Graphic Organizer Quotes

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In a morbid condition, dreams are often distinguished by their remarkably graphic, vivid, and extremely lifelike quality. The resulting picture is sometimes monstrous, but the setting and the whole process of the presentation sometimes happen to be so probable, and with details so subtle, unexpected, yet artistically consistent with the whole fullness of the picture, that even the dreamer himself would be unable to invent them in reality, though he were as much an artist as Pushkin or Turgenev. Such dreams, morbid dreams, are always long remembered and produce a strong impression on the disturbed and already excited organism of the person.Raskolnikov had a terrible dream.
Fyodor Dostoevsky (Crime and Punishment)
A person who walks well does not move his body from his waist up, but rather walks with his legs. Thus, his body is serene, his internal organs are not stressed, and he is not worn out. You should observe the manner in which men carry heavy loads.
Issai Chozanshi (The Demon's Sermon on the Martial Arts: A Graphic Novel)
The BDS on campus operation is organized by, among others, a group in Chicago, Illinois, called American Muslims for Palestine, or AMP. For years, AMP, through its sponsorship of Students for Justice in Palestine (SJP), has been sending strategists, digital and communications experts, graphic designers, video editors, and legal advisors to colleges all over America and running flashy events in expensive hotels for the purpose of delegitimizing Israel, minimizing pro-Israel voices on campus, and harassing Jewish and pro-Israel students in order to deter them from supporting Israel. The embodiment of Cancel Culture. Managing such a sophisticated network of political operatives, extensive marketing, and (pre-COVID) ritzy gatherings at nice hotels is extremely expensive.11 So where is the money coming from? I
Noa Tishby (Israel: A Simple Guide to the Most Misunderstood Country on Earth)
The artificial demands of outlines, graphic organizers, and planning often subvert the creative process and force would-be writers to think about what they are writing before a word even hits the page rather than allowing them to spill their guts and evaluate the material later. This is because writing teachers often are not writers themselves and therefore never engage in the writing process in an authentic, honest way. Rather than teaching the writing process followed by actual writers, they speculate about strategies that might help a writer or follow the advice written in writing tomes by people who only write writing tomes, often doing more damage than good.
Matthew Dicks (Storyworthy: Engage, Teach, Persuade, and Change Your Life through the Power of Storytelling)
AT: oKAYYYY, mY BROMO SAPIEN, AT: r U READY, AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE, AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING, AT: tROLLLLLLLLLLLLLLLLL, TG: dont care AT: oK, lET ME, AT: oRGANIZE MY NOTES HERE, AT: oKAYYY, AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,) AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK, AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY, AT: wHOSE, AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY AT: gOOSE, AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS, AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND, AT: wOW, oK, AT: i AM GETTING OFF THE POINT, wHICH WAS, AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN, AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE, AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN, AT: (aND THEN GOT HANDED BACK TO YOU,) AT: cAUSE THAT'S HOW HUMANS GET SERVED, AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S, AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN, AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,) AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY, AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY, AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,) AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY, AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD, AT: cOMING AT YOU THROUGH TRAFFIC, AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED, AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC, AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,) AT: (aNYTHING SEXUAL,) AT: (eRR, wHOAAAAA,) AT: (nEVERMIND,) AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE, AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,) AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING, AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE, AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE, AT: i'M IN CHARGE, cAUSE i'M CHARGING IN, AT: yOUR CHINASHOP, AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW, AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT, AT: (fUCK,) AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE, AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT, AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT, AT: sO, gIVEN THAT, lET ME BE THE FIRST, AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT, AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
Andrew Hussie (Homestuck)
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
Three-and-a-half-month-old infants already seem to exhibit the other-race effect. In a study at the University of Kentucky, white babies were very good at distinguishing faces with 100 percent Caucasian features from faces that had been graphically morphed to include features that were 70 percent white and 30 percent Asian. They couldn’t do the reverse: They could not tell 100 percent Asian faces from those that were morphed to include 30 percent white features. In other words, they could detect small differences between white and not-quite-white faces, but not the same kinds of differences between Asian and not-quite-Asian faces. Lawrence A. Hirschfeld of the University of Michigan did some of the pioneering work on how early in life children begin to understand race. He showed children of ages three, four, and seven, a picture of “Johnny:” a chubby black boy in a police uniform, complete with whistle and toy gun. He then showed them pictures of adults who shared two of Johnny’s three main traits of race, body build, and uniform. Prof. Hirschfeld prepared all combinations—policemen who were fat but were white, thin black policemen, etc.—and asked the children which was Johnny’s daddy or which was Johnny all grown up. Even the three-year-olds were significantly more likely to choose the black man rather than the fat man or the policeman. They knew that weight and occupation can change but race is permanent. In 1996, after 15 years of studying children and race, Prof. Hirschfeld concluded: “Our minds seem to be organized in a way that makes thinking racially—thinking that the human world can be segmented into discrete racial populations—an almost automatic part of our mental repertoire.” When white preschoolers are shown racially ambiguous faces that look angry, they tend to say they are faces of blacks, but categorize happy faces as white. “These filters through which people see the world are present very early,” explained Andrew Baron of Harvard. Phyllis Katz, then a professor at the University of Colorado, studied young children for their first six years. At age three, she showed them photographs of other children and asked them whom they would like to have as friends. Eighty-six percent of white children chose photographs of white children. At age five and six, she gave children pictures of people and told them to sort them into two piles by any criteria they liked. Sixty-eight percent sorted by race and only 16 by sex. Of her entire six-year study Prof. Katz said, “I think it is fair to say that at no point in the study did the children exhibit the Rousseau type of color-blindness that many adults expect.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
