Beauty Is In Our Genes Quotes

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And what of the dead? I own that I thought of myself, at times, almost as dead. Are they not locked below ground in chambers smaller than mine was, in their millions of millions? There is no category of human activity in which the dead do not outnumber the living many times over. Most beautiful children are dead. Most soldiers, most cowards. The fairest women and the most learned men – all are dead. Their bodies repose in caskets, in sarcophagi, beneath arches of rude stone, everywhere under the earth. Their spirits haunt our minds, ears pressed to the bones of our foreheads. Who can say how intently they listen as we speak, or for what word?
Gene Wolfe (The Citadel of the Autarch (The Book of the New Sun, #4))
The campus, an academy of trees, under which some hand, the wind's I guess, had scattered the pale light of thousands of spring beauties, petals stained with pink veins; secret, blooming for themselves. We sat among them. Your long fingers, thin body, and long bones of improbable genius; some scattered gene as Kafka must have had. Your deep voice, this passing dust of miracles. That simple that was myself, half conscious, as though each moment was a page where words appeared; the bent hammer of the type struck against the moving ribbon. The light air, the restless leaves; the ripple of time warped by our longing. There, as if we were painted by some unknown impressionist.
Ruth Stone (In the Next Galaxy)
I have no way of knowing whether you, who eventually will read this record, like stories or not. If you do not, no doubt you have turned these pages without attention. I confess that I love them. Indeed, it often seems to me that of all the good things in the world, the only ones humanity can claim for itself are stories and music; the rest, mercy, beauty, sleep, clean water and hot food (as the Ascian would have said) are all the work of the Increate. Thus, stories are small things indeed in the scheme of the universe, but it is hard not to love best what is our own—hard for me, at least.
Gene Wolfe (The Citadel of the Autarch (The Book of the New Sun, #4))
It had been washed clean of beauty. In the final reckoning there is only love, only that divinity. That we are capable only of being what we are remains our unforgivable sin.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
It is a testament to the unsettling beauty of the genome that it can make the real world "stick". Our genes do not keep spitting out stereotypical responses to idiosyncratic environments: if they did, we too would devolve into windup automatons. Hindu philosophers have long described the experience of "being" as a web - jaal. Genes form the threads of the web; the detritus that sticks is what transforms every individual web into a being. There is an exquisite precision in that mad scheme. Genes must carry out programmed responses to environments - otherwise, there would be no conserved form. But they must also leave exactly enough room for the vagaries of chance to stick. We call this intersection "fate". We call our responses to it "choice". An upright organism with opposable thumbs is thus built from a script, but built to go off script. We call one such unique variant of one such organism a "self.
Siddhartha Mukherjee (The Gene: An Intimate History)
The wood wide web has been mapped, traced, monitored, and coaxed to reveal the beautiful structures and finely adapted languages of the forest network. We have learned that mother trees recognize and talk with their kin, shaping future generations. In addition, injured tress pass their legacies on to their neighbors, affecting gene regulation, defense chemistry, and resilience in the forest community. These discoveries have transformed our understanding of trees from competitive crusaders of the self to members of a connected, relating, communicating system. Ours is not the only lab making these discoveries-there is a burst of careful scientific research occurring worldwide that is uncovering all manner of ways that trees communicate with each other above and below ground.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
Siddhartha Mukherjee (The Gene: An Intimate History)
I may enter a zone of transcendence, in which I marvel at all the accidents of fate, since the beginning of life on earth, that led to my genes being created and my standing in this particular garden in a contemplative and imagining mind. I’ve been reading recently how reflection evolved. what a fascinating solution to the rigors of survival…how amazing that a few basic ingredients- the same ones that form the mountains, plants, and rivers- when arranged differently and stressed could result in us. More and more of late, I find myself standing outside of life, with a sense of the human saga laid out before me. it is a private vision, balanced between youth and old age, a vision in which I understand how caught up in striving we humans get, and a little of why, and how difficult it is even to recognize, since it feels integral to our nature and is. but I find it interesting that, according to many religions, life and begins and ends in a garden.
Diane Ackerman (Cultivating Delight: A Natural History of My Garden)
it. Such is the perversity of human nature that what we have in abundance-our work, our possessions, and the beauty of our surroundings-we take for granted and learn to ignore, so that we are often paralyzed by boredom, indifference, and ingratitude.
