Beautiful Resorts Quotes

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Beauty may no longer be what it was before. It has become suspect and many have dethroned it from its art pedestal. A lot of questions are raised: "When" is art?", "What" is art?", "Can this be art? " As some feel so powerless and speechless, they painfully resort to the uplifting and comforting counsel of their art shrink.
Erik Pevernagie
What I need is a woman who is something, anything: either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something.
Alfred de Musset (A Selection From The Poetry And Comedies Of Alfred De Musset)
He’s far too beautiful to have to resort to his hand for an orgasm.
Raine Miller (Naked (The Blackstone Affair, #1))
I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Despite comporting ourselves for decades, despite never resorting to beastly deeds, we hadn’t succeeded in persuading our tormentors that we were people who deserve of the privilege of living our lives as we wished.
Imbolo Mbue (How Beautiful We Were)
We needn’t resort to myth to get that spine-chilling thrill of being part of something grander than ourselves. Our vast universe provides us with enough profound and beautiful truths to live a spiritually fulfilling life.
Sasha Sagan (For Small Creatures Such as We: Rituals for Finding Meaning in Our Unlikely World)
When the cardinal came to a closed door he would flatter it--oh beautiful yielding door! Then he would try tricking it open. And you are just the same, just the same." He pours himself some of the duke's present. "But in the last resort, you just kick it in.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
For there is merely bad luck in not being loved; there is misfortune in not loving. All of us, today, are dying of this misfortune. For violence and hatred dry up the heart itself; the long fight for justice exhausts the love that nevertheless gave birth to it. In the clamor in which we live, love is impossible and justice does not suffice. This is why Europe hates daylight and is only able to set injustice up against injustice. But in order to keep justice from shriveling up like a beautiful orange fruit containing nothing but a bitter, dry pulp, I discovered once more at Tipasa that one must keep intact in oneself a freshness, a cool wellspring of joy, love the day that escapes injustice, and return to combat having won that light. Here I recaptured the former beauty, a young sky, and I measured my luck, realizing at last that in the worst years of our madness the memory of that sky had never left me. This was what in the end had kept me from despairing. I had always known that the ruins of Tipasa were younger than our new constructions or our bomb damage. There the world began over again every day in an ever new light. O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.
Albert Camus
A sand trap is like a politician in its duality. It represents two opposing viewpoints. You see, it was designed to trap your ball. So it exists to have balls land in it. But it was also designed to be avoided. So it also exists to not have balls land in it. This is the beauty of golf. The game of golf is a Zen koan in action.
Jarod Kintz (The Mandrake Hotel and Resort to violence if necessary)
Now, to look is one of the most difficult things in life – or to listen – to look and listen are the same. If your eyes are blinded with your worries, you cannot see the beauty of the sunset. Most of us have lost touch with nature. Civilisation is tending more and more towards large cities; we are becoming more and more an urban people, living in crowded apartments and having very little space even to look at the sky of an evening and morning, and therefore we are losing touch with a great deal of beauty. I don’t know if you have noticed how few of us look at a sunrise or a sunset or the moonlight or the reflection of light on water. Having lost touch with nature we naturally tend to develop intellectual capacities. We read a great many books, go to a great many museums and concerts, watch television and have many other entertainments. We quote endlessly from other people’s ideas and think and talk a great deal about art. Why is it that we depend so much upon art? Is it a form of escape, of stimulation? If you are directly in contact with nature; if you watch the movement of a bird on the wing, see the beauty of every movement of the sky, watch the shadows on the hills or the beauty on the face of another, do you think you will want to go to any museum to look at any picture? Perhaps it is because you do not know how to look at all the things about you that you resort to some form of drug to stimulate you to see better. There
J. Krishnamurti (Freedom from the Known)
Ars Poetica II" I find, after all these years, I am a believer— I believe what the thunder and lightning have to say; I believe that dreams are real, and that death has two reprisals; I believe that dead leaves and black water fill my heart. I shall die like a cloud, beautiful, white, full of nothingness. The night sky is an ideogram, a code card punched with holes. It thinks it’s the word of what’s-to-come. It thinks this, but it’s only The Library of Last Resort, The reflected light of The Great Misunderstanding. God is the fire my feet are held to.
Charles Wright (Appalachia: Poems)
The idea that people would be happier if they maintained a constant state of realism is a beautiful sentiment, but Taylor and Brown found just the opposite. They presented a new theory that suggested that well-being came from unrealistic views of reality. They said you reduce the stress of terminal illness or a high-pressure job or unexpected tragedy by resorting to optimism and delusion. Your wildly inaccurate self-evaluations get you through rough times and help motivate you when times are good. Indeed, later research backed up their claims, showing that people who are brutally honest with themselves are not as happy day to day as people with unrealistic assumptions about their abilities. People who take credit for the times when things go their way but who put the blame on others when they stumble or fall are generally happier people.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland.
Haruki Murakami (1Q84 (1Q84, #1-3))
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
Isabel Allende (The House of the Spirits)
Severin frowned at the leafy green twigs shoved in a vase that Elle had brought him that day. She had run out of flowers, and resorted to clipping branches from bushes. He could see the flattened leaves the maddening girl had no doubt rubbed. She is like a burr—once she brushes you, she is difficult to dislodge. He
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
I belong to a generation that inherited disbelief in the Christian faith and created in itself a disbelief in all other faiths. Our fathers still had the believing impulse, which they transferred from Christianity to other forms of illusion. Some were champions of social equality, others were wholly enamoured of beauty, still others had faith in science and its achievements, and there were some who became even more Christian, resorting to various Easts and Wests in search of new religious forms to entertain their otherwise hollow consciousness of merely living. We lost all of this. We were born with none of these consolations. Each civilization follows the particular path of a religion that represents it; turning to other religions, it loses the one it had, and ultimately loses them all. We lost the one, and all the others with it. And so we were left, each man to himself, in the desolation of feeling ourselves live. A ship may seem to be an object whose purpose is to sail, but no, its purpose is to reach a port. We found ourselves sailing without any idea of what port we were supposed to reach. Thus we reproduced a painful version of the argonauts’ adventurous precept:* living doesn’t matter, only sailing does.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
describing the beauties of the seaside resort where you would like to be; by letting yourself be lulled by the waves created in your bath by the backwash of the paddle-steamers passing close to the pontoon;
Joris-Karl Huysmans (Against Nature)
Situated on the outskirts of the little tourist town, Willow Valley, The Caliendo Resort sat alongside the lake with a beautiful beach, where guests sprinkled across the sand like seashells all summer long. Violet’s grandparents
Shannyn Leah (Sunset Thunder (The Caliendo Resort, #1))
The history of mankind would be far too stupid a thing if it had not had the intellect [Geist] of the powerless injected into it: — let us take the best example straight away. Nothing that has been done on earth against ‘the noble’, ‘the mighty’, ‘the masters’ and ‘the rulers’, is worth mentioning compared with what the Jews have done against them: the Jews, that priestly people, which in the last resort was able to gain satisfaction from its enemies and conquerors only through a radical revaluation of their values, that is, through an act of the most deliberate revenge. Only this was fitting for a priestly people with the most entrenched priestly vengefulness. It was the Jews who, rejecting the aristocratic value equation (good = noble = powerful = beautiful = happy = blessed) ventured, with awe-inspiring consistency, to bring about a reversal and held it in the teeth of the most unfathomable hatred (the hatred of the powerless), saying: ‘Only those who suffer are good, only the poor, the powerless, the lowly are good; the suffering, the deprived, the sick, the ugly, are the only pious people, the only ones saved, salvation is for them alone, whereas you rich, the noble and powerful, you are eternally wicked, cruel, lustful, insatiate, godless, you will also be eternally wretched, cursed and damned!’ . . . the slaves’ revolt in morality begins with the Jews: a revolt which has two thousand years of history behind it and which has only been lost sight of because — it was victorious . . .
