Beautiful Yarn Quotes

as jolaha ka maram na jana, jinh jag ani pasarinhh tana; dharti akas dou gad khandaya, chand surya dou nari banaya; sahastra tar le purani puri, ajahu bine kathin hai duri; kahai kabir karm se jori, sut kusut bine bhal kori; No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom. Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.

A plain sock by itself is terribly boring, but it could score points by having a clever stitch pattern, or maybe by being made out of a very beautiful yarn that's an enchantment to work with. (Sadly, it is still infuriatingly true that being beautiful without being clever is almost worth more points than being clever without being beautiful, but such are the rules of life and knitting-they are cruel, but there anyway).

Her beauty took one’s breath away, like a sudden pain.

I work in my mind. What I do is done in my mind. And what my hands do with it in writing it down is not the same as what the hands of the weaver do with the yarn, or the potter’s hands with the clay, or the cabinetmaker’s with the wood. If what I do, what I make, is beautiful, it isn’t a physical beauty. It’s imaginary, it takes place in the mind—my mind, and my reader’s. You could say that I hear voices and believe the voices are real (which would mean I was schizophrenic, but the proverb test proves I’m not—I do, I do understand it, Doctor!). And that then by writing what I hear, I induce or compel readers to believe the voices are real too . . . That doesn’t describe it well, though. It doesn’t feel that way. I don’t really know what it is I’ve done all my life, this wordworking. But I know that to me words are things, almost immaterial but actual and real things, and that I like them. I like their most material aspect: the sound of them, heard in the mind or spoken by the voice.

(through tears) have you ever seen anything so BEAUTIFUL? I don’t even care if this is made up, gottie is spinning us the best yarn since Ebony Dark’ness Dementia Raven Way made her FanFiction dot Net debut

We are all tapestries, woven of the world. We are lifelines interlacing, yarn of many sources swirled. In our pattern there is purpose. In our softness , strength abides. Warmth and beauty still unfolding, growing, as the shuttle glides...

By connecting to nowhere you must in turn connect to everywhere, in the course of which becoming wise.  Nothing is permanent, but anything is possible.  Everything dies, yet beauty and joy endure. We are incredibly powerful and infinitely weak. Again and again these paradoxes repeat, like colors of yarn in an elaborate woven rug. There

kathakali discovered long ago that the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again. That is their mystery and their magic. To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey’s tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna’s smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory. He tells stories of the gods, but his yarn is spun from the ungodly, human heart. The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three it has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mask and swirling skirts.

Because I believe that the beauty of life outweighs the bad. And I know that were I to take up the banner against such hatred, they would use my Otherness to hurt more than just me. Tis better that I take Will’s own words to heart, which he so eloquently penned. ‘The web of our life is of a mingled yarn, good and ill together.’” Trust Horatio to use a quote from Shakespeare to make his point, even though I needed it interpreted. “What does that mean?” His rumbling chuckle vibrated against me like thunder. “Simply put, life is messy. You cannot have all good, for without the bad as well, how would you recognize that which is fair? Without knowing the darker feelings of your kin, I would not appreciate the goodness of your friendship as much.

Do you have a dream? If you do, what is it? Is your dream similar to mine? I hope that even more people dream the same dream as me, because my dream is so big I couldn't handle it by myself. If you are someone who has the same dream as me, this is what I have to say to you. Right now, you are planting a single tree. Right now, you are sowing a single seed. And you are beginning to knit something with one strange of yarn. The first step or two are nothing, but imagine that you continue that work for ten years. One tree becomes a forest, one seed becomes a field, and that single thread becomes a beautiful cloth. Believe in the life inside you, believe in the great and holy mind within you, and push forward with the dream you have chosen until you make it.

