Beautiful Flower Bouquet Quotes

One hand was behind his back, and he held it out, presenting a bouquet of white and smoky purple lilies. “They’re straight from the underworld, by the way. They are everlasting. They won’t die.

Take a walk through the garden of forgiveness and pick a flower of forgiveness for everything you have ever done. When you get to that time that is now, make a full and total forgiveness of your entire life and smile at the bouquet in your hands because it truly is beautiful.

We went to buy you two flowers, but neither of us thought j just one bouquet would do it.

Goddammit! I ruined our whole night! I’m such a fuckin’ jerk, Cami! I was stressing because I wanted to get you flowers, but they’re all so damn expensive . . . and then that ridiculously gigantic bouquet shows up. I’m a dick. I’m an unreasonable, selfish, insecure dick who is so scared of losing you. It’s too hard to believe that you’re already mine.

She was also damn cute. Not beautiful or stunningly pretty, but she was cuter than any girl with that much attitude had a right to be, and somehow the bouquet of flowers that colored her skin in every shape and variety seemed like it belonged there.

Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen

Sissy had two great failings. She was a great lover and a great mother. She had so much of tenderness in her, so much of wanting to give of herself to whoever needed what she had, whether it was her money, her time, the clothes off her back, her pity, her understanding, her friendship or her companionship and love. She was mother to everything that came her way. She loved men, yes. She loved women too, and old people and especially children. How she loved children! She loved loved the down-and-outers. She wanted to make everybody happy. She had tried to seduce the good priest who heard her infrequent confessions because she felt sorry for him. She thought he was missing the greatest joy on earth by being committed to a life of celibacy. She loved all the scratching curs on the street and wept for the gaunt scavenging cats who slunk around Brooklyn corners with their sides swollen looking for a hole in which they might bring forth their young. She loved the sooty sparrows and thought that the very grass that grew in the lots was beautiful. She picked bouquets of white clover in the lots believing they were the most beautiful flowers God ever made...Yes, she listened to everybody's troubles but no one listened to hers. But that was right because Sissy was a giver and never a taker.

In the weeds of childhood sexual abuse, we are the sturdy flowers that kept reaching for a slip of sunshine and a trickle of water so we could grow into wildly beautiful, singular people. Together, we are creating a colorful bouquet that is changing the world.

Then think of this as an adventure." I kissed hi cheek. "So which flower should I be?" He curled me close to his chest, nuzzling his face into my hair. "Mmmm, can't you be all of them? My own bouquet of beauty? Like daisies opening their friendly petals." He brushed his fingertips over my eyelids. "Or marigolds that burn like the summer sun." He rubbed his hands over my back. "Or orchids-rare and exotic." He traced a finger across my collarbone down to rest lightly on the locket I wore all the time. "Roses for passion." He kissed me.

Roses are picked every day, they are told that they will be better off sold in the flower shoppe. And so they go from the hands of the picker; to the hands of the delivery man; to the hands of the florist; to the hands of the customer; and then often to the hands of the final recipient of the rose. From field, cut by scissors and passed from hand to hand. The world has forgotten that it is okay for roses to be in fields, the world has forgotten the beauty of the rose uncut. The bouquet is praised and given away but the wild roses are forgotten. People have forgotten what “wild” means; they think it means something entirely different. The wild rose remains untouched, with roots and swayed by the meadow winds. And that is wild. I am wild for having roots and for being untouched and for seeing things that people have forgotten. And I will always remember— that it is okay to be uncut, that it is okay to be untouched by darkness, it is okay to be wild.

I appreciate the beauty and balm of flowers but I have never enjoyed receiving them because then I have to watch them die, and worse...throw them away.

When girls were friends, it was like a beautiful bouquet of funny flowers eternally watered by their togetherness.

May we stalk the borders and margins, accepting our own deputized call to carry good news to the poor. ... May we always be willing to present a bouquet of flowers, even to those who may not yet know that they desire beauty.

Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful. (The Lovely Bones by Alice Sebold)

Her sense of artistry reached even as far as her plating and presentation... arranging her tarts in a woven basket like a bouquet of flowers. The sight of her bringing them to us was like a scene straight out of a fairy tale! Yes... she too... is like a character straight from fantasy. A fairy godmother who casts her spells on ordinary ingredients... ... turning them into beautiful and delicious princesses of food! All who take a bite of her apples... ... fall under her spell... ... and are transported into a land of dreams!

His attention was riveted by the shapely figure in front of him, the intricately pinned-up swirls of her hair, the voice dressed in silk and pearls. How good she smelled, like the kind of expensive soap that came wrapped in fancy paper. Keir and everyone he knew used common yellow rosin soap for everything: floors, dishes, hands, and body. But there was no sharpness to this scent. With every movement, hints of perfume seemed to rise from the rustling of her skirts and sleeves, as if she were a flower bouquet being gently shaken.

To ignore what cannot be measured in precise numbers is like counting the stems in a bouquet of flowers while ignoring the indescribable perfume and beauty of each bud.

The Geeta is a bouquet composed of the beautiful flowers of spiritual truths collected from the Upanishads.

If the Peony flower is not number one in your heart…I’m sure it’s not too far down your list of favorite blooms!

When things around you Are not in your hands, If you feel like You can't find yourself, You should go out Into nature. Take the silence with you. Sit on a grass mattress There will be thoughts Waiting for you Don't dismiss them Gently pat the leaves See the flowers Smiling and nodding beside you. Walk up to them I believe nature can Inspire our creativity You can pinch flowers To make a beautiful bouquet. Lift up your soul By burying all That makes you not you. ... A BOUQUET FOR THE SOUL...

At the end, each of the attendees leaves a bouquet of flowers at Tom's grave, as do I. Why flowers? I start to wonder as I walk back to the street, perhaps it is for the reason that they remind us of what life is: beautiful and at the same time ephemeral. -Original text in Spanish.

I have always been fascinated by youth. This fire that makes us feel glorious, insolent, immortal. I will have to come to terms with it - everything has been reduced to ashes. (I tried in vain not to burn myself in the way.) I believe that the deep tenderness I feel for man comes from the fact that he is so full of certainty – yet, he doubts all the time. It is a funny paradox. He is constantly misled. He gives great importance to things that do not have any, and misses those which have. I would like to be like a flower. Going through life, just like this, regardless of whether I will be born again or if anyone will remember my beauty. Just passing by like this, to make the world a little more beautiful, or a little more breathable, for a little while. I would like to be a flower of those in the bouquets for the hospitals. Of those who are plucked to die near those who are going to die. Or those who are just born. So that we can watch life together for a moment, as long as it is there. To die because I am beautiful and I represent life. To die because the love of the flower never offers itself as a trophy, for the love of the flower is always humble. And I love to love with humility. We should always love with humility.

A magician came to entertain us, and I was mesmerized by his beautiful hands, his fluid, round gestures. I couldn't stop watching his hands. They were better than any of his tricks. He pulled a bouquet of paper flowers out of the air and gave them to me with a courtly bow, and I thought love was like that, pulled out of the air, something bright and unlikely.

In three of these [garden boxes], Madame Magloire cultivated vegetables; in the fourth, the Bishop had planted some flowers. Here and there stood a few fruit trees. Madame Magloire had once remarked, with a sort of gentle malice: "Monseigneur, you who turn everything to account, have, nevertheless, one useless plot. It would be better to grow salads there than bouquets." "Madame Magloire," retorted the Bishop, "you are mistaken. The beautiful is as useful as the useful." He added after a pause, "More so, perhaps.

