Beats Talent Quotes

Hard work beats talent when talent fails to work hard.

My girl is talented," Noah said. My heart stopped beating.

Hard work beats talent when talent doesn't work hard.

The separation of talent and skill is one of the greatest misunderstood concepts for people who are trying to excel, who have dreams, who want to do things. Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft." - Will Smith

Some of you were born with talent, some weren't. Some of you are lucky and got everything for free, some of you got nothing. But remember, when you're out on the ice you're all equals. And there's one thing you need to know: desire always beats luck.

You know what talent is? The curse of expectation. As a kid you have to deal with that, beat it somehow. If you can write, you think God put you on earth to blow Shakespeare away. Or if you can paint, maybe you think--I did--that God put you on earth to blow your father away.

Everyone needed to have the opportunity to catch a long langorous glimpse of my disgrace. "This looks so much like you," she said to Noah pressing her body against his. "My girl is talented," Noah said. My heart stopped beating. Anna's heart stopped beating. Everyone's heart stopped beating. The buzzing of a solitary gnat would have sounded obscene in the stillness. "Bullshit," Anna whispered finally, but it was loud enough for everyone to hear. She hadn't moved an inch. Noah shrugged. "Im a vein bastard, and Mara indulges me." After a pause, he added, "Im just glad you didnt get your greedy little claws on the other sketchbook. That would have been embarrasing." His lips curved into a sly smile as he slid from the picnic table he'd been sitting on. "Now, get the fuck off me," he said calmly to a dumbfounded speechless Anna as he pushed past her, plucking the sketchbook roughly from her hands. And walked over to me. "Lets go," Noah ordered gently, once he was at my side. His body brushed the line of my shoulder and arm protectively. And then he held out his hand. I wanted to take it and i wanted to spit in Anna's face and i wanted to kiss him and i wanted to knee Aiden Davis in the groin. Civilization won out, and i willed each individual nerve to respond to the signal i sent with my brain and placed my fingers in his. A current traveled from my fingertips through to the hollow where my stomach used to be. And just like that i was completely, utterly and entirely, his.

And what tools did Alex have? A little magic. A talent for misfortune. The ability to take a beating. It would have to be enough. 'This is my home,' she vowed, and nothing will take it from me.

Dance to the beat of your own drum; whether the world likes your rhythmic movements or not.

Hard Work Beats Talent When Talent Fails To Work Hard

Hard work beats talent when talent doesn't work hard.

Hard work beats talent when talent doesn't work hard.

Hard work beats talent when talent doesn't work hard

Anna turned the pages slowly for effect, and like some demonic schoolmarm, held the book at an angle to provide maximum exposure to the assembled crowd. Everyone needed to have the opportunity to catch a long, languorous glimpse of my disgrace. "This looks so much like you," she said to Noah, pressing her body against his. "My girl is talented," Noah said. My heart stopped beating. Anna's heart stopped beating. Everyone's heart stopped beating. The buzzing of a solitary gnat would have sounded obscene in the stillness. "Bullshit," Anna whispered finally, but it was loud enough for everyone to hear. She hadn't moved an inch. Noah shrugged. "I'm a vain bastard, and Mara indulges me." After a pause, he added, "I'm just glad you didn't get your greedy little claws on the other sketchbook. That would have been embarrassing." His lips curved into a sly smile as he slid from the picnic table he'd been sitting on. "Now, get the fuck off me," he said calmly to a dumbfounded, speechless Anna as he pushed past her plucking the sketchbook roughly from her hands. And walked over to me. "Let's go," Noah ordered gently, once he was at my side. His body brushed the line of my shoulder and arm protectively. And then he held out his hand. I wanted to take it and I wanted to spit in Anna's face and I wanted to kiss him and I wanted to knee Aiden Davis in the groin. Civilization won out, and I willed each individual nerve to respond to the signal I sent with my brain and placed my fingers in his. A current traveled from my fingertips through to the hollow where my stomach used to be. And just like that, I was completely, utterly and entirely, His.

Hard work beats talent when talent doesn't work hard.

Because that’s where I keep my Great Big Book of Manners by Emily Post and I want to beat you with it.

Companies with high talent density have a permeable competitive advantage that makes them very difficult to beat.

But the truth is, I’m not the woman I want to be. I’m Gianna Donato whether I like her or not. Flaws and insecurities. Strengths and talents. I’m not infallible or perfect any more than he is. I’m just…me. And his smile tells me just me is okay with him.

Her body went into meltdown, overwhelmed and unsure whether to heat up in arousal or panic under his scrutiny. Bloody hell. Nobody should be that sinful. A rich, talented, bad boy all rolled up into a package of I-don't-give-a-shit, I-know-how-good-I-look.

It took me twenty years of living with my father to accept the idea that being good could be good enough. You know what talent is? The curse of expectation. As a kid you have to deal with that, beat it somehow. If you can write, you think God put you on earth to blow Shakespeare away. Or if you can paint, maybe you think - I did - that God put you on earth to blow your father away.

There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.

Quick, think of a marvelous excuse he’ll totally swallow. Aha!“To practice. Unlike you guys, I haven’t tried my particular talent since Granny May signed me up for belly-dancing classes when I was fifteen.”And, by the way, why the hell did I consent to that? Or decide I loved it? Never mind, he’s buying it. In fact, he seems to be hot on the idea. Are his eyes glowing? And is Cole’s tongue hanging out? This is why I didn’t want to dance in the first place! “Anyway,” I rushed on. “I’m going to find a private place where nobody can see to laugh at me while you beat this tent”—or, more likely, these two idiots—“into submission.

