Beauty Salons Quotes

We've searched our database for all the quotes and captions related to Beauty Salons. Here they are! All 100 of them:

Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
With the possible exception of clothes, beauty salons and Frank Sinatra, there are few subjects all women agree upon.
Groucho Marx (Memoirs of a Mangy Lover)
I let you come to my salon because you amuse me, Matthew Fairchild. Because you are a child - a silly and beautiful child, who touches fire because it is lovely, and forgets that it will burn him.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
First, we think all truth is beautiful, no matter how hideous its face may seem. We accept all of nature, without any repudiation. We believe there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris. We think pain is good because it is the most profound of all human feelings. We think sex is beautiful even when portrayed by a harlot and a pimp. We put character above ugliness, pain above prettiness and hard, crude reality above all the wealth in France. We accept life in its entirety without making moral judgments. We think the prostitute is as good as the countess, the concierge as good as the general, the peasant as good as the cabinet minister, for they all fit into the pattern of nature and are woven into the design of life!
Irving Stone (Lust for Life)
Because she bears the image of God. She doesn’t have to conjure it, go get it from a salon, have plastic surgery or breast implants. No, beauty is an essence that is given to every woman at her creation.
John Eldredge (Captivating Revised and Updated: Unveiling the Mystery of a Woman's Soul)
The most common English word spoken in the nail salon was sorry. It was the one refrain for what it meant to work in the service of beauty. Again and again, I watched as manicurists, bowed over a hand or foot of a client, some young as seven, say, "I'm sorry. I'm sorry. I'm so, so sorry," when they had nothing wrong. I have seen workers, you included, apologize dozens of times throughout a forty-five-minute manicure, hoping to gain warm traction that would lead to the ultimate goal, a tip--only to say sorry anyway when none was given. In the nail salon, sorry is a tool one uses to pander until the word itself becomes currency. It no longer merely apologizes, but insists, reminds: I'm here, right here, beneath you. It is the lowering of oneself so that the client feels right, superior, and charitable. In the nail salon, one's definition of sorry is deranged into a new word entirely, one that's charged and reused as both power and defacement at once. Being sorry pays, being sorry even, or especially, when one has no fault, is worth every self-deprecating syllable the mouth allows. Because the mouth must eat.
Ocean Vuong (On Earth We're Briefly Gorgeous)
There was no need for words, for there are times when words can only hint at what the heart would wish to say.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
• At 1 A.M. I'd pull on my coat, my boots. Walk down the stairway, out the door, down the long driveway to the road. Sometimes, I'd go to the stoned boy's house. We'd sit and watch TV. We'd have sex, sometimes. I remember only that the bedroom had two windows through which blue light spilled, and it smelled sticky sweet. His guitar leaned against the wall. Sometimes, I'd just walk. Down roads and up roads, through hills, through the neighborhoods, cold. Counting the small squares of lamplight in the houses where someone was still awake. I wondered who they were, and what kept them up. I went down to the little strip mall, the all-night 7-Elevena single glow beside the dark bluegrass bar, the dark deli, the dark beauty salon, Acrylic's Only $19. I bought a thirty-two-ounce cup of coffee, black. I sat outside on the bench, smoking, holding the cup in both hands.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
No sé dónde nos han enseñado que socorrer al desvalido equivale a apartarlo de las garras de la muerte a cualquier precio.
Mario Bellatin (Beauty Salon)
The odors of perfume were fanned out on the summer air by the whirling vents of the grottoes where the women hid like undersea creatures, under electric cones, their hair curled into wild whorls and peaks, their eyes shrewd and glassy, animal and sly, their mouths painted a neon red.
Ray Bradbury (The Illustrated Man)
If I’ll ever have a daughter, I’ll teach her that beauty is found in no beauty salons or fitness centers, but that beauty lays in those thoughts she chooses to fill her mind with. I’ll teach her that she was born free and no one has the power to prevent her from her right to choose, to take a stand or even to fly. I’ll teach her that love is no fancy dates or morning texts but that love is all about feeling safe , making effort and respect. I’ll teach her that pride and confidence are the most glorious things she may ever wear. And I will always remind her that she is a queen of her own kingdom, and a queen allow nothing to miss with her crown …
Samiha Totanji
She didn’t uncover my eyes until we were in her oversized bathroom. I stared at the long counter, covered in all the paraphernalia of a beauty salon, and began to feel my sleepless night. “Is this really necessary? I’m going to look plain next to him no matter what.
Stephenie Meyer (Breaking Dawn (Twilight, #4))
... I had been brought to boil twice with no pasta.
Vanessa Estrella (Nasti's Beauty Salon (erotica for housewives))
there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris.