Friedrich Nietzsche (The Genealogy of Morals)
Finally there are those who saw at once that the question was a trap. There is no answer. Instead of wasting time grappling with that trap. They decide to act. They look to their childhood and look for what filled them with enthusiasm then and disregarding the advice of their elders, devote their life to it. Because enthusiasm is the sacred fire. They slowly discover, their actions are linked to a mysterious impulse beyond human knowledge. And they bow their heads as a sign of respect for that mystery and pray that they will not be diverted from a path they do not know, a path which they have chosen to travel because of the flame burning in their hearts. They use their intuition when they can and resort to discipline when intuition fails them. They seem quite mad. And sometimes they behave like mad people. But they are not mad. They have discovered true love and will. And those two things reveal the goal and the direction that they should follow. Their will is crystalline, their love is pure and their steps determined. In moments of doubt or sadness they never forget: I am an instrument, allow me to be an instrument capable of manifesting your will. They have chosen their road, and they may understand what their goal is only when they find themselves before the unwanted visitor. That is the beauty of the person who continues onward with enthusiasm and respect for the mystery of life as his only guide. His road is beautiful, and his burden light. The goal will be large or small, it can be far away or right next door. He goes in search of it with respect and honor. He knows what each step means, and how much it costs in effort and training and intuition. He focuses not just on the goal to be reached but on everything happening around him. He often has to stop because his strength fails him. At such moments, love appears and says: You think you're heading toward a specific point, but the whole justification for the goals existence lies in your love for it. Rest a little. But as soon as you can, get up and carry on. Because ever since your goal found out that you were traveling toward it, it has been running to meet you.
Paulo Coelho
The 50-minute flights go from Hanapepe Valley to Mana Waiapuna, also known as “Jurassic Park Falls,” then on to some of Kauai’s most beautiful sites: the Bali Hai Cliffs; the pristine blue waters of Hanalei Bay and the Princeville Resort area (see p. 943); Olokele Canyon; and Waimea Canyon, the dramatically, ruggedly beautiful “Grand Canyon of the Pacific” (see p. 947).
Patricia Schultz (1,000 Places to See in the United States & Canada Before You Die)
Most Russian writers have been tremendously interested in Truth’s exact whereabouts and essential properties,” wrote Nabokov. “Tolstoy marched straight at it, head bent and fists clenched.” Tolstoy sought the truth in two ways: as a fiction writer and as a moral preacher. He was more powerful in the former but kept being drawn back to the latter. And somehow, it’s this struggle, between (as Nabokov put it) “the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds and the man who maintained that fiction is sinful and art immoral,” that makes us feel Tolstoy as a moral-ethical giant. It’s as if he resorts to fiction only when he can’t help it and, having to make the sinful indulgence really count, uses it to ask only the biggest questions and answer these with supreme, sometimes lacerating honesty
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.
Colin Nissan
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
Sarah Ockler (The Summer of Chasing Mermaids)
The gentleman offered her a fond smile. "I apologize, mademoiselle, but we are closing our doors soon. What you ask is simply impossible." "Improbably perhaps. But not impossible. I will wait outside all night if need be. It is a sad state of affairs when a girl must resort to threats in order to be given the attention she is due." She folded her ungloved hands in her lap. "If I'm outside all night, I hope it weighs on your conscience." "Rather uncompromising of you, mademoiselle," he said. "Hmmmm. Rather like looking in the mirror, I'd wager.
Renée Ahdieh (The Damned (The Beautiful, #2))
This is how we understand depressive psychosis today: as a bogging down in the demands of others-family job, the narrow horizon of daily duties. In such a bogging down the individual does not feel or see that he has alternatives, cannot imagine any choices or alternate ways of life, cannot release himself from the network of obligations even though these obligations no longer give him a sense of self-esteem, of primary value, of being a heroic contributor to world life even by doing his daily family and job duties. As I once speculated, the schizophrenic is not enough built into his world-what Kierkegaard has called the sickness of infinitude; the depressive, on the other hand, is built into his world too solidly, too overwhelmingly. Kierkegaard put it this way: But while one sort of despair plunges wildly into the infinite and loses itself, a second sort permits itself as it were to be defrauded by "the others." By seeing the multitude of men about it, by getting engaged in all sorts of worldly affairs, by becoming wise about how things go in this world, such a man forgets himself...does not dare to believe in himself, finds it too venturesome a thing to be himself, far easier and safer to be like the others, to become an imitation, a number, a cipher in the crowd. This is a superb characterization of the "culturally normal" man, the one who dares not stand up for his own meanings because this means too much danger, too much exposure. Better not to be oneself, better to live tucked into others, embedded in a safe framework of social and cultural obligations and duties. Again, too, this kind of characterization must be understood as being on a continuum, at the extreme end of which we find depressive psychosis. The depressed person is so afraid of being himself, so fearful of exerting his own individuality, of insisting on what might be his own meanings, his own conditions for living, that he seems literally stupid. He cannot seem to understand the situation he is in, cannot see beyond his own fears, cannot grasp why he has bogged down. Kierkegaard phrases it beautifully: If one will compare the tendency to run wild in possibility with the efforts of a child to enunciate words, the lack of possibility is like being dumb...for without possibility a man cannot, as it were, draw breath. This is precisely the condition of depression, that one can hardly breath or move. One of the unconscious tactics that the depressed person resorts to, to try to make sense out of his situation, is to see himself as immensely worthless and guilty. This is a marvelous "invention" really, because it allows him to move out of his condition of dumbness, and make some kind of conceptualization of his situation, some kind of sense out of it-even if he has to take full blame as the culprit who is causing so much needless misery to others. Could Kierkegaard have been referring to just such an imaginative tactic when he casually observed: Sometimes the inventiveness of the human imagination suffices to procure possibility....
