Beautiful Packaging Quotes

She was comfort and pain, wrapped up in one beautiful package…that wasn’t mine.

A body is simply a package for the true gifts inside. And you are full of gifts. Selflessness, kindness, compassion. All the things that matter. Youth and beauty fade. Human decency doesn't.

There are more nasty things in pretty packages in the world than most people would believe.

The world would see the beauty of the packaging, but only I knew the man inside it and how precious he was. His intimate smiles and his deep husky laugh, the gentleness of his touch and the ferocity of his passion were all reserved for me.

Even the most effective poisons come in pretty packages, and Xaden’s exactly that—as beautiful as he is lethal.

How easy it is to dismiss the outer packaging without an inkling that one is thereby missing the precious beauty within.

I have to remind myself that love comes in all sorts of packages.

Outward beauty is the frame for the masterpiece of your soul.

The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.

You don't have to be beautiful to be shallow. You needn't be small or weak to be a coward. Shitty personalities come in surprising packages and anybody can be an asshole. So value the good ones, whoever they are. Recognize them when you see them and don't let them go.

The cliffs are gorgeous. Breath-stealing, really. But not in the soft endearing way of a sunset or a wobbly new lamb. They're gorgeous like a storm is gorgeous —one of those raw, tempestuous ones that leave you feeling awed and scared at the same time. Ever been trapped in a car during a particularly brutal thunderstorm? The cliffs are that kind of beautiful. Think drama, rage, and peace all packed up into one stunning package.

Because there is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear heart, on Urras. There is nothing you can do that profit does not enter into, and fear of loss, and the wish for power. You cannot say good morning without knowing which of you is ‘superior’ to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom. It is a box—Urras is a box, a package, with all the beautiful wrapping of blue sky and meadows and forests and great cities. And you open the box, and what is inside it? A black cellar full of dust, and a dead man. A man whose hand was shot off because he held it out to others.

Okay. It’s not hard to find a beautiful woman, right? Definitely not hard to find a smart woman. And there are definitely some women with good hearts. But in my experience, it’s extremely rare to find the whole package.

He lost the great big outward thing, the good- looking package, and the real parts endured. They shine through like crazy, the brillian mind and humor, the depth of generosity, the intense blue yes, those beautiful hands.

We did not learn how to feel or experience our bodies, how to appreciate our own strengths, how to value or respect or understand the packages we came in. Instead, we learned how to look at them, to pair sexuality with desirability, to measure the worth of our bodies by their capacity to elicit admiration from others.

Beauty isn’t visible; I don’t know why people think it is. Perhaps because at times there are physical manifestations suggesting beauty exists in a person, but don’t be fooled. Beauty isn’t the packaging, it’s the treasure wrapped up inside.

How to make her run? No problem there. For a fearful shadow lies constantly over the residents of Uneasy Street. It casts itself through the ostensibly friendly handshake, or the gorgeously wrapped package. It beams out from the baby's carriage, the barber's chair, the beauty parlor. Every neighbor is suspect, every outsider, every period; even one's own husband or wife of sweetheart. There is no ease on Uneasy Street. The longer one's tenancy, the more untenable it becomes.

How can we protect ourselves from a culture of manipulation, where tastes and flavors are re-created chemically in laboratories and given to us as natural food, where religion is packaged, televised and tweeted and commercials influence us to such an extent that they dictate not only what we eat, wear, read and want but what and how we dream. We need the pristine beauty of truth as revealed to us in fiction, poetry, music and the arts: we need to retrieve the third eye of imagination.

But there’s more to attraction than the exterior packaging. The color of your eyes has been burned into my brain since that man ripped away your hood in Edgecomb. The feel of your body when I caught you on the wagon has tormented me in dreams ever since. I never know what is going on behind those eyes of yours.” He gave her a wicked smile and Shea’s breath caught at the sight. “You are a constantly evolving puzzle. It drives me mad, and for someone like me, who can guess an opponent’s move before they even make it, that is more attractive than a fragile thing like appearance could ever be. You ask why you. How could it be any but you?

When I'm around you it's all right there for me in an irresistible, tattooed package.

He was happiness and hope all wrapped up in one beautiful manly package.

If she could give the fiercest storm a corporeal human body, this is what it would look like. Beauty and violence, all rolled up in one gorgeous, terrible package.

This is everything I ever needed and never knew I wanted, wrapped up in the most beautiful of packages.

But it’s not just Lucy’s skin, hair, and eyes that contribute to her beauty. It’s every smile, every laugh, every little thing she does for her son and did for me when I was sick. It’s all of it. I meant it when I said I thought Lucy was the complete package. She’s too good to be true.

I am quite scandalous, you see. I come packaged with unpredictable moments, brutal honesty, calamitous outbursts, the ghastly need for love, a fiendish lack of filter, the horrific need to question everything, nauseating affection, offensive kindness, indecent spirituality, obscene beauty, monstrous creativity, barbaric embellishments, contemptuous passion, sinful childhood traumas, unscrupulous hobbies, vexatious caring, abominable sensitivity, reprehensible humor, hideous sarcasm, displeasing feelings, unpalatable confidence, offensive compassion, villainous inspiration and a devilish wit. I am quite grotesque in my imperfectness and I am not ashamed to admit it.

I love you without end. Don't you dare think for a second that that love is gone. Don't you dare mourn for me. Miss me. Every day, just as I will miss you. Then get on with living. Do it for me. Because I can't. I will be there in every starry night, in ever whisper of breeze against your skin when you jog, I'm in every package of Starbursts, smiling down at you when you eat the pink ones.

