I ever gave him a second chance when he showed up ninety minutes late for our first date or why I gave him another second chance when he didn’t call me for two months after that. And I’m not sure why he gave me a second chance after I blew that romantic moment in the driveway. But I’m very glad I did, and I’m very glad he did too--because sometimes second chances lead to great things.
All of my doubts, all of the things I thought I wanted out of a relationship, and many of the things I thought I wanted out of life itself turned out to be just plain wrong. Instead? That voice from our first date turned out to be the thing that was absolutely right.
”
”
Joanna Gaines (The Magnolia Story)
“
Phaedrus wrote a letter from India about a pilgrimage to holy Mount Kailas, the source of the Ganges and the abode of Shiva, high in the Himalayas, in the company of a holy man and his adherents. He never reached the mountain. After the third day he gave up, exhausted, and the pilgrimage went on without him. He said he had the physical strength but that physical strength wasn’t enough. He had the intellectual motivation but that wasn’t enough either. He didn’t think he had been arrogant but thought that he was undertaking the pilgrimage to broaden his experience, to gain understanding for himself. He was trying to use the mountain for his own purposes and the pilgrimage too. He regarded himself as the fixed entity, not the pilgrimage or the mountain, and thus wasn’t ready for it. He speculated that the other pilgrims, the ones who reached the mountain, probably sensed the holiness of the mountain so intensely that each footstep was an act of devotion, an act of submission to this holiness. The holiness of the mountain infused into their own spirits enabled them to endure far more than anything he, with his greater physical strength, could take. To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, is unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then it will be “here.” What he’s looking for, what he wants, is all around him, but he doesn’t want that because it is all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
“
It is raining. The clock ticks. I am leaning on my elbow. The wind
blows through the cracks. The door rattles in its frame. My arm is
tired of staying in one position. There is a pressure on the wrist. My
temple burns on one side. I wonder what will happen next. Someone
laughs. If he had heard the rain, the clock, and the door, he would
have kept silent. Had I been laughing, I would not have heard these
things.
Gaze into a cat's eye or a gorilla's. You will notice a peculiar thing that
will make you shudder. sometimes cats claw at human eyes. Some-
times gorillas enrage.
Telepathy and death are wound inextricably together. To see why this
is so, you must understand consciousness. When, late at night in
your bed, you hear a distant automobile, you and the driver are parts
of yourself. When you speak, you are alone and the listener is both
you and himself. Two men, one on the mountain and the other in the
village, cannot communicate. Each is looking into a mirror. Wave,
and *he* waves - shout, and *he* replies. All of us see the same
moon and feel the same heartbeat, but we can never admit it. One
says the moon is a pale disc, another that it is a satellite of the Earth,
a third that it is a silver world. My heart thumps, yours clatters, and his
booms. Consciousness is distortion.
But much telepathy passes unnoticed. Dogs in the night, a dream of
Mabel, Dr. Rhines' dice games - these are self-conscious tricks that
mean nothing. What of the more obvious examples? You know when
another is lying. You know who is going down the stair. You know
emotion without seeing it. You know the intelligence of others. Some
sign gives them away. It is coincidence? Guessing games again?
Then think of what you could not possibly know, what no one could tell
you. Is there any doubt you do not know that fellow on the gibbet or
the thought of that girl on the stake? Watch someone die and you
may read his mind at ease.
You need not got so far. We human beings understand one another
better than we think. Argue, deny, shout, denounce, destroy. Nothing
alters truth. You, reader, see my flaws and concentrate on them. You
wonder why I choose this word and not that.
My arguments are weak and you can drum up stronger ones against
them. But we are eye to eye for all of that.
”
”
E.E. Rehmus
“
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over.
“Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?”
Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch.
“The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.”
“Didn’t you transfer it back into your name?” I asked.
“I guess not. I’m sorry, babe,” Chip said.
“Chip, what is that smell?”
It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out.
The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation.
So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying.
I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal?
That’s when another smell hit me. It was in the carpet.
“Chip, did those girls have a dog here?” I asked.
“They had a couple of dogs,” he answered. “Why?”
You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat.
It was like microwaved dog pee.
It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
”
”
Joanna Gaines (The Magnolia Story)
“
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’”
Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.”
While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit.
“Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real.
Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine.
“Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?”
“Nope,” I answered.
“Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly.
Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake.
We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb.
It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
She says, enough, enough, just enough. It's too much already, I've never-- thank God-- had a problem with any of my children, but now all of a sudden it's like you are three different people and I don't ever know which one I'm going to get. It's exhausting, you hear me, you are exhausting me. Can we not just have some real, genuine peace in this house? Between you and your father everyone here is always walking around like someone has died or is about to die. Or people are shouting or sulking or whatever it is you men do. You see my hair. You people are making me old! For once can someone not fucking shout at me for something, I say, I can't wait until I'm out of this stupid fucking place and no one can yell at me.
My mother's mouth falls open and her eyes lock on my face. She has heard me swear before. on the phone when joking with some friends but never have I said any such thing to either one of my parents. Never. I have always assumed that such an event would result in my being beaten within an inch of my unborn grandchild's life, but she just stands there like a malfunctioning robot. Is anyone keeping you here, she says finally. If you are unhappy, please go. Go and find the place where you feel happy. I'm sorry, I say, but it's too late. I've fucked up. The less I've said the better things have been, the less likely my father has seemed ready to pounce on me for the smallest mistake. If she tells him what has happened, this might be the end. I'm really sorry. My hands smell of cucumber as I wipe my nose. She tosses the vegetable peeler in her hand to the counter between us. Its protected blades glint in the sunlight streaming through the large bay windows. Do what you like, she says. Mommy, wait please, I say. Get out of here, I don't want to talk to you. Not like this, in my house, my mother says. Her voice is flat and hard, her eyes fixed directly to mine. Ypu should go and find whatever it is you want to find. Me, sef, I'm tired, I'm going upstairs, she says. I listen to her reach the top stair, enter her bedroom, and shut the door. It's just me now.