Ernest Becker (The Denial of Death)
Beauty is the first recognition of truth, great or small; Ugliness is the villain counter-posed to eradicate the internalization and eternalization of truth." "Lonely individuals have the most fulfilling conversations upon the mutual recognition of pathos in one another’s eyes." "Rules are the first weapon of cowards, fascists, and dullards. The cunning and anarchists and steadfast use the rules only as a last resort. After reason, logic, bribery, creativity, pleas for decency, and empathy--rules are all that before one must quietly plan an disproportionate response (like automotive sabotage or murder made to look like an accident.
James W. Hritz
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
It was a cruel world, though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren’t very many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys, too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland.
Haruki Murakami (1Q84 (Vintage International))
Nothing—and I mean really, absolutely nothing—is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized—more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railroad tracks—and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Nor are languages any respecters of frontiers. If you drew a map of Europe based on languages it would bear scant resemblance to a conventional map. Switzerland would disappear, becoming part of the surrounding dominions of French, Italian, and German but for a few tiny pockets for Romansh (or Rumantsch or Rhaeto-Romanic as it is variously called), which is spoken as a native language by about half the people in the Graubünden district (or Grisons district—almost everything has two names in Switzerland) at the country’s eastern edge. This steep and beautiful area, which takes in the ski resorts of St. Moritz, Davos, and Klosters, was once effectively isolated from the rest of the world by its harsh winters and forbidding geography. Indeed, the isolation was such that even people in neighboring valleys began to speak different versions of the language, so that Romansh is not so much one language as five fragmented and not always mutually intelligible dialects. A person from the valley around Sutselva will say, “Vagned nà qua” for “Come here,” while in the next valley he will say, “Vegni neu cheu” [cited in The Economist, February 27, 1988]. In other places people will speak the language in the same way but spell it differently depending on whether they are Catholic or Protestant.
Bill Bryson (The Mother Tongue: English and How it Got that Way)
That's the beauty of discipline. It trumps everything. A lot of us are born with minimal talent, unhappy in our own skin and with the genetic makeup with which we were born. We have fucked-up parents, grow up bullied and abused, or are diagnosed with learning disabilities. We hate our hometown, our teachers, our families, and damn near everything about ourselves. We wish we could be born again as some other motherfucker in some other time and place. Well, I am proof that rebirth is possible through discipline, which is the only thing capable of altering your DNA. It is the skeleton key that can get you past all the gatekeepers and into each and every room you wish to enter. Even the ones built to keep you the fuck out! ... Discipline builds mental endurance because when effort is your main priority, you stop looking for everything to be enjoyable. Our phones and social media have turned too many of us inside out with envy and greed as we get inundated with other people's success, their new cars and houses, big contracts, resort vacations, and romantic getaways. We see how much fun everyone else is having and feel like the world is passing us by, so we bitch about it and then wonder why we are not where we want to be. When you become disciplined, you don't have time for that bullshit. p140
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
Nothing – and I mean, really, absolutely nothing – is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized – more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines – and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known – almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect. What an achievement that is. And
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I —  The duke didn't ban—"  She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now."  He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Stay there,’ said Mathis. He kicked back his chair and hurtled through the empty window-frame on to the pavement. 6 ....... TWO MEN IN STRAW HATS WHEN BOND left the bar he walked purposefully along the pavement flanking the tree-lined boulevard towards his hotel a few hundred yards away. He was hungry. The day was still beautiful, but by now the sun was very hot and the plane-trees, spaced about twenty feet apart on the grass verge between the pavement and the broad tarmac, gave a cool shade. There were few people abroad and the two men standing quietly under a tree on the opposite side of the boulevard looked out of place. Bond noticed them when he was still a hundred yards away and when the same distance separated them from the ornamental ‘porte cochère’ of the Splendide. There was something rather disquieting about their appearance. They were both small and they were dressed alike in dark and, Bond reflected, rather hot-looking suits. They had the appearance of a variety turn waiting for a bus on the way to the theatre. Each wore a straw hat with a thick black ribbon as a concession, perhaps, to the holiday atmosphere of the resort, and the brims of these and the shadow from the tree under which they stood obscured their faces. Incongruously, each dark, squat little figure was illuminated by a touch of bright colour. They were both carrying square camera-cases slung from the shoulder. And one case was bright red and the other case bright blue. By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted.
Ian Fleming (Casino Royale (James Bond, #1))
The chivalric-aristocratic value judgments are based on a powerful physicality, a blossoming, rich, even effervescent good health that includes the things needed to maintain it, war, adventure, hunting, dancing, jousting and everything else that contains strong, free, happy action. The priestly-aristocratic method of valuation — as we have seen — has different criteria: woe betide it when it comes to war! As we know, priests make the most evil enemies — but why? Because they are the most powerless. Out of this powerlessness, their hate swells into something huge and uncanny to a most intellectual and poisonous level. The greatest haters in world history, and the most intelligent [die geistreichsten Hasser], have always been priests: — nobody else’s intelligence [Geist] stands a chance against the intelligence [Geist] of priestly revenge. The history of mankind would be far too stupid a thing if it had not had the intellect [Geist] of the powerless injected into it: — let us take the best example straight away. Nothing that has been done on earth against ‘the noble’, ‘the mighty’, ‘the masters’ and ‘the rulers’, is worth mentioning compared with what the Jews have done against them: the Jews, that priestly people, which in the last resort was able to gain satisfaction from its enemies and conquerors only through a radical revaluation of their values, that is, through an act of the most deliberate revenge [durch einen Akt der geistigsten Rache]. Only this was fitting for a priestly people with the most entrenched priestly vengefulness. It was the Jews who, rejecting the aristocratic value equation (good = noble = powerful = beautiful = happy = blessed) ventured, with awe-inspiring consistency, to bring about a reversal and held it in the teeth of the most unfathomable hatred (the hatred of the powerless), saying: ‘Only those who suffer are good, only the poor, the powerless, the lowly are good; the suffering, the deprived, the sick, the ugly, are the only pious people, the only ones saved, salvation is for them alone, whereas you rich, the noble and powerful, you are eternally wicked, cruel, lustful, insatiate, godless, you will also be eternally wretched, cursed and damned!’ . . . We know who became heir to this Jewish revaluation . . . With regard to the huge and incalculably disastrous initiative taken by the Jews with this most fundamental of all declarations of war, I recall the words I wrote on another occasion (Beyond Good and Evil, section 195) — namely, that the slaves’ revolt in morality begins with the Jews: a revolt which has two thousand years of history behind it and which has only been lost sight of because — it was victorious . . .
