Beard Boy Quotes

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Who was the Thief that she would love him? A youth, just a boy with hardly a beard and no sense at all... A liar, she thought, an enemy, a threat. He was brave, a voice inside her said, he was loyal... A fool, she answered back. A fool and a dead one. She ached with emptiness.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.
J.M. Barrie (Peter Pan (Peter Pan, #2))
What’s going on with your face, by the way?” Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?” “Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.” “It’s irrelevant. It’s not growing. I’m doomed to be a man-child.” “If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Then Leo realized something was blocking the middle of his view. Something large and fuzzy, and so close, Leo had to cross his eyes to see it properly. It was a large, ugly face. "Holy mother!" he yelped. The face backed away and came into focus. Staring down at him was a beard man in grimy blue coveralls. His face was lumpy and covered with welts, as if he'd been stung by a million bees, or dragged across gravel. Possibly both. "Humph." the man said. "Holy father, boy. I should think ou know the difference by now.
Rick Riordan
I’m the prince and you’re the princess and rescuing our friend is my job. Just ask Merlin!” Tedros yelled, practically a shriek— “Yes, now you’ve got it, boy,” Merlin spouted, not looking as he trimmed his beard with a thorn. “Sound perfectly female now.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
In that moment, I finally figured out what kind of handsome he was. He was fiction-handsome. Romance novel handsome; but not the clean-cut (billionaire) alpha male or even the tattooed (billionaire) bad boy archetype. He was the Scottish highlander, Viking conqueror, bodice-ripper historical romance kind of handsome; an unshaven, lion wrestling, mountain man recluse, toss you over his shoulder and plunder your goodies kind of handsome. He was both scary and swoony. I wanted to braid his beard. I also wanted to run away.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
We,” King Lot said, his eyes cold and piercing. “Will refuse any gifts this beardless boy offers us.” “Is there a reason why he is so obsessed with my lack of a beard?” Britt sighed.
K.M. Shea (Enthroned (King Arthur and Her Knights, #1))
Tom," said Douglas, "just promise me one thing, okay?" "It's a promise. What?" "You may be my brother and maybe I hate you sometimes, but stick around, all right?" "You mean you'll let me follow you and the older guys when you go on hikes?" "Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff." "I should say not! Whatta you think I am, anyway?" "'Cause if worst comes to worst, and both of us are real old--say forty or forty-five some day-- we can own a gold mine out West and sit there smoking corn silk and growing bears." "Growing beards! Boy!" "Like I say, you stick around and don't let nothing happen." "You can depend on me," said Tom. "It's not you I worry about," said Douglas. "It's the way God runs the world." Tom thought about this for a moment. "He's all right, Doug," said Tom. "He tries.
Ray Bradbury (Dandelion Wine)
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
We sit silently in our living room. He watches the mute television screen and I watch him. The planes and ridges of his face are more familiar to me than my own. I understand that he wishes even more than I do that he still loved me.
Jo Ann Beard (The Boys of My Youth)
I have a beard,' Dr. Montague said, pleased, and looked around at them with a happy beam. 'My wife,' he told them, 'likes a man to wear a beard. Many women, on the other hand, find a beard distasteful. A clean-shaven man - you'll excuse me, my boy - never looks fully dressed, my wife tells me.' He held out his glass to Luke.
Shirley Jackson (The Haunting of Hill House)
There he is, tall, tanned, Italian, sophisticated. So what do you do?" I said, "Er, leap on him and snog him within an inch of his life? Taking care not to strangle myself on his false beard, or disturb his banana.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Feathery Stokers - There is no definitive list but here are some examples. Men who didn’t eat red meat were Feathery Strokers. Men who used postshave balm instead of slapping stinging aftershave onto their tender skin were Feathery Strokers. Men who noticed your shoes and handbags were Feathery Strokers. (Or Jolly Boys.) Men who said pornography was exploitation of women were Feathery Strokers. (Or liars.) Men who said pornography was exploitation of men as much as women were of the scale. All straight men from San Francisco were Feather Strokers. All academics with beards were Feathery Stokers. Men who stayed friends with their ex-girlfriends were Feathery Strokers. Especially if they called them their “ex-partner.” Men who did Pilates were Feathery Strokers. Men who said, “I have to take care of myself right now” were screaming Feathery Strokers. (Even I’d go along with that.) ~Jacqui
Marian Keyes (Anybody Out There? (Walsh Family, #4))
Stubble or what?" Eyes still closed he chuckled. "I'm not shaving until our parents let us date again." He kissed my cheek. "What if it takes... a... while?" I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly. "There are only six or seven weeks until August football practice starts right?" "Hm." His mouth moved up my neck toward my ear. Oh. "Will you be able to stuff your beard into your helmet?" I croaked. In answer he put his lips on my ear. I forgot the next joke I'd planned to make and lost myself in Adam.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I’d once overheard my daddy tell my momma that the six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
Penny Reid (Truth or Beard (Winston Brothers, #1))
Beards were like axehound pups. Boys dreamed of the day they'd get one, never realizing how annoying they could be.
Brandon Sanderson (The Way of Kings, Part 2 (The Stormlight Archive #1, Part 2 of 2))
Boys with their first beards can be a thorough pain in the neck.
Margaret Atwood (The Penelopiad)
According to Polybius, Cato once remarked that one sign of the deterioration of the Republic was that pretty boys now cost more than fields, jars of pickled fish more than ploughmen.
Mary Beard (SPQR: A History of Ancient Rome)
The boys were dancing. The pile was so rotten, and now so tinder-dry, that whole limbs yielded passionately to the yellow flames that poured upwards and shook a great beards of flame twenty feet in the air. For yards round the fire the heat was like a blow, and the breeze was a river of sparks. Trunks crumbled to a white dust.
William Golding (Lord of the Flies)
He leaned forward suddenly, so that for an instant the strong, bearded face was clear; the voice softened, and there was an aching sadness in it. "Only the creatures of the earth take from one another, boy. All creatures, but men more than any. Life they take, and liberty, and all that another man may have--sometimes through greed, sometimes through stupidity, but never by any volition but their own. Beware your own race, Bran Davies--they are the only ones who will ever harm you, in the end.
Susan Cooper (The Grey King (The Dark is Rising, #4))
We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it is good-and that is the real theater-to transcend them in the manner of play, by means of games and irony; it is good to be dirty and bearded, to have long hair, to look like a girl when one is a boy (and vice versa); one must put "in play," show up, transform and reverse the systems which quietly order us about.
Michel Foucault
As Plato, the dangerous beguiler, said: the best philosophers in the world are boys with their beards new on their chins; I am a boy again.
Thornton Wilder (The Ides of March)
If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great. Like a fucking rug. You eat soup, it’ll filter out the potatoes. Terrier style. Do you have hair on your legs? I’ve never noticed.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
By the 1920s if you wanted to work behind a lunch counter you needed to know that 'Noah's boy' was a slice of ham (since Ham was one of Noah’s sons) and that 'burn one' or 'grease spot' designated a hamburger. 'He'll take a chance' or 'clean the kitchen' meant an order of hash, 'Adam and Eve on a raft' was two poached eggs on toast, 'cats' eyes' was tapioca pudding, 'bird seed' was cereal, 'whistleberries' were baked beans, and 'dough well done with cow to cover' was the somewhat labored way of calling for an order of toast and butter. Food that had been waiting too long was said to be 'growing a beard'. Many of these shorthand terms have since entered the mainstream, notably BLT for a bacon, lettuce, and tomato sandwich, 'over easy' and 'sunny side up' in respect of eggs, and 'hold' as in 'hold the mayo'.
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
But in case you misunderstood me, honey. When I woke up with the taste of you on my tongue and the smell of you in my beard, I considered you mine.
Victoria Wilder (Bourbon & Lies (The Bourbon Boys #1))
That's the noise that made the Redcoats run!" Mr. Paddock said to Father. "Maybe," Father said, tugging his beard. "But it was muskets that won the Revolution. And don't forget it was axes and plows that made this country." "That's so, come to think of it," Mr. Paddock said.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
we saw a man walking in our midst who would have made James Bond feel insecure. Indiana Jones would have looked like a momma’s boy compared to the man in the leather jacket with two days’ growth of beard who walked to where my mother stood and then—horror of horrors—winked at her.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
All the real blokes I know are obsessed with cars and have started doing cycling at the weekend and being really, really boring about it and banging on about their Fitbits and growing stupid beards and talking about being on Tinder. That's what all the 'real men' are like these days!
Jenny Colgan (The Little Shop of Happy Ever After)
Why Do People become Shadowhunters, by Magnus Bane This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual. One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons. So here is an addition to your copy. Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths? Possible Reasons Why 1. You possess a stout heart, strong will, and able body. 2. You possess a stout body, able will, and strong heart. 3. Local Shadowhunters are ironically punishing you by making you join them. 4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders. 5. Your home , village, or nation is under siege by demons. 6. You home, village, or nation is under siege by rogue Downworlders. 7. You were in the wrong place at the wrong time. 8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you. 9. You know too little; it would be helpful to the Shadowhunters if you knew more. 10. You know exactly the right amount, making you a natural recruit. 11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection. 12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding. 13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks. 14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension. 15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter. 16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school. 17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago. That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
Cassandra Clare (The Shadowhunter's Codex)
Fix that hair! Close that mind! Repeat after me! Page me the second the old man croaks it! Now, are you boys ready? A Seabrook boy is always ready. Ready to work. Ready to play. Ready to listen to his teachers, especially the greatest educator of them all, Jesus. as Jesus said to me once, Greg, what's your secret? And I said, Jesus--study your notes! Get to class! Shave that beard! You show up to your first day on the job dressed like a hippie, of course they're going to crucify you, I don't care whose son you are . . .
Paul Murray (Skippy Dies)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
Hence, Orlando and Sasha, as he called her for short, and because it was the name of a white Russian fox he had had as a boy—a creature soft as snow, but with teeth of steel, which bit him so savagely that his father had it killed—hence they had the river to themselves. Hot with skating and with love they would throw themselves down in some solitary reach, where the yellow osiers fringed the bank, and wrapped in a great fur cloak Orlando would take her in his arms, and know, for the first time, he murmured, the delights of love. Then, when the ecstasy was over and they lay lulled in a swoon on the ice, he would tell her of his other loves, and how, compared with her, they had been of wood, of sackcloth, and of cinders. And laughing at his vehemence, she would turn once more in his arms and give him, for love’s sake, one more embrace. And then they would marvel that the ice did not melt with their heat, and pity the poor old woman who had no such natural means of thawing it, but must hack at it with a chopper of cold steel. And then, wrapped in their sables, they would talk of everything under the sun; of sights and travels; of Moor and Pagan; of this man’s beard and that woman’s skin; of a rat that fed from her hand at table; of the arras that moved always in the hall at home; of a face; of a feather. Nothing was too small for such converse, nothing was too great.
Virginia Woolf (Orlando)
The six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
Penny Reid (Truth or Beard (Winston Brothers, #1))
I IS ONLY AN EIGHT YEAR OLD LITTLE BOY BUT I IS GROWING A SPLENDID BUSHY BEARD AND ALL THE OTHER BOYS IS JALOUS.
Roald Dahl (The BFG)
I had shaved my beard for her-a huge disappointment, because I’d enjoyed my three weeks looking like a bank robber.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
No. I grew a beard because no one was around to teach us boys how to shave.” .
Penny Reid (Beard Science (Winston Brothers, #3))
He was still dirty and bedraggled and his beard was truly unfortunate, but now he only looked very bad instead of like death warmed over.
T. Kingfisher (Clockwork Boys (Clocktaur War, #1))
and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den—walk up to a girl—a strange girl—an orphan girl—and demand of her why she wasn’t a boy.
L.M. Montgomery (Anne of Green Gables)
The officer of the court was a good old boy with a meaty backwoods beard and a hungover wobble to his step. He’d outgrown his shirt and the pressure against the buttons made him look upholstered.
Colson Whitehead (The Nickel Boys)
In a few hours the world will resume itself, but for now we’re in a pocket of silence. We’re in the plasmapause, a place of equilibrium, where the forces of the earth meet the forces of the sun. I imagine it as a place of stillness, where the particles of dust stop spinning and hang motionless in deep space.
Jo Ann Beard (The Boys of My Youth)
Mara, remember how you kicked sand into that neighbor child’s eyes? I yelled at you and made you apologize in your best dress, and that night I cried by myself in the bathroom because you are Bad’s child as much as you are mine. Remember when you ran into the plate glass window and cut your arms so badly we had to drive you to the nearest hospital in the pickup truck, and when it was over Bad begged me to replace the backseat because of all the blood? Or when Tristan told us that he wanted to invite a boy to prom and you put your arm around him like this? Mara, remember? Your own babies? Your husband with his Captain Ahab beard and calloused hands and the house you bought in Vermont? Mara? How you still love your little brother with the ferocity of a star; an all-consuming love that will only end when one of you collapses? The drawings you handed us as children? Your paintings of dragons, Tristan’s photographs of dolls, your stories about anger, his poems about angels? The science experiments in the yard, blackening the grass to gloss? Your lives sated and[…]
Carmen Maria Machado (Her Body and Other Parties: Stories)
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
Cormac McCarthy (The Road)
He wasn’t a pretty boy, his nose was crooked and his grin lopsided, but he had that square-jawed, salt-of-the-earth handsome look that made a girl think of loose-hipped cowboys and demanding Scottish Lairds. And speaking of Scottish Lairds, old mate was a redhead. Usually gingers weren’t her scene but this guy’s hair was the rich coppery-auburn of a fox's pelt. It gleamed like rose gold under the floodlights, his short beard the exact colour as the stuff on his head. Big Red was doing it for her. Big time. And apparently, the feeling was mutual.
Eve Dangerfield (Open Hearts (Bennett Sisters, #2))
The cannons leaped backward, the air was full of flying grass and weeds. Almanzo ran with all the other boys to feel the warm muzzles of the cannons. Everybody was exclaiming about what a loud noise they had made. “That’s the noise that made the Redcoats run!” Mr. Paddock said to Father. “Maybe,” Father said, tugging his beard. “But it was muskets that won the Revolution. And don’t forget it was axes and plows that made this country.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
In this entre-nous spirit, then, old confidant before we join the others, the grounded everywhere, including, I’m sure, the middle-aged hot-rodders who insist on zooming us to the moon, the Dharma Bums, the makers of cigarette filters for thinking men, the Beat and the Sloppy and the Petulant, the chosen cultists, all the lofty experts who know so well what we should or shouldn’t do with our poor little sex organs, all the bearded, proud, unlettered young men and unskilled guitarists and Zen-killers and incorporated aesthetic Teddy boys who look down their thoroughly unenlightened noses at this splendid planet where (please don’t shut me up) Kilroy, Christ, and Shakespeare all stopped – before we join these others, I privately say to you, old friend (unto you, really, I’m afraid), please accept from me this unpretentious bouquet of very early-blooming parentheses: (((()))).
