Beautiful Flower Vase Quotes

Beauty doesn't have to be about anything. What's a vase about? What's a sunset or a flower about? What, for that matter, is Mozart's Twenty-third Piano Concerto about?

There are two kinds of flowers when it comes to women,” Eve said. “The kind that sit safe in a beautiful vase, or the kind that survive in any conditions . . . even in evil. Lili was the latter. Which are you?

Some broken vases can still hold beautiful flowers

Music. A flower in a vase on the tray. A January rose, it wouldn't last long, all big and full-blown like that. He loved things like this, fragile, that wouldn't last. She touched its silver-mauve petals, a hundred layers like an old-fashioned petticoat. The Japanese would say that's their elegance, the brevity of their beauty.

Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.

I believe in roses. And I believe in putting roses into a vase and sitting the vase on the table. I believe in getting lost and being found, I believe in going barefoot, and in laughter! My religion is to laugh at myself, whenever I can! I believe in the sunlight and in grey skies with big, beautiful clouds!

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

The decor bowled me over. Everywhere I looked, there was something more to see. Botanical prints, a cross section of pomegranates, a passionflower vine and its fruit. Stacks of thick books on art and design and a collection of glass paperweights filled the coffee table. It was enormously beautiful, a sensibility I'd never encountered anywhere, a relaxed luxury. I could feel my mother's contemptuous gaze falling on the cluttered surfaces, but I was tired of three white flowers in a glass vase. There was more to life than that.

It was our beautiful life together, amazing vacations and grand gestures and freshly cut flowers in handmade vases, that had held us together for so long.

Even artificial flowers have a vase. Life is Beautiful. (Même les fleurs artificielles Ont un vase. La vie est belle.)

There are certain kinds of flowers-have you ever noticed?-that are beautiful and fragrant as long as they grow in the garden. But if you put them in vases, even silver vases, they wilt and die" (272)

Stars are attributed w/ intelligence they don't have, beauty they haven't worked for, loyaly & love they are incapable of reciprocating, and strength they do not possess. They are treated like a beautiful vase of cut flowers. When wilted, simply replaced w/ new blooms.

In a room as big as loneliness my heart which is as big as love looks at the simple pretexts of its happiness at the beautiful decay of flowers in the vase at the saplings you planted in our garden and the song of canaries which sing to the size of a window. Ah…this is my lot this is my lot my lot is a sky that is taken away at the drop of a curtain my lot is going down a flight of disused stairs to regain something amid putrefaction and nostalgia my lot is a sad promenade in the garden of memories and dying in the grief of a voice which tells me I love your hands.

In a room as big as loneliness my heart which is as big as love looks at the simple pretexts of its happiness at the beautiful decay of flowers in the vase at the sapling you planted in our garden and the song of canaries which sing to the size of a window. from “Another Birth (Tavalodi Digar in Farsi)

There are two kinds of flowers when it comes to women,” Eve said. “The kind that sit safe in a beautiful vase, or the kind that survive in any conditions . . . even in evil.

The thing is, flowers die when you pick them. As soon as you cut them and put them in a vase, the clock’s on. You’re displaying them as something beautiful, and the whole time they’re decomposing. Sometimes I think our marriage was like that. As soon as it began, it was beginning to end.

Delta glanced at the artwork, the leather-bound books in the glass-fronted bookshelves, the fresh flowers in assorted vases. "This is stunning," she said, moved by the beauty all around her. "Your home is beautiful." Valois squeezed her hand in acknowledgement. "Thank you. You'll fit right in then.

Severin frowned at the leafy green twigs shoved in a vase that Elle had brought him that day. She had run out of flowers, and resorted to clipping branches from bushes. He could see the flattened leaves the maddening girl had no doubt rubbed. She is like a burr—once she brushes you, she is difficult to dislodge. He

When she finally opened her eyes, she did so to the surprising sight of Prince Severin placing a vase of daisies at her bedside. My invasion into his life must be succeeding, or he would have sent the flowers with a servant. Right? Her head was such a muddied mess Elle wasn’t sure how she felt about the possibility,

We also lose the pleasure of the sensory world around us. Instead of enjoying the beauty of a flower, we imagine only how it would look in a vase on our kitchen table. Instead of smelling the morning air and looking at the sky, we consult the weather app on our smartphone, neck bent, oblivious to the world around us.

