Beasts Of Prey Quotes

We've searched our database for all the quotes and captions related to Beasts Of Prey. Here they are! All 100 of them:

CHORONZON: I am a dire wolf, prey-stalking, lethal prowler. MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing. CHORONZON: I am a horsefly, horse-stinging, hunter-throwing. MORPHEUS: I am a spider, fly-consuming, eight legged. CHORONZON: I am a snake, spider-devouring, posion-toothed. MORPHEUS: I am an ox, snake-crushing, heavy-footed. CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying. MORPHEUS: I am a world, space-floating, life-nurturing. CHORONZON: I am a nova, all-exploding... planet-cremating. MORPHEUS: I am the Universe -- all things encompassing, all life embracing. CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord? MORPHEUS: I am hope.
Neil Gaiman (Preludes & Nocturnes (The Sandman, #1))
Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
How absurd these words are, such as beast and beast of prey. One should not speak of animals in that way. They may be terrible sometimes, but they're much more right than men...They're never in any embarrassment. They always know what to do and how to behave themselves. They don't flatter and they don't intrude. They don't pretend. They are as they are, like stones or flowers or stars in the sky.
Hermann Hesse (Steppenwolf)
The night belongs to beasts of prey, and always has. It's easy to forget that when you're indoors, protected by light and solid walls.
Cornelia Funke (Inkheart (Inkworld, #1))
Man is and remains an animal.Here a beast of prey, there a housepet, but always an animal.
Joseph Goebbels
Know then thyself, presume not God to scan, The proper study of mankind is Man. Placed on this isthmus of a middle state, A being darkly wise and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between, in doubt to act or rest; In doubt to deem himself a God or Beast; In doubt his mind or body to prefer; Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little or too much; Chaos of thought and passion, all confused; Still by himself abused or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; Go, soar with Plato to th’ empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!
Alexander Pope (An Essay on Man)
There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH.
Casey McQuiston (Red, White & Royal Blue)
In the wilderness, only the most terrible beasts of prey cavort and gambol. Deer and rabbits play no games.
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by means of coercion and a sense of duty. To the contrary, I believe it would be possible to rob even a healthy beast of prey of its voraciousness, if it were possible, with the aid of a whip, to force the beast to devour continuously, even when not hungry.
Albert Einstein
[T]he gradual extension of our settlements will as certainly cause the savage, as the wolf, to retire; both being beasts of prey, though they differ in shape.
George Washington (Writings Of George Washington)
What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet." (A Teller of Tales)
W.B. Yeats (The Celtic Twilight: Faerie and Folklore)
Her voice was as rough as sandpaper. As long as Blomkvist lived, he would never forget her face as she went on the attack. Her teeth were bared like a beast of prey. Her eyes were glittering, black as coal. She moved with the lightning speed of a tarantula and seemed totally focus on her prey as she swung the club again, striking Martin in the ribs.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Under the magic of the Dionysian, not only does the bond between man and man lock itself in place once more, but also nature itself, no matter how alienated, hostile, or subjugated, rejoices again in her festival of reconciliation with her prodigal son, man. The earth freely offers up her gifts, and the beasts of prey from the rocks and the desert approach in peace. The wagon of Dionysus is covered with flowers and wreaths; under his yolk stride panthers and tigers.
Friedrich Nietzsche
Only the cruelest hunters set their traps with terror and trepidation.
Nenia Campbell (Black Beast (Shadow Thane, #1))
The forces which are working out the great scheme of perfect happiness, taking no account of incidental suffering, exterminate such sections of mankind as stand in their way, with the same sternness that they exterminate beasts of prey and herds of useless ruminants.
Herbert Spencer (Social Statics or The Conditions Essential to Human Happiness Specified and the First of Them Developed)
Marriage is the most licentious of human institutions--I say the most licentious of human institutions: that is the secret of its popularity.And a woman seeking a husband is the most unscrupulous of all the beasts of prey. The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error.
George Bernard Shaw
All thoughts are prey to some beast
Bill Callahan
The Jungle Creed says the Strong must Feed on any Prey at Hand, I was Branded a Beast and Sat at a Feast before I was a Man.
Donald Goines (Whoreson: The Story of a Ghetto Pimp)
Nightmares hunt like beasts of prey vanquished in the light of day.
Ayana Gray (Beasts of Prey (Beasts of Prey, #1))
Strange that men, from age to age, should consent to hold their lives at the breath of another, merely that each in his turn may have a power of acting the tyrant according to the law! Oh, God! give me poverty! Shower upon me all the imaginary hardships of human life! I will receive them with all thankfulness. Turn me a prey to the wild beasts of the desert, so I be never again the victim of man, dressed in the gore-dripping robes of authority! Suffer me at least to call life, the pursuits of life, my own! Let me hold it at the mercy of the elements, of the hunger of the beasts, or the revenge of barbarians, but not of the cold-blooded prudence of monopolists and kings!
William Godwin (Caleb Williams)
I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Come try my strength, you dogs who thought to attack helpless prey! But when you do, O beasts of night, know that you face the Lord of Night. I am Death!
Piers Anthony (On a Pale Horse (Incarnations of Immortality #1))
One should never direct people towards happiness, because happiness too is an idol of the market-place. One should direct them towards mutual affection. A beast gnawing at its prey can be happy too, but only human beings can feel affection for each other, and this is the highest achievement they can aspire to.
Aleksandr Solzhenitsyn (Cancer Ward)
This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation.
Neil Gaiman (Norse Mythology)
Take hope from the heart of man and you make him a beast of prey.