Irving Stone (Lust For Life)
Sometimes it was important simply to get out. It did not matter where you went, as long as you got out of the office, or the kitchen, or any other place where duty required you to be, and went to some place that you did not have to be.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Six month of sitting home, six month of doing absolutely nothing but watching TV, going out, sleeping, getting drunk and sleeping again. Oh no, wait, I was busy with something, I was doing some renovations in my new apartment. Which legally became mine only a month ago. Yep, that's what all my life has been about, spontaneous decisions and living in the moment. Because right now technically I'm a 25-year-old illegal immigrant from Russia, four years in New York, no papers, no work authorization, no work itself. Only a crazy life filled with restaurants, shops, beauty salons, clubs and restaurants again. How is it all possible? Very simple. I used to be a stripper.
Ellie Midwood (The New York Doll)
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
Black men, I discovered, are just as obsessed with hair as black women are. His dating history included various ethnicities, many of whose hair could have been packaged and put on the shelf at a Korean beauty salon. That silky shit.
Issa Rae (The Misadventures of Awkward Black Girl)
I live in my neighborhood. My neighborhood consists of the dry cleaner, the subway stop, the pharmacist, the supermarket, the cash machine, the deli, the beauty salon, the nail place, the newsstand, and the place where I go for lunch. All this is within two blocks of my house. Which is another thing I love about life in New York: Everything is right there. If you forgot to buy parsley, it takes only a couple of minutes to run out and get it. This is good, because I often forget to buy parsley.
Nora Ephron (I Feel Bad About My Neck)
The mention of God made Mr. J.L.B. Matekoni frown. In his experience, people were always claiming that God agreed with them even when there was little or no evidence that this was the case.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Shira turned and blew kisses toward her clients who had pressed their faces against the salon window like children in a candy store and she their Willy Wonka of beauty.
Terri Gillespie (She Does Good Hair (The Hair Mavens, #1))
Fuck hope and all the tiny little towns, one-horse towns, the one-stoplight towns, three-bars country-music jukebox-magic parquet-towns, pressure-cooker pot-roast frozen-peas bad-coffee married-heterosexual towns, crying-kids-in-the-Oldsmobile-beat-your-kid-in the-Thriftway-aisles towns, one-bank one-service-station Greyhound-Bus-stop-at-the-Pepsi-Cafe towns, two-television towns, Miracle Mile towns, Viv's Double Wide Beauty Salon towns, schizophrenic-mother towns, buy-yourself-a-handgun towns, sister-suicide towns, only-Injun's-a-dead-Injun towns, Catholic-Protestant-Mormon-Baptist religious-right five-churches Republican-trickle-down-to-poverty family-values sexual-abuse pro-life creation-theory NRA towns, nervous-mother rodeo-clown-father those little-town-blues towns.
Tom Spanbauer (In the City of Shy Hunters)
Could you say that your business had expanded if it had gone from owning one teapot to two? Somehow she thought that Dr. Profit would answer both those questions with a shake of his head. Of course, she herself had expanded in girth since the agency was founded, but she did not think that such a form of growth was what the author of the article had in mind.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation
Amy Chua (Battle Hymn of the Tiger Mother)
If you are there to staunch the tears of the world, then it does not cross your mind that you yourself may weep.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
modern people always appeared to be rushing about doing things, having no time, it seemed, for looking at the sky,
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
He passed a hair salon called Snip Away, which sounded more like a vasectomy clinic than a beauty parlor.
Harlan Coben (Back Spin (Myron Bolitar, #4))
Nor did I respond with the obvious, that my brother might very well go to jail, probably would someday, but he would never ever call. Three words were scratched in ballpoint blue on the wall above the phone. Think a head. I thought how that was good advice, but maybe a bit late for anyone using that phone. I thought how it would be a good name for a beauty salon.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
There is nothing wrong for a man to be in the kitchen and cook. There is nothing wrong for a man to like flowers. There is nothing wrong for a man to carry a baby. There is nothing wrong for a man to do house chores. There is nothing wrong for a man to visit a beauty salon. But there is something wrong if anyone of us feels it is not right for him to do any of these.
Gloria D. Gonsalves
We all had to say goodbye, sooner or later, to those we loved—or they had to say goodbye to us. Those were the only two possibilities that this world allowed. But no matter how much we tried to face up to it, it never became easier.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
RULE #1 Market your business to the customer YOU WANT. Most beauty businesses try to be everything to everyone. It's exhausting and expensive promoting yourself to everyone. Most people simply give up. Focus on the customers you really want. What is your passion, what do you excel in? Who is your ideal customer? What would you ideally like to do every day in your business? Focus on what you want to do and the clients you want, and market directly to them and only them.
Jana Elston (RETAIL LEGENDS: How to have more CUSTOMERS coming through your door FAST, Beauty Salon Tips)
There’s a fabulous book, Beauty Shop Politics: African American Women’s Activism in the Beauty Industry by Tiffany M. Gill, about African American hair salons and their owners during the 1960s—women who changed the entire social landscape of the South.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
What I know is that the nail salon is more than a place of work and workshop for beauty, it is also a place where our children are raised—a number of whom, like cousin Victor, will get asthma from years of breathing the noxious fumes into their still-developing lungs.