Friedrich Nietzsche (On the Genealogy of Morals)
On a break from the tour, I went south to Bali, a place the choreographer Toni Basil, whom Eno and I had met during the Bush Of Ghosts sessions, had recommended as being transporting and all about performance. I rented a small motorcycle and headed up into the hills, away from the beach resort. I soon discovered that if one saw offerings of flowers and fruit being brought to a village temple compound in the afternoon, one could be pretty certain that some sort of ritual performance would follow there at night. Sure enough, night after night I would catch dances accompanied by gamelan orchestras and shadow-puppet excerpts from the Hindu Ramayana--epic and sometimes ritual performances that blended religious and theatrical elements. (A gamelan is a small orchestra made up mainly of tuned metallic gongs and xylophone-like instruments--the interplay between the parts is beautiful and intricate.) In these latter events some participants would often fall into a trance, but even in trance there were prescribed procedures. It wasn't all thrashing chaos, as a Westerner might expect, but a deeper kind of dance. As In Japanese theater, the performers often wore masks and extreme makeup; their movements, too, were stylized and "unnatural." It began to sink in that this kind of "presentational" theater has more in common with certain kinds of pop-music performance that traditional Western theater did. I was struck by other peripheral aspects of these performances. The audiences, mostly local villagers of all ages, weren't paying attention half the time. People would wander in and out, go get a snack from a cart or leave to smoke a bidi cigarette, and then return to watch some more. This was more like the behavior of audiences in music clubs than in Western theaters, where they were expected to sit quietly and only leave or converse once the show was over. The Balinese "shows" were completely integrated into people's daily lives, or so it seemed to me. There was no attempt to formally separate the ritual and the show from the audience. Everything seemed to flow into everything else. The food, the music, and the dance were all just another part of daily activity. I remembered a story about John Cage, who, when in Japan, asked someone what their religion was. The reply was that they didn't have a strict religion--they danced. Japanese do, of course, have Buddhist and Shinto rituals for weddings, funerals, and marriages, but a weekly thing like going to church or temple doesn't exist. The "religion" is so integrated into the culture that it appears in daily gestures and routines, unsegregated for ordinary life. I was beginning to see that theatricality wasn't necessarily a bad thing. It was part of life in much of the world, and not necessarily phony either.
David Byrne (How Music Works)
Prayer is the best resort and God will guide you to feel beautiful moments even if you're weak or strong, bury your soul into the arms of the love of God.
Grats
The reflexive sense of wonder, of crying over a medal of the Madonna del Granduca and not knowing why, will be mostly replaced by survival and knowing perfectly well why. And survival will mean replacing the love of the beautiful with the love of what is funny, humor being the last resort of the besieged Jew, especially when he is placed among his own kind.
Gary Shteyngart (Little Failure)
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Those of us who pursue science studies are the Darwins of science, showing how the exquisite beauty of facts, theories, instruments and machines can be accounted for without ever resorting to teleological principles or arguments by design
Howard Margolis (It Started With Copernicus: How Turning the World Inside Out Led to the Scientific Revolution)
Question: when you picture Jesus ministering to others, how do you see Him? Certainly not with the stressed-out, hurry-up attitude we often have. Don’t you get an image of Him ministering in a quiet, tranquil peace? That’s a trait you need to develop too. As ambassadors of Christ we need to become more like our Master in dealing with others. Paul writes, ‘Live in peace, and [then] the God of love [Who is the Source of affection, goodwill, love, and benevolence toward men] and the Author and Promoter of peace will be with you.’ When you resort to force, argument, intimidation, anger, and coercion, you’re on your own. But when you demonstrate affection, goodwill, love, and benevolence towards people, God has promised to be with you
Patience Johnson (Why Does an Orderly God Allow Disorder)
That evening he put me up at the Glasshouse Mountains Motel, a few miles from the zoo. Steve was very chivalrous. I met his parents and had dinner with the whole family. I also got my first taste of Australian humor. That night at dinner, I poured myself what I thought was a nice glass of juice. The entire Irwin family sat quiet and straight-faced. As I took a big swig, it nearly choked me. That’s when I learned about cordial, which is supposed to be mixed with water. I had poured it full strength. We all had a good laugh. The next night Steve and I went to dinner in Caloundra, a nearby town. He took me to a resort that featured an all-you-can-eat buffet dinner--seafood banquet, my favorite. I loaded my plate high with prawns, crab, oysters, and everything I loved. I didn’t know it then, but Steve was a bit worried that I was going to eat more than he did. At one point a little piece of crab flicked onto the crook of my arm. I deftly reached down with my tongue and managed to grab it off my elbow and eat it. Suddenly I felt self-conscious. Steve was staring at me. He looked at me with such love in his eyes, and I thought, He’s going to say something wonderful. Steve leaned forward and said affectionately, “ Gosh, you aren’t ladylike at all.” I burst out laughing. Apparently I’d done the right thing. I reflected back on my dad’s advice: No matter what, always be yourself. And it sure had worked. As we left the restaurant, Steve said, “You know, I smell ducks.” We walked outside, and sure enough, there was a flock of beautiful ducks bobbing around on a pond. “Steve, you are the most amazing bushman I’ve ever met,” I said. Of course, the resort and the pond had been there for years, and Steve had known about the ducks for just as long. “I smell ducks” was a Crocodile Dundee trick that had nevertheless worked its magic on this naïve American girl. And then, suddenly, the weekend was over. Steve drove me back down to Brisbane. I had the biggest ache in my heart. I had fallen hard. As we said good-bye, he put his arms around me for the first time, and I felt all his strength and warmth in that embrace. But it was over. I was going back to my side of the world. I had no idea if I would ever see Steve Irwin again.
Terri Irwin (Steve & Me)
She wondered whether there was any way of getting him to take the pills by trickery. She did not like the idea of using underhand methods with Mr. J.L.B. Matekoni, but when a person's reason was disturbed, then she thought that any means were justified in getting them better. It was as if a person had been kidnapped by some evil being and held ransom. You would not hesitate, she felt, to resort to trickery to defeat the evil being.
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
Everything You Should Know About Planning a Trip to Hawaii Planning a trip to Hawaii should be just as fun as actually going to Hawaii. There are tons of awesome activities and beautiful resorts that you can stay at that it might be hard to choose.