If you place two flowers in the same vase, they will not argue over who is more beautiful.

What use is a defenseless flower except to shove in a vase and let wither until its once-beautiful petals fall off?

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

I should have said “powder room.” That would evoke the image of me sitting before a beautiful gold mirror, a vase of fresh flowers nearby, freshening my makeup, rather than sitting on a toilet.

There are two kinds of flowers when it comes to women,” Eve said. “The kind that sit safe in a beautiful vase, or the kind that survive in any conditions . . . even in evil. Lili was the latter.

…”The Emersons who were at Florence, do you mean? No, I don’t suppose it will prove to be them. It is probably a long cry from them to friends of Mr. Vyse’s. Oh, Mrs. Honeychurch, the oddest people! The queerest people! For our part we liked them, didn’t we?” He appealed to Lucy. “There was a great scene over some violets. They picked violets and filled all the vases in the room of these very Miss Alans who have failed to come to Cissie Villa. Poor little ladies! So shocked and so pleased. It used to be one of Miss Catharine’s great stories. ‘My dear sister loves flowers,’ it began. They found the whole room a mass of blue — vases and jugs — and the story ends with ‘So ungentlemanly and yet so beautiful.’ It is all very difficult. Yes, I always connect those Florentine Emersons with violets.”…

The best of people are not those who buy flowers and give them to their loved ones to be placed in pretty vases on bedside tables and mantelpieces. The best of people are those who grow flowers in boxes on their window sills for all those who pass by to see.

Florence’s mother liked to imagine a life of diamonds and gilt for her daughter. But this, this, was the life Florence wanted. A blue-and-white teacup stuffed with clementine peels. A tangle of white ranunculus in a ceramic pitcher on the windowsill. Amanda had once put a vase of those same flowers on her desk at work. The whole place looked like a painting by Vermeer. And it was cold. Chilly gusts rattled the windows in their frames. Someone had told Florence once that glass was actually a liquid that settled slowly, over eons; that was why in old houses the windows were always thicker at the bottom than at the top. Was that true? Florence didn’t care. In the same way she couldn’t understand why people were so determined to expose Maud Dixon’s identity, she couldn’t understand why they needed to pin things down, turn poetry into fact. Wasn’t poetry better? Why would you turn something beautiful into something quotidian?

For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into it forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway. The “mysterious Orient” of which Westerners speak probably refers to the uncanny silence of these dark places. And even we as children would feel an inexpressible chill as we peered into the depths of an alcove to which the sunlight had never penetrated. Where lies the key to this mystery? Ultimately it is the magic of shadows. Were the shadows to be banished from its corners, the alcove would in that instant revert to mere void.

What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES

Is it always this awkward?" Sara asked. Her voice was hushed. Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals. Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent." She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said. She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.

-"Do you know what it's like to be condemned to love?" -"But isn't it always like that?" Svetlana asked, trembling with indignation. "When people love each other, when they find each other out of thousands and millions of people. It's always destiny!" Once again I sensed that infinitely naive girl in her, the girl who couldn't hate anything except herself. The girl who was already beginning to disappear. -"No, Sveta, haven't you ever heard love compared to a flower?" -"Yes." -"A flower can be grown, Sveta. But it can be bought too, or given as a gift." -"Did Anton buy it?" -"No," I said, a bit too sharply. "It was a gift. From destiny." -"What difference does that make? If it is love?" -"Sveta, cut flowers are beautiful, but they don't live for long. They're already dying, even the ones that are carefully placed in a crystal vase and given fresh water.

Simple." Braydyn took a deep breath. "Those other lasses are vases and she's a flower pot." "Dude, what the hell are you talking about? Vases and flower pots?" Mitch furrowed his brow in confusion. "Vases are usually beautiful and purely decorative. They're sleek and sometimes expensive. But they are also the place flowers go te die. They can only bring life to the flower for so long before its empty shell eventually kills it. And if they're not used te temporarily hold flowers, then they're empty and meant for nothing more than te look pretty on someone's shelf or mantel." Bradyn leaned back in his chair, placed his hands on the back on his head and smiled, before continuing. "Now, a flower pot can be bonnie, painted, or even a little fancy. They can also be chipped and round and even plain. But they're filled with rich soil and if treated right, they are the places where flowers go te grow. Payton is a flower pot. Those other lasses are vases. I have no need for a vase.

