Beautiful Cemeteries Quotes

Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.

We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.

Julian was achingly beautiful, but in the way a thunderstorm was beautiful—wild, rough, electric. And bound to leave devastation in his wake.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

A sun crammed into the body of a boy, Yadriel didn't want to see him without his light.

It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

Do you know what religion is, Martin, my friend? -I can barely remember Lord's Prayer. -A beautiful and well-crafted prayer. Poetry aside, a religion is really a moral code that is expressed through legends,myths, or any type of literary device in order to establish a system of beliefs, values , and rules with which to regulate a culture or a society.

Constantin Demiris had arranged with the authorities for her body to be buried on the grounds of the cemetery on Psara, his private island in the Aegean. Everyone had remarked on what a beautiful, sentimental gesture it was. In fact, Demiris had arranged for the burial plot to be there so that he could have the exquisite pleasure of walking over the bitch's grave.

Never before had I felt trapped, so seduced and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. This is a world of shadows, Daniel, and magic is a rare asset. That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone, changed my life.

The Beauties” by Anton Chekhov, “The Doll’s House” by Katherine Mansfield, “A Perfect Day for Bananafish” by J. D. Salinger, “Brownies” or “Drinking Coffee Elsewhere” both by ZZ Packer, “In the Cemetery Where Al Jolson Is Buried” by Amy Hempel, “Fat” by Raymond Carver, “Indian Camp” by Ernest Hemingway.

The beauty of the twentieth century is the charm of the hospital, the grace of the cemetery, of consumption and emaciation. I admit that I have submitted to it all; worse, I have loved with all my heart.

Google is so strange. It promises everything, but everything isn't there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google....Sure, there's a certain charm to being able to look up and watch Eartha Kitt singing Old Fashioned Millionaire in 1957 at three in the morning or Hayley Mills singing a song about femininity from an old Disney film. But the charm is a kind of deception about a whole new way of feeling lonely, a semblance of plenitude but really a new level of Dante's inferno, a zombie-filled cemetery of spurious clues, beauty, pathos, pain, the faces of puppies, women and men from all over the world tied up and wanked over in site after site, a great sea of hidden shallows. More and more, the pressing human dilemma: how to walk a clean path between obscenities.

Twenty-two months are a long time and a lot of things can happen in them- there is time for new families to be formed, for babies to be born and even begin to talk, for a great house to rise where once there was only a field, for a beautiful woman to grow old and no one desire her any more, for an illness- for a long illness- to ripen (yet men live on heedlessly), to consume the body slowly, to recede for short periods as if cured, to take hold again more deeply and drain away the last hopes; there is time for a man to die and be buried, for his son to be able to laugh again and in the evening take the girls down the avenues and past the cemetery gates without a thought. But it seemed as if Drogo’s existence had come to a halt. The same day, the same things, had repeated themselves hundreds of times without taking a step forward. The river of time flowed over the Fort, crumbled the walls, swept down dust and fragments of stone, wore away the stairs and the chain, but over Drogo it passed in vain- it had not yet succeeded in catching him, bearing him with it as it flowed.

Never before had I felt trapped, so seduced and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.

To pitch here is to live. People pitch their kids into good schools, pitch offers on houses they can’t afford, and when they’re caught in the arms of the wrong person, pitch unlikely explanations. Hospitals pitch birthing centers, daycares pitch love, high schools pitch success . . . car dealerships pitch luxury, counselors self-esteem, masseuses happy endings, cemeteries eternal rest . . . It’s endless, the pitching—endless, exhilarating, soul-sucking, and as unrelenting as death. As ordinary as morning sprinklers.

I have always enjoyed cemeteries. Altars for the living as well as resting places for the dead, they are entryways, I think, to any town or city, the best places to become acquainted with the tastes of the inhabitants, both present and gone.

I am Skeleton King. Gravedigger, taxidermist, and necrophiliac. The industry of decay is my kingdom, cemeteries my solace. I’m a nightmare merchant that thrives in the darkness. I belong in the cold, not with her light and warmth. Her beauty would only deteriorate in my presence.