Hawaiian Planner
I have an affinity towards kind souls, cause kindness doesn't come from naïveté; that's ignorance, it comes from suffering, pain and humiliation and the resolve to not resort to vengeance, the strength to stand up and never let another soul feel the same. To me, that's beautiful.
Sayed H Fatimi
I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare. I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life. Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.
Melanie Gideon (Valley of the Moon)
Lauren threw a nod and a seemingly genuine smile her way, and Ashley felt a spark of hope that the muscle memory of their friendship did still exist. Because this was it—her Hail Mary, her mea culpa. She’d sold them hard in her email invitation—calling attention to the beauty of the resort, the fun things they could do together in the Yucatán Peninsula. But she’d avoided mentioning the real reason. Had she worried deep down that if she’d revealed her true intentions, they would have declined?
Liz Fenton (Girls' Night Out)
3. The Next Step in the Mental Training. In the next place we have to strive to be the master of our bodies. With most of the unenlightened, body holds absolute control over Self. Every order of the former has to be faithfully obeyed by the latter. Even if Self revolts against the tyranny of body, it is easily trampled down under the brutal hoofs of bodily passion. For example, Self wants to be temperate for the sake of health, and would fain pass by the resort for drinking, but body would force Self into it. Self at times lays down a strict dietetic rule for himself, but body would threaten Self to act against both the letter and spirit of the rule. Now Self aspires to get on a higher place among sages, but body pulls Self down to the pavement of masses. Now Self proposes to give some money to the poor, but body closes the purse tightly. Now Self admires divine beauty, but body compels him to prefer sensuality. Again, Self likes spiritual liberty, but body confines him in its dungeons. Therefore, to get Enlightened, we must establish the authority of Self over the whole body. We must use our bodies as we use our clothes in order to accomplish our noble purposes. Let us command body not to shudder under a cold shower-bath in inclement weather, not to be nervous from sleepless nights, not to be sick with any sort of food, not to groan under a surgeon's knife, not to succumb even if we stand a whole day in the midsummer sun, not to break down under any form of disease, not to be excited in the thick of battlefield—in brief, we have to control our body as we will. Sit
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
We’ve resorted to formalities suddenly? Am I to assume we haven’t been intimate enough for you to call me by my first name?” Despite his casual tone, his eyes suggested so much more. “Perhaps I should rectify that.
Melissa Lurquette (A Beautiful Bounty (The Historical Romance Davenport Trilogy, #1))
We’ve resorted to formalities suddenly? Am I to assume we haven’t been intimate enough for you to call me by my first name?” Despite his casual tone, his eyes suggested so much more. “Perhaps I should rectify that.
Melissa Lurquette (A Beautiful Bounty (The Historical Romance Davenport Trilogy, #1))
The way I see it,” she went on, “our friendship, and our working relationship, were solid foundations we built over time. Now you’re here wanting more, and the way we started that next step was with a kiss. So I feel like we’ve done just about everything two people can do in getting to know each other except…finish that kiss. It seemed to me that the logical next step, the next piece of information we needed to know, was what comes next when we let that kiss go to its natural conclusion.” She did smile then, and her emerald green eyes blazed as she let down a guard he didn’t know she’d still had erected, letting him see for the first time the rest of what she was feeling. “Or at least that was my rationale for finally letting myself have what I fantasized about having, all those months I worked next to you.” He opened his mouth, then shut it again when her words sank in. “I--what did you just say?” Her smile remained, but there was a new light flickering in the depths of her eyes now, one that somehow managed to look bold, excited, and endearingly nervous all at the same time. “You weren’t alone, Cooper, in wanting…what you wanted. At least the physical attraction part anyway. I should have been more forthright about that when you showed up at the pub, or afterward. But at least try to see this from my perspective. Suddenly, out of the blue, the man I lusted after all those months was standing, quite improbably, right in front of me, in his full, Technicolor gorgeousness, looking even better than the guy I was sure I’d exaggerated and romanticized. Right there, in the flesh. And before I could even begin to get a grip on that, you went all going down on bended knee on me, and--it was all so much, too much, to even begin to process.” She let out a short, disbelieving laugh. “Maybe if you’d just dragged me into your arms and not given me a chance to think, I might have surrendered right there on the spot, and the rest of the Cove be damned. But instead you’re all sincere, with your big, beautiful heart hanging on your sleeve, all earnest and lovely, and I so didn’t deserve anything like that, not after the way I left things between me and your entire family. I didn’t have the first clue what to do with that. With you.” Her smile turned decidedly rueful. “So, naturally, I resorted to form. I shut you down, told you to go away. If I couldn’t run away, I was going to make damn sure you did. I mean, it was one thing to leave Cameroo, then insult you and your family by not keeping in touch. It was another thing entirely to do it again, right to your face.” “I hate to interrupt,” he said, trying like hell not to grin, then drag her into his lap to do what he apparently should have done the moment he’d laid eyes on her again. “But I haven’t heard a word you’ve said since that part where you’ve been lusting after me for two years.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
It was another beautiful crisp, clear day, in what has always been considered picturesque Überlingen. The village was internationally known for its traditional beauty and was a popular vacation destination long before the war. As usual, there was just a hint of a breeze off the brilliantly blue lake and I could understand why so many Germans would come here for their urlaub or vacation. Having a little money left over from the last check sent by Mina, I found a nice room for the three of us, overlooking the lake at a classy resort hotel. For the next two days we lived quite comfortably in our new surroundings. In fact we even enjoyed a real hot bath, something that I had almost forgotten. As I soaked in the warm, sudsy water I could hear my children laughing and giggling in the next room, and longed for a time when the world would be at peace again. During the day we walked along the shore of the beautiful Bodensee, but in the back of my mind, I knew that this was nothing more than a horrible illusion and couldn’t last; besides I had to find work. In reality, the children and I would have to settle in somewhere so that we could find some sort of stability. It was also important that they enroll in a school again. That “somewhere” turned out to be a room in a house owned by two old ladies who took in boarders. The old house faced the railroad station and was quaint in the old world style. It fit right into the picture postcard appearance of romantic Überlingen. Erika, the younger of the two ladies, was very kind and helpful to me. There were also two other tenants, Mr. and Mrs. Koestoll. He was German and she seemed to be what could be considered a typical French housewife, who devoted her life to her German husband. Herr Koestoll, was old and feeble and they sustained themselves on a very small pension. In fact it was so bad that he couldn’t even afford shoes. However their happiness didn’t seem to depend on money. I grew very fond of them for the short time that we knew each other.