Gene Edward Veith Jr. (Reading Between the Lines: A Christian Guide to Literature (Turning Point Christian Worldview Series Book 11))
Oh, America the Beautiful, where are our standards? How did Europeans, ancestral cultures to most of us, whose average crowded country would fit inside one of our national parks, somehow hoard the market share of Beautiful? They’ll run over a McDonald’s with a bulldozer because it threatens the way of life of their fine cheeses. They have international trade hissy fits when we try to slip modified genes into their bread. They get their favorite ham from Parma, Italy, along with a favorite cheese, knowing these foods are linked in an ancient connection the farmers have crafted between the milk and the hogs. Oh. We were thinking Parmesan meant, not “coming from Parma,” but “coming from a green shaker can.” Did they kick us out for bad taste? No, it was mostly for vagrancy, poverty, or being too religious. We came here for the freedom to make a Leaves of Grass kind of culture and hear America singing to a good beat, pierce our navels as needed, and eat whatever we want without some drudge scolding: “You don’t know where that’s been!” And boy howdy, we do not.” (p.4)
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
I find no reason to think that aging is genetically determined. Genes do not provide information for the development of the individual beyond growth and the reproductive process in which the genes are transmitted to the next generation. Once past the reproductive stage, the individual has served the purposes of preservation of the species, and then he is on his own. The wrinkled human face is the victim of gravity and of cumulative errors in the reproduction of cells. Since aging is not programed, but is a badly improvised interference with youthful beauty, we have improvised an operation to counteract its effects. Aging is a form of misinformation. If we get the facts right, you will be able to read it in our faces. ("Motherhood")
William S. Wilson (Why I Don't Write Like Franz Kafka)
Why do modern humans love sweets so much? Not because in the early twenty-first century we must gorge on ice cream and chocolate in order to survive. Rather, it is because when our Stone Age ancestors came across sweet fruit or honey, the most sensible thing to do was to eat as much of it as quickly as possible. Why do young men drive recklessly, get involved in violent arguments and hack confidential Internet sites? Because they are following ancient genetic decrees that might be useless and even counterproductive today, but that made good evolutionary sense 70,000 years ago. A young hunter who risked his life chasing a mammoth outshone all his competitors and won the hand of the local beauty, and we are now stuck with his macho genes.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Wilson has observed, "We are not as gods. We're not yet sentient or intelligent enough to be much of anything." Paul Kingsnorth, a British writer and activist, has put it this way: "we are as gods, but we have failed to get good at it.. We are Loki, killing the beautiful for fun. We are Saturn, devouring our children... Sometimes doing nothing is better than doing something.
Elizabeth Kolbert (Under a White Sky: The Nature of the Future)
For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
Siddhartha Mukherjee (The Gene: An Intimate History)
No one will ever find a gene for “evil,” or for beauty, or for musical genius, or for scientific genius, because they don’t exist. DNA is not destiny. The presence of a particular variant of a particular gene may just have the effect of altering the odds of any particular behavior. More likely, the possession of many slight differences in many genes will have an effect on the likelihood of a particular characteristic, in consort with your environment, which includes all things that are not DNA.
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
The argument is a simple one: that beauty is a universal part of human experience, and that it provokes pleasure, rivets attention, and impels actions that help ensure the survival of our genes. Our extreme sensitivity to beauty is hard-wired, that is, governed by circuits in the brain shaped by natural selection. We love to look at smooth skin, thick shiny hair, curved waists, and symmetrical bodies because in the course of evolution the people who noticed these signals and desired their possessors had more reproductive success. We are their descendants. Of
Nancy L. Etcoff (Survival of the Prettiest: The Science of Beauty)
And what of the dead? I own that I thought of myself, at times, almost as dead. Are they not locked below ground in chambers smaller than mine was, in their millions of millions? There is no category of human activity in which the dead do not outnumber the living many times over. Most beautiful children are dead. Most soldiers, most cowards. The fairest women and the most learned men—all are dead. Their bodies repose in caskets, in sarcophagi, beneath arches of rude stone, everywhere under the earth. Their spirits haunt our minds, ears pressed to the bones of our foreheads. Who can say how intently they listen as we speak, or for what word?