The novel’s not dead, it’s not even seriously injured, but I do think we’re working in the margins, working in the shadows of the novel’s greatness and influence. There’s plenty of impressive talent around, and there’s strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot’s Ghost and Gravity’s Rainbow and The Public Burning are important—to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there’s the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don’t want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.

I want to beat them. Even though I'm not cool, or strong, or just, or beautiful, or cute, or pretty, I want to beat the cool, strong, just, beautiful, cute, and pretty people. Even though I wasn't blessed with talent, even though I'm stupid and have a bad personality, have bad grades, am misguided and am a good for nothing, I want to beat the talented, smart, likeable, overachieving people. I want to beat those with friends when I can't have friends. I want to beat the people who work hard when I can't work hard. I want to beat the the victorious people when I can't win. I want to beat the happy people when I'm miserable. Even if I'm hated, even if I'm despised, even if I'm useless, I want to prove that I'm better than the main characters!

Mac's heart thumped against her gold, initaled locked. In fact fact, her heart hadn't beated that quickly since she was thirty seconds away from being the top bidder for vintage YSL lace-up heels on eBay. This was a coup.

The chances of satisfying my renewed appetite for literary exchanges increased once I began to visit the library more frequently and make my way from the hotel to City Lights Bookstore at 261 Columbus Avenue. For all I was learning about the role its founder, Lawrence Ferlinghetti, had played in helping to nurture, promote, and sustain the talented souls who made the Beat Movement possible, City Lights became a kind of sacred space for me.

HARDWORK beats Talent when Talent doesn't WORK HARD

Talent is part of the equation, but when you combine talent with accountability and authenticity, it is tough to beat.

❤Sometimes our greatest gifts and talents are birthed through great pain and suffering

Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft.

Hard work beats talent when talent doesn't work hard.

Hard work beats talent, when talent doesn’t work hard

We don’t judge competitions at the start but at the finishing line! Attitude beats class! Desire beats talent!

Hard work beats talent when talent doesn’t work hard.   - Kevin Durant  

Free beats talented, every time.

Hard work beats talent when talent doesn’t work hard.

Hardwork beats talent when talent fails to work hard

Hard work beats talent and talent beats hard work

It doesn’t matter how smart you are or aren’t, you need to make up in hard work what you lack in experience, skill, intelligence, or innate ability. If your competitor is smarter, more talented, or experienced, you just need to work three or four times as hard. You can still beat them!

She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.

In one study, elite violinists had separated themselves from all others by each accumulating more than 10,000 hours of practice by age 20. Thus the rule. Many elite performers complete their journey in about ten years, which, if you do the math, is an average of about three hours of deliberate practice a day, every day, 365 days a year. Now, if your ONE Thing relates to work and you put in 250 workdays a year (five days a week for 50 weeks), to keep pace on your mastery journey you’ll need to average four hours a day. Sound familiar? It’s not a random number. That’s the amount of time you need to time block every day for your ONE Thing. More than anything else, expertise tracks with hours invested. Michelangelo once said, “If the people knew how hard I had to work to gain my mastery, it wouldn’t seem wonderful at all.” His point is obvious. Time on a task, over time, eventually beats talent every time. I’d say you can “book that,” but actually you should “block it.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

The separation of talent and skill,” Will Smith points out, “is one of the greatest misunderstood concepts for people who are trying to excel, who have dreams, who want to do things. Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft.

I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure. I will gather up Frankie’s talent to spread on newborn souls. And I will do the same with yours one day. There is a reason you glance up when you first hear a melody, or tap your foot to the sound of a drum. All humans are musical. Why else would the Lord give you a beating heart?

This was something new. Or something old. I didn’t think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I won’t be able to ask her anything more until she wakes up later this morning. I couldn’t help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might do—a revival of something nasty out of the past. Did the Ku Klux Klan wear crosses—as well as burn them? The Nazis wore the swastika, which is a kind of cross, but I don’t think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.

You’re only as good as the team that surrounds you, so help one another, split up the tasks, and utilize each other’s skills and talents.

Let's who those rich pricks that talent beats money.

Listen to your own music. Feel its rhythm and beat. Notice what creates music in you. Tap into your natural gifts and talents, your passionate interests so your soul can sing.

He saw nothing but the gentle ruffling of the leaves in the wind, but as he finished his sweep of the area, he somehow knew. "Sophie!" He heard a gasp, followed by a huge flurry of activity. "Sophie Beckett," he yelled, "if you run from me right now, I swear I will follow you,and I will not take the time to don my clothing." The noises coming from the shore slowed. "I will catch up with you," he continued, "because I'm stronger and faster. And I might very well feel compelled to tackle you to the ground, just to be certain you do not escape." The sounds of her movements ceased. "Good," he grunted. "Show yourself." She didn't. "Sophie," he warned. There was a beat of silence, followed by the sound of slow, hesitant footsteps, and then he saw her, standing on the shore in one of those awful dresses he'd like to see sunk to the bottom of the Thames. "What are you doing here?" he demanded. "I went for a walk.What are you doing here?" she countered. "You're supposed to be ill.That-" she waved her arm toward him and, by extension, the pond- "can't possibly be good for you." He ignored her question and comment. "Were you following me?" "Of course not," she replied, and he rather believed her. He didn't think she possessed the acting talents to fake that level of righteousness. "I would never follow you to a swimming hole," she continued. "It would be indecent." And then her face went completely red, because they both knew she hadn't a leg to stand on with that argument. If she had truly been concerned about decency, she'd have left the pond the second she'd seen him, accidentally or not.