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
The next morning, on the way to school in Peter’s car, I steal a look at his profile. “I like how you’re so smooth,” I say. “Like a baby.” “I could grow a beard if I wanted to,” he says, touching his chin. “A thick one.” Fondly I say, “No, you couldn’t. But maybe one day, when you’re a man.” He frowns. “I am a man. I’m eighteen!” I scoff, “You don’t even pack your own lunches. Do you even know how to do laundry?” “I’m a man in all the ways that count,” he boasts, and I roll my eyes. “What would you do if you were drafted to go to war?” I ask. “Uh…aren’t college kids given a pass on that? Does the draft even still exist?” I don’t know the answers to either of these questions, so I barrel forward. “What would you do if I got pregnant right now?” “Lara Jean, we’re not even having sex. That would be the immaculate conception.” “If we were?” I press. He groans. “You and your questions!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Helga’s gray pupils glued to the ground, unable to look at her student for a long time. Slowly, her long white hair retracted into her skull, growing scratchy and short. The grooves of her face magically deepened and the skin hardened to a leathery tan beneath a growing white beard. Her cheeks hollowed, her nose fattened, her eyebrows bushied, her body burlying to a barrel shape . . . until at last Yuba the Gnome gazed up at his former students, in the same lavender dress and wobbly heels. “Do you mind if I change?” he asked quietly. Sophie gawped at her old Forest Group teacher, morphed from a girl into a boy. She twirled to Agatha, appalled. “That’s how you want us to get in the boys’ school? By turning us into . . . gnomes?” Agatha banged her head against the wall.
Soman Chainani (A World without Princes (The School for Good and Evil, #2))
It’s always such a joke, these boys with their beards. A male should wait until he has at least done something before growing one.
A.D. Aliwat (In Limbo)
VLADIMIR: Has he a beard, Mr. Godot? BOY: Yes Sir. VLADIMIR: Fair or... or black? BOY: I think it's white, Sir. VLADIMIR: Christ have mercy on us!
Samuel Beckett (Waiting for Godot)
Men live simply, but are not simple. Boys are simple, but do not live simply.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
PASSING stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, 5 I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman (Leaves of Grass)
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward. When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind. He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution. “Caleb,” I say. “Give me the backpack.” “What?” he says. I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.” “Tris, no.” He shakes his head. “No, I won’t let you do that.” “Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!” “I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.” Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!” In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me. I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway. “Caleb,” I say, “I love you.” His eyes gleam with tears as he says, “I love you, too, Beatrice.” “Get down on the floor!” I yell, for the benefit of the guards. Caleb sinks to his knees. “If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
Veronica Roth (Allegiant (Divergent, #3))
Her little hands, Crumb. Her little paws, like a child's. She has no guile in her. And she never speaks. And if she does I have to bend my head to hear what she says. And in the pause I can hear my heart. Her little bits of embroidery, her scraps of silk, her halcyon sleeves, she cut out of the cloth some admirer gave her once, some poor boy struck with love for her...and yet she has never succumbed. Her little sleeves, her seed pearl necklace...she has nothing...she expects nothing...' A tear at last sneaks from Henry's eye, meanders down his cheek and vanishes into the mottled grey and ginger of his beard.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
Even they were frightened, not at the boy’s terrible words, but at his terrible audacity. It did not seem possible that any living creature could thus beard Wolf Larsen in his teeth. I know for myself that I was shocked into admiration of the boy, and I saw in him the splendid invincibleness of immortality rising above the flesh and the fears of the flesh, as in the prophets of old, to condemn unrighteousness.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
The Illusory Self I am composed of body and soul, I seem to have mind, reason, sense, yet I find none of them my own. For where was my body prior to my birth, and whither will it go when I have departed? Where are the various states produced by the life stages of an illusory self? Where is the newborn babe, the child, the boy, the pubescent, the stripling, the bearded youth, the lad, the full-grown man? Whence came the soul, whither will it go, how long will it be our mate? Can we tell its essential nature? When did we acquire it? Prior to our birth? But we were not then in existence. What of it after death? But then we who are embodied, compounds endowed with quality, shall be no more, but shall hasten to our rebirth, to be with the unbodied, without composition and without quality. But now, inasmuch as we are alive, we are the dominated rather than the rulers, known rather than knowing. The soul knows us, though unknown by us, and imposes commands we are obliged to obey as wervants their mistress. And when it will, it will transact its divorce in court and depart, leaving our home desolate of life. If we press it to remain, it will dissolve our relationship. So subtle is its nature that it furnishes no handle to the body.
Philo of Alexandria
Harry had to crane his neck to look up into the giant face above: It was ancient and monkeyish, with a long, thin beard that fell almost to the bottom of the wizard's sweeping stone robes, where two enormous gray feet stood on the smooth Chamber floor. And between the feet, facedown, lay a small, black-robed figure with flaming-red hair. "Ginny!" Harry muttered, sprinting to her and dropping to his knees. "Ginny- don't be dead- please don't be dead-" He flung his wand aside, grabbed Ginny's shoulders, and turned her over. Her face was white as marble, and as cold, yet her eyes were closed, so she wasn't Petrified. But then she must be- "Ginny, please wake up," Harry muttered desperately, shaking her. Ginny's head lolled hopelessly from side to side. "She won't wake," said a soft voice. Harry jumped and spun around on his knees. A tall, black-haired boy was leaning against the nearest pillar, watching. He was strangely blurred around the edges, as though Harry were looking at him through a misted window. But there was no mistaking him- "Tom- Tom Riddle?" Riddle nodded, not taking his eyes off Harry's face. "What d'you mean, she won't wake?" Harry said desperately. "She's not- she's not-?" "She's still alive," said Riddle. "But only just.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
When you peel away all the layers of masculinity--the cleverness, power, sarcasm, the strength we built (or faked), the toughness (which is really just quiet suffering), white knuckles, bodies covered in boots and beards, muscles, green ink skulls, arrows, and ghosts, hearts surrounded as if by barbed wire--what you see is a sad boy in the dark afraid that he will always be alone because that is the first thing he ever learned about life.
Mikel Jollett (Hollywood Park)
He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den—walk up to a girl—a strange girl—an orphan girl—and demand of her why she wasn’t a boy.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
I mean, do you believe in God or what? “ “Not the name-brand God they serve here.” Tim said. “That old guy with the beard, granting wishes out of the clouds to whoever says the most rosaries. That’s bullshit. I believe in everything.
Chris Fuhrman (The Dangerous Lives of Altar Boys)
Ladies and gentlemen, when you paint your lips, eyes, nails, hair, side-beards, or whatever, to look beautiful or handsome, don't forget your up stairs, if you don't go up there to put things in order, then, consider the former attributes null and void.
Michael Bassey Johnson
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
T.H. White
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
He seemed to be standing in a lighted room where seven people sat round a table. It looked as if they had just finished their meal. Two of these people were very old, an old man with a white beard and an old woman with wise, merry, twinkling eyes. He who sat at the right hand of the old man was hardly full grown, certainly younger than Tirian himself, but his face had already the look of a king and a warrior. And you could almost say the same of the other youth who sat at the right hand of the old woman. Facing Tirian across the table sat a fair-haired girl younger than either of these, and on either side of her, a boy and girl who were younger still. They were all dressed in what seemed to Tirian the oddest kind of clothes. But he had no time to think about details like that, for instantly the youngest boy and both the girls started to their feet, and one of them gave a little scream. The old woman started and drew in her breath sharply. The old man must have made some sudden movement too for the wine glass which stood at his right hand was swept off the table: Tirian could hear the tinkling noise as it broke on the floor.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
Her little hands, Crumb. Her little paws, like a child's. She has no guile in her. And she never speaks. And if she does I hate to bend my head to hear what she says. And in the pause I can hear my heart. Her little bits of embroidery, her scraps of silk, her halcyon sleeves, she cut out of the cloth some admirer gave her once, some poor boy struck with love for her...and yet she has never succumbed. Her little sleeves, her seed pearl necklace...she has nothing...she expects nothing...' A tear at last sneaks from Henry's eye, meanders down his cheek and vanishes into the mottled grey and ginger of his beard.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
You've had your chance, Richard. Scott's a big boy now, and if he wants to spend a few years chanting mantras and giving away his lunch money to some bearded horse's ass with a Jehovah Complex, well, you've had your chance to help him, so what do you say you just get on with your screwed-up life, Richard E. Baedecker
Dan Simmons (Phases of Gravity)
He had darkened his face and hands with brown shoe polish, so that if he were seen in the act, he would be taken for a colored person. Then he had sneaked into the museum while the guard was asleep and had broken the glass case with a wrench he borrowed from his landlady. Then, shaking and sweating, he had lifted the shriveled man out and thrust him in a paper sack, and had crept out again past the guard who was still asleep. He realized as soon as he got out of the museum that, since no one had seen him to think he was a colored boy, he would be suspected immediately and would have to disguise himself. That was why he had on the black beard and dark glasses.
Flannery O'Connor (Wise Blood)
PASSING stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman (Leaves of Grass)
Can I kill him?” Calvin said it so seriously. It just about melted her panties right off. No man should ever look or sound so sexy. A pity he didn’t mean it. A dead Brock would solve many problems. Except for one. “I can’t kill Zoe’s dad.” “You wouldn’t have to.” His lips stretched, and his teeth pearled between them. If a shark smiled, it would have looked like Calvin—with a beard. She
Eve Langlais (Assassin Next Door (Bad Boy Inc., #1))
The beatest characters in the country swarmed on the sidewalks—all of it under those soft Southern California stars that are lost in the brown halo of the huge desert encampment LA really is. You could smell tea, weed, I mean marijuana, floating in the air, together with the chili beans and beer. That grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie woogie in the American night. Everybody looked like Hassel. Wild Negroes with bop caps and goatees came laughing by; then longhaired brokendown hipsters straight off Route 66 from New York; then old desert rats, carrying packs and heading for a park bench at the Plaza; then Methodist ministers with raveled sleeves, and an occasional Nature Boy saint in beard and sandals.
Jack Kerouac (On the Road)
No. That’s not what I want. You would have to go all in. We would go out to dinner, see movies, call each other, text. I’d work on your car—you know, the Mustang you left at my house earlier this week—install gadgets you don’t need ’cause you’re my girl. You might come to the Winston place and hang out with us boys. This would be both of us, all in for all twelve months—or less if we find we don’t suit.
Penny Reid (Truth or Beard (Winston Brothers, #1))
Within a few months Mitch Bush, head veterinarian at the National Zoo, and David Wildt, a young reproductive physiologist working as a postdoctoral fellow in my laboratory at the National Cancer Institute, were on a plane bound for South Africa. Bush is a towering, bearded, giant of a man with a strong interest and acumen in exotic animal veterinary medicine, particularly the rapidly improving field of anesthetic pharmacology. Wildt is a slight and modest Midwestern farm boy, schooled in the reproductive physiology of barnyard animals. His boyish charm and polite shy demeanor mask a piercing curiosity and deep knowledge of all things reproductive. Bush and Wildt's expedition to the DeWildt cheetah breeding center outside Pretoria would ultimately change the way the conservation community viewed cheetahs forever.
Stephen J. O'Brien (Tears of the Cheetah: The Genetic Secrets of Our Animal Ancestors)
Miss Kay When Phil walked into our apartment that night, the boys were so happy. The first thing they wanted to know was whether he’d brought back the big TV. All Phil could say was, “I didn’t know I was supposed to do that.” He looked around the sparse room where we had been living and said, “You should have gotten more stuff.” It never was about stuff to me. The last thing we needed during that time was more stuff.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
You wanna know if I'm religious? I sure haven't made a dent in the pew, but boy do I thank God. For ever morning I get to wake up and my coffee's hot and your mom's right there next to me at the breakfast table. I thank God I get to work this ranch for a living instead of having to put on a necktie and commute to some office. I get to smell sage and pinon instead of traffic exhaust. Somebody or something made a beautiful place in this ugly world, and saw fit to put me right in the middle of it. Now, whether there's some old fella with a beard floating on a cloud up there or just some...cosmic energy or whatnot, I got no idea. But whatever God is, wherever He lives, I thank Him because, I tell you what, I can look back on every minute of it, good and bad, and I can tell you that I've had one hell of a life. Pardon my French" -Walter
Meagan Brothers (Weird Girl and What's His Name)
Cletus Byron Winston, you are being rude.” I might have my own less than glowing thoughts about my father, but he was my father. He opened his mouth to respond, then snapped it shut and did a double take, his eyes narrowing on me. “First of all, how do you know my middle name?” “Your momma used to use it when you were naughty, when you boys would help her shelve books in the library. ‘Cletus Byron! Stop stuffing Astrophysics Monthly down your pants!’” Cletus grinned. Then he chuckled. His eyes lost some of their zealous focus as he pushed away from the tree and strolled closer. “Oh yeah. She did, didn’t she?” “I felt sorry for Billy, though.” I scooched to one side as he sat down. “His name always confused everyone, like your momma was trying to talk to Shakespeare’s ghost. ‘William Shakespeare, would you please stop Beauford from pulling down his pants in front of the girls?’” Cletus laughed harder, leaning backward and holding his stomach. “I remember that. How old was Beau?” “He was ten. He was trying to show us his new Tarzan underwear. I don’t think he meant any harm.” “He sure did love that underwear.” Cletus nodded and he scratched his beard. “I’m going to have to find him some Tarzanunderwear in adult size.” “So you can torture him about it?” He pretended to be shocked by my accusation. “Certainly not. I don’t torture my siblings.” “Yeah, right.” I gave him my side-eye. “You forget, I’m a people watcher. I know you sell embarrassing pictures of them onstock photo sites. Jethro was griping about it after church over the summer. If it’s not torture, what do you call it then?” He lifted his chin proudly. “I offer invaluable character building opportunities. I help them reach their true potential through suffering.” “Oh, please
Penny Reid (Beard Science (Winston Brothers, #3))
If a single man of them had shown himself courageous it would have been something: I would have felt less ashamed of my country. I had long suspected the veracity of certain of the heroic legends of ancient Rome related by the historian Livy, and on hearing of this scene in the Senate I even began to have doubts about my favourite passage, the one describing the fortitude of the senators of old after the disaster of the River Allia when the Celts were advancing on the City and all hope of defending the walls was gone. Livy tells how the young men of military age, with their wives and children, withdrew into the Citadel after getting in a store of arms and provisions, resolved to hold out to the last. But the old men, who could be only an encumbrance to the besieged, remained behind and awaited death, wearing senatorial robes and seated in chairs of office in the porticoes of their houses, their ivory rods of office grasped firmly in their hands. When I was a boy, old Athenodorus made me memorize all this and I have never forgotten it: “The halls of the patricians stood open and the invaders gazed with feelings of true awe upon the seated figures in the porticoes, impressed not only by the super-human magnificence of their apparel and trappings but also by their majestic bearing and the serene expression that their countenances wore: they seemed very Gods. So they stood marvelling, as at so many divine statues, until, as the legend tells, one of them began gently to stroke the beard of a patrician, by name Marcus Papirius—beards in those days were universally worn long—who rose and smote him on the head with his ivory staff. Admiration yielded to passion and Marcus Papirius was the first patrician to meet his death. The rest were butchered still seated in their chairs.
Robert Graves (Claudius The God: And His Wife Messalina)
As she lies in the bed she weeps, for Bing, for the melting, shimmering candles, the filigree on the holiday tablecloth. She is an unwilling astronaut, bumping against the thick glass of the ship, her line tangling lazily in zero gravity, face mask fogged with fear. My sister reaches across, over the bed, and we both embrace the mother, holding her on earth, pulling her onto the ship, breathing our oxygen into her line. Ten hours later she is dead.
Jo Ann Beard (The Boys of My Youth)
As he fell, Caesar cried out in Greek to Brutus, ‘You too, child’, which was either a threat (‘I’ll get you, boy!’) or a poignant regret for the disloyalty of a young friend (‘You too, my child?’), or even, as some suspicious contemporaries imagined, a final revelation that Brutus was, in fact, his victim’s natural son and that this was not merely assassination but patricide. The famous Latin phrase ‘Et tu, Brute?’ (‘You too, Brutus?’) is an invention of Shakespeare’s.