His interest in you is merely rebellion. You are different. Forbidden. Something he knows is wrong." Her dark eyes traveled over my features. "He sees beauty now, is lured by it, even though he knows what lies beneath is evil. So intriguing, this flirting with danger." She flicked a glance at the jar. "Pandora was the same way, you know? A deceptive package. The Greek writers called her Kalon Kakon, a beautiful evil. It won't be long before you destroy those around you, just like she did." My fists clenched hard. "And if that happens, Josephine, if I turn into a monster, I'll be coming for you first, and there isn't a damn thing you can do to stop me.

If food was no longer obliged to make intercontinental journeys, but stayed part of a system in which it can be consumed over short distances, we would save a lot of energy and carbon dioxide emissions. And just think of what we would save in ecological terms without long-distance transportation, refrigeration, and packaging--which ends up on the garbage dump anyway--and storage, which steals time, space, and vast portions of nature and beauty.

Just because the package was beautifully wrapped didn’t mean it wasn’t still full of shit.

Nature is a tonic that can neither be packaged nor bottled... It eases the mind and soothes the senses.

I'd like to make a twosome with two handsome trees. Make that a threesome as I'd also include a bush in the package, to keep it low profile.

She chose the adjective deliberately. Handsome or sexy conveyed surface appeal. Beautiful addressed the whole package, inside and out.

I was in the local shop today, getting something to eat for lunch, when I suddenly had the strangest sensation—a spontaneous awareness of the unlikeliness of this life. I mean, I thought of all the rest of the human population—most of whom live in what you and I would consider abject poverty—who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries—this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for—that was the great experiment. I thought I would throw up. Of course, a feeling like that can’t last. Maybe for the rest of the day I feel bad, even for the rest of the week—so what? I still have to buy lunch. And in case you’re worrying about me, let me assure you, buy lunch I did.

And sometimes when I’m feeling extra down, when I’m missing my grandmother, I have to remind myself that love comes in all sorts of packages.” She motioned to the bakery. “I got this place. Hell, Emilienne, I got you.

This book is dedicated to every woman who has ever felt self-conscious about her size. Outer beauty comes in all sizes, shapes, heights, ages, and colors. And inner beauty will always shine through, no matter what the packaging.

The life changing seems always bracketed by the mundane. The quotidian wrapped around the profound, like plain brown paper concealing the emotional version of an improvised explosive device. Then, in a single interminable moment, when we discover the bomb, absolutely everything changes. But when we recall it from our now forever-changed lives, when we start with the plain brown wrapping, it looks like every other package, every other morning, every other walk.

So beautiful." He murmured the words aloud. He thought them in his head. Tucked them somewhere close. Her hair was beautiful, but so was her soul. That half she unknowingly held for him, it was beautiful as well. So much light in so small a package.

I don’t think of you as a typical beauty. I never once did. To me your hair mimics asphalt more than the lustrous feathers of ravens. Comparing your eyes to heavenly lights seems a stretch when they are the common color of dirt. I can’t imagine you as a tall, pole-slender image; your God-given shape is right bulky. But I never cared about such pointless things anyway. What good have trivial attributes ever done the world? When I look at you, I see you—or in other words, all of you that really matters. I see a kind heart and compassionate arms. I see a patient, gentle spirit abounding with love towards all of God’s creatures. I see the perfect blend of humility and strength of character. I see a wise intellect as well as an endearing sense of humor. I see all the qualities that make you the person I love, regardless of the bodily package you’re bound in. So forgive me if I don’t think you’re beautiful, because I find you to be far superior to that worthless and pointless nonsense the world calls beauty.

It was as if I suddenly remembered that my life was all part of a television show – and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers off single-use plastic. That was what they died for – that was the great experiment. I thought I would throw up.

You are not your body, not your appearance. Those are only your packaging. When the physical parts of you wear out, you live on, unencumbered by the weight of flesh and beauty. You are free to soar because you were never those things. You are something more, something eternal.

To begin with, it was important for women to keep up their “curb appeal,” to “look and smell delicious,” to be “feminine, soft, and touchable,” not “dumpy, stringy, or exhausted”—at least if they wanted husbands to come home to them. But that was just the beginning. To keep a husband’s interest, Morgan was a strong believer in the power of costumes in the bedroom (or kitchen, living room, or backyard hammock), so that when a husband opened the front door each night it was like “opening a surprise package.” One day a “smoldering sexpot,” another “an all-American fresh beauty,” a pixie, a pirate, “a cow-girl or a show girl.” (Contrary to popular belief, Morgan never recommended that women clothe themselves in nothing but Saran Wrap. She wasn’t sure where that rumor got its start, though she conceded it was “a great idea.”) 3

Pax encompasses me. He always has. Every dark, angry, ugly part of him, wrapped up in such a devilishly beautiful package. He’s hostile and he’s hateful, and he wields his anger like a blade. There is nothing good about him. But when I’m with him, I can let go. I don’t think anymore. I don’t rage against my own inner pain. The waking nightmares that plague me every second of the day have no power over me in his presence. I used to crave him because of how he looked. Because of how he made me feel. Now, I crave him because, around him, I can surrender. I can feel nothing at all.