But here I come back to Deleuze’s “right to say nothing,” and just because this right is denied to many people doesn’t make it any less of a right or any less important. As far back as 1886, decades before it would finally be guaranteed, workers in the United States pushed for an eight-hour workday: “eight hours of work, eight hours of rest, and eight hours of what we will.” The famous graphic by the Federation of Organized Trades and Labor Unions shows this motto corresponding to three sections of the day: a textile worker at her station, a sleeping person’s feet sticking out of a blanket, and a couple sitting in a boat on a lake, reading a union newspaper. The movement also had its own song: We mean to make things over; we’re tired of toil for naught but bare enough to live on: never an hour for thought. We want to feel the sunshine; we want to smell the flowers; We’re sure that God has willed it, and we mean to have eight hours. We’re summoning our forces from shipyard, shop and mill: Eight hours for work, eight hours for rest, eight hours for what we will!11
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
which a drawing imported into a text document can no longer be altered, but must be changed in the original graphics program and reintroduced into the text document.) Out of the box the Star was multilingual, offering typefaces and keyboard configurations that could be implemented in the blink of an eye for writing in Russian, French, Spanish, and Swedish through the use of “virtual keyboards”—graphic representations of keyboards that appeared on screen to show the user where to find the unique characters in whatever language he or she was using. In 1982 an internal library of 6,000 Japanese kanji characters was added; eventually Star users were able to draft documents in almost every modern language, from Arabic and Bengali to Amharic and Cambodian. As the term implied, the user’s view of the screen resembled the surface of a desk. Thumbnail-sized icons representing documents were lined up on one side of the screen and those representing peripheral devices—printers, file servers, e-mail boxes—on the other. The display image could be infinitely personalized to be tidy or cluttered, obsessively organized or hopelessly confused, alphabetized or random, as dictated by the user’s personality and taste. The icons themselves had been painstakingly drafted and redrafted so they would be instantaneously recognized by the user as document pages (with a distinctive dog-eared upper right corner), file folders, in and out baskets, a clock, and a wastebasket. Thanks to the system’s object-oriented software, the Star’s user could launch any application simply by clicking on the pertinent icon; the machine automatically “knew” that a text document required it to launch a text editor or a drawing to launch a graphics program. No system has ever equaled the consistency of the Star’s set of generic commands, in which “move,” “copy,” and “delete” performed similar operations across the entire spectrum of software applications. The Star was the epitome of PARC’s user-friendly machine. No secretary had to learn about programming or code to use the machine, any more than she had to understand the servomechanism driving the dancing golf ball to type on an IBM Selectric typewriter. Changing a font, or a margin, or the space between typed lines in most cases required a keystroke or two or a couple of intuitive mouse clicks. The user understood what was happening entirely from watching the icons or documents move or change on the screen. This was no accident: “When everything in a computer system is visible on the screen,” wrote David Smith, a designer of the Star interface, “the display becomes reality. Objects and actions can be understood purely in terms of their effects on the display.
Michael A. Hiltzik (Dealers of Lightning: Xerox PARC and the Dawn of the Computer Age)
If a tree falls in the forest and no one is around to hear it, does it make a sound?” If someone is the best graphic designer, dog walker, yoga instructor, real estate broker, professional organizer, or personal chef and no one knows about it, does it matter?
Ryan Serhant (Brand It Like Serhant: Stand Out From the Crowd, Build Your Following, and Earn More Money)
without some artificial system of symbolic order by which to organize “reality”, the individual ceases to exist.
Christopher Kul-Want (Introducing Slavoj Zizek: A Graphic Guide (Graphic Guides Book 0))
On and on it goes—online there is an excellent circular graphic display of cognitive errors—a wheel of mistakes that both lists them and organizes them into categories, including the law of small numbers, neglect of base rates, the availability heuristic, asymmetrical similarity, probability illusions, choice framing, context segregation, gain/
Kim Stanley Robinson (The Ministry for the Future)
Only one facet of the atomic bomb was still missing: Criticality. “Criticality” is a term used to describe the ideal conditions for a chain reaction. A row of dominoes is “critical: if each domino that falls knocks over one other. Fermi assembled a “critical mass” of uranium in his reactor, and he achieved a linear chain reaction. Each atom that fissioned caused one other atom to fission. Theoretically, that sort of reaction can go on forever (given infinite atoms), but it’s not getting any bigger. A bomb, however, requires something more explosive: a chain reaction that grows exponentially. A bomb requires a super critical mass. Imagine an area the size of an empty basketball court and a pile of dominoes. To make a super critical mass, line up the dominoes so that each one that falls will knock over two more dominoes. And each one of those knocks two more over, and so on… This is essentially what happens inside the core of an atomic bomb. The reactive material — uranium or plutonium — is packed together so tightly that when one atom fissions the released neutrons can’t help but hit two more atoms, causing them to fission as well. In other words, once a super-critical mass is assembled, an exponential chain reaction is practically inevitable. Variations on this kind of super-critical mass happen often in nature. Avalanches. Epidemics. But it’s a lot harder for humans to re-create these sorts of complex systems. A super-critical reaction requires an astounding amount of work and organization just to get all the necessary pieces arranged in the right order. All this work, whether it’s lining up dominoes or enriching uranium, builds toward one single moment: the moment when what was once impossible becomes unavoidable. In that moment the logic of the chain reaction takes over. The fire will only stop when there is nothing left to burn. The Trinity test was that moment. Once construction had finished on the factories, the laboratories, and the test sites… once the nation’s brightest minds had demonstrated the potential power of nuclear fission… and, finally, once the military had organized these many parts into a coherent plan to test a bomb… a chain reaction was about to be set in motion, making certain outcomes inevitable. With all that momentum, if a bomb could indeed be built, was there any justification to not build it? And once a workable bomb was built, was there really any chance that it wouldn’t be used?