Ode to a Cluster of Violets Crisp cluster plunged in shadow. Drops of violet water and raw sunlight floated up with your scent. A fresh subterranean beauty climbed up from your buds thrilling my eyes and my life. One at a time, flowers that stretched forward silvery stalks, creeping closer to an obscure light shoot by shoot in the shadows, till they crowned the mysterious mass with an intense weight of perfume and together formed a single star with a far-off scent and a purple center. Poignant cluster intimate scent of nature, you resemble a wave, or a head of hair, or the gaze of a ruined water nymph sunk in the depths. But up close, in your fragrance’s blue brazenness, you exhale the earth, an earthly flower, an earthen smell and your ultraviolet gleam in volcanoes’ faraway fires. Into your loveliness I sink a weathered face, a face that dust has often abused. You deliver something out of the soil. It isn’t simply perfume, nor simply the perfect cry of your entire color, no: it’s a word sprinkled with dew, a flowering wetness with roots. Fragile cluster of starry violets, tiny, mysterious planet of marine phosphorescence, nocturnal bouquet nestled in green leaves: the truth is there is no blue word to express you. Better than any word is the pulse of your scent. Pablo Neruda, Odes to Common Things. (Bulfinch; Bilingual edition May 1, 1994) Originally published 1961.

After Mum finished her seventh day of work, she returned home, and, like some strange magician, pulled out from the breast of her coat a beautiful bunch of wildflowers. Where had she got them? I wondered. I remember I cupped the wild bouquet in my hands and marched outside, scanning the landscape in all directions for any sign of where they might've come from. Wide-open emptiness stretched out before me. Dry and unwelcoming. And yet... in my palm I held moist, healthy, vigorous life. How? The answer was not forthcoming, so I returned inside, found an empty bottle of spring water, filled it once more and placed the flowers in it. They were the only source of colour in our tattered, underground home. Three days later and still the flowers endured. Their life hung on.

The smell of flowers was overwhelming, and it reminded me of walking into a flower shop to pick the perfect bouquet when my gran died. It wasn’t a good memory, and the smell was intoxicating. My heart broke while looking at the beautiful variations of flowers and smelling the sweet nectar. It was a terrible mix. The beauty, the nature, the colors, and the smell—all laced with grief. And what I could never comprehend was that flowers were for every occasion. You get them when you’re in love and when it’s your birthday; you can get them with a new job or a raise. And how is it supposed to make you feel when all you can remember is the smell of heartbreak, and it takes you back to that space in time? It doesn’t feel like a celebration of anything, but more like torture. Torture of the mind and soul.

It was a heady, overwhelming veil of scent. At first it developed almost hypnotically into a floral, fruit bouquet; languid and sensual with a musky, almost dusty depth. But then a sharpness emerged, beautiful, icy, unexpected. There was something almost overwhelming about the lush complexity of the formulation, the sheer unbridled eroticism which came across in wave after wave of contrasting notes. ‘This is floral, earthy, and there’s the clean overlay of aldehydic waxiness and soft flowers,’ Madame explained. ‘And then, underneath, a whiff of more feral, impolite essences. Under the clean, innocent exterior there’s a carnal presence. It’s not without ulterior motive.’ Grace stared hopelessly. Here was a language she definitely didn’t understand. ‘I’m sorry?’ Madame Zed looked across at her. ‘This, Mrs Munroe, is the scent of intoxication and desire. The perfume of seduction.