Story ideas had never been a problem for him, there'd always been more ideas than time to write them, he'd reject one perfectly good notion because he fell more simpatico toward a different one. But of course he could never go back to any of those ancient story stubs, they wouldn't still have juice in them. For him, creating a novel was like gardening; you choose your seed, you treat it exactly the way the package says, and gradually a thing of beauty - or of sturdiness, or of nutrition - grows up and becomes yours. The seed you don't nurture doesn't wait to be doted over later; it shrivels and dies.

The Lord speaks to each one of us in different ways. He may use your mother, your sister, your child, or even your boss. He might even use an unbeliever. God never said his messages would come in nicely wrapped packages from your pastor," the pastor could be heard saying from inside the packed church. "God doesn't do things the way WE want them done. He does things the way we NEED them done, so he can get out of us what holds us back, what keeps us from him. He wants to help us reach the next level. He sends us what we need, when we need it, in HIS time. We are on his schedule, not the other way around.

My final word is for the readers. The Tearling is not an easy world, I know. Contrarian that I am, I am determined to make thins kingdom echo life, where answers to our questions are not delivered neatly in a beautiful expositional package, but must be earned, through experience and frustration, sometimes even tears (and believe me, not all of those tears are Kelsea's). Sometimes answers never come at all. To all of the readers who stuck with this story, understanding and sometimes even enjoying the fact that the Tearling is a gradually unfolding world, full of lost and often confounding history, thank you for your faith in the concept. I hope that your patience was rewarded in the end. Now let's all go and make a better world." (Afterwords of the author)

He loved the curves on her body, her soft skin and pouty lower lip, her deep soulful eyes. He adored her voice; sometimes sultry, sometimes fiery. Her laugh, her playfulness... he adored it all. But what really turned him on were the curves in her mind, the twists and turns, the fire, the brilliance - and her compassionate heart; the beat of it harmonizing so sweetly and perfectly with the beat of his. The whole package was beyond thrilling... yet her mind, her heart, those were the immortal aphrodisiacs.

Don’t punish yourself for what others have done to you. You’re better than them. You’re better than you think.

A body is simply a package for the true gifts inside. Youth and beauty fade. Human decency doesn’t.

Don't look at the package. Look at what's inside.

She was not prepared to say every man was the same, but the majority were, because the instincts came with the package. With the penis.

When I was younger, it was like life was a beautiful gift, wrapped in exquisite paper and adorned with ribbons. And I loved it, even though all I knew of it was the outside of the package. But in the last year or so, I’ve finally started to see there is something even better inside the package. I’m learning to see past the fancy wrappings, to the heart of things.

my mother used to tell me that it hurts to be beautiful I was sold the belief that beauty came packaged in thorns and don't be surprised if your hands come away bloody smear it on your lips and smile

She remembered a poster of “The Visible Woman” hanging in her high school health class, revealing the organs in their anatomical positions. Ugly or beautiful, every woman is merely a package of organs

When he’s a bachelor, life’s tough because he has everything he needs except Miss Right, and when he finds a sweetheart with the full package—beauty, brains, sweet temper—she’s too much, she’s smothering him.

We have plenty of matches in our house We keep them on hand always Currently our favourite brand Is Ohio Blue Tip Though we used to prefer Diamond Brand That was before we discovered Ohio Blue Tip matches They are excellently packaged Sturdy little boxes With dark and light blue and white labels With words lettered In the shape of a megaphone As if to say even louder to the world Here is the most beautiful match in the world It’s one-and-a-half-inch soft pine stem Capped by a grainy dark purple head So sober and furious and stubbornly ready To burst into flame Lighting, perhaps the cigarette of the woman you love For the first time And it was never really the same after that All this will we give you That is what you gave me I become the cigarette and you the match Or I the match and you the cigarette Blazing with kisses that smoulder towards heaven.

The world couldn’t have been hungrier for Anthology, with a ten-hour documentary and three huge-selling volumes of outtakes, turning into a joyous global celebration. The Anthology double-CD packages might have been more purchased than played (everybody back then bought more music than they had time to listen to). They included two new songs, Lennon tape fragments that the others finished: “Free as a Bird” and “Real Love.” The flaw was Jeff Lynne’s production—George Martin wasn’t invited, because Harrison flatly refused to work with him. It’s ironic that when you watch Anthology, the only music that sounds dated is from 1995. But no matter how blasphemous the idea seemed, both songs were disarmingly beautiful, as was the documentary, to the point where you could drop in on any random hour (or binge all ten) and enjoy. One of the wisest decisions of Anthology was

And sometimes when I’m feeling extra down, when I’m missing my grandmother, I have to remind myself that love comes in all sorts of packages. Just because love don’t look the way you think it should don’t mean you don’t have it.

Black men, I discovered, are just as obsessed with hair as black women are. His dating history included various ethnicities, many of whose hair could have been packaged and put on the shelf at a Korean beauty salon. That silky shit.

McMansions in sprawling suburbs, without mountains of unnecessary packaging, without giant mechanized monofarms, without energy-hogging big-box stores, without electronic billboards, without endless piles of throwaway junk, without the overconsumption of consumer goods no one really needs is not an impoverished world. I disagree with those environmentalists who say we are going to have to make do with less. In fact, we are going to make do with more: more beauty, more community, more fulfillment, more art, more music, and material objects that are fewer in number but superior in utility and aesthetics. The cheap stuff that fills our lives today, however great its quantity, can only cheapen life.

There is nothing more stimulating to the senses than that of a female body freshly emerged from a steaming hot shower, bathed in oils and feminine scents... well nothing except maybe a freshly opened package of chocolate double-stuffed Oreos.