Ouida
In after-years he would tell of an incident that took place at one of their encampments: "We were with the Prophet when a Companion brought in a fledgling that he had caught, and one of the parent birds came and threw itself into the hands of him who had taken its young. I saw men's faces full of wonderment, and the Prophet said: 'Do ye wonder at this bird? Ye have taken its young, and it hath thrown itself down in merciful tenderness unto its young. Yet I swear by God, Your Lord is more merciful unto you than is this bird unto its fledgling. And he told the man to put back the young bird where he had found it. He also said: "God hath a hundred mercies,and one of them hath He sent down amongst jinn and men and cattle and beasts of prey. Thereby they are kind and merciful unto one another, and thereby the wild creature inclineth in tenderness unto her offspring. And ninety-nine mercies hath God reserved unto Himself, that therewith He may show mercy unto His slaves on the day of the Resurrection.
Martin Lings (Muhammad: His Life Based on the Earliest Sources)
You are not a man as ordinary men are. They think they have a right to all beasts; to hunt them and eat them, or to subjugate them and rule their lives. You know you have no such right to mastery. The horse that carries you will do so because he wishes to, as does the wolf that hunts beside you. You have a deeper sense of yourself in the world. You believe you have a right, not to rule it, but to be part of it. Predator or prey; there is no shame to being either one.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
I prey on innocent villagers and terrify their children," he said with a nasty smile. "And sometimes when I'm feeling really evil, I read books or paint.
Kate Avery Ellison (The Curse Girl)
His eyes looked cruel, piercing, almost like those of a wolf seeking his prey, and his mouth looked thinner, more sinister than it had looked before.
Serena Valentino (The Beast Within (Villains, #2))
I know I'm too much, but I don't know how to be less.
Ayana Gray (Beasts of Prey (Beasts of Prey, #1))
Everything evil, terrible, tyrannical in man, everything in him that is kin to beasts of prey and serpents, serves the enhancement of the species 'man' as much as its opposite does.
Friedrich Nietzsche
A beast of prey tamed and in captivity — every zoological garden can furnish examples — is mutilated, world-sick, inwardly dead. Some of them voluntarily hunger-strike when they are captured. Herbivores give up nothing in being domesticated.
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
The intellect, as a means for the preservation of the individual, unfolds its chief powers in simulation; for this is the means by which the weaker, less robust individuals preserve themselves, since they are denied the chance of waging the struggle for existence with horns or the fangs of beasts of prey.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
The mosquito knows full well, small as he is he’s a beast of prey. But after all he only takes his bellyful, he doesn’t put my blood in the bank.
D.H. Lawrence (Delphi Complete Works of D. H. Lawrence (Illustrated))
You should never apologize for being who you are,” he murmurs. “Or make yourself small so that others feel big.
Ayana Gray (Beasts of Prey (Beasts of Prey #1))
The power of monsters is their ability to fuse opposites, to merge contraries, to subvert rules, to overthrow cognitive barriers, moral distinction, and ontological categories. Monsters overcome the barrier of time itself. Uniting past and present, demonic and divine, guilt and conscience, predator and prey, parent and child, self and alien, our monsters are our innermost selves.
David D. Gilmore (Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors)
Supposing that what is at any rate believed to be the 'truth' really is true, and the meaning of all culture is the reduction of the beast of prey 'man' to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture; which is not to say that the bearers of these instincts themselves represent culture. Rather is the reverse not merely probable—no! today it is palpable! These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind! These 'instruments of culture' are a disgrace to man and rather an accusation and counterargument against 'culture' in general!
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
No beast of prey can kill its victim without frightening him first. In fact, no animal perishes until its destroyer strikes terror into its heart. To put it succinctly, an animals fear kills it before its enemy gives it the final blow.
Dhan Gopal Mukerji (Gay-Neck: The Story of a Pigeon)
The woman who presents herself to the spectator as a 'picture' forever arranged, is, for the contemplative mind, the chiefest danger. Sometimes one meets a woman who is beast turning human. Such a person's every movement will reduce to an image of a forgotten experience; a mirage of an eternal wedding cast on the racial memory; as insupportable a joy as would be the vision of an eland coming down an aisle of trees, chapleted with orange blossoms and bridal veil, a hoof raised in the economy of fear,stepping in the trepidation of flesh that will become myth; as the unicorn is neither man nor beast deprived, but human hunger pressing its breast to its prey. Such a woman is the infected carrier of the past; before her the structure of our head and jaws ache -- we feel that we could eat her, she who is eaten death returning, for only then do we put our face close to the blood on the lips of our forefathers.
Djuna Barnes (Nightwood)
At the centre of all these noble races we cannot fail to see the blond beast of prey, the magnificent blond beast avidly prowling round for spoil and victory; this hidden centre needs release from time to time, the beast must out again, must return to the wild: - Roman, Arabian, Germanic, Japanese nobility, Homeric heroes, Scandinavian Vikings - in this requirement they are all alike. It was the noble races which left the concept of 'barbarian' in their traces wherever they went; even their highest culture betrays the fact that they were conscious of this and indeed proud of it.
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
Being held by power is a turn on. Being entangled, enraptured, impaled by a powerful man, whose passion — whose beast — has him perched precariously on the edge of wanton venery? And then pushing him off! Everything changes, in a nova scream choked off by a sudden inhale of soul altering rapture. Being held like prey. ~ from Red Queen Black Queen
Savannah Rose
If I could, I would choose every day another form, plant or animal, I would be all the flowers one by one: weed, thistle or rose; a tropical tree with a tangle of branches, seaweed cast by the shore, or mountain whipped by winds; bird of prey, a croaking bird, or a bird with a melodious song; beast of the forest or tame animal. Let me live the life of every species , wildly and un-self-consciously, let me try out the entire spectrum of nature, let me change gracefully, discreetly, as if it were the most natural procedure.
Emil M. Cioran (On the Heights of Despair)
Ruin followed, like the echo of a bitter cry, or the shadow that hunts with the beast of prey.