She'd once read a description of new motherhood that had struck her, at the time that she was returning to work after maxing out her maternity leave allowance, as a beautiful metaphor for her own days back at the office. It was that mother and baby are like a ball of yarn, and when the mother leaves the baby's side, it's as if the baby grabs hold of the loose end, a tug that both mother and baby feel in their every fiber. As they both move through the hours spent apart, the string unravels more and more, and then just when each is starting to feel diminished, barely even a ball of yarn at all anymore, it's time for the mother to make her way back. Together again, they need only a bit of time to wind the string back up, and then it's as if they had never been apart, right up until they wake up and do it all over again.

It comes down to what is language? Up to now, until this age of mass literacy, language has been something spoken. In utterance there’s a minimum of slowness. In trying to treat words as chisel strokes, you run the risk of losing the quality of utterance, the rhythm of utterance, the happiness. A phrase out of Mark Twain—he describes a raft hitting a bridge and says that it “went all to smash and scatteration like a box of matches struck by lightning.” The beauty of “scatteration” could only have occurred to a talkative man, a man who had been brought up among people who were talking and who loved to talk himself. I’m aware myself of a certain dryness of this reservoir, this backlog of spoken talk. A Romanian once said to me that Americans are always telling stories. I’m not sure this is as true as it once was. Where we once used to spin yarns, now we sit in front of the tv and receive pictures. I’m not sure the younger generation even knows how to gossip. But, as for a writer, if he has something to tell, he should perhaps type it almost as fast as he could talk it. We must look to the organic world, not the inorganic world, for metaphors; and just as the organic world has periods of repose and periods of great speed and exercise, so I think the writer’s process should be organically varied. But there’s a kind of tautness that you should feel within yourself no matter how slow or fast you’re spinning out the reel.

Dinner was a family affair. And oh, how she enjoyed it! Who knew there was so much to talk about each day? She loved when the men shared stories about their work in the mines, while she often regaled them with stories about life in the castle when she was a small child or about the types of birds she spotted from the window. And then there were the questions. She found she had many! After staying silent for so long, there was much she longed to know, and she was always interested in learning more about the men and their lives. She wanted to know who had carved the beautiful wooden doorways and furniture around the cottage, and why the deer and the birds seemed to linger at the kitchen window while she prepped meals. "They must adore you, as we do," gushed Bashful. "And I you!" Snow would say. She found she could talk to them till the candle burned out each night. It felt like she was finally waking up and finding her voice after years of silent darkness. And while she promised the men she would not do more than her share of the housework, she couldn't help trying to find small ways to repay them for their kindness when she wasn't busy strategizing. Despite their protests, she prepared a lunch basket for them to take to work each day. She mended tiny socks. And secretly, she was using yarn and needles she had found to knit them blankets for their beds. It might have been summer, but she couldn't help noticing they had few blankets for the winter months.

Back in Mexican days, Old Man Negley says, those patches of green up there roused the Mexicans’ lively imaginations. The quizzed the few Indians that they hadn’t driven out of here, too. Between imagination and the lies the Shoshones told them, they pieced together a yarn of a beautiful mountaintop lake and a tribe of godlike men who lived up there on it banks, and all sorts of drivel of the same kind.

A. W. Tozer saw entertainment creeping into the American church half a century ago when he warned: So today we have the astonishing spectacle of millions of dollars being poured into the unholy job of providing earthly entertainment for the so-called sons of heaven. Religious entertainment is in many places rapidly crowding out the serious things of God. Many churches these days have become little more than poor theaters where fifth-rate “producers” peddle their shoddy wares with the approval of evangelical leaders who can even quote a holy text in defense of their delinquency. And hardly a man dares raise his voice against it. The great god Entertainment amuses his devotees mainly by telling them stories. The love of stories, which is characteristic of childhood, has taken fast hold of the minds of the retarded saints of our day, so much so that not a few persons manage to make a comfortable living by spinning yarns and serving them up in various disguises to church people. What is natural and beautiful in a child may be shocking when it persists into adulthood, and more so when it appears in the sanctuary and seeks to pass for true religion.12 Enough already. Let’s prove A. W. Tozer wrong. Let’s raise our voices against these “fifth-rate peddlers.” Fleeting fads, worldly trends, and pastors who believe that Jesus needs help have to stop.