Beaver Love Quotes

While I was drying off Maddie after her bath tonight, she said, 'I love you' to me for the first time. It sounded like 'All lub boo,' but I didn't care. To reciprocate, I showed her what an ex-Marine looks like when he cries.

None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had some enormous meaning--either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in it's inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of Summer.

Damned Beaver/Jeremy is the War, he is every assertion the fucking War has ever made--that we are meant for work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the other second-class trivia that are found among the idle and mindless hours of the day....Damn them, they are wrong. They are insane.

April 11, 2004 Does anyone know where I can find a copy of the rules of thought, feeling, and behavior in these circumstances? It seems like there should be a rule book somewhere that lays out everything exactly the way one should respond to a loss like this. I'd surely like to know if I'm doing it right. Am I whining enough or too much? Am I unseemly in my occasional moments of lightheartedness? At what date and I supposed to turn off the emotion and jump back on the treadmill of normalcy? Is there a specific number of days or decades that must pass before I can do something I enjoy without feeling I've betrayed my dearest love? And when, oh when, am I ever really going to believe this has happened? Next time you're in a bookstore, as if there's a rule book. 11:54 p.m. Jim

Of all the things I've ever done, perhaps none was more difficult than turning away from my beautiful girl and walking away, leaving her there, never to look back. But my friend Tom, my ever-faithful good friend Tom said, pointing down the hall away from Cec's room, 'Life's that way. Let's go home.' And so we did.

My message, unchanged for more than fifty years, is this: God loves you unconditionally, as you are and not as you should be, because nobody is as they should be. It is the message of grace…A grace that pays the eager beaver who works all day long the same wages as the grinning drunk who shows up at ten till five…A grace that hikes up the robe and runs breakneck toward the prodigal reeking of sin and wraps him up and decides to throw a party no ifs, ands, or buts…This grace is indiscriminate compassion. It works without asking anything of us…Grace is sufficient even though we huff and puff with all our might to try to find something or someone it cannot cover. Grace is enough…Jesus is enough.

A kind of Providence keeps us blind to the intensity of suffering so as to keep us sane, until that day when the suffering is our own or that of someone we love beyond imagining.

They say Aslan is on the move- perhaps has already landed." And now a very curious thing happened. None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it has some enormous meaning- either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in its inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of summer.

Schoolteachers teach what they and others know. Forest teachers - bear, wolf, lynx, beaver, bird, every flower and tree - teach us how to live, love, and grow.

Who is Aslan?” asked Susan. “Aslan?” said Mr. Beaver, “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.” “She won’t turn him into stone too?” said Edmund. “Lord love you, Son of Adam, what a simple thing to say!” answered Mr. Beaver with a great laugh. “Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights, as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death And when he shakes his mane, we shall have spring again. You’ll understand when you see him.” “But shall we see him?” asked Susan. “Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr. Beaver. “Is--is he a man?” asked Lucy. “Aslan a man!” said Mr. Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion--the Lion, the great Lion.” “Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.” “That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.” “Then he isn’t safe?” said Lucy. “Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

It is our way of saying thank you for being one of our treasured readers…

Pray, hum, and give a ferocious hug to the ones you love most. You never know when you might want that hug with all your soul, and not be able to give it or get it.

For the love of broken beavers, do you two ever take a break?

Happiness resides where love and mathematics combine.

They also noticed that he now had a sort of modest expression on his face--the sort of look people have when you are visiting a garden they’ve made or reading a story they’ve written. So it was only common politeness when Susan said, “What a lovely dam!” And Ms. Beaver didn’t say “Hush” this time but “Merely a trifle! Merely a trifle! And it isn’t really finished!

Crack cocaine is the contemporary beaver, an international fad that has radically altered the economics of the poorest, marginal people, indigenous America. The gangs are the tribes of the New World.