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
YOUR GENES ARE RUNNING THE SHOW If you’re anything like me, I know you’re champing at the bit to get going on Diet Evolution, but hold your horses. I’ve found that most of us can stick to a program only if we understand how and why we got to our present state of affairs. The next four chapters will do just that. You can thank Mom and Dad for your beautiful baby blues, as well as your hair color, height, and build. All these traits were encoded in copies of their genes—half of them her’s, the other half his—that now reside in your body. Any children you have will in turn have copies of half of your genes and half of your partner’s, and so on through generations to come. Determining
Steven R. Gundry (Dr. Gundry's Diet Evolution: Turn Off the Genes That Are Killing You and Your Waistline)
Many people who celebrate the arts and the humanities, who applaud vigorously the tributes to their importance in our schools, will proclaim without shame (and sometimes even joke) that they don’t understand math or physics. They extoll the virtues of learning Latin, but they are clueless about how to write an algorithm or tell BASIC from C++, Python from Pascal. They consider people who don’t know Hamlet from Macbeth to be Philistines, yet they might merrily admit that they don’t know the difference between a gene and a chromosome, or a transistor and a capacitor, or an integral and a differential equation. These concepts may seem difficult. Yes, but so, too, is Hamlet. And like Hamlet, each of these concepts is beautiful.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
There are beings—and artifacts—against which we batter our intelligence raw, and in the end make peace with reality only by saying, “It was an apparition, a thing of beauty and horror.” Somewhere among the swirling worlds I am so soon to explore, there lives a race like and yet unlike the human. They are no taller than we. Their bodies are like ours save that they are perfect, and that the standard to which they adhere is wholly alien to us. Like us they have eyes, a nose, a mouth; but they use these features (which are, as I have said, perfect) to express emotions we have never felt, so that for us to see their faces is to look upon some ancient and terrible alphabet of feeling, at once supremely important and utterly unintelligible.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
I felt that I was literally standing on a plateau somewhere out there in space, a plateau that science and technology had allowed me to get to. But now what I was seeing and even more important what I was feeling at that moment in time, science and technology had no answers for, literally no answers because there I was and there you are, there you are, The Earth, dynamic, overwhelming, and I felt that the world had just too much purpose, too much logic, it was just too beautiful to have happened by accident. There has to be somebody bigger than you and bigger than me and I mean this in a spiritual sense not in a religious sense, there has to be a creator of the universe who stands above the religions that we ourselves create to govern our lives.
Gene Cernan
He smiled through his greasy glasses with his clear eyes. “Why do we all expect to be happy? We all came out of our mothers crying. Pain is what we do.” It reminded me of a tweet from Alain Botton several years back that sparked a Twitter chat between the two of us: “Happiness is generally impossible for longer than fifteen minutes. We are the descendants of creatures who, above all else, worried.” Indeed. The great worriers of history were the ones who saw the charging rhinoceros first, had an action plan ready to go should a tiger in camp, fretted that the basket of weeds collected that they may be poisonous. We carry this terror in our genes into our suburban lounge rooms, to our office water coolers, to our IKEA-issue bedrooms. Worry is our default position.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
Then I stood alone at the edge of the sea I had longed for so often; but though I was alone, I found it cheering, and breathed the air that is like no other, and smiled to hear the soft song of the little waves. Land—Nessus, the House Absolute, and all the rest—lay to the east; west lay the sea; I walked north because I was reluctant to leave it too soon, and because Triskele had run in that direction, along the margin of the sea. There great Abaia might wallow with his women, yet the sea was older far, and wiser than he; we human beings, like all the life of the land, had come from the sea; and because we could not conquer it, it was ours always. The old, red sun rose on my right and touched the waves with his fading beauty, and I heard the calling of the sea birds, the innumerable birds.
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
It is a testament to the unsettling beauty of the genome that it can make the real world “stick.” Our genes do not keep spitting out stereotypical responses to idiosyncratic environments: if they did, we too would devolve into windup automatons. Hindu philosophers have long described the experience of “being” as a web—jaal. Genes form the threads of the web; the detritus that sticks is what transforms every individual web into a being. There is an exquisite precision in that mad scheme. Genes must carry out programmed responses to environments—otherwise, there would be no conserved form. But they must also leave exactly enough room for the vagaries of chance to stick. We call this intersection “fate.” We call our responses to it “choice.” An upright organism with opposable thumbs is thus built from a script, but built to go off script. We call one such unique variant of one such organism a “self.