my love thy hair is one kingdom the king whereof is darkness thy forehead is a flight of flowers thy head is a quick forest filled with sleeping birds thy breasts are swarms of white bees upon the bough of thy body thy body to me is April in whose armpits is the approach of spring thy thighs are white horses yoked to a chariot of kings they are the striking of a good minstrel between them is always a pleasant song. my love thy head is a casket of the cool jewel of thy mind the hair of thy head is one warrior innocent of defeat thy hair upon thy shoulders is an army with victory and with trumpets thy legs are the trees of dreaming whose fruit is the very eatage of forgetfulness thy lips are satraps in scariet in whose kiss is the combining of kings thy wrists are holy which are the keepers of the keys of thy blood thy feet upon thy ankles are flowers in vases of silver in thy beauty is the dilemma of flutes thy eyes are the betrayal of bells comprehended through incense

No matter how many times I walk this same path, I never get bored of it. The central Realms—home to most of the residents and buildings—are set up like a grid, with walking paths crisscrossing each other at even intervals. On either side of the paths trees loom high and streams weave their way between them. When I was younger, before I started delivering the pies, I could usually be found in one of the distant fields with Kal or Bren, watching the clouds change color. The sky here is without color, but the clouds more than make up for it. I learned in school that on the planets, clouds and trees and water are solid objects, providing some sort of purpose in nature. In The Realms, they are more like suggestions of such things, until someone wants to use them. A lake becomes a lake when someone wants to go fishing. A flower becomes a flower when someone wants to water it, or admire it, or put it in a vase. Even then it’s not a “real” flower, like the type that grows in the soil of many of the terrestrial planets. But that doesn’t make it any less beautiful.

Yet, on the whole, I think the Greeks were very wise in this matter of physical training. Young girls frequently appeared in public, not with the boys, but in groups apart. There was scarcely a festival, a sacrifice, or a procession without its bands of maidens, the daughters of the chief citizens. Crowned with flowers, chanting hymns, forming the chorus of the dance, bearing baskets, vases, offerings, they presented a charming spectacle to the depraved senses of the Greeks, a spectacle well fitted to efface the evil effects of their unseemly gymnastics. When the Greek women married, they disappeared from public life; within the four walls of their home they devoted themselves to the care of their household and family. This is the mode of life prescribed for women alike by nature and reason. These women gave birth to the healthiest, strongest, and best proportioned men who ever lived, and except in certain islands of ill repute, no women in the whole world, not even the Roman matrons, were ever at once so wise and so charming, so beautiful and so virtuous, as the women of ancient Greece.

Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015

He need not have worried. Huxley had a splendid trip, one that would change forever the culture’s understanding of these drugs when, the following year, he published his account of his experience in The Doors of Perception. “It was without question the most extraordinary and significant experience this side of the Beatific Vision,” Huxley wrote in a letter to his editor shortly after it happened. For Huxley, there was no question but that the drugs gave him access not to the mind of the madman but to a spiritual realm of ineffable beauty. The most mundane objects glowed with the light of a divinity he called “the Mind at Large.” Even “the folds of my gray flannel trousers were charged with ‘is-ness,’” he tells us, before dilating on the beauty of the draperies in Botticelli’s paintings and the “Allness and Infinity of folded cloth.” When he gazed upon a small vase of flowers, he saw “what Adam had seen on the morning of his creation—the miracle, moment by moment, of naked existence . . . flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged.” “Words

Salmon with Violets SERVES 4 I know a bank where the wild thyme blows, Where oxlips and the nodding violet grows … A MIDSUMMER NIGHT’S DREAM, 2.1 THE BEAUTIFUL COLORS, the presentation, and the wonderful light flavors of this dish typify the sophistication of Elizabethan cuisine. Many types of edible flowers were used in cooking, both for their visual appeal and for their taste. Flowers were not set out onto the table in vases, but rather the dinner platters and the food itself were considered the decoration and were enhanced with flowers. Cookbooks of the time even list instructions on salads “for shewe only” with details on creating large elaborate “flowers” made of various cut vegetables and herbs.