Mary Beard (SPQR: A History of Ancient Rome)
No matter how awful it is to be sitting in this Terrible magazine office, and talking to this Circular-saw-voiced West side girl in a dirt- Stiff Marimekko and lavender glasses, and this Cake-bearded boy in short-rise Levi’s, and hearing The drip and rasp of their tones on the softening Stone of my brain, and losing The thread of their circular words, and looking Out through their faces and soot on the window to Winter in University Place, where a blue- Faced man, made of rags and old newspapers, faces A horrible grill, looking in at the food and the faces It disappears into, and feeling, Perhaps, for the first time in days, a hunger instead Of a thirst; where two young girls in peacoats and hair As long as your arm and snow-sanded sandals Proceed to their hideout, a festering cold-water flat Animated by roaches, where their lovers, loafing in wait To warm and be warmed by brainless caresses, Stake out a state Of suspension; and where a black Cadillac 75 Stands by the curb to collect a collector of rents, Its owner, the owner of numberless tenement flats; And swivelling back To the editorial pad Of Chaos, a quarter-old quarterly of the arts, And its brotherly, sisterly staff, told hardly apart In their listlessly colored sackcloth, their ash-colored skins, Their resisterly sullenness, I suddenly think That no matter how awful it is, it’s better than it Would be to be dead. But who can be sure about that?
L.E. Sissman
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
And the old man groaned, and beat his head With his hands, and stretched out his arms To his beloved son, Hector, who had Taken his stand before the Western Gate, Determined to meet Achilles in combat. Priam's voice cracked as he pleaded: "Hector, my boy, you can't face Achilles Alone like that, without any support— You'll go down in a minute. He's too much For you, son, he won't stop at anything! O, if only the gods loved him as I do: Vultures and dogs would be gnawing his corpse. Then some grief might pass from my heart. So many fine sons he's taken from me, Killed or sold them as slaves in the islands. Two of them now, Lycaon and Polydorus, I can't see with the Trojans safe in town, Laothoë's boys. If the Greeks have them We'll ransom them with the gold and silver Old Altes gave us. But if they're dead And gone down to Hades, there will be grief For myself and the mother who bore them. The rest of the people won't mourn so much Unless you go down at Achilles' hands. So come inside the wall, my boy. Live to save the men and women of Troy. Don't just hand Achilles the glory And throw your life away. Show some pity for me Before I go out of my mind with grief And Zeus finally destroys me in my old age, After I have seen all the horrors of war— My sons butchered, my daughters dragged off, Raped, bedchambers plundered, infants Dashed to the ground in this terrible war, My sons' wives abused by murderous Greeks. And one day some Greek soldier will stick me With cold bronze and draw the life from my limbs, And the dogs that I fed at my table, My watchdogs, will drag me outside and eat My flesh raw, crouched in my doorway, lapping My blood. When a young man is killed in war, Even though his body is slashed with bronze, He lies there beautiful in death, noble. But when the dogs maraud an old man's head, Griming his white hair and beard and private parts, There's no human fate more pitiable." And the old man pulled the white hair from his head, But did not persuade Hector.
Homer (The Iliad)
Answers to the Twenty Questions People Ask Us Most 1. Do you like the beards? Miss Kay: If Phil ever shaved his beard, I’d think I was committing adultery. Korie: When I married Willie, he was clean-shaven and had short hair. Boy, how things change! Over the years, I’ve really come to like the look he has now, including the beard. Missy: I love Jase. I don’t like the beard. I miss the days of scratch-free kisses. Besides, he’s just too cute under there! Jessica: Yes! Although Jep is really cute under all that hair, and although he does have the Robertson dimples, I still prefer the beard. I think sometime over the course of our marriage I transitioned to loving the beard. I do make him trim the mustache every once in a while for better kisses! I also feel safer with the beard; I know no one is going to mess with us because the beard kind of scares people. For some reason, I think they think he’s a madman! Lisa: Alan is often referred to as “the Robertson without a beard,” and I like it that way!
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Some incidents of facial profiling have been more inconvenient than others. I’ll never forget walking through airport security when I was flying to give a speech to a Christian men’s group in Montana. The Department of Homeland Security screeners obviously didn’t recognize me as “Jase the Duckman” from Duck Dynasty, and I felt like I was one wrong answer away from being led to an interrogation room in a pair of handcuffs! Hunting season had recently ended, so my hair and beard were in full bloom! The security screeners saw a Bible in my bag, and I guess they figured I was a Christian nut because of my long hair and bushy beard. Somehow, I made it through the metal detector and an additional pat-down, and I guess they couldn’t find a justifiable reason to detain me. But as I was getting my belongings back together, I accidentally bumped into a woman. She screamed! It must have been an involuntary reflex. It was a natural response, because she thought I was going to attack her. Once she finally settled down, I made my way to the gate and sat down to compose myself. After a few minutes, a young boy walked up and asked me for my autograph. Finally, I thought to myself. Somebody recognizes me from Duck Dynasty. Not everyone here believes I’m the Unabomber! Man, I could have used the kid about twenty minutes earlier, when I was trying to get through security! I looked over at the boy’s mother, and she was smiling from ear to ear. I realized they were very big fans. I signed my name on a piece of paper and handed it to the kid. “Can I ask you a question?” he said. “Sure, buddy,” I said. “Ask me anything you want.” “How much does Geico pay y’all?” he asked. My jaw dropped as I looked at the kid. “Wait a minute, man,” I said. “I’m not a caveman!” “What do you mean?” the boy asked. “I’m Jase the Duckman,” I said. “You know--from Duck Dynasty? Quack, quack?” It didn’t take me long to realize the boy had no idea what I was talking about. In a matter of minutes, I went from being a potential terrorist to being a caveman selling insurance.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Acquainted? We know only names, so far. I know that it is Eleanor, here, who is wearing a red sweater, and consequently it must be Theodora who wears yellow—” “Doctor Montague has a beard,” Theodora said, “so you must be Luke.” “And you are Theodora,” Eleanor said, “because I am Eleanor.” An Eleanor, she told herself triumphantly, who belongs, who is talking easily, who is sitting by the fire with her friends. “Therefore you are wearing the red sweater,” Theodora explained to her soberly. “I have no beard,” Luke said, “so he must be Doctor Montague.” “I have a beard,” Dr. Montague said, pleased, and looked around at them with a happy beam. “My wife,” he told them, “likes a man to wear a beard. Many women, on the other hand, find a beard distasteful. A clean-shaven man—you’ll excuse me, my boy—never looks fully dressed, my wife tells me.” He held out his glass to Luke. “Now that I know which of us is me,” Luke said, “let me identify myself further. I am, in private life—assuming that this is public life and the rest of the world is actually private—let me see, a bullfighter. Yes. A bullfighter.
Shirley Jackson (The Haunting of Hill House)
On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
And once a lady by my side Gave me a harp, and bid me sing, And touch the laughing silver string; But when I sang of human joy A sorrow wrapped each merry face, And, patrick! by your beard, they wept, Until one came, a tearful boy; 'A sadder creature never stept Than this strange human bard,' he cried; And caught the silver harp away, And, weeping over the white strings, hurled It down in a leaf-hid, hollow place That kept dim waters from the sky; And each one said, with a long, long sigh, 'O saddest harp in all the world, Sleep there till the moon and the stars die!
W.B. Yeats (100 Selected Poems)
...the marchers appear four abreast. Dressed in clothing of every description, all wearing red scarves at their necks. Red or orange, as close to red as they could find. . . . He wallowed on the ground and lay watching across his forearm. An army in tennis shoes, tramping. Carrying three-foot lengths of pipe with leather wrappings. Lanyards at the wrist. Some of the pipes were threaded through with lengths of chain fitted at their ends with every manner of bludgeon. They clanked past, marching with a swaying gait like wind-up toys. Bearded, their breath smoking through their masks. Shh, he said. Shh. The phalanx following carried spears or lances tasseled with ribbons, the long blades hammered out of trucksprings in some crude forge upcountry. The boy lay with his face in his arms, terrified. They passed two hundred feet away, the ground shuddering lightly. Tramping. Behind them came wagons drawn by slaves in harness and piled with goods of war and after that the women, perhaps a dozen of them, some of them pregnant, and lastly a supplementary consort of catamites, illclothed against the cold and fitted in dogcollars and yoked each to each.
Cormac McCarthy (The Road)
This man kept us standing and waiting for a good while, while a group of eight to ten Capos gathered round us and looked us up and down… They were on the lookout for a possible lover among the new arrivals. Because I still did not have a full beard, even though nearly twenty-three, so looked younger than my years, and because I had filled out a bit again thanks to the supplementary rations from my Sachsenhausen Capo, I was obviously very much at the center of these Capos' considerations… The situation in which the five of us found ourselves seemed to me very much like a slave-boy market in ancient Rome.
Heinz Heger (The Men with the Pink Triangle: The True Life-and-Death Story of Homosexuals in the Nazi Death Camps)
When my mother sees the scraps, she assumes a look of scorn. Scorn is a beautiful word. He curls his bearded lip in scorn. Bastion is a beautiful word, as is citadel, vaunt and joust. Anyone who hesitates near me, these days, has to read me a chapter of 'King Arthur and the Knights of the Round Table'. I am considering adding knight errant to the profession of railway guard. Knight errant means knight wanderer, but I also think it means knight who has made a mistake. Mistakes are made all the time, it is a human thing, in a knight, to slip up once in a while. I am waiting to change into a boy. When I am four this will occur.
Hilary Mantel (Giving Up the Ghost)
but I didn’t realize how sick Leon was until he arrived at the studio in LA. He looked like the ailing patriarch in a Tennessee Williams play: a long white beard, dark glasses and a cane. He struggled to walk. He would sit in a La-Z-Boy recliner in the studio for a couple of hours a day and sing and play. That was all he could manage, but what he did in those two hours was incredible. There were moments when I wondered if his contributions to the album were going to be released posthumously. One day, his nose started running: it was fluid leaking from his brain. He was rushed into hospital for surgery and treated for heart failure and pneumonia while he was there.
Elton John (Me)
In addition to Linda and me, there's a brother, a strange little guy named Bradley, obsessed with his own cowboy boots. He paces areound and around the house, staring at his feet and humming the G. I. Joe song from the television commmercial. He is the ringleader of a neighborhood gang of tiny boys, four-year olds, who throw dirt and beat each other with sticks all day long. In the evenings he comes to dinner with an imaginnary friend named Charcoal. 'Charcoal really needs a bath', my mother says, spooning Spaghettios onto his plate. His hands are perfectly clean right up to the wrists and the center of his face is cleared so we can see what he looks like. The rest of him is dirt.
Jo Ann Beard
The 27th came into the army without any physical examinations whatever; the mustering officer, an overworked major of regulars, simply looked each company over, man by man, before accepting them, and many physical defects were carefully concealed. Men with gray beards shaved clean in order to look younger, or dyed their hair; hollow-chested men stuffed clothing inside their shirts; recruits with crooked arms held them tightly against their sides so the defect would not be noticed; others who lacked fingers held their fists clenched. Underage boys would write “18” on a slip of paper and put it inside a shoe; then, when asked if they weren’t pretty young, they could truthfully say, “I’m over 18.
Bruce Catton (Mr. Lincoln's Army)
It is possible to get too hung up about this point. In, for example, the genealogical multiple pile-up of Swabia with almost every hill under its own prince, it is possible to imagine a feudal version of Jorge Luis Borges’ infinite library, a world of so many hundreds of rulers that every variation of behaviour is possible, or indeed certain, in any given moment. So somewhere a ruler with a huge grey beard is dying surrounded by his weeping family and retainers; somewhere else a bored figure is irritably shooting bits off the plaster decorations in the ballroom; another is making an improper suggestion to a stable boy; another is telling an anecdote about fighting the Turks, staring into space, girding for battle, converting to Calvinism, wishing he had a just slightly bigger palace, and so on. This dizzying multiplicity makes each of hundreds of castles a frightening challenge – with the possibility of the guide making my head explode with the dizzying details of how the young duchess had been walled up in a tower for being caught in a non-spiritual context with her confessor and how as a result the Strelitz-Nortibitz inheritance had passed, unexpectedly, to a cousin resident in Livonia who, on his way home to claim the dukedom, died of plague in a tavern near Rothenberg thus activating the claim of the very odd dowager’s niece, long resident in a convent outside Bamberg. But it is probably time to move on.
Simon Winder (Germania)
They followed the remnants of a road down which once had spun the wheels of lacquered carriages carrying verbena-scented ladies who twittered like linnets in the shade of parasols; and leathery cotton-rich gentlemen gruffing at each through a violet haze of Havana smoke, and their children, prim little girls with mint crushed in their handkerchiefs, and boys with mean blackberry eyes, little boys who sent their sisters screaming with tales of roaring tigers. Gusts of autumn, exhaling through the inheriting weeds, grieved for the cruel velvet children and their virile bearded fathers: Was, said the weeds, Gone, said the sky, Dead, said the woods, but the full laments of history were left to the Whippoorwill.
Truman Capote (Other Voices, Other Rooms)
Miss Kay There are only a few things in life that make me really, really angry. One of them is when people struggle in their marriages and refuse to fight for them, but I have already mentioned that. Another thing that infuriates me--and embarrasses me so much for the people who do it--is when women nearly fall all over my sons flirting with them. They try some of the most disgraceful things to catch Willie’s, Jase’s, or Jep’s attention. Some of the behavior I have seen toward my sons--and even toward Phil and Si--is just shameful! I don’t understand how people can let themselves act that way, and as a woman, I really am humiliated when other women do such things. I realize all the boys are good-looking, and I know what great men they are, but they’re taken. A lot of people don’t respect the vows and commitments of marriage anymore and simply do not have any self-respect. They do not seem to have any reservation at all about flirting with men they know to be married. When people don’t honor the fact that each of my sons already has the woman he has chosen, I want to say, “Come on! These boys are happily married men. Go find your own duck hunter!” This kind of thing did not happen before we went on television, and I hate to see it happening now. As much as I enjoy interacting with our fans and hearing stories about the positive impact Duck Dynasty has had on so many people, I will never be okay with women chasing after my sons.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Passing stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me or a girl with me, I ate with you and slept with you, your body has become not yours only nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return, I am not to speak to you, I am to think of you when I sit alone or wake at night alone, I am to wait, I do not doubt I am to meet you again, I am to see to it that I do not lose you.
Walt Whitman
The boys are barely old enough To grow a beard. But here’s something interesting, Maybe even a little weird. One of those boys Has volunteered! You’re familiar with the type. Good shoulders. Good teeth. Believes his own hype. And now, just to add a little fun, Some folks say That he’s my son! I guess it’s possible, you know. I’ve had so many one-night stands, So many whams and bams and thank-me-ma’ams, I can’t keep track of every mademoiselle. Plus, I’m not the type to kiss and tell. Well, if I’m honest, I’m not the type to kiss. But truth is, his mother, Aethra, was in a mess — A sweet young thing, courted, prized. Next thing you know she’s spermatized By Aegeus, who is King of Athens. Of course. None other.