Ocean Vuong (On Earth We're Briefly Gorgeous)
And perhaps a deliberate act of forgetting went along with forgiveness. You forgave, and then you said to yourself: Now I shall forget. Because if you did not forget, then your forgiveness would be tested, perhaps many times and in ways that you could not resist, and you might go back to anger, and to hating.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
As a child she had believed that wrongs would always be righted, that somehow the world would not let the innocent suffer, but now she realised that this was not true. Old oppressors were replaced by new ones, from another distant place or from right next door. Old lies were replaced by new ones, backed up by old threats.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Beauty exists everywhere in the world. Love resides in all of us. That’s the point. I only…I only want to deepen that. Show that there can be—that there should be—substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn’t diminish in old age, when she’s too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. There is love in caring for the sick, the weak, the ugly. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it.” He rubbed at his forehead, his eyes bright with fervor. “Why should we celebrate one without the other?
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
earnestly. Drab to Desirable? What am I? A chuffing living room? Sonja reaches from underneath the desk and hands me a starchy white gown. It looks like a hospital nightie, a fact that doesn’t exactly fill me with confidence. I’m not really an expert on beauty salons, having only been to one three times in my life, but I’m pretty sure there is supposed to be champagne. And why is there no soothing music playing in the background? Where’s the friendly lady who will chat to me about her children while doing my nails in pretty pearly pink? ‘I don’t know if I can afford all this,’ I whisper to Dionne, as Sonja types my details into an expensive-looking computer. ‘Oh, no worries. Bull knows someone. It’s on the house.’ ‘Oh.’ A gangster salon! ‘We are ready!’ Sonja says brightly, clapping her hands. ‘Natalie, if you could leave your belongings right here, I vill put them in the safe.’ I hand over my coat and handbag. ‘Now, if
Kirsty Greenwood (Yours Truly)
I DON’T CALL MYSELF A BIBLIOPHILE,” says the illustrator Pierre Le-Tan, gesturing to the twelve-foot-high bookshelves that line the salon of his Left Bank apartment. “Those people like original editions with certain paper or watermarks.…That doesn’t interest me at all. Bibliophiles prefer the pages uncut, some of them; the edition might be wonderful, but what is the point of a book you can’t read? I just like to read my books.” Le-Tan is, by his own admission, a lover of beautiful things—but it’s obvious he lives with his hundreds of volumes rather than among them.
Nina Freudenberger (Bibliostyle: How We Live at Home with Books)
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)
Blocks of flats could change everything, thought Mma Ramotswe. They were designed for people, but people were not necessarily designed for them. These flats at the edges of the Village, though, were made more human by the washing that was hung out to dry from their balconies; by the children who congregated in their doorways, or played with skipping ropes and dogs on their pathways; by the music that the residents listened to, melodies that drifted out of the open windows and throbbed with life. All of this made it harder for large new buildings to deaden the human spirit. It was like the bush: you could clear it and build something where once there had been nothing but trees and grass and termite mounds, but if you turned your back for a moment, Africa would begin to reclaim what had always been hers. The grass would encroach, its seeds carried by the wind; birds would drop the seeds of saplings that would then send tiny shoots up out of the ground; the termites would marshal their exploratory troops to begin rebuilding their own intricate cities of mud in the very places they had claimed once before. And sooner or later the bush would have covered all your efforts and it would be as it was before, the wound on nature completely healed.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good. My arms are at my sides so the jets won’t make my skirt fly up. Peter’s holding my face in his hands, kissing me. “Are you okay?” he whispers. His voice is different: it’s ragged and urgent and vulnerable somehow. He doesn’t sound like the Peter I know; he is not smooth or bored or amused. The way he’s looking at me right now, I know he would do anything I asked, and that’s a strange and powerful feeling. I wind my arms around his neck. I like the smell of chlorine on his skin. He smells like pool, and summer, and vacations. It’s not like in the movies. It’s better, because it’s real. “Touch my hair again,” I tell him, and the corners of his mouth turn up. I lean into him and kiss him. He starts to run his fingers through my hair, and it feels so nice I can’t think straight. It’s better than getting my hair washed at the salon. I move my hands down his back and along his spine, and he shivers and pulls me closer. A boy’s back feels so different than a girl’s back--more muscular, more solid somehow. In between kisses he says, “It’s past curfew. We should go back inside.” “I don’t want to,” I say. All I want is to stay and be here, with Peter, in this moment. “Me either, but I don’t want you to get in trouble,” Peter says. He looks worried, which is so sweet. Softly, I touch his cheek with the back of my hand. It’s smooth. I could look at his fce for hours, it’s so beautiful. Then I stand up, and immediately I’m shivering. I start wringing the water out of my nightgown, and Peter jumps out of the hot tub and gets his towel, which he wraps around my shoulders. The he gives me his hand and I step out, teeth chattering. He starts drying me off with the towel, my arms and legs. I sit down to put on my socks and boots. He puts my coat on me last. He zips me right in. Then we run back inside the lodge. Before he goes to the boys’ side and I go to the girls’ side, I kiss him one more time and I feel like I’m flying.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating.
