“
Who was the Thief that she would love him? A youth, just a boy with hardly a beard and no sense at all... A liar, she thought, an enemy, a threat. He was brave, a voice inside her said, he was loyal... A fool, she answered back. A fool and a dead one. She ached with emptiness.
”
”
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
“
All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.
”
”
J.M. Barrie (Peter Pan)
“
What’s going on with your face, by the way?”
Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?”
“Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.”
“It’s irrelevant. It’s not growing. I’m doomed to be a man-child.”
“If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Then Leo realized something was blocking the middle of his view. Something large and fuzzy, and so close, Leo had to cross his eyes to see it properly. It was a large, ugly face. "Holy mother!" he yelped. The face backed away and came into focus. Staring down at him was a beard man in grimy blue coveralls. His face was lumpy and