Beating Husband Quotes

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I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest - blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
Madeline Miller (Circe)
I'll never forget you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
Denis Johnson
It's most dangerous nowadays for a husband to pay any attention to his wife in public. It always makes people think that he beats her when they are alone. The world has grown so suspicious of anything that looks like a happy married life.
Oscar Wilde (Lady Windermere's Fan)
For two weeks, I lay awake at night and said Hail Marys over and over to stop my heart from beating too fast. I suddenly realized how much being a husband was about fear: fear of not being able to keep somebody safe, of not being able to protect somebody from all the bad stuff you want to protect them from. Knowing they have more tears in them than you will be able to keep them from crying. I realized that Renee had seen me fail, and that she was the person I was going to be failing in front for the rest of my life. It was just a little failure, but it promised bigger failures to come. Additional ones, anyway. But that's who your wife is, the person you fail in front of. Love it so confusing; there's no peace of mind.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
She replied that it was precisely men well versed in religion who beat their wives. The precepts of religion permitted such punishment. A virtuous woman was not supposed to complain about her husband. Her duty was perfect obedience.
Nawal El Saadawi (Woman at Point Zero)
The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
Life had its way of beating humbleness into a man.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
That day, instead, I saw clearly the mothers of the old neighbourhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swallen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts (...) they appeared to have lost those feminine qualities that were so important to us girls (...) They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
The Vine had no jukebox, but a real stereo continually playing tunes of alcoholic self-pity and sentimental divorce "Nurse," I sobbed. She poured doubles like an angel, right up to the lip of a cocktail glass, no measuring. " You have a lovely pitching arm." You had to go down on them like a hummingbird over a blossom. I saw her much later, not too many years ago, and when I smiled she seemed to believe I was making advances. But it was only that I remembered. I'll never forgot you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
Denis Johnson (Jesus’ Son)
Dear Livia McHugh I'll be your husband. I'll be nothing but yours for the rest of forever. A single, simple day with you is something I'll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
They wouldn’t know mad when they saw it in any case, because a good portion of the women in the Asylum were no madder than the Queen of England. Many were sane enough when sober, as their madness came out of a bottle, which is a kind I knew very well. One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up;
Margaret Atwood (Alias Grace)
[My husband] can beat most anyone in Trivial Pursuit, but only because the game does not include questions like "Where is your wallet?
Amy Sutherland (What Shamu Taught Me About Life, Love, and Marriage: Lessons for People from Animals and Their Trainers)
Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
Denis Johnson (Jesus' Son)
Wouldn’t it be freaky if the two of us exchanged places? You’d have to go home to my house and make out with Duncan. (Mary) Ah, gah! Eye bleach. Don’t put that shit in my head. You’re my sister, for Pete’s sake. Now I’m going to have to beat your husband the next time I see him for defiling you. (Zeke) Oh, pooh. You always overreact to everything. (Mary)
Sherrilyn Kenyon (Blood Lite)
Do you ever think when you look at someone, when to you listen to someone, does that person really have a life?" Abdul was asking the boy who was not listening. "Like that woman who just went to hang herself, or her husband, who probably beat her before she did this? I wonder what kind of life is that," Abdul went on. "I go through tensions just to see it. But it is a life. Even the person who lives like a dog still has a kind of life. Once when my mother was beating me, and that thought came to me. I said, 'If what is happening now, you beating me, is to keep happening for the rest of my life, it would be a bad life, but it would be a life, too.' And my mother was so shocked when I said that. She said, "Don't confuse yourself by thinking about such terrible lives.'" Sunil though that he, too, had a life. A bad life, certainly-the kind that could be ended as Kalu's had been and then forgotten, because it made no difference to the people who lived in the overcity. But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned to far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He turned back to Lara, his alert gaze raking over her tearful face. Somehow the solid reality of his presence eased her panic. He folded her in his arms, anchoring her against his chest, murmuring quietly into her hair. Sniffling, Lara reached inside his waistcoat until her palm rested over the steady beat of his heart. The sensation of his warm breath sinking down to her scalp me her quiver. It was so terribly intimate, crying in his arms... even more personal than making love. But he had never felt so much like a husband to her as he did in this moment. Quieting, she inhaled his familiar scent and let out a shaky sigh.
Lisa Kleypas (Stranger in My Arms)
I don’t know how you’ve managed a tan,” Daydra said, “but you’ll have to keep it up, and talk like a pirate. If you want to work for Momma K, you’re going to be the Sethi pirate girl. You have a husband or a lover?” Kaldrosa hesitated. “Husband,” she admitted. “The last beating nearly killed him.” “If you do this, you’ll never get him back. A man can forgive a woman who leaves whoring for him, but he’ll never forgive one who goes whoring for him.” “It’s worth it,” Kaldrosa said. “To save his life, it’s worth it.
Brent Weeks (Shadow's Edge (Night Angel, #2))
So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love's possibility, in its presence on the earth; as I believe I can approach the altar on any morning of any day which may be the last and receive the touch that does not, for me, say: There is no death; but does say: In this instant I recognize, with you, that you must die. And I believe I can do this in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.
Andre Dubus (Broken Vessels: Essays)
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.
Sylvia Plath (The Bell Jar)
A revolutionary war of freedom, he said” Hiawatha responded crisply, “and I agree… does Superman ever fly to Thailand and free the kids slaving in the sweat shops owned by the rich corporations? No, he doesn’t. Does Batman ever break into prison and free the wrongfully convicted and over sentenced black man whose rights were trampled on when he was incarcerated? No, he doesn’t. Does Spider man ever break into a house in suburbia and beat up the abusive and violent husband? No, he doesn’t.” “Do the Fantastic Four ever fly out to third world countries and defend the rights of the poor civilians against greedy American corporations? No, they don’t,” said the Pirate, not to be outdone. “They’re all just tools used by the state to maintain the status quo,” said Hiawatha.
Arun D. Ellis (Corpalism)
It even contains rules on what types of blows are permissible when a husband beats his wife.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
Some days he wishes that he could simply empty the chambers of the men, fill the halls instead with women: the short sharp shock of three thousand two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow--not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes.
Colum McCann (TransAtlantic)
Listen to me. He was your husband, the father of your child, and my best friend. You don’t have to pretend he isn’t here between us. If you think he’s not in my mind every time I look at you, you’re wrong. I’m struggling with thinking of you the way I do. Imagining doing things with you that he’d beat my fucking ass for.
Corinne Michaels (Consolation (Salvation, #3; The Consolation Duet, #1))
I've thought all my life, 'Lord Christ in heaven! what did I live for?' Beatings, work! I saw nothing except my husband. I knew nothing but fear! And how Pasha grew I did not see, and I hardly know whether I loved him when my husband was alive. All my concerns, all my thoughts were centered upon one thing—to feed my beast, to propitiate the master of my life with enough food, pleasing to his palate, and served on time, so as not to incur his displeasure, so as to escape the terrors of a beating, to get him to spare me but once! But I do not remember that he ever did spare me. He beat me so—not as a wife is beaten, but as one whom you hate and detest.