”
”
Uzodinma Iweala (Speak No Evil)
“
She says, enough, enough, just enough. It's too much already, I've never-- thank God-- had a problem with any of my children, but now all of a sudden it's like you are three different people and I don't ever know which one I'm going to get. It's exhausting, you hear me, you are exhausting me. Can we not just have some real, genuine peace in this house? Between you and your father everyone here is always walking around like someone has died or is about to die. Or people are shouting or sulking or whatever it is you men do. You see my hair. You people are making me old! For once can someone not fucking shout at me for something, I say, I can't wait until I'm out of this stupid fucking place and no one can yell at me.
My mother's mouth falls open and her eyes lock on my face. She has heard me swear before, on the phone when joking with some friends but never have I said any such thing to either one of my parents. Never. I have always assumed that such an event would result in my being beaten within an inch of my unborn grandchild's life, but she just stands there like a malfunctioning robot. Is anyone keeping you here, she says finally. If you are unhappy, please go. Go and find the place where you feel happy. I'm sorry, I say, but it's too late. I've fucked up. The less I've said the better things have been, the less likely my father has seemed ready to pounce on me for the smallest mistake. If she tells him what has happened, this might be the end. I'm really sorry. My hands smell of cucumber as I wipe my nose. She tosses the vegetable peeler in her hand to the counter between us. Its protected blades glint in the sunlight streaming through the large bay windows. Do what you like, she says. Mommy, wait please, I say. Get out of here, I don't want to talk to you. Not like this, in my house, my mother says. Her voice is flat and hard, her eyes fixed directly to mine. Ypu should go and find whatever it is you want to find. Me, sef, I'm tired, I'm going upstairs, she says. I listen to her reach the top stair, enter her bedroom, and shut the door. It's just me now.
”
”
Uzodinma Iweala (Speak No Evil)
“
What does a playoff team look like?.., It looks like this... A playoff team is tired. They're in pain from a long season. They're frustrated about losses. But they're full of passion. Passion that will let them overcome the fatigue and the pain... A playoff team has to have energy. They have to be prepared to do whatever it takes. to battle one-on-one late in the 3rd period. To block shots. To play 2 or 3 overtime periods, i that's what it takes to win. They have to be the 1st to the puck, Clear the net. For the next 2 months, a playoff team has to bring that energy to the arena every night... It's not just the passion and the energy. It's not just physical conditioning. It's mental conditioning too. You have to stick to the game plan. You can't let fatigue or distractions get in the way of how you play. Some of you men have never been in a playoff game. Everyone will tell you it's a whole new season. Everyone will tell you it's intense. You have no. Fucking. Idea... All of you have trained yourself to leave everything behind when you step on the ice. And that's what you have to do now... You have to make the mind shift that this is a new season. The only that matters now is what we can control -- being ready for the next game... You have to have confidence in yourself. And n your teammates... Some of you guys haven't been playing together that long. But I've seen the teamwork you all bring. The work ethic. I've seen the relationships and the chemistry develop. You have to have trust in each other... and that means being trustworthy. Being there for each other. For the team... coaching staff. Trust in the game plan. Trust in the preparation... I ave trust in you. We can do this.
”
”
Kelly Jamieson (Game On (Aces Hockey, #8))
“
Mackenzie scanned the ground. Where she stood was nothing more than packed dirt that gave way to gravel and then tar around the other side of the bins. She was standing on the dirt portion and looking down to the tire tracks that were embedded like ghost prints along the ground. The criss-crossing and jumbled passage of countless tire tracks was going to make it very hard to identify a reliable print. It had been dry and hot lately; the last rainfall had been about a week ago and that had only been a drizzle. Dry ground was going to make this significantly harder.
”
”
Blake Pierce (Before He Sees (Mackenzie White #2))
“
Pascal and I talked the whole night, and at the end of it, he walked me back to my apartment. We were tired, yet not as drunk as I would have thought. I wanted to touch him and felt like he wanted to touch me, too. The air in the late, late night was thin and hallucinatory, like we were at a high altitude.
Outside my apartment, Pascal sighed and took me by the waist. He was much taller than I and swung me from side to side. He tipped his lips down as I tipped my lips up. And then, without a care in the world, we kissed.
His lips were surprisingly soft. I had only kissed Elliott for the past four years, and every kiss before that had been embarrassingly bad. Pascal's lips were so different, full yet muscular. He held me by the back of my head, then slid his hands down to my neck, kneading as he went, so by the time his hands were at the small of my back, my insides had melted.
Elliott had a shallow way of kissing, lips that moved like an ant on a leaf. Pascal was all push and pull, suck and lick. Every bit of pressure corresponded with another withdrawal, leaving me panting and yearning.
”
”
Jessica Tom (Food Whore)
“
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover."
He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family."
Ísa frowned. "I don't think your family expects that."
"They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it."
Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?"
"He's building a ginormous mansion. Swimming pool, tennis court, the works."
"Is he hiring a buff personal masseuse named Sven?"
"Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?"
Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion.
"Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires."
A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders.
"And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats."
Throat moving, Ísa said, "How many?" It was a husky question.
"Seven, I think."
"Very funny, mister."
"I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart.
Ísa's lower lip began to quiver, but she didn't speak.
"I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them."
Silent tears rolled own Ísa's face.
"But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?"
Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online."
Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss.
Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there."
Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty.
"That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
”
”
Nalini Singh (Cherish Hard (Hard Play, #1))
“
Live in amazement
We all have seen God’s goodness in some way. God opened a door, gave you a promotion, protected you on the freeway, and caused you to meet someone who has been a blessing. It was His hand of favor.
Don’t let it become ordinary. We should live in amazing at what God has done. When I look at my children I think, “God, you’re amazing.” When I see Victoria, I think, “God, you’ve been good to me.” Driving up to my house, I think, “Lord, thank you for your favor.”
Don’t let your miracles become so common that they don’t excite you anymore. I read about this famous surgeon who continued to go to work every day even into his late eighties. He loved medicine. His staff tried to get him to retire and take it easy, but he wouldn’t do it. He had invented a certain procedure that he had performed over ten thousand times. It seemed so routine and so ordinary. He’d done it again and again.
