Beautiful Overcast Quotes

Withdraw into yourself and look. And if you do not find yourself beautiful yet, act as does the creator of a statue that is to be made beautiful: he cuts away here, he smoothes there, he makes this line lighter, this other purer, until a lovely face has grown upon his work. So do you also: cut away all that is excessive, straighten all that is crooked, bring light to all that is overcast, labour to make all one glow of beauty and never cease chiselling your statue, until there shall shine out on you from it the godlike splendour of virtue, until you shall see the perfect goodness surely established in the stainless shrine.

Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly. "It's really allowed?" said Flora, her eyes alight at the colors. "Allowed allowed?" said Goldenrod. "For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks.

Lord Rameses of Egypt sighed Because a summer evening passed; And little Ariadne cried That summer fancy fell at last To dust; and young Verona died When beauty's hour was overcast. Theirs was the bitterness we know Because the clouds of hawthorn keep So short a state, and kisses go To tombs unfathomably deep, While Rameses and Romeo And little Ariadne sleep.

I’ve gone back to the Frick since then to look at her and at the two other Vermeers. Vermeers, after all, are hard to come by, and the one in Boston has been stolen. The other two are self-contained paintings. The people in them are looking at each other — the lady and her maid, the soldier and his sweetheart. Seeing them is peeking at them through a hole in a wall. And the wall is made of light — that entirely credible yet unreal Vermeer light. Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful, we wish our clothes could glisten and ripple against our skins, most of all, we wish that everyone we knew could be brightened simply by our looking at them, as are the maid with the letter and the soldier with the hat. The girl at her music sits in another sort of light, the fitful, overcast light of life, by which we see ourselves and others only imperfectly, and seldom.

We must search in our way of life, I think, for substantially more here than economic expansion and continued good hunting. We need to look for a set of relationships similar to the ones Fields admired among the Eskimos. We grasp what is beautiful in a flight of snow geese rising against an overcast sky as easily as we grasp the beauty in a cello suite; and intuit, I believe, that if we allow these things to be destroyed or degraded for economic or frivolous reasons we will become deeply and strangely impoverished. ~~Crossing Open Ground

O, Topsy, poor child, I love you!" said Eva, with a sudden burst of feeling, and laying her little thin, white hand on Topsy's shoulder; "I love you, because you haven't had any father, or mother, or friends;—because you've been a poor, abused child! I love you, and I want you to be good. I am very unwell, Topsy, and I think I shan't live a great while; and it really grieves me, to have you be so naughty. I wish you would try to be good, for my sake;—it's only a little while I shall be with you." The round, keen eyes of the black child were overcast with tears;—large, bright drops rolled heavily down, one by one, and fell on the little white hand. Yes, in that moment, a ray of real belief, a ray of heavenly love, had penetrated the darkness of her heathen soul! She laid her head down between her knees, and wept and sobbed,—while the beautiful child, bending over her, looked like the picture of some bright angel stooping to reclaim a sinner.

And I sat there at the patio, while the whole of universe, was getting engulfed, in the whitest whiteness of snow. Down, near my rough paw, is soft snow, mannering a fidgeting embryo. I monitored the snow that plunged, on the soil of my backyard, and realized it melting fast. Was that the temperature or, my eyes on it overcast? While I think of this melted exalt, I am obliged to ask, What ought happens to the thoughts? Where do they get tossed? When they are forgot? Scorched? Scoffed? Deformed? Unadorned?

He guides the humble in what is right and teaches them his way. PSALM 25:9 JUNE 22 After a speaking engagement in Florida, my hosts assigned a Navy captain to fly me home. En route, the captain told me that there was a very heavy overcast in New York. “As a matter of fact,” he said, “we’ll have to go in on instruments.” We went down, down, down. And finally, I saw the lights of the runway and we came right up to the ramp. It was a beautiful landing. The captain said, “The primary ingredient for a good landing is faith. I have to have faith in these instruments. If I didn’t, I might think, ‘Well, maybe this instrument isn’t exactly right, so I’ll make this adjustment.’ And that could have tragic consequences.” Your religious education is your instrument panel for safe navigation through the long flight of the years. When clouds gather, storms develop, and trouble looms, if you lose faith in your instruments, you can be lost. But if you have faith in the teachings of the Bible, in prayer, in the church, in goodness, love, and hope, your instruments will bring you through.