Maxim Gorky (Mother)
My friend, I went to the market and bought the Dark One. You claim by night, I claim by day. Actually I was beating a drum all the time I was buying him. You say I gave too much; I say too little. Actually, I put him on a scale before I bought him. What I paid was my social body, my town body, my family body, and all my inherited jewels. Mirabai says: The Dark One is my husband now. Be with me when I lie down; you promised me this in an earlier life.
Mīrābāī (Mirabai: Ecstatic Poems)
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
But the minute Ruby said what she said, the minute I heard the word lesbian, my blood started beating so fast that my pulse was all I could hear. I was not paying attention to what was flying out of Ruby’s mouth. I could only catch certain words, like girl and dyke and twisted. The skin on my chest felt hot. My ears burned. I did my best to calm myself. And when I did, when I focused on Ruby’s words, I finally heard the other piece of what she was trying to tell me. “You should probably get a better handle on your husband, by the way. He’s in Ari’s bedroom getting a blow job from some harpy from MGM.” When she said it, I did not think, Oh, my God. My husband is cheating on me. I thought, I have to find Celia.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It’s most dangerous nowadays for a husband to pay any attention to his wife in public.  It always makes people think that he beats her when they’re alone.  The world has grown so suspicious of anything that looks like a happy married life. 
Oscar Wilde (Lady Windermere’s Fan)
On Egyptian television during a 2010 talk show, a Muslim cleric, Sa’d Arafat, reviewed the rules for beating one’s wife. He began by saying, “Allah honored wives by installing the punishment of beating.”21 Beating, he explained, was a legitimate punishment if a husband did not receive sexual satisfaction from his wife. But he added: “There is a beating etiquette.” Beatings must avoid the face because they should not make a wife ugly. They must be done at chest level. He recommended using a short rod.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
The short sharp shock of three thousand mother two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow - not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes. Mothers and daughters and children and grandmothers, too. They never fought the wars, but they suffered them, blood and bone.
Colum McCann (TransAtlantic)
Terri had already gotten her panties into a bunch just from one little phone call, so he knew coming at her too much too fast would be more trouble than it was worth. He couldn’t exactly beat her into submission, not right away anyway. Although he did enjoy seeing her get all riled up. Nothing tugged at a man’s heartstrings like a pair of mascara smeared eyes. Randy from Spring Cleaning-- Coming Summer 2012
Brandi Salazar (Spring Cleaning)
You know about trauma bonding, right?” the agent asked abruptly. “Forget kidnapping victims, you see it all the time with battered women. They’re isolated, at the mercy of their dominating spouse, going through intense spells of abject terror followed by even more emotionally draining periods of soul-wrenching apologies. The trauma itself creates a powerful bonding element. The things these two have gone through together, how could anyone else ever understand? It becomes one more thing that makes a woman stay, even after her husband has beat the crap out of her again.
Lisa Gardner (Find Her (Detective D.D. Warren, #8))
She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.
Joanna Russ (The Female Man)
Ah,' she says. 'But I know where your heart was. I know where it still is. And so do you.' He's gone,' I say. I lock the canvas into a hoop and hand it back to her. 'Here.' Then you must find him,' she says. 'You'll never stop loving him, you know. He'll never really be gone. My Gabriel is still here.' Your Gabriel?' Yes, my Gabriel. My husband.' You mean Lawrence,' I say. Lawrence, her husband who disappeared in a storm over thirty years ago. I mean my Gabriel. Everyone has one.' Ada takes my hand it puts it over her chest. 'Eva, my heart is ancient. But it still beats for him. Only for him.' I look into Ada's glistening eyes. She is telling the truth. You must find him.' I know that she is right. (Anxious Hearts)
Tucker Shaw
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning In The Burned House: Poems)
Love is about giving, about caring for the other person's welfare. Love is treating someone, in the Kantian sense, never as a means but as an end in themselves. Love is sacrifice, love is something you work at, something you build like a house or tend like a plant, brick by brick, drop by drop, day by day. Nonsense. Old wives' tales, old husbands' tales. That is affection they are talking about, that is companionship, that is charity, that is tickets for the Cancer Research Ball. You must ask the young if you want to know what love is. Only they are deep enough in it to describe. We older ones have clues and simulacra, we base our judgement, like pathologists do, on the dents and scars and sediments of hearts long kept in formaldehyde. It is the pulsing heart you want to probe: the pulsing, beating, leaping, dipping, fluttering heart of a seventeen-year-old.
A.P. . (Sabine)
Sloane got down on one knee. Dex’s eyes widened, his heart about to beat out of him. He couldn’t breathe. Oh my God, he couldn’t breathe. “Dexter Justice Daley, will you do me the honor of starting a new adventure with me as my husband?” Sloane opened the small black box, and Dex gasped. “Is
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
Even after three decades of marriage, Evie's heart still skipped a beat at the sight of her husband, formerly Lord St. Vincent, now the Duke of Kingston. Sebastian had matured into a magnificent man with a presence that both intimidated and dazzled. Since ascending to the dukedom ten years ago, he had acquired a veneer of dignity that befitted a man of his considerable power. But no one could look into those remarkable blue eyes, alive with glints of fire and ice, without recalling that he had once been the most wicked rake in England. He still was- Evie could attest to that. Time had treated Sebastian lovingly, and always would. He was a beautiful man, lean and elegant, his tawny-golden hair now lightly brushed with silver at the temples. A lion in winter, whom no one could cross except at their peril. Maturity had given him a look of cool, incisive authority, the sense of a man who had seen and experienced enough that he could rarely, if ever, be outmaneuvered. But when something amused or touched him, his smile was both incandescent and irresistible.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us. As
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
A woman who is baarri is like a pious slave. She honors her husband’s family and feeds them without question or complaint. She never whines or makes demands of any kind. She is strong in service, but her head is bowed. If her husband is cruel, if he rapes her and then taunts her about it, if he decides to take another wife, or beats her, she lowers her gaze and hides her tears. And she works hard, faultlessly. She is a devoted, welcoming, well-trained work animal. This is baarri. If
Ayaan Hirsi Ali (Infidel)
attributed the decay of Hindu society in Trinidad to the rise of the timorous, weak, non-beating class of husband.