David Elliott (Bull)
A boy who is still a child grows baby teeth and loses them all in seven years. When God makes him fourteen, the signs of maturity begin to shine on his body. In the third seven, limbs growing, chin bearded, his skin acquires the color of manhood. In the fourth age a man is at a peak in strength—a sign in man of excellence. The time is ripe in the fifth for a young man to think of marriage and of offspring. In the sixth the mind of man is trained in all things; he doesn't try the impossible. In the seventh and eighth, that is, fourteen years, he speaks most eloquently in his life. He can still do much in the ninth but his speech and thought are discernibly less keen, and if he makes the full measure of ten sevens, when death comes, it will not come too soon.
Solon
Lisa In 1977, when I was in sixth grade at Pinecrest Elementary School in my hometown of West Monroe, Louisiana, I saw the cutest boy I had ever laid eyes on. He was new to our school, and I quickly found out his name was Alan Robertson. I was popular in school and people seemed to like me, but no matter how I tried, that cute boy did not seem to know I was alive. Maybe that’s because he was in eighth grade and did not have time for younger girls like me. That did not stop me from following him around school, though--during every recess, fire drill, and class change. Sometimes when I speak publicly about this now, I say I could have been on fire and he would not have noticed. At least that’s what I thought; he says he was vaguely aware that he had a sixth-grade stalker with braces.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
C.S. Lewis (The Screwtape Letters)
AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.
Arthur Rimbaud (Illuminations: Prose poems)
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
Anton Chekhov (Love)
His political and social speeches were cataracts of anecdotes and "loud laughter"; his bodily health was of a bursting sort; his ethics were all optimism; and he dealt with the Drink problem (his favourite topic) with that immortal or even monotonous gaiety which is so often a mark of the prosperous total abstainer. The established story of his conversion was familiar on the more puritanic platforms and pulpits, how he had been, when only a boy, drawn away from Scotch theology to Scotch whisky, and how he had risen out of both and become (as he modestly put it) what he was. Yet his wide white beard, cherubic face, and sparkling spectacles, at the numberless dinners and congresses where they appeared, made it hard to believe, somehow, that he had ever been anything so morbid as either a dram-drinker or a Calvinist. He was, one felt, the most seriously merry of all the sons of men.
Wilkie Collins (20 Must-Read Classic Mystery Books)
We get the word “wizard” itself from the same root as “wisdom.” While modern pop culture has co-opted the term to evoke the image of long beards, pointy hats, and the occasional bescarred boy with a wand, in ancient times it wasn’t so much the magic that identified these individuals. It was knowledge. Yes, this knowledge is often attached to the arcane or unseen in the stories— but what is magic but a science not yet discovered? In the life you now live, you might think yourself unaccomplished, stuck in a rut. You might mourn at how little you’ve accomplished. But in the scope of the history of humankind, you are a god. The knowledge you hold from a simple high school education is vast compared to the comprehensive knowledge of some of the weightiest minds in history. You carry technological marvels that could literally topple kingdoms in your pocket, or perhaps embedded in your own body.
Brandon Sanderson
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song. At last, Harry held up his hands, and the portraits fell respectfully silent, beaming and mopping their eyes and waiting eagerly for him to speak. He directed his words at Dumbledore, however, and chose them with enormous care. Exhausted and bleary-eyed though he was, he must make one last effort, seeking one last piece of advice. “The thing that was hidden in the Snitch,” he began, “I dropped it in the forest. I don’t know exactly where, but I’m not going to go looking for it again. Do you agree?” “My dear boy, I do,” said Dumbledore, while his fellow pictures looked confused and curious. “A wise and courageous decision, but no less than I would have expected of you. Does anyone else know where it fell?” “No one,” said Harry, and Dumbledore nodded his satisfaction. “I’m going to keep Ignotus’s present, though,” said Harry, and Dumbledore beamed. “But of course, Harry, it is yours forever, until you pass it on!” “And then there’s this.” Harry held up the Elder Wand, and Ron and Hermione looked at it with a reverence that, even in his befuddled and sleep-deprived state, Harry did not like to see. “I don’t want it,” said Harry. “What?” said Ron loudly. “Are you mental?” “I know it’s powerful,” said Harry wearily. “But I was happier with mine. So…” He rummaged in the pouch hung around his neck, and pulled out the two halves of holly still just connected by the finest thread of phoenix feather. Hermione had said that they could not be repaired, that the damage was too severe. All he knew was that if this did not work, nothing would. He laid the broken wand upon the headmaster’s desk, touched it with the very tip of the Elder Wand, and said, “Reparo.” As his wand resealed, red sparks flew out of its end. Harry knew that he had succeeded. He picked up the holly and phoenix wand and felt a sudden warmth in his fingers, as though wand and hand were rejoicing at their reunion. “I’m putting the Elder Wand,” he told Dumbledore, who was watching him with enormous affection and admiration, “back where it came from. It can stay there. If I die a natural death like Ignotus, its power will be broken, won’t it? The previous master will never have been defeated. That’ll be the end of it.” Dumbledore nodded. They smiled at each other. “Are you sure?” said Ron. There was the faintest trace of longing in his voice as he looked at the Elder Wand. “I think Harry’s right,” said Hermione quietly. “That wand’s more trouble than it’s worth,” said Harry. “And quite honestly,” he turned away from the painted portraits, thinking now only of the four-poster bed lying waiting for him in Gryffindor Tower, and wondering whether Kreacher might bring him a sandwich there, “I’ve had enough trouble for a lifetime.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Remind yourself where you come from. I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly. When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy! The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it. “So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.” I raised an eyebrow. “Pick who up?” The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.” I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance? When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed. Jennifer would say, “Told ya so.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Well, no offense,” he began, and Hal had a moment to reflect that whenever people began with “no offense” they invariably went on to be extremely offensive. “But what qualifies Thorn to train us? I mean . . . he’s Thorn, after all. No offense,” he repeated. Thorn smiled at him but the smile never reached his eyes. Hal turned to him. “Thorn, would you like to show Jesper how qualified you are?” Thorn appeared to think about the question. Then he moved with blinding speed, covering the ground between himself and Jesper. Jesper, a former thief, was accustomed to moving quickly when threatened. But he never had time to register that Thorn was moving. The old sea wolf’s left hand closed on Jesper’s collar in an iron grip and he hoisted the boy off his feet, holding him suspended, his feet dangling clear of the ground. Then he gathered himself and hurled Jesper away like a sack of potatoes. The boy flew several meters through the air, hit the ground and lost his footing, crashing over on his back. As he lay winded, he looked up into Thorn’s bearded face, a face wreathed in a fierce smile. “How’s that for qualifications?” Jesper nodded several times, and waved weakly in reply. “Tha’s pretty good,” he gasped breathlessly. “Pretty good indeed.
John Flanagan (The Invaders (Brotherband Chronicles, #2))
The Way of Kings ‘Life before death. Strength before weakness. Journey before destination.’ “I feel each of the things you mention, Sadeas,” Dalinar said, eyes forward. “But I don’t always let them out. A man’s emotions are what define him, and control is the hallmark of true strength. To lack feeling is to be dead, but to act on every feeling is to be a child.” "But expectations were like fine pottery. The harder you held them, the more likely they were to crack." "Bitterness is repaid more often than kindness." "Sometimes we find it hardest to accept in others that which we cling to in ourselves." "Beards were like axehound pups. Boys dreamed of the day they’d get one, never realizing how annoying they could be." "Much like the aforementioned knife to the back, a clever gibe is most effective when it is unanticipated." "Each man has his place. Mine is to make insults. Yours is to be in-sluts.” - Wit roasting Sadeas!! "Kaladin was like a moldy crust on a starving man’s plate; not the first bite, but still doomed." "To speak of what might be is forbidden,” the voice said. “To speak of what was depends on perspective." "what is the point? We fight to get Shardblades, then use those Shardblades to fight to get more Shardblades. It’s a circle, round and round we go, chasing our tails so we can be better at chasing our tails." “‘Candle flames,’” Litima continued. The selection was from The Way of Kings, read from the very copy that Gavilar had once owned. “‘A dozen candles burned themselves to death on the shelf before me. Each of my breaths made them tremble. To them, I was a behemoth, to frighten and destroy. And yet, if I strayed too close, they could destroy me. My invisible breath, the pulses of life that flowed in and out, could end them freely, while my fingers could not do the same without being repaid in pain.’” “‘I understood in a moment of stillness,’” Litima read. “‘Those candle flames were like the lives of men. So fragile. So deadly. Left alone, they lit and warmed. Let run rampant, they would destroy the very things they were meant to illuminate. Embryonic bonfires, each bearing a seed of destruction so potent it could tumble cities and dash kings to their knees.'" 'I believe that my own morality—which answers only to my heart—is more sure and true than the morality of those who do right only because they fear retribution." "The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon. Too often, we forget that.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’ In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’ In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’ Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’ In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’ In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’ Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’ In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’ In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’ Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Odysseus smiled in return, teeth white against his dark beard. “Excellent. One tent’s enough, I hope? I’ve heard that you prefer to share. Rooms and bedrolls both, they say.” Heat and shock rushed through my face. Beside me, I heard Achilles’ breath stop. “Come now, there’s no need for shame—it’s a common enough thing among boys.” He scratched his jaw, contemplated. “Though you’re not really boys any longer. How old are you?” “It’s not true,” I said. The blood in my face fired my voice. It rang loudly down the beach. Odysseus raised an eyebrow. “True is what men believe, and they believe this of you. But perhaps they are mistaken. If the rumor concerns you, then leave it behind when you sail to war.” Achilles’ voice was tight and angry. “It is no business of yours, Prince of Ithaca.” Odysseus held up his hands. “My apologies if I have offended. I merely came to wish you both good night and ensure that all was satisfactory. Prince Achilles. Patroclus.” He inclined his head and turned back to his own tent. Inside the tent there was quietness between us. I had wondered when this would come. As Odysseus said, many boys took each other for lovers. But such things were given up as they grew older, unless it was with slaves or hired boys. Our men liked conquest; they did not trust a man who was conquered himself. “Perhaps he is right,” I said. Achilles’ head came up, frowning. “You do not think that.” “I do not mean—” I twisted my fingers. “I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—” “No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.” Best of the Greeks. “Your honor could be darkened by it.” “Then it is darkened.” His jaw shot forward, stubborn. “They are fools if they let my glory rise or fall on this.” “But Odysseus—” His eyes, green as spring leaves, met mine. “Patroclus. I have given enough to them. I will not give them this.” After that, there was nothing more to say
Madeline Miller (The Song of Achilles)
Arthur was tired out. He had been broken by the two battles which he had fought already, the one at Dover, the other at Barbara Down. His wife was a prisoner. His oldest friend was banished. His son was trying to kill him. Gawaine was buried. His Table was dispersed. His country was at war. Yet he could have breasted all these things in some way, if the central tenet of his heart had not been ravaged. Long ago, when his mind had been a nimble boy's called Wart—long ago he had been taught by an aged benevolence, wagging a white beard. He had been taught by Merlyn to believe that man was perfectible: that he was on the whole more decent than beastly: that good was worth trying: that there was no such thing as original sin. He had been forged as a weapon for the aid of man, on the assumption that men were good. He had been forged, by that deluded old teacher, into a sort of Pasteur or Curie or patient discoverer of insulin. The service for which he had been destined had been against Force, the mental illness of humanity. His Table, his idea of Chivalry, his Holy Grail, his devotion to Justice: these had been progressive steps in the effort for which he had been bred He was like a scientist who had pursued the root of cancer all his life. Might—to have ended it— to have made men happier. But the whole structure depended on the first premise: that man was decent. Looking back at his life, it seemed to him that he had been struggling all the time to dam a flood, which, whenever he had checked it, had broken through at a new place, setting him his work to do again. It was the flood of Force Majeur. During the earliest days before his marriage he had tried to match its strength with strength—in his battles against the Gaelic confederation—only to find that two wrongs did not make a right. But he had crushed the feudal dream of war successfully. Then, with his Round Table, he had tried to harness Tyranny in lesser forms, so that its power might be used for useful ends. He had sent out the men of might to rescue the oppressed and to straighten evil —to put down the individual might of barons, just as he had put down the might of kings. They had done so—until, in the course of time, the ends had been achieved, but the force had remained upon his hands unchastened. So he had sought for a new channel, had sent them out on God's business, searching for the Holy Grail. That too had been a failure, because those who had achieved the Quest had become perfect and been lost to the world, while those who had failed in it had soon returned no better. At last he had sought to make a map of force, as it were, to bind it down by laws. He had tried to codify the evil uses of might by individuals, so that he might set bounds to them by the impersonal justice of the state. He had been prepared to sacrifice his wife and his best friend, to the impersonality of Justice. And then, even as the might of the individual seemed to have been curbed, the Principle of Might had sprung up behind him in another shape—in the shape of collective might, of banded ferocity, of numerous armies insusceptible to individual laws. He had bound the might of units, only to find that it was assumed by pluralities. He had conquered murder, to be faced with war. There were no Laws for that.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
Amos Diggory peered good-naturedly around at the three Weasley boys, Harry, Hermione and Ginny. ‘All these yours, Arthur?’ ‘Oh, no, only the redheads,’ said Mr Weasley, pointing out his children. ‘This is Hermione, friend of Ron’s – and Harry, another friend –’ ‘Merlin’s beard,’ said Amos Diggory, his eyes widening. ‘Harry? Harry Potter?’ ‘Er – yeah,’ said Harry. Harry was used to people looking curiously at him when they met him, used to the way their eyes moved at once to the lightning scar on his forehead, but it always made him feel uncomfortable.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
We see this even more in Seven Brides For Seven Brothers (1954), with Mercer again at MGM, collaborating with composer Gene De Paul. This one has a real Broadway score, every number embedded in the characters’ attitudes. Ragged, bearded, buckskinned Howard Keel has come to town to take a wife, and a local belle addresses him as “Backwoodsman”: it’s the film’s central image, of rough men who must learn to be civilized in the company of women. The entire score has that flavor—western again, rustic, primitive, lusty. “Bless Yore Beautiful Hide,” treating Keel’s tour of the Oregon town where he seeks his bride, sounds like something Pecos Bill wrote with Calamity Jane. When the song sheet came out, the tune was marked “Lazily”—but that isn’t how Keel sings it. He’s on the hunt and he wants results, and, right in the middle of the number, he spots Jane Powell chopping wood and realizes that he has found his mate. But he hasn’t, not yet. True, she goes with him, looking forward to love and marriage. But her number, “Wonderful, Wonderful Day,” warns us that she is of a different temperament than he: romantic, vulnerable, poetic. They don’t suit each other, especially when he incites his six brothers to snatch their intended mates. Not court them: kidnap them. “Sobbin’ Women” (a pun on the Sabine Women of the ancient Roman legend, which the film retells, via a story by Stephen Vincent Benét) is the number outlining the plan, in more of Keel’s demanding musical tone. But the six “brides” are horrified. Their number, in Powell’s pacifying tone, is “June Bride,” and the brothers in turn offer “Lament” (usually called “Lonesome Polecat”), which reveals that they, too, have feelings. That—and the promise of good behavior—shows that they at last deserve their partners, whereupon each brother duets with each bride, in “Spring, Spring, Spring.” And we note that this number completes the boys’ surrender, in music that gives rather than takes. Isn’t
Ethan Mordden (When Broadway Went to Hollywood)
thought she was his beard, but she was
Thomas Perry (Eddie's Boy (Butcher's Boy #4))
By command of her uncle, the bearded patriarch of the village, her family had stopped sending her to school after the first grade. It would be immoral for a girl to sit beside a boy, he decreed.