The surgeon was asked in an interview if he ever grew tired of performing his procedure and if it ever got old. He said, “No, because I act like every operation is my very first one.”
He was saying, “I don’t take for granted what God has allowed me to do. I don’t let it become so ordinary that I lose the awe.”
What has God done for you? Do you have healthy children? Do you have people to love? Do you have a place to work? Do you realize your gifts and talents come from God? Do you recognize what seemed like a lucky break was God directing your steps?
There are miracles all around us. Don’t take them for granted. Don’t lose the amazement of God’s works. Fan your flames. Stir up your gifts.
Sometimes we hold back, thinking we’ll get excited when the next big thing comes along. Only then will we allow that spring back in our step. But I’ve learned if you aren’t happy where you are, you won’t get where you want to be.
You need to sow a seed. Maybe nothing exciting is going on; perhaps you’re facing big challenges. You could easily grow discouraged and give up on your dreams. But when you go to work with a smile, give it your best, offer kindness to others, you are sowing a seed.
God will take that seed and grow it to bring something exciting into your life. The scripture tells us God will take us from glory to glory and from victory to victory. You may be in between victories right now, but keep your passion and hold on to your enthusiasm. The good news is another victory is on its way, another level of glory and another level of God’s favor.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
Sarah fell to the floor and looked up at him with pure hatred in her eyes. Some days she didn’t even know why she bothered to put up with his shit. Lately he had been putting his hands on her more than ever and she was just about tired of it.
”
”
Mesha Mesh (I Jus' Wanna Leave This Nigga 2 (I Jus' Wanna Leave This Nigga, #2))
“
Late that evening, I begged Marlboro Man to go back to the ranch to sleep. We’d had visits from my dad, our grandmothers, my best friend, Becky, and Mike. My mom had even peeked her head in once she’d determined the coast was clear, and I’d been poked and prodded and checked by nurses all day long. I felt tired and gross, not having been given permission to shower yet, and I didn’t want him to sleep on a hard cot in the room. Plus, I couldn’t risk being asked about my bodily functions in his presence again. “Go home and get some sleep,” I said. “I’ll still be here in the morning.”
He didn’t put up much of a fight. He was exhausted; I could tell. I was exhausted, too--but I was supposed to be. I needed Marlboro Man to stay strong.
“Good night, Mama,” he said, kissing my head. I loved this new “Mama” thing. He kissed our baby on the cheek.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Stephen: I wouldn’t say I was the first person to do it, because Jon certainly was doing it on his show. Judd: But not to his face. Stephen: Well, you don’t get an opportunity to do that very often. Judd: Yeah. Stephen: You know, there’s a woman I get my coffee from every morning. She is not a native to our country, she wasn’t born here. And she said to me the week of that dinner, she said, “Stephen, you look so tired, why do you look so tired?” I go, “Well, Anna, I been working late after the show. I’m writing a script to get ready for the Correspondents’ Dinner. I’m going to perform for the president.” She said, “You perform in front of the president?” I said, “Yeah, I’ll be like five feet from him.” She goes, “But you’re a satirist. You’re a critic. You’re going to do your jokes right next to him?” And I said, “Yeah.” She took my face in her hands and said, “This is a good country.
”
”
Judd Apatow (Sick in the Head: Conversations About Life and Comedy)
“
Stephen: You know, there’s a woman I get my coffee from every morning. She is not a native to our country, she wasn’t born here. And she said to me the week of that dinner, she said, “Stephen, you look so tired, why do you look so tired?” I go, “Well, Anna, I been working late after the show. I’m writing a script to get ready for the Correspondents’ Dinner. I’m going to perform for the president.” She said, “You perform in front of the president?” I said, “Yeah, I’ll be like five feet from him.” She goes, “But you’re a satirist. You’re a critic. You’re going to do your jokes right next to him?” And I said, “Yeah.” She took my face in her hands and said, “This is a good country.
”
”
Judd Apatow (Sick in the Head: Conversations About Life and Comedy)
“
It hit me hard today, Winnie. I can't believe I'll have to do this chemotherapy thing again. Three more times. I feel like crap."
What could I possibly say? It had been a bad day for Nancy. The phlebotomist who normally draws Nancy's blood was off, and her replacement "missed" the first two times. She had to stand to have a chest X-ray even though she felt particularly weak. And she had to give three different urine specimens. By late morning, fever and chills were return visitors to Room 842. Nancy had no energy to walk. She even turned down her daily shower, too tired to make another trip to her bathroom.
"You know, Nancy, the day before yesterday, when Chuck and I took our mountain bake ride, we went on a brand new trail in Round Valley. It was really hard for me. But yesterday, we rode the same trail. And it wasn't so bad. Actually it was almost easy. Your treatments will be like that."
Nancy grabbed my hand between both of hers. There were fewer wrinkles on her forehead than moments before. Her eyes speak volumes and I couldn't speak. I didn't need to. For once, I chose the correct words. She smiled, closed her eyes and feel asleep.
”
”
Timothy R. Pearson (Night Reflections: A True Story of Friendship, Love, Cancer, and Survival)
“
the sieidi protected anyone from knowing or seeing, because the sieidi knew there lies a boundary to all knowledge, even from what we know of ourselves, which is why afterward Ivvár could not have said, to anyone, much less to himself, what had happened, and he could not have described it, nor did he wish to, he wished only to preserve it and keep it for himself to remember at some unknown moment when the memory would overtake him, and he could return again, briefly, to its bounds. What he did retain, what did appear to him as real, even obvious, was a new fear about what had happened in town. He’d left town well after the others, hearing only briefly from a passerby that Frans had left in the middle of the sermon, but he hadn’t thought about it very much—he’d only wanted to do this—but now he was sure, more sure of than anything, that they weren’t safe. No one was safe, the herd was not safe. It was possible, even probable, he had gone, offered, asked, too late, and it was possible, even probable, that Frans would have his revenge, and the danger was nearly here. He’d been so insistent on doing it all alone, so insistent on no one knowing what he was doing that he’d lost time he’d had no idea was so precious; he’d even walked out to the sieidi instead of skiing, wanting the experience of getting to the sieidi to be more of a trial, but now he regretted this—the snow was not deep but it was still tiring to walk through. He was strong, of course, but his power was all in endurance, he wasn’t built for bursts of speed, so he ran slowly, steadily, his eyes constantly on the sky, on the trees, on the birds—what if they told him something? What if they said, you’re too late? But they told him nothing, or what they told him he couldn’t read, the world was closed to him, as if he had just been told too much. He went to the closest lávvu first, not caring whose it was. It happened to be Anna and Nilsa’s, but he didn’t think what time it was, he didn’t care. Inside Nilsa was gone, and it was just Anna and Risten sitting up, while Mikkol was sleeping. “We have to move the herd,” Ivvár said, “we have to go, now.