One can experience loneliness in two ways: by feeling lonely in the world or by feeling the loneliness of the world. Individual loneliness is a personal drama; one can feel lonely even in the midst of great natural beauty. An outcast in the world, indifferent to its being dazzling or dismal, self-consumed with triumphs and failures, engrossed in inner drama—such is the fate of the solitary. The feeling of cosmic loneliness, on the other hand, stems not so much from man's subjective agony as from an awareness of the world's isolation, of objective nothingness. It is as if all the splendors of this world were to vanish at once, leaving behind the dull monotony of a cemetery. Many are haunted by the vision of an abandoned world encased in glacial solitude, untouched by even the pale reflections of a crepuscular light. Who is more unhappy? He who feels his own loneliness or he who feels the loneliness of the world? Impossible to tell, and besides, why should I bother with a classification of loneliness? Is it not enough that one is alone?

No matter how brutal life becomes, peace always reigns in the cemeteries...When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.

In the beginning we start with roses. The king’s flower right? Only they wilt in less than a day, especially when exposed to the elements. But Carnations? Oh, what a beautiful flower. They come in every color. True, some are painted, but that doesn’t mean they are less beautiful, and they never wilt.

Never before had I felt trapped, seduced, and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. Have you ever kissed a girl, Daniel?' My brain seized up; my saliva turned to sawdust. 'Well, you're still very young. But it's that same feeling, that first-time spark that you never forget. This is the world of shadows, Daniel, and magic is a rare asset. That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone changed my life.

Not that there seems to be any appropriate place to bury someone, but these municipal cemeteries, or any cemetery at all for that matter, like the ones by the highway, or the ones in the middle of town, with all these bodies with their corresponding rocks - oh it's just too primitive and vulgar, isn't it? The hole, and the box, and the rock on the grass? And we glamorize this process, feel it fitting and dramatic, austerely beautiful, standing there by the hole as we lower the box. It's incredible. Barbaric and base.

Mrs. Allan's face was not the face of the girlbride whom the minister had brought to Avonlea five years before. It had lost some of its bloom and youthful curves, and there were fine, patient lines about eyes and mouth. A tiny grave in that very cemetery accounted for some of them; and some new ones had come during the recent illness, now happily over, of her little son. But Mrs. Allan's dimples were as sweet and sudden as ever, her eyes as clear and bright and true; and what her face lacked of girlish beauty was now more than atoned for in added tenderness and strength.

Love was more than just a fleeting desire, or a brief glimpse into a fairy tale, or a flash of playful flirtation in her beautiful hazel eyes. It was more than infatuation with a person’s best qualities, or reluctant acceptance of their less appealing traits. Real love meant loving the whole person, in every form, in every state, in every way. It was what transformed the ordinary monotony of everyday life into extraordinary moments of warmth and compassion and joy.

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")

She was beautiful, ethereal, and in that glow, she should have reminded him of an angel. But to his horror, he realized that she didn’t. She reminded him of a ghost.

From this vantage, the whole notion of a “battlefield park” seemed a contradiction in terms. Preserved here for eternity was peace, beauty and quiet—the precise opposite of the events memorialized.

The dead don’t go anywhere. They’re all here. Each man is a cemetery. An actual cemetery, in which lie all our grandmothers and grandfathers, the father and mother, the wife, the child. Everyone is here all the time.” It’s literally true, in the sense that we have within us the DNA of family that came before us. It is also metaphorically true in the sense that we carry the stories, the experiences, the wisdom, the failures, and the beauty of each of the lives on our family tree that came before our own. And not just of family, but of everyone we care about, everyone who has in some way touched our lives.

Beauties” by Anton Chekhov, “The Doll’s House” by Katherine Mansfield, “A Perfect Day for Bananafish” by J. D. Salinger, “Brownies” or “Drinking Coffee Elsewhere” both by ZZ Packer, “In the Cemetery Where Al Jolson Is Buried” by Amy Hempel, “Fat” by Raymond Carver, “Indian Camp

If you’re stuck, reading helps: “The Beauties” by Anton Chekhov, “The Doll’s House” by Katherine Mansfield, “A Perfect Day for Bananafish” by J. D. Salinger, “Brownies” or “Drinking Coffee Elsewhere” both by ZZ Packer, “In the Cemetery Where Al Jolson Is Buried” by Amy Hempel, “Fat” by Raymond Carver, “Indian Camp” by Ernest Hemingway.