Hank Bracker
I sipped freshly squeezed orange juice as I sat on the veranda of the most beautiful resort I’d ever visited in my life, reading a reverse harem book on my Kindle.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
could just make out a tiny hill, with the ant-size figure of Sisyphus struggling to move his boulder to the top. And I saw worse tortures, too—things I don’t want to describe. The line coming from the right side of the judgment pavilion was much better. This one led down toward a small valley surrounded by walls—a gated community, which seemed to be the only happy part of the Underworld. Beyond the security gate were neighborhoods of beautiful houses from every time period in history, Roman villas and medieval castles and Victorian mansions. Silver and gold flowers bloomed on the lawns. The grass rippled in rainbow colors. I could hear laughter and smell barbecue cooking. Elysium. In the middle of that valley was a glittering blue lake, with three small islands like a vacation resort in the Bahamas. The Isles of the Blest, for people who had chosen to
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
What is this but a place?” he said. “Nothing more than a place. We’re both here in this place, occupying space. Everywhere is a place. All places share this quality. Is there any real difference between going to a gorgeous mountain resort with beautiful high thin waterfalls so delicate and ribbonlike they don't even splash when they hit bottom — waterfalls that plash; is this so different from sitting in a kitchen with bumpy linoleum and grease on the wall behind the stove across the street from a gravel pit? What are we talking about? Two places, that's all. There's nowhere you can go that isn't a place. So what's such a difference? If you can understand this idea, you'll never be unhappy. Think of the word 'place.' A sun deck with views of gorgeous mountains. A tiny dark kitchen. These share the most important of all things anything can share. They are places. The word 'place' applies in both cases. In this sense, how do we distinguish between them? How do we say one is better or worse than the other? They are equal in the most absolute of ways. Grasp this truth, sonny, and you'll never be sad.
Don DeLillo (Ratner's Star)
For relaxation after a hectic week, I would go with friends on weekends to a white-sand beach resort not far from Amsterdam named Zandvoort. This beautiful beach
Xaviera Hollander (The Happy Hooker: My Own Story)
was just getting to the age when New York no longer promised an adventure down every block, and here I was on this tiny peninsula where everywhere I looked I found something new or beautiful or exhilarating.
Sarah Stodola (The Last Resort: A Chronicle of Paradise, Profit, and Peril at the Beach)
Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?
Denyse Beaulieu (The Perfume Lover: A Personal History of Scent)
The Timid Gods! When the sun shines high, And it leaves its morning shyness, As it dominates the light spreading across the vastness of the sky, Then let me reflect back to it your loveliness, When the sun beams dazzle over flowers many, And they sway with the afternoon breeze, Let me show them your beautiful avatars many, And ah their unease, When the river flows at its enjoyable pace to meet the sea, Then let me submerge your essences into the infinite reservoir of feelings, Then as the river meets the sea, let it see, That in the sea of beauty every drop, every wave and every ripple is a creation of your beauty’s dealings, When the God of beauty wakes up from the blissful sleep, Let me cast your shadows around the universe, And as its reflections to and fro leap, Then let the God’s realise their acts perverse, Because Gods sometimes resort to fiendish timidity, Where they believe the universe is for them alone, And when I show them your beauty, Then let them realise that they too, to many weaknesses are prone, When the winter approaches and the rose in the winter garden lies abandoned, By the summer kisses and beauty’s secret visitations, Let me make you touch its heart that in winter freeze lies stoned, Then let the God’s feel their privations, And when my love Irma, you allow me to, I shall create a new order in the Universe, Where love given is the love received too, Then, that shall be the universe to which no one shall be averse.
Javid Ahmad Tak (They Loved in 2075!)
One beautiful winter morning when Utah’s deep powder snow was perfect for experienced skiers, he and Elder W. Craig Zwick headed to a nearby resort for a day on the slopes. As they hopped on the four-person chairlift for their umpteenth ride up the mountain, a young man skied up and got on with them. They remarked how wonderful it was that Monday morning to be out in the fresh Utah snow, and the young man responded, “Yes, but my life is in a shambles.” Elder Zwick remembered, “I felt like saying, ‘This is your lucky day,’ and about then the man realized he was on the chairlift with President Nelson and gasped. “In about four minutes,” Elder Zwick related, “President Nelson taught that young man the importance of the Book of Mormon and promised that if he would read it every day, his problems wouldn’t go away but they would be alleviated. That is how clearly he taught” (Church News/KSL Interview, January 5, 2018).
Sheri Dew (Insights from a Prophet’s Life: Russell M. Nelson)
What really annoys me very often is when People start comparing two individuals. This clearly indicates that they have not lived their life at all. They are insulting themselves by resorting to these practices. They do not have even an iota of understanding as to how unique and gifted they are. Once you start living intensely, only then will you come to recognize your self, then you will be surprised how different you are, in your responses, in your actions - In Your Individuality, only then will you appreciate the uniqueness of others, not before. So, start living joyously, Celebrate Life!
Ramana Pemmaraju
I didn’t stay in the cab. I had to see Vegas. I wasn’t interested in the casinos but the nightlife, the culture. The idea that it truly never slept. But as I walked through the beautifully lit streets, the town felt like nothing but a last resort, somewhere you went while you died inside, with sex and money to fill the void.
Chad Lutzke (Skullface Boy: A Coming of Age Road Trip)
How many of us would sign up to visit a resort or vacation destination whose only advertising was “It’s beautiful, just perfect,” but provides us with no details? You have no idea what the resort looks like or what it offers. The ads may say it’s perfect—but perfect for whom? It may indeed be perfect—for hikers—but what if you’re not a hiker? Or it may be perfect for hunters or surfers, but what if you’re neither? What if it’s designed for senior citizens and you’re twenty-something, or for kids and you’re eighty?
Dan Schaeffer (A Better Country: Preparing for Heaven)
Around the time Vespasiano reached his fortieth birthday in 1462, a humanist in Milan wrote that the most beautifully made books came from Florence. “There is one Vespasiano there,” he wrote, “an excellent bookseller, with expert knowledge of both books and scribes, to whom all of Italy and foreigners as well resort when they want to find elegant books for sale.”1 According to one of his scribes, Vespasiano was princeps omnium librariorum florentinorum (prince of Florentine booksellers). One client simply declared him rei de li librari del mondo—king of the world’s booksellers.
Ross King (The Bookseller of Florence: The Story of the Manuscripts That Illuminated the Renaissance)
Even with boring old punishment, the natural creativity of schools cannot be suppressed. The names for isolation rooms bear this out beautifully. We casually refer to it as isolation, seclusion (like a secluded beach resort!), the hole, the growth mindset room, respite, the grade room, challenge!, the time-out room and, unbelievably, the inclusion room. I can think of nothing less inclusive than a cell. Heaping punishment on damaged children is not right.