Ah, the clues. There’s only one clue. Only one,” said Hortensia. Prudencia gathered her hair at the nape of her neck and drew her chair closer. “And that is . . . ?” she asked. “Harmony, of course. The Ancient Greeks’ άρμουια, the Romans’ harmonia. Herminia would explain it better, she knows so much about this sort of thing . . . Well, how to express it? I think the classical definition refers to balance in the proportions of parts of a whole. As in the sculpture of a beautiful face or body, in the manner in which you arrange flowers in a vase, combining them in ten different ways until you achieve something that satisfies your soul. As a highly qualified woman, you no doubt know that harmony comes from the Greek άρμόζω, which means ‘to fit together,’ ‘to connect.’ That’s the definitive clue, dear, the one that’ll help you solve your detective story.” Miss Prim considered this as she took a bite of apple tart.

Kane picked up the vase and brought the flowers to his nose, breathing them in. Most people said calla lilies had no fragrance. He always disagreed, picking up the faintest of clean, sweet, floral scents. Pain slashed again across his heart as he recalled sending a similar bouquet to Avery after his first dinner at La Bella Luna. The tears started to roll down his cheeks as he looked closer at the blooms. There was no way whoever sent them could have known this arrangement was his favorite or that it had been the one he'd chosen to use when he'd apologized to Avery all those years ago. The pain of Avery's loss rolled through him again, becoming too much. He closed the front door behind him and set the flowers on the nearest end table, grabbing a tissue from the box beside them. It was then he noticed a notecard hidden among the flowers, having missed it amid the beautiful blooms.

The door of her dressing-room opened and a face covered with a gas mask peered round it. Robin turned round and scowled. She did not associate much with the foot soldiers of the cast. But he eased in, carrying a splendid bunch of red roses. “To match your beauty,” he said, his voice muffled behind the mask. Robin suddenly beamed. “You are a love. What beautiful flowers!” “I see you’ve a vase over there. I’ll just pop them in for you.” “You haven’t told me your name,” said Robin.

beautiful in St Michael’s, had been newly cleaned and filled with vases of fresh flowers. (Professor Dexter’s bedder was more than

near the place it had stood again. Her feelings were so mixed up! Once they arrived at her old home, she could scarcely bring herself to look. When she finally mustered up the courage to do so, she gasped. Her friends had tidied up the area around her hut and added decorations to make it cute! They’d tucked berries and cones around the outside of the hut and donated things to make it homier. There was a new rug woven from bark strips on the hut’s swept dirt floor, a shell vase with flowers on her table, pictures on the walls, and a new hammock and quilt. A dozen homemade candles sat here and there, bringing golden light. “Thanks, you guys!” said Echo. “It’s b-beautiful!” Overwhelmed with joy and gratitude, tears welled up in her eyes. The way she was feeling, she was going to need some of Hera’s shop’s tissues pretty soon. “That’s not all,” said Daphne. “Look!” She led Echo around to the back side of the stump.

We think flowers are beautiful, but we still cut them and stick them in vases to wither and die.

Many different flowers make a beautiful vase.

She was clothed in something more luxurious, a silk kimono slipping off her bare shoulders. With her eyes still closed, she caressed her body, imagined someone else doing the same, finding her skin smooth, supple, and delectably creamy. In her mind's eye, she saw rumpled white linens, glowing skin, and a vase of flowers on the bedside table, filling the room with their delicate fragrance. With a deep inhale, the body she touched was no longer flabby, it was soft, yielding, and beautiful.

Sadie reached for the vase that stood on the corner of her vanity and plucked a bright yellow flower from the arrangement. "This is freesia. It produces a fragrance that's irresistible to both bees and humans. For thousands of years, women have used the scent of flowers like these to lure lovers. Bees turn the plant's pollen into golden syrup. We can mix that honey together with a few humble ingredients and transform it into cake. Flowers possess some of nature's most powerful magic. And if you know what you're doing, there are ways to multiply that power tenfold, which is very helpful if you're concocting an aphrodisiac." "What's an aphrodisiac?" Rose asked. "A potion you give to someone you want to lust after you." Sadie winked at her. "That doesn't sound fair--- to make someone love you." Her mother reached out and brushed Rose's creamy cheek. "Lust isn't love, darling. And don't worry," she said. "I doubt you'll ever have need of an aphrodisiac.