... The influence of the Pre-Raphaelites was felt less through their paintings than through a book, The Poems of Tennyson, edited by Moxon and wonderfully illustrated by Rossetti and Millais. The influence on Maeterlinck stems less from the poems themselves than from the illustrations. The revival of illustrated books in the last two years of the century derives from this Tennyson, the books printed at William Morris' press, the albums of Walter Crane. These last two and the ravishing little books for children by Kate Greenaway were heralded by Huysmans as early as 1881. Generally speaking, it is the English Aesthetic Movement rather than the Pre-Raphaelites which influenced the Symbolists, a new life-style rather than a school of painting. The Continent, passing through the Industrial Revolution some fifty years after England, found valuable advice on how to escape from materialism on the other side of the Channel. Everything that one heard about the refinements practised in Chelsea enchanted Frenchmen of taste: furniture by Godwin, open-air theatricals by Lady Archibald Campbell, the Peacock Room by Whistler, Liberty prints. As the pressure of morality was much less pronounced in France than in England, the ideal of Aestheticism was not a revolt but a retreat towards an exquisite world which left hearty good living to the readers of the magazine La Vie Parisienne ('Paris Life') and success to the readers of Zola. If one could not write a beautiful poem or paint a beautiful picture, one could always choose materials or arrange bouquets of flowers. Aesthetic ardour smothered the anglophobia in the Symbolist circle. The ideal of a harmonious life suggested in Baudelaire's poem L' Invitation au Voyage seemed capable of realization in England, whose fashions were brought back by celebrated travellers: Mallarmé after 1862, Verlaine in 1872. Carrière spent a long time in London, as did Khnopff later on. People read books by Gabriel Mourey on Swinburne, and his Passé le Détroit ('Beyond the Channel') is particularly important for the artistic way of life ... Thus England is represented in this hall of visual influences by the works of Burne-Jones and Watts, by illustrated books, and by objets d'art ...

My own sight-seeing habits don’t at all incommode her, owing to my having made the acquaintance of a little old German lady who lives at the top of our house. She is a queer wizened oddity of a woman, but she is very clever and friendly, and she has the things of Rome on her fingers’ ends. The reason of her being here is very sad and beautiful. Twelve years ago her younger sister, a beautiful girl (she has shown me her miniature), was deceived and abandoned by her betrothed. She fled away from her home, and after many weary wanderings found her way to Rome, and gained admission to the convent with the dreadful name, — the Sepolte Vive. Here, ever since, she has been immured. The inmates are literally buried alive; they are dead to the outer world. My poor little Mademoiselle Stamm followed her and took up her dwelling here, to be near her, though with a dead stone wall between them. For twelve years she has never seen her. Her only communication with Lisa — her conventual name she doesn’t even know — is once a week to deposit a bouquet of flowers, with her name attached, in the little blind wicket of the convent-wall. To do this with her own hands, she lives in Rome. She composes her bouquet with a kind of passion; I have seen her and helped her. Fortunately

she whipped around and placed the bouquet in my hand. Looking at her crazy, I tried to hand it back but, instead, she forcefully turned me around. On his knees, there was Hood with his hand extended with a beautiful diamond ring. Dropping the flowers, tears immediately formed in my eyes as I realized what was going on. Looking around the room, I saw both my mother and father nod their heads in approval and all of our family in friends either smiling or shedding happy tears. I looked back to Hood, who was nervously smiling before he began to speak. “Rhythm, from day one, my heart’s tune changed into a beat that only you could hear. You know we’ve had our ups and we’ve had our downs, but baby, none of it would have been worth it if it was not for you. The love we share is so rare that I make sure to pray twice a day that the Lord sees fit for me to have you and hold you for the rest of my life. Baby, you a nigga heartbeat, will you be my wife?” Pausing for a moment, all the good and bad flashed through my memory before I was able to answer. I guess I was taking too long because someone in the audience yelled out, “Girl, you better tell that fine ass man yes!” and everyone started to laugh. “Yes, Hood, yes!” I yelled, as he slipped the beautiful ring on my finger before standing and grabbing me in a tight hug. Our lips locked in a passionate kiss as everyone clapped and whistled, congratulating us. “Congrats the two of you.” I felt my father’s hand on my shoulder after Hood and I let go of each other. “Thanks