”
”
Hanna Pylväinen (The End of Drum-Time)
“
You’ve probably had this experience: It’s late at night and you start browsing Netflix, looking for something to watch. You scroll through different titles, you watch a couple of trailers, you even read a few reviews—but you just can’t commit to watching any given movie. Suddenly it’s been thirty minutes and you’re still stuck in Infinite Browsing Mode, so you just give up. You’re too tired to watch anything now, so you cut your losses and fall asleep.
”
”
Pete Davis (Dedicated: The Case for Commitment in an Age of Infinite Browsing)
“
Oh pshaw, Freddy,” said the cow, “you know perfectly well that you can’t shadow anybody unless you hide from them, and an animal as big as I am can’t hide behind one or two little spears of grass the way a cat or a dog can. And besides, you said yourself that an animal couldn’t be a good defective without a lot of practice. What else could I do?” “Why, you’ll just have to give up being a detective, that’s all,” replied the pig. “At least that kind of detective. Because there’s lots to detective work besides shadowing. You have to hunt for clues, too, and then think about them until you can figure out what they mean.” Mrs. Wiggins sighed heavily. “Oh dear!” she said. “You know thinking isn’t my strong point, Freddy. I mean, I’ve got good brains, but they aren’t the kind that think easily. They’re the kind of brains that if you let ’em go their own way, they are as good as anybody’s, but if you try to make them do anything, like a puzzle, they just won’t work at all.” “Well,” said Freddy, “detective work is a good deal like a puzzle. But I do think you ought not to try to do this shadowing. Mr. Bean certainly won’t like having the corn spoiled this way, and he’s been pretty touchy lately anyway. Not that I blame him, now that all the animals have started to play detective all over the farm. I heard him tell Mrs. Bean that he was getting sick and tired of having about fifteen animals sneaking along behind him every time he leaves the house. And whenever he looks up from his work, he says, no matter where he is, there are eyes peering at him—dozens and dozens of eyes watching him from hiding-places.
”
”
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
“
Meyer summarizes his code of honor as “(1) Show up. (2) Work hard. (3) Be kind. (4) Take the high road.” As he contributed in ways that revealed his skills without spawning jealousy, colleagues began to admire and trust his comedic genius. “People started to see him as somebody who wasn’t just motivated personally,” Tim Long explains. “You don’t think of him as a competitor. He’s someone you can think of on a higher plane, and can trust creatively.” Carolyn Omine adds, “Compared to other writers’ rooms I’ve been in, I would say The Simpsons tends to look longer for jokes. I think it’s because we have writers, like George, who will say, ‘No, that’s not quite right,’ even if it’s late, even if we’re all tired. I think that’s an important quality. We need those people, like George, who aren’t afraid to say, ‘No, this isn’t good enough. We can do better.’” In a classic article, the psychologist Edwin Hollander argued that when people act generously in groups, they earn idiosyncrasy credits—positive impressions that accumulate in the minds of group members. Since many people think like matchers, when they work in groups, it’s very common for them to keep track of each member’s credits and debits. Once a group member earns idiosyncrasy credits through giving, matchers grant that member a license to deviate from a group’s norms or expectations. As Berkeley sociologist Robb Willer summarizes, “Groups reward individual sacrifice.” On The Simpsons, Meyer amassed plenty of idiosyncrasy credits, earning latitude to contribute original ideas and shift the creative direction of the show. “One of the best things about developing that credibility was if I wanted to try something that was fairly strange, people would be willing to at least give it a shot at the table read,” Meyer reflects. “They ended up not rewriting my stuff as much as they had early on, because they knew I had a decent track record. I think people saw that my heart was in the right place—my intentions were good. That goes a long way.
”
”
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
“
He cupped her face. “He’s an asshole. You’re better off without him. Let’s never speak of him again.”
She laughed. “Sorry. I’m tired and that guy demanding to find my husband because he was sleeping with his wife brought it all up for me again.”
“You were hit by a car, you had your past thrown in your face, it’s late, and you’re tired. Why don’t you go change, and I’ll sweep up the glass and take care of boarding up the window. If you give me your insurance information, I’ll call them first thing in the morning and start your claim and have a new sliding door put in as soon as possible.”
“You don’t have to do all that.”
“I want to. This wouldn’t have happened if not for my client. Let me do this. It’s the least I can do.”
“You’ll find the information in my office.” She pointed to the closed door off the living room. “Bottom drawer of the desk in the file marked insurance.” He smiled to lighten things and teased, “An organized woman. Dangerous creatures.”
“Yes, well, stay out of the other stuff. There be dragons with sharp teeth who’ll burn your ass for snooping through my papers.”
He laughed. “Not the trusting sort, are you?”
“I’ve been burned already.”
“I’m not out to hurt you, honey. Just help you.”
“You can’t be that good looking and not have some flaws.” Her cheeks blazed red.
He laughed again. “I’ve got plenty of flaws, but none that will bite you on the ass. Unless you want me to,” he teased. “Because it’s a fine ass, and I wouldn’t mind.”
-Owen & Claire
”
”
Jennifer Ryan (Falling for Owen (The McBrides, #2))
“
After she swore herself to secrecy and did her best to seem trustworthy and closemouthed, Mr. Nobley revealed that those two had been more than fond acquaintances. In fact, last year he’d proposed and she’d accepted.