V.S. Naipaul (A House for Mr Biswas)
I don't think this place was everything my mother hoped for that day when she asked God where she should go to give her son the world. Though she didn't ford a river or hike across mountains, she still did what so many pioneers before had done, traveled recklessly, curiously, into the unknown of finding something just a little bit better. And like them she suffered and persevered, perhaps in equal measure. Whenever I looked at her, a castaway on the island of my queen-sized bed, it was hard for me to look past the suffering. It was hard for me not to take inventory of all that she had lost -- her home country, her husband, her son. The losses just kept piling up. It was hard for me to see her there, hear her ragged breath, and think of how she had persevered, but she had. Just lying there in my bed was a testament to her perseverance, to the fact that she survived, even when she wasn't sure she wanted to. I used to believe that God never gives us more than we can handle, but then my brother died and my mother and I were left with so much more; it crushed us. It took me many years to realize that it's hard to live in this world. I don't mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it's hard to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It's natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of "what we can handle" changes and our methods for how we handle it change, too, that's something of a miracle.
Yaa Gyasi (Transcendent Kingdom)
a good portion of the women in the Asylum were no madder than the Queen of England. Many were sane enough when sober, as their madness came out of a bottle, which is a kind I knew very well. One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up; and another said she went mad in the autumns, as she had no house and it was warm in the Asylum, and if she didn’t do a fair job of running mad she would freeze to death; but then in the spring she would become sane again because it was good weather and she could go off and tramp in the woods and fish,
Margaret Atwood (Alias Grace)
Love is when you endure pain for the sake of a beloved sister and husband, if that’s what it takes to nurture the child of their illicit union.” Then she glanced at Gran. “Love is sometimes doing the wrong things because you’re at your wit’s end in knowing how to help your family.” He drew her into his arms. “Love is taking chances when every rational part of you screams, ‘Don’t risk it.’ Because it’s only when your heart has been ripped open that you get a chance to find the one person capable of making it whole.” With her own heart beating wildly, she smiled at him. “And you say you aren’t poetic.” “Well,” he said, with a glint in his eye, “perhaps a few of us can be good at everything.” And as he pulled her into a dark corner and kissed her with great sweetness, she acknowledged that at some things, he was very good indeed.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Eddie sat on my other side, but I could not look at him. If I looked at him we would both crumble like dry crackers. I thought about my older sister, Karen, and my younger brother, Leif. About my husband, Paul, and about my mother’s parents and sister, who lived a thousand miles away. What they would say when they knew. How they would cry. My prayer was different now: A year, a year, a year. Those two words beat like a heart in my chest.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Women out in the village don't talk back to their husbands. It's just a law, when men say something, women should just listen. And you should never talk in a loud voice because a man outside might hear. I made that mistake, but I was lucky. In Tarinkot, a man beat his wife with an ax, and she survived, but her head was split open. Husbands who only use their hands or feet are very kind." -Heela (Gopal's female civilian Afghan respondent)
Anand Gopal (No Good Men Among the Living: America, the Taliban, and the War through Afghan Eyes)
If they lived in Saudi Arabia, under Shari’a law, these college girls in their pretty scarves wouldn’t be free to study, to work, to drive, to walk around. In Saudi Arabia girls their age and younger are confined, are forced to marry, and if they have sex outside of marriage they are sentenced to prison and flogged. According to the Quran, their husband is permitted to beat them and decide whether they may work or even leave the house; he may marry other women without seeking their approval, and if he chooses to divorce them, they have no right to resist or to keep custody of their children. Doesn’t this matter at all to these clever young Muslim girls in America?
Ayaan Hirsi Ali (Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations)
How could she make Sarah understand what it was like back home, where no woman would think to call the cops if her husband beat her? And even if she somehow found the strength to stand up for herself, what good would it do when she had no money, no education, no job to fall back on? That was the real reason abuse was so common, Isra thought for the first time. Not only because there was no government protection, but because women were raised to believe they were worthless, shameful creatures who deserved to get beaten, who were made to depend on the men who beat them. Isra wanted to cry at the thought. She was ashamed to be a woman, ashamed for herself and for her daughters.
Etaf Rum (A Woman Is No Man)
And she would hope that the girl who had tittered was living in a shitty tract house with a goy husband who beat her, that she had been pregnant three times and had miscarried each time, that her husband cheated on her with diseased women, that she had slipped discs and fallen arches and cysts on her dirty tittering tongue. She would hate herself for these thoughts, these uncharitable thoughts, and promise to do better – to stop drinking these bitter gall-and-wormwood cocktails.
Stephen King (It)
At any rate, though he never succeeded in laughing at her, as she had done (and continued to do) at him, he fulfilled at least half of what he had predicted he would do when they were married; he beat her. The trouble was, she fought back. And ably, too: for she would snatch up any weapon that was handy, a table lamp, the nail scissors, one of her sharp-heeled shoes, an open box of dusting powder, and once her rubber douche bag. With Amy thus accoutered, husband and wife were about evenly matched. This
Shelby Foote (Love in a Dry Season)
My heart beat violently. My forehead was bathed in a cold perspiration. I asked myself for the first time what it was that I was about to see when this door was opened? What chamber, long closed - what deed of mystery, long forgotten - what family secret, long buried, would be revealed to my eyes? Was it right, after all, that I should pursue this discovery? Ought I not, perhaps, to go back as I had come; tell my husband of the secret upon which I had stumbled; and leave it to him to deal with according to his pleasure? Hesitating thus, I had, even now, more than half a mind to go no farther. It was a struggle between delicacy and curiosity; and I was a mere woman, after all, and curiosity prevailed. "Come what may," said I aloud, "I will see what lies beyond this door!" And with this I opened it.
Amelia B. Edwards (Barbara's History: A Novel)
Even if she does have a boyfriend, he might be a real jerk who treats her badly or abuses her. Maybe she is even married, but her husband beats her every night. You never know, so just continue doing what you do, which is seduce her, and let her mind or heart make its own decision.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant Foulon taken, my daughter! Then, a score of others ran into the midst of these, beating their breasts, tearing their hair, and screaming, Foulon alive! Foulon who told the starving people they might eat grass! Foulon who told my old father that he might eat grass, when I had no bread to give him! Foulon who told my baby it might suck grass, when these breasts were dry with want! O mother of God, this Foulon! O Heaven our suffering! Hear me, my dead baby and my withered father: I swear on my knees, on these stones, to avenge you on Foulon! Husbands, and brothers, and young men, Give us the blood of Foulon, Give us the head of Foulon, Give us the heart of Foulon, Give us the body and soul of Foulon, Rend Foulon to pieces, and dig him into the ground, that grass may grow from him!
Charles Dickens (A Tale of Two Cities)
Then, holding my gun in his hand, he signaled. And out from where they had been concealed walked two other detectives. They'd had me covered. One false move, I'd have been dead. I was going to have a long time in prison to think about that. If I hadn't been arrested right when I was, I could have been dead another way. Sophia's husband's friend had told her husband about me. And the husband had arrived that morning, and had gone to the apartment with a gun, looking for me. He was at the apartment just about when they took me to the precinct. The detectives grilled me. They didn't beat me. They didn't even put a finger on me. And I knew it was because I hadn't tried to kill the detective. They got my address from some papers they found on me. The girls soon were picked up. Shorty was pulled right off the bandstand that night. The girls also had implicated Rudy. To this day, I have always marveled at how Rudy, somehow, got the word, and I know he must have caught the first thing smoking out of Boston, and he got away. They never got him. I have thought a thousand times, I guess, about how I so narrowly escaped death twice that day. That's why I believe that everything is written.