Siddhartha Mukherjee (The Gene: An Intimate History)
However, the many-instants interpretation puts an intriguingly different slant on causality, suggesting that it operates in nothing like the way we normally believe it to. In both classical physics and Everett's original scheme, what happens now is the consequence of the past. But with many instants, each Now 'competes' with all other Nows in a timeless beauty contest to win the highest probability. The ability of each Now to 'resonate' with the other Nows is what counts. Its chance to exist is determined by what it is in itself. The structure of things is the determining power in a timeless world. The same applies to us, for our conscious instants are embedded in the Nows. The probability of us experiencing ourselves doing something is just the sum of the probabilities for all the different Nows in which that experience is embedded. Everything we experience is brought into existence by being what it is. Our very nature determines whether we shall or shall not be. I find that consoling. We are because of what we are. our existence is determined by the way we relate to (or resonate with) everything else that can be. Although Darwinism is a marvellous theory, and I greatly admire and respect Richard Dawkins's writings, one day the theory of evolution will be subsumed in a greater scheme, just as Newtonian mechanics was subsumed in relativity without in any way ceasing to be great and valid science. For this reason, and for the remarks just made, I do not think that we are robots or that anything happens by chance. That view arises because we do not have a large enough perspective on things. We are the answers to the question of what can be maximally sensitive to the totality of what is possible. That is quite Darwinian. Species, ultimately genes, exist only if they fit in an environment. Platonia is the ultimate environment.
Julian Barbour
The trends speak to an unavoidable truth. Society's future will be challenged by zoonotic viruses, a quite natural prediction, not least because humanity is a potent agent of change, which is the essential fuel of evolution. Notwithstanding these assertions, I began with the intention of leaving the reader with a broader appreciation of viruses: they are not simply life's pathogens. They are life's obligate partners and a formidable force in nature on our planet. As you contemplate the ocean under a setting sun, consider the multitude of virus particles in each milliliter of seawater: flying over wilderness forestry, consider the collective viromes of its living inhabitants. The stunnig number and diversity of viruses in our environment should engender in us greater awe that we are safe among these multitudes than fear that they will harm us. Personalized medicine will soon become a reality and medical practice will routinely catalogue and weigh a patient's genome sequence. Not long thereafter one might expect this data to be joined by the patient's viral and bacterial metagenomes: the patient's collective genetic identity will be recorded in one printout. We will doubtless discover some of our viral passengers are harmful to our health, while others are protective. But the appreciation of viruses that I hope you have gained from these pages is not about an exercise in accounting. The balancing of benefit versus threat to humanity is a fruitless task. The viral metagenome will contain new and useful gene functionalities for biomedicine: viruses may become essential biomedical tools and phages will continue to optimize may also accelerate the development of antibiotic drug resistance in the post-antibiotic era and emerging viruses may threaten our complacency and challenge our society economically and socially. Simply comparing these pros and cons, however, does not do justice to viruses and acknowledge their rightful place in nature. Life and viruses are inseparable. Viruses are life's complement, sometimes dangerous but always beautiful in design. All autonomous self-sustaining replicating systems that generate their own energy will foster parasites. Viruses are the inescapable by-products of life's success on the planet. We owe our own evolution to them; the fossils of many are recognizable in ERVs and EVEs that were certainly powerful influences in the evolution of our ancestors. Like viruses and prokaryotes, we are also a patchwork of genes, acquired by inheritance and horizontal gene transfer during our evolution from the primitive RNA-based world. It is a common saying that 'beauty is in the eye of the beholder.' It is a natural response to a visual queue: a sunset, the drape of a designer dress, or the pattern of a silk tie, but it can also be found in a line of poetry, a particularly effective kitchen implement, or even the ruthless efficiency of a firearm. The latter are uniquely human acknowledgments of beauty in design. It is humanity that allows us to recognize the beauty in the evolutionary design of viruses. They are unique products of evolution, the inevitable consequence of life, infectious egotistical genetic information that taps into life and the laws of nature to fuel evolutionary invention.
Michael G. Cordingley (Viruses: Agents of Evolutionary Invention)
beauty is a universal part of human experience, and that it provokes pleasure, rivets attention, and impels actions that help ensure the survival of our genes. Our extreme sensitivity to beauty is hard-wired, that is, governed by circuits in the brain shaped by natural selection. We love to look at smooth skin, thick shiny hair, curved waists, and symmetrical bodies because in the course of evolution the people who noticed these signals and desired their possessors had more reproductive success. We are their descendants. Of
Nancy L. Etcoff (Survival of the Prettiest: The Science of Beauty)
I felt that I was literally standing on a plateau somewhere out there in space, a plateau that science and technology had allowed me to get to. But now what I was seeing and even more important what I was feeling at that moment in time science and technology had no answers for. Literally no answers. Because there I was and there you are. There you are, the Earth: dynamic, overwhelming. And I felt that the world had just too much purpose, too much logic, it was just too beautiful to have happened by accident. There has to be somebody bigger than you and bigger than me and I mean this in a spiritual sense not in a religious sense, there has to be a creator of the universe who stands above the religions that we ourselves create to govern our lives.