His knees wedged between her thighs, spreading them, so he could rest his cock at her entrance. "That's a start, but it isn't enough. I want the whole package, Addison, your body is a beautiful safe, hiding your heart, but I won't be happy until I know the combination to reach it.

Talk down about yourself being a mom. I can’t take it anymore. You’re beautiful, Lucy, and you’ve got a great body that doesn’t need constant prefacing that you think it’s flawed. And you know what else?” He’s really fired up. “Being a mom doesn’t make you less appealing. It makes you the whole package.

It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic.

Late afternoon, a package arrives addressed to me. Inside is a picture book and the title is Hansel and Gretel. It is the most beautiful book. It has a golden spine and the pictures are shining with color. I read the whole book over and over again and then I read it to Greta, who clings to me afterwards. “It is all right,” I say to her. “It is just a story. Things like that don’t really happen.

Five Poems" 1 Well now, hold on maybe I won't go to sleep at all and it'll be a beautiful white night or else I'll collapse completely from nerves and be calm as a rug or a bottle of pills or suddenly I'll be off Montauk swimming and loving it and not caring where 2 an invitation to lunch HOW DO YOU LIKE THAT? when I only have 16 cents and 2 packages of yoghurt there's a lesson in that, isn't there like in Chinese poetry when a leaf falls? hold off on the yoghurt till the very last, when everything may improve 3 at the Rond-Point they were eating an oyster, but here we were dropping by sculptures and seeing some paintings and the smasheroo-grates of Cadoret and music by Varese, too well Adolph Gottlieb I guess you are the hero of this day along with venison and Bill I'll sleep on the yoghurt and dream of the Persian Gulf 4 which I did it was wonderful to be in bed again and the knock on my door for once signified "hi there" and on the deafening walk through the ghettos where bombs have gone off lately left by subway violators I knew why I love taxis, yes subways are only fun when you're feeling sexy and who feels sexy after The Blue Angel well maybe a little bit 5 I seem to be defying fate, or am I avoiding it?

Love Poem We have plenty of matches in our house We keep them on hand always Currently our favourite brand Is Ohio Blue Tip Though we used to prefer Diamond Brand That was before we discovered Ohio Blue Tip matches They are excellently packaged Sturdy little boxes With dark and light blue and white labels With words lettered In the shape of a megaphone As if to say even louder to the world Here is the most beautiful match in the world It’s one-and-a-half-inch soft pine stem Capped by a grainy dark purple head So sober and furious and stubbornly ready To burst into flame Lighting, perhaps the cigarette of the woman you love For the first time And it was never really the same after thatAll this will we give you That is what you gave me I become the cigarette and you the match Or I the match and you the cigarette Blazing with kisses that smoulder towards heaven.

In the history of terrible holidays, this ranks as the worst ever. Worse than the Fourth of July when Granddad showed up to see the fireworks in a kilt and insisted on singing "Flower of Scotland" instead of "America the Beautiful." Worse than the Halloween when Trudy Sherman and I both went to school dressed as Glinda the Good Witch,and she told everyone her costume was better than mine,because you could see my purple "Monday" panties through my dress AND YOU TOTALLY COULD. I'm not talking to Bridgette.She calls every day,but I ignore her.It's over. The Christmas gift I bought her,a tiny package wrapped in red-and-white striped paper,has been shoved into the bottom of my suitcase.It's a model of Pont Neuf,the oldest bridge in Paris. It was part of a model train set,and because of my poor language skills, St. Clair spent fifteen minutes convincing the shopkeeper to sell the bridge to me seperately. I hope I can return it. I've only been to the Royal Midtown 14 once,and even though I saw Hercules, Toph was there,too.And he was like, "Hey, Anna.Why won't you talk to Bridge?" and I had to run into the restroom. One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown,and that I shouldn't let him get to me.Which was sweet,but didn't really help.

The poetry of the new year is problematically punctual. An impeccable guest who arrives on time when you are running frantically behind schedule. Catching you precisely at that awkward stage of housecleaning when the contents of closet and cupboard are strewn across the room and there is no sensible place left to sit down. No, you haven’t had a chance to change the guest room towels, your clothes or your habits. It is at this stage that you begin to stammer out apologies and resolutions. The visitor fixes you with a gaze that breaks like dawn over your clutter and chagrin. 'What a beautiful life,' murmurs your guest, pressing an oddly shaped package into your hands. Gladness rises in the heart like a cloud of hummingbirds. Always the same, unpredictable, utterly original gift. You consider the paradox of that as you hold it between your palms. Like freshly kneaded dough: this brand new day.

I thought of all the rest of the human population – most of whom live in what you and I would consider abject poverty – who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries – this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show – and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for – that was the great experiment.

He wouldn’t have understood. He wouldn’t have been able to understand in the least the desire, the pure quintessential need of my readers for escape, a thing I myself understood only too well. Life had been hard on them and they had not fought back, they’d collapsed like soufflés in a high wind. Escape wasn’t a luxury for them, it was a necessity. They had to get it somehow. And when they were too tired to invent escapes of their own, mine were available for them at the corner drugstore, neatly packaged like the other painkillers. They could be taken in capsule form, quickly and discreetly, during those moments when the hair-dryer was stiffening the curls around their plastic rollers or the bath oil in the bath was turning their skins to pink velvet, leaving a ring in the tub to be removed later with Ajax Cleanser, which would make their hands smell like a hospital and cause their husbands to remark that they were about as sexy as a dishcloth. Then they would mourn their lack of beauty, their departing youth.… I knew all about escape, I was brought up on it.