Philip Gibbs
After Us, the Salamanders!, The Future belongs to the Newts, Newts Mean Cultural Revolution. Even if they don't have their own art (they explained) at least they are not burdened with idiotic ideals, dried up traditions and all the rigid and boring things taught in schools and given the name of poetry, music, architecture, philosophy and culture in any of its forms. The word culture is senile and it makes us sick. Human art has been with us for too long and is worn-out and if the newts have never fallen for it we will make a new art for them. We, the young, will blaze the path for a new world of salamandrism: we wish to be the first newts, we are the salamanders of tomorrow! And so the young poetic movement of salamandrism was born, triton - or tritone - music was composed and pelagic painting, inspired by the shape world of jellyfish, fish and corals, made its appearance. There were also the water regulating structures made by the newts themselves which were discovered as a new source of beauty and dignity. We've had enough of nature, the slogans went; bring on the smooth, concrete shores instead of the old and ragged cliffs! Romanticism is dead; the continents of the future will be outlined with clean straight lines and re-shaped into conic sections and rhombuses; the old geological must be replaced with a world of geometry. In short, there was once again a new trend that was to be the thing of the future, a new aesthetic sensation and new cultural manifestoes; anyone who failed to join in with the rise of salamandrism before it was too late felt bitterly that he had missed his time, and he would take his revenge by making calls for the purity of mankind, a return to the values of the people and nature and other reactionary slogans. A concert of tritone music was booed off the stage in Vienna, at the Salon des Indépendents in Paris a pelagic painting called Capriccio en Bleu was slashed by an unidentified perpetrator; salamandrism was simply victorious, and its rise was unstoppable.
Karel Čapek (War with the Newts)
In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.
Zahid Sardar (In & Out of Paris: Gardens of Secret Delights)
She would not allow herself to remember how Note had treated her, and many others too, she suspected. She had forgiven him, yes, but she still did not like to remember. And perhaps a deliberate act of forgetting went along with forgiveness. You forgave, and then you said to yourself: Now I shall forget. Because if you did not forget, then your forgiveness would be tested, perhaps many times and in ways that you could not resist, and you might go back to anger, and to hating.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
I went to the beauty salon today and got spruced up," Grandma said. "Ever since Mildred Frick called me a slut my phone hasn't stopped ringing. I got two dates for the weekend." "It might not be such a good thing to have men calling you because they think you're a slut," I said. "They're only going to be after one thing." "I hope that's true. I don't want to find out I went blond and bought all them thongs for nothing.
Janet Evanovich (Takedown Twenty (Stephanie Plum, #20))
I've been to many beauty salons. No one gave me a certificate.
Ljupka Cvetanova (The New Land)
You have to look in the mirror and do one of two things; love or hate who you see. So, be good to yourself - it's all the esteem you have.
Stacy Snapp-Killian aka StacyK
all of us had a view from somewhere, a view of the world from the perspective of who we were, of what had happened to us, of how we thought about things.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
one should not crow over the defeat even of those who richly deserve to be defeated. That was dangerous, because then you yourself might get what you deserve for revelling in the misfortunes of another.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Do not be afraid of people who lurk in the shadows. Stand up for what you believe in. The people in the shadows are no match for people who are not afraid of light.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
A marriage, she had learned, is seldom what it seems to be on the surface; what appears to be the most equable, well settled of arrangements might be a seething mass of discontent and resentment underneath. And conversely, chaotic and noisy relationships, littered with conflict and infidelity, might prove to be the most durable of unions.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
If you have enemies, then your biggest enemy is yourself. Do you know that, Mma?
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
The voices of the children were pure; their hearts were pure. Some of them had already discovered how hard life could be; others had yet to do so and probably did not fully understand what the world could be.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Could you say that your business had expanded if it had gone from owning one teapot to two? Somehow
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
I came here in 1906. I had been in Arkansas and sold some land for a nice profit so I thought I’d try my luck here in Oklahoma. I thought maybe I’d manage to buy some land with oil beneath its surface, but it appears that I might have missed the mark on that goal. I bought 40 acres and opened a boarding house since it presented some difficulty for people of color to find lodging in these parts. I could see that many people were arriving here to work in the oil fields and they needed a place to stay, so I figured I might as well provide that service. It was a small property located on a dusty road but it did quite well. Then I ventured out and built three office buildings where doctors, lawyers, dentists, and realtors could set up shop. Later we added barbershops and beauty salons to take care of the tenants. Those ventures proved to be good investments and provided me with the capital to build this hotel. As you can see, we have a rather tame clientele but they pay the bills.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
Her hair was longer than it used to be, and it veiled her shoulders like a shawl. She used it for protection. If there was one thing Sydney knew, it was hair. She loved beauty school and loved working in the salon in Boise. Hair said more about people than they knew, and Sydney understood the language naturally.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
Contemplating this vast human suffering, you might be tempted to shrug your shoulders, but you could not.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
It seemed an odd thing to say, and yet all of us had a view from somewhere, a view of the world from the perspective of who we were, of what had happened to us, of how we thought about things.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
Mx Spa in Colorado Springs offers professional massage and spa packages including body scrubs and other salon services. Visit us today!