Jonathan Fetter-Vorm (Trinity: A Graphic History of the First Atomic Bomb)
Class, take 15 seconds to think of your answers. I will go around the room starting at Lindsay and everyone will have a chance to respond. When it is your time to answer, if you want to, you can say, "Pass." If you do so, that's OK. I will come back to you, and you can either give an idea you thought of or say an idea you heard from someone else that you agree with. Or a part of an idea you agree with. So in this way we will hear from everyone. Class, take 2 minutes to develop an answer to this question. You may write down some ideas in a list, in sentences, in images. I want you to go beyond the first ideas in your head. I will then call on you, one at a time. Class, this is a great question for everyone to consider. I think you need about 37 seconds on this one. I will tell you when that time is up, and then you should share your answer with the person sitting next to you. Then I am going to go around the room—this time, let's start with Andrew and go counterclockwise—and you have to tell us what your partner gave for an answer. So listen carefully. Class, here's the deal with answering this question. Everyone will have 20 seconds to consider. Then I am going to ask Eric and Liz their ideas. Then I will ask Jess and Matt to say if they agree or disagree with Eric and Liz. Then I will ask Jenny and Max to add any ideas or reactions. We will regularly do this: one group gives a first response, one group says if they agree, and the third group adds comments. Class, I am not asking you "Why did the Industrial Revolution begin?" but instead, "What are some of the reasons it began?" You can write a list or sentences. I will start this time with Danielle and have her say one reason. I'll write it on the board. Then Casey will give one reason. Then Eric. And we'll go around the room, collecting ideas, until we run out of them. That way, no one person gives all the answers for the group—everyone contributes. When we collect all the ideas, then I am going to have you work on your own to organize them into …. Class, JP just gave an answer to the question I asked before I could give you all time to think, so now I want you to consider his answer for 10 seconds. Then thumbs up if you agree with JP, thumbs down if you disagree, and thumbs sideways if you are not sure. Oh no, class, it happened again—this time Jeffrey answered the question before I gave you all time to think. So, it's "Fist to Five" time. Hold up a fist if you disagree, five fingers if you completely agree, and one to four fingers depending how much you agree. Let's see what we all really think, after 10 seconds. Class, this is a time I want to let the conversation flow more quickly than usual. There is only one thing you have to do before you give your ideas—you have to summarize as best you can what the person who spoke before you said. That way we know we are listening. Class, I have a question to ask that you will need a bunch of time to think about and organize your answers, and then we'll share them in some fashion. I put together this graphic organizer, which might help you get all the parts of the answer organized. You don't have to use it. You can sketch an answer, or write a list, or sentences. I am not playing "Guess what the teacher is thinking" here. The only right answer is what you are thinking, if it is organized enough for the rest of us to understand. Here goes….
Jeffrey Benson (Hanging In: Strategies for Teaching the Students Who Challenge Us Most)
Without definitive expulsion of all the whites, violence would erupt again; it was just a matter of time. History had demonstrated graphically enough, on the Upper Amazon and elsewhere throughout the Americas, that a single well-organized reprisal raid could obliterate a whole village, wipe out the last remnants of an entire tribe, and no one on the outside would even be the wiser. All screams were smothered, all evidence was snuffed out, in the vast depths of the jungle.
Scott Wallace (The Unconquered: In Search of the Amazon's Last Uncontacted Tribes)
In a morbid condition, dreams are often distinguished by their remarkably graphic, vivid, and extremely life-like quality... Such dreams, morbid dreams, are always long remembered and produce a strong impression on the disturbed and already excited organism of the person.
Fyodor Dostoevsky (Crime and Punishment)
If, as I believe, the conceptual structures we construct today are too complicated to be accurately specified in advance, and too complex to be built faultlessly, then we must take a radically different approach. Let us turn to nature and study complexity in living things, instead of just the dead works of man. Here we find constructs whose complexities thrill us with awe. The brain alone is intricate beyond mapping, powerful beyond imitation, rich in diversity, self-protecting, and self-renewing. The secret is that it is grown, not built. So it must be with our software systems. Some years ago Harlan Mills proposed that any software system should be grown by incremental development.[11] That is, the system should first be made to run, even though it does nothing useful except call the proper set of dummy subprograms. Then, bit by bit it is fleshed out, with the subprograms in turn being developed into actions or calls to empty stubs in the level below. I have seen the most dramatic results since I began urging this technique on the project builders in my software engineering laboratory class. Nothing in the past decade has so radically changed my own practice, or its effectiveness. The approach necessitates top-down design, for it is a top-down growing of the software. It allows easy backtracking. It lends itself to early prototypes. Each added function and new provision for more complex data or circumstances grows organically out of what is already there. The morale effects are startling. Enthusiasm jumps when there is a running system, even a simple one. Efforts redouble when the first picture from a new graphics software system appears on the screen, even if it is only a rectangle. One always has, at every stage in the process, a working system. I find that teams can grow much more complex entities in four months than they can build.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
Layout is the organization and arrangement of copy, the stage when proportional relationships of positive and negative spaces are fine-tuned and adapted to a particular format. Design is the result of layout - the end effect. It is the combination and sum of all applied graphics and their relationship to the format. Think of layout as cause, and design as effect.