you’re stuck, reading helps: “The Beauties” by Anton Chekhov, “The Doll’s House” by Katherine Mansfield, “A Perfect Day for Bananafish” by J. D. Salinger, “Brownies” or “Drinking Coffee Elsewhere” both by ZZ Packer, “In the Cemetery Where Al Jolson Is Buried” by Amy Hempel, “Fat” by Raymond Carver, “Indian Camp” by Ernest Hemingway. We should

Don Ricardo wanted a successor worthy of himself. Jorge would always be cocooned in the privileges of his class, hiding from his mediocrity in creature comforts. Penelope, the beautiful Penelope, was a woman, and therefore a treasure, not a treasurer. Julian, who had the soul of a poet, and therefore the soul of a murderer, fulfilled all the requirements. It was only a question of time.

Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).

I am a bomb but I mean you no harm. That I still am here to tell this, is a miracle: I was deployed on May 15, 1957, but I didn’t go off because a British nuclear engineer, a young father, developed qualms after seeing pictures of native children marveling at the mushrooms in the sky, and sabotaged me. I could see why during that short drop before I hit the atoll: the island looks like god’s knuckles in a bathtub, the ocean is beautifully translucent, corals glow underwater, a dead city of bones, allowing a glimpse into a white netherworld. I met the water and fell a few feet into a chromatic cemetery. The longer I lie here, listening to my still functioning electronic innards, the more afraid I grow of detonating after all this time. I don’t share your gods, but I pray I shall die a silent death.

Maya, If you’re stuck, reading helps: “The Beauties” by Anton Chekhov, “The Doll’s House” by Katherine Mansfield, “A Perfect Day for Bananafish” by J. D. Salinger, “Brownies” or “Drinking Coffee Elsewhere” both by ZZ Packer, “In the Cemetery Where Al Jolson Is Buried” by Amy Hempel, “Fat” by Raymond Carver, “Indian Camp” by Ernest Hemingway. We should have them all downstairs. Just ask if you can’t find anything, though you know where everything is better than I. Love, Dad

Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.

But then there were other days, days when I would, quite unexpectedly, meet someone who saw the past not as a burden but as a forgotten story, now due to be retold; there were days when I would find an old house, or old church, or something unexpected like the cemetery in L’viv, which suddenly revealed the secret history of a place or a nation. That was part of what I was looking for: evidence that things of beauty had survived war, communism, and Russification; proof that difference and variety can outlast an imposed homogeneity; testimony, in fact, that people can survive any attempt to uproot them.

Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.

The nations of the earth through the centuries of time have waged war to gain territory. I think ours is the only nation on the face of the earth which has not claimed territory gained out of conflict. I have stood in the American Military Cemetery in Suresnes, France, where are buried some who died in the First World War. Among those was my eldest brother. It is a quiet and hallowed place, a remembrance of great sacrifice 'to make the world safe for democracy.' No territory was claimed by America as recompense for the sacrifices of those buried there. I have stood in reverence in the beautiful American military cemetery on the outskirts of Manila in the Philippines. There marble crosses and the Star of David stand in perfect symmetry marking the burial places of some 17,000 Americans who lost their lives in the Second World War. Surrounding that sacred ground are marble colonnades on which are incised the names of another 35,000 who were lost in the battles of the Pacific during that terrible conflict. After so great a sacrifice there was victory, but there was never a claim for territory except for some small islands over which we have had guardianship. I have been up and down South Korea from the 38th parallel in the North to Pusan in the South, and I have seen the ridges and the valleys where Americans fought and died, not to save their own land but to preserve freedom for people who were strangers to them but whom they acknowledged to be brothers under the fatherhood of God. Not an inch of territory was sought for nor added to the area of the United States out of that conflict. I have been from one end of South Vietnam to the other in the days of war. More than 55,000 Americans died in the sultry, suffocating heat of that strange and foreign place fighting in the cause of human liberty without ambition for territory. In no instance--not in the First World War or the Second, not in the Korean War or in Vietnam--did our nation seize and hold territory for itself as a prize of war.

Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children's ball. Yes, a children's ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler's time, in Stalin's time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.

We took the long way back toward his house and drove past the northernmost point of the ranch just as the sun was beginning to set. “That’s so pretty,” I exclaimed as I beheld the beauty of the sky. Marlboro Man slowed to a stop and put his pickup in park. “It is, isn’t it?” he replied, looking over the land on which he’d grown up. He’d lived there since he was four days old, had worked there as a child, had learned how to be a rancher from his dad and grandfather and great-grandfather. He’d learned how to build fences and handle animals and extinguish prairie fires and raise cattle of all colors, shapes, and sizes. He’d helped bury his older brother in the family cemetery near his house, and he’d learned to pick up and go on in the face of unspeakable tragedy and sadness. This ranch was a part of him. His love for it was tangible. We got out of the pickup and sat on the back, holding hands and watching every second of the magenta sunset as it slowly dissipated into the blackness underneath. The night was warm and perfectly still--so still we could hear each other breathing. And well after the sun finally dipped below the horizon and the sky grew dark, we stayed on the back of the pickup, hugging and kissing as if we hadn’t seen each other in ages. The passion I felt was immeasurable. “I have something to tell you,” I said as the butterflies in my gut kicked into overdrive.

Dither and I like to take the ladies out. Last night Maggie showered her blue-black guts over the barstool at the Dirty Truth while I swung the bartender into the wall-sized mirror by his ankles. Dither put his many fingers into six fraternity brothers while Winnie sucked off the beer spigots, her shattered pelvis undulating obscenely, her hair and dress alive with blood beetles. Then we burst out into the streets. I sliced off heads all down Pleasant while Dither shoved swords up through the seats at the Calvin Theater. Winnie set bassinets afire at Cooley Dickinson while Maggie squatted to piss in the lobster tank in the Stop & Shop. We pinwheeled through the Bridge Street cemetery, upending ancient caskets and sending their contents into the grey sky until it looked like smoke from a great fire. It was a beautiful night; we poured wine into our lungs like drowning sots. In the pink morning we were stacked on the benches like cordwood. The sky was a sick yellow bruise. The sun was a cold dead eye. The winds raised up and shook the houses and thrashed the trees. A great fire is coming to Leeds. Pneumonic plagues and blood from the faucets and worms exploding up into bath tubs from the drains. You’re listening to WXXT. The time is 6:16 a.m. It is not too late to rise, rise and do what needs to be done. Up next, we’ve got Burton Stallhearse and the Grappling Grannies performing their version of “Dark Was the Night, Cold Was the Ground.

1953. It was a world with a war that had just ended and, like a devil that grows a new tail after you’ve chopped one off, another war had begun. With a draft and an enemy just like the one before, only this time there were nuclear weapons; there were veterans’ cemeteries that refused to bury Negro soldiers; there was a government telling you what to look for in a nuclear flash, what kind of structure to hide under should the sirens start wailing—though they must have known that it would have been madness to look or hide or consider anything except lying down and taking your death in with one full breath. There were the subcommittee hearings with Sheedy asking McLain on TV, “Are you a red?” whereupon McLain threw water into his face, and Sheedy threw water back and knocked off his glasses. A world in which TV stations were asked to segregate characters on their shows for Southern viewers, in which all nudes were withdrawn from a San Francisco art show because “local mother Mrs. Hutchins’s sensibilities are shaken to the core;” and beautiful Angel Island became a guided missile station, and a white college student was expelled for proposing to a Negro, and they were rioting against us in Trieste; the Allies freed Trieste not many years ago, and suddenly they hated us … and hovering above all this, every day in the paper, that newsprint visage like the snapshot of a bland Prometheus: Ethel Rosenberg’s face. When would the all clear come? Didn’t somebody promise us an all clear if we were good, and clean, and nice,