Oscar Wilde (De Profundis, The Ballad of Reading Gaol & Other Writings)
I am the Daughter of Night. I am the Child of Darkness Forthcoming. Come to my mother or become prey for the beasts of devastation in the Year of the Skulls.
Glen Cook (Water Sleeps (The Chronicles of the Black Company, #8))
So long as there are sheep Nature will insist on beasts of prey.
H.G. Wells (The Sleeper Awakes (Epic Story))
while the beasts of prey, Come from caverns deep, Viewed the maid asleep
William Blake
The feeling of solidarity is the leading characteristic of all animals living in society. The eagle devours the sparrow, the wolf devours the marmot. But the eagles and the wolves respectively aid each other in hunting, the sparrow and the marmot unite among themselves against the beasts and birds of prey so effectually that only the very clumsy ones are caught. In all animal societies solidarity is a natural law of far greater importance than that struggle for existence, the virtue of which is sung by the ruling classes in every strain that may best serve to stultify us.
Pyotr Kropotkin (Anarchist Morality)
Thou therefore on these Herbs, and Fruits, and Flow'rs Feed first, on each Beast next, and Fish, and Fowl, No homely morsels, and whatever thing The Scyth of Time mows down, devour unspar'd, Till I in Man residing through the Race, His thoughts, his looks, words, actions all infect, And season him thy last and sweetest prey.
John Milton (Paradise Lost)
Society has never regarded virtue as anything else than as a means to strength, power and order. The State [is] unmorality organized… the will to war, to conquest and revenge… Society is not entitled to exist for its own sake but only as a substructure and scaffolding, by means of which a select race of beings may elevate themselves to their higher duties… There is no such thing as the right to live, the right to work, or the right to be happy: in this respect man is no different from the meanest worm.”* And he exalted the superman as the beast of prey,
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
My mother used to tell me, every time we were watching Cinderella, that Cinderella had the best attitude and that I should strive to be just like her. Later when I grew up, I resented my mother for teaching me that way, as I saw it as the reason why I often felt preyed on by people who were much more like the ugly stepsisters. But now, all of a sudden, I’ve realized that what my mom meant was that no matter how ugly people can be to you, no matter how rough they treat you, no matter how much their actions tempt you to become your worst— you should overcome them by never letting them steal your gentleness. People only win when they are able to take away your gentleness, your sweetness. But if you remember that you’re a princess, and they’re just not, at the end of the day you win! Still, my mom should have pointed me in the direction of Belle from Beauty and the Beast. Cinderella is fine, but had she taught me that Belle was the best way to be, I would have probably never grown to resent that. Belle always retained her gentleness but she could still beat up a pack of wolves at the same time and that’s the kind of princess I wanted to be like! Not to mention she loved books!
C. JoyBell C.
It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.
Casey McQuiston (Red, White & Royal Blue)
For in their interflowing aggregate, those grand fresh-water seas of ours,--Erie, and Ontario, and Huron, and Superior, and Michigan,--possess an ocean-like expansiveness, with many of the ocean's noblest traits; with many of its rimmed varieties of races and climes. They contain round archipelagoes of romantic isles, even as the Polynesian water do; in large part, are shored by two great contrasting nations, as the Atlantic is; they furnish long maritime approaches to our numerous territorial colonies from the East, dotted all round their banks; here and there are frowned upon by batteries, and by the goat-like craggy guns of Mackinaw; they have heard the fleet thunderings of naval victories; at intervals, they have yield their beaches to wild barbarians, whose red painted faces flash from out their pelty wigwams; for leagues and leagues are flanked by ancient and unentered forests, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs gives robes to Tartar Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the birch canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.
Herman Melville (Moby Dick)
He was splendidly muscled, a heavy man, and though he strode with the certitude and directness of the physical man, there was nothing heavy about his stride. The jungle and the wilderness lurked in the uplift and downput of his feet. He was cat-footed, and lithe, and strong, always strong. I likened him to some great tiger, a beast of prowess and prey. He looked it, and the piercing glitter that arose at times in his eyes was the same piercing glitter I had observed in the eyes of caged leopards and other preying creatures of the wild.
Jack London (The Sea Wolf By Jack London)
With beat of systole and of diastole One grand great life throbs through earth’s giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill. From
Oscar Wilde (Ballad of Reading Gaol)
We know of their total recasting of education of children to achieve, as Hitler wanted “a brutal, domineering, fearless, cruel youth. Youth must be all that. It must bear pain. There must be nothing weak and gentle about it. The free, splendid beast of prey must once again flash from its eyes.”[126]
Stephen R.C. Hicks (Nietzsche And The Nazis)
Men,” said he “must, in some things, have deviated from their original innocence; for they were not born wolves, and yet they worry one another like those beasts of prey. God never gave them twenty– four pounders nor bayonets, and yet they have made cannon and bayonets to destroy one another. To this account I might add not only bankruptcies, but the law which seizes on the effects of bankrupts, only to cheat the creditors.” “All this was indispensably necessary,” replied the one–eyed doctor, “for private misfortunes are public benefits; so that the more private misfortunes there are, the greater is the general good.
Voltaire (Candide)
Tell me, why this strong young colt, foaled in some peaceful valley of Vermont, far removed from all beasts of prey— why is it that upon the sunniest day, if you but shake a fresh buffalo robe behind him, so that he cannot even see it, but only smells its wild animal muskiness—why will he start, snort, and with bursting eyes paw the ground in phrensies of affright? There is no remembrance in him of any gorings of wild creatures in his green northern home, so that the strange muskiness he smells cannot recall to him anything associated with the experience of former perils; for what knows he, this New England colt, of the black bisons of distant Oregon?
Herman Melville (Moby Dick: or, the White Whale)
The cheetah dies once, the antelope a thousand times.