Malcolm X (The Autobiography of Malcolm X)
Wanting All Husband, it's fine the way your mind performs Like a circus, sharp As a sword somebody has To swallow, rough as a bear, Complicated as a family of jugglers, Brave as a sequined trapeze Artist, the only boy I ever met Who could beat me in argument Was why I married you, isn't it, And you have beaten me, I've beaten you, We are old polished hands. Or was it your body, I forget, maybe I foresaw the thousands on thousands Of times we have made love Together, mostly meat And potatoes love, but sometimes Higher than wine, Better than medicine. How lately you bite, you baby, How angels record and number Each gesture, and sketch Our spinal columns like professionals. Husband, it's fine how we cook Dinners together while drinking, How we get drunk, how We gossip, work at our desks, dig in the garden, Go to the movies, tell The children to clear the bloody table, How we fit like puzzle pieces. The mind and body satisfy Like windows and furniture in a house. The windows are large, the furniture solid. What more do I want then, why Do I prowl the basement, why Do I reach for your inside Self as you shut it Like a trunkful of treasures? Wait, I cry, as the lid slams on my fingers.
Alicia Suskin Ostriker
These young-marrying, contemporaries or juniors of the Beat Generation, have often expressed themselves as follows: "My highest aim in life is to achieve a normal healthy marriage and raise healthy [non-neurotic] children." On the face of it, this remark is preposterous. What was always taken as a usual and advantageous life-condition for work in the world and the service of God, is now regarded as an heroic goal to be striven for. Yet we see that it is a hard goal to achieve against the modern obstacles. Also it is a real goal, with objective problems that a man can work at personally, and take responsibility for, and make decisions about—unlike the interpersonal relations of the corporation, or the routine of the factory job for which the worker couldn't care less. But now, suppose the young man is achieving this goal: he has the wife, the small kids, the suburban home, and the labor-saving domestic devices. How is it that it is the same man who uniformly asserts that he is in a Rat Race? Either the goal does not justify itself, or indeed he is not really achieving it. Perhaps the truth is, if marriage and children are the goal, a man cannot really achieve it. It is not easy to conceive of a strong husband and father who does not justified in his work and independent in the world. Correspondingly, his wife feels justified in the small children, but does she have a man, do the children have a father, if he is running a Rat Race? Into what world do the small children grow up in such a home?
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
As with so many other things that are plainly obvious to most people, I had to be told that annoyances were to be expected and tolerated in any relationship, and especially in a marriage. Though I may not have realized that on my own, once it was explained to me, I understood exactly what it meant. Kristen put it this way: “You hog the blankets, Dave. You take months deciding which computer to buy. The instant we all pile into the car and shut the doors, you fart. That stuff is so annoying, and so not a problem.” What was a problem, she explained, was beating myself up over every little thing and creating drama that nobody needed.
David Finch (The Journal of Best Practices: A Memoir of Marriage, Asperger Syndrome, and One Man's Quest to Be a Better Husband)
The racial oppression that inspired the first generations of the civil rights movement was played out in lynchings, night raids, antiblack pogroms, and physical intimidation at the ballot box. In a typical battle of today, it may consist of African American drivers being pulled over more often on the highways. (When Clarence Thomas described his successful but contentious 1991 Supreme Court confirmation hearing as a “high-tech lynching,” it was the epitome of tastelessness but also a sign of how far we have come.) The oppression of women used to include laws that allowed husbands to rape, beat, and confine their wives; today it is applied to elite universities whose engineering departments do not have a fifty-fifty ratio of male and female professors. The battle for gay rights has progressed from repealing laws that execute, mutilate, or imprison homosexual men to repealing laws that define marriage as a contract between a man and a woman. None of this means we should be satisfied with the status quo or disparage the efforts to combat remaining discrimination and mistreatment. It’s just to remind us that the first goal of any rights movement is to protect its beneficiaries from being assaulted or killed. These victories, even if partial, are moments we should acknowledge, savor, and seek to understand.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
One day, her husband slapped her face. When she complained to her father, he told her God gave husbands the right to beat their wives as stated in the verse of Al-Nisa’ sura.[152] Then she began to wonder how God could give the right to a husband to abandon and beat his wife … How could that be when Islam forbids beating animals? Are women inferior to animals?
Brian Whitaker (Arabs Without God: Atheism and freedom of belief in the Middle East)
I thought that perhaps Boqol Sawm was translating the Quran poorly: Surely Allah could not have said that men should beat their wives when they were disobedient? Surely a woman’s statement in court should be worth the same as a man’s? I told myself, “None of these people understands that the real Quran is about true equality. The Quran is higher and better than these men.” I bought my own English edition of the Quran and read it so I could understand it better. But I found that everything Boqol Sawm had said was in there. Women should obey their husbands. Women were worth half a man. Infidels should be killed. I talked to Sister Aziza, and she confirmed it. Women are emotionally stronger than men, she said. They can endure more, so they are tested more. Husbands may punish their wives—not for small infractions, like being late, but for major infractions, like being provocative to other men. This is just, because of the overwhelming sexual power of women. I asked, “What if the man provokes other women?” Sister Aziza said, “In an Islamic society, that’s impossible.” Furthermore,
Ayaan Hirsi Ali (Infidel)
It turned out to be just his sort of life in Melbourne [Florida] -- a little three-room mini apartment to himself, and down on the strip, five different bars where you had women going around in bathing suits. In the backyard, his mother's new husband had grown a miraculous tree, a lemon trunk grafted with orange, tangerine, satsuma, kumquat, and grapefruit limbs, each bearing its own vivid fruit. Every morning, Jeff would go out and fill his arms, and squeeze himself a pitcher of juice, thick and sun-hot. That house was good for his mother, too. The swimming pool trimmed fifteen pounds off of her. She didn't seem to have moods anymore, and she didn't fly off the handle when Jeff beat her in the cribbage games they played most afternoons.
Wells Tower (Everything Ravaged, Everything Burned)
Time—how often has she heard it described as sand within a glass, steady, constant. But that is a lie, because she can feel it quicken, crashing toward her. Panic beats a drum inside her chest, and outside, the path is a single dark line, stretched straight and narrow toward the village square. On the other side, the church stands waiting, pale and stiff as a tombstone, and she knows that if she walks in, she will not come out. Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless— Adeline pulls free of her father’s grip, drags to a stop on the path. Her mother turns to look at her, as if she might run, which is exactly what she wants to do, but knows she can’t. “I made a gift for my husband,” says Adeline, mind spinning. “I’ve left it in the house.” Her mother softens, approving. Her father stiffens, suspicious. Estele’s eyes narrow, knowing.