MX Spa
How many times had we driven through empty Sunday streets of Hampton while listening to 'Piano Man,' our stomachs leaden with buffet food, queasy from Mom's cigarette smoke? We passed an abandoned tanning salon, its windows boarded up, crude palm trees painted on its walls. A bloated sun smiled demonically from its dead neon sign. 'Everything is beautiful,' Mom said.
Julia Elliott (The New and Improved Romie Futch)
Kids . . . were hustled through basic training and speedily deployed to Iraq or Afghanistan, only to find another army already there—the shadow army of private for-profit defense contractors. Most of them were contracted to do a long list of chores that uniformed soldiers used to do for themselves when, courtesy of conscription, there were a lot more of them. To maximize their profits and minimize their work, however, the private contractors hired subcontractors who, in turn, hired subcontractors from third world countries to ship in laborers to do on the cheap the actual grunt work of hauling water and food supplies, cleaning latrines, collecting garbage, burning trash, preparing food, washing laundry, fixing electrical grids, doing construction, and staffing the fast food stands and beauty salons that sold tacos and pedicures to the troops.
Ann Jones (They Were Soldiers: How the Wounded Return from America's Wars: The Untold Story (Dispatch Books))
Daniel Galvin Sr., OBE Daniel Galvin Sr., OBE, is one of Britain’s biggest names in hairdressing. His specialization in hair coloring has revolutionized the field over the past four decades, and he continues to be in high demand by the rich and famous worldwide. For his contributions to the industry, he was honored with an OBE in 2006. I had the pleasure of knowing Diana and doing her hair color for ten years. She was truly a breath of fresh air each time she came into the salon. She was always happy, always full of life, and full of grace. We have a private room available in our salon, but Diana never requested to use it. She was happy to sit next to other clients and often chatted away merrily with them and staff members. In our business, confidentiality is so important. Anything she discussed with me will never go any further. She used to tell me off for my suntan--telling me it wasn’t good for me and to be careful. Her last words to me before that tragic weekend in France were “Daniel, I don’t believe it, but for the first time I’m browner than you!” She was incredibly down-to-earth, unaffected, and perfectly charming on all occasions. She was a tremendous asset to the monarchy and to this country. There was an amazing aura that glowed around her--she was as beautiful on the inside as she was on the outside. It was always an honor to be of service to her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Did I ever tell you that we used to keep our horses where your house is?” “Yeah,” I mumbled. She continued her story, “My brothers used to get up early every morning and go across the street, well, there wasn’t a street there yet. It was just a dirt road, and they used to get up and clean the stables and feed the horses every morning. I would go over there once they had finished and give the horses a brush, even though none of those horses were mine. I had always wanted my own horse, but I never got one. When my father got older, he got rid of the horses and sold the land, all but this yard here." She spread her hand over the yard as she said this. "I grew up and got married and had to move away. My husband and I lived in an apartment above a bread store. And it was so cramped, let me tell you. There was nowhere to move around and no yard to take care of. It was terrible. I’m not saying I wanted my husband to die. I’d never have wished that in a million years. But I was so relieved to come home after two years, and I've lived here ever since." I had stopped raking, turned and looked at her. "I know why you don’t want to leave this street," she said, "You’ve been in that house your whole life, just like me. And no matter where you go it’s not going to seem like home. But just like me, you’re going to come back. You have to remind yourself of that. And I did hate being away from home, but it was the most memorable time in my life, being away. It was an adventure as much as it was scary. But when I came home, I learned to get out more. I went to beauty school and got a job at the salon and took trips with friends. I like to get away from the house so that I can come back and still appreciate it. And you will too after you come back.” I nodded at Violet. What she was saying made sense. “I’ll go,” I said, “Tell them I’ll go.” - The Stable House
Laura Smith
Part 1- If I can do it, so can you. I was born and lived in one of the most oldest and most oldest and most beautiful cities in Albania. I lived under the communist regime where everybody was poor, there was no rich people visited the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down. for instance when I was in 5th grade I told my literature teacher "when I get older I want to be a beautician" with a smire on the face she said "You are going to be just like your mother, keep having kids in a row" I did not understood what she meant, but I did not expected that answer from an "educated" person either, especially your teacher. As I got older I started to isolated myself from all the negative people, until one day I asked my uncle to help me get in a beauty college, because he knew people in town, I did not wanted to believe he respond. Even today I can hear his word whisper in my ears, telling me "Beauty college is not for you because you are poor, education is only for rich kids" But that did not stopped me either, I told myself "they can't tell me what I can and can't do" They just pushed me to do better in life, I had to prove it to them, that even children can go to college. I have to prove them wrong by letting them know I can do anything I put my mind into it. So I decided to make a very big move in my that would either end it my life or could change my life for ever. On Sep 2, 1990 I had it enough of the communist regime and all the negative people telling me what I can and can't do. So I decided to leave everyone behind me and move forward in life, I decided to escape and followed my dreams. I excaped from army who was chasing to kill us. but God was with me. can you believe it I made it on the local news saying "Two young girls were killed today by army forces escaping the borders" I made it alive to Yugoslavia, I spend almost seven months in concentration camp,but I thought of bright site. There I meet the love of my life. we dated for five months, his visa was approved to come in US two months before mine, I come to state on March of 1991. New place, new chapter in my life, two weeks later got united with my boyfriend. neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable. at that time I was very I found a happy, so I did it with smile on my face, at that time we were living at my husband's cousins unfinished basement? Yes we were sharing a single /twin size bed, we saved little money and we got our 1st apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet and I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it we can sleep on the carpet" A co-worker give us some household stuff to start our life with, later that year our 1st child our daughter was born, two months later we get married in a local Albania church. Life was way better than living under the communist regime. we have two more children. So we decided to bring my parents here so they can help us, and I can get back to work. On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania?" By that time have I learning enough English to my education education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, I found a job in a local salon, couple months later i promoted to a salon manager.