Mike Stevens (Mastering Layout: On the Art of Eye Appeal)
This is the fundamental characteristic behind the growth of all complex organisms. The same forms recur in many different circumstances, in different materials both organic and inorganic, on a vast range of scales. A small part of our circulatory system looks like the whole. It looks like a tree, like an estuary, like a stream-bed.
Nigel Lesmoir-Gordon (Introducing Fractals: A Graphic Guide (Graphic Guides))
The Mysterious Brain One thing we can say with certainty about the brain is that it is a very fractal piece of kit! It has an obvious fractal structure. You have only to look at it to see that. It is very crinkled and wrinkled and highly convoluted, as it folds back and back on itself. It is deeply ironic that this remarkable organ, which is the seat of the mind, and which either created or discovered (we don’t know which) the mathematical rules on which it and the entire universe turns, cannot explain or understand its own functioning. If we understood how our brains worked, would we not have achieved those dizzying heights conjured up by Stephen Hawking in A Brief History of Time – would we not, then, “know the mind of God”? Understanding how our brains function is probably the greatest challenge facing the scientific community at this time. Fractal geometry is at the leading edge of research in this area.
Nigel Lesmoir-Gordon (Introducing Fractals: A Graphic Guide (Graphic Guides))
WHAT IS IT, exactly, that people are really afraid of when they say they don’t like change? There is the discomfort of being confused or the extra work or stress the change may require. For many people, changing course is also a sign of weakness, tantamount to admitting that you don’t know what you are doing. This strikes me as particularly bizarre—personally, I think the person who can’t change his or her mind is dangerous. Steve Jobs was known for changing his mind instantly in the light of new facts, and I don’t know anyone who thought he was weak. Managers often see change as a threat to their existing business model—and, of course, it is. In the course of my life, the computer industry has moved from mainframes to minicomputers to workstations to desktop computers and now to iPads. Each machine had a sales, marketing, and engineering organization built around it, and thus the shift from one to the next required radical changes to the organization. In Silicon Valley, I have seen the sales forces of many computer manufacturers fight to maintain the status quo, even as their resistance to change caused their market share to be gobbled up by rivals—a short-term view that sank many companies. One good example is Silicon Graphics, whose sales force was so accustomed to selling large, expensive machines that they fiercely resisted the transition to more economical models. Silicon Graphics still exists, but I rarely hear about them anymore.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
PETA itself has been exposed for killing, literally, tens of thousands of animals in its care. Dating back to 1998, according to records provided by the Virginia Department of Agriculture and Consumer Services to the Center for Consumer Freedom, the animal rights group kills hundreds of household pets every year in facilities it ironically calls “animal shelters.” In 2014, PETA took in 2,631 animals in Virginia. Thirty-nine were adopted. A shocking 2,324 were killed. The rest were transferred to other facilities. Between 1998 and 2014, according to the records, PETA killed 33,514 household pets.25 In one Norfolk, Virginia, branch of PETA, documents disclosed the organization killed almost all of its animals—that’s according to a report in the reliably liberal Huffington Post, which was accompanied by a graphic entitled “For An Animal Rights Organization, PETA Kills A Lot Of Animals.” No kidding.
Eric Bolling (Wake Up America: The Nine Virtues That Made Our Nation Great—and Why We Need Them More Than Ever)
The centrality of orientation The narrow interpretation of the OODA loop also de-emphasizes another essential feature of Boyd’s theory: developing, maintaining and reshaping one’s orientation, the box around which the loop graphically revolves. Speed, brave decisions and heroic actions are pointless if the observation was inaccurate because of our inadequate orientation. Orientation shapes the way we interact with the environment. It is in a sense the ‘genetic code’ of an organism or organization.
Frans P.B. Osinga (Science, Strategy and War: The Strategic Theory of John Boyd (Strategy and History))
When used in combination with the elements, the organizing principles of art and design allow for the infinite combinations that we see when we walk through a museum, read a magazine, or play a video game. These compositions create more than just an image, they can dictate a viewer’s experience of that image.
Joshua Field (An Illustrated Field Guide to the Elements and Principles of Art + Design)
On and on it goes—online there is an excellent circular graphic display of cognitive errors—a wheel of mistakes that both lists them and organizes them into categories, including the law of small numbers, neglect of base rates, the availability heuristic, asymmetrical similarity, probability illusions, choice framing, context segregation, gain/loss asymmetry, conjunction effects, the law of typicality, misplaced causality, cause/effect asymmetry, the certainty effect, irrational prudence, the tyranny of sunk costs, illusory correlations, and unwarranted overconfidence—the graphic itself being a funny example of this last phenomenon, in that it pretends to know how we think and what would be normal.