Flowers. Lots of women say they don’t want them. But every woman is happy when they get them. Which is why I’ve arranged to have them delivered to Kate’s office, every hour on the hour. Seven dozen at a time. That’s one dozen for every day we were apart. Romantic, right? I thought so too. And although I know Kate’s favorite are white daisies, I specifically told the florist to avoid them. Instead, I’ve chosen exotics—bouquets with brightly colored petals and strange shapes. The kinds of flowers Kate has probably never seen in her life, from places she’s never been. Places I want to take her to. At first I kept the notes simple and generic. Take a look: Kate, I'm sorry. Drew Kate, Let me make it up to you. Drew Kate, I miss you. Please forgive me. Drew. But after a few hours I figured I needed to step it up a notch. Get more creative. What do you think? Kate, You're turning me into a stalker. Drew Kate, Go out with me on Saturday and I'll give you all of my clients. Every. Single. One. Drew Kate, If I throw myself in front of a bus, will you come visit me at the hospital? Drew PS - Try not to feel too guilty if I don't survive. Really. That last batch was delivered forty-five minutes ago. Now I’m just sitting at my desk, waiting. Waiting for what, you ask? You’ll see. Kate may be stubborn, but she’s not made of stone. My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ. Kate steps toward my desk. “I am trying to work. I need to focus. And you’ve got Manny, Moe, and Jack playing every cheesy eighties song ever written outside my office door!” “Cheesy? Really? Huh. I so had you pegged for an eighties kind of girl.” Well, you live and learn.

It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God love 'em you enjoys 'em a lot more. You can just relax, go with everything that's going and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love - and a mess of stuff you don't. But more than anything else. God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?

My intellectual depravity kept me from completely enjoying what surrounded me. I am sure that, in what little I might have tried to say, I was going to ridicule, diminish and materialize everything. In that strange and almost indescribable scenery, so superior to what I was normally able to see, I imagined—obviously an effect of my blind rudeness—that I came across things that faintly resembled the most beautiful things I had contemplated on the sublunary globe. I believed I saw a flower: I beheld something like large woods whose trees were only flowers; nothing but petals, corollas and calyces, fragrant and cradled by a breeze that itself was plainly perfumed with floral breaths—and just as sweet. All the nuances of the rose adorned these gigantic fluttering bouquets. Some of the roses, brown-lipped roses, were so unbelievably arousing and voluptuous—if I can speak like this—that I felt like they rejuvenated my soul. A flower often stood alone, as big as a tree—and with such a divine form, such an embracing scent—that’s the only word that translates, a little ridiculously, what I felt—that the air wafting around it would kill a normal human being with excessive pleasure. Because I was disembodied, I could breath it in with no harm—and even blend myself, overcome by joy, with its intoxicating, incarnadine cloud. Large, flashy birds flew among the heights of the flower-trees where they sometimes alit like snuggling light. Their slow-noted songs evoked a magical past more enticing even than this splendid present. The sky was pink and gold. Pink fountains flowed there, flashing with gold—whose music could only be compared to harps that had —absurdly—crystal strings—and to go further in absurdity: living crystal. All this nature seemed enshrouded—and at the same time penetrated—with a tender cheerfulness. I floated in the pink perfumes of the woods, in the soothing radiance of the glades, in all that gentleness and beauty that felt like an infinite bounty manifested by transportive images and by an immaterial well being… And even though I desperately did not want to leave this atmosphere of delights—which I can give no real idea of—I felt unbalanced, brutal and out of place among the ethereal sweetness. A charitable, sorrowful force (I felt it) chased me away almost in spite of itself in order to cut me off from these joys I was unworthy of.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

Taryn finally comes down. She's been bathed in lilac dew and wears a gown of incredibly fine layers of cloth on top of one another, herbs and flowers trapped between them to give the impression that she's this beautiful, floating figure and a living bouquet at the same time. Her hair is braided into a crown with green blooms all through it. She looks beautiful and painfully human. In all that pale fabric, she looks like a sacrifice instead of a bride. She smiles at all of us, shy and glowingly happy.