It was as if I suddenly remembered that my life was all part of a television show - and every day people died making the show, were ground to death in the most horrific wats, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. that was what they died for - that was the great experiment. I thought I would throw up. Of course, a feeling like that can't last. Maybe for the rest of the day I feel bad, even for the rest of the week - so what? I still have to buy lunch.

We are by the river bank. The river is very, very low. Almost dry. But mostly is wet stones. Grey on the outside. We walk on the stones for awhile. You pick up a stone and crash it onto the others. As it breaks, it is quite wet inside and is very colorful, very pretty. I pick up a stone and break it and run toward the pieces to see the colors. They are beautiful. I laugh and bring the pieces back to you and you are doing the same with your pieces. We keep on crashing stones for hours, anxious to see the beautiful new colors. We are playing. The playfulness of our activity does not presuppose that it is a particular form of play with its own rules. Rather the attitude that carries us through the activity, a playful attitude, turns the activity into play. Our activity has no rules, though it is certainly intentional activity and we both understand what we are doing. The playfulness that gives meaning to our activity includes uncertainty, but in this case the uncertainty is an openness to surprise. This is a particular metaphysical attitude that does not expect the world to be neatly packaged, ruly. Rules may fail to explain what we are doing. We are not self-important, we are not fixed in particular constructions of ourselves, which is part of saying that we are open to self-construction. We are not worried about competence. We are not wedded to a particular way of doing things. While playful we have not abandoned ourselves to, nor are we stuck in, any particular ‘world.’ We are there creatively. We are not passive. Playfulness is, in part, an openness to being a fool, which is a combination of not worrying about competence, not being self-important, not taking norms as sacred and finding ambiguity and double edges a source of wisdom and delight. So, positively, the playful attitude involves openness to surprise, openness to being a fool, openness to self-construction or reconstruction and to construction or reconstruction of the ‘worlds’ we inhabit playfully. Negatively, playfulness is characterized by uncertainty, lack of self-importance, absence of rules or a not taking rules as scared, a no worrying about competence and a lack of abandonment to a particular construction of oneself, others and one’s relation to them. In attempting to take a hold of oneself and one’s relation to others in a particular ‘world,’ one may study, examine and come to understand oneself. One may then see what the possibilities for play are for being one is in that ‘world.’ One may even decide to inhabit that self fully in order to understand it better and find its creative possibilities. All of this is just self-reflection, and is quite different from residing or abandoning oneself to the particular construction of oneself that one is attempting to take a hold of.

Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.

Early on, Mike Markkula had taught Jobs to "impute" - to understand that people do judge a book by its cover - and therefore to make sure all the trappings and packaging of Apple signaled that there was a beautiful gem inside. Whether it's an iPod Mini, or a MacBook Pro, Apple customers know the feeling of opening up the well-crafted box and finding the product nestled in an inviting fashion. "Steve and I spend a lot of time on the packaging," said Ive. "I love the process of unpacking something. You design a ritual of unpacking to make the product feel special. Packaging can be theater, it can create a story.

When I was a little girl, my mother took great pains to interest me in learning to know the birds and wild flowers and in the planting garden. I thought that roots and bulbs and seeds were as wonderful as flowers, and the Latin names on seed packages as full of enchantment as the counting-out rhymes that children chant in the spring. I remember the first time I planted seeds. My mother asked me if I knew the Parable of the Sower. I said I did not, and she took me into the house and read it to me. Once the relation between poetry and the soil is established in the mind, all growing things are endowed with more than material beauty. (p. 12)

To eat responsibly is to understand and enact, so far as one can, this complex relationship. What can one do? Here is a list, probably not definitive: 1. Participate in food production to the extent that you can. If you have a yard or even just a porch box or a pot in a sunny window, grow something to eat in it. Make a little compost of your kitchen scraps and use it for fertilizer. Only by growing some food for yourself can you become acquainted with the beautiful energy cycle that revolves from soil to seed to flower to fruit to food to offal to decay, and around again. You will be fully responsible for any food that you grow for yourself, and you will know all about it. You will appreciate it fully, having known it all its life. 2. Prepare your own food. This means reviving in your own mind and life the arts of kitchen and household. This should enable you to eat more cheaply, and it will give you a measure of “quality control”: You will have some reliable knowledge of what has been added to the food you eat. 3. Learn the origins of the food you buy, and buy the food that is produced closest to your home. The idea that every locality should be, as much as possible, the source of its own food makes several kinds of sense. The locally produced food supply is the most secure, the freshest, and the easiest for local consumers to know about and to influence. 4. Whenever possible, deal directly with a local farmer, gardener, or orchardist. All the reasons listed for the previous suggestion apply here. In addition, by such dealing you eliminate the whole pack of merchants, transporters, processors, packagers, and advertisers who thrive at the expense of both producers and consumers. 5. Learn, in self-defense, as much as you can of the economy and technology of industrial food production. What is added to food that is not food, and what do you pay for these additions? 6. Learn what is involved in the best farming and gardening. 7. Learn as much as you can, by direct observation and experience if possible, of the life histories of the food species. The

Nature is a strong brand name. Everybody knew that. First thing, Nomenclature 101. Slap Natural on the package, you were golden. Those words on the package promise ease from metropolitan care, modern worries. And out here, if you opened things up, underneath the cellophane, what did you find inside? That fruit has splendid packaging, it has solid consumer awareness and is an animal favorite. Its seeds will be deposited in spoor miles away and its market dominance will increase. Splendid and beautiful petals are great advertising--the insects buzz and hop from all points every weekend to hit this flower-bed mall. Natural selection was market forces. In business, in the woods: what is necessary to the world will last.