Colin. Just the name made Alessandro’s gut burn. He knew the man wanted his wife, even if Brianna was too blind to see it. The moron had been cuckolded by the paragon of supposed virtue, his wife Carrie and now he had finally opened his eyes and seen what Alessandro had known all along. Brianna put every other woman in New York to shame. No woman could come near her beauty, her passion, her fire. Colin had tossed her aside for the angelic Carrie and now he was changing his mind. Oh no you don’t, you miserable fucker. “Her friend indeed,” Bernardo drawled, his Italian accent thick with unmistakable implication. “Dat’s da truth. He no make her cry all da time.” That was directed at Alessandro, with small dark accusatory eyes. “He nice.” Alessandro couldn’t look at those eyes without feeling a sickening pang of guilt. She’s mine! He wanted to scream. Mine! Mine! Mine! “Oh yes. Very nice. He was very nice when he held her at the cemetery and very nice when he was dancing with her at Adresca.” That made Alessandro’s head lift in surprise. “Oh yes, my boy. She’s been there, cleaning up the rubble and word is that she’s working on re-opening it. Her friend Colin has been quite helpful in that endeavour.” “I don’ like how you say dat,” Will said scowling. “Really young William, I only speak the truth,” Bernardo taunted. Alessandro’s mind was racing. NO! Not Colin. He could not let that imbecile take Brianna away from him. He’d have to be eliminated somehow. Alessandro began to plot all the different ways he could ensure that Colin Neally stayed away from his wife, permanently. They all involved grisly, violent methods. He could not be allowed to win Brianna.

THE THING THAT ENTRANCED ME about Chicago in the Gilded Age was the city’s willingness to take on the impossible in the name of civic honor, a concept so removed from the modern psyche that two wise readers of early drafts of this book wondered why Chicago was so avid to win the world’s fair in the first place. The juxtaposition of pride and unfathomed evil struck me as offering powerful insights into the nature of men and their ambitions. The more I read about the fair, the more entranced I became. That George Ferris would attempt to build something so big and novel—and that he would succeed on his first try—seems, in this day of liability lawsuits, almost beyond comprehension. A rich seam of information exists about the fair and about Daniel Burnham in the beautifully run archives of the Chicago Historical Society and the Ryerson and Burnham libraries of the Art Institute of Chicago. I acquired a nice base of information from the University of Washington’s Suzallo Library, one of the finest and most efficient libraries I have encountered. I also visited the Library of Congress in Washington, where I spent a good many happy hours immersed in the papers of Frederick Law Olmsted, though my happiness was at times strained by trying to decipher Olmsted’s execrable handwriting. I read—and mined—dozens of books about Burnham, Chicago, the exposition, and the late Victorian era. Several proved consistently valuable: Thomas Hines’s Burnham of Chicago (1974); Laura Wood Roper’s FLO: A Biography of Frederick Law Olmsted (1973); and Witold Rybczynski’s A Clearing in the Distance (1999). One book in particular, City of the Century by Donald L. Miller (1996), became an invaluable companion in my journey through old Chicago. I found four guidebooks to be especially useful: Alice Sinkevitch’s AIA Guide to Chicago (1993); Matt Hucke and Ursula Bielski’s Graveyards of Chicago (1999); John Flinn’s Official Guide to the World’s Columbian Exposition (1893); and Rand, McNally & Co.’ s Handbook to the World’s Columbian Exposition (1893). Hucke and Bielski’s guide led me to pay a visit to Graceland Cemetery, an utterly charming haven where, paradoxically, history comes alive.

Satires 1.8 [no. 9] deals with witchcraft in a more humorous vein. Here, the wooden statue of the god Priapus is speaking. The statue has been placed in a beautiful modern park on the Esquiline in Rome as a threat to thieves and birds. But this park was once a cemetery for the poor, and at night, in the light of the moon, the witches, again led by Canidia, still haunt the place, digging for human bones or calling up the shades for necromantic purposes. They also perform other kinds of magic, and these rituals are so revolting that even Priapus, who is not a very refined god, loses his nerve and lets out a resounding fart. This works like a charm: the witches run away screaming; one of them loses her wig, the other her false teeth.