“Her mother disapproved, as he was merely a sailor. Mr. Heartwright, her brother, informed East that he was dismissed from being her suitor, and Miss Heartwright never had an opportunity to explain that it hadn’t been her wish. She fears it is too late now, but I don’t believe her heart ever let go of the man.”
“Ah,” Jane said, now fitting their story into the correct Austen novel context--Persuasion, more or less. And that was a real bummer. Captain East had offered Jane the best shot at curative love. Oh well. Two down…one to go? She studied Mr. Nobley and wondered why she had the impression that he was dangerous--or would be if he didn’t so often look tired or bored. Was he a sleeping tiger? Or a sack of potatoes?
“And how do you feel about this, Mr. Nobley?” she asked.
“It does not matter how I feel about Miss Heartwright.” He nudged his horse forward, and hers followed.
She hadn’t been talking about Miss Heartwright, but, okay. “Wait, are you heartbroken?” She knew Miss Erstwhile shouldn’t ask the question, but Jane couldn’t help it.
“No, of course not.”
“Not about Miss Heartwright, anyway.” Jane watched Mr. Nobley’s face closely for signs of Henry Jenkins. His mouth was still, unrevealing, but his eyes were sad. She’d never noticed before. “Maybe you’re not heartbroken anymore, maybe you’ve passed that part, and now you’re just lonely.”
Mr. Nobley smiled, but with just half of his mouth. “You are very good at nettling me, Miss Erstwhile. As I said, it does not matter how I feel. We are speaking of Miss Heartwright and Captain East. I think it nonsense how they have kept silent about it these past days. They should speak their minds.”
“You approve of speaking one’s mind? So, do you approve of me?”
As it appeared Mr. Nobley had no intention of answering the question, and Jane was stumped at how to restart the conversation, they rode on in silence.
Of course just at that moment, she would see Martin by a line of trees, looking her way. Why couldn’t she be chatting and laughing and having a wonderful time? She smiled generously at the world around her and hoped that Martin would think she was enthralled with Mr. Nobley’s company and perfectly happy.
Mr. Nobley turned to ask her a question, but when he saw her grinning without apparent cause, the words hung in his mouth. His eyes widened. “What? You are laughing at me again. What have I done now?”
Jane did laugh. “I’m sorry, but I can’t seem to help myself around you. You are so teas-able.” Which was precisely not true, and yet saying it somehow made it so.
Mr. Nobley looked over his shoulder just as the line of trees hid Martin from view. Jane wasn’t sure if he saw him.
“I’m sorry I annoy you so much,” said Jane. “I’ll stop. I really will.”
“Hm,” said Mr. Nobley as if he doubted it. He looked at his hands thoughtfully, not speaking again for several moments. In the silence, Jane became aware of her heart beating. Why was that?
”
”
Shannon Hale (Austenland (Austenland, #1))
“
How do you do? I’m Henry.”
So he was Henry Jenkins.
“I’m still Jane,” she said. Or, squeaked, rather.
He was trying to fasten his seat belt and his look of confusion was so adorable, she wanted to reach over and help, but that wouldn’t be in keeping with the…wait, they were on a plane. There were no more Rules. There was no more game. She felt her hopes rise so that she thought she’d float away before the plane took off, so she pushed her feet flat against the floor. She reminded herself that she was the predator now. Tallyho.
“This is a bit far to go, even for Mrs. Wattlesbrook.”
“She didn’t send me,” said Nobley-Henry. “Not before, not now. I sent myself, or rather I came because I…I had to try it. Look, I know this is crazy, but the ticket was nonrefundable. Could I at least accompany you home?”
“This is hardly a stroll through the park.”
“I’m tired of parks.”
She noticed that his tone was more casual now. He lost the stilted Regency air, his words relaxed enough to allow contractions--but besides that, so far Henry didn’t seem much different from Mr. Nobley.
He leaned back, as if trying to calm down. “It was a good gig, but the pay wasn’t astronomical, so you can imagine my relief to find you weren’t flying first class. Though I’d prefer a cargo ship, frankly. I hate planes.”
“Mr. Nob--uh, Henry, it’s not too late to get off the plane. I’m not writing an article for the magazine.”
“What magazine?”
“Oh. And I’m not rich.”
“I know. Mrs. Wattlesbrook outlines every guest’s financials along with their profiles.”
“Why would you come after me if you knew I wasn’t…”
“That’s what I’m trying to tell you. You’re irresistible.”
“I am not.”
“I’m not happy about it. You really are the most irritating person I’ve ever met. I’d managed to avoid any women of any temptation whatsoever for four years--a very easy task in Pembrook Park. Things were going splendidly, I was right on track to die alone and unnoticed. And then…”
“You don’t know me! You know Miss Erstwhile, but--”
“Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?”
“Nothing,” said Jane with conviction. “Nothing makes sense.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
There’s a garden in the sky, waiting there for me. It’s a garden that Chris and I imagined years ago, while we lay on a hard black slate roof and stared up at the sun and the stars.
He’s up there, whispering in the winds to tell me that’s where the purple grass grows. They’re all up there waiting for me.
So, forgive me for being tired, too tired to stay. I have lived long enough, and can say my life was full of happiness as well as sadness. Though some might not see it that way.
I love all of you, each equally. I love Darren and Deirdre and wish them good luck throughout their lives, as I wish the same for your child-to-be, Jory.
The Dollanganger Saga is over.
You’ll find my last manuscript in my private vault. Do with it what you will.
It was meant to be this way. I have no place to go but there. No one needs me more than Chris does.
But please don’t ever say I failed in reaching my most important goal. I may not have been the prima ballerina I set out to be. Nor was I the perfect wife or mother—but I did manage to convince one person, at last, that he did have the right father.
And it wasn’t too late, Bart.
It’s never too late.