Kim Stanley Robinson (The Ministry for the Future)
If the DNA sequence is an instruction manual that explains how to make a whole organism from a fertilized zygote, then epigenetic information is a highlighted and annotated version of the text. Some molecular “colours” denote the parts of the text that need to be read most carefully, and others mark parts that can be ignored.
Cath Ennis (Introducing Epigenetics: A Graphic Guide (Graphic Guides Book 0))
Our time and attention are scarce, and it’s time we treated the things we invest in—reports, deliverables, plans, pieces of writing, graphics, slides—as knowledge assets that can be reused instead of reproducing them from scratch. Reusing Intermediate Packets of work frees up our attention for higher-order, more creative thinking. Thinking small is the best way to elevate your horizons and expand your ambitions.
Tiago Forte (Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential)
Facebook’s policy, for instance, makes use of the term “dangerous groups and organizations,” a designation that includes terrorists, but also those participating in organized violence, human trafficking, and other destructive acts. In addition, the company’s policy against depictions of graphic violence covers a broader range of potential content. YouTube’s policy makes no mention of terrorist groups per se, but bans graphic violence. Both companies, however, regularly remove non-violent content from even lesser-known groups on the FTO list.
Jillian York (Silicon Values: The Future of Free Speech Under Surveillance Capitalism)
From Microsoft OneNote, Google Keep, and Apple Notes to Notion and Evernote, digital notes apps have four powerful characteristics that make them ideal for building a Second Brain. They are: Multimedia: Just like a paper notebook might contain drawings and sketches, quotes and ideas, and even a pasted photo or Post-it, a notes app can store a wide variety of different kinds of content in one place, so you never need to wonder where to put something. Informal: Notes are inherently messy, so there’s no need for perfect spelling or polished presentation. This makes it as easy and frictionless as possible to jot things down as soon as they occur to you, which is essential to allow nascent ideas to grow. Open-ended: Taking notes is a continuous process that never really ends, and you don’t always know where it might lead. Unlike more specialized kinds of software that are designed to produce a specific kind of output (such as slide decks, spreadsheets, graphics, or videos), notes are ideal for free-form exploration before you have a goal in mind. Action-oriented: Unlike a library or research database, personal notes don’t need to be comprehensive or precise. They are designed to help you quickly capture stray thoughts so you can remain focused on the task at hand.
Tiago Forte (Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential)
Julian H. Steward (1902–72) introduced ecological anthropology in his Theory of Culture Change (1955). He argued that environment and technology play a major role in determining the social organization of culture and can be correlated with an evolutionary framework.
Merryl Wyn Davies (Introducing Anthropology: A Graphic Guide (Graphic Guides))
Lync has its title altered. And so what sort of computer software is it now? Well, it is identified as Lync Mac Business. The particular motive for carrying this out is a need to combine the familiar experience and level of popularity from consumers associated with Lync Mac along with security regarding Lync as well as control feature set. Yet another thing which Lync has got influenced in this specific new version of Lync happens to be the transformation associated with particular graphical user interface aspects which are used in the popular program of Lync Mac. It has been chose to utilize the same icons as in Lync as an alternative to attempting to make new things. Microsoft Company furthermore included the particular call monitor screen which happens to be applied within Lync in order that consumers could preserve an active call seen inside a small display when customers happen to be focusing on yet another program. It is additionally essential to point out that absolutely no features which were obtainable in Lync are already eliminated. And you should additionally understand that Lync Mac happens to be nevertheless utilizing the foundation regarding Lync. And it is very good that the actual software is nevertheless operating on the previous foundation since it happens to be known for the security. However what helps make Lync Mac a great choice if perhaps you're searching for an immediate texting software? There are a wide range of advantages which this particular application has got and we'll have a look at a few of these. Changing from instantaneous messaging towards document sharing won't take a great deal of time. Essentially, it provides a flawless incorporation associated with the software program. An improved data transfer administration is yet another factor that you'll be in a position enjoy from this program. Network supervisors can assign bandwidth, limit people and also split video and audio streams throughout each application and control the effect of bandwidth. In case you aren't making use of Microsoft Windows operating system and prefer Lync in that case possibly you're concerned that you will not be able to utilize this particular application or it is going to possess some constraints? The reply happens to be no. As we've talked about many times currently, Lync is currently best-known as being Lync For Mac Business .There is nothing that is actually extracted from the main edition therefore the full functionality is actually offered for you. And it is certainly great to understand the fact that Lync that we should simply call Lync For Mac version is actually capable to provide you all the characteristics which you'll need. If you happen to be trying to find a fantastic application for your own organization, in that case this is the one particular you are in search of Lync For Mac which will still be acknowledged as being Lync for a long period edition is actually competent to present you with everything that is actually necessary for your organization even if you decided to not utilize Microsoft operating system. Know about more detail please visit lyncmac.com
Addan smith
TRAGIC RACISM HERETOFORE IGNORED Rich and poor have this in common: The Lord is the Maker of them all. Proverbs 22:2 Planned Parenthood’s founder Margaret Sanger was a racial eugenicist, a proponent of the idea that through birth control, abortion, and sterilization of the “unfit” we could create a “cleaner” human race and enable “the cultivation of the better racial elements.” She actually addressed this with the Ku Klux Klan. Yet far from repudiating Sanger, liberal leaders defend her. Hillary Clinton expresses great admiration for her; Barack Obama praises Planned Parenthood and asks God to bless what they do; the New York Times has mentioned Sanger as a replacement for Andrew Jackson on the twenty-dollar bill. When the media went into hysterics trying to ban the Confederate Battle Flag—while simultaneously ignoring the revelations about Planned Parenthood harvesting the organs of aborted babies, and babies born alive, for profit—I posted a graphic of the rebel flag alongside the Planned Parenthood logo with this question: “Which symbol killed 90,000 black babies last year?” Our government—using your tax dollars—is not to be subsidizing abortion. It’s illegal and immoral. Yet, Planned Parenthood receives more than a million tax dollars out of your pocket every single day. It shouldn’t get a penny. Good news: light now shines on this darkness. The abortionists were caught on tape nibbling lunch and sipping wine while nonchalantly pondering where to spend the profits made from bartering the bodies of innocent babies . . . just another day at the office. I know that it sounds unbelievable, like something from a macabre horror movie script—but the exposé must stir you to action, lest a nation, through complacency, accept the most revolting mission of Margaret Sanger. SWEET FREEDOM IN Action Today, don’t just pray for unborn children. Demand that Congress stop funding abortion mills; elect a pro-life president; support pro-life centers that provide resources to give parents a real choice in this debate—knowing that choosing life is ultimately the beautiful choice.