Zülfü Livaneli (Bliss)
RALPH When I was a child, my mother read me stories every night before bed, fantastic stories of noble knights and wizards with blue beards and dragons who lived in the earth, but she was careful with me. I had one of those imaginations, she said. Overactive, I guess. Are elves real, Ralph? she’d ask, closing the book and flattening one hand against its back cover. Are dragons? She’d peer into my eyes as if my secret belief might swim up in them, visible to her as color or texture. I knew what to tell her. The hill had told me what to say. I didn’t have to tell the truth in the yellow house; I had the hill for that. The hill would carve a special seat out of itself and let me nestle inside there to read and say and believe whatever I wanted. The hill told me which stories were true, and which were not true. The hill built canopies for me when it rained, fed me water when it was dry. The hill reached out and tripped the boys who followed me, jeering, after school, and punished the ones who broke my glasses, or who stole. The hill hid me when my father was angry, and later, when he became an empty sack, floating from chair to car to chair to bed to chair to car to chair, the hill chattered away in my ear. The hill has cared for me, I think. I have cared for the hill. But I am older now, you know. My parents are gone. There is a girl who works at the ice cream parlor with me, and when she talks, I can see her lips move.
Emily Temple
There was no anonymity in Manila. It was a big city, but it was a small city in many ways, too small for me back in the day. If I were in Manila, I wouldn’t be caught dead in the company of a beer-drinking stranger like you, especially like you in your bad boy jacket and your bad word shirt and your scruffy beard on a Saturday afternoon.
A.A. Patawaran
Luke was about to grab Windy and haul him out of the cave when he heard a man clearing his throat. Both boys turned their heads fast to see a hooded figure standing outside the cave. He was wearing a dark brown robe and holding a staff that was topped by a slender glowrod. The figure pulled back his hood to reveal the weathered face of a white-haired, bearded man. “I’m Ben Kenobi,” the man said. “We don’t have much time if I’m going to get you boys home.
Ryder Windham (Star Wars: Lives & Adventures)
I thought you were sexy before, but seeing you like this with the smell of you on my beard and the taste of you in my mouth . . .” He rests his chin on my thigh, a glazed-over look in his half-lidded eyes. “How am I not supposed to fall in love with you now?
Victoria Wilder (Bourbon & Lies (The Bourbon Boys #1))
The messengers I sent were two boys barely older than Reuben whom I chose not only because they would be able to make the journey with the speed of gazelles but also because they were so fresh-faced and young that the sight of them might persuade Esau that my intentions in returning were peaceful. I told them that when they saw him they must be sure to address him with great courtesy and deference. His servant Jacob, they were to say, had been living for the past twenty years with Laban and was returning home now in hope that he might find favor in his brother’s eyes. They must be sure to say that I was his servant Jacob. Would he give his cavernous, wet toothed smile at that? Or would it send a murderous growl rumbling out of his red beard? Maybe he was the same Esau who had smothered me with kisses even when I had bought the moon and stars from him for a pot of beans. Or maybe my treachery had festered in him all these years like an arrowhead so that when he finally got his hands on me, he would break my back over his knees like a dry stick. It took the two boys the better part of a week to return. They had seen Esau. He had just come back from the hunt with six quail hung from his belt, they said, and the bloody brush of a fox like a plume in his headband. When they gave him their message, he let out such a roar that they thought their hour had come. Then he took one of them in the crook of each arm and almost crushed the breath out of them against his chest. “Tell him I will come meet him,” he said. They told me his whole body shook as if from fever. “I will start out tomorrow,” he said. “Tell him I will bring a hundred men with me. Tell him,” he said, “that I will bring four hundred men with me.” He started laughing and clapping his hands at that. He clapped them together with his palms cupped to make it like the pounding of drums. His men clapped too. He had to shout to make himself heard over the din of it. “Tell him I have never forgotten him!” he cried. “Never! Never!” They said his eyes were bloodshot and teary. There was spittle on his lips. They said when he reached out to grab them again, they ducked and ran. They thought he had gone mad.
Frederick Buechner (The Son of Laughter: An Eloquent Contemporary Retelling of Jacob's Biblical Saga—Rich in Family Drama and Passion)
You will testify against me? You, Sedric Meldar, a lowly servant? Then do so now, before all of us. Tell us then, give us one instance of my unfaithfulness to my wife. Just one will do.” His gaze was sharper than a knife. Alise saw victory dancing in his dark eyes. Sedric drew a breath. The trembling she had felt as she gripped his arm stilled. He spoke clearly, his voice pitched to carry to everyone there. “I shared your bed for years, before you took Alise as your wife, and for years afterward. You spent your wedding night with me. And in the years that followed, you made her a laughingstock among our fellows. In that circle, all knew that you disdained the company of women for that of men. I was your lover, Hest Finbok. I helped you deceive her, and I did not speak up when you mocked her. And if need be, I will stand before all of Trehaug and all of Bingtown and attest to that. You were an unfaithful husband to her, and I, I was a treacherous friend.” Alise stared at Sedric as he committed social suicide. But he turned and met her gaze and said, “And again, Alise, I am so sorry. Would that I could take back those years of your life and give them to you unscathed.” Her eyes brimmed with tears. Sedric had just destroyed all chance that he could ever return to Bingtown and resume his life. Even if he remained in Kelsingra forever, if even one Trader returned to Bingtown, all would know not only what he had done to her, but what he was. “I forgave you, Sedric. I told you that a long time ago.” “I know that,” he said very quietly. His hand covered hers as he added, “But I did not deserve your forgiveness then. Perhaps I can say I have earned it now?” “You have,” she said quietly. “And more. But Sedric, what have you done? All will know that you…” “That I am what I am,” he said calmly. “I do not apologize for that. Ever.” She sensed someone behind them and turned slightly, thinking it might be Leftrin. It was not. Carson was grinning, but as he stepped forward, a single tear tracked down his sunburned cheek. He folded Sedric into an embrace from behind that lifted the smaller man off his feet. “Proud of you, Bingtown boy,” he said huskily. He set him down on his feet and leaned down to kiss him. The kiss did not end quickly, and Sedric’s hands came up to cradle Carson’s bearded face to his own. Several of the keepers favored the couple with knowing whoops that drowned out the incredulous muttering from the watching prisoners. Alise found herself smiling, as much for joy for them as the stunned expression on Hest’s face. She felt a nudge, and turned to see Leftrin. He stuck out the crook of his elbow, and she took his arm in his ragged coat sleeve. “I think we were going to get some tea?” he asked her conversationally. She nodded, and instantly forgave him the triumphant look he shot over her head at Hest. She walked a dozen steps with Leftrin before she glanced back. Hest was standing alone, staring after them.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
In a somewhat simplified way, this question is determined by spirits much lower in the hierarchy than you and I. Their role is to influence what might be called sexual “preferences” in each era. They achieve this by working through a small circle of influential figures such as popular artists, dressmakers, actresses, and advertisers, who set the prevailing standards of beauty. Their aim is to steer each sex away from individuals of the opposite sex with whom spiritually beneficial, happy, and fertile marriages are most likely. Over many centuries, we have succeeded in making certain secondary male characteristics, like beards, unattractive to nearly all females—and there’s more to that than you might think. As for male preferences, we’ve shifted them quite a bit. At times, we’ve directed them towards a statuesque and aristocratic type of beauty, feeding men’s vanity and desires while encouraging breeding with the most arrogant and extravagant women. At other times, we’ve favored an excessively feminine type, appearing faint and delicate, fostering folly, cowardice, and all the associated pettiness and dishonesty. Currently, we’re taking the opposite approach. The era of jazz has supplanted the waltz, and we now encourage men to find women whose bodies are barely distinguishable from those of boys. Since this type of beauty is even more transient than most, we intensify women’s chronic fear of growing old (with excellent results) and make them less willing and less capable of bearing children. But that’s not all. We’ve orchestrated a significant increase in society’s tolerance for the depiction of apparent nudity (not actual nudity) in art and its display on stage or at the beach. Of course, it’s all an illusion. The figures in popular art are drawn inaccurately, and the real women in bathing suits or tights are squeezed and propped up to make them appear firmer, slimmer, and more boyish than nature allows a fully grown woman to be. Yet, at the same time, the modern world is convinced that it’s being “honest” and “healthy,” returning to nature. As a result, we’re redirecting men’s desires more and more toward something that doesn’t exist, making the role of visual appeal in sexuality increasingly crucial and simultaneously making its demands more and more unattainable. You can easily predict the consequences.
David Harrison (C.S. Lewis' The Screwtape Letters in Everyday English: An easy to read version of a C.S. Lewis classic.)
It’s getting-up time,” Alessandro declares. “Today is the day.” “What day?” “The release date.” “What are we talking about?” “Daa-add. The new XBOX game. Hunting Old Sammie.” Armand opens his eyes. He looks at his son looking at him. The boy’s eyes are only inches away. “You’re kidding.” “It’s the newest best game. You hunt down terrorists and kill them.” Lifting his voice, “‘Deploy teams of Black Berets into the ancient mountains of Tora Bora. Track implacable terrorists to their cavernous lairs. Rain withering fire down on the homicidal masterminds who planned the horror of September eleven, two-thousand-and-one.’” The kid’s memory is canny. Armand lifts Alex off his chest and sits up. “Who invented it?” “I’m telling you, dad. It’s an XBOX game.” “We can get it today?” “No,” Leah says. “Absolutely not. The last thing he needs is another violent video game.” “Mahhuum!” “How bad can it be?” says Armand. “How would you know? A minute ago you hadn’t heard of it.” “And you had?” “I saw a promo. Helicopter gunships with giant machine guns. Soldiers with flamethrowers, turning bearded men into candles.” “Sounds great.” “Armand, really. How old are you?” “I don’t see what my age has to do with it.” “Dad, it’s totally cool. ‘Uncover mountain strongholds with thermal imaging technology. Call in air-strikes by F-16s. Destroy terrorist cells with laser weaponry. Wage pitched battles against mujahideen. Capture bin Laden alive or kill him on the spot. March down Fifth Avenue with jihadists’ heads on pikes. Make the world safe for democracy.’” Safe for Dick Cheney’s profits, Armand thinks, knowing all about it from his former life, but says nothing. It’s pretty much impossible to explain the complexity of how things work within the greater systemic dysfunction. Instead, he asks the one question that matters. “How much does it cost?” Alessandro’s mouth minces sideways. He holds up fingers, then realizes he needs more than two hands. Armand can see the kid doesn’t want to say. “C’mon. ’Fess up.” Alex sighs. “A one with two zeros.” “One hundred dollars.” Alex’s eyes slide away. Rapid nods, face averted. “Yeah.” “For a video game, Alex.” “Yhep.” “No way.” “Daa-add! It’s the greatest game ever!” The boy is beginning to whine. “Don’t whine,” Armand tells him. “On TV it’s awesome. The army guys are flaming a cave and when the terror guys try to escape, they shoot them.” “Neat.” “Their turbans are on fire.” “Even better.” “Armand,” Leah says. “Dad,” says Alessandro. He will not admit it but Armand is hooked. It would be deeply satisfying in the second-most intimate way imaginable to kill al Qaida terrorists holed up along the Afghanistan-Pakistan border—something the actual U.S. military cannot or will not completely do. But a hundred bucks. It isn’t really the money, although living on interest income Armand has become more frugal. He can boost the C-note but what message would it send? Hunting virtual terrorists in cyberspace is all well and good. But plunking down $100 for a toy seems irresponsible and possibly wrong in a country where tens of thousands are homeless and millions have no health insurance and children continue, incredibly, to go hungry. Fifty million Americans live in poverty and he’s looking to play games.
John Lauricella (Hunting Old Sammie)
I gave the man a comely smile before inquiring, “What’s hard-a-lee?” Instead of responding, he tapped my erection, which bounced uncontrollably. His hardness had grown during our flirtatious intercourse, its bulbaceous size stirring my concupiscence to flutter as his sturdy hand stroked me into a dizzying spell. He pulled me to him, French kissing me passionately. Spellbound by his erotic expertise, I lost all sense of propriety. The feel of his bearded chin and hairy chest spawned my stiffness to drum incessantly against his furry torso. I had desired this sinewy helmsman from the moment we met. When he gave me the traditional nose-to-nose greeting, he’d stared at me unflinchingly. He had claimed my person with his assertive eyes then; now, thrills of chilling excitement coursed through my body as he cupped and squeezed my buttocks, teasing my tenderness with his manly hands. He inserted his fingers into my opening, claiming my cloven his. As we continued our alluring foreplay, the boat had drifted into an aquiline cove. It was then that I noticed my beloved Andy observing us by the doorway. My Valet gave me his approval to continue appeasing the beguiling athlete as he stared, mesmerized, at our erotic performance. He, like me, was entranced by Tad’s virility. He was witnessing a reflective manifestation of our intimate moments together in which I had surrendered myself fully to his maleness, as I did now to the helmsman. My chaperone needed no invitation. He knelt to suckle our thumping palpitations simultaneously as we jabbed into his craving throat. This hallowed ecstasy intensified my hunger for both men. Just then, I felt a pair of hairy arms pinching my bristled nipples from behind. The sheik’s sultry lips caressed my tender neck, seducing me into his web of libidinous captivity. While his jouncing member knocked at my doorway to paradise, I couldn’t help but succumb to this jubilant exultation, when another stimulation seized my searing soul, propelling me into an inferno of pleasurable jouissance.
Young (Turpitude (A Harem Boy's Saga Book 4))
In ancient Arabia, homosexuality was age-structured, involving bearded, mature men in love with beardless teenagers like you and Albert. The beard is a sign of manhood and masculinity. “Many Arabian poets described the object of their love as an adolescent boy, going to great lengths to describe “desirable” physical features. ●       This ideal young man is always brown and slender. ●       His waist is supple and thin like a willow branch or like a lance. ●       His hair, black as scorpions. ●       The hair that falls on his forehead curls like the Arabic alphabets. ●       His eyes are arcs with hurl arrows. ●       His cheeks are roses. ●       His saliva has the sweetness of honey. ●       Last but not least, his buttocks resemble a dune of moving sand. When he walks, you could call him a young faun. When he is motionless, he eclipses the brightness of the moon.” At this juncture, my professor gave me a beguiling smile, before adding, “You, Young are a perfect specimen of this ideal.
Young (Turpitude (A Harem Boy's Saga Book 4))
My eyes widened and my face turned red as embarrassment gushed through my person. I had never thought of myself in such a manner. But now I knew the reasons I was sought after by dominant, bearded Arab men. I understood why I had the power to make men feeble in the knees and languid at my commands. Victor’s words that morning certainly took on a new meaning in my adolescent life. Before I could continue to bask in this glorious revelation, my teacher suggested, “Use your temporal assets wisely, or you may end up like many before you, in self destructive jeopardy.” I stared at him, speechless. “Pay attention, young man…” he proceeded slowly. “There are four basic homoerotic notions in Arab societies: * First, the acknowledgment of male beauty, even in other males’ eyes, and its capability of inducing ‘fitna’ (disorder). * Second, the recognition of the natural vulnerability of a grown man to be charmed by a handsome adolescent, to the point that mainstream scholars and theologians urged readers to resist the related temptation that follows this natural appreciation. * Third, the affirmation that love and passion exist hand in hand with related dangers - and not just sexual desires - that might be the driving force in a man-to-man attraction. * Fourth, and certainly not the least, the focus in classical literature and poetry on man-boy love, whereas grown male attraction is marginalized and regarded as mujun (ribaldry) or sukhf (obscenity).”               Señor Victor Angel Triqueros added, “No social definition of homosexuality existed in the Arab world during the reign of the Ottoman Empire. There was no native concept applicable to all and only those men who were sexually attracted to members of their own sex rather than to women. Therefore, no single word exists in Arabic to describe men engaging in same-sex relationships. But there is a categorization of sexual acts: language that uses such specific terms as liwat (anal sex), luti (active sodomite who prefers boys over women, ma’bun (passive sodomite), mukhannath (effeminate passive sodomite), mu’ajir (passive male prostitute), dabb (active sodomite who likes raping his victims in their sleep regardless of their age), musahiqa (lesbian), along with a string of others.