”
”
V.C. Andrews
“
Randomness is a concept that defies categorization; by definition, it comes out of nowhere and can’t be anticipated. While we intellectually accept that it exists, our brains can’t completely grasp it, so it has less impact on our consciousness than things we can see, measure, and categorize. Here’s a simple example: You leave late for work but still arrive in time for your 9 A.M. meeting. Congratulating yourself, you are oblivious to the fact that two minutes behind you on the freeway, someone blew a tire and blocked traffic for a half-hour. Without knowing it, you narrowly missed being late. Perhaps you draw the conclusion that tomorrow, you can afford to sleep a little later. But if you’d been in that traffic jam, you’d draw the opposite conclusion: Never leave late again. Because it is our nature to attach great significance to the patterns we witness, we ignore the things we cannot see and make deductions and predictions accordingly.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
Tatiana knew she had been born too late into the family. She and Pasha. She should have been born in 1917, like Dasha. After her there were other children, but not for long: two brothers, one born in 1919 and one in 1921, died of typhus. A girl, born in 1922, died of scarlet fever in 1923. Then in 1924, as Lenin was dying and the New Economic Plan—that short-lived return to free enterprise—was coming to an end, while Stalin was scheming to enlarge his power base in the presidium through the firing squad, Pasha and Tatiana were born seven minutes apart to a very tired twenty-five-year-old Irina Fedorovna. The family wanted Pasha, their boy, but Tatiana was a stunning surprise. No one had twins. Who had twins? Twins were almost unheard of. And there was no room for her. She and Pasha had to share a crib for the first three years of their life. Since then Tatiana slept with Dasha.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
The Lead Foot Driver My mom drives too fast. I had been telling her for a long time that her lead foot was going to get her into trouble eventually. Then it happened. One day she was taking me to school. We were running late, so she was driving fast. Sure enough she passed a state trooper who quickly pulled us over. He walked up to the car and explained that he pulled her over because she was speeding. My mom tried real hard to keep from getting a ticket. She looked shocked and told the trooper, “I’ve never been stopped like this before.” “What do they usually do, shoot your tires out?” the trooper asked.
”
”
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
“
It’s just that between keeping her and Bradley pleased, my body and mind are very tired. Lately, I have been fucking out of duty, pity, and obligation rather than lust.
”
”
Jessica N. Watkins (Love, Sex, Lies)
“
Crazy thing about dirt roads. Get very much rain and they’d pack down like tracks of clay, sticking to tires and caking to the wheel wells. Have a drought, though, and the dust would puff up for what seemed like a mile following a car’s path, turning the sky into a dingy haze. Dirt-colored smoke. Maybe Holly had lived there long enough that her heart mirrored the roads. It had been one heck of a dry season, but she’d seen a few showers lately. If she could just learn hang onto those downpours a little longer, maybe the dry days wouldn’t cause such a deep ache.
”
”
Christina Coryell (Written in the Dust (Backroads #2))
“
By the time the leaves and weather do begin to change in late October, they have tired of autumn and are thinking of Christmas. They never stop; they never wonder if they already have it all.
”
”
Laura Nowlin (If He Had Been with Me)
“
Is you is or is you ain't my baby?
That's the question I've been thinking about lately
But currently, that's not on my mind.
It was a grind trying to get to you, but it was worth it
to hear those words “Baby, I am yours.”
Some days you drive me crazy,
but most days it's all love and happiness.
Like Al Green says, “It’s something that'll make you do wrong and right.”
But with you, I try with all my might to do the latter.
All the others before you don't matter because it's all about us.
When we started, I thought about trust because
I've been burned so many times
and I burned my fair share.
When you saw my imperfections,
you didn't stop and stare in disgust.
You brought me close and whispered in my ear “I don't care.”
You stared into my eyes lovingly and said I got you.
It was that moment I knew I wanted to wrap my arms around you
and hold you tight forever. Will you be mine in that way?
Will you never get tired of me and always stay?
I said all this just to say, “Will you marry me?
”
”
Jeremy Allen (Twelve Midnight)
“
I’ve been in Scotland more lately than any of you. I tell you, there are twenty sides in that fight, never mind two, and when they get tired throwing things at each other, they’ll all turn and stamp on the mediator.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
At the same time, Kelly was finding her voice. She had always been strong, but she had put her faith in me, that I would return to her the way I had once been, and it kept her from putting me on trial. But with her twenties in the rearview, she had a right to know if I was ever going to step up and be the husband she deserved. I wasn’t ready to answer questions about my mental health, my anger, or my choice to meet the day impaired, but she was done sharing the house with a ghost. The harder she pushed back on me, the more explosive our exchanges became. There were tire marks in the driveway, empty threats of divorce, and then one sweltering night in September, I climbed up on my soapbox with some bullshit defense to her well-earned concerns. She burned that soapbox down. She was done. It had been six years since the hospital, and good days be damned, I had never returned to her, never fully recovered. I was a cynic, a stoner, and cruel in confrontation. I stayed out late and didn’t call and left her to worry about where I was and whom I’d fallen in with so many nights as I moved through the world. She knew where I came from and feared me steering toward addiction and felt like a fool for having accepted my excuses for years. I had robbed her of her youth and then asked for loyalty in return. She had loved me through it all, but she couldn’t love me any longer, not like that. And that night in September, she finally gave me an ultimatum: either I find my way back to the land of the living or she was moving on without me.
”
”
Andrew McMahon (Three Pianos: A Memoir)
“
No.” Hollypaw sat down, wishing Jaypaw would stop messing around with the herbs and talk to her properly. “He’s just been so tired lately, and grumpy. Every time I talk to him he practically nips my whiskers off.
”
”
Erin Hunter (Dark River (Warriors: Power of Three #2))
“
Nothing is ever resolved,” Rita said, tired. “That's one of those fake concepts. How can you resolve with a man dead at thirty-four? What kind of peace can you make with that? Lately I’ve been thinking that the conflict is for the best. Because then we are not pretending that anything about this can ever be reasonable.