There were many skies. The sky was invaded by great white clouds, flat on the bottom but round and billowy on top. The sky was completely cloudless, of a blue quite shattering to the senses. The sky was a heavy, suffocating blanket of grey cloud, but without promise of rain. The sky was thinly overcast. The sky was dappled with small, white, fleecy clouds. The sky was streaked with high, thin clouds that looked like a cotton ball stretched a part. The sky was a featureless milky haze. The sky was a density of dark and blustery rain clouds that passed by without delivering rain. The sky was painted with a small number of flat clouds that looked like sandbars. The sky was a mere block to allow a visual effect on the horizon: sunlight flooding the ocean, the vertical edges of between light and shadow perfectly distinct. The sky was a distant black curtain of falling rain. The sky was many clouds at many levels, some thick and opaque, others looking like smoke. The sky was black and spitting on my smiling face. The sky was nothing but falling water, a ceaseless deluge that wrinkled and bloated my skin and froze me stiff.

When I threw the stick at Jamie, I hadn't intended to hit him with it. But the moment it left my hand, I knew that's what was going to happen. I didn't yet know any calculus or geometry, but I was able to plot, with some degree of certainty, the trajectory of that stick. The initial velocity, the acceleration, the impact. The mathematical likelihood of Jamie's bloody cheek. It had good weight and heft, that stick. It felt nice to throw. And it looked damn fine in the overcast sky, too, flying end over end, spinning like a heavy, two-pronged pinwheel and (finally, indifferently, like math) connecting with Jamie's face. Jamie's older sister took me by the arm and she shook me. Why did you do that? What were you thinking? The anger I saw in her eyes. Heard in her voice. The kid I became to her then, who was not the kid I thought I was. The burdensome regret. I knew the word "accident" was wrong, but I used it anyway. If you throw a baseball at a wall and it goes through a window, that is an accident. If you throw a stick directly at your friend and it hits your friend in the face, that is something else. My throw had been something of a lob and there had been a good distance between us. There had been ample time for Jamie to move, but he hadn't moved. There had been time for him to lift a hand and protect his face from the stick, but he hadn't done that either. He just stood impotent and watched it hit him. And it made me angry: That he hadn't tried harder at a defense. That he hadn't made any effort to protect himself from me. What was I thinking? What was he thinking? I am not a kid who throws sticks at his friends. But sometimes, that's who I've been. And when I've been that kid, it's like I'm watching myself act in a movie, reciting somebody else's damaging lines. Like this morning, over breakfast. Your eyes asking mine to forget last night's exchange. You were holding your favorite tea mug. I don't remember what we were fighting about. It doesn't seem to matter any more. The words that came out of my mouth then, deliberate and measured, temporarily satisfying to throw at the bored space between us. The slow, beautiful arc. The spin and the calculated impact. The downward turn of your face. The heavy drop in my chest. The word "accident" was wrong. I used it anyway.

Do you know that, maybe, I shall leave off grieving over the crime and sin of my life? for such a life is a crime and a sin. And do not imagine that I have been exaggerating anything—for goodness’ sake don't think that, Nastenka: for at times such misery comes over me, such misery.... Because it begins to seem to me at such times that I am incapable of beginning a life in real life, because it has seemed to me that I have lost all touch, all instinct for the actual, the real; because at last I have cursed myself; because after my fantastic nights I have moments of returning sobriety, which are awful! Meanwhile, you hear the whirl and roar of the crowd in the vortex of life around you; you hear, you see, men living in reality; you see that life for them is not forbid- den, that their life does not float away like a dream, like a vision; that their life is being eternally renewed, eter- nally youthful, and not one hour of it is the same as another; while fancy is so spiritless, monotonous to vulgarity and easily scared, the slave of shadows, of the idea, the slave of the first cloud that shrouds the sun, and overcasts with depression the true Petersburg heart so devoted to the sun—and what is fancy in depression!