Zybejta (Beta) Metani' Marashi
Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared
Zybejta (Beta) Metani' Marashi
Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared
Zybejta (Beta) Metani' Marashi
Beauty salons, like churches, are places where people tend to unburden themselves and bare their souls.
Sarah Weeks (Honey)
Page 207 In the inner cities of all the major metropolitan areas across the United States, ethnic Koreans represent an increasingly glaring market-dominant minority vis-à-vis the relatively economically depressed African-American majorities around them. In New York City, Koreans, less than .1 percent of the city’s population, own 85 percent of produce stands, 70 percent of grocery stores, 80 percent of nail salons, and 60 percent of dry cleaners. In portions of downtown Los Angeles, Koreans own 40 percent of the real estate but constitute only 10 percent of the residents. Korean-American businesses in Los Angeles County number roughly 25,000, with gross sales of $4.5 billion. Nationwide, Korean entrepreneurs have in the last decade come to control 80 percent of the $2.5 billion African-American beauty business, which—“like preaching and burying people”—historically was always a “black” business and a source of pride, income, and jobs for African-Americans. “They’ve come in and taken away a market that’s not rightfully theirs,” is the common, angry view among inner-city blacks. Page 208 At a December 31, 1994, rally, Norman “Grand Dad” Reide, vice president of Al Sharpton’s National Action Network, accused Koreans of “reaping a financial harvest at the expense of black people” and recommended that “we boycott the bloodsucking Koreans.” More recently, in November 2000, African-Americans firebombed a Korean-owned grocery store in northeast Washington, D.C. The spray-painted message on the charred walls: “Burn them down, Shut them down, Black Power!
Amy Chua (World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability)
It’s not really such a bad place,” she says, looking around the room. She’s moved on to dessert. “They know how to make a decent rice pudding.” My hand shakes a little when I pour creamer into her coffee. If I got on a plane tonight I could be in Rome in time for dinner tomorrow. Homemade pasta, fresh tomatoes and basil. Real Parmesan cheese, not the kind that comes in packets. And wine—maybe something I haven’t tasted before, a grape varietal I don’t yet know. It would be nothing like here. A break from this place. From Mom. I want to get home and e-mail Paul. I will be there. I am coming. I feel her eyes on me as I pack up my things. “You should dye your hair before you leave,” she says finally. “See if the salon can fit you in this week.” “That’s a good idea.” I kiss her goodbye. “I bet Hannah is gorgeous, she’ll look just like Emily did at that age. Beautiful, but not the brightest bulb. It’s good you’re going. You’ll have to send me pictures.” She surveys my face. I try to keep it blank, unreadable. “Use my brightening mask when you get home. It’ll clear up whatever’s happening on your chin.” “I will.” I shift my purse full of papers and snacks and bottled water from one shoulder to the other. “I love you, see you tomorrow.
Liska Jacobs (The Worst Kind of Want)
Performing regularly at the Breunings for a salon of knowledgeable and admiring listeners, Beethoven played Haydn and Mozart and Bach, his own pieces, improvisations. Often he was asked to improvise a character portrait of one of the Breuning circle.11 That came naturally to him; Christian Neefe had taught him that music was modeled not only on forms but also on passions and characters. Young Beethoven joined in the ongoing dialogue over the Good, the True, and the Beautiful. He read books he heard spoken of in the house: Homer and Plutarch and Shakespeare, the current German poems of Klopstock, and works of the young Goethe and Schiller. He soaked up the Aufklärung ferment that was a constant presence.12 In
Jan Swafford (Beethoven: Anguish and Triumph)
He was a prince of the Ming dynasty. His family was very rich and very powerful. His father and grandfather were painters and famous calligraphers, and little Zhu Da had inherited their gift. So just imagine, one day, when he wasn't even eight years old yet, he drew a flower, a simple lotus flower floating on a pond. His drawing was beautiful that his mother decided to hang it in their salon. She claimed that thanks to the drawing you could feel a fresh little breeze in the huge room and you could even smell the flower's perfume when you walked by the drawing. Can you imagine? Even the perfume! And his mother was surely not an easy person to please... With both a husband and a father who were artists, she must have seen a few things by then...