”
”
Sarah Schulman (Rat Bohemia)
“
A Tidy and Organized Home… Makes you feel calm. You can relax and unwind in a tidy home. There is space to do things, and you know where everything is. When you walk into a hotel room, you immediately feel a sense of peace because the environment is tidy and organized. Makes you feel healthy. Dust and mold accumulate in messes. Are you always coughing and sneezing? Do you suffer from allergies? It’s probably because you are breathing in all the dirt in your home. Give your home a spring clean and your health issues will improve. Makes you feel in control. How does it feel when you know where everything is? Clutter prevents positive energy from flowing through your home. Remember, energy attaches itself to objects, and negative energy is attracted to mess, which creates exhaustion, stagnation, and exasperation. What does it feel like when negative energy is stuck in your body? You want to lie in bed and shut the world away because everything becomes more difficult and you can’t explain why. Here is how decluttering your house will unlock blocked streams of positive energy: You will become more vibrant. Once you create harmony and order in your home, you will feel more radiant and present. Like acupuncture, which removes imbalances and blockages from the body to create more wellness and dynamism, clearing clutter removes imbalances and blockages from your personal space. When you venture through spaces that have been set ablaze with fresh energy, you are captured by inspiration, and the most attractive parts of your personality come to life. You will get rid of bad habits and introduce good ones. All bad habits have triggers. Do you lie on your bed to watch TV instead of sitting on the couch because you can’t be bothered to fold the laundry that has piled up over the past six months? Or because the bed represents sleep, and when you come home from work and get into bed, you are going to fall asleep instead of doing those important tasks on your to-do list. Once you tidy the couch, coming home from work will allow you to sit on it to watch your favorite TV program but get up once it’s finished and do what you need to do. You will improve your problem-solving skills. When your home has been opened up with a clear space, it’s easier to focus, which provides you with a fresh perspective on your problems. You will sleep better. Are you always tired no matter how much sleep you get? That’s because negative energy is stuck under your bed amongst all that junk you’ve stuffed under there. Once you tidy up your bedroom, you will find that positive energy can flow freely around your room making it easier for you to have a deep and restful sleep. You will have more time. Mess delays you. An untidy house means you are always losing things. You can’t find a shoe, a sock, or your keys, so you waste time searching for them, which makes you late for work or social gatherings. When you declutter your home, you could save about an hour a day because you will no longer need to dig through a stack of items to find things. Your intuition will be stronger. A clear space creates a sense of certainty and clarity. You know where everything is, so you have peace of mind. When you have peace of mind, you can focus on being in the present moment. When you need to make important decisions, you will find it easier to do so. It might take some time to give your home a deep clean, but you won’t be sorry for it once it’s done. Chapter 5: How To Become an Assertive Empath The word assertive means “having or showing a confident and forceful personality.
”
”
Judy Dyer (The Empowered Empath: A Simple Guide on Setting Boundaries, Controlling Your Emotions, and Making Life Easier)
“
Her face and the garden
Her face is like a summer garden,
By divine beauty tended and by grace never forsaken,
There bloom roses many, and lilies too,
And I keep looking at it, for in spell bound state what else can I do,
Yesterday she was a garden of roses,
Last year she was the entire spring, where once in bloom, the beauty’s flower never closes,
This year she has transformed into a garden blooming with new flowers,
Daisies, daffodils, and sunflowers standing like beauty’s radiant towers,
Rendered more radiant in the never ending splendour of her eyes,
And the garden of beautiful roses growing all over her, even time defies,
While I watch the garden of beauty grow over her face,
My heart beats assume a new and lovely pace,
That draw my mind into this world of endless beauty,
And I know not whether it obeys my heart’s yearnings or it too has grown fond of her pure serenity,
The summer has found a permanent residence in her face, infact within her,
Because I still see the roses blooming over her face although it is late November,
And when sometimes she brushes her hair with her fingers,
The roses peek from her face to feel her finger tips and their magical wonders,
And when she rests her eyelids upon her eyes,
The pollen dust of million flowers, upon her waiting eyelashes, a perfect sheen applies,
That neither sparkles nor glows,
But in the garden of her face it simply in its splendour grows,
And when the winter sun gets tired and retires finally,
The lilies apply the mask of radiance on her tenderly,
While the violets and narcissus seep deep into her brow,
And what a wonder she is to look at now,
A beauty with no end, where waves of summer flow interminably,
As she rests her head on the pillow and closes her eyes slowly,
The morning glory turns into the night glory,
And then begins our own love story,
Where the lovely and winding creepers grow all over us, over her and over me too,
Finally the garden of beauty grows all over us, and now it shall be so, no matter what you do,
I in the garden of her beauty where flowers bloom everywhere,
And then my heart confesses, “Irma, let us hide in this garden somewhere,
To be never found by time, and never felt by any season,
Because finally we have found love in each other that defies every reason,”
And this is how it has been for many years now,
I and my every feeling of love sinking deep into her beauty’s eternal brow!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
I blocked your number,” I say. I got tired of lying awake late into the night with my thumb hovering over his contact number, practically aching from wishing he’d call, tell me the whole thing had been a mistake. I needed to take the possibility away, to free myself from waiting for it.
”
”
Emily Henry (Happy Place)
“
Sonnet for Elegua
In pursuit of an ending, I quickened my pace. I had no questions, not my own, to recover in. The only certainty: the evening
under the oil palm when you gave me my dry feet.
From then on, dreams as warm as atoms. The exiled boy, always desperate to be heard, appeared mostly as crickets and hinges.
Three summers ago, he mutilated a pigeon by hurling it against the wall of a market.
It made sounds like the latch rattle of an icebox and the stain never came out,
even when we used aguardiente. I've left
my outline in worse places. Lately, by the window, where I count the women with thicker, blacker hair, study the way it tightens around their shoulders like bulls ascending.
What occupies me is also running.
It never tires, but rather, repositions itself.
I should like to reposition myself, please. All of me this time.