V.E. Schwab (The Invisible Life of Addie LaRue)
She’s a lesbian, Evelyn.” Until that point, the sounds of the party going on around us had been muted but still distinct. But the minute Ruby said what she said, the minute I heard the word lesbian, my blood started beating so fast that my pulse was all I could hear. I was not paying attention to what was flying out of Ruby’s mouth. I could only catch certain words, like girl and dyke and twisted. The skin on my chest felt hot. My ears burned. I did my best to calm myself. And when I did, when I focused on Ruby’s words, I finally heard the other piece of what she was trying to tell me. “You should probably get a better handle on your husband, by the way. He’s in Ari’s bedroom getting a blow job from some harpy from MGM.” When she said it, I did not think, Oh, my God. My husband is cheating on me. I thought, I have to find Celia.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
These women accept their beatings with a simplicity worthy of all praise, and far from considering themselves insulted, admire the strength and energy of the man who can administer such eloquent rebukes. In Russia, not only may a man beat his wife, but it is laid down in the catechism and taught all boys at the time of confirmation as necessary at least once a week, whether she has done anything or not, for the sake of her general health and happiness." I thought I observed a tendency in the Man of Wrath rather to gloat over these castigations. "Pray, my dear man," I said, pointing with my whip, "look at that baby moon so innocently peeping at us over the edge of the mist just behind that silver birch; and don't talk so much about women and things you don't understand. What is the use of your bothering about fists and whips and muscles and all the dreadful things invented for the confusion of obstreperous wives? You know you are a civilised husband, and a civilised husband is a creature who has ceased to be a man. "And a civilised wife?" he asked, bringing his horse close up beside me and putting his arm round my waist, "has she ceased to be a woman?" "I should think so indeed,--she is a goddess, and can never be worshipped and adored enough.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Livia read from the paper as if it were a letter. “Dear Blake Hartt, thank you. Thank you so much for thinking my smile was worth waiting for. Thank you for letting me see who you are inside. I found the sweetest spot in the world—it’s wherever you are, surrounded by your arms. Please be my husband. I couldn’t have it any other way. I promise to make you lose count. Love, Livia McHugh.” “Dear Livia McHugh, I’ll be your husband. I’ll be nothing but yours for the rest of forever. A single, simple day with you is something I’ll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
Editors and readers of the New York Daily News want us to know that race had nothing to do with the ten black people who stopped a car and beat a young white couple in Brooklyn. All the while yelling racial epithets. “It’s not just a black and white thing,” reported the Daily News. “It’s stupid teenagers thinking they can do whatever they want.”[806] They just happen to be black. And the fact they just happen to be black astronomically out of proportion has no meaning. Got it? The attack happened Monday, in October 2013, six days before the Daily News got around to doing a story on it. A group of 10 black youths — one of them a 12-year-old girl — pummeled a husband and wife in Brooklyn after peppering the couple with racial slurs, authorities said. “Get those crackers!” some of them screamed, according to court papers. “Get that white whore!
Colin Flaherty ('Don't Make the Black Kids Angry': The hoax of black victimization and those who enable it.)
Agha, did you hear what Mullah Nasruddin did when his daughter came home and complained that her husband had beaten her?” I could feel him smiling in the dark and a smile of my own formed on my face. There wasn’t an Afghan in the world who didn’t know at least a few jokes about the bumbling mullah. “What?” “He beat her too, then sent her back to tell the husband that Mullah was no fool: If the bastard was going to beat his daughter, then Mullah would beat his wife in return.
Khaled Hosseini (The Kite Runner)
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
The women in that ward were simple, ordinary refugee women. They came from villages or very small towns. Even before becoming refugees, they had been poor. They had no education. They had no notion of an outside world where life might be different. They were being treated for various ailments, but in the end, their gender was their ailment. In the first bed, a skinny fourteen-year-old girl lay rolled into her sheets in a state of almost catatonic unresponsiveness, eyes closed, not speaking even in reply to the doctor’s gentle greeting. Her family had brought her to be treated for mental illness, the doctor explained with regret. They had recently married her to a man in his seventies, a wealthy and influential personage by their standards. In their version of things, something had started mysteriously to go wrong with her mind as soon as the marriage was agreed upon – a case of demon possession, her family supposed. When, after repeated beatings, she still failed to cooperate gracefully with her new husband’s sexual demands, he had angrily returned her to her family and ordered them to fix this problem. They had taken the girl to a mullah, who had tried to expel the demon through prayers and by writing Quranic passages on little pieces of paper that had to be dissolved in water and then drunk, but this had brought no improvement, so the mullah had abandoned his diagnosis of demon possession and decided that the girl was sick. The family had brought her to the clinic, to be treated for insanity.
Cheryl Benard (Veiled Courage: Inside the Afghan Women's Resistance)
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath (The Bell Jar)
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath (The Bell Jar)
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath (The Bell Jar)
[At the British Museum] For it is a perennial puzzle why no woman wrote a word [in the time of Shakespeare] when every other man, it seemed, was capable of song or sonnet. What were the conditions in which women lived, I asked myself; (...) [In] Professor Trevelyan's History of England [one can read that] wife-beating [or daughter-beating] was a recognized right of man (...) [A woman] could hardly read, could scarcely spell, and was the property of her husband [or father]. Here I am asking why women did not write poetry in the Elisabethan age, and I am not sure how they were educated; whether they were taught to write; whether they had sitting-rooms to themselves; how many women had children before they were 21; what, in short, they did from eight in the morning till eight at night. They had no money evidently; (...) they were married whether they liked it or not (...) at fifteen or sixteen very likely... [Under these circumstances] It would have been extremely odd (...) for any woman to have written the plays of Shakespeare in the age of Shakespeare. (...) When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet (...). Indeed, I would venture to guess that Anom, who wrote so many poems without signing them, was often a woman. (...) And undoubtedly, I thought, looking at the shelf where there are no plays by women, her work would have gone unsigned. That refuge she would have sought certainly.
Virginia Woolf (A Room of One’s Own)
In the official police account, the plumber was shot and robbed on the street. Not true—guys stick together—the detective didn't want the victim's wife to know he was flagrante delicto with a prostitute when wounded. I didn't want her hurt or embarrassed either. She figured it out herself. I met her later, after their divorce, and she brought up the subject. The hospital returned her injured husband's garments. She was washing them when she realized that, although there were a number of bullet holes in his body, there were none in his clothes.