Paul Dix (When the Adults Change, Everything Changes: Seismic shifts in school behaviour)
your future, and the symbol of the lotus flower was the most powerful image of all. It grows from the mud, the dirt, and emerges resplendent in its breath-taking beauty. It’s a symbol of purity, self-regeneration, and spiritual enlightenment. I chose the lotus flower because I identify with it. I grew from the mud and the dirt, and I have created something beautiful. So,
M.J. Hardy (The Resort)
the symbol of the lotus flower was the most powerful image of all. It grows from the mud, the dirt, and emerges resplendent in its breath-taking beauty. It’s a symbol of purity, self-regeneration, and spiritual enlightenment. I chose the lotus flower because I identify with it. I grew from the mud and the dirt, and I have created something beautiful.
M.J. Hardy (The Resort)
Russia’s interest in Montenegro is also wrought by Russia’s considerable history of cultural and linguistic ties to Serbian-speaking territories, to its economic investments here, and to the fact that this beautiful Adriatic resort has become a playground for Russian organized crime.
Robert D. Kaplan (Adriatic: A Concert of Civilizations at the End of the Modern Age)
Imagine each day that you have just received an emergency message and that you will have to leave town tomorrow for a month. If you had to leave town for a month, what would you make absolutely sure that you got done before you left? Whatever your answer, go to work on that task right now. Another way to put pressure on yourself is to imagine that you just received an all-expenses-paid vacation at a beautiful resort as a prize, but you will have to leave tomorrow morning on the vacation or it will be given to someone else. What would you be determined to finish before you left so that you could take that vacation? Whatever it is, start on that one job immediately.
Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
In 1863, as Havana continued to grow, the need for expansion prompted the removal of the city walls. The Ten Years’ War ended with a cease fire from Spain. However, it was followed by the Cuban War of Independence, which lasted from 1895 until 1898 and prompted intervention by the United States. The American occupation of Cuba lasted until 1902. After Cuban Independence came into being, another period of expansion in Havana followed, leading to the construction of beautiful apartment buildings for the new middle class and mansions for the wealthy. During the 1920’s, Cuba developed the largest middle class per total population in all of Latin America, necessitating additional accommodations and amenities in the capital city. As ships and airplanes provided reliable transportation, visitors saw Havana as a refuge from the colder cities in the North. To accommodate the tourists, luxury hotels, including the Hotel Nacional and the Habana Riviera, were built. In the 1950’s gambling and prostitution became widespread and the city became the new playground of the Americas, bringing in more income than Las Vegas. Now that Cuba senses an end to the embargo and hopes to cultivate a new relationship with the United States, construction in Havana has taken on a new sense of urgency. Expecting that Havana will once again become a tourist destination, the French construction group “Bouygues” is busy building Havana's newest luxury hotel. This past June Starwood’s mid-market Four Points Havana, became the first U.S. hotel, owned by Marriott, to open in Cuba. The historic Manzana de Gómez building which was once Cuba's first European-style shopping arcade has now been transformed into the Swiss based Manzana Kempinski, Gran Hotel, La Habana. It has now become Cuba's first new 5-Star Hotel! Spanish resort hotels dot the beaches east of Havana and China is expected to build 108,000 new hotel rooms for the largest tourist facility in the Caribbean. On the other end of the spectrum is the 14 room Hotel Terral whch has a prime spot on the Malecón.
Hank Bracker
IN Bethesda, Maryland, four powerful men sat in a plush office in a picturesque baronial structure on the campus of the National Institutes of Health. One was powerful in the religious world; one in the political realm; two in the medical community. It was a beautiful day. The sky was dark blue and clear. The well-manicured grounds outside were alive with green. The whole area resembled the most exclusive of country clubs. But the four men were oblivious to their resort like surroundings. Arguments raged. Accusations were hurled. Fingers were pointed. And in the end nothing was resolved. Through it all, one man had not raised his voice. One man had not engaged in the bitter debate. One man—a normally very verbose man—had not said a word. But the man had listened. And the man had made a decision. As
Harlan Coben (Miracle Cure)
The chivalric-aristocratic value judgments are based on a powerful physicality, a blossoming, rich, even effervescent good health that includes the things needed to maintain it, war, adventure, hunting, dancing, jousting and everything else that con- tains strong, free, happy action. The priestly-aristocratic method of valua- tion – as we have seen – has different criteria: woe betide it when it comes to war! As we know, priests make the most evil enemies – but why? Because they are the most powerless. Out of this powerlessness, their hate swells into something huge and uncanny to a most intellectual and poisonous level. The greatest haters in world history, and the most intelligent [die geistreichsten Hasser], have always been priests: – nobody else’s intelligence [Geist] stands a chance against the intelligence [Geist] of priestly revenge.20 The history of mankind would be far too stupid a thing if it had not had the intellect [Geist] of the powerless injected into it: – let us take the best example straight away. Nothing that has been done on earth against ‘the noble’, ‘the mighty’, ‘the masters’ and ‘the rulers’, is worth mentioning compared with what the Jews have done against them: the Jews, that priestly people, which in the last resort was able to gain satisfaction from its enemies and conquerors only through a radical revaluation of their values, that is, through an act of the most deliberate revenge [durch einen Akt der geistigsten Rache]. Only this was fitting for a priestly people with the most entrenched priestly vengefulness. It was the Jews who, rejecting the aristocratic value equation (good = noble = powerful = beautiful = happy = blessed) ventured, with awe-inspiring consistency, to bring about a rever- sal and held it in the teeth of the most unfathomable hatred (the hatred of the powerless), saying: ‘Only those who suffer are good, only the poor, the powerless, the lowly are good; the suffering, the deprived, the sick, the ugly, are the only pious people, the only ones saved, salvation is for them alone, whereas you rich, the noble and powerful, you are eternally wicked, cruel, lustful, insatiate, godless, you will also be eternally wretched, cursed and damned!’ . . . We know who became heir to this Jewish revaluation . . . With regard to the huge and incalculably disastrous initiative taken by the Jews with this most fundamental of all declarations of war, I recall the words I wrote on another occasion (Beyond Good and Evil, section 195)21 – namely, 20 The German term Geist and its derivatives, are generally rendered by ‘spirit’ and its deriv- atives, but can also, as in this sentence, be translated as ‘intelligence’ and, as elsewhere, ‘mind’, ‘intellectuahat the slaves’ revolt in morality begins with the Jews: a revolt which has two thousand years of history behind it and which has only been lost sight of because – it was victorious . . .