i was in the local shop today, getting something to eat for lunch, when suddenly i had the strangest sensation — a spontaneous awareness of the unlikeliness of this life. i mean, i thought if all the rest of the human population — most of whom live in what you and i would consider abject poverty — who have never seen or entered such a shop. and this, this, is what all their work sustains! this lifestyle, for people like us! all the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries — this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking and work on coffee farms and sugar plantations. all for this! this convenience shop! i felt dizzy thinking about it. i mean i really felt ill. it was as if i suddenly remembered that my life was all part of a television show — and every day people died making the show, we’re ground to death in the most horrific ways, children, women, and all so that i could choose from various lunch options, each packaged in multiple layers of single-use plastic. that was what they died for — that was the great experiment. i thought i would throw up. of course, a feeling like that can’t last. maybe for the rest of the day i feel bad, even for the rest of the week — so what? i still have to buy lunch. and in case you’re worrying about me, let me assure you, buy lunch i did.

Holiness means wholeness. To say “God is holy” is to refer to the wholeness, fullness, beauty, and abundant life that overflows within the Godhead. God lacks nothing. He is unbroken, undamaged, unfallen, completely complete and entire within himself. He is the indivisible One, wholly self-sufficient, and the picture of perfection. When the angels sing “Holy is the Lord,” they are not admiring him for his rule-keeping or sin avoidance. They are marveling at the transcendent totality of his perfection. To worship God in the beauty of his holiness is to be awestruck by the infinite sweep and scale of his sublimity. It is to become lost in the limitless landscape of his loveliness. Holiness is not one aspect of God’s character; it is the whole package in glorious unity.

Why is it difficult for scientists to write in simple language? One reason is because we are part of a community where every statement and idea should be credited to fellow scientists. Professional science writers have the luxury of borrowing ideas from anyone, combining them in unexpected ways, simplifying and illuminating them with attractive metaphors, and packaging them in a mesmerizing narrative. They can do this without hesitation because the audience is aware that the author is a smart storyteller and not the maker of the discoveries. However, when scientists follow such a path, it is hard to distinguish, both for them and the audience, whether the beautiful insights and earthshaking ideas were sparked from their own brains or from other hard-working colleagues.

Why are you showing so much cleavage?" Joseph growled into her ear as he took her arm and began to descend the staircase. Goosebumps broke out over her bare arms and shoulders. She squeezed his forearm and smiled into his eyes. "So you're forced to offer me your coat, of course, like a proper gentleman." He barely suppressed a snort as camera flashes lit them up from every angle. He tucked his arm around her and smiled for the photographers. "Would a gentleman rip what you're wearing clean off your body, before devouring every inch of your perfect body? Turn your shivers into sweat while you wonder how something so dirty could produce something so beautiful?" Addison grinned and gently turned his face towards hers to press a light kiss to his cheek without marking it. The cameras went wild.

This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries—this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show—and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for—that was the great experiment.

Don't turn around," she said, "but there's a gentleman who keeps stealing glances at you from across the room. I've never seen him before. I wonder if he's your Mr. Ravenel?" "Good heavens, please don't call him my Mr. Ravenel. What does he look like?" "Dark-haired, clean-shaven and quite sun-browned. Tall, with shoulders as broad as a plowman's. At the moment he's talking with a group of gentlemen, and- oh, my. He has a smile like a hot summer day." "That would be Mr. Ravenel," Phoebe muttered. "Well, I recall Henry describing him as pale and stout." Merritt's brows lifted slightly as she peeked over Phoebe's shoulder once more. "Someone had a growth spurt." "Looks are irrelevant. It's the inner man that counts." Laughter threaded through Merritt's voice. "I suppose you're right. But the inner Mr. Ravenel happens to be quite beautifully packaged.

Adira squirmed in Leah’s arms, wanting down. Leah lowered her until her little sneaker-clad feet touched the floor. Adira toddled away, patting the garments that brushed her head and shoulders. Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.” Was that disappointment he felt upon hearing her words? He really was enjoying her company. Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it. Seth instinctively curled his fingers around Leah’s. Satisfied, Adira turned and toddled off once more. “Oh,” Leah said with a surprised chuckle. “Well. Maybe not.” Seth was surprised, too. What was Adira thinking? He glanced at Leah. Should he apologize? “Sorry about that.” “No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.” How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s. Seth couldn’t help it. He barked out a laugh. Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.” “It sounded as if you like that my hands are so big.” She flushed. “I do, but I didn’t mean it like you think.” “How do I think you meant it?” he asked with exaggerated innocence. Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—” Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.” Smiling, she squinted up at him. “You like to tease, don’t you?” “Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence. She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.” It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up. Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman. Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.” Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away. The two looked at each other and smiled. Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.” Seth winked. “Or maybe she just heard you say you like my big hands.

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Nah, you’re realizing I’m the total package. Beauty and brains—” “And super modest,” she noted. “Exactly! And, because my amazingness knows no bounds, I even come bearing presents!” He pulled a box of Prattles from his cape pocket with a dramatic flourish. “Today you’re getting my brilliant lesson and candy!” He tore open the box and fished out the tiny satchel, dumping the collectible pin into his hand. “Cool—the Prattles kraken! I’ve always wanted one of those!” He held up the tiny replica of the giant sea monster. “Remember when the Black Swan had us leap under the ocean and that kraken wanted to eat us?” “Kinda hard to forget,” Sophie told him. “And you can keep the pin.” “Uh-uh, it’s yours.” “But you want it.” “And I want you to have it! So how about we call him ours? We’ll name him Krakie, and he can live right here.” He pointed to the bandage covering her right hand. “That way Krakie can protect you from the echo—not that you need protection. He’ll just be your backup.