Edna Buchanan (The Corpse Had a Familiar Face: Covering Miami, America's Hottest Beat)
But if he is angry at the world for doing him harm, why does he take it out on his loving partner? Couldn’t he just as readily express his rage by playing racquetball or pounding pillows. His ideas about her role seem paradoxical. On the one hand, the narcissistic husband has vested his wife with tremendous power. She is necessary for his self-repair, but instead of valuing her and seeking comfort in her arms, he beats and humiliates her. Because he sees her as available to meet any and all of his needs, he releases his rage and any self-hate at her; such an act helps him ultimately feel powerful again, making him realize he is not weak and shattered. When the narcissistic man eels the terror and rage associated with his own internal fragmentation, his outburst restores his sense of power and control. He turns the anger expanding within him away from himself, toward his wife. He insists that she’s the defective one, she’s to blame, because she has not met his needs. Such acts of externalization are key to the NPD batterer. His violent behavior restores his self-esteem. He believes that his actions are not his fault; he is just trying to take care of himself.
Susan Weitzman (Not To People Like Us: Hidden Abuse In Upscale Marriages)
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
she saw all those who were in the pickup truck with her husband. Their clothes were torn. Their hands and faces were covered in blood and dust. They looked as shell-shocked as they felt. What’s more, they were hungry and thirsty and exhausted and grieving their families and friends and the town they had left behind. “I heard, on the wireless,” Claire said without missing a beat. “It’s all anyone is talking about. Thank God you’re okay. Come in. All of you, please come in. We will get you something to eat and give you a place to sleep and a hot bath. Come in; don’t be shy. You’re with friends here.
Joel C. Rosenberg (The Auschwitz Escape)
All right,” she said. “Inductive reasoning. It’s what those so-called detectives on CSI, SVU, LMNOP and all the rest of them call deductive reasoning, which is wrong and they should know better. It’s inductive reasoning, a tool you will use frequently in geometry as well as calculus and trigonometry, assuming you get that far and that certainly won’t be you, Jacquon. Stop messing with that girl’s hair and pay attention. Your grade on that last test was so low I had to write it on the bottom of my shoe.” Mrs. Washington glared at Jacquon until his face melted. She began again: “Inductive reasoning is reasoning to the most likely explanation. It begins with one or more observations, and from those observations we come to a conclusion that seems to make sense. All right. An example: Jacquon was walking home from school and somebody hit him on the head with a brick twenty-five times. Mrs. Washington and her husband, Wendell, are the suspects. Mrs. Washington is five feet three, a hundred and ten pounds, and teaches school. Wendell is six-two, two-fifty, and works at a warehouse. So who would you say is the more likely culprit?” Isaiah and the rest of the class said Wendell. “Why?” Mrs. Washington said. “Because Mrs. Washington may have wanted to hit Jacquon with a brick twenty-five times but she isn’t big or strong enough. Seems reasonable given the facts at hand, but here’s where inductive reasoning can lead you astray. You might not have all the facts. Such as Wendell is an accountant at the warehouse who exercises by getting out of bed in the morning, and before Mrs. Washington was a schoolteacher she was on the wrestling team at San Diego State in the hundred-and-five-to-hundred-and-sixteen-pound weight class and would have won her division if that blond girl from Cal Northridge hadn’t stuck a thumb in her eye. Jacquon, I know your mother and if I tell her about your behavior she will beat you ’til your name is Jesus.” The
Joe Ide (IQ (IQ #1))
In the stories of faith I grew up with, men were allowed a full range of emotion: King David, who calls on God to destroy his enemies. Absalom rising up against his father the king. Jonah stewing under his tree, looking out on the city God saved but he hates. Job crying out to God for his miserable fate. But the rage of good women in the Bible is all in the subtext. Nowhere is there an Eve angry for being removed from Eden and the loss of her two sons. Where is Esther, where is her horror and pain watching the genocide of her people? Or Ruth, who followed her miserable mother-in-law to a foreign land and had to listen to that lady bitching as if she felt nothing? The women allowed to have feelings in the Bible are always the villains. Michal sneering at David that he ought to put his clothes on and stop dancing like a naked fool. She is indicted for her words, but hadn’t she just been married, abandoned, and then taken back by this man? Used as a political pawn, then ignored for Bathsheba. Then there is Sarah, who beat her maidservant Hagar, blaming her for what should have rightly fallen on the shoulders of Abraham. And Job’s wife, who Biblical scholars condemn for telling her husband to curse God and die. But wasn’t she just wishing him a swift end to the suffering that they had walked through hand in hand?
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
Maybe it’s Lucy. Maybe she ignored everything I said to her and came back to me. I know it’s wrong and she shouldn’t be here, but I just need her right now. I can see her one more time and then I’ll leave and I’ll walk away. She doesn’t feel the same and she doesn’t smell the same, but none of that matters. Her legs straddle my thighs and I clutch onto her ass, pulling her closer so she doesn’t change her mind and walk away. I don’t like her voice. It’s not the same soft, sweet cadence that always makes my ears tingle and my heart beat fast. It’s probably because my heart died and there’s nothing inside my chest but a shriveled up, useless organ. This voice is shrill and annoying. Lucy is changing right before me, but I don’t care. It’s my fault, anyway. It’s my fault she’s different and doesn’t feel the same or smell the same. I changed her, I hurt her…all my fault. She doesn’t taste the same and I hate it. I want my Lucy, not this drunken, morphed version of her. I hear angry shouts and the shuffling of feet and the Lucy on my lap speaks again and it makes me wince. I want to tell her to stop talking like that. Stop talking in a different voice, stop smelling different, stop feeling different…just stop it. Be MY Lucy. I need MY Lucy. I’m not a hero, I’m not a good man, I’m not a good husband…I am none of those things and they need to see that.
Tara Sivec (Fisher's Light (Fisher's Light #1))
Was it as scary for you as it is for me? Falling for Sawyer?” “Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.” “You didn’t have a panic attack and run away?” I ask sarcastically. “No,” she muses. “Not even that time he refused to have sex with me.” “That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week. “Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly. “Um, no. I don’t think so.” She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.” “You have one husband, babe,” Sawyer says, walking into the room at that moment. “You’re still the one, baby.” “We’ve been married for three months, Everly. I sure as hell better still be the one.” “Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.” “Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?” “Um.” Everly looks away and scrunches her nose. “No?” “You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest. “What’s a CD?” She blinks at Sawyer dramatically. “Cute. Keep it up.” “Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.” “Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water. “See! I don’t even care that you lifted that from a song. It still gave me all the feels!