Somewhere along the line the American love affair with wilderness changed from the thoughtful, sensitive isolationism of Thoreau to the bully, manly, outdoorsman bravado of Teddy Roosevelt. It is not for me, as an outsider, either to bemoan or celebrate this fact, only to observe it. Deep in the male American psyche is a love affair with the backwoods, log-cabin, camping-out life. There is no living creature here that cannot, in its right season, be hunted or trapped. Deer, moose, bear, squirrel, partridge, beaver, otter, possum, raccoon, you name it, there's someone killing one right now. When I say hunted, I mean, of course, shot at with a high-velocity rifle. I have no particular brief for killing animals with dogs or falcons, but when I hear the word 'hunt' I think of something more than a man in a forage cap and tartan shirt armed with a powerful carbine. In America it is different. Hunting means 'man bonding with man, man bonding with son, man bonding with pickup truck, man bonding with wood cabin, man bonding with rifle, man bonding above all with plaid'.

I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter I love otter Under a muskrat: I love muskrat Beaver: I love beaver

When a place gets crowded enough to require ID’s, social collapse is not far away. It is time to go elsewhere. The best thing about space travel is that it made it possible to go elsewhere. A woman is not property, and husbands who think otherwise are living in a dreamworld. The second best thing about space travel is that the distances involved make war very difficult, usually impractical, and almost always unnecessary. This is probably a loss for most people, since war is our race’s most popular diversion, one which gives purpose and color to dull and stupid lives. But it is a great boon to the intelligent man who fights only when he must—never for sport. A zygote is a gamete’s way of producing more gametes. This may be the purpose of the universe. There are hidden contradictions in the minds of people who “love Nature” while deploring the “artificialities” with which “Man has spoiled ‘Nature.’ ” The obvious contradiction lies in their choice of words, which imply that Man and his artifacts are not part of “Nature”—but beavers and their dams are. But the contradictions go deeper than this prima-facie absurdity. In declaring his love for a beaver dam (erected by beavers for beavers’ purposes) and his hatred for dams erected by men (for the purposes of men) the “Naturist” reveals his hatred for his own race—i.e., his own self-hatred. In the case of “Naturists” such self-hatred is understandable; they are such a sorry lot. But hatred is too strong an emotion to feel toward them; pity and contempt are the most they rate. As for me, willy-nilly I am a man, not a beaver, and H. sapiens is the only race I have or can have. Fortunately for me, I like being part of a race made up of men and women—it strikes me as a fine arrangement and perfectly “natural.” Believe it or not, there were “Naturists” who opposed the first flight to old Earth’s Moon as being “unnatural” and a “despoiling of Nature.

I find that a duck’s opinion of me is influenced by whether or not I have bread. A duck loves bread, but he does not have the capability to buy a loaf. That’s the biggest joke on the duck ever. If I worked at a convenience store, and a duck came in and stole a loaf of bread, I would let him go. I’d say, ‘Come back tomorrow, bring your friends!’ When I think of a duck’s friends, I think of other ducks. But he could have, say, a beaver in tow.

None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don’t understand but in the dream it feels as if it has some enormous meaning – either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life

My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.

Just below them a dam had been built across this river; and when they saw it everyone suddenly remembered that of course beavers are always making dams and felt quite sure that Mr. Beaver had made this one. They also noticed that he now had a sort of modest expression on his face--the sort of look people have when you are visiting a garden they’ve made or reading a story they’ve written. So it was only common politeness when Susan said, “What a lovely dam!” And Mr. Beaver didn’t say “Hush” this time but “Merely a trifle! Merely a trifle! And it isn’t really finished!

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

I’ve learned there are no stages to grief. The famous stages of dying (denial, anger, bargaining, acceptance, etc.) apply to people who are dying, not grieving people. Grieving people don’t deny for more than a moment that their loved one has died. They don’t bargain with the universe; it’s too late for bargaining. And anger, acceptance, all the other so-called stages don’t come to a griever in stages. They wash over a griever, as though they were items of clothing in a washing machine, each rubbing and passing over the griever in turn, simultaneously, repeatedly. Anyone saying you are in a certain ‘stage’ of grieving, or, worse, that you are ‘supposed to be’ in a certain stage needs to be taken out and sh—well, needs to be nodded at and forgiven, I suppose.

It seemed to numerous voters that, thanks to the growing power of the ACLU, criminals were beginning to have more rights than the victims. Preachers across the country were becoming alarmed about the young people’s apathy and lack of morals. Some blamed television. Or as Reverend W. W. Nails put it, “The devil has three initials: ABC, NBC, and CBS. They love Lucy more than they do the Lord and they would rather leave it to Beaver than to Jesus.” The average middle-class Americans who worked hard every day, who were not criminals, not on welfare, and had seldom complained, suddenly and collectively started showing signs of growing disillusionment, worried that with all the new social programs they were now going to have to carry the rich and the poor on their backs. They were tired of having to pay so much income and other taxes to support half the world while they struggled to make ends meet. They began to feel that no matter how hard they worked or how much they paid, it was never appreciated and it was never enough.