Young (Turpitude (A Harem Boy's Saga Book 4))
The incongruous combination of white hair, beard, and powerful arms usually caused boys to scatter with the muddled impression that Father Christmas was angry with them.
Helen Oyeyemi (What Is Not Yours Is Not Yours)
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteenth century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
he six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
Penny Reid (Truth or Beard (Winston Brothers, #1))
But the way Roscoe spoke sometimes, he acted like his poop didn’t smell even though he was just a poor boy from backwoods Tennessee, the youngest son of a con man and a librarian. He’s
Penny Reid (Beard in Mind (Winston Brothers, #4))
Men live simply but are not simple. Boys are simple but do not live simply.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
I’d say that of the two choices, Helen will be safest if she finds her own way back.” “A girl traveling alone on a voyage that long?” Castor protested. “I’ve done it before,” I reminded him. “Not as a girl.” “Yes, well, er, a few things have changed about you since then.” His face turned a little red. “I know how to count days and watch the changing of the moon,” I replied. “I won’t be taken by surprise again, even if I have to spend every day of the voyage wearing a--” “All right, all right, I believe you!” Poor Castor couldn’t wait to drop the subject. “You’ll travel as a boy again. Fine.” “And Milo will come with me, so I won’t be making the journey alone,” I said. My brothers exchanged a doubtful look. “She does insist that they’re only friends,” Polydeuces said. “So far,” Castor remarked. “The boy’s young, but not that young. Have you looked at him lately? I wager that by the time he reaches Sparta, he’ll have a thicker beard than Father’s.” “Why are you talking about Milo and me as if I weren’t here?” I asked angrily. “What are you afraid will happen between us? Half the Argonauts believe it already did, but that doesn’t make it so.” “Not yet,” Castor said. “People change, especially on a long voyage.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Mr. Randolph Davies. Though he had to be in his mid-seventies, the paunchy and white-bearded Davies looked Celia up and down as lustily as a college boy.
James Patterson (Taking the Titanic)
Chicken salad. Lettuce. Light mayo. Hold the onion and tomato.” I nodded. “I swear if you didn’t have an aversion to vaginas, I’d beg you to be my husband.” He smirked. “Plenty of women are beards to their fabulously gay husbands.” “Yeah, but we’d fight too much over our clothing budget. You’d shop us out of food and rent money.” “I bet you wouldn’t be complaining too much when your curvy little ass was decked out in designer duds.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
The Florida School for the Deaf and Blind fits right in among St. Augustine’s stately bearded oaks and rock coral walls, looking more like a college campus than anything else. It’s the largest facility of its kind in the world. Because stomping on cement hurts, deaf students cup one hand against the wall and bark a short hoh to get each other’s attention from a distance. The sound echoes up and down the halls and kids stop to see if it’s them being hailed. Deaf couples stretch the boy’s T-shirt forward, dip their faces into the neck, and sign inside for privacy. Their faces almost touch. Fabric ripples with hidden movements. Watching them, my inner adolescent feels a twinge of jealousy.
Aaron Curtis (World Book Night 2014 ebook: An Original Collection of Stories and Essays by Booksellers, Librarians, and Authors)
Bburke used to, whenever he went to the city to catch a Yankees game, throw his money around to every homeless man on the street, feeling it was the right thing to do; except one time he did that and he got to the stadium and realized he didn’t have enough money for the Bud Light tall boy he always got during the third inning. And in him he felt an unyielding rise of contempt for the himself of only hours ago, that he was something and now is something and that they aren’t the same somethings. But that the change was Barmecidal and it was just him, this moneyless and beerless man in the bleachers. Man made in God’s image, yet some men are homeless and some are beerless, and there must be this big bearded guy miles and miles in the sky who doesn’t have a home and can’t even catch a buzz.
A.J. Smith (Growth)
The New England wilderness March 1, 1704 Temperature 10 degrees She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed. The Indian knelt beside Daniel, tossing aside Tommy’s jacket and dressing Daniel in warm clean clothing from another child. Nobody in Deerfield owned many clothes, and if she permitted herself to think about it, Mercy would know whose trousers and shirt these were, but she did not want to think about what dead child did not need clothes, so she said to the Indian, “Who are you? What’s your name?” He understood. Putting the palm of his hand against his chest, he said, “Tannhahorens.” She could just barely separate the syllables. It sounded more like a duck quacking than a real word. “Tannhahorens,” he said again, and she repeated it after him. She wondered what it meant. Indian names had to make a picture. She smiled carefully at the man she had thought was going to burn her alive as an example and said, “I’ll be right back, Tannhahorens.” She took a few steps away, and when he did nothing, she ran to her family. Her uncle swept her into his arms. How wonderful his scratchy beard felt! How strong and comforting his hug! “My brave girl,” he whispered, kissing her hair. “Mercy, they won’t let me help you.” In a voice as childish and puzzled as Daniel’s, he added, “They won’t let me help your aunt Mary, or Will and Little Mary either. I tried to help your brothers and got whipped for it.” He stammered: Uncle Nathaniel, whose reading choices from the Bible were always about war, and whose voice made every battle exciting. He needed her comfort as much as she needed his. “Uncle Nathaniel,” she said, “if I had done better, Tommy and Marah--” “Hush,” said her uncle. “The Lord set a task before you and you obeyed. Daniel is your task. Say your prayers as you march.” In a tight little pack behind Uncle Nathaniel stood her three living brothers. How small and cold they looked. Sam lifted his chin to encourage his sister and said, “At least we’re together. Do the best you can, Mercy. So will we.” They stared at each other, the two closest in age, and Mercy thought how proud their mother would be of Sam. “Mercy,” cried her brother John, panicking, “you have to go! Go fast,” he said urgently. “Your Indian is pointing at you.” Tannhahorens was watching her but not signaling. He isn’t angry, thought Mercy. I don’t have to be afraid, but I do have to return. “Find out your Indian’s name,” she said to her brothers. “It helps. Call him by name.” She took the time to hug and kiss each brother. How narrow their little shoulders; how thin the cloth that must keep them from freezing. She had to go before she wept. Indians did not care for crying. “Be strong, Uncle Nathaniel,” she said, touching the strange collar around his neck. “Don’t tug it,” he said wryly. “It’s lined with porcupine quill tips. If I don’t move at the right speed, the Indians give my leash a twitch and the needles jab my throat.” The boys laughed, pantomiming a hard jerk on the cord, and Mercy said, “You’re all just as mean as you ever were!” “And alive,” said Sam. When they hugged once more, she felt a tremor in him, deep and horrified, but under control.
Caroline B. Cooney (The Ransom of Mercy Carter)
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
We covered them with stones and made the proper sacrifices, then decided to honor our masters’ spirits by finishing their journey for them.” Hedgehog-hair rubbed his chin, where a small black beard straggled around his jawline. “That’s noble of you, boy. Pious and practical at the same time. I wish you luck.” With that, he and the other three turned their backs on me and walked away. I scampered after them. “Wait! Can’t any of you use a pair of able-bodied weapons bearers? The gods will reward you, for our masters’ sakes.” The men stopped and gave me pitying looks. The shortest of the four spoke: “Lad, how do you know what the gods will do?” He managed a wobbly smile. “Apollo himself might still be angry. Your masters are beyond his reach, but what’s to stop him from taking it out on you?” He shook his head. “This voyage we’re about to take is off over unknown waters, to lands full of fierce barbarians, monsters, dangers so great that the praise-singers will go crazy trying to find the right words to describe our glorious deeds. We can’t afford to bring along two boys who might be carrying a god’s displeasure. Sorry, but we can’t risk it.” The four walked on. I stayed behind, seething. “Pork-brains,” I snarled under my breath. “Unknown waters, yet you know there are monsters and barbarians on the other side?
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
A very tall bearded guy was standing in a doorway, smoking a cigarette. “Hey”, he said. “Hi,” I said. “Excuse me, do you rehearse here?” “Yeah,” he said, extending his hand and saying, almost formally, “Gibby Haynes. I’m in the Butthole Surfers.” I shook his hand. “Moby,” I said. “I just moved upstairs.” “Are you an artist?” “No, a musician.” “Oh, cool. Welcome to the building.” “Do you know who else has spaces here?” I asked. “Well, there’s us and Iggy and Sonic Youth and Helmet and Sean Lennon and the Beastie Boys and some other people,” he said as someone behind him started making a wall of feedback.
Moby (Porcelain: A Memoir)
Miss Kay In the midst of that low place, the darkest place I have ever been emotionally, with thoughts of sleep and rest filling my mind, through my sobs I heard the scurry of little feet headed toward the bathroom door. I could tell all three boys, in their house shoes, were coming to talk to me. Alan spoke first: “Mom, don’t cry. Don’t cry anymore. God will take care of us.” I was silent for a moment. Then I heard Jase ask, “Did she quit crying?” And I could hear Willie doing something he did often, making smacking noises while sucking on two of his fingers. In an instant, it was like a lightbulb came on for me. “What am I doing?” I asked myself. “I have three little boys. I can’t leave them with a drunk.” I spoke to my sons through the door. “I’m okay. I love y’all. I’ll be out in a minute.” I then got on my knees and prayed. “God, help me. Just help me. I don’t want to leave these kids. I don’t know what to do or where to find You. Just lead me to somebody who can help me.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
was said that victory in this great war is so important, because … because it’s the great war to end all wars.’ Sheldon Skaggs snorted and spat beer down his beard. Zoltan Chivay burst out laughing. ‘Don’t you believe so, gentlemen?’ Now it was Dennis Cranmer’s turn to snort. Yarpen Zigrin remained serious, looking intently and seemingly with concern at the boy. ‘Look, son,’ he said at last, very seriously. ‘Evangelina Parr is sitting at the bar. She is, one must admit, large. Why, even enormous. But in spite of her size, beyond all doubt, she isn’t a whore to end all whores.’ Turning into a narrow and deserted alley, Dennis Cranmer stopped. ‘I
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Just stop. You look mangy.” “It’s irrelevant. It’s not growing. I’m doomed to be a man-child.” “If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great. Like a fucking rug. You eat soup, it’ll filter out the potatoes. Terrier style. Do you have hair on your legs? I’ve never noticed.” Gansey
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
French-Canadian, the Alaskan, the Latin-American, the German, the Italian, the Anglo-American, and the American Indian, squaw and warrior. In the place of honor in the center of the group, standing between the oxen on the tongue of the prairie schooner, is a figure, beautiful and almost girlish, but strong, dignified, and womanly, the Mother of To-morrow. Above the group rides the Spirit of Enterprise, flanked right and left by the Hopes of the Future in the person of two boys. The group as a whole is beautifully symbolic of the westward march of American civilization.
Charles A. Beard (History of the United States)
Don't you have a girlfriend also?" Erin said. "Girls, doesn't Rupert P. have a girlfriend?" "Michelle Hornsbury," Apple said. "She's quote-unquote nineteen, a quote-unquote university student, a quote-unquote model-" "Don't forget beard," Erin interjected. "She is also a very dedicated beard.
Goldy Moldavsky (Kill the Boy Band)
How some pre-teens lose their minds for boy bands, rock stars, and hot celebrities, I always lost my marbles for Beau. It all started when he climbed a tree to save my cat. I was eight. He was ten. He’d kissed me on the cheek. He’d wiped my tears. He’d held my hand. He’d hugged me close. He was my hero. He’d saved my cat.
Penny Reid (Truth or Beard (Winston Brothers, #1))
Now normally,” the man said, cradling his weapon in one arm while scratching the blond beard covering the lower half of his face with his free hand, “me and Mad Dog”—he dipped his chin toward the soldier holding Umar hostage—“and the rest of the boys wouldn’t hesitate to just go ahead and let you eat a bullet.” And, as if on cue, four more soldiers emerged from the undergrowth, quiet as ghosts. “But as it happens, there are some folks back in the States who are just itchin’ to ask you a few questions.
Julie Ann Walker (Full Throttle (Black Knights Inc., #7))
You’re going to wear that?” Jackson lifted his chin, indicating my outfit. I glanced down at myself. Seeing nothing wrong with my blue jeans, hiking boots, and long-sleeved purple Henley with the top four buttons undone. I returned Jackson’s scowl with a frown. “And what’s wrong with what I’m wearing?” “Your shirt is half undone, your boobs are busting out, and those jeans are awfully tight.” I crossed my arms under my chest and glared at my brother. “Are you calling me fat?” “No. I’m saying that outfit doesn’t leave much to the imagination. I don’t want that Winston boy getting ideas.” Meanwhile, I wanted Duane to get lots of ideas.
Penny Reid (Truth or Beard (Winston Brothers, #1))
Morning,” comes a voice at my ear, and I jump. It’s Jefferson McCauley Kingfisher, bleary faced and yawning, suspenders hanging at his sides. His black hair is badly mussed, like a family of mice nested there during the night. “What’s got you so tickled?” he grumbles in response to my smile. “You have Andrew Jackson hair.” Jefferson frowns like he just bit into a sour persimmon. “He’s the last fellow I care to resemble. You know what he did.” I wince. “I was just thinking about the picture they had at school and . . . I mean, I’m sorry.” He runs his fingers through his hair. “Well, so long as I don’t have Andrew Jackson eyebrows, I’m still the finest-looking fellow for at least”—he glances back at our distant camp, toward Becky Joyner at the griddle, the Hoffman boys helping their father check the wagon, Henry Meek grooming his scant beard—“a hundred feet.” I harrumph at that. Jefferson is the finest-looking young man for a hundred miles, but I’d never say so aloud. Wouldn’t want it to go to his mussy-haired head
Rae Carson (Like a River Glorious (The Gold Seer Trilogy, #2))
Beast. Born Catcher Coffey—isn't that a great name?—in Nashville, Tennessee, the man's a former MMA champion turned Death by Daybreak henchman. He's tall, wide, muscular, and covered in tattoos and piercings. Like, model for GQ level bad boy. One half of his head is buzzed short, the rest of his dirty blonde hair combed over to one side. With the beard, the nose ring, and the massive black and red eclipse tattoo on his right arm, he looks like a fucking beast.
C.M. Stunich (I Was Born Ruined (Death by Daybreak MC #1))
On a smoggy spring day, the midday sun baked two California Highway Patrolmen in dark blue uniforms and a bearded dirt biker astride his Yamaha. They stood on a dirt road between the San Andreas barren earthquake faulted hills crisscrossed with biker’s trails. The sergeant stood next to the still body of Eduardo Sanchez, a thirteen-year-old boy clad in a t-shirt and oversized shorts, lying on his back with three bullet wounds and powder burns tattooed on his forehead. An astonished look captured his small immature cold face.
Phillip B. Chute (Rock and Roll Murders: An Entrepreneur Finds That Murder is No Business Solution (Based on a True Story))
Shh...," He says. "They're not laughing at you. They're laughing at each other, for not knowing something a little boy knew all along." Jacob rubs the boy's cheek. "See? You should have a beard. You know more than all these old men put together.