The first time someone asked about Riko's and Kevin's tattoos, Riko hadn't beat around the bush. He was the best striker in the game, he said, and he wanted everyone to know it. The story changed a little when Jean made his first public appearance with a "3" on his face. Riko was supposedly handpicking the future US National Team. He called it the "perfect Court", and even though it was unofficial and unbelievably arrogant, his talent and upbringing gave some credibility to the idea. "Oh," Neil said. "You mean this." He peeled the bandage off his face and let the reporters get a good look at his tattoo.

Jill was born into an inner-city home. Her father began having sex with Jill and her sister during their preschool years. Her mother was institutionalized twice because of what used to be termed “nervous breakdowns.” When Jill was 7 years old, her agitated dad called a family meeting in the living room. In front of the whole clan, he put a handgun to his head, said, “You drove me to this,” and then blew his brains out. The mother’s mental condition continued to deteriorate, and she revolved in and out of mental hospitals for years. When Mom was home, she would beat Jill. Beginning in her early teens, Jill was forced to work outside the home to help make ends meet. As Jill got older, we would have expected to see deep psychiatric scars, severe emotional damage, drugs, maybe even a pregnancy or two. Instead, Jill developed into a charming and quite popular young woman at school. She became a talented singer, an honor student, and president of her high-school class. By every measure, she was emotionally well-adjusted and seemingly unscathed by the awful circumstances of her childhood. Her story, published in a leading psychiatric journal, illustrates the unevenness of the human response to stress. Psychiatrists long have observed that some people are more tolerant of stress than others.

Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.” He’s had notable success with this carrot-and-stick approach. Join us and thrive, or whatever happens to you as a result of your own sinful stubbornness is your problem.

Although the idea has been around for ages, most depressed people do not really comprehend it. If you feel depressed, you may think it is because of bad things that have happened to you. You may think you are inferior and destined to be unhappy because you failed in your work or were rejected by someone you loved. You may think your feelings of inadequacy result from some personal defect—you may feel convinced you are not smart enough, successful enough, attractive enough, or talented enough to feel happy and fulfilled. You may think your negative feelings are the result of an unloving or traumatic childhood, or bad genes you inherited, or a chemical or hormonal imbalance of some type. Or you may blame others when you get upset: “It’s these lousy stupid drivers that tick me off when I drive to work! If it weren’t for these jerks, I’d be having a perfect day!” And nearly all depressed people are convinced that they are facing some special, awful truth about themselves and the world and that their terrible feelings are absolutely realistic and inevitable. Certainly all these ideas contain an important gem of truth—bad things do happen, and life beats up on most of us at times. Many people do experience catastrophic losses and confront devastating personal problems. Our genes, hormones, and childhood experiences probably do have an impact on how we think and feel. And other people can be annoying, cruel, or thoughtless. But all these theories about the causes of our bad moods have the tendency to make us victims—because we think the causes result from something beyond our control. After all, there is little we can do to change the way people drive at rush hour, or the way we were treated when we were young, or our genes or body chemistry (save taking a pill). In contrast, you can learn to change the way you think about things, and you can also change your basic values and beliefs. And when you do, you will often experience profound and lasting changes in your mood, outlook, and productivity. That, in a nutshell, is what cognitive therapy is all about. The theory is straightforward

Couldn't I try...Naturally, it wouldn't be a question of a tune...But couldn't I in another medium?...It would have to be a book: I don't know how to do anything else. But not a history book: history talks about what has existed - an existent can never justify the existence of another existent. My mistake was to try to resuscitate Monsieur de Rollebon. Another kind of book. I don't quite know which kind - but you would have to guess, behind the printed words, behind the pages, something which didn't exist, which was above existence. The sort of story, for example, which could never happen, an adventure. It would have to be beautiful and hard as steel and make people ashamed of their existence. I am going, I feel irresolute. I dare not make a decision. If I were sure that I had talent...but I have never, never written anything of that sort; historical articles, yes - if you could call them that. A book. A novel. And there would be people who would read this novel and who would say: 'It was Antoine Roquentin who wrote it, he was a red-headed fellow who hung about in cafés', and they would think that about my life as I think about the life of the Negress: as about something precious and almost legendary. A book. Naturally, at first it would only be a tedious, tiring job, it wouldn't prevent me from existing or from feeling that I exist. But a time would have to come when the book would be written, would be behind me, and I think that a little of its light would fall over my past. Then, through it, I might be able to recall my life without repugnance. Perhaps one day, thinking about this very moment, about this dismal moment at which I am waiting, round-shouldered, for it to be time to get on the train, perhaps I might feel my heart beat faster and say to myself: 'It was on that day, at that moment that it all started.' And I might succeed - in the past, simply in the past - in accepting myself.