Sarah Palin (Sweet Freedom: A Devotional)
Fall 2016. On October 7, 2016, the media released video of candidate Trump speaking in graphic terms about women years earlier, which was considered damaging to his candidacy. Less than an hour later, WikiLeaks made its second release: thousands of John Podesta's emails that had been stolen by the GRU in late March 2016. The FBI and other U.S. government institutions were at the time continuing their investigation of suspected Russian government efforts to interfere in the presidential election. That same day, October 7, the Department of Homeland Security and the Office of the Director of National Intelligence issued a joint public statement "that the Russian Government directed the recent compromises of e-mails from US persons and institutions, including from US political organizations." Those "thefts" and the "disclosures" of the hacked materials through online platforms such as WikiLeaks, the statement continued, "are intended to interfere with the US election process.
The Washington Post (The Mueller Report)
All human beings are pain-pleasure organisms. Moral and political philosophy should therefore seek to increase pleasure and minimize pain. It should be democratic.
Dave Robinson (Introducing Philosophy: A Graphic Guide)
Web Design - Give Your Brand Global Recognition Running a small business seems easy but actually, it is not. Surprised? Well, there’s a lot to look after and accomplish without violating the budget and resources. If you own a small business and planning to take it to new heights, you must begin with a professional web design company. Why? Because to let your audience know about your products and services, you got to make your online presence. To make a visible impact online, you need to give your organization a face, which is possible only with a well-designed website that’s professional yet user-friendly. When a website has to be designed, a number of factors are meant to be considered. Font, images, content, alignment, graphics, loading time and interface are the major factors to be careful about. What else? You need to ensure that your brand’s message is displayed the right way and at the right place. Call-to-action has to be there and the design must be in a way that attracts the audience. Want to know more? Length and number of pages also matter, as they play a great role in the presentation and are responsible to hold the audience. All this must be sounding like a lot of stuff and complicated but it is all easy with the right small business web design company by your side. It will understand your business, its needs, and goals for long-term and come with a website which is liked by the audience the moment they click it. All you need to be careful is finding the company that’s worth time and money you invest. The market is flooded with a number of web designers who boast a lot but are not worth what they say. Hiring the wrong designers may cause serious consequences for your website and eventually business. To stay away from coming across such ugly experiences, take enough time and settle for the best professionals. Check their previous work, feedback, price plan and expertise before finalizing anything. Keep this brief piece of information in mind and gift your small business the website it deserves. Good Luck!
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When the Con- stitution was adopted, the unit of organization was the village community, which produced the greater part of its own necessary commodities and generated its group ideas and opinions by personal contact and discussion directly among its citizens. But to-day, because ideas can be instantaneously transmitted to any distance and to any number of people, this geo- graphical integration has been supplemented by many other kinds of grouping, so that persons having the same ideas and interests may be associated and regimented for common action even though they live thousands of miles apart.
Bernays
Campaigns A “humble campaign” is very similar to Sean and Alan’s approach: launch a small campaign as your first project to learn the ropes, then launch a more ambitious project later. Humble campaigns aren’t meant to raise $100,000+ from thousands of backers, though. They have humble ambitions. Not only is this good for running the campaign itself, but it also gives you the opportunity to learn how to create and ship something without the pressure of thousands of backers. The other benefit of a humble campaign is that it’s not as all consuming as a big, complex project. You might actually get to sleep and eat on a regular schedule during a humble campaign. A prime example of a humble campaign is Michael Iachini’s light card game, Otters. In a postmortem blog post6 following his successful campaign ($5,321 raised from 246 backers), Michael outlined the five core elements of a humble campaign: • Low funding goal Keep the product simple and find a way to produce it in small print runs. • Paid graphic design Just because a campaign is humble doesn’t mean it shouldn’t look polished and professional. • Creative Commons art The cards in Otters feature photos of actual otters downloaded from Google Images using a filter for images that are available for reuse (even for commercial purposes, pending credit to the photographers). • Efficient marketing Instead of spending every waking hour on social media, Michael targeted specific reviewers and offered them prototype copies of Otters before the campaign. All he had to do during the campaign was share the reviews when they went live. • Limited expandability Michael offered exactly two stretch goals (compared with dozens for many other projects) and one add-on. In doing so, he intentionally limited the growth potential for the project. You might read this and wonder why you would want to run a humble campaign for $12K or $5K when you create something that could raise $100K. Aside from the standard cautionary tales about letting a project spiral out of control, maintaining a manageable project is like having a summer internship before jumping into a career at an unknown organization. It gives you the chance to poke around, experience the pros and cons firsthand, and make a few mistakes without jeopardizing your entire future.