ON THE FIFTIETH ANNIVERSARY OF D-Day, I was broadcasting from the American cemetery overlooking Omaha Beach at Colleville-sur-Mer in Normandy, one of the bloodiest battlefields in American history. The cemetery is at once haunting and beautiful, with 9,386 white marble headstones in long, even lines across the manicured fields of dark green, each headstone marking the death of a brave young American. The anniversary was a somber and celebratory

When you travel and go sight seeing you imagine seeing castles, lakes etc but you would not normally have a cemetery at the top of your to see list! Cimitero Monumentale is an old cemetery and, in a way, can also be considered a museum. Many people think of  it as one of the most beautiful cemeteries in the world, because of its monumental mausoleums, impressing sculptures and tombs.

Angry Birds by Maisie Aletha Smikle Angry birds from whence does your anger come? Who taught toothless birds to chirp like mad dogs and hiss like rattle snake? Did their anger come from the eggs from which they were hatched? Did their anger come from an envious psychotic owner? Who was envious of the birds' sweet dispensation And went on a selfish rampage Converting birds dogs chickens and cats into insanity With no regard for animals or humanity Sweet gentle toothless birds Converted into rambling mad dogs Barking and howling at nothing and at everything Annoying even the quiet ants Oh sweet gentle birds Filled with toxic angry madness Don't disturb the sleeping ants Or the living who rest in peace Ramble at the cemetery You have killed them with your rambling noise Now they lie six feet under Thanking God they are not up yonder To hear such despicable rambling Who placed angry birds in tree tops? Who placed angry birds on window sills? With the intention to kill The quiet holy spirit And things gentle and quiet Oh sweet gentle birds They have stolen your melodious melody They have envied your charm They have envied your quiet beauty And have converted you into angry birds to kill the calm And the imperishable precious beauty of quiet tranquility

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had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language.

This magnificent city that I only knew from photographs had been devastated. The infamous submarine bunkers had been bombed, and the bunkers that survived were later dynamited. I could understand this, but why civilian houses had also been leveled and set afire by incendiary bombs was beyond me. Each British Lancaster bomber delivered up to 8,000 pounds of bomb loads each night, with as many as 1,000 bombers over the target on a given night. During these raids, this great port city was set alight like a Roman candle! American B-17 and B 24 bombers also came during the daytime. Operation Gomorrah was conducted day and night causing a howling noise as the Feuersturm firestorm sucked the air out of the city to feed itself. With surface temperatures reaching 1,400 degrees Fahrenheit, asphalt streets actually melted, leaving people trapped in the black molten gunk. Winds of 150 miles per hour fanned flames that reached an altitude of over 15,000 feet! I lost an aunt, who was a beautiful young woman in her twenties, along with her husband and baby. Her older sister also perished in the flames. They all now lie buried in a mass gravesite, which I visited in the Ohlsdorf Cemetery. The stories I heard from people who could still talk about them, without totally choking up, were unbelievable. It was said that over 50 miles of street frontage were set ablaze and totally reduced to ashes during the raids, and another 133 miles were severely damaged. An estimated 1,500 people were killed on the first night of the raids and many more were wounded. Those who survived were suddenly homeless and without possessions. The total casualties were estimated at approximately 45,000 people. At the end of it, Hitler refused to come to the city and sent Hermann Göring instead! This was never forgotten or forgiven by das volk, the people. What is it with us? Why do we as human beings have to experience war after war? It seems that we never learn and so perhaps we will have to witness even worse in the future.

Prior to 1700, Bayou Metairie was called Bayou Chapitoulas (or Tchoupitoulas) after an Indian tribe of that name, who lived near the stream’s confluence with the Mississippi River. It was renamed Metairie (meaning farm) by the French settlers who established plantations there. Traces of the original bayou may still be found in Metairie Cemetery. Bayou Gentilly, originally called Bayou Sauvage, was so named by the French because the French word sauvage meant savage, wild, or untamed and was used to describe the Indians. Bayou Sauvage therefore meant Bayou of the Indians or Indian Bayou. It was renamed Bayou Gentilly around 1718 to commemorate the Paris home of the Dreux brothers, early settlers along the waterway.

American Casualties on the USS Maine Two hundred & Sixty Six American sailors were killed when the American battleship, USS Maine, exploded and sank in Havana harbor after a massive explosion of undetermined origin. The first Board of Inquiry regarding the incident stated that a mine placed on or near the hull had sunk the ship. Later studies determined that it was more likely heat from smoldering coal in the ship’s bunker that set off the explosion in an adjoining ammunition locker. In February 1898, the recovered bodies of the American sailors who died on the battleship were interred in the Colon Cemetery, in Havana. Nearly two years later they were exhumed and now 163 of the crew that were killed in 1898 are buried at Arlington National Cemetery, near the USS Maine Memorial. The beautiful monument shown is located in Central Park West in New York City.

I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language.

What have you got against umbrellas, Daniel?' 'What could be more beautiful than the rain, Don Federico?' 'Pneumonia.

Grown now, I know what it’s like to bury things, and I understand my parents’ hope for reconciliation was not in vain, but their hope had a way of prioritizing expedience. Rather than exhume the bodies of their own hard histories, they planted flowers in the graveyard and waited for rain. The rain would fall, and the flowers would grow, but it would always be a cemetery garden. A space more haunted than beautiful, where side by side with our collection of ghosts, my sister and I would come of age.

Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.

There are no longer beautiful marble gravestones here, the ones that stood in my childhood. I asked myself why those gravestones could have been needed: for reuse? For paving the streets? What happens to a people that ravages its own cemeteries? The same thing that happened to us.

She also had the advantage of being unattractive; her nose was pointed a bit, her hair was rather lack luster, and her large teeth not only protruded but were set above a small chin. Truth-be-known a few of the children in the parish secretly called her “Whinny” and made sounds like a horse when she passed by. The advantages of this appearance were that it kept tongues from wagging and caused no discomfort for the Deacon’s wife. Her lack of outer beauty also insured her availability as she had no family to attend to and was unlikely to have such prospects.

beautiful and well-crafted prayer. Poetry aside, a religion is really a moral code that is expressed through legends, myths, or any type of literary device in order to establish a system of beliefs, values, and rules with which to regulate a culture or a society.

MY HUSBAND PASSES AWAY In the midst of this meeting, on a Sunday afternoon, while I was preaching, my husband, S. P. Etter, fell asleep in Jesus. I took a fast train to Indianapolis, laid him in the beautiful Crown Hill Cemetery, and got back to Philadelphia to continue the meeting the following Saturday night.

[In reference to Arlington National Cemetery] This is one of the really beautiful places on earth. I could stay here forever. I think, maybe someday, this is where I'd like to be.

The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh--a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

Harper planted her ballet flats against the cobblestone street while the white bow at the back of her blouse flapped in the breeze. Flowers in pinks and purples caught on the breeze and floated over wrought-iron cemetery walls.

In a world full of cultured pearls, you, Yardley Belanger, are a rare abalone pearl. Exotic, colorful, and oh so beautiful.

Was she even real? Or was she some sort of weirdly awakened cemetery angel? All marble and moonlight. A sacred beauty. The kind of beauty that gave you chills and made you wonder whether you really wanted to touch it—or instead bolt away, spooked and shaken.

I don't know why, since I was very young I've always been fascinated by poems about death. I've learned lots and lots of them by heart. I can recite some, you want me to? You can use them. For instance, these lines from Baudelaire, you must know them: O Death, old captain, it's time! Let's weigh anchor! This land bores us, O Death! Let's cast off!" "I know that, I know that," Chantal breaks in. "It's beautiful, but it's not for us." "What do you mean? Your old Trotskyite loves poetry! And what better consolation for a dying person than to say to himself: this land bores us? I can imagine those words in neon over the cemetery gates. For your ads, you'd only have to change them a bit: You're getting bored with this land. Lucien Duval, the old captain, will help you weigh anchor.

Enter your wounds. Heal. Escape. And when you get loose, come join me. I'll meet you at Jim Bridger's grave as soon as you get there. We'll make music we can't hear alone, celebrate beauty yet to be born, take the devil by the horns and wrestle him to the ground. We'll shoot for the stars, sweetheart. We'll waltz in the moonlit cemetery like fallen Gods, stand revealed, naked as air, and kiss each other's scars. Till then, my invisible friend, this is the Dream Joker bidding you his tenderest toodeloo. Dream on." Denis Joyner, AMO Mobile Radio DJ