Nietszche
The sickly are the greatest danger to man: not the wicked, not the ‘beasts of prey’. Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in our- selves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’.90 They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’91 and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers’ [die Species der moralischen Onanisten und ‘Selbstbefriediger’]. The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Nietszche
She was pretty in a way I wasn’t used to. Not like most you girls bowing to the latest beauty trends, indulging in temporary body modifications from reshaping their noses to plumping their lips, or hips, or rears, depending on what was in. You boys kept pace with pec implants and by buying new, chiseled jawlines. But fads came and went, and the yous altered their looks as often as the seasons. The meis, lacking the funds for such drastic changes, resorted to painting their faces in bright colors, using semipermanent tattoos, and dyeing their hair.
Cindy Pon (Want (Want, #1))
In my view, “what if” is at the heart of science fiction. Starting with reality itself, the writer applies plausible and logically consistent conditions to play out a thought experiment, pushing the characters and plot toward an imagined hyperreality that evokes a sense of wonder and estrangement. Faced with the absurd reality of contemporary China, the writer cannot fully explore or express the possibilities of extreme beauty and extreme ugliness without resorting to science fiction.
Ken Liu (Invisible Planets: Contemporary Chinese Science Fiction in Translation)
The romantic ambience that surrounded them as they walked felt almost magical and Zoe was quickly seduced by the pleasant nature of her environment as she was literally swept of her feet by the beauty of the resort as she'd absolutely never, ever been in a place that was so breathtakingly stunning ever before.
Jill Thrussell (Love Inc: Sophistidated (Glitches #2))
small town in eastern Belgium, southeast of Liège; pop. 10,140. It has been celebrated since medieval times for the curative properties of its mineral springs. spa   n. a mineral spring considered to have health-giving properties.    a place or resort with such a spring.  a commercial establishment offering health and beauty treatment through such means as steam baths, exercise equipment, and massage.  a bath or small pool containing hot aerated water.  early 17th cent.: from SPA.
Oxford University Press (The New Oxford American Dictionary)
Luxury hotel in Mexico on a legendary private estate with beautiful beaches on the Mexican Pacific. 25,000 acres of land made up of lagoons, beaches, and beautiful landscapes. Come stay with us for any occasion.
Resorts in Mexico
He turned from Lashgarak Road onto Route 425, a paved two-lane road into the mountains, bordered by a guardrail and trees. A place of incredible beauty, with waterfalls tumbling from rocks to a gorge beside the road. About five kilometers up and above the tree line, the snow got deep enough that he had to stop at a turnoff to put on chains even with the rented Toyota RAV4’s all-wheel drive. He looked around at the mountains, stark and covered with snow. No one was following him on the road and only the occasional car or truck came the other way, down the mountain from Shemshak. He didn’t expect a lot of traffic heading up. It was late afternoon and there was no night skiing at the resort; not to mention the crisis. He didn’t need to check his iPad again to see where Zahra was. She had left her cell phone on, and his tracking software on the iPad showed she was about ten kilometers ahead of him up toward the Dizin ski resort.
Andrew Kaplan (Scorpion Deception (Scorpion, #4))
Modern debates were over truth and reality, reason and experience, liberty and equality, justice and peace, beauty and progress. In the postmodern framework, those concepts always appear in quotation marks. Our most strident voices tell us that “Truth” is a myth. “Reason” is a white male Eurocentric construct. “Equality” is a mask for oppressions. “Peace” and “Progress” are met with cynical and weary reminders of power—or explicit ad hominem attacks. Postmodern debates thus display a paradoxical nature. Across the board, we hear, on the one hand, abstract themes of relativism and egalitarianism. Those themes come in both epistemological and ethical forms. Objectivity is a myth; there is no Truth, no Right Way to read nature or a text. All interpretations are equally valid. Values are socially subjective products. Culturally, therefore, no group’s values have special standing. All ways of life from Afghani to Zulu are legitimate. Coexisting with these relativistic and egalitarian themes, we hear, on the other hand, deep chords of cynicism. Principles of civility and procedural justice simply serve as masks for hypocrisy and oppression born of asymmetrical power relations, masks that must be ripped off by crude verbal and physical weapons: ad hominem argument, in-your-face shock tactics, and equally cynical power plays. Disagreements are met—not with argument, the benefit of the doubt, and the expectation that reason can prevail—but with assertion, animosity, and a willingness to resort to force.
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault (Expanded Edition))
Let Let us go somewhere far, Let us be there where there is no war, Let us seek what peace seeks from all, Let us be there, if we try, there we can be afterall, Let us give life a chance, Let us allow innocent hearts to feel their moments of romance, Let us be there where you can be you and I can be who I am, Let us not worry about who he/she is, but only focus on who we are and who I am, Let us go there where seasons end and reappear in their cyclic recurrences, Let us collect their beautiful impressions, their essences and their fragrances, Let us follow no guiding star, but just our inner guidance, Let us only follow our heart’s native radiance, Let us believe in ourselves with firmness, Let us believe that before seeking anything outside us we should seek it within us, that true feeling of happiness, Let us harvest feelings true under this sky blue, Let you be you, let me be who I am, but always be true, Let us fill all emotional voids with moments of genuine adulations, Let us indulge in these acts and end all our tribulations, Let us wait for nothing, because time waits for nobody, Let us try, and I am sure we shall succeed if we truly love somebody, Let us let the sun set, because only then the moon will rise, Let us for someone’s sake stand and witness our own rise, Let us not flee when we should be participating in life’s dealings, Let us believe and we shall witness divine joys and healings, Let us give before we can take, Let us take only what we can recreate or make, Let us not fear repudiation of any sort, Let us know we shall always be the masters of the thing called “the last resort!” Let us not believe in aspersions because they might hurt someone, Let us before dying, love that special someone, Let us only deal with evinced hearts, for they know how heart breaks feel, Let us, before we deal with others, with our own hearts’ deal, Let me find this place for you and me, Let me lead you there, and let us forever then there be, Let me love you in the lap of time in that region, Let your feelings and you, then be my heart’s only succession, Let us then watch the setting sun and the rising moon, Let me then disappear in the horizon of your beauty before the sunset and before the rising moon, Let it be so then forever, Let love and time seek us then Irma, in this landscape called “your and my everywhere!
Javid Ahmad Tak (They Loved in 2075!)
At the stroke of midnight, December 31st, 1981, ninety-eight beautiful people vanished without a trace from the grand ballroom of the Sinclair Resort Hotel, never to be seen or heard from again.
Katie Berry (Abandoned (Lively Deadmarsh #1))