Adam Gidwitz (The Inquisitor's Tale: Or, The Three Magical Children and Their Holy Dog)
Moss was one of those things that, once one was aware of it, was everywhere. She knew its subspecies from botanical books: bearded moss, bog moss, grizzled emerald, twisted moss. Reindeer moss. Emerald tufted stubble. Toothless moss. Maidenhair. Wooly fringe. It was the earth's pantry, feeding its surroundings. Expansive green mother. Lavender recalled one species in her own garden that, to the touch, felt like her mother's hair. Mother-hair moss. In a floriography book, Lavender had read that moss stood for motherhood, charity. All the more to adore. She perused the ground, found: pocket moss pincushion bristle wasted-tea moss stubble-on-a-boy's-chin moss prickly oracle moss heart's tussle Oh, the tales moss told.
Jeanette Lynes (The Apothecary's Garden)
In my first or second year I was made to play rugby for the school team. God knows why. Something to do with the first team being off in France. Maybe I was the only boy with two legs available. I don’t know. Either way, I got forced to play rugby, and what I remember most about that experience is the misery. I turned up knowing nothing about the rules (and years and years later, I still know nothing about the rules of rugby), took one look at what was happening on the pitch and thought, You have got to be kidding. Our opponents all had beards. We were twelve, and although I was reasonably tall, I was a proper skinny kid, and not at all built for scrums
Jenson Button (Life to the Limit: My Autobiography)
He’s a man, mija. Men live simply, but are not simple. Boys are simple, but do not live simply. They don’t understand what is important.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
The motors of the Flying Express diminished to a low purr and the hull sank gradually until it hit the water, moving forward in the manner of an ordinary boat. Through the loudspeaker boomed the voice of the pilot: “Ladies and gentlemen, we are about to dock at Providence! Watch your step going ashore.” The Hardys and their friends filed onto the dock, and walked up into the quaint town with its gray-shingled houses. Souvenir shops and seafood restaurants lined the main street. Tourists milled around and mingled with the denizens of the Cape Cutlass artists’ colony—good-looking girls in slacks with wind-blown hair and suntanned men wearing beards and sandals.
Franklin W. Dixon (Mystery of the Flying Express (Hardy Boys, #20))
I'm not sure what God looks like. I don't know if there's one big God in heaven or if there's two or three or thirty, or maybe one for each person. I'm not sure if God is a boy or a girl or an old man with a white beard. But it doesn't matter. I just feel safe knowing someone's listening.
Erin Entrada Kelly (Hello, Universe)
She tells me he’s really cute, but she has such bland taste in men. She likes the men she thinks she’s supposed to like. Her boyfriend has a big beard and an undercut, because when they got together that was the in thing. The boyfriend she had when we first met was this NME-cut-out, landfill-indie looking cunt with a porkpie hat and a huge fringe. She liked Harry Styles a few years ago, and now she likes that white-bread, absolute fucking baguette of a lad from Call Me by Your Name.
Eliza Clark (Boy Parts)
When nothing worked, he decided the least he could do was pick the yam bits out of his beard. But even the proved fruitless since the bits seemed to find their way into the deepest recesses of the beard, and the just small enough boy quickly grew squeamish. Judge if you must, but if you've ever had to pick yam bits out of an old man's bushy beard, I'm sure you'd forgive him.
Jason Carter Eaton (The Facttracker)
Our watan is now known as the Islamic Emirate of Afghanistan. These are the laws that we will enforce and you will obey: All citizens must pray five times a day. If it is prayer time and you are caught doing something other, you will be beaten. All men will grow their beards. The correct length is at least one clenched fist beneath the chin. If you do not abide by this, you will be beaten. All boys will wear turbans. Boys in grade one through six will wear black turbans, higher grades will wear white. All boys will wear Islamic clothes. Shirt collars will be buttoned. Singing is forbidden. Dancing is forbidden. Playing cards, playing chess, gambling, and kite flying are forbidden. Writing books, watching films, and painting pictures are forbidden. If you keep parakeets, you will be beaten. Your birds will be killed. If you steal, your hand will be cut off at the wrist. If you steal again, your foot will be cut off. If you are not Muslim, do not worship where you can be seen by Muslims. If you do, you will be beaten and imprisoned. If you are caught trying to convert a Muslim to your faith, you will be executed. Attention women: You will stay inside your homes at all times. It is not proper for women to wander aimlessly about the streets. If you go outside, you must be accompanied by a mahram, a male relative.
Khaled Hosseini (A Thousand Splendid Suns)
The final betrayal would come from the original traitor, her own body. Odysseus would not dare strip a woman to prove her a boy, but once Damia revealed her, she would no doubt be held down and stripped of her tunic and underclothes, and the miserable dangling appendage that no treatment of herbs could remove would be her undoing. Odysseus’s pleasant ignorance would be more deadly than Kheiron’s cruelty. On the journey to Agamemnon’s army, she would have none of the herbs that had spared her the indignities of manhood, and the process would resume. Hair would sprout on her chest and shoulders and back as it had on Odysseus; a beard would follow; she would lose the fiery curls on her head; she would stink like a bull; her skin would roughen and bulge with veins; it would be worse than death.
Maya Deane (Wrath Goddess Sing)
Then why play games? Why the beard-and-beat routine?” The boy thought it over carefully. For a moment or two it seemed that he might not answer. Then he spoke. “It’s like this,” he said. “My old man lives up in Yonkers. He’s got his own insurance agency there. Dull as dishwater but it pays for groceries and keeps oil in the tank, you know?
Lawrence Block (Broadway Can Be Murder (The Classic Crime Library Book 17))
That was…” I let out a laugh because words are not going to be my strength right now. “Delicious,” he says, smiling as he stares up at me from his knees. His face still hovers between my legs with my arousal smeared along his lips and mustache. Lowering my legs from his grip, he allows my feet to fully meet the ground. “I thought you were sexy before, but seeing you like this, with the smell of you on my beard and the taste of you in my mouth…” He rests his chin on my thigh, a glazed-over look in his half-lidded eyes. “How am I not supposed to fall in love with you now?
Victoria Wilder (Bourbon & Lies (The Bourbon Boys #1))
Men live simply, but are not simple. Boys are simple, but do not live simply.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
The Muslim fundamentalists in there seemed to accept he was a person of the book, even if, in their eyes, he was following an erroneous interpretation of Jesus as the Christ. Instead, they reserved their elitist disdain for the Godless majority – those people beyond rehabilitation and destined for Hell. Nevertheless, the Muslims organised themselves into thuggish gangs and made it clear their own brethren were off limits. Nobody bothered with them, whether through mutual resentment or out of respect for the unwritten code of maintaining gang autonomy – perhaps a bit of both. And maybe the ‘Mullah Boys’ saw no need to exact revenge on him because Miranda Yilmaz was a white convert and not one of their own. Most of these bearded zealots were Pakistani or Afro-Caribbean. One or two Albanians also identified with the faith, although they resented the Asians and didn’t strike Ed as particularly religious.
Kirk Houghton (The Dividing Lines)
Inside, the tent was sectioned off by cloth walls. In the main area where they entered, there was a table with four chairs and an arming stand that held the knight’s chain mail, helm, and sword. “Ioan?” Christian called. No one answered. As they turned to leave, they were confronted by what appeared to be a young archer who was surely no older than the boy who had led them here. Several inches shorter than Adara, he was gangly and thin, with raven-black hair and brown eyes that watched them warily. He held his bow at the ready with an arrow already nocked. “Who are you and what business have you with Lord Ioan?” he asked in a gruff, low tone. “We are old friends,” Christian said calmly. Phantom moved toward him. The archer turned quickly and let fly the arrow. Phantom caught it midflight, but before he could take another step, the archer swung the bow and caught him upside his head with it. Phantom staggered back from the force of the blow. The archer struck again and knocked him to the ground. Christian moved toward them. Before Adara could blink, the archer had another arrow nocked and ready to fly into Christian’s chest. “Corryn, cease!” The Welsh-accented voice rang through the room like thunder. Adara looked at the entrance to see a tall, well-muscled man there who bore a striking resemblance to the archer. His wavy black hair fell to his shoulders and a full beard covered his cheeks. He looked wild and untamed as he put himself between the archer and Christian. “What has gotten into your head, Spider?” he asked the archer in his thick, rolling accent. “They came here looking for you,” the archer said brashly, as if the larger man’s anger didn’t concern him at all. He finally unnocked the arrow. “After the message from Stryder saying there were assassins out to kill you, I thought I was protecting you, brawd.” The man she assumed must be Ioan made a disgusted noise at him. “God save me from your protection. Did it never occur to you that an assassin wouldn’t bother to come into my tent and announce himself?” He said something in a language Adara didn’t understand, but by Corryn’s reaction, it must have been a curse or reprimand of some kind. “Now apologize. You almost took the head off the Abbot, and it’s the Phantom who you’ve knocked to the ground.” The archer’s face went pale at that. Ioan stepped away from the boy to offer his hand to Phantom, who took it. He helped him back up to his feet. “You’ll have to forgive my brother, Phantom. He’s a damned fool.” “Are you the Abbot?” Corryn asked Christian. “Aye.” The boy’s lips quivered before he threw himself into Christian’s arms. “May the saints guard your blessed soul throughout all eternity!” Christian looked awkward as he frowned at Ioan. “Brother?” Ioan’s gaze turned dark, dangerous as he pulled Corryn back. Still Corryn stared at Christian with hero worship. “Thank you, Abbot, for bringing my brother back to me.” “Get out of here, scamp,” Ioan said gruffly, “before I skin you.” Corryn curled his lip at Ioan. “I spoke too soon, Abbott. Curses to you, that you brought his surly hide home. Methinks you should have left him there to rot.” He turned to Phantom. “My apologies to you, sir. I hope you’ll forgive me.” Phantom shook the boy’s arm. “I admire anyone who can get the better of me. It doesn’t happen often.” “Corryn!” “I’m leaving,” he snapped. “To the devil with your hoary hide.” -Christian, Corryn, Ioan, & Phantom
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Jep, what about the beard? Is it temporary or permanent? Jep: My dad has had his beard for more than twenty-five years, and he’s never going to shave it off. The last time I saw his face was in high school. My beard? I’ve thought about shaving it at some point. But the last time I did, about six years ago, I thought I looked so silly. My beard used to be seasonal. I’d grow in a beard for hunting season and then shave it off although I always got real bad razor burn on the side of my jaw and my neck. My beard was splotchy at first and then finally filled in. Beards are good camouflage because ducks have sharp eyes. Also, the beard really does keep me warm out on the water or the four-wheeler when it’s cold, damp, and windy. If you don’t have a beard, you have to wear something to cover your face. Here’s my advice: you boys, just grow a beard. Now the long hair, I could lose that. It’s pretty uncomfortable in these Louisiana summers.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
In the end, even the other boys ddn't want it to be over - for two weeks they smoked, flirted, and drank, away from the eyes of their parents. And they learned how to do things. That country, with its chronic breakdowns and shortages, made resourceful improvisers out of the clumsiest hands. A quarter of a century later, at family gatherings in San Francisco and Omaha and Chicago and New Jersey and Brooklyn, we children had to marvel at the hands of our fathers: small, rough with work - sometimes cracked with it - the thumbs squat and broad. Whether molecular biologists, programmers, or taxi drivers, they could dismantle radios, singe potatoes in firepits, swim to the other side of the lake - oh, how these tense men untensed at the sight of a rural body of water - get a chandelier to hang from the ceiling, and strum a guitar. They still worse the mustaches and trimmed beards of their youth, and they were beyond the reach of American fashion. To us, their Americanized children, these men were rigid, frightened, and withdrawn. But you had to love their hands.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
I thought to myself, not for the first time in this life, Everything is perfect; all those things that I always think are so bad really aren’t bad at all. Then I noticed that out my window the clouds had parted, the clear night sky was suddenly visible, and the moon — a garish yellow disk against a dark wall — seemed to be looking at me funny.
Jo Ann Beard (The Boys of My Youth)
the majority of the homeless never leave an impact in your mind because they all look the same—dry, washed up, sad with maybe a long, grey beard and dirty clothing. He said that society has become so accustomed to seeing such people that we don’t think twice when we see them, that they’re simply invisible blips on the map of overall success.
Kody Boye (The Diary of Dakota Hammell)
Then, as he watched, a bearded man forced a captive down onto his knees before the heart tree. A white-haired woman stepped toward them through a drift of dark red leaves, a bronze sickle in her hand. “No,” said Bran, “no, don’t,” but they could not hear him, no more than his father had. The woman grabbed the captive by the hair, hooked the sickle round his throat, and slashed. And through the mist of centuries the broken boy could only watch as the man’s feet drummed against the earth
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den—walk up to a girl—a strange girl—an orphan girl—and demand of her why she wasn't a boy.
L.M. Montgomery (Anne of Green Gables)
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot. Luca’s smile wavered for a moment. He stretched out his long legs and crossed them at the ankles. “No matter. I’m here now. Just in time to protect you.” Cass gestured toward Slipper, who had gone back to sleep on her lap. “Well, as you can see, I’m in grave danger of being mauled, right here in my aunt’s library.” She regretted the wry tone immediately. It was the kind of thing she would have said to Falco. Luca would probably take offense at her joke. But he laughed. “He does look rather fierce,” he said.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
The planter himself was of a type then common in the South. He was a large, coarse looking man, with an immense paunch, wore a broad-brimmed, home-made straw hat and butter nut jeans clothes. His trousers were of the old-fashioned, "broad-fall" pattern. His hair was long, he had a scraggy, sandy beard, and chewed "long green" tobacco continually and viciously. But he was shrewd enough to know that ugly talk on his part wouldn't mend matters, but only make them worse, so he stood around in silence while we took his corn, but he looked as malignant as a rattlesnake. His wife was directly his opposite in appearance and demeanor. She was tall, thin, and bony, with reddish hair and a sharp nose and chin. And goodness, but she had a temper! She stood in the door of the dwelling house, and just tongue-lashed us "Yankees," as she called us, to the full extent of her ability. The boys took it all good naturedly, and didn't jaw back. We couldn't afford to quarrel with a woman. A year later, the result of her abuse would have been the stripping of the farm of every hog and head of poultry on it,
John Edwin Stillwell (The Story of a Common Soldier of Army Life in the Civil War, 1861-1865)
Ashley and I glanced at each other. We saw Tony King at a concert last summer. We got his autograph, too, so we stood close to him. No way was that man Tony King, even without the beard! Boy, Natasha had a wild imagination. Last night, she told us that another man was an escaped prisoner. She’d seen his picture on the TV show Criminals on the Loose. Later, Ashley and I found out the man was the assistant manager of the lodge.