Ayana Gray (Beasts of Prey (Beasts of Prey, #1))
My beast found the perfect prey in her and there was no stopping or holding back.
Rina Kent (Black Thorns (Thorns Duet, #2))
Maybe because she’s finally realizing she’s the prey and I’m the predator. And even though I promised to cut her free, beasts like me don’t tell the truth.
S. Massery (Brutal Obsession)
Stupid young girls who get caught alone in the forest fall prey to anything that crosses their paths, be the beast animal, human or shapeshifter.
Patricia Briggs (Steal the Dragon (Sianim, #2))
If a 'superman' undoubtedly constitutes a central idea of the whole of Nietzschean thought, it is in terms of a 'positive superman', it is not that grotesqueness in the style of d’Annunzio, nor the 'blond beast of prey' (this is one of Nietzsche’s poorest expressions) and not even the exceptional individual who incarnates a maximum of the 'will to power', 'beyond good and evil', however without any light and without a higher sanction. The positive superman, which suits the 'better Nietzsche', is instead to be identified with the human type who even in a nihilistic, devastated, absurd, godless world knows how to stand on his feet, because he is capable of giving himself a law from himself, in accordance with a new higher freedom.
Julius Evola
The fleeting systems lapse like foam,'" he mumbled what was evidently a quotation. "That's it—foam, and fleeting. All man's toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its wild vegetation. And then he passed, and the flood of primordial life rolled back again, sweeping his handiwork away—the weeds and the forest inundated his fields, the beasts of prey swept over his flocks, and now there are wolves on the Cliff House beach." He was appalled by the thought. "Where four million people disported themselves, the wild wolves roam to-day, and the savage progeny of our loins, with prehistoric weapons, defend themselves against the fanged despoilers. Think of it! And all because of the Scarlet Death—
Jack London (The Scarlet Plague)
I took to the Kingswood the midsummer after the Dame died. I did not swear a vow, but I kept to myself just as strictly, living like a beast in the forest from one midsummer to the next, without fire or iron or the taste of meat. I lived as prey, and I learned from the dogs how to run, from the hare how to hide in the bracken, and from the deer how to go hungry. In sorrow and pride I exiled myself to Kingswood. I shunned fire for I feared the kingsmen would hunt me down, and so by the way of cold and hunger I came near to refusing life itself. I never thought to anger or please a god by it.
Sarah Micklem (Firethorn (Firethorn, #1))
The truth is, the abyss lives in us. In our greed. In the way we look at things different to us, and see things lesser. In the way we see the smaller, or the weaker, and think them prey. It begins with the beasts of the land, the birds of the sky. And in a blinking, we find ourselves seeing our lessers in people with different colored skins. Different gods. Different creeds. We see them as lessers, and we hurt, and we kill, and we think nothing of it. Because they are different, we think ourselves just. Because we are stronger, we think ourselves righteous. That is the abyss in all of us. And we stand close to the edge still. Closer than any can dream. We need but stray for a moment and we will find ourselves back again, staring down into that black. And who will save us? When everything that was different to us is already gone?
Jay Kristoff (Endsinger (The Lotus Wars, #3))
As Noah looked upon the powerful beasts of prey that came forth with him from the ark, he feared that his family, numbering only eight persons, would be destroyed by them. But the Lord sent an angel to his servant with the assuring message: “The fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air, upon all that moveth upon the earth, and upon all the fishes of the sea; into your hand are they delivered. Every moving thing that liveth shall be meat for you; even as the green herb have I given you all things.” Before this time God had given man no permission to eat animal food; he intended that the race should subsist wholly upon the productions of the earth; but now that every green thing had been destroyed, he allowed them to eat the flesh of the clean beasts that had been preserved in the ark.
Ellen Gould White (Patriarchs and Prophets)
Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
Man is a beast of prey. Acute thinkers, like Montaigne and Nietzsche, have always known this. The old fairy-tales and the proverbs of peasant and nomad folk the world over, with their lively cunning: the half-smiling penetration characteristic of the great connoisseur of men, whether statesman or general, merchant or judge, at the maturity of his rich life: the despair of the world-improver who has failed: the invective of the angered priest — in none of these is denial or even concealment of the fact as much as attempted. Only the ceremonious solemnity of idealist philosophers and other . . . theologians has wanted the courage to be open about what in their hearts they knew perfectly well. Ideals are cowardice. Yet, even from the works of these one could cull a pretty anthology of opinions that they have from time to time let slip concerning the beast in man.
Oswald Spengler (Man and Technics: A Contribution to a Philosophy of Life)
After portraying Arabs as “wild, untamable (animals) and dumb beasts of prey,” he wrote, “In the West, the nomadic Berbers… are their counterparts, and in the East, the Kurds, the Turkomans, and the Turks.”31 In short, “if taking lives and ravaging the lands of the infidel were the means by which the ends of expanding Islam were served, then the new [Turkic] converts’ traditional pleasures were now happily endowed with a pious rationale.
Raymond Ibrahim (Sword and Scimitar: Fourteen Centuries of War between Islam and the West)
I think,’ Dandelion said, trembling slightly, ‘that down there in the depths, at the very bottom of this bloody ocean, crouches a huge monster, a fat, scaly beast, a toad with horns on its vile head. And from time to time it draws water into its belly, and with the water everything that lives and can be eaten: fish, seals, turtles – everything. And then, having devoured its prey, it pukes up the water and we have the tide. What do you think about that?
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
. . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me.