Gene Cernan
For a century the Neanderthal people have worn a stigma of hunched brutish grunting cavemen. Facial reconstructions of their skulls show them to look not exactly like us, and not exactly pretty. But beauty is a very subjective matter, and just because you don’t fancy them doesn’t mean that your ancestors didn’t. They definitely had sex with them.
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
I felt that I was literally standing on a plateau somewhere out there in space, a plateau that science and technology had allowed me to get to. But now what I was seeing and even more important what I was feeling at that moment in time, science and technology had no answers for, literally no answers. Because there I was and there you are--there you are--The Earth: dynamic, overwhelming. And I felt that the world had just too much purpose, too much logic, it was just too beautiful to have happened by accident. There has to be somebody bigger than you and bigger than me and I mean this in a spiritual sense not in a religious sense, there has to be a creator of the universe who stands above the religions that we ourselves create to govern our lives.
Gene Cernan
The first step towards cultivating a healthy body image is to abandon the cultural ideal that ties pride or shame in our body to our looks. The superficial beauty so prized in modern society is for the most part a product of our genes and our age, and so is out reach for most people at most points of life. But for all of us who were not born with Hollywood beauty, we need not despair, as pride in our body is still attainable and what is more a pride that is not the easy victim of age. In place of measuring our bodily worth on our looks we should strive for the ideal of bodily power. “What is good? – All that heightens the feelings of power, the will to power, power itself in man. What is bad? – All that proceeds from weakness. What is happiness? – The feeling that power increases – that a resistance is overcome.” Nietzsche, The Antichrist
Academy of Ideas
Good to know she talks to herself too. Our future babies will definitely have some beautiful but crazy genes.
Aidan Willows (Falling Sweetly (Starling Falls, #2))
So many women have cancer now. Do you think a new esthetic can develop? Cancer beauty? I mean, if there could be heroin chic, the esthetic of the death-wishing drug addict? Will non-cancerous women be begging their cosmetic surgeons to give them fake node implants under their chins and around their necks? Under their arms? In their groins? So sexy, that fullness. And it works so well as an anti-aging technique, to fill out that sagging turkey neck. Who wouldn't want it? And the jewelry, the titanium pellets piercing those tits. So S&M/bondage." Dunja kept talking in Nathan's head as he segued into a parallel inner dialogue with her about health and evolution, about the theory that concepts of beauty were not just concepts, but perceptions of indicators of reproductive potential and therefore of youth, about selfish genes using our bodies as vehicles only to perpetuate themselves, about how perhaps cancer genes could begin to make their own case for reproductive immortality as well, and so they too would put immense pressure on cultural acceptance of formerly taboo concepts of beauty, concepts which used to indicate disease and nearness to death but now mesmerized and seduced and mimicked youth and ripeness and health, and so her little fantasy of a culture forming around her own dire straits could theoretically... Nathan could only just manage to keep looking into her searching eyes, feeling at that moment very sentimental and ordinary, and therefore mute. Could he really say anything about classical concepts of art, and therefore beauty, based on harmony, as opposed to modern theories, post-industrial-revolution, post-psychoanalysis, based on sickness and dysfunction? Could he make a case for her new, diseased self as the most avant-garde form of womanly beauty? He didn't dare, but she did.