Anna Gavalda (Hunting and Gathering)
beauty salon and $19 million to examine gas emissions from cow flatulence, but rejected a healthcare reform bill that would offer affordable
John W. Whitehead (The Change Manifesto: Join the Block by Block Movement to Remake America)
Recently, the husband of the woman who owned a local beauty salon had been hallucinating so badly one night that he accused his wife of having sex with a stranger in the bed next to him (she was hiding with her daughter in an adjoining room at the time), and then he tried to kill her. It was as though, said Murph, a sense of nihilism had become endemic to Oelwein.
Nick Reding (Methland: The Death and Life of an American Small Town)
Naomi Wolf writes in her book The Beauty Myth that “whatever is deeply, essentially female—the life in a woman’s expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin—is being reclassified as ugly, and ugliness as disease.” This perceived ugliness is, she notes, good for business, because industries like retail and advertising—not to mention salons and plastic surgeons—are “fueled by sexual dissatisfaction.
Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
An Official Aveda Hair salon, Delivering high performance hair care rooted from nature since 1978, all of our hair products are Vegan and Cruelty free. We have a luxury Beauty room currently containing a stand up Tanning booth. Our Barber Section offers Traditional Wet Shave - Gents Cuts and a Hot Steam Towel Service. Aesthetic services also available by appointment.
Double Take Barbers
I'd had many offers from various enterprises, everything from hat designers to burlesque houses, from beauty salons to carnival midways. I was perfectly aware that they didn't want to hire me for my abilities, but for the notoriety surrounding my name.
Christine Jorgensen (Christine Jorgensen: A Personal Autobiography)
The Cutting Rooms Hairs And Beauty Salon is Uk based and won the award of 5-star beauty salon in Wigan provides the best and high-quality beauty services to make you more beautiful and attractive.
Cutting Rooms Hairs And Beauty Salon
WHY DO BARBERS OR HAIRDRESSERS WEAR APRONS? If you own your own salon or barbers have you considered providing your team with an apron as part of the work attire? Aprons have come along way over the years, changing from an unfashionable piece purely for practicalities to something that is both used for protection and as a stylish piece of clothing. Aprons come in all shapes and sizes, with many different designs meaning you can find one the not only represents your brand perfectly but also benefits from protecting your team’s clothing and is hygienic. Most aprons come in one size meaning it fits all, reducing the need to buy multiple sizes depending on the employee’s own body size. Aprons are also easy to keep clean as they can be put in the wash using normal household products. Below are four different benefits to wearing aprons at your barbers or hairdressers.
K5INTERNATIONAL
Mella Salon Totowa, New Jersey is a NJ based hair salon specializing in extensions, balayage and a variety of hair styling and coloring services. Our skilled hair stylists can make your hair beautiful and exactly what you are looking for. We offer many different types of hair services. This includes color correction, balayage, blonding, hair extensions, haircut and blowout, updo's, wedding and special occasion hair, styling and more. No matter what your needs are, Mella Salon can help. Please contact our Passaic County hair salon to learn more about our coloring, cutting, and hair styling services. We are here to service our customers and make them feel beautiful and confident in how they look.
Mella Salon
Newfoundland was beautiful, stunning, get no argument on that score from Gary. Flying in the first time, the Airbus banked over the sea and turned back for the airport so Gary could see the unassailable cliffs plunging into the cold cold waters. There were hues of blue and green and grey down there with weight, colours Gary did not know existed. But the Newfies were hell-bent on despoiling their outpost. Gary had never seen so much litter. He’d never seen so much garish roadside signage — firewood, road salt, discount nail salons. He never got over how ugly were the buildings in St. John’s.
Edward Riche (Today I Learned It Was You)
Of course there’d been whispers. At the Lemon Drop, barbershops and beauty salons, backyard barbecues. Sanctuaries of Black truth. Murmurs and speculation about innocent people gunned or beaten down for the crime of not dying with the first devastating waves.
Veronica G. Henry (The Quarter Storm (Mambo Reina, #1))
Meanwhile, Enid went to the beauty salon on board and had her hair dyed the color of a sherbet lemon.