Monica Furlong (Wise Child (Doran, #1))
There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
One night in long bygone times, man awoke and saw himself. He saw that he was naked under cosmos, homeless in his own body. All things dissolved before his testing thought, wonder above wonder, horror above horror unfolded in his mind. Then woman too awoke and said it was time to go and slay. And he fetched his bow and arrow, a fruit of the marriage of spirit and hand, and went outside beneath the stars. But as the beasts arrived at their waterholes where he expected them of habit, he felt no more the tiger’s bound in his blood, but a great psalm about the brotherhood of suffering between everything alive. That day he did not return with prey, and when they found him by the next new moon, he was sitting dead by the waterhole.
Peter Wessel Zapffe
Some orc clans are cruel. They enjoy tormenting and torturing their prey… and their enemies. A Frostwolf takes no joy in suffering. Not even in the suffering of our enemies, and certainly not in that of a simple beast which provides us with nourishment.
Christie Golden (Warcraft: Durotan)
The lion is king of the beasts. When he leaves his den, he stretches and gazes out over all the directions. Before seeking his prey, he lets forth a mighty roar that causes the other creatures to tremble and flee. - Birds fly high, crocodiles dive beneath the water, foxes slip into their holes. Even village elephants, decked in fancy belts and ornaments and shaded by golden parasols, run away at the sound of that roar. -Community, the proclamation of the Way of Enlightenment is like that lion’s roar! …..False doctrines fear and tremble. When Impermanence, Non-self, and Dependent Co-arising are proclaimed, all those who have long sought false security in ignorance and forgetfulness must awaken, celestial beings as well as human beings. When a person sees the dazzling truth, he exclaims, ‘We embraced dangerous views for so long, taking the impermanent to be permanent, and believing in the existence of a separate self. We took suffering to be pleasure and look at the temporary as if it were eternal. We mistook the false for the true. Now the time has come to tear down all the walls of forgetfulness and false views.
Thich Nhat Hanh (Old Path White Clouds: Walking in the Footsteps of the Buddha)
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment. I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history? By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself.
Henry Miller (Tropic of Cancer (Tropic, #1))
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur De Phocas)
With a mother around, daughters are safe, but without one, they are prey for princes, witches, and beasts alike. They are killed for their insolence, sacrificed for their male counterparts, imprisoned for their desires. Mothers cannot appear in fairy tales because there is no room in the stories for both women.
Barbara Bourland (The Force of Such Beauty)
Nietzsche, with his grotesque exaggeration, goes much further. The strong men, the masters, regain the pure conscience of a beast of prey; monsters filled with joy, they can return from a fearful succession of murder, arson, rape and torture with the same joy in their hearts, the same contentment in their souls as if they had indulged in some student’s rag… When a man is capable of commanding, when he is by nature a “Master,” when he is violent in act and gesture, of what importance are treaties to him?… To judge morality properly, it must be replaced by two concepts borrowed from zoology: the taming of a beast and the breeding of a specific species.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet.
W.B. Yeats (The Celtic Twilight [with Biographical Introduction]: Faerie and Folklore (Celtic, Irish))
Tarzan of the Apes was hungry, and here was meat; meat of the kill, which jungle ethics permitted him to eat. How may we judge him, by what standards, this ape-man with the heart and head and body of an English gentleman, and the training of a wild beast? Tublat, whom he had hated and who had hated him, he had killed in a fair fight, and yet never had the thought of eating Tublat's flesh entered his head. It would have been as revolting to him as is cannibalism to us. But who was Kulonga that he might not be eaten as fairly as Horta, the boar, or Bara, the deer? Was he not simply another of the countless wild things of the jungle who preyed upon one another to satisfy the cravings of hunger?
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
It is, in fact, nothing short of a miracle that the modern methods of instruction have not yet entirely strangled the holy curiosity of inquiry; for this delicate little plant, aside from stimulation, stands mainly in need of freedom; without this it goes to wreck and ruin without fail. It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by means of coercion and a sense of duty. To the contrary, I believe it would be possible to rob even a healthy beast of prey of its voraciousness, if it were possible, with the aid of a whip, to force the beast to devour continuously, even when not hungry, especially if the food, handed out under such coercion, were to be selected accordingly.
Albert Einstein
what's the most horrible experience you can imagine? To me—it's being left, unarmed, in a sealed cell with a drooling beast of prey or a maniac who's had some disease that's eaten his brain out. You'd have nothing then but your voice—your voice and your thought. You'd scream to that creature why it should not touch you, you'd have the most eloquent words, the unanswerable words, you'd become the vessel of the absolute truth. And you'd see living eyes watching you and you'd know that the thing can't hear you, that it can't be reached, not reached, not in any way, yet it's breathing and moving there before you with a purpose of its own. That's horror. Well, that's what's hanging over the world, prowling somewhere through mankind, that same thing, something closed, mindless, utterly wanton, but something with an aim and a cunning of its own.
Ayn Rand
Aware she’d likely never tasted such a thing before, she took a cautious sip. Nothing came up. “The straw’s defective.” Dev shot her a quick grin. It altered his face, turning him strikingly beautiful. But that wasn’t the odd part. The odd part was that seeing him smile made her heart change its rhythm. She lifted her hand a fraction, compelled to trace the curve of his lips, the crease in his cheek. Would he let her, she thought, this man who moved with the liquid grace of a soldier . . . or a beast of prey? “Did I say milk shake?” he said, withheld laughter in his voice. “I meant ice cream smoothie—with enough fresh fruit blended into it to turn it solid.” Glancing at her when she didn’t move, he raised an eyebrow. She felt a wave of heat across her face, and the sensation was so strange, it broke through her fascination. Looking down, she took off the lid after removing the straw and stared at the swirls of pink and white that dominated the delicious-smelling concoction. Intrigued, she poked at it with the tip of her straw. “I can see pieces of strawberry, and what’s that?” She looked more closely at the pink-coated black seeds. “Passion fruit?” “Try it and see.” Handing her his water bottle, he started the car and got them on their way. “How would I know?” She put his water in the holder next to the unopened bottle. “And I need a spoon for this.” Reaching into a pocket, he pulled out a plastic-wrapped piece of cutlery. “Here.” “You did that on purpose,” she accused. “Did you want to see how hard I’d try to suck the mixture up?” Another smile, this one a bare shadow. “Would I do that?” It startled her to realize he was teasing her. Devraj Santos, she thought, wasn’t supposed to have a sense of humor. That was something she just knew. And, it was wrong. That meant the shadow-man didn’t know everything, that he wasn’t omnipotent. A cascade of bubbles sparkled through her veins, bright and effervescent. “I think you’re capable of almost anything.” Dipping in the spoon, she brought the decadent mixture to her lips. Oh! The crisp sting of ice, the cream rich and sweet, the fruit a tart burst of sensation. It was impossible not to take a second bite. And a third.