NAKED AND WARM   We lay together naked and warm. The light from the outside becomes more overcast with rain starting to trickle on the roof with the sound of a restful peace that draws us even closer. We lie together listening to the sounds of rainfall as a calm comfort cloaks our minds from all else. At times the sounds from the outside seem to perish into the distance as we lay in awe of each other, too in love to let go, she watching me as I quietly study her and the way that she exists when she is with me. I stare deep into her beautiful eyes with our limbs intertwined, answering her with my gentle traveling touch. Her small hands reach up and run across the bottom of my face and neck as my hands move gradually through her hair. I fall for her each time she looks at me, each time kissing her as if it were the first time. I open her mouth with mine as I seek to give all of myself to her again, time having for once become meaningless.

Later, for the first time in a very long time, I heard my aunt play the piano. Its tone was soft, and just like I remembered it. At the kitchen window one overcast afternoon, I watched its beautiful music as it flowed from her room upstairs, threaded through the trees in the garden, and slipped away into the gray sky.

Fall. Rain. Wind. Depressing! And it was only going to get worse. Chilly, overcast weather was forecast for the rest of November. Then again, October had been beautiful. The autumn leaves glowing red, yellow, and orange; glorious sunshine; blue skies; and a wonderful crispness in the air. But unfortunately those days were gone. It was the first week in November; dead leaves swirled around in the wind, rain clouds hung low over Gothenburg, and the contours of the city dissolved in the damp mist.

But how are you to see into a virtuous Soul and know its loveliness? Withdraw into yourself and look. And if you do not find yourself beautiful yet, act as does the creator of a statue that is to be made beautiful: he cuts away here, he smoothes there, he makes this line lighter, this other purer, until a lovely face has grown upon his work. So do you also: cut away all that is excessive, straighten all that is crooked, bring light to all that is overcast, labour to make all one glow of beauty and never cease chiselling your statue, until there shall shine out on you from it the godlike splendour of virtue, until you shall see the perfect goodness surely established in the stainless shrine.

I had just come in from a chilly, overcast November day. Yet when I glanced at her, she appeared as if bathed in the warm amber light of a summer’s evening.

Art arises when the heart becomes overcast with feelings and the hands hold the brush, trembling, unsure of what will flow, yet what flows is a beauty, so virgin and pure.

It was the end of March and, even though the weather hadn't warmed noticeably at this elevation, the winter buds had begun to swell on the oaks, giving them the quality of knots in fine lace against the gray overcast.

Nice weather, huh,” Roslyn said, looking around. Dell glanced toward the gray overcast sky. A cold mist was falling, and the road was a muddy mess. He looked at a grinning Roslyn. “If you like depressing weather, then yes, it’s a beautiful morning.” “So you’re a hot, humid, sunny-kind-of-day guy?” She skirted a muddy puddle before keeping in step with him. “Guess so.” Dell shrugged, a half grin on his face. “I guess you’re a gloomy, soggy, cold-kind-of-day girl.” “Guess so.” She repeated his answer, then laughed. “Hey, there’s nothing wrong with these kinds of days every once in a while. It’s good cuddling weather with a good book or a television show. Plus, it’s hoodie weather, and I love hoodies.

London is actually a beautiful place when the weather's good; the mood is lighter and everybody's smiling. But for the other 350 days a year, it's miserable. You're standing there waiting for the bus in the rain or you're waiting for a train on a platform and it's freezing. Always a persistent drizzle - or if it's not drizzling, it's overcast and cold.