David Cronenberg (Consumed)
I felt that I was literally standing on a plateau somewhere out there in space, a plateau that science and technology had allowed me to get to. But now what I was seeing and even more important what I was feeling at that moment in time, science and technology had no answers for, literally no answers because there I was and there you are, there you are, The Earth, dynamic, overwhelming, and I felt that the world had just too much purpose, too much logic, it was just too beautiful to have happened by accident. There has to be somebody bigger than you and bigger than me and I mean this in a spiritual sense not in a religious sense, there has to be a creator of the universe who stands above the religions that we ourselves create to govern our lives.” Gene Cernan Apollo 10 & 17
Gene Cernan
We are all mutants with ticking time bombs hidden inside
Lone Frank (My Beautiful Genome: Exposing Our Genetic Future, One Quirk at a Time)
Merely to see Dionysus – or Mescalito, the god of don Juan – or any divinity – would mean nothing to any person of normal skepticism or scientific training. One knows that one is hallucinating, and that’s all there is to the matter. But to see Dionysus glorified – to see a beauty that transcends anything one had ever imagined possible before – is not so easily dismissed. Where did this wonderful experience – this back door to Eden, this “loveliness that shall be loved forever” – come from? Not from one’s conscious mind, which has never conceived such wonders. (It is precisely their shocking sense of being alien that gives them their conviction.) From the unconscious then? Not from Freud’s unconscious, certainly; these heavenly creatures do not inhabit that hellhole. Where then? Perhaps from Jung’s conjectured “collective unconscious,” that seedbed of timeless wisdom and art; or, as Dr. Leary suggests, from the DNA molecule that is coded in our genes along with the chemical triggers that make us white or black, tall or short, male or female, and so on.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
Her face was soft now, damp from the steam of my bath and the heat of her news. Her eyebrows were as white as cornsilk, her eyelashes clear. My sister had a certain pale, bright beauty, while I was an almost blonde, a shadowy hybrid. Ginnie was willowy and golden, I was shorter and freckled. I imagined our in utero tug-of-war. How she had seized all those pale, paternal Scandinavian genes, pulled at those chromosomes until they stretched like taffy.
Mindy Friddle (The Garden Angel)
Cultures have different standards of beauty, but research suggests that some aesthetic preferences are shared by most people. Humans tend to like symmetry. While Moalem emphasizes our power to influence our own gene expression, he also has a determinist streak, arguing that our faces and "the genetic workmanship that went into our fetal development" are closely linked. Humans evolved to find certain facial traits desirable, he argues, because they "provided the fastest way of assessing, ranking, and relating to the people around us" and they "divulge our developmental and genetic history. Your face can also tell us a lot about your brain.
Maud Newton (Ancestor Trouble: A Reckoning and a Reconciliation)
Aging followed by death is the price we pay for the immorality of our genes. You find this information soul-killing; I find it thrilling, liberating. Life, in my view, is simple, tragic, and eerily beautiful.
David Shields (The Thing About Life is That One Day You'll Be Dead)
With the web uncovered, the intricacies of the belowground alliance still remained a mystery to me, until I started my doctoral research in 1992. Paper birches, with their lush leaves and gossamer bark, seemed to be feeding the soil and helping their coniferous neighbors. But how? In pulling back the forest floor using microscopic and genetic tools, I discovered that the vast belowground mycelial network was a bustling community of mycorrhizal fungal species. These fungi are mutualistic. They connect the trees with the soil in a market exchange of carbon and nutrients and link the roots of paper birches and Douglas firs in a busy, cooperative Internet. When the interwoven birches and firs were spiked with stable and radioactive isotopes, I could see, using mass spectrometers and scintillation counters, carbon being transmitted back and forth between the trees, like neurotransmitters firing in our own neural networks. The trees were communicating through the web! I was staggered to discover that Douglas firs were receiving more photosynthetic carbon from paper birches than they were transmitting, especially when the firs were in the shade of their leafy neighbors. This helped explain the synergy of the pair’s relationship. The birches, it turns out, were spurring the growth of the firs, like carers in human social networks. Looking further, we discovered that the exchange between the two tree species was dynamic: each took different turns as “mother,” depending on the season. And so, they forged their duality into a oneness, making a forest. This discovery was published by Nature in 1997 and called the “wood wide web.” The research has continued unabated ever since, undertaken by students, postdoctoral researchers, and other scientists, with a myriad of discoveries about belowground communication among trees. We have used new scientific tools, as they are invented, along with our curiosity and dreams, to peer into the dark world of the soil and illuminate the social network of trees. The wood wide web has been mapped, traced, monitored, and coaxed to reveal the beautiful structures and finely adapted languages of the forest network. We have learned that mother trees recognize and talk with their kin, shaping future generations. In addition, injured trees pass their legacies on to their neighbors, affecting gene regulation, defense chemistry, and resilience in the forest community. These discoveries have transformed our understanding of trees from competitive crusaders of the self to members of a connected, relating, communicating system. Ours is not the only lab making these discoveries—there is a burst of careful scientific research occurring worldwide that is uncovering all manner of ways that trees communicate with each other above and below ground.