Alice always had loved flowers. There was something about the blend of colors, the hidden roots, the twisting petals as they unfurled in the sun one by one. A symbol of femininity---how that which is delicate can also be strong. Whiskey in a teacup, as her aunt always said. Well, her aunt and Reese Witherspoon, but honestly, Aunt Charlotte had been saying that way back when Reese was still filming Sweet Home Alabama. Alice swept petals from the floor, beautiful yet fragmented evidence of the fullness the day had brought. She'd been running the Prickly Rose, a customizable bouquet shop on Magazine Street, alongside her aunt for several years now, and Valentine's Day always left plenty of cast-off remnants.

Twenty minutes later father and daughter arrived at the greenhouse on the Blenheim estate. The display was beautiful, but the cut flowers were beginning to wilt. Nancy’s pulse quickened as she approached her own entry. “Dad!” she cried out. “Look!” Attached to her bouquet of larkspur was a dark-blue satin ribbon with the inscription FIRST PRIZE! “Nancy, that’s wonderful,” her father said. “Congratulations! Maybe you ought to give up solving mysteries and raise flowers.

I've stayed here in Oxford as the seasons have changed, watching summer turn to autumn turn to winter turn to spring. And in the coming cycle, I will be here once more. Season after season, year after year, as crocuses make way for summer honeysuckle, as sun-loving lantana ease out for the quieter mums, as pansies blanket the wintry town and as spring beauties burst forth again behind the snow. I'll still be here with Fisher by my side. Because this spring the stars aligned, as Marian promised they would. I picked a mid-March spray of spirea, made myself a bridal bouquet, and gave my whole heart to the man whose heart was given whole to me.

From outside comes the strident clamor of slogans over a loudspeaker and an accordion optimistically paints cheap color prints. And yet there is not a single flower on the laborers' table, not one little bouquet for the world to lean on.

A flower is always singing her sweetest song for those who have a listening heart.

Days in the sun, such harmless fun, they remind my heart of you. But you crumbled away, now alone I will play, my heart crumbled away with you too. Bundles of flowers, a bouquet towers, they remind my heart of you. But your soul flew away, how I wish it could stay, my heart flew away with you too. Rows of stones, such beautiful bones, they remind my heart of you. But you rotted away, at the end of the day, my heart rots away for you too.

He circles the shrines, scanning each of them. There's one made in exclusively soft shades of pink, with a bouquet of blush roses at the center. It's surrounded by oysters, each one nestling a pearl. Smooth, heart-shaped rose quartz surrounds the perimeter in a perfect circle. Sliced guava reveals its rosy flesh, next to clamshells full of cherry blossoms. Another is built from a large shell in the center, filled with water that reflects the moon. White magnolias float on the surface, along with golden glitter that sparkles like starlight. Oranges with long stems and blossoms surround the shell, paired with sliced mango drizzled with honey. I swear I know who some of these belong to. The one with green grapes and pears decorated with golden butterfly appliqué must be Genevieve's. Beside it is one crafted from fuchsia carnations and obnoxiously large peonies, with different berries in porcelain dishes painted with bright pink flowers. So obviously Amelia's.

You didn’t bring up past fucks—or almost fucks—with a girl whose pants you were currently trying to get into. It was a terrible idea, the worst. Chicks had a habit of comparing themselves to others and always found themselves lacking. It made zero sense as women were like a beautiful bouquet of flowers. Their differences made them unique. I’d sampled my fair share, and I could honestly say I liked them all. Although, none of them had me craving another hit quite like the one standing before me.

Natural beauty, for Darwin, was not just aesthetic; it always reflected function and adaptation at work. Orchids were not just ornamental, to be displayed in a garden or a bouquet; they were wonderful contrivances, examples of nature’s imagination, natural selection, at work. Flowers required no Creator, but were wholly intelligible as products of accident and selection, of tiny incremental changes extending over hundreds of millions of years. This, for Darwin, was the meaning of flowers, the meaning of all adaptations, plant and animal, the meaning of natural selection.

