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The matter might be summed up as follows: creativity calls for a disorderly and passionate element that is capable of breathing life into the imaginative process, yet it also demands a measure of discipline, for without discipline the disorderly and passionate element—however powerfully enlivening it might be—might not amount to anything concrete. Nietzsche in fact maintains that what we ordinarily conceive of as creative “freedom” is always in the final analysis a function of “unfreedom,” for it is only when the artist subjects herself to a strict regimen of rules and regulations that inspiration in any tangible form can take place. From such restraint, Nietzsche proposes, “there always emerges and has always emerged in the long run something for the sake of which it is worthwhile to live on earth, for example virtue, art, music, dance, reason, spirituality—something transfiguring, refined, mad and divine.”
According to this account, it is the artist’s self-discipline that establishes the confines within which the asocial and disordered elements of the creative process can be transformed into something spectacularly appealing. At the same time, too ruthless a repression of these elements would result in insipid and purely derivative art. This is to contend that discipline alone is not enough to engender sublime art, for even though it often manages to give rise to highly cultured and graceful forms of beauty, it lacks the raw energy and vitality to generate something truly inspired. Likewise, the asocial aspects of our subjectivity alone are not enough to produce transcendent art, for though they possess raw energy and vitality, they lack the element of restraint that is indispensable to transform this energy and vitality into a stirring work of art. In this sense, it is the delicate balance between the tamed and the untamed aspects of existence that ignites the embers of awe-inducing creativity. Art that does not welcome the asocial, like rationality that does not contain a dose of irrationality, will shrivel up and die of its own indolence.
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Mari Ruti (A World of Fragile Things: Psychoanalysis and the Art of Living (Suny Psychoanalysis and Culture))