Suzanne Simard (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Would you be immortal, Master?' I would live long enough to see my work completed. True immortality is a burden, and I scarcely have need of another of those. Upon my back rests the weight of the future. But all things must end, to have any purpose at all. True beauty is found in beauty's end. A saying our gene-father was fond of, once upon a time. Before he lost sight of things.
Josh Reynolds
Unclench your fist and roll out the beauty in your fragile palm. In your genes are a paper trail. You will find a map back to yourself. // We may all have the same God but we don't have the same mother.
Melania Luisa Marte (Plantains and Our Becoming: Poems)
If Bliss Brain is so desirable and pleasurable, why is it so fragile? Why can our brains be distracted from happiness by the slightest hint of a thought? Why is the demon’s slightest whisper enough to drag us out of bliss? Why are our brains hardwired for negativity? The answer is simple: That’s how our ancestors survived. Those who were the most responsive to danger lived. If your ancestor’s brain had a genetic mutation that heard the rustle of the tiger in the grass a nanosecond earlier, he started running a moment sooner. Genes that paid close attention to threats conferred an enormous survival advantage, as I illustrate in my book The Genie in Your Genes. People who were less responsive to potential threats died, and their genes were lost to the gene pool. Those who reacted to the smallest hint of danger survived, passing their paranoid genes to the next generation. In contrast, happiness provided little or no survival value. Fail to notice a beautiful sunset, ignore the sound of children singing, walk by a rose bush without smelling the blooms? Nothing bad happens. But miss the rustle of the tiger? That’s fatal. So thousands of generations of evolution have honed our ability to respond to even the most minuscule whisper of the remotest possibility of threat, and abandon happiness at the drop of a hat. Mother Nature cares greatly about your survival—and not at all about your happiness. That’s why the DMN defaults to worry, instead of to bliss. Mentally rehearsing future stuff that might just possibly hurt us, past stuff that definitely hurt us, and present stuff that might signal danger—all these are signs of a brain that is successfully practicing the strategies that ensured our ancestors’ survival. This isn’t bad. It’s just excessive for the safe modern world in which we live. If you’re at a construction site where a skyscraper is being built, you wear a hard hat and safety goggles. Such an outfit is entirely appropriate for that context. As attire for tea with the queen? Not so much. Although the DMN interrupts meditation, it plays a useful role in our lives. It is active when we are thinking about others, considering our safety, remembering the past, and planning for the future. It is also active in self-oriented and social tasks, including memorizing the experiences we collect during task-oriented activities. The path of your inner mystic will elevate you to enlightenment. The goal of your inner demon is to keep you safe. You can’t get enlightened if you’ve been eaten by the tiger.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
But that is not the approach of the evolutionary psychologists, who argue that we can best understand our states of mind if we identify their evolutionary origins, and the contribution that they (or some earlier version of them) might have made to the reproductive strategies of our genes.
Roger Scruton (Beauty: A Very Short Introduction (Very Short Introductions))
Doris Mortman said, “Until you make peace with who you are, you’ll never be content with what you have.”9 Until you understand that you are God’s masterpiece, made in His image, you’ll never be content with the features He’s given you. Do you believe you are a happenstance mixture of your parents’ genes, or do you believe you were intentionally woven and knitted together by God with a specific design in mind? What we believe about our origin greatly affects what we believe about our destiny. You want to know the best beauty secret ever? You won’t find it in a spa, at the cosmetic counter at the mall, or in a makeover article in a magazine. You will find it in the Word of God. We become more and more beautiful every time we sit at Jesus’s feet. “We, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit” (2 Corinthians 3:18).
Sharon Jaynes (Enough: Silencing the Lies That Steal Your Confidence)
On the beautiful Norfolk coast, there’s Happisburgh (pronounced Hays-bruh), a small village with a lighthouse, a church, a superb pub, and not much else, apart from almost a million years of human occupation.
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
I felt that I was literally standing on a plateau somewhere out there in space, a plateau that science and technology had allowed me to get to. But now what I was seeing and even more important what I was feeling at that moment in time, science and technology had no answers for, literally no answers because there I was and there you are--there you are, The Earth: dynamic, overwhelming--and I felt that the world had just too much purpose, too much logic, it was just too beautiful to have happened by accident. There has to be somebody bigger than you and bigger than me and I mean this in a spiritual sense not in a religious sense, there has to be a creator of the universe who stands above the religions that we ourselves create to govern our lives.
Gene Cernan