Ive and Jobs have even obsessed over, and patented, the packaging for various Apple products. U.S. patent D558572, for example, granted on January 1, 2008, is for the iPod Nano box, with four drawings showing how the device is nestled in a cradle when the box is opened. Patent D596485, issued on July 21, 2009, is for the iPhone packaging, with its sturdy lid and little glossy plastic tray inside. Early on, Mike Markkula had taught Jobs to “impute”—to understand that people do judge a book by its cover—and therefore to make sure all the trappings and packaging of Apple signaled that there was a beautiful gem inside. Whether it’s an iPod Mini or a MacBook Pro, Apple customers know the feeling of opening up the well-crafted box and finding the product nestled in an inviting fashion. “Steve and I spend a lot of time on the packaging,” said Ive. “I love the process of unpacking something. You design a ritual of unpacking to make the product feel special. Packaging can be theater, it can create a story.

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.

Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.

In the days leading up to Valentine’s Day, in addition to the daily letter I also made sure to send her a Valentine’s card and a different bar of chocolate. I was buying really nice bars of chocolate, all different flavors and kinds. She was only allowed to eat them right there at mail call, and sometimes she would get several packages at once, so even though it was hard to do, she’d share bites of her chocolate with other people. I also made sure to give extra thought to the regular, daily letter that would arrive on Valentine’s Day: Jamie, In the beginning of our relationship I criticized your expectations in a boyfriend. I told you that you watched too many movies and lived in a fantasy world. In a way I was asking you to settle. Even through our arguments about what was realistic and what was a fairy tale, I did everything I could to be your prince in a world where I saw you as the princess that you are. I was wrong to ever question you. Your standards never dropped and it forced me to rise up to the level needed to keep you. Like a storybook romance, I’ve defended your honor, showered you with love, worshipped the ground you walk on, and will faithfully wait for you while you’re away. You have made me a better man. Because of you I live a life I am proud of and have become the father, brother, son, and friend my family deserves. Your love has positively affected every aspect of my life. And for that I could never repay you. But I will happily be forever yours, paying off my debt and love for years to come. Like your favorite movie, Beauty and the Beast, a tale as old as time, we are living proof that fantasy can be reality. Love always and forever, Noah I’d never been that outwardly romantic before. I’d never worn my feelings on my sleeve quite like I did with her.

Real burrata is a creation of arresting beauty- white and unblemished on the surface, with a swollen belly and a pleated top. The outer skin should be taut and resistant, while the center should give ever so slightly with gentle prodding. Look at the seam on top: As with mozzarella, it should be rough, imperfect, the sign of human hands at work. Cut into the bulge, and the deposit of fresh cream and mozzarella morsels seems to exhale across the plate. The richness of the cream- burrata comes from burro, the Italian word for "butter"- coats the mouth, the morsels of mozzarella detonate one by one like little depth charges, and the entire package pulses with a gentle current of acidity. The brothers, of course, like to put their own spin on burrata. Sometimes that means mixing cubes of fresh mango into its heart. Or Spanish anchovies. Even caviar. Today, Paolo sends me next door to a vegetable stand to buy wild arugula, which he chops and combines with olives and chunks of tuna and stirs into the liquid heart of the burrata, so that each bite registers in waves: sharp, salty, fishy, creamy. It doesn't move me the same way the pure stuff does, but if I lived on a daily diet of burrata, as so many Dicecca customers do, I'd probably welcome a little surprise in the package from time to time. While the Diceccas experiment with what they can put into burrata, the rest of the world rushes to find the next food to put it onto. Don't believe me? According to Yelp, 1,800 restaurants in New York currently serve burrata. In Barcelona, more than 500 businesses have added it to the menu. Burrata burgers, burrata pizza, burrata mac and cheese. Burrata avocado toasts. Burrata kale salads. It's the perfect food for the globalized palate: neutral enough to fit into anything, delicious enough to improve anything.

Let’s say a man really loves a woman; he sees her as his equal, his ally, his colleague; but she enters this other realm and becomes unfathomable. In the krypton spotlight, which he doesn’t even see, she falls ill, out of his caste, and turns into an untouchable. He may know her as confident; she stands on the bathroom scale and sinks into a keening of self-abuse. He knows her as mature; she comes home with a failed haircut, weeping from a vexation she is ashamed even to express. He knows her as prudent; she goes without winter boots because she spent half a week’s paycheck on artfully packaged mineral oil. He knows her as sharing his love of the country; she refuses to go with him to the seaside until her springtime fast is ended. She’s convivial; but she rudely refuses a slice of birthday cake, only to devour the ruins of anything at all in a frigid light at dawn. Nothing he can say about this is right. He can’t speak. Whatever he says hurts her more. If he comforts her by calling the issue trivial, he doesn’t understand. It isn’t trivial at all. If he agrees with her that it’s serious, even worse: He can’t possibly love her, he thinks she’s fat and ugly. If he says he loves her just as she is, worse still: He doesn’t think she’s beautiful. If he lets her know that he loves her because she’s beautiful, worst of all, though she can’t talk about this to anyone. That is supposed to be what she wants most in the world, but it makes her feel bereft, unloved, and alone. He is witnessing something he cannot possibly understand. The mysteriousness of her behavior keeps safe in his view of his lover a zone of incomprehension. It protects a no-man’s-land, an uninhabitable territory between the sexes, wherever a man and a woman might dare to call a ceasefire. Maybe he throws up his hands. Maybe he grows irritable or condescending. Unless he enjoys the power over her this gives him, he probably gets very bored. So would the woman if the man she loved were trapped inside something so pointless, where nothing she might say could reach him. Even where a woman and a man have managed to build and inhabit that sand castle—an equal relationship—this is the unlistening tide; it ensures that there will remain a tag on the woman that marks her as the same old something else, half child, half savage.