Jana Aston (Trust (Cafe, #3))
Driven by heartache, she beat the eggs even more vigorously until the glossy meringue quickly formed into stiff, bird's beak peaks. "Philippe, do you have any orange liqueur?" Marie asked, rummaging through her brother's pantry. "Here it is," Philippe said, handing a corked bottle to her. "What are you making?" "A bûche de Noël," Danielle said, concentrating on her task. Carefully measuring each rationed ingredient, she combined sugar and flour in another bowl, grated orange zest, added the liqueur, and folded the meringue into the mixture. "It's not Christmas without a traditional Yuletide log." Marie ran a finger down a page of an old recipe book, reading directions for the sponge cake, or biscuit. "'Spread into a shallow pan and bake for ten minutes.'" "I wouldn't know about that," Philippe said. "I don't celebrate your husband's holiday," he said pointedly to Marie. "Let's not dredge up that old argument, mon frère," Marie said, softening her words with a smile. "I converted for love." A knock sounded at the front door. Danielle threw a look of concern toward Philippe, who hurried to answer it. "Then we'll cool it," Danielle said, trying to stay calm. "And brush the surface with coffee liqueur and butter cream frosting, roll it like a log, and decorate." She thought about the meringue mushrooms she had made with Nicky last year, and how he had helped score the frosting to mimic wood grains.
Jan Moran (Scent of Triumph)
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
Then he happened to glance at the viscount, and his blood stilled. The viscount’s eyes followed Celia’s every move, and his finger kept stroking his goblet as if he wanted to stroke some part of her. Jackson gritted his teeth. No way in hell was he letting that bloody foreigner-or Devonmont, or even the duke-stroke anything of hers. “Are we going to stand around all day discussing which guns are more effective at killing,” he snapped, “or are we actually going to kill something?” Gabe exchanged a glance with his sister. “You’re right. ‘Prickly’ is the word.” “Mr. Pinter is probably just eager to earn his kiss,” Stoneville put in. “And given how the numbers stand right now, he may very well do so.” They all pivoted to look at his lordship. Stoneville chuckled. “Devonmont has killed a pathetic eight brace of birds, Gabe a respectable fifteen, Basto an impressive seventeen and a half, Lyons an even more impressive nineteen, and Pinter an astonishing twenty brace. My sister is tied with him at twenty brace.” “Good show, Pinter!” Gabe said amiably. “You must beat her so none of us have to pay for a blasted rifle.” “Here now, Gabe,” the duke cut in irritably, “I have as much chance of beating her as Pinter does. I’m only behind by one brace.” “I don’t’ care who beats her,” Gabe said. “Just make sure one of you does, in case I can’t catch up. She’ll pick the most expensive gun in Manton’s shop.” “You’re such a pinchpenny, Gabe,” Celia teased as they tramped back over the field, headed toward the east end of the estate. “That’s because need every guinea I have, in case you don’t marry.” The lord might have meant the comment as a joke, but clearly Celia didn’t take it that way. When the blood drained from her face, Jackson felt a stab of sympathy. He could understand why she wanted to show her family that she could find a decent husband. But decent was the operative word. “Oh, I daresay Lady Celia will be married sooner than you think,” the duke remarked. When he slid a knowing glance at Celia and she smiled faintly, Jackson felt his heart drop. The duke seriously had his eye on her. And apparently she knew it. Confound it all. As they stopped, Jackson began loading his gun with quick, efficient movements. That blasted duke could look all he wanted, but he was not marrying Celia. Nor even getting another chance to kiss her. Not if Jackson had anything to say about it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
We've given them more than we've taken away, said the Commander. Think of the trouble they had before. Don't you remember the singles' bars, the indignity of high school blind dates? The meat market. Don't you remember the terrible gap between the ones who could get a man easily and the ones who couldn't? Some of them were desperate, they starved themselves thin or pumped their breasts full of silicone, had their noses cut off. Think of the human misery. He waved a hand at his stacks of old magazines. They were always complaining. Problems this, problems that. Remember the ads in the Personal columns, Bright attractive woman, thirty-five… This way they all get a man, nobody's left out. And then if they did marry, they could be left with a kid, two kids, the husband might just get fed up and take off, disappear, they'd have to go on welfare. Or else he'd stay around and beat them up. Or if they had A job, the children in daycare or left with some brutal ignorant woman, and they'd have to pay for that themselves, out of their wretched little paychecks. Money was the only measure of worth, lor everyone, they got no respect as mothers. No wonder they were giving up on the whole business. This way they're protected, they can fulfill their biological destinies in peace. With full support and encouragement. Now, tell me. You're an intelligent person, I like to hear what you think. What did we overlook? Love, I said. Love? said the Commander. What kind of love? Falling in love, I said. The Commander looked at me with his candid boy's eyes. Oh yes, he said. I've read the magazines, that's what they were pushing, wasn't it? But look at the stats, my dear. Was it really worth it, falling in love? Arranged marriages have always worked out just as well, if not better.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.
Judith McNaught (Almost Heaven (Sequels, #3))
Whenever Elliot Norther’s wife was nervous she baked. With the murder of Harriet Mason, her husband’s close colleague at the Faculty, she had been unable to resist a couple of Victoria sponges. During the frenzied press speculation about the identity of the murderer, a Dundee cake had appeared, followed swiftly by a Battenberg and a Lemon Drizzle. Since news of the Wildencrust murder broke, the kitchen, dining room and study had come to resemble the storerooms of an industrial bakery, every surface heaving with the weight of sponge and cream. Yesterday, having at last been overwhelmed by the fear and rumour that swept the town, she had taken herself off to her mother’s house in Hampstead, leaving her husband to soldier on alone. When he had last seen his wife, Elliot Norther noticed that she had been putting the finishing touches to an impressive, triple-tiered wedding cake, beating a batch of royal icing into a sickly paste.
Robert Clear (The Cambridge List)
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
NOT A BOOK
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Livia read from the paper as if it were a letter. “Dear Blake Hartt, thank you. Thank you so much for thinking my smile was worth waiting for. Thank you for letting me see who you are inside. I found the sweetest spot in the world—it’s wherever you are, surrounded by your arms. Please be my husband. I couldn’t have it any other way. I promise to make you lose count. Love, Livia McHugh.” When she’d finished, Blake took the paper from her hands. He folded it and put it in his pocket, where it nestled side by side with his music. He kissed her ringed hand, and then her bare one. He had no paper, but he spoke clearly and unhesitatingly. There was a slight echo as his words bounced around the cement platform. He borrowed her letter format to respond. “Dear Livia McHugh, I’ll be your husband. I’ll be nothing but yours for the rest of forever. A single, simple day with you is something I’ll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
-- What a fool I was. "Want To Be a Little Off-Beat?" Here's ten ways, the article said. A lilac door was one. So off I tripped to the nearest hardware store to assert my unique individuality with the same tin of paint as two million other dimwits. Conned into idiocy. My mind is full of trivialities. At lunch Ian said Duncan's piece of cake is miles bigger than mine -- it's not fair, and I roared that they should quit bothering me with trivialities. So when they're at school, do I settle down with the plays of Sophocles? I do not. I think about the color of my front door. That's being unfair to myself. I took that course, Ancient Greek Drama, last winter. Yeh, I took it all right. Young academic generously giving up his Thursday evenings in the cause of adult education. Mrs. MacAindra, I don't think you've got quite the right slant on Clytemnestra. Why not? The king sacrificed their youngest daughter for success in war-- what's the queen supposed to do, shout for joy? That's not quite the point we're discussing, is it? She murdered her husband, Mrs. MacAindra, (Oh God, don't you think I know that? The poor bitch.) Yeh well I guess you must know, Dr. Thorne. Sorry. Oh, that's fine -- I always try to encourage people to express themselves. -- Young twerp. Let somebody try killing one of his daughters. But still, he had his Ph.D. What do I have? Grade Eleven. My own fault....