Jamey Stegmaier (A Crowdfunder’s Strategy Guide: Build a Better Business by Building Community)
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Buy Instagram Accounts in Bulk: A Guide for Growing Brands in 2025
Buying Instagram accounts in bulk has become a smart move for brands looking to scale fast and reach a wider audience. Many companies use this tactic to save time, boost visibility, and test content across different niches without starting from scratch. Bulk account buying can help with brand growth, influencer campaigns, or even targeted regional marketing. In this post, you’ll learn the main reasons businesses buy Instagram accounts in bulk, what to watch for, and how to make the process safe and effective. ✅ E-mail: usabuyshop6@gmail.com ✅ Telegram: @usabuyshop ✅ Skype: Usabuy Shop ✅ WhatsApp: +44 7723 787001 Unsorted Insert picture description Why Businesses Buy Instagram Accounts in Bulk Buying Instagram accounts in bulk gives businesses a shortcut to fast growth and reach. It’s a tactic that helps brands grow online, connect with more people, and test what works without months of slow progress. For marketing teams and entrepreneurs, bulk account buying offers some unique advantages for expanding influence and speeding up results. Scaling Brand Presence Quickly Brands often need to show up everywhere, right away. Buying multiple Instagram accounts lets businesses: Jump-start their reach: Instead of building each profile from scratch, companies get a head start with existing followers and activity. Launch in new markets: Businesses can enter new locations, languages, or niches with ready-made audiences. Maintain momentum: If content goes viral or a product launches, having extra accounts helps keep the buzz going on several fronts. With more accounts ready to go, it takes just days, not months, to appear active and trustworthy in many places at once. Access to Target Audiences Finding the right audience is tough with a single account. By buying several Instagram accounts in bulk, brands can tap into: Pre-built follower bases that match their ideal customer profiles. Accounts that already focus on specific regions, demographics, or interests. Opportunities to test different types of content and see which attracts attention fastest. Instead of waiting for organic growth, brands connect with the right users from day one. This direct access helps marketing teams skip the uncertainty and start real conversations with people who already care about the niche. Campaign Testing and Promotion Running tests on just one account limits what a business can learn or promote. Bulk buying allows: A/B testing across accounts: Brands can try out graphics, captions, or promos to see what drives the most engagement. Multiple campaign angles: Each account might highlight a different feature, story, or call to action for the same product. Flexible promotions: If one account faces a block or slowdown, others can keep the campaign running with no interruptions. This flexible approach helps brands fine-tune their strategies, boost their marketing ROI, and spot trends quicker than competitors working with only one or two profiles. Bulk buying is a smart strategy for any business looking to move fast, reach more people, and test creative marketing ideas at scale. Types of Instagram Accounts Available in Bulk When you shop for Instagram accounts in bulk, you'll notice several common types on the market. Each comes with its own unique features, benefits, and best uses. The type you choose can shape your marketing results, so it's important to know what sets them apart. Aged Accounts Aged accounts are Instagram profiles created months or even years ago. Sellers often highlight their creation date as a selling point. Key features of aged accounts: Older registration dates, making them less likely to get flagged as suspicious. Usually have a history of posts, likes, or followers, which adds credibility. Some may have existing engagement that signals trust to Instagram's algorithm. Buying aged accounts can help a brand blend in quickly and avoid the red flags that come with brand-new p
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As underboss and the face of the organization, De Luca was the perfect target for my ire. Just seeing him had my crimson manicured nails jabbing into my tender palms until I could swear, I’d broken skin. To ease the building pressure, I envisioned, in graphic detail, all the ways I could kill him before he had a chance to lift a finger in defense. It was cathartic. My happy place, if you would.