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
A short lightning flash of white snow flew into the woods frightening the animals there a hare hops around the bird-cherry there a bobcat lies in wait for an underwater mouse puffed out its muzzle raised its tasseled tail mangy beast of prey to you woodpeckers and rabbits are as scrambled eggs to us only the oak stands paying no attention to anyone itself just recently fallen from the sky the pain not yet abated the branches had not drawn apart not a reproach nor an answer did I deserve oh my spurs seize me chop me and beat me right in the back right in the back oh he’s fast I thought I see before me the torah but no the lun a tic the lunatic of my words one thing I won’t repeat will not repeat my whole life through this is ladies and gentlemen ladies and gentlemen my attentive audience that leap the leap from the heights of treesongers down on to the boards of stone the tables of stone tables of oh giant Numbers.
Daniil Kharms (Today I Wrote Nothing: The Selected Writings of Daniil Kharms: The Selected Writing of Daniil Kharms)
I find it simpler to envision shedding tears over a matter than picturing myself genuinely prepared for change. Understanding my emotions proves intricate. It commences with a yearning to refine my thought processes, a longing to evolve into a superior version of myself, and an acknowledgment of the knowledge and superiority of others beyond my current perception. On rare occasions, this contemplation lingers within me, day after day, gradually evolving from a fleeting thought into an intrinsic facet of my identity. The aforementioned notion holds promise for instigating positive change within me, yet it often necessitates a significant passage of time before I yearn for it, and the resultant impact is distressing. I come to terms with the notion that my heart is astray, preyed upon by untamed beasts. I can anticipate your reassurance: "Don't worry, no one is perfect." Nonetheless, I acknowledge that I stand just a notch above the beasts and several steps below the angels.
Rolf van der Wind
In wonderful savageness live the nation of the Fennians, and in beastly poverty, destitute of arms, of horses, and of homes; their food, the common herbs; their apparel, skins; their bed, the earth; their only hope in their arrows, which for want of iron they point with bones. Their common support they have from the chase, women as well as men; for with these the former wander up and down, and crave a portion of the prey. Nor other shelter have they even for their babes, against the violence of tempests and ravening beasts, than to cover them with the branches of trees twisted together; this a reception for the old men, and hither resort the young. Such a condition they judge more happy than the painful occupation of cultivating the ground, than the labour of rearing houses, than the agitations of hope and fear attending the defence of their own property or the seizing that of others. Secure against the designs of men, secure against the malignity of the Gods, they have accomplished a thing of infinite difficulty; that to them nothing remains even to be wished.
Tacitus (Germania)
In all the countries of Europe, and in America, too, there now is something that abuses this name: a very narrow, imprisoned, chained type of spirits who want just about the opposite of what accords with our intentions and instincts—not to speak of the fact that regarding the new philosophers who are coming up they must assuredly be closed windows and bolted doors. They belong, briefly and sadly, among the levelers—these falsely so–called ‘free spirits’—being eloquent and prolifically scribbling slaves of the democratic taste and its ‘modern ideas’; they are all human beings without solitude, without their own solitude, clumsy good fellows whom one should not deny either courage or respectable decency—only they are unfree and ridiculously superficial, above all in their basic inclination to find in the forms of the old society as it has existed so far just about the cause of all human misery and failure—which is a way of standing truth happily upon her head! What they would like to strive for with all their powers is the universal green–pasture happiness of the herd, with security, lack of danger, comfort, and an easier life for everyone; the two songs and doctrines which they repeat most often are ‘equality of rights’ and ‘sympathy for all that suffers’—and suffering itself they take for something that must be abolished. We opposite men, having opened our eyes and conscience to the question where and how the plant ‘man’ has so far grown most vigorously to a height—we think that this has happened every time under the opposite conditions, that to this end the dangerousness of his situation must first grown to the point of enormity, his power of invention and simulation (his ‘spirit’) had to develop under prolonged pressure and constraint into refinement and audacity, his life–will had to be enhanced into an unconditional power– will. We think that hardness, forcefulness, slavery, danger in the alley and the heart, life in hiding, stoicism, the art of experiment and devilry of every kind, that everything evil, terrible, tyrannical in man, everything in him that is kin to beasts of prey and serpents, serves the enhancement of the species ‘man’ as much as its opposite does.
Friedrich Nietzsche (Beyond Good and Evil)
I'm not afraid anymore. But I know that the terror exists. I know the kind of terror it is. You can't conceive of that kind. Listen, what's the most horrible experience you can imagine? To me—it's being left, unarmed, in a sealed cell with a drooling beast of prey or a maniac who's had some disease that's eaten his brain out. You'd have nothing then but your voice—your voice and your thought. You'd scream to that creature why it should not touch you, you'd have the most eloquent words, the unanswerable words, you'd become the vessel of the absolute truth. And you'd see living eyes watching you and you'd know that the thing can't hear you, that it can't be reached, not reached, not in any way, yet it's breathing and moving there before you with a purpose of its own. That's horror. Well, that's what's hanging over the world, prowling somewhere through mankind, that same thing, something closed, mindless, utterly wanton, but something with an aim and a cunning of its own. I don't think I'm a coward but I'm afraid of it. And that's all I know—only that it exists. I don't know its purpose. I don't know it's nature.