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

The doorbell broke into his thoughts, making him aware Kennedy still chatted away behind him. He hadn't heard a word she'd said. Actually, he'd completely forgotten she was in the kitchen. Kane turned away, not interested in trying to catch up with her conversation as the doorbell chimed again insistently. He tightened the sash at his waist, ran his fingers through his hair again, then headed for the front of the house. He opened the door just as the delivery driver turned away to retreat back down the steps. The young kid waved a good-bye and hopped back in his van. A bouquet of calla lilies sat at Kane's feet. A smile tugged at his lips. His favorite flower—and these were tipped in the lightest of pink. They were beautiful.

Kane picked up the vase and brought the flowers to his nose, breathing them in. Most people said calla lilies had no fragrance. He always disagreed, picking up the faintest of clean, sweet, floral scents. Pain slashed again across his heart as he recalled sending a similar bouquet to Avery after his first dinner at La Bella Luna. The tears started to roll down his cheeks as he looked closer at the blooms. There was no way whoever sent them could have known this arrangement was his favorite or that it had been the one he'd chosen to use when he'd apologized to Avery all those years ago. The pain of Avery's loss rolled through him again, becoming too much. He closed the front door behind him and set the flowers on the nearest end table, grabbing a tissue from the box beside them. It was then he noticed a notecard hidden among the flowers, having missed it amid the beautiful blooms.

Probably, all these words would tumble out, these stupid, useless words I’ve been carrying everywhere like a bouquet of delicate, beautiful, stupid, useless flowers.

Escoffier set the table. He'd found a Japanese kimono, an obvious prop from some theater production, to use as a tablecloth. Paris had secretly fallen in love with all things oriental. It was red silk brocade, covered with a flock of white flying cranes, and made from a single bolt of fabric. The neckline and cuffs were thickly stained with stage makeup but the kimono itself was quite beautiful. It ran the length of the thin table. The arms overhung one end. Outside the building he'd seen a garden with a sign that read "Please do not pick." But it was, after all, for a beautiful woman. Who would deny him? And so Escoffier cut a bouquet of white flowers: roses, peonies and a spray of lilies, with rosemary stalks to provide the greenery. He placed them in a tall water glass and then opened the basket of food he'd brought. He laid out the china plates so that they rested between the cranes, and then the silver knives, forks and spoons, and a single crystal glass for her champagne. Even though it was early afternoon, he'd brought two dozen candles. The food had to be served 'à la française'; there were no waiters to bring course after course. So he kept it simple. Tartlets filled with sweet oysters from Arcachon and Persian caviar, chicken roasted with truffles, a warm baguette, 'pâté de foie gras,' and small sweet strawberries served on a bed of sugared rose petals and candied violets.

bouquets of flowers into a culture bereft of beauty.

Addison parades with many other little Falleras to the feet of the Virgin and sets down her bouquet. This moment fills her with emotion. There is an intense, delicious smell of flowers in the plaza and the Falleras are absolutely beautiful.

Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015

Sam hadn't left New York with Claire, he'd just arrived at the hotel that morning, checked in, put a few things away in his room and went downstairs to the extensive gift shop and saw the beautiful bouquet of island flowers and knew Claire would love them. The orchid in the middle of the arrangement was purple, which he knew was her favorite color.

At Westminster Abbey, Welsh Guards in crimson uniforms raised the casket to their shoulders. They took it down the long aisle of the church and placed it at the front of the altar. After laying a bouquet of white lilies at the foot of the coffin, Prince Charles and Prince Philip led William and Harry, Queen Elizabeth II, and the Queen Mother to seats in the front of the sanctuary. About two thousand mourners were seated behind them. Her brother Charles said, “Above all, we give thanks for the life of a woman I am so proud to be able to call my sister; the unique, the complex, the extraordinary and irreplaceable Diana, whose beauty, both internal and external, will never be extinguished from our minds.” The dean of Westminster said, “Diana profoundly influenced this nation and the world.” At William’s suggestion, Elton John sang “Candle in the Wind,” in which he made specific reference to Diana: “Your footsteps will always fall here/among England’s greenest hills;/ your candle’s burned out long before/ your legend ever will.” The funeral procession made a two-hour trip to the Spencer family home. Along the way, crowds sobbed and threw flowers. Diana was buried on an island in the middle of a small lake on the family estate. The burial was private.