Jill Ramsower (Blood Always (The Five Families, #3))
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Guardians of the Vote: History, Heroes, and the Legacy of Voting Rights—1960s v. Today” by Jet Thomas, Ed.S., a retired educator, is an essential text covering all aspects of voting in the United States of America. It focuses on how Black Americans, along with other minority groups, have suffered from unequal and often biased circumstances that have suppressed their participation in this cornerstone of democracy. Thomas covers the history of voting with particular emphasis on the events that led to the Civil Rights movement of the 1960s; he features both well-known and more obscure figures who were leaders in creating change – whom he refers to as “Guardians of the Vote;” and the concerns we are facing today due to decisions by the Supreme Court that have weakened the Voting Rights Act. He exposes and explains the current tactics of political maneuvering to circumvent the rights of citizens who are exercising their right to cast votes. Journalist Tavis Smiley contributed the foreword, which describes how the individual reader can become a guardian of the vote by increasing their involvement in the process, with education and training from supportive organizations, making every effort to vote in every election, and then instructing children on the importance of voting and the history of civil rights empowerment. The foreword functions as an outline for what the reader will encounter in the body of the book, as discussed in its nine chapters. Many readers will realize that much of the material that Thomas presents was never covered in their own educational experience, at least not in-depth, and depending on the era of their school attendance, in discussions of current events – this reader/reviewer can attest to very little, even though the Voting Rights Act of 1965 was passed less than a decade before my own high school graduation. In retrospect, and with consideration of my memories of the coverage presented on the major network news broadcasts of the time, that seems quite shocking. The Introduction offers an excellent overview of the history of key events related to voting in the United States. Thomas then offers nine highly detailed yet very readable chapters covering topics that include discrimination methods found in communication, voter intimidation and restrictions, political manipulation, a study of pertinent legislation, a survey of key voter advocacy groups, and profiles of leading figures in the Civil Rights Movement. The text is amplified with graphic introductions to each chapter that provide a timeline of historical events. There are also numerous photos of pertinent materials, important historic and well-recognized figures such as Dr. Martin Luther King, Jr., Supreme Court Justice Thurgood Marshall, and Congressman John Lewis, along with the individuals he profiles as “Guardians of the Vote.” These visuals provide additional interest and context to the narrative. The author has compiled and organized a vast trove of information to educate and inform readers on the importance of making their voices heard through voting. He also strives to acquaint them with the obstacles Black Americans and other minorities face when attempting to vote, and solutions for remedying this very large problem facing our democracy. His in-depth research and careful documentation are highly evident. In addition, he provides a helpful glossary and references to assist his audience. Readers from high school age onward will come away with new information that will aid them in becoming “Guardians of the Vote” in their own right. Knowledge truly is power when the goal is positive change. “Guardians of the Vote” by Jet Thomas, Ed.S. is a book that should be used to teach history and current events in every high school classroom, in college courses, in community study groups, and in political organizations. It is an important book, and I recommend it to every current and prospective citizen of this country.
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Buying Instagram accounts in bulk has become a smart move for brands looking to scale fast and reach a wider audience. Many companies use this tactic to save time, boost visibility, and test content across different niches without starting from scratch. Bulk account buying can help with brand growth, influencer campaigns, or even targeted regional marketing. In this post, you’ll learn the main reasons businesses buy Instagram accounts in bulk, what to watch for, and how to make the process safe and effective. ✅ E-mail: usabuyshop6@gmail.com ✅ Telegram: @usabuyshop ✅ Skype: Usabuy Shop ✅ WhatsApp: +44 7723 787001 Insert picture description Why Businesses Buy Instagram Accounts in Bulk Buying Instagram accounts in bulk gives businesses a shortcut to fast growth and reach. It’s a tactic that helps brands grow online, connect with more people, and test what works without months of slow progress. For marketing teams and entrepreneurs, bulk account buying offers some unique advantages for expanding influence and speeding up results. Scaling Brand Presence Quickly Brands often need to show up everywhere, right away. Buying multiple Instagram accounts lets businesses: Jump-start their reach: Instead of building each profile from scratch, companies get a head start with existing followers and activity. Launch in new markets: Businesses can enter new locations, languages, or niches with ready-made audiences. Maintain momentum: If content goes viral or a product launches, having extra accounts helps keep the buzz going on several fronts. With more accounts ready to go, it takes just days, not months, to appear active and trustworthy in many places at once. Access to Target Audiences Finding the right audience is tough with a single account. By buying several Instagram accounts in bulk, brands can tap into: Pre-built follower bases that match their ideal customer profiles. Accounts that already focus on specific regions, demographics, or interests. Opportunities to test different types of content and see which attracts attention fastest. Instead of waiting for organic growth, brands connect with the right users from day one. This direct access helps marketing teams skip the uncertainty and start real conversations with people who already care about the niche. Campaign Testing and Promotion Running tests on just one account limits what a business can learn or promote. Bulk buying allows: A/B testing across accounts: Brands can try out graphics, captions, or promos to see what drives the most engagement. Multiple campaign angles: Each account might highlight a different feature, story, or call to action for the same product. Flexible promotions: If one account faces a block or slowdown, others can keep the campaign running with no interruptions. This flexible approach helps brands fine-tune their strategies, boost their marketing ROI, and spot trends quicker than competitors working with only one or two profiles. Bulk buying is a smart strategy for any business looking to move fast, reach more people, and test creative marketing ideas at scale. Types of Instagram Accounts Available in Bulk When you shop for Instagram accounts in bulk, you'll notice several common types on the market. Each comes with its own unique features, benefits, and best uses. The type you choose can shape your marketing results, so it's important to know what sets them apart. Aged Accounts Aged accounts are Instagram profiles created months or even years ago. Sellers often highlight their creation date as a selling point. Key features of aged accounts: Older registration dates, making them less likely to get flagged as suspicious. Usually have a history of posts, likes, or followers, which adds credibility. Some may have existing engagement that signals trust to Instagram's algorithm. Buying aged accounts can help a brand blend in quickly and avoid the red flags that come with brand-new p
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