Rachel Joyce (Miss Benson's Beetle)
Fabify Beauty Salon Franchise is a business model in which an established salon brand allows individuals or businesses to open and operate their own salon.
fabify
I was taught to prioritize what's "important"; food, water, children (Being the eldest among our siblings, I was taught to watch out for the younger ones). I was taught that the important stuff wasn't shiny; it involved logistics, practicals, survival. Only the necessary stuff to get by. Style, beauty, self-expression, affairs, superficiality — these are luxuries in my world. I could barely afford to eat lunch, much less buy clothes or get my hair styled in a salon. My family couldn't afford cable TV so I never watched MTV to learn the latest trends. So when I started high school, I had no regard for appearances. This is how I learned, the hard way, that maturity has no place with teenagers who could afford to have fun.
John Pucay (Karinderya Love Songs)
Things start badly—very badly—and then they change for the better and those who have nothing, or who are unhappy, or who live in fear, suddenly find that these things that were bad for them have gone.” “It’s like rain,” said Mma Potokwane, who had not said much but had clearly been affected by the story. “The rains come and they wash everything away. The dryness, the thirst, the dust on your skin—these are washed away, Mma, all washed away.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
The glow left by the sun is like a good act done, she thought; or like love, which left the same warm signature behind it.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
She imagined herself lying in the vegetable tray, perhaps, while Mr. J.L.B. Matekoni leaned against the icebox. It would be a refreshing alternative to the heat.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
For once again she sensed that our heart is not always able to say what it wants to say and frequently has to content itself with less.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
The barber’s shop and the beauty salon are social media where everyone receives news alert.
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
In this watercolor Gavarni portrays an individual whose father was an industrialist and whose older brother was a distinguished professor. From the looks of him, Hippolyte Beauvisage Thomire had a keen eye for fashion in casual clothing, however. He represents the new generation of bourgeois consumers that emerged during the July Monarchy. He is the modern young man off the newly invented fashion plates and out of the cast of Balzac’s Human Comedy. Charles Baudelaire, the great cultural critic of Louis Philippe’s reign in latter years, called the artist Gavarni “the poet of official dandysme." Dandysme, Baudelaire said (in his famous essay “De l’heroisme de la vie moderne” [The heroism of modern life], which appeared in his review of the Salon of 1846), was “a modern thing.” By this he meant that it was a way for bourgeois men to use their clothing as a costume in order to stand out from the respectable, black-coated crowd in an age when aristocratic codes were crumbling and democratic values had not yet fully replaced them. The dandy was not Baudelaire’s “modern hero,” however. “The black suit and the frock coat not only have their political beauty as an expression of general equality,” he wrote, “but also their poetic beauty as an expression of the public mentality.” That is why Baudelaire worshiped ambitious rebels, men who disguised themselves by dressing like everyone else. “For the heroes of the Iliad cannot hold a candle to you, Vautrin, Rastignac, Birotteau [all three were major characters in Balzac’s novels] . . . who did not dare to confess to the public what you went through under the macabre dress coat that all of us wear, or to you Honore de Balzac, the strangest, most romantic, and most poetic among all the characters created by your imagination,” Baudelaire declared.
Robert J. Bezucha (The Art of the July Monarchy: France, 1830 to 1848)
Her face held a sort of doll-like beauty and I suspected that both it and her immaculate blonde hair owed not a little to the art of the salon.
Clara Benson (The Murder at Sissingham Hall)
She looked in display windows and read, really read, the flyers on telephone poles: yard sales, lost pets, cash for ugly houses. She’d pass a flooring place and imagine her life selling carpet. She’d pass a beauty salon and imagine her life doing hair. Mostly, she tried to imagine contentment: the state of being content. She didn’t think it was something she’d ever been before, so it was difficult for her to accurately imagine how it might feel. But she did try.
Emily M. Danforth (Plain Bad Heroines)
Beauty exists everywhere in the world. Love resides in all of us. That's the point. I only...I only want to deepen that. Show that there can be - that there should be - substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn't diminish in old age, when she's too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it." He rubbed at his forehead, his eyes bright with fervor. "Why should we celebrate one without the other?
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
He passed a hair salon called Snip Away, which sounded more like a vasectomy clinic than a beauty parlor. The Snip Away beauticians were either reformed mall girls or guys named Mario whose fathers were named Sal. Two patrons sat in a window - one getting a perm, the other a bleach job. Who wanted that? Who wanted to sit in a window and have the whole world watch you get your hair done?
Harlan Coben (Back Spin (Myron Bolitar, #4))
Perhaps he should stay more or less as he was: Mr. J.L.B. Matekoni, mechanic, not-very-good cook, but nonetheless devoted husband of Precious Ramotswe, the woman he loved and admired above all others and for whom he would do anything—anything at all—in his own not-very-modern way.
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
But she loves the job at the newspaper. She is relieved to be writing again, shaping ideas into words. Most of the articles deal with expat life—navigating the housing market, finding a doctor, the best hair salons and masseuses and gringo cafés. She discovers a tiny bodega owned by a Chinese man. Mr. Lo stocks chili oil, oyster sauce, glutinous rice, even chicken feet, chicken necks and heads
Mira T. Lee (Everything Here Is Beautiful)