Beauty And Essex Quotes

We've searched our database for all the quotes and captions related to Beauty And Essex. Here they are! All 16 of them:

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I’ve freed myself from the obligation to try and be beautiful,” said Cora: β€œAnd I was never more happy. I can’t remember when I last looked in the mirror—” β€œYesterday,” said Martha. β€œYou were admiring your nose.
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Sarah Perry (The Essex Serpent)
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Martha says I never looked odder or uglier, but you know I’ve always thought beauty a curse and am more than happy to dispense with it completely. Sometimes I forget that I’m a womanβ€”at leastβ€”I forget to THINK OF MYSELF AS A WOMAN. All the obligations and comforts of womanhood seem to have nothing to do with me now. I’m not sure how I am supposed to behave and I’m not sure I would, if I knew.
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Sarah Perry (The Essex Serpent)
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He drew in a breath and all the seasons were in it; spring greenness in the grass, and somewhere a dog-rose blooming; the secretive scent of fungus clinging to the oak, and underneath it all something sharper waiting in a promise of winter.
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Sarah Perry (The Essex Serpent)
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The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; β€œgreat men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner.
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William Shakespeare (Complete Works of William Shakespeare)
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Own nothing which is not beautiful or useful, she’d once said, and he was neither.
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Sarah Perry (The Essex Serpent)
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Princess of the night, I have come to offer myself to you," you say in French, the language of my homeland. "Come with me." I am trying to look inside you, to foresee your intentions- lust, rape, or ransom- but your beauty clouds my sight. "Why should I go with you, stranger?" I ask, though I am thrilled by the candor of your request and the desire and enthrallment in your eyes. "Because I am yours, whether you wish it or not. You enchanted me, with your eyes that hold the light of the moon within them, and your starlit skin that defies fire. Come with me, my lady, and I will give you all that I have.
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Karen Essex (Dracula in Love)
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Lights like stars whirled past me from out of the darkness, and when I opened my eyes, I was lying on a bed covered in rich tapestry and piled high with pillows. The room was lit by candles in colossal iron holders that flickered on the walls. A great fire was ablaze in the hearth. I recognized the triptych of slender, arched windows, though I was seeing them for the first time from the inside. No longer empty, they were fitted with glass through which I could make out some of the stars that hovered over Whitby on a clear night. We were inside the abbey, though apparently outside time. The room was warm and the roof intact, and he was lying beside me. 'Every moment that has ever existed in time is still here, Mina- every thought, every memory, and every experience.' Now that I saw him in the candlelight, he was more beautiful than I had imagined. Skin marble white, paler than mine and glowing, and hair like the night sea's glossy waves. His face was long and angular with a strong brow, like the artist's renderings I had of the Arthurian knights. With his midnight blue wolf eyes, he stared at me, taking me in. "Who are you?" I asked, my voice timid and feeble. 'You and I have gone by many names. It does not matter what we call each other. What matters is that you remember. Do you remember, Mina?' His lips did not move, and yet I heard every word that he said, I wanted to ask a thousand questions, but one long and slender finger reached out and touched my lips. Locking eyes with me, he slid my nightdress from my shoulder. Shock waves rippled through my body as his finger followed the curve under my neck, dusting my chin, and slowly sliding to the other ear. Surely just one finger could not create this bedlam inside me. 'Ah, so you do remember.' My heart palpitated wildly, but I was not afraid. Something familiar about him prevented me from fearing him, though I had witnessed how dangerous he could be on the banks of the Thames when he had thrashed my attacker. "Yes, yes, I remember," I said. I would have said anything to keep his hand on me, to wallow in the wild energy he brought to my body, and to stare into the infinite violet blue of his eyes. Though I said nothing else, every nerve in my body begged him to keep touching me. 'What is your desire?' I did not have the audacity to say the words aloud, but this being knew me and knew my thoughts. Our eyes were locked, and our minds were linked. I felt connected to him in a way that I had not known with another person. We were not one, but we were in harmony, as if we were both parts of the same symphony.
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Karen Essex (Dracula in Love)
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Young people, not to mention people of all ages, really, really don't like being annoyed. And ads, almost always, were annoying. There is nothing beautiful, let alone useful, not to mention authentic, about being interrupted, distracted, or annoyed by something you didn't choose to see.
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Andrew Essex (The End of Advertising: Why It Had to Die, and the Creative Resurrection to Come)
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JT Resins Ltd
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Baker’s love of the Essex landscape is already clear, and, long before he is following peregrines, he is rehearsing some of the writing that appears in his later work: β€˜The loveliest country of all lies between Gt. Baddow and West Hanningfield. Green undulating fields, rugged, furrowed earth, luscious orchards, pine clumps, rows of stately elms – all these combine and resolve into a delicately balanced landscape that can never become tedious to the eye. One cannot get far from people – from the little rustic cottages that huddle in the winding lanes. Yet the very proximity of these dwellings seems to give an impression of remoteness. / As you walk across these fields – Danbury stands all green and misty blue in the late afternoon of declining summer. Everchanging – sometimes assuming truly mountainous grandeur – it fascinates the eyes and brings an exaltation and a faith. / These last days of summer are delicate poems in green and gold – the clouds unfurl in unsurpassed magnificence and move me to tears for their passing. / This country with its little fields and murmuring streams that basks in its waning summer gold will still be there when you return – it is for you and all men, for it is beauty.
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J.A. Baker (The Peregrine)
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The sky was a high, pale blue, like faded linen hung in the sun ... Under the alders were bluebells, dark blue, blue flowers hanging their little heads from the beauty of their blossoms.
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Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
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You cannot ask women to marry you whom you barely know.' 'Why not?' he asked. Compatibility is not something one discovers after five encounters rather than one. One must make an educated guess.' 'That's just it: you know nothing of me!' 'Not so,' he said promptly. "Number one, you're Scottish. Number two, you're Scottish. Number three -' 'I can guess,' she said. 'You're beautiful,' he finished, a fleeting smile crossing his face.
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Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
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My dress is of plain forest green wool, but the other girls are wearing beautiful tunics the color of gems- ruby dresses with sapphire mantles and dappled with jewels that dance before me like little insects on fire. My hair is dark as a crow, but theirs is red and gold and even longer than mine. A ray of sun slashes through the turbulent Irish sky, and I see that my friends' perfect skin shimmers in the sun, making them almost translucent.
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Karen Essex (Dracula in Love)
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You see, Miss Mina, the air is thick with the spirits of the young sailors and fishermen who died in the sea. They still yearn for the love and touch of beautiful women, young men that they were when they were forced to leave their bodies and earthly pleasure behind. I tell you this to warn you, beauty that you are with your jet-colored hair and your lovely skin more pure and delicious than the top of the cream, and those eyes of yours that stole their green from a sultan's emerald.
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Karen Essex (Dracula in Love)
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I suppose that Lucy and I were worthy of the male gaze, what with her pale blond beauty shown off nicely in a peach summer frock, in contrast to my black hair set against light skin. Tonight I wore my favorite dress of pale green linen, which everyone said complemented my eyes, and a cotton bolero jacket perfect for a summer evening.
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Karen Essex (Dracula in Love)
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The rolling hills we traveled through were lined with rows of crisscrossed crops- apple and pear trees, vines of grapes, and maize- creating bafflingly precise geometries. In the forested areas, the branches on the trees drooped lugubriously like the long sleeves of Druid priests. Jonathan pointed to the curved roads that cut through the hillsides and valleys. "Forged by Romans, Mina!" he said. "So many civilizations have come and gone on this land- Celts, Romans, Normans, Mongols, French. Who knows how many more?
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Karen Essex (Dracula in Love)