Ayn Rand (The Fountainhead)
The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.
Percy Bysshe Shelley
Sometimes the wars in Iraq and Afghanistan are presented as a hunting expeditions (“As British close in on Basra, Iraqis scurry away”; “Terror hunt snares twenty-five”; and “Net closes around Bin Laden”) with enemy bases as animal nests (“Pakistanis give up on lair of Osama”; “Terror nest in Fallujah is attacked”) from which the prey must be driven out (“Why Bin Laden is so difficult to smoke out”; “America’s new dilemma: how to smoke Bin Laden out from caves”). We need to trap the animal (“Trap may net Taliban chief”; “FBI terror sting nets mosque leaders”) and lock it in a cage (“Even locked in a cage, Saddam poses serious danger”). Sometimes the enemy is a ravening predator (“Chained beast—shackled Saddam dragged to court”), or a monster (“The terrorism monster”; “Of monsters and Muslims”), while at other times he is a pesky rodent (“Americans cleared out rat’s nest in Afghanistan”; “Hussein’s rat hole”), a venomous snake (“The viper awaits”; “Former Arab power is ‘poisonous snake’”), an insect (“Iraqi forces find ‘hornet’s nest’ in Fallujah”; “Operation desert pest”; “Terrorists, like rats and cockroaches, skulk in the dark”), or even a disease organism (“Al Qaeda mutating like a virus”; “Only Muslim leaders can remove spreading cancer of Islamic terrorism”). In any case, they reproduce at an alarming rate (“Iraq breeding suicide killers”; “Continent a breeding ground for radical Islam”).
David Livingstone Smith (Less Than Human: Why We Demean, Enslave, and Exterminate Others)
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
Lament for the Makaris (Makers) I who enjoyed good health and gladness am overwhelmed now by life’s terrible sickness and enfeebled with infirmity ... how the fear of Death dismays me! our presence here is mere vainglory; the false world is but transitory; the flesh is frail; the Fiend runs free ... how the fear of Death dismays me! the state of man is changeable: now sound, now sick, now blithe, now dull, now manic, now devoid of glee ... how the fear of Death dismays me! no state on earth stands here securely; as the wild wind shakes the willow tree, so wavers this world’s vanity ... how the fear of Death dismays me! Death leads the knights into the field (unarmored under helm and shield) sole Victor of each red mêlée ... how the fear of Death dismays me! that strange, despotic Beast tears from its mother’s breast the babe, full of benignity ... how the fear of Death dismays me! He takes the champion of the hour, the captain of the highest tower, the beautiful damsel in her tower ... how the fear of Death dismays me! He spares no lord for his elegance, nor clerk for his intelligence; His dreadful stroke no man can flee ... how the fear of Death dismays me! artist, magician, scientist, orator, debater, theologist, must all conclude, so too, as we: “how the fear of Death dismays me!” in medicine the most astute sawbones and surgeons all fall mute; they cannot save themselves, or flee ... how the fear of Death dismays me! i see the Makers among the unsaved; the greatest of Poets all go to the grave; He does not spare them their faculty ... how the fear of Death dismays me! i have seen the Monster pitilessly devour our noble Chaucer, poetry’s flower, and Lydgate and Gower (great Trinity!) ... how the fear of Death dismays me! since He has taken my brothers all, i know He will not let me live past the fall; His next prey will be — poor unfortunate me! ... how the fear of Death dismays me! there is no remedy for Death; we all must prepare to relinquish breath so that after we die, we may be set free from “the fear of Death dismays me
William Dunbar
Stories have changed, my dear boy," the man in the grey suit says, his voice almost imperceptibly sad. "There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister's story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
As to the contents of the unconscious, no generalization is possible. But one statement can be made; it always represents the whole man, with all his potentialities for darkness and light; it always contains the basis for the different answers which man is capable of giving to the question which existence poses...But man, in any culture, has the potentialities within himself; he is the archaic man, the beast of prey, the cannibal, the idolater, and he is the being with a capacity for reason, for love, for justice. The content of the unconsciousness, then, is neither the good nor the evil, the rational not the irrational; it is both; it is all that is human. The unconsciousness is the whole man minus that part of him that corresponds with society. Consciousness represents the social man, the accidental limitations set by the historical situation into which an individual is thrown. Unconsciousness represents universal man, the whole man, rooted in the cosmos; it represents the plant in him, the animal in him, the spirit in him; it represents his past, down to the dawn of human existence, and it represents his future up to the day when man will have become fully human, and when nature will be humanized as man will be naturalized
Erich Fromm (Beyond the Chains of Illusion: My Encounter with Marx and Freud)
Know then thyself, presume not God to scan; The proper study of Mankind is Man. Plac'd on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the Sceptic side, With too much weakness for the Stoic's pride, He hangs between; in doubt to act, or rest, In doubt to deem himself a God, or Beast; In doubt his Mind or Body to prefer, Born but to die, and reas'ning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: Chaos of Thought and Passion, all confus'd; Still by himself, abus'd, or disabus'd; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world! Go, wond'rous creature! mount where Science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old Time, and regulate the Sun; Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his follow'rs trod, And quitting sense call imitating God; As Eastern priests in giddy circles run, And turn their heads to imitate the Sun. Go, teach Eternal Wisdom how to rule— Then drop into thyself, and be a fool!
