Beatles Abbey Road Quotes

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And in the end, the love you take, is equal to the love you make...
The Beatles (The Beatles Lyrics Illustrated)
They listened to the Beatles for most of the journey, and Hynes explained to Gackowska why Abbey Road was the band’s best record, and how Sgt. Pepper’s wasn’t really a concept album, no matter what anyone claimed to the contrary. Then he had to explain to Gackowska what a concept album was, and a B side, until pretty soon he felt about a hundred years old and was tempted to check himself into a nursing home.
John Connolly (A Book of Bones (Charlie Parker #17))
The last song recorded for Abbey Road was Lennon’s BECAUSE - a three-part harmony in C sharp minor inspired by hearing Yoko Ono play the Adagio sostenuto of Beethoven’s Piano Sonata No. 14, Op. 27 No. 2 (Moonlight).
Ian MacDonald (Revolution in the Head: The Beatles' Records and the Sixties)
Harrison’s visit to Dylan’s Woodstock sessions and his invitation to Eric Clapton to solo on “While My Guitar Gently Weeps” convinced him that an outsider could revive stalled sessions. Dylan and the Band treated Harrison as an equal, while in his own band, Lennon and McCartney persistently patronized his material, even as it began to peak. (Lennon, in fact, sat out most of Harrison’s Beatle recordings from here on out.) Taking in an ally could only ease Harrison’s reentry into the contentious Beatle orbit. Along with lobbying for Ringo Starr to replace Pete Best, bringing Preston into the Get Back project stands as a defining move for Harrison: he single-handedly rescued Let It Be, and pushed his material throughout 1969, until Abbey Road featured his best work yet.
Tim Riley (Lennon)
The Beatles were working on an album called Everest (actually named after a brand of cigarettes). When it was suggested they should get the photo for the record cover taken at the actual place the album was named after - and being too lazy to travel to the Himalayas - they renamed it to Abbey Road, which was the street on which their recording studio was.
Jack Goldstein (101 Amazing Facts)
Golden slumbers kiss your eyes, Smiles awake you when you rise; Sleep, pretty wantons, do not cry, And I will sing a lullaby, Rock them, rock them, lullaby.
Thomas Dekker (The Pleasant Comodie of Patient Grissill)
Luther wanted to re-create the Abbey Road cover, so we found a couple of random dudes to round out the Beatles with us.
Christina Lauren (Twice in a Blue Moon)
Individually, each of the Beatles was great to be with,” recalled John Kurlander, a fledgling EMI engineer at the time of the Abbey Road sessions. “They were funny, warm, friendly—really a delight. If there were two of them, that was also great. If there were three, it could be a little dicey, but generally, it was fine. But when all four were together, they closed ranks, and it would be horrible. It didn’t matter how any of them had treated you on his own; when all four of them were in the room, everyone else was treated as an outsider.
Allan Kozinn (The McCartney Legacy: Volume 1: 1969 – 73)
I remembered that day at Abbey Road Studios, when my envy led me to set rancor in the hearts of John and Paul and break up the Beatles. I
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
There are few studio photographs of the making of Abbey Road, but a number of outtakes from the cover shoot exist. In each of the zebra crossing pictures Lennon walks hunched, expressionless, with his hands in his trouser pockets. However, pictures taken beforehand of the group waiting on the studio steps are even more revealing. Lennon appears pale, furrowed, haggard and at least a decade older than his 28 years. Ono was once again pregnant at the time of the car crash; it ended in miscarriage in October. Lennon arranged for Harrods to deliver a double bed to EMI Studios, allowing her to be near him while he worked and she recuperated. She slept, read and knitted, and a microphone was suspended above the bed for her to add her thoughts during the Beatles’ recording sessions, a development which would
Joe Goodden (Riding So High: The Beatles and Drugs)
It was over 50 years ago that I had the privilege of being the Class Advisor to the class of 1969 at what was then called Henry Abbott Regional Vocational Technical School. It was another era and a time when we as a nation stood tall. It was the year when Buzz Aldrin, Neil Armstrong and Michael Collins lifted off from Cape Kennedy, for the first manned landing on the Moon. “One small step for man, one giant leap for mankind.” It was a time when we felt proud to be Americans! Fifty years ago the 4 Beatles got together in a recording studio for the last time, where they cut “Abbey Road.” In 1969 alone they published 13 songs including “Yellow Submarine.” John Lennon claimed that the best song he ever did was “Come Together” and that was in 1969. Although it wasn’t possible for me to attend the class reunion I did however connect with them by telephone and a speaker system. I had the opportunity to wish them well and share some thoughts with my former students who are now looking forward to their senior years that I always thought of as “The Youth of Old Age.” Having just celebrated my 85th birthday, 69 years old does seem quite youthful in comparison. Earlier in the week Dave Coelho, the class Vice President read to me the list of graduates that are no longer with us. I was stunned by the number, but at the time the United States was at war, regardless of what it was called. In 1968, the year before the class graduated, our country had a peak of 549,000 of our young people serving in Viet Nam. During the year of the Tet Offensive alone, 543 were killed and 2547 were wounded, and that is what the class of 1969 faced upon their graduation! It was a war in which 57,939 of our young people were killed or went missing! It was nice to talk to the class president LaBarbera and I enjoyed the feeling of guilt when one former student told me that he still has a problem with addition. To this I gladly accepted the blame but reminded him that this would not be of much help, if he had to face the IRS when his taxes didn’t compute. Look for part 2, the conclusion
Hank Bracker
As he said, when you’re playing in a band, you don’t see it from the punters point of view,” explained David Litchfield, the man Paul hired to direct the film. “So what he wanted me to do was to set up in Abbey Road Studios and film the band playing, purely as a record of what it was then. Then he can look at it and see the band as the public saw it.”18
Allan Kozinn (The McCartney Legacy: Volume 2: 1974 – 80)