On the other hand, comfort of a sort is providable. It consists in large part of copping to the inability to be comforting. As contradictory as this seems, I (and, I’m told, many other people) have found it immeasurably more helpful for someone to say, ‘I have no idea how you must feel,’ or ‘I can’t imagine your pain.’ Just saying this and making clear that you hear and acknowledge the pain, though you have no answers, goes light-years beyond any attempt to repair a griever’s spirits. The knowledge of a loving soul’s presence and willingness to be present and to hear and absorb one’s grief is a powerful resource for the griever. I’ve had more comfort from people saying, ‘I don’t know what to say,’ than from a hundred people telling me good reasons I shouldn’t feel as bad as I do. I know that whatever is said to a griever by concerned friends, whether ultimately helpful or distressing, comes from the very best of intentions. But if you happen on a broken heart, stand nearby, whisper, ‘I’m here,’ and never, ever, tell it you know how it feels.

And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.

That story, of course, isn’t unique to California, or to beavers. Europeans began despoiling North American ecosystems the moment they set boots on the stony shore of the New World. You’re probably familiar with most of the colonists’ original environmental sins: They wielded an ax against every tree, lowered a net to catch every fish, turned livestock onto every pasture, churned the prairie to dust. In California’s Sierra Nevada, nineteenth-century gold miners displaced so much sediment that the sludge could have filled the Panama Canal eight times.14 We are not accustomed to discussing the fur trade in the same breath as those earth-changing industries, but perhaps we should. The disappearance of beavers dried up wetlands and meadows, hastened erosion, altered the course of countless streams, and imperiled water-loving fish, fowl, and amphibians—an aquatic Dust Bowl. Centuries before the Glen Canyon Dam plugged up the Colorado and the Cuyahoga burst into flame, fur trappers were razing stream ecosystems. “[Beavers’] systematic and widespread removal,” wrote Sharon Brown and Suzanne Fouty in 2011, “represents the first large-scale Euro-American alteration of watersheds.

Damn, Mari, it’s cold!” Carrow chafed her arms. “I dig the whole Narnian vibe you’ve got going on, I do. And I’ve been dutifully keeping an eye out for talking beavers wearing armor—but come on, this is getting ridiculous! If you miss the Scot so much, then just break free.” Elianna said, “Do you know he’s bought the property just next door to Andoain so he can scent you the minute you come home. And, well, because his house got blown up.” “Look, Mari, you have to come out of this and do something,” Carrow said. “Put him out of his misery—or—allow me to make him fall in love with dryer lint. You decide.” She shrugged. “I know you’d worried about Bowen not wanting to come near the coven, but we can’t get him to leave. Apparently, some of the witches admitted to him that you’re on a different plane—he can be really dogged with the questions—and now he’s determined to reach you here. Interestingly, he believes the information about the plane’s existence—but not about the fact that he can’t travel to it.” “He returns to Adoain daily, sometimes hourly, researching witchery,” Elianna said. Carrow glared, “Well, maybe if you and the others would stop sneakily setting out food for him, he wouldn’t keep coming back!” Crossing her arms over her chest, Elianna said in a mulish tone, “He wouldn’t eat otherwise.” “Whatever. But seriously, Mari, he’s having such a hard time with all this that even Regin feels sorry for what he’s been through.” Elianna added, “He’s watched your graduation video so many times, I’m sure he’s memorized your school’s alma mater.” “I don’t know what he does with the videos of your college cheerleading he brings back to his place”—Carrow waggled her eyebrows—“but I have suspicions.” Elianna coughed delicately. “Now that you’ve done what you were Awaited to do—well, part one at least—everyone’s grasping about for a new name for you,” Carrow said. “If you don’t kick this enthrallment, then I’m going to campaign for Mariketa the Glass Witch, or ‘Glitch.’ Come kick my ass if you don’t like it, otherwise . . .” Elianna squinted at Mari and sighed. “I think she wants to be called Mariketa MacRieve.

… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People

With all the thousands upon thousands of people suffering from this disease, how can I find her pain and mine so surprising, so unexpected? How can we not all know about this stuff on a daily basis, if so many go through it? Are we all really so isolated from the trauma and torment around us? People in my own family have gone through this. I’ve sat by the deathbeds of friends who lived every moment of this. Yet this is all so utterly unexpected and so much more than I believed it could be. It’s like having lived all one’s life in a cavern, only to have the harsh light of a thousand suns blasted in upon you. Except this light is dark, pitch-dark, and throbs rather than pierces. How can I not have known what so many people have gone through? The only answer I can conjure is that a kind Providence keeps us blind to the intensity of suffering so as to keep us sane, until that day when the suffering is our own or that of someone we love beyond imagining.

Who is Aslan?" asked Susan. "Aslan?" said Mr Beaver. "Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr Tumnus." "She won’t turn him into stone too?" said Edmund. "Lord love you, Son of Adam, what a simple thing to say!" answered Mr Beaver with a great laugh. "Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again. You’ll understand when you see him.

Nature is harsh. It doesn’t give crowns to those who create the best but to the ones who can destroy the most. Beavers can build dams as much as they want, but bears will always rule the forest.

Lewis is here setting out, in a preliminary yet still powerful form, his core theme of Aslan as the heart’s desire. Aslan evokes wonder, awe, and an “unutterable love.” Even the name Aslan speaks to the depths of the soul. What would it be like to meet him? Lewis captures this complex sense of awe mingled with longing in the reaction of Peter to the Beaver’s declarations about this magnificent lion, who is “the King of the wood and the son of the great Emperor-beyond-the-Sea.

One of our housekeepers called him Eddie Haskell. We’d never seen that old TV show Leave It to Beaver, but years later when I saw a couple of reruns on late-night TV, I realized that our housekeeper really hadn’t liked Roger. Eddie Haskell was an unctuous, conniving brown-noser. He was the two-faced character who’d politely compliment Mrs. Cleaver on her lovely dress while instigating some evil prank that would inevitably get her son, the Beaver, in trouble.

Jeremy’s T-Shirts by book: Hard As It Gets “ROUTE 69” “This guy loves BACON” with two hands with their thumbs pointing back at him “Orgasm Donor” with a red cross Big Johnson’s Tattoo Parlor, “You’re going to feel more than a Little Prick” “I’m not Santa but you can still sit on my lap” Hard As You Can Log-holding beaver that says, “Are you looking at my wood?” “I put the long in schlong” Hard to Hold On To "Blink if you're horny" Hard to Come By Hand pointing downward and the words, "May I suggest the sausage?" Charlie (who starts borrowing Jeremy's t-shirts): A smiling fire extinguished that says, "I put out" Charlie: Schnauzer wearing a saddle that says, "Weiner Rides, 25 cents" "HEAD Foundation. Please give generously" Charlie: Mr. T with the words "Mr. T Shirt" There's a party in my pants. You're invited.

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....

Both boys giggled at that one. Then growing more somber, Blakely said, “But man oh man, what a total Babe Lair.” “Love Nest.” “Herpes Haven.” “Penile Palace.” “Beaver Trap.” Myron tried not to sigh. It was like hanging out with a really annoying thesaurus. He turned to Win and asked what the plan was. “Follow

All I’m saying is that every time you are near him, your tatas jump for joy, and your beaver is singing ‘Celebration,’ and I swear I can almost hear a gospel choir singing ‘Hallelujah.

Yet beavers are as balletic in water as they are clumsy out of it. They can hold their breath for up to fifteen minutes, and their underwater gymnastics are powered by webbed hind feet. Transparent eyelids allow them to see below the surface, while a second set of fur-lined lips close behind their teeth, permitting them to chew and drag wood without drowning. Building dams expands the extent of beavers’ watery domains, submerges lodge entrances to repel predators, and gives them a place to stash their food caches. Ponds also serve to irrigate water-loving trees like willow, allowing beavers to operate as rotational farmers: They’ll chew down vegetation in one corner of their compound while cultivating their next crop in another.

Beaver. “We have heard that you are making some stew, and we would love to help. Is there anything we can add to the pot?