Margaret Laurence (The Fire-Dwellers)
We’ve known his family forever. He doesn’t seem to care about the scandal in ours, and he’s an excellent shot-“ “That would certainly be at the top of my list of requirements for a husband,” Minerva broke in, eyes twinkling. “’Must be able to hit a bull’s-eye at fifty paces.’” “Fifty paces? Are you mad? It would have to be a hundred at least.” Her sister burst into laughter. “Forgive me for not knowing what constitutes sufficient marksmanship for your prospective mate.” Her gaze grew calculating. “I heart that Jackson is a very good shot. Gabe said he beat everyone today, even you.” “Don’t remind me,” Celia grumbled. “Gabe also said he won a kiss from you.” “Yes, and he gave me a peck on the forehead,” Celia said, still annoyed by that. “As if I were some…some little girl.” “Perhaps he was just trying to be polite.” Celia sighed. “Probably. I didn’t kiss you “properly” today because I was afraid if I did I might not stop. “The thing is…” Celia bit her lower lip and wondered just how much she should reveal to her sister. But she had to discuss this with someone, and she knew she could trust Minerva. Her sister had never betrayed a confidence. “That wasn’t the first time Jackson kissed me. Nor the last.” Minerva nearly choked on her chocolate. “Good Lord, Celia, don’t say such things when I’m drinking something hot!” Carefully she set her cup on the bedside table. “He kissed you?” She seized Celia’s free hand. “More than once?” Celia nodded. Her sister cast her eyes heavenward. “And yet you’re debating whether to enter into a marriage of convenience with Lyons.” Then she looked alarmed. “You did want the man to kiss you, right?” “Of course I wanted-“ She caught herself. “He didn’t force me, if that’s what you’re asking. But neither has Jackson…I mean, Mr. Pinter…offered me anything important.” “He hasn’t mentioned marriage?” “No.” Concern crossed Minerva’s face. “And love? What of that?” “That neither.” She set her own cup on the table, then dragged a blanket up to her chin. “He’s just kissed me. A lot.” Minerva left the bed to pace in front of the fireplace. “With men, that’s how it starts sometimes. They desire a woman first. Love comes later.” Unless they were drumming up desire for a woman for some other reason, the way Ned had. “Sometimes all they feel for a woman is desire,” Celia pointed out. “Sometimes love never enters into it. Like Papa with his females.” “Mr. Pinter doesn’t strike me as that sort.” “Well, he didn’t strike me as having an ounce of passion until he started kissing me.” Minerva shot her a sly glance. “How is his kissing?” Heat rose in her cheeks. “It’s very…er…inspiring.” Much better than Ned’s, to be sure. “That’s rather important in a husband,” Minerva said dryly. “And what of the duke? Has he kissed you?” “Once. It was…not so inspiring.” She leaned forward. “But he’s offering marriage, and Jackson hasn’t even hinted at it.” “You shouldn’t settle for a marriage of convenience. Especially if you prefer Jackson.” I don’t believe in marriages of convenience. Given your family’s history, I would think that you wouldn’t, either. Celia balled the blanket into a knot. That was easy for Jackson to say-he didn’t have a scheming grandmother breathing down his neck. For that matter, neither did Minerva.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Apparently, Stoneville meant to gain his amusement solely from watching Jackson bait Celia. Jackson wasn’t entirely sure why, but neither did he care. He cared only about making sure he shot well enough to beat Celia’s three suitors, to prevent them from gaining the kiss. So you can gain it yourself. He scowled as they halted in their new spot to reload. Nonsense. But if he did happen to win it, he would treat her like the lady she was. Devonmont was just the kind of joking fellow to be impudent with her in front of everyone. Lyons had already had a taste of her lips, so he might very well think to make his second taste more intimate. And Basto, who already had a fondness for holding her hand, confound the insolent devil- Jackson swore under his breath. He was acting like some jealous idiot. All right, so he was jealous, but this wasn’t about that. He merely wanted to keep Celia from making an enormous mistake. When she’d tried to get out of shooting, Jackson had realized she was serious about choosing one of these idiots as a husband. Clearly, she thought if she pretended to be some milk-and-water miss, it would help her chances. So he’d made sure she didn’t do any such thing. If they were worthy of her, they had to be worthy of the real her, not the pretend one she presented. Personally, he thought them all fools for not seeing she was putting on an act. And couldn’t she see that a marriage built on such deceptions would fail? No, she was too blinded by her determination to prove her grandmother wrong about her. Well, he couldn’t let her stumble into some idiotic engagement with gentlemen who didn’t deserve her. Especially not after what he’d learned about them.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Callie prayed and prayed, hoping he was all right. At long last, she heard a cheering roar from the people of the village. Turning around, she saw the group of men coming toward them. And in their midst… Nay. It couldn't be. Callie frowned, then blinked, trying to see if her eyes were deceiving her. Angus was the first to reach the village. "I'll beat the first one of you who laughs," he said in warning. "No mon who fights like that for our women and children will be mocked. You hear me?" "We wouldn't dream of it, Angus MacDougal," Peg said. Choking on her laughter and filled with tremendous relief that he was unhurt, Callie ran to her husband and wrapped her arms around him. Her heart pounded at the feel of his strong arms holding her close. Och, how she loved this wonderful man. She kissed his cheek, then pulled away to look him over one more time and make sure he really was unharmed. Again, she had to purse her lips to keep from smiling. In truth, she had no idea how the village refrained from laughing at the sight of her proud husband. He only had one boot on and his breeches were shredded. The kirtle he'd wrapped around the swatter was now wrapped around his body in a poor, ill-fitting state. He was covered in mud and looked like some half-formed fey beastie. Sin looked at her with humor dancing in his midnight eyes. "Go ahead and laugh, dove. I promise I won't be offended." He draped an arm over her shoulders, drawing her close to him again, and looked around at the people gathered to welcome him back. "By the way, methinks I owe someone a new dress." Several snickers broke out and were silenced as Angus turned a feral glare to the crowd. "Where's the bull?" Callie asked. "Tied to a tree, eating my boot. I'm just glad my leg is no longer in it." That succeeded in making everyone laugh. Angus shook his head as he drew near. "Lad, how did you manage it?" "I run fast when chased by large bulls." -Angus, Peg, Sin, & Callie
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.
Charlotte McPherren (Song of the Willow)
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))