We have, it seems, a few people who think Jarret may be just what the country needs—apart from his religious nonsense. The thing is, you can’t separate Jarret from the “religious nonsense.” You take Jarret and you get beatings, burnings, tarrings and featherings. They’re a package. And there may be even nastier things in that package. Jarret’s supporters are more than a little seduced by Jarret’s talk of making America great again. He seems to be unhappy with certain other countries. We could wind up in a war. Nothing like a war to rally people around flag, country, and great leader.

Competition perverts true fitness, Hébert believed. It tempts you to cheat; to overdevelop some talents while ignoring others; to keep tips for yourself that could be useful to everyone. It’s a short cut; all you have to do is beat the other guy and you’re done, but the Natural Method is a never-ending challenge for self-improvement. Besides, competitive sports focus on rivalry and class divisions. The Natural Method was all about collaboration; every teacher was a student, every student was a teacher, bringing fresh ideas and new challenges. Raise the bar, but help the next guy over it

For all the unique data, computer firepower, special talent, and trading and risk-management expertise Renaissance has gathered, the firm only profits on barely more than 50 percent of its trades, a sign of how challenging it is to try to beat the market—and how foolish it is for most investors to try.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

Answer my question: Why do smart people tend to be stupid?" "Because we think we know better. We think that our intellect affords us special privileges and lets us beat the odds. That's why talented mathematicians try to defraud casinos and young brilliant mages make bargains with forces beyond their control.

[On Vivienne Westwood] Vivienne’s scary, for the reason any truthful, plain-talking person is scary – she exposes you. If you haven’t been honest with yourself, this makes you feel extremely uncomfortable, and if you are a con merchant the game is up. She's uncompromising in every way: what she says, what she stands for, what she expects from you and how she dresses. She's direct and judgmental with a strong northern accent that accentuates her sincerity. She has a confidence I haven't seen in any other woman. She’s strong, opinionated and smart. She can’t beat complacency. She’s the most inspiring person I’ve ever met. Sid told me, ‘Vivienne says you’re talented but last.’ I’ve worked at everything twice as hard since he said that.

After he and this girl split up in Paris, Roger was on the town; really on the town. He joked about it and made fun of himself; but he was very angry inside for having made such a profound fool of himself and he took his talent for being faithful to people, which was the best one he had, next to the ones for painting and writing and his various good human and animal traits, and beat and belaboured that talent miserably. He was no good to anyone when he was on the town, especially to himself, and he knew it and hated it and he took pleasure in pulling down the pillars of the temple. It was a very good and strongly built temple and when it is constructed inside yourself it is not so easy to pull down. But he did as good a job as he could.

Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us

So many beautiful people begin from a place of being broken... but let’s not call it broken – instead, let’s say that so many beautiful people who once weren’t able to move to the beat of their own drums then rise up to create breath-taking music on this earth. Their talents, their successes and their very beings inspire us. When we accept that it’s ok not to be ok, we start dancing to a rhythm of our own.

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.

Watching him then, I simply couldn’t think of him doing anything other than winning. Loss wasn’t the norm, it couldn’t be. I didn’t have the words for it then, what it felt like to watch my cousin, whom I love and whose worries are our worries and whose pain is our pain, manage to be so good at something, to triumph so completely. More than a painful life, more than a culture or a society with the practice and perfection of violence as a virtue and a necessity, more than a meanness or a willingness to sacrifice oneself, what I felt—what I saw—were Indian men and boys doing precisely what we’ve always been taught not to do. I was seeing them plainly, desperately, expertly wanting to be seen for their talents and their hard work, whether they lost or won. That old feeling familiar to so many Indians—that we can’t change anything; can’t change Columbus or Custer, smallpox or massacres; can’t change the Gatling gun or the legislative act; can’t change the loss of our loved ones or the birth of new troubles; can’t change a thing about the shape and texture of our lives—fell away. I think the same could be said for Sam: he might not have been able to change his sister’s fate or his mother’s or even, for a while, his own. But when he stepped in the cage he was doing battle with a disease. The disease was the feeling of powerlessness that takes hold of even the most powerful Indian men. That disease is more potent than most people imagine: that feeling that we’ve lost, that we’ve always lost, that we’ve already lost—our land, our cultures, our communities, ourselves. This disease is the story told about us and the one we so often tell about ourselves. But it’s one we’ve managed to beat again and again—in our insistence on our own existence and our successful struggles to exist in our homelands on our own terms. For some it meant joining the U.S. Army. For others it meant accepting the responsibility to govern and lead. For others still, it meant stepping into a metal cage to beat or be beaten. For my cousin Sam, for three rounds of five minutes he gets to prove that through hard work and natural ability he can determine the outcome of a finite struggle, under the bright, artificial lights that make the firmament at the Northern Lights Casino on the Leech Lake Reservation.

Indeed, most mornings she wakes with a heart that still beats, but is heavy with defeatist thoughts about the futility of life, her life, and, reluctant to face the day she burrows deeper into the covers, seeking shelter in darkness. Unhelpfully, she remembers that she is alone in the world, and not as smart and "with it" as others seem to be, and that her only true talents are hope and delusion. But, she reminds herself, she does have a gift: she is tenacious. And being tenacious means she wants to live. Wanting to live means she must compete, she must participate. She tells herself that these bad, early-morning thoughts are just the residue of some dream she dreamt in the night, and that the sooner she is up and running, the better, and soon she does, she jumps out of bed with sudden determination, and the mere physicality of movement alters something in her brain, and she is awake and back in the column of the living.

Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.

Overcoming deficits is an essential part of the fabric of our culture. Our books, movies, and folklore are filled with stories of the underdog who beats one-in-a-million odds. And this leads us to celebrate those who triumph over their lack of natural ability even more than we recognize those who capitalize on their innate talents. As a result, millions of people see these heroes as being the epitome of the American Dream and set their sights on conquering major challenges. Unfortunately, this is taking the path of most resistance.

They have optimism and confidence. Because they are optimistic and confident, they react to setbacks not by getting discouraged and giving up, but with persistence. Their attitude is, “I’m not playing well right now, but when I put it all together [or our team puts it all together], I’ll really be something. I can beat anybody.” Because they persist, they get better. Because they get better, they experience success. And that success reinforces their optimism, their confidence, and their respect for their own talent. That’s the virtuous circle.

Then Bert said, “Eddie, I don’t think there’s a pool player living that shoots better straight pool than I saw you shoot last week at Bennington’s.” He pushed the rest of the potato chip past his thin lips, into the pretty teeth. “You got a talent.” This was pleasant to hear, even in its context. Eddie had hardly been aware of how impoverished his vanity was. But he tried to make his tone of voice wry. “So I got a talent,” he said. “Then what beat me?” Bert pulled another potato chip from the bag, offered him one, and then said, his voice now offhand, casual, “Character.

Together with an elderly artist (I regret that I don't remember his name) he occupied a separate room in the barracks. And there Yuri painted for nothing schmaltzy pictures such as Nero's Feast and the Chorus of Elves and the like for the German officers on the commandant's staff. In return, he was given food. The slops for which the POW officers stood in line with their mess tins from 6 a.m. on, while the Ordners beat them with sticks and the cooks with ladles, were not enough to sustain life. At evening, Yuri could see from the windows of their room the one and only picture for which his artistic talent had been given him: the evening mist hovering above a swampy meadow encircled by barbed wire; a multitude of bonfires; and, around the bonfires, beings who had once been Russian officers but had now become beastlike creatures who gnawed the bones of dead horses, who baked patties from potato rinds, who smoked manure and were all swarming with lice. Not all those two-legged creatures had died as yet. Not all of them had yet lost the capacity for intelligible speech, and one could see in the crimson reflections of the bonfires how a belated understanding was dawning on those faces which were descending to the Neanderthal.

In the parable of the talents, the three servants are called to render an account of how they have used the gifts entrusted to them. The first two used their talents boldly and resourcefully. The third, who prudently wraps his money and buries it, typifies the Christian who deposits his faith in an hermetic container and seals the lid shut. He or she limps through life on childhood memories of Sunday school and resolutely refuses the challenge of growth and spiritual maturity. Unwilling to take risks, this person loses the talent entrusted to him or her. “The master wanted his servants to take risks. He wanted them to gamble with his money.”5

The Disease of Me Dominance Lesson 1. There is no i in team but there is an i in win. Lesson 2. Everything you do, you do to the team. Lesson 3. Get out of yourself and into the team. Lesson 4. Don’t forget the fundamentals. Lesson 5. You can have no flickering lights. Lesson 6. Do not allow mistakes to go uncorrected. Lesson 7. Having skill is not having talent. Lesson 8. You must trust, not just believe. Lesson 9. Sometimes what is best for the individual is not what is best for the team. Lesson 10. Teams must take ownership for themselves and their personalities. Lesson 11. Teams that play together often end up lucky. Lesson 12. With your A game, you can beat anybody; anything less and they can beat you.

We ride hard each day,” Draven barked. “We don’t dawdle or take breaks. We don’t stop to sightsee.” “I’d never dream of asking you to sightsee,” Vesper said with an impressively straight face. “A man like you? Never.” “Fine,” Drave said darkly. “Since you won’t leave when asked and as my only other option is to kill you, which I know she won’t like…” “Your sister?” “My companion,” Draven growled. “Since my companion would evidently prefer I didn’t kill you.” “That would be very nice,” I said, as calmly as I could, my heart beating fast. “Especially when he’s so talented with breakfast.” Were they really going to come to blows? I imagined exaggerating the story when I retold it to Galahad and saying two half-naked griddle-cake-scented, dazzlingly handsome men had been fighting over me.