Alexander Pope (Essay On Man)
ŒD. O Fate, from the beginning how wretched [and unhappy] didst thou form me, [if ever other man was formed!] whom, even before I came into the light from my mother's womb, when yet unborn Apollo foretold that I should be the murderer of my father Laïus, alas! wretch that I am! And when I was born, again my father who gave me life, seeks to take my life, considering that I was born his enemy: for it was fated that he should die by my hands, and he sends me, poor wretch, as I craved the breast, a prey for the wild beasts: where I was preserved—for would that Cithæron, it ought, had sunk to the bottomless chasms of Tartarus, for that it did not destroy me; but the God fixed it my lot to serve under Polybus my master: but I unhappy man, having slain my own father, ascended the bed of my wretched mother, and begat children, my brothers, whom I destroyed, having received down the curse from Laïus, and given it to my sons. For I was not by nature so utterly devoid of understanding, as to have devised such things against my eyes, and against the life of my children, without the interference of some of the Gods. Well!—what then shall I ill-fated do? who will accompany me the guide of my dark steps? She that lies here dead! living, well know I, she would. But my noble pair of sons? I have no sons.—But still in my vigor can I myself procure my sustenance? Whence?—Why, O Creon, dost thou thus utterly kill me? for kill me thou wilt, if thou shalt cast me out of the land. Yet will I not appear base, stretching my hands around thy knees, for I can not belie my former nobleness, not even though my plight is miserable.
Euripides (The Tragedies of Euripides, Volume I.)
Yet let us reflect, where does the animal cease, where does man begin? — man, who is nature’s sole concern! As long as anyone desires life as he desires happiness, he has not yet raised his eyes above the horizon of the animal, for he only desires more consciously what the animal seeks through blind impulse. But that is what we all do for the greater part of our lives; usually we fail to emerge out of animality, we ourselves are the animals whose suffering seems to be senseless. But there are moments when we realize this: then the clouds are rent asunder, and we see that, in common with all nature, we are pressing towards something that stands high above us. In this sudden illumination we gaze around us and behind us with a shudder; we behold the more subtle beasts of prey and there we are in the midst of them. The tremendous coming and going of men on the great wilderness of the earth, their founding of cities and states their wars their restless assembling and scattering again, their confused mingling, mutual imitation, mutual outwitting and downtreading, their wailing in distress, their howls of joy in victory — all this is a continuation of animality; as though man was to be deliberately retrogressed and defrauded of his metaphysical disposition, indeed as though nature, after having desired and worked at man for so long, now drew back from him in fear and preferred to return to the unconsciousness of instinct. Nature needs knowledge and it is terrified of the knowledge it has need of; and so the flame flickers restlessly back and forth as though afraid of itself and seizes upon a thousand things before it seizes upon that on account of which nature needs knowledge at all. In individual moments we all know how the most elaborate arrangements of our life are made only so as to flee from the tasks we actually ought to be performing, how we would like to hide our head somewhere as though our hundred-eyed conscience could not find us out there, how we hasten to give our heart to the state, to money-making, to sociability or science merely so as no longer to possess it ourselves, how we labor at our daily work more ardently and thoughtlessly than is necessary to sustain our life because to us it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself; universal too is the shy concealment of this haste because everyone wants to seem content and would like to deceive more sharp-eyed observers as to the wretchedness he feels; and also universal is the need for new tinkling word-bells to hang upon life and so bestow upon it an air of noisy festivity. Everyone is familiar with the strange condition in which unpleasant memories suddenly assert themselves and we then make great efforts, through vehement noise and gestures, to banish them from our minds: but the noise and gestures which are going on everywhere reveal that we are all in such a condition all the time, that we live in fear of memory and of turning inward. But what is it that assails us so frequently, what is the gnat that will not let us sleep? There are spirits all around us, every moment of our life wants to say something to us, but we refuse to listen to these spirit-voices. We are afraid that when we are alone and quiet something will be whispered into our ear, and so we hate quietness and deafen ourselves with sociability.
Friedrich Nietzsche (Schopenhauer as Educator)
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
You make springs gush forth in the valleys;         they flow between the hills;     11 they give drink to every beast of the field;         the wild donkeys quench their thirst.     12 Beside them the birds of the heavens dwell;         they sing among the branches.     13 From your lofty abode you water the mountains;         the earth is satisfied with the fruit of your work.     14 You cause the grass to grow for the livestock         and plants for man to cultivate,     that he may bring forth food from the earth         15 and wine to gladden the heart of man,     oil to make his face shine         and bread to strengthen man's heart.     16 The trees of the LORD are watered abundantly,         the cedars of Lebanon that he planted.     17 In them the birds build their nests;         the stork has her home in the fir trees.     18 The high mountains are for the wild goats;         the rocks are a refuge for the rock badgers.     19 He made the moon to mark the seasons; [1]         the sun knows its time for setting.     20 You make darkness, and it is night,         when all the beasts of the forest creep about.     21 The young lions roar for their prey,         seeking their food from God.     22 When the sun rises, they steal away         and lie down in their dens.     23 Man goes out to his work         and to his labor until the evening.     24 O LORD, how manifold are your works!         In wisdom have you made them all;         the earth is full of your creatures.     25 Here is the sea, great and wide,         which teems with creatures innumerable,         living things both small and great.     26 There go the ships,         and Leviathan, which you formed to play in it. [2]     27 These all look to you,         to give them their food in due season.     28 When you give it to them, they gather it up;         when you open your hand, they are filled with good things.     29 When you hide your face, they are dismayed;         when you take away their breath, they die         and return to their dust.     30 When you send forth your Spirit, [3] they are created,         and you renew the face of the ground.     31 May the glory of the LORD endure forever;
Anonymous (ESV Daily Reading Bible: Through the Bible in 365 Days, based on the popular M'Cheyne Bible Reading Plan: Through the Bible in 365 Days, based on the popular M'Cheyne Bible Reading Plan)