After finishing their main course and dessert, she and Cady prepared her extra dish. Sophia had decided to make the girls' favorite dinner- beef tenderloin with peppercorn sauce. Soon enough they were plating and rushing back and forth to the huge banquet table set up in the courtyard. Pouring wine and adjusting garnishes and offering smiles to the judges. The ambience of this meal was Sophia's idea of romance. The table was draped with ivory linen and topped with glass jars of flowers. Bouquets of Rosa rugosa and Queen Anne's lace were nestled among votives and bottles of wine. The local glassblower had provided an assortment of pottery dishes and hand-blown goblets. Strands of white lights dangled from the surrounding trees. She and Elliott and the girls plated together, having reached some sort of exhausted Zen state. Emilia scooped the risotto, Elliott placed the salmon on top, Sophia added the three tiny sides shaped with a round cookie cutter. Elliott drizzled his sauce onto the final product. He brushed his shoulder against Sophia each time, needing that physical connection. The plates looked exquisite, artistic. Perfect. She tried to ignore the overwhelming stress of the moment and focus on the food. Cady and Emilia added garnishes- fresh herbs and flowers. And Cady had a whole sheet of candied violets ready to sprinkle on their dessert. It made Elliott laugh and tease them all about being a family of garden sprites. When they finally got to the head of the table and faced a sea of critics, Sophia felt confident about their choices. They'd prepared a beautiful meal that successfully showcased Elliott's love for Scottish tradition, local Vermont products, and the Brown family's love of fresh vegetables and herbs. All the components meshed together into one cohesive meal.

Every day I wake up and I begin to seek out the surprise of what the petit bonheur du jour will be that day. Will it be a letter from one of my grandchildren? Perhaps a phone call from a friend? Will it be a sublime glass of wine or a beautiful bouquet of flowers I see in the window chez la fleuriste? When none of the big things are working out, just concentrate on finding your little daily joy. There always is one, and often once you start looking, you will find many more.

Fame in posterity is like wreaths or bouquets of flowers offered to a beautiful maid now that she is a skeleton. They are there to give credit to the flowers or the giver of them rather than to the dead maid. - On Posthumous Fame.

I have brought a beautiful bouquet of flowers for you today, m'lady. Will you do me the honor of accepting them? Though, of course, when held up against your radiant beauty, my princess... ... even lovely flowers such as these... ... are reduced to mere garnishes that only highlight your exquisiteness even more." "Er! I-I-Instructor Suzuki!" "So, yeah! Anyways... staying cooped up inside battling paperwork all day will wear you out. I brought along a handful of snacks... ... so how about we have ourselves a little tea break, hm?" "Ah! I-Instructor Suzuki, please! You must cease coming here every day like this! I-I am the foremost executive and leader of this Institute! I cannot in good conscience accept such personal gifts! Kyaaa!" "Miss Erina!" "Whoops! You okay? Princess... There. You had a cheese stick stuck in your hair.

She wandered among the wooden crates, picking up tomatoes, peeling back the husks on ears of corn, adding two red peppers to her shopping basket and a bunch of very thin asparagus, a bouquet of zinnias for the table, and seven imperial-looking white and purple gladiolas to put in the stone pitcher that she kept by the front door. She was loaded down with fresh things, beautiful, glorious provisions. Could she stop time and stay here, with her basket full, surrounded by organic produce? Could she just die here and call it a happy end?