Dear Sawyer and Quin, If you ever read this and I'm gone I want you to know something that has been weighing on me. I watch you two play and it can be so sad sometimes. You two have been best friends since Sawyer's birth. Always inseparable. It's been adorable , but comes with its challenges. I'm worried when I watch you boys. Quinton, you are always driven by your ego. You're strong and talented, but much too determined to beat down everyone in your efforts to be the best. You push yourself to win a competition, then shove it in someone's face. I’ve rarely seen you compliment others, but you always give yourself a pat on the back. You don't play anything for the love of it, you play to win and normally do. I've seen you tear down your brother so many times just to feel good about yourself. You don't have to do that, dear. You don't have to spend your life trying to prove that you're amazing. One day you'll fail and be alone because you've climbed to the top of a pyramid with only enough room for yourself. Don't let it get to that point and if you do, learn humility from your brother. He could do without so much of it. Sawyer, just because you're most often the underdog and the peaceful introspective kid, don't think I'm letting you off the hook. Your humility has become your worst enemy. It's so intense that I wonder if it will be your vice one day, instead of your greatest virtue. It's one thing to believe you are below all men, even when you're not, but it's another thing to be crippled by fear and to no longer try. Sometimes , dear, I think you fear being good at something because you've tasted the bitterness of being the one who comes in last and you don't want to make others feel that way. That's sweet of you and I smile inside when I see you pretending to lose when you race your younger cousins , but if you always let people beat you they may never learn to work hard for something they want. It's okay to win, just win for the right reasons and always encourage those who lose. Oh, and Sawyer, I hope one day you read this. One day when it matters. If so, remember that the bottom of a mountain can be just as lonely as the top. I hope the two of you can learn to climb together one day. As I'm writing this you are trying to climb the big pine tree out back. Quin is at the top, rejoicing in his victory and taunting Sawyer. And Sawyer is at the bottom, afraid to get hurt and afraid to be sad about it. I'm going to go talk to you two separately now. I hope my words mean something. Love you boys, Mom

In terms of the Trinity, I believe in the Father and the Holy Ghost but not really Jesus that much. Yes, Jesus was pretty badass because he stood up for what he believed in and was definitely an alpha and a man of his convictions, and all that respectable shit, and he took a hell of a beating in the end, but his message was wrong. All that turn the other cheek and love thy neighbor nonsense; be a lamb and so on. It’s silly and doesn’t work. The God of the Old Testament, the Father, that guy makes a lot more sense to me. He had it in him to be mean and spiteful. I get that I was made in the image of a guy who’d fuck over a nobody like Job basically for fun and to prove a point to a rival. I get that I was made in the image of a guy who’d kick two shitheads out of the Garden of Eden for disobeying Him. I get the idea of Him laying waste to entire cities with fireballs or whatever because He didn’t very much like the type of people that lived there (though Sodom and Gomorrah seem like just the sort of places I’d like to hang out). If God is love, it ain’t Jesus’. The Father’s love, tough love, is what works. Sometimes there’s difficulty distinguishing it from hate, and that’s why it applies to the way I live my life. Jesus’ message just makes people nice, makes them pussies, and while I’m thankful for it because it’s given me the upper hand throughout my life in very Christian America, believing in it, really, would be idiotic for anyone like me, a winner. And I believe in the Holy Ghost too mostly because I’ve felt Him working through me while doing really cool shit, like playing football and writing good songs or whatever. He’s what people mean when they say God-given talent, which I have a lot of.

After the plates are removed by the silent and swift waiting staff, General Çiller leans forward and says across the table to Güney, ‘What’s this I’m reading in Hürriyet about Strasbourg breaking up the nation?’ ‘It’s not breaking up the nation. It’s a French motion to implement European Regional Directive 8182 which calls for a Kurdish Regional Parliament.’ ‘And that’s not breaking up the nation?’ General Çiller throws up his hands in exasperation. He’s a big, square man, the model of the military, but he moves freely and lightly ‘The French prancing all over the legacy of Atatürk? What do you think, Mr Sarioğlu?’ The trap could not be any more obvious but Ayşe sees Adnan straighten his tie, the code for, Trust me, I know what I’m doing, ‘What I think about the legacy of Atatürk, General? Let it go. I don’t care. The age of Atatürk is over.’ Guests stiffen around the table, breath subtly indrawn; social gasps. This is heresy. People have been shot down in the streets of Istanbul for less. Adnan commands every eye. ‘Atatürk was father of the nation, unquestionably. No Atatürk, no Turkey. But, at some point every child has to leave his father. You have to stand on your own two feet and find out if you’re a man. We’re like kids that go on about how great their dads are; my dad’s the strongest, the best wrestler, the fastest driver, the biggest moustache. And when someone squares up to us, or calls us a name or even looks at us squinty, we run back shouting ‘I’ll get my dad, I’ll get my dad!’ At some point; we have to grow up. If you’ll pardon the expression, the balls have to drop. We talk the talk mighty fine: great nation, proud people, global union of the noble Turkic races, all that stuff. There’s no one like us for talking ourselves up. And then the EU says, All right, prove it. The door’s open, in you come; sit down, be one of us. Move out of the family home; move in with the other guys. Step out from the shadow of the Father of the Nation. ‘And do you know what the European Union shows us about ourselves? We’re all those things we say we are. They weren’t lies, they weren’t boasts. We’re good. We’re big. We’re a powerhouse. We’ve got an economy that goes all the way to the South China Sea. We’ve got energy and ideas and talent - look at the stuff that’s coming out of those tin-shed business parks in the nano sector and the synthetic biology start-ups. Turkish. All Turkish. That’s the legacy of Atatürk. It doesn’t matter if the Kurds have their own Parliament or the French make everyone stand in Taksim Square and apologize to the Armenians. We’re the legacy of Atatürk. Turkey is the people. Atatürk’s done his job. He can crumble into dust now. The kid’s come right. The kid’s come very right. That’s why I believe the EU’s the best thing that’s ever happened to us because it’s finally taught us how to be Turks.’ General Çiller beats a fist on the table, sending the cutlery leaping. ‘By God, by God; that’s a bold thing to say but you’re exactly right.