”
”
Leslie Sainz (Have You Been Long Enough At Table)
“
Anna returned to supper preparations, wondering what on earth she had managed to fill her time with before having children. ‘BC’, they jokingly described it. She loved all of them to bits. But there were times when she longed to escape from the bedlam of family life. Lately she felt constantly tired. Some mornings she forced herself to put one foot in front of the other to confront the day. And she was putting on weight despite being careful with her diet. She worried there might be something seriously wrong, but it was easier to push nagging thoughts to the back of her mind. She craved one week on her own: one week of blissful quiet without the confusion and togetherness Italians craved. To go to bed late if she wanted without a 6 a.m. alarm call. Time to read a whole book in one sitting or drink wine in the middle of the day, without the responsibility of being the afternoon chauffeur to one of her children: for swimming lessons, music clubs, gymnastics and now regional tennis coaching, for which Davide had been selected. And a week of sleeping in a bed on her own might be good, she thought – without having to get up to soothe a child’s nightmares or being kept awake by Francesco’s snores or his hand stroking her thigh, when sex was the very last thing on her mind… ‘Penny for them?’ Francesco had crept up behind her, folding her in a hug, nuzzling the back of her neck as she tried to concentrate on chopping parsley and celery for a meat sauce. ‘You wouldn’t want to know,’ she said, thinking that he really wouldn’t and that she was an ungrateful cow to fantasise about a life without them. ‘Mamma, Babbo, stop it!’ Rosanna and Emilia were trying to insinuate themselves between their parents to break up their embrace. ‘Is supper nearly ready?’ Emilia, always hungry, asked.
”
”
Angela Petch (A Tuscan Memory)
“
And this creates an auditioning problem, where public avowals of loyalty to the system must be volubly made whether there is a need for them or not. It is an extension of a well-known problem in liberalism which has been recognized even among those who did once fight a noble fight. It is a tendency identified by the late Australian political philosopher Kenneth Minogue as ‘St George in retirement’ syndrome. After slaying the dragon the brave warrior finds himself stalking the land looking for still more glorious fights. He needs his dragons. Eventually, after tiring himself out in pursuit of ever-smaller dragons he may eventually even be found swinging his sword at thin air, imagining it to contain dragons.15 If that is a temptation for an actual St George, imagine what a person might do who is no saint, owns no horse or lance and is being noticed by nobody. How might they try to persuade people that, given the historic chance, they too would without question have slain that dragon?
”
”
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
“
Late in this quiet meal Ann looked around curiously at her companions, suddenly awed by the spectacle of human adaptability. Here they were eating their dinner, talking over the low boom from the north, in a perfect illusion of dining-room conviviality; it might have been anywhere anytime, and their tired faces bright with some collective success, or merely with the pleasure of eating together—while just outside their chamber the broken world roared, and rockfall could annihilate them at any instant. And it came to her that the pleasure and stability of dining rooms had always occurred against such a backdrop, against the catastrophic background of universal chaos; such moments of calm were things as fragile and transitory as soap bubbles, destined to burst almost as soon as they blew into existence. Groups of friends, rooms, streets, years, none of them would last. The illusion of stability was created by a concerted effort to ignore the chaos they were imbedded in. And so they ate, and talked, and enjoyed each other’s company; this was the way it had been in the caves, on the savannah, in the tenements and the trenches and the cities huddling under bombardment.
”
”
Kim Stanley Robinson (Red Mars (Mars Trilogy, #1))
“
Hitler and Mussolini, by contrast, not only felt destined to rule but shared none of the purists’ qualms about competing in bourgeois elections. Both set out—with impressive tactical skill and by rather different routes, which they discovered by trial and error—to make themselves indispensable participants in the competition for political power within their nations.
Becoming a successful political player inevitably involved losing followers as well as gaining them. Even the simple step of becoming a party could seem a betrayal to some purists of the first hour. When Mussolini decided to change his movement into a party late in 1921, some of his idealistic early followers saw this as a descent into the soiled arena of bourgeois parliamentarism. Being a party ranked talk above action, deals above principle, and competing interests above a united nation. Idealistic early fascists saw themselves as offering a new form of public life—an “antiparty”—capable of gathering the entire nation, in opposition to both parliamentary liberalism, with its encouragement of faction, and socialism, with its class struggle. José Antonio described the Falange Española as “a movement and not a party—indeed you could almost call it an anti-party . . . neither of the Right nor of the Left." Hitler’s NSDAP, to be sure, had called itself a party from the beginning, but its members, who knew it was not like the other parties, called it “the movement” (die Bewegung). Mostly fascists called their organizations movements or camps or bands or rassemblements or fasci: brotherhoods that did not pit one interest against others, but claimed to unite and energize the nation.
Conflicts over what fascist movements should call themselves were relatively trivial. Far graver compromises and transformations were involved in the process of becoming a significant actor in a political arena. For that process involved teaming up with some of the very capitalist speculators and bourgeois party leaders whose rejection had been part of the early movements’ appeal. How the fascists managed to retain some of their antibourgeois rhetoric and a measure of “revolutionary” aura while forming practical political alliances with parts of the establishment constitutes one of the mysteries of their success.
Becoming a successful contender in the political arena required more than clarifying priorities and knitting alliances. It meant offering a new political style that would attract voters who had concluded that “politics” had become dirty and futile. Posing as an “antipolitics” was often effective with people whose main political motivation was scorn for politics. In situations where existing parties were confined within class or confessional boundaries, like Marxist, smallholders’, or Christian parties, the fascists could appeal by promising to unite a people rather than divide it. Where existing parties were run by parliamentarians who thought mainly of their own careers, fascist parties could appeal to idealists by being “parties of engagement,” in which committed militants rather than careerist politicians set the tone. In situations where a single political clan had monopolized power for years, fascism could pose as the only nonsocialist path to renewal and fresh leadership. In such ways, fascists pioneered in the 1920s by creating the first European “catch-all” parties of “engagement,”17 readily distinguished from their tired, narrow rivals as much by the breadth of their social base as by the intense activism of their militants. Comparison acquires some bite at this point: only some societies experienced so severe a breakdown of existing systems that citizens began to look to outsiders for salvation. In many cases fascist establishment failed; in others it was never really attempted.
”
”
Robert O. Paxton (The Anatomy of Fascism)