She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.

I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.

Today I had a lively discussion with a merchant in Fez with a view to finding out what the Moors think of European civilization.... He was a fine man, about forty years old, with an honest and serious face, who had made business visits to the most important cities in Western Europe and had lived for a long time in Tangier, where he learnt Spanish.... I asked him therefore what kind of impression the large cities of Europe had made on him.... He looked hard at me and answered coldly: “Large streets, fine shops, beautiful palaces, good workshops, everything clean.” He gave the impression that with these words, he had mentioned everything in our countries that was worthy of praise. “Have you not found anything else in Europe that is beautiful and good?” I asked. He looked at me questioningly. “Is it possible,” I went on, “that an intelligent man like you, who has visited several countries so marvelously superior to your own can speak about them without astonishment, or at least without the emotion of a country boy who has seen the pasha’s palace? What can you possibly admire in the world? What sort of people are you? Who can possibly understand you?” “Perdone Usted”, he answered coldly, “it is for me to say that I cannot understand you. I have told you all the things which I consider to be better in Europe. What more can I say? Have I to say something that I do not believe to be true? I repeat that your streets are larger than ours, your shops finer, that you have workshops such as we do not have, and also rich palaces. That is all. I can only add one more thing: that you know more than we do, because you have many books, and read more.” I became impatient. “Do not lose patience, Caballero,” he said, “let us speak together calmly. Is not a man’s first duty honesty? Is it not honesty more than anything else that makes a man worthy of respect, and one country superior to another? Very well, then. As far as honesty is concerned, your countries are certainly not better than ours. That much I can say right away.” “Gently, gently!” I said, “Tell me first what you mean by honesty!” “Honesty in business, Caballero. The Moors, for example, sometimes cheat the Europeans in trade, but you Europeans cheat the Moors much more often.” “There must be a few cases,” I replied, in order to say something. “Casos raros?” he exclaimed angrily. “It happens every day! Proof: I go to Marseilles. I buy cotton. I choose a particular thread, give the exact reference number and brand-name, as well as the amount required. I ask for it to be sent, I pay, and I return home. Back in Morocco, I receive the cotton. I open the consignment, and take a look. I find the same number, the same brand-name, and a thread that is of one third the thickness! This is anything but good, and I lose thousands of francs! I rush to the consulate, but in vain. Another case: A merchant from Fez places an order in Europe for blue cloth, so many pieces, of such and such a length and breadth. He pays for it when the bargain is made. In due course he receives the cloth, opens the package, and checks the measurements. The first pieces are all right, those underneath are shorter, and those lowest down are half a meter too short! The cloth cannot be used for cloaks, and the merchant is ruined. . . . And so on and so on!

Suddenly, Joni was at the door and nothing else mattered. It had been a few months since we'd last seen each other - and that was, in fact, the first time we'd met - but our connection was instant. Joni Mitchell was the whole package: a lovely, sylphlike woman with a natural blush, like windburn, and an elusive quality that seemed lit from within. Her beauty was almost as big a gift as her talent, and I'd been pulled into her orbit, captivated from the get go.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.

Love Poem We have plenty of matches in our house We keep them on hand always Currently our favourite brand Is Ohio Blue Tip Though we used to prefer Diamond Brand That was before we discovered Ohio Blue Tip matches They are excellently packaged Sturdy little boxes With dark and light blue and white labels With words lettered In the shape of a megaphone As if to say even louder to the world Here is the most beautiful match in the world It’s one-and-a-half-inch soft pine stem Capped by a grainy dark purple head So sober and furious and stubbornly ready To burst into flame Lighting, perhaps the cigarette of the woman you love For the first time And it was never really the same after that All this will we give you That is what you gave me I become the cigarette and you the match Or I the match and you the cigarette Blazing with kisses that smoulder towards heaven

As the umbrellas went up in a sudden flowering, the sun came out, and we were glad. The pigeons flapped and scratched and cooed; there were shiny puddles on the sidewalk; dogs sniffed the freshly washed scents. Pink powder puffs hung from the trees; wind blew. Poor bedraggled Rosa. The umbrella always seemed blow itself inside out. It was difficult to carry the packages from the market and the umbrella at the same time. I kept juggling. I wouldn't allow myself to drop the fresh eggs, no. Or the green cauliflower, ripe yet firm. The delicate rose-colored tuna wrapped in paper; silky skin, so tender to the touch. It was essential to get to market early, before work, while everything was fresh, before it had been picked over and pawed by housewives. I loved my daily visits to the market, seeing all of nature's bounty beautifully arranged for me to choose from. The aroma of the fresh peas, mint, and basil mingled with the smell of raw meat hanging at the butcher's and reminded me of my early life on the farm.