Carol Ellis (The Case of the Big Scare Mountain Mystery (The New Adventures of Mary-Kate & Ashley, #14))
When You Go Away" When you go away the wind clicks around to the north The painters work all day but at sundown the paint falls Showing the black walls The clock goes back to striking the same hour That has no place in the years And at night wrapped in the bed of ashes In one breath I wake It is the time when the beards of the dead get their growth I remember that I am falling That I am the reason And that my words are the garment of what I shall never be Like the tucked sleeve of a one-armed boy
W.S. Merwin (The Second Four Books of Poems: The Moving Target / The Lice / The Carrier of Ladders / Writings to an Unfinished Accompaniment)
Incoming call: Adam Reynolds. I let those words fill my vision for a moment. Not because I intend to make him wait; it’s simply that for a second I freeze. Blake’s dad is a wolf, and I feel very much like the rabbit. The last time Adam and I talked, it didn’t turn out particularly well. But right now, the CEO of Cyclone—and the man who, incidentally, still thinks I’m dating his son—is calling me. What can I do? I hit accept. He appears on the screen: messy pepper-gray hair and beard scruff in need of a shave. His gaze fixes on mine. “Tina.” His voice is just a little hoarse. He clears his throat and sniffs. “Is Blake there?” “No.” “Good.” He frowns. “Look. Blake’s a little distant right now. Is something going on with him?” Something is obviously going on between them, but even I can’t tell what it is, and I suspect I know about as much as anyone on the planet except these two. I shake my head. “I’m not talking to you about Blake.” “Yeah.” He blows out a breath. “Probably just as well that you’re loyal to him. I just…” He pauses, tapping his fingers against his cheek. “It’s not that,” I interject. “It’s just that you’re an…” I choke back the word I’d been planning to put in that blank. Last time was bad enough. “You’re a little intense,” I finish. For a moment, he stares at me. Then, ever so slowly, he smiles. “Don’t start holding out on me now. I’m an asshole.” My surprise must show, because he shrugs a shoulder. “I’ve never claimed otherwise.” I suspect this is as close as Adam Reynolds will ever come to apologizing for his behavior in that restaurant. “Blake thinks you’re not an asshole.” “Blake,” Mr. Reynolds says with a roll of his eyes, “is a ridiculously good kid. There’s a reason I’m a little protective of him. I’m always afraid people will take advantage.” I don’t say anything. A little protective is what he is? Despite my silence, he sighs and waves his hand. “Good point,” he mutters in response to the thing I didn’t say. “It hasn’t happened yet, and God knows if he were as naïve as I really feared, it would have by now. Of all the women he could have had, he did choose you.” I think this is intended as a compliment. “Still,” his dad continues. “I worry. Is everything okay with him?” I have the distinct impression that even though Blake has never said so, most of his problems lie with this man. Somehow. Some way. “This is a conversation you should have with Blake.” He puts his fingers to the bridge of his nose. “Fuck.” He doesn’t move for a few moments. And then—of all things—he sniffles. Unconvincingly. “Mr. Reynolds, are you fake crying to try to get my sympathy?” The hand lowers. He glowers at me—obviously dry-eyed. “Fuck me,” he says. “First, call me Adam. Mr. Reynolds makes me sound like some bullshit old fart. Second, I don’t fucking cry. I especially don’t fake cry. Emotional manipulation is for morons who don’t have the strength of will to get people on their side with reason. I have a cold.” “Aw. Poor baby. You should get some rest.” I incline my head toward him, and then widen my eyes. “Oh, wait. I forgot. You can’t.” He shakes his head, but he’s smiling. “Yeah, yeah. My kid has good taste. I’m fucking things up for you. I hope it won’t be too much of a disturbance.” “You know.” I swallow. “I think Blake gave you the wrong impression about us.” “What, that he’s into you more than you’re into him? I got that from him.” I swallow. “That you need to be convinced? That he’s going to end up convincing you, no matter what you’re telling yourself right now? I let out a breath. “Exactly.” Adam points a finger at me. “That’s what I thought. My money’s on my boy. But hey, don’t tell me what’s going on. Who needs details? Surely not his own father. I’m not invasive.” “Right. Calling me in the middle of the night when Blake’s not around isn’t invasive at all.
Courtney Milan (Trade Me (Cyclone, #1))
Musicians are our real teachers. They are opening us up politically with their lyrics and creatively with experimental, psychedelic music. They share their discoveries and journeys with us. We can’t travel far, no one I know has ever been on an aeroplane. ... whatever they experience, we experience through their songs. It’s true folk music — not played on acoustic guitar by a bearded bloke — but about true-life experiences.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
I see the shomrim, the community guardians, pull up at the house next door in their armored jackets with the neon logo on the back, stepping off motorized bikes. Three bearded men drag a young black teenager by his hands, and I can see he hangs heavily between them. “That boy can’t be older than fourteen!” says Bubby, looking down at the captured culprit. “For what does he have to steal, so he can be in a gang? Ach, so sad, from so young they are already trouble.” The shomrim members crowd around the quivering boy. I watch them kick him mercilessly until he is sobbing and wailing, “I din’t do nuttin’, I swear! I din’t do nuttin’!” He cries out his one defense, over and over, begging for mercy. The men beat him for what seems like forever. “You think you can come in here and do what you want? Impress your friends? Where are your friends now, huh?” they ask mockingly. “You think you can bring your filthy kind into this neighborhood? Oh no, not here. No, we won’t call the police, but we’ll take care of you like no one else can, you understand?” “Yes, yes, I understand . . .,” the boy wails. “Let me go, please, I din’t do nuttin’!” “If we catch one of you here ever again, we’ll kill you, you hear? We’ll kill you! You tell your little friends that, you tell them never to come near us again or we will rain hell down on their black souls.” They step back, and the young man lifts himself up and flees into the night. The shomrim get back on their bikes, brushing off their shiny jackets. Within fifteen minutes, the street is as silent as death again. I feel sick. Bubby pulls her head back in from the window. “Ah mazel,” she says, “so lucky we are to have our own police force, when the real police can’t catch a nut when it falls from a tree. We have no one to depend on, Devoraleh,” she says, looking at me, “except our own. Don’t forget that.” I chastise myself once again for feeling compassion at the inappropriate time. For the teenager I should not feel pity, because he is the enemy. I should feel bad for poor Mrs. Deutsch, who got the fright of her life and lost all her precious silver heirlooms. I know this, and yet I wipe shameful tears from my cheek. Luckily no one can see them in the dark.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
What’s your type, Bailey?” “Well, let’s see. I like them tall, hot, muscled. A great ass is a must. A little scruff is great but I don’t like full on beards much. Not a suit wearing person. Not clean cut but a little rough. Someone who knows who he is and what he is about.” “Hate to shatter your illusions, babe, but you just described me. Hah! Let’s go to bed and good luck trying to keep your mitts off my goodies!” I laugh at her. “Oh my god! You are as full of yourself as Mac!” “Doesn’t mean it’s not true. Name someone who matches your description. Who is your perfect man?” “Jax Teller from Sons of Anarchy. That’s my type,” she grins at me. The little wench is just trying to get a rise out of me. It’s working, too. “Jax looks just like me except I have more muscle and shave my head. Everyone says that so we’re back to where we started. Am I going to get fondled in my sleep tonight?” I tease her. “You wish, biker boy! Just keep to your side of the bed or you might end up getting junk punched[…]
Lola Wright (Axel (The Devil's Angels MC #2))
He was a boy. Innocent. Barely old enough to grow a damn beard, let alone lift a sword. Devil be damned, he’d probably spent all week watering the horses, filling cups of ale, and pouring the commander’s pisspots into the latrines. “P-please, Your Highness,” the boy stammered, letting my gloved fingers curl into the mink of my dress no matter how I didn’t want them to. “I… I have a younger sister at home who… She’s carrying my babe.” Well… maybe not innocent.
Liv Zander (Queen of Rot and Pain (The Pale Court, #2))
Marko wore a thick beard like a prophet and dressed like a hunter, although he was incapable of killing so much as a hare. As a wedding present he gave me a sculpture he’d carved out of stone, the first we’d heard of his hidden talent. We knew he’d become a father late in life and had a son of about four or five. The mother was a young indigenous woman who worked in a textile factory and was raising the boy until he was old enough to be sent off to a good school. Marko acknowledged the boy, who was named Anton Kusanovic and, according to his father, was extremely intelligent
Isabel Allende (Violeta)
Thanks to a book she had read not too long ago, fittingly titled Letters That Changed the World (also a gift, but from whom, she could not recall), Louise was familiar with the idea that one letter could indeed change everything. Abraham Lincoln grew his infamous beard based on the advice of an eleven-year-old letter writer, Grace Bedell, who stated directly and to Louise’s delight, “You would look a great deal better for your face is too thin.” Tennessee House of Representatives member Harry Thomas Burn cast the deciding vote for women’s suffrage thanks to a letter from his mother, Febb Ensminger Burn, admonishing him, “Don’t forget to be a good boy.” Harriet Beecher Stowe wrote Uncle Tom’s Cabin after receiving a letter from her sister urging her to “write something to make this whole nation feel what an accursed thing slavery is.
Colleen Oakley (The Mostly True Story of Tanner and Louise)
I once saw a small boy screaming while horizontal with his hands clamped to the driver’s door of a Volvo estate, while his father tried to pull him off by the legs. The mother sat in the passenger seat, and the next time she heard from her son it would be by post.
Richard Beard (Sad Little Men: Private Schools and the Ruin of England)
At Pinewood we had two nurses with confusing motherly bosoms, and one term a young Australian intern with whom every boy fell in love.
Richard Beard (Sad Little Men: Private Schools and the Ruin of England)
thought you said you just came last night?” And the minute she says it, that particular choice of words, I can tell exactly what Grant’s thinking. His stoic expression cracks for just a moment as the tiniest smirk quirks the mustache that stands out thicker from the scruff along his beard. And I’m realizing really fucking quickly that Grant Fox is not just attractive. No, this guy is ruggedly handsome. Tall and built. Thick, dark brown hair long enough to thread through fingers and grip along the top. Hazel eyes shining with colors that make them pretty as they dance around my face. “That true, honey? Did you just come last night?” “Sure did,” I quip right back without missing a beat. “Not that it’s any of your business.” “Honey? What did I miss?” Lincoln asks his brother. The glare I’m trying to muster turns into a staring contest that, if I’m not careful, I might lose. He keeps his eyes trained on me while he answers his brother. “She was wandering around the back of the main house in one of Ace’s t-shirts. No pants. Thought she was still drunk or lost.” My hands ball up into fists and a full-body flash of heat flushes my face, staining my cheeks and up my neck too. “I was neither of those, fuck you very much.” He crosses his arms over his broad chest. “Didn’t think I’d see you again. He usually doesn’t like repeats.” Hadley barks out a laugh and slings her arm around my shoulders. “Well, it looks like you might be seeing even more of her since she just moved into the cottage across from your place.” The speed at which his eyebrows raise and lips part is priceless. I smile with satisfaction. Lincoln leans closer and quietly asks, “That true? You and Ace?
Victoria Wilder (Bourbon & Lies (The Bourbon Boys #1))
Sally was told that the boys were ‘scared shitless, and would have the piss ripped out of them for evermore. Which explained everything.’ A natural introvert, after Christmas Sally approached boys at random and talked to them.
Richard Beard (Sad Little Men: Private Schools and the Ruin of England)
then began to praise the life, and tell what a pleasure it was to get on shore with money in his pocket, and spend it like a man, and buy apples, and swagger, and surprise what he called stick-in-the-mud boys. “And then it’s not all as bad as that,” says he; “there’s worse off than me: there’s the twenty-pounders. O, laws! you should see them taking on. Why, I’ve seen a man as old as you, I dessay”—(to him I seemed old)—“ah, and he had a beard, too—well, and as soon as we cleared out of the river, and he had the drug out of his head—my! how he cried and carried on! I made a fine fool of him, I tell you! And then there’s little uns, too: oh, little by me! I tell you, I keep them in order. When we carry little uns, I have a rope’s end of my own to wollop’em.” And so he ran on, until it came in on me what he meant by twenty-pounders were those unhappy criminals who were sent over-seas to slavery in North America, or the still more unhappy innocents who were kidnapped or trepanned (as the word went) for private interest or vengeance.
Robert Louis Stevenson (Kidnapped (Illustrated): The 1886 Classic Edition with Original Illustrations)
exclusively of belligerently drunk and badly sunburned Americans. Mostly of frat boys and women with some truly heinous tramp stamps. The Bearded Clam, on the other hand, is thumping with strange techno music, accompanied by strobe lights that are already giving me the headache of all headaches. Hugging the shadows between both pubs, I check my freshly charged phone. But I can’t get a signal out here. Sydney will have to wait a little bit longer.
Naomi West (Dirty Grovel (Pavlov Bratva #2))
What should we do now?” She’d meant her question as a joke. After all, hadn’t they come here specifically to have sex? So she was surprised at his next words. “How about a game?” He climbed onto the bed and sprawled back into the mess of pillows against the carved wood headboard. “Like what?” A glance around the room revealed nothing. “I didn’t see any games. Do you think the lobby has some to borrow?” “That’s not the kind of game I was talking about.” “Oh?” Now she was curious. Did he mean something sexual? “Let’s play I never.” It took her a second, and then she remembered the game from high school. “The game where we say something we’ve never done and if you have done that something, you take a drink? Do we need beer?” “Yep. There’s a mini–bar in that cabinet.” She settled in across from him, crossing her legs. “Why do you want to play I never? Feeling nostalgic for high school?” “I want to know you better.” “You could just ask.” “Yeah, but this is more fun.” He grinned. “Planning on getting me drunk and having your wicked way with me?” “You read my mind.” He took a sip of beer and she watched his Adam’s apple bob as he swallowed. “Let’s start off slow,” he said. “I’ve never watched television.” They both took a drink. The wine she’d selected was dry and she felt it in her nose as she swallowed. “Okay, my turn. I’ve never spent the night in a hotel with anyone other than my parents.” He drank. “You have? When?” “Twice in high school, once a few months back.” They hadn’t been together a few months ago, but hearing he’d spent the night in a hotel with a woman felt like a kick in her gut. “Loren, Xander, and I went to London to rescue Adam.” “Oh.” She felt instantly happy again. “What about the other times?” “Prom. A whole bunch of us chipped in to get a room. They kicked us out by 3:00 a.m. Money well spent.” She laughed. “And the other?” “I was the equipment manager for our high school basketball team. We made it to a big championship that year. Man, the moms baked every day for weeks so we could have bake sales and earn enough to get three rooms for the twelve of us. Good times,” he said nostalgically. “Okay, my turn again. I’ve never taken the SAT.” She took a long gulp of wine. “How’d you do?” “Good enough to get into college.” “Nice. But you didn’t go.” “Nope. Got married.” She took a therapeutic drink of wine. His mention of his trip to London reminded her of another thing she’d never done. “I’ve never been on a plane,” she said. Unsurprisingly, he drank. Had she thought they’d taken a boat or car to London? “But it was only that one time to London,” he explained. “I’d never been on a plane before.” “Did you like it?” She’d always wondered what it would be like to sit in a tube that high off the ground. And it was petty of her, but she liked that Rowan had a similar amount of experience to her when it came to world travel. She’d have felt inadequate if he’d been all over the world. “I was so worried about Adam, it was hard to concentrate on the flight. I’d like to go try it again. With you if you’re willing.” “I’d love to. My parents were big into road trips, and Jack never took me anywhere. I want to see as much of the world as possible.” “Then let’s do it. We’ll save up and head out every chance we get.” They grinned at each other. “Okay, another one. Prepare to get your drink on,” he said with a devastating grin. “I’ve never had long hair.” She drank, and understood his game at once. “I’ve never been in the boy’s locker room. Rowan drank. “I’ve never worn a bra.” She laughed and nearly snorted wine up her nose. “I’ve never shaved my beard.” He drank. “I’ve never shaved my legs.” She drank.” I’ve never…” She took another sip for courage. The wine was clearly getting to her or she never would’ve said her next thing. “I’ve never had an erection.
Lynne Silver (Desperate Match (Coded for Love, #5))