If I were sure I had talent. . . . But I have never—never written anything of that sort. Historical articles, yes—lots of them. A book. A novel. And there would be people who would read this book and say: "Antoine Roquentin wrote it, a red-headed man who hung around cafes," and they would think about my life as I think about the Negress's: as something precious and almost legendary. A book. Naturally, at first it would only be a troublesome, tiring work, it wouldn't stop me from existing or feeling that I exist. But a time would come when the book would be written, when it would be behind me, and I think that a litt'e of its clarity might fall over my past. Then, perhaps, because of it, I could remember my life without repugnance. Perhaps one day, thinking precisely of this hour, of this gloomy hour in which I wait, stooping, for it to be time to get on the train, perhaps I shall feel my heart beat faster and say to myself: "That was the day, that was the hour, when it all started." And I might succeed —in the past, nothing but the past—in accepting myself.

Jasper’s boot tapped against the side of her foot. She met his gaze with raised brows. Look at me, he mouthed with darkened eyes. Did he not understand how difficult that was? Of course he didn’t. He did not feel overheated and confused when he looked at her. He didn’t struggle to understand why the act of pressing their lips together had created overwhelming feelings in other parts of the anatomy. Frustrated, she crossed her arms and looked at the passing carriages. The toe of his boot touched her ankle, then slid up along the back of her lower calf. Eliza froze. Her lungs seized, holding her breath. A shiver moved up her leg to unmentionable places. Wide-eyed, she glanced at him. Jasper winked. As indignation welled up within her, his tongue traced the curve of his lower lip in a slow, sensual glide. Her breath left her in a rush. Instantly and viscerally she recalled the feel of that talented tongue against her lips and in her mouth, thrusting deep and sure in imitation of a far more intimate act. Her breasts grew heavy and tender. The beat of her heart quickened and her skin tingled from her head to the place where his boot stroked her. It suddenly struck her that Jasper was deliberately arousing her. In the middle of the day. In the center of town. Seated inches away from two other people. His hand lifted to an unsecured button on his coat. Strong fingers grasped it, the pad of his thumb rubbing leisurely

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

the leader of the troupe, looked carefully at the girl in front of him. She was a real windfall, and since she herself was prepared to starve with them, he had no objection. She might even, if she had talent as she said, be good for the troupe. For years now he’d been traveling all over Greece. He had given performances in cafés, in the open air, even in barns. Once, when he was young, he had begun his career with lots of dreams, and he’d played beside some serious actors of the day. He’d managed to make a name for himself, but he very soon started to get into the drink. The beginning of the end had arrived, but he hadn’t understood it at the time. He began to forget his words onstage and to delay his entrances, creating gaps in the performance. Soon he stopped being in demand. When he met Zoe, he stopped drinking, but it was too late. Nobody trusted him, nobody would offer him even a small role. But the bug for acting didn’t leave him. He formed his own troupe and from then on he traveled around the countryside. A lot of people had been with him and moved on. Some were real actors and some didn’t want to believe that they would never become actors. Very occasionally, real talent had appeared beside him, but precisely because of that talent they always left for some theater in Athens. He had suffered hundreds of humiliations. Frustrated by the troupe’s poor performances, audiences often threw whatever they found at them, forcing the show to end. And it wasn’t so unusual for them to have to flee from a village in the night so that the disgruntled locals, who felt they’d been cheated after such a bad show, didn’t beat them up. Tickets were often used to barter for eggs, honey, corn, even vegetables—the important thing was for the troupe to eat. When they were lucky, though, they ate in a restaurant. They’d been able to do so today because the tour in Pieria had gone very well thanks to Martha, the woman who was observing Polyxeni so carefully. Lambros had to admit that her acting had saved the whole troupe. She’d been with them for two months, and things

Hard work beats talent, when talent does not work hard.

Part of me wonders, in a world that seems so divided and divisive, if we’re really at odds with one another or if we’re just feeling entitled and lazy. Maybe we’re just so bored with our comfortable lives that we have to find something to fill our time. As humans, we are wired for a challenge, so if we don’t challenge ourselves, we’ll find petty drama and arguments to keep us busy. Spend time around people who are truly working to bring the best version of themselves to the world, and my guess is that we won’t feel much like arguing anymore. You become like the people with whom you spend the most time. So it should be no surprise that spending time with people who beat me constantly didn’t deter me from finishing first. Instead, it helped me access my own will to win. Why is it that we get so caught up with thinking that beating someone is bad for them? What if winning is the kindest, bravest, most helpful thing you can do? Healthy competition teaches us. It doesn’t hold us back. It pushes us forward. When we bring our best to the competition, it challenges everyone to dig deep and discover their hidden talents, their buried tenacity, their untapped skill. You were put on this Earth to do something amazing. Something nobody else can do. The only way you can do that thing is to tap into your deepest power, your greatest potential. Far too many of us are missing it because we’re worried about making a way for someone else.

●Practice like a devil and play like an angel. ●If you cant fly then run if you cant run then walk if you cant walk then crawl but whatever you do just keep moving forward. ●Dont wait for the perfect moment, take the moment and make it perfect. ●Perfection is a work in progress. ●The ones who say "You cant" and "You wont" r probably the ones scared that "You will". ●Hard work beats talent when talent doesnt work hard. �������Own Quotes������� ●The key to be the great-be good at first then bring perfection in your goodness. You will be great for sure. ●Either only English or only Bengali will make attitude but the mixture of these wont make an attitude, its just an excuse. ●The intention of following famous wont make you famous, the intention of overpassing famousity will make you that. ●Only you are worthy of the best position if you have experienced the worst position. Worst to best is the road to be better than best.

When you’re comfortable with who you are, when you’re not trying to impress people, you’re not trying to be something that you’re not, then your own uniqueness will come out. You’ll be more creative. Your talent will come out in greater ways. The right people will show up. Why? Because you’ve stepped into the anointing on your life. Be you. You are powerful when you’re you. Here’s a key: Nobody can beat you at being you.

Before the academy, Miri never had cause to wonder if a person was head smart or not. It seemed everyone was clever at something – there were those who were best at picking out the right fissure for prying a block of linder free and those who were best at making cheese or tanning hides, beating drums or tossing stones. Now, smart meant to Miri the talent to think around a new problem and learn new things.

Time on a task, over time, eventually beats talent every time.

Time on a task, overtime eventually beats talent every time

All work is a means to express your awesome talent. Beat your fears and produce gorgeous value for other human beings.

Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.

Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.” He’s had notable success with this carrot-and-stick approach. Join us and thrive, or whatever happens to you as a result of your own sinful stubbornness is your problem.

Finish this process. Beat the competition. Clarify your message. Grow your company. The competition may be more talented than you are, but they will never outwork you if you don’t let them. That’s the one thing you get to control.

Being a fast mover and being decisive—it is very hard to be successful and not have those traits as a founder. Why that is, I’m not perfectly clear on, but I think it is something . . . about the only advantage that start-ups have or the biggest advantage that start-ups have over large companies is agility, speed, willing to make non-consensus, concentrated bets, incredible focus. That’s really how you get to beat a big company.

Key learnings You can boost your brand and get more people to trust you by doing interviews with top industry leaders. By spending time with them asking questions, you get associated with their image and people will perceive you as an expert as well. Processes are key. If you want to get people from the top of the ladder on your podcast/interviews you need to start small and then keep leveling up. Communities die, families prosper. Your team will be the most important success factor of your company as you grow. The key source of talented people is actually the people you’ve already hired. Your team reflects your company culture. That’s why they need to be 100% involved. Making people’s lives easier is one of the most underrated skills in business. Transparency leads to trust. Don’t beat around the bush, tell it like it is and people will see they can trust you.

Talent is important, but circumstance is imperative, and circumstance beats talent when talent doesn’t have circumstance.

hard work also plays a very important role, because it’s true that hard work beats talent when talent doesn’t work hard. But combine the two and that’s when you get rocket fuel.

does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.

Except for a handful, chess players don’t have such illusions. The game has a severe analytic quality that makes self-deception difficult. Unlike the undiscovered poet who, despite the harsh criticism of his peers, lives on his fantasies for the day that he will be recognized as the next Dylan Thomas, even a young chess player can usually gauge his talent. When Josh was six, he played several games against a pudgy thirteen-year-old who was the top player on his high school team. He beat Josh every time, but a couple of the games were close, and afterwards the boy seemed gloomy about his performance. He explained that if he didn’t make significant improvement during the next year, he would wind up as just another wood-pusher. Despite his celebrity in school, he seemed to know that he didn’t have it. While

The challenge is that the demand in our lives increasingly exceeds our capacity. Think of capacity as the fuel that makes it possible to bring your skill and talent fully to life. Most of us take our capacity for granted, because for most of our lives we’ve had enough. What’s changed is that between digital technology and rising complexity, there’s more information and more requests coming at us, faster and more relentlessly than ever. Unlike computers, however, human beings aren’t meant to operate continuously, at high speeds, for long periods of time. Rather, we’re designed to move rhythmically between spending and renewing our energy. Our brains wave between high and low electrical frequencies. Our hearts beat at varying intervals. Our lungs expand and contract depending on demand. It’s not sufficient to be good at inhaling. Indeed, the more deeply you exhale, the calmer and more capable you become. Instead, we live linear lives, progressively burning down our energy reservoirs throughout the day. It’s the equivalent of withdrawing funds from a bank account without ever making a deposit. At some point, you go bankrupt. The good news is that we can influence the way we manage our energy. By doing so skillfully, you can get more done in less time, at a higher level of quality, in a more sustainable way. A couple of key scientific findings point the way. The first is that sleep is more important than food. You can go a week without eating and the only thing you’ll lose is weight. Give up sleep for even a couple of days and you’ll become completely dysfunctional. Even so, we’re all too willing to trade away an hour of sleep in the false belief that it will give us one more hour of productivity. In fact, even very small amounts of sleep deprivation take a significant toll on our cognitive capacity. The notion that some of us can perform adequately with very little sleep is largely a myth. Less than 2.5 percent of the population—that’s one in forty people—feels fully rested with less than seven to eight hours of sleep a night. The second key finding is that our bodies follow what are known as ultradian

You think you can be a successful runner from a good family?” It was not really a question. He had talked of his upbringing in Ethiopia: about the poverty that surrounded him, and about the violence meted out to him in his home. Haile’s counterintuitive analysis was that all world-beating runners spring from twisted roots. He believed that a deficit of opportunities, and an early taste of pain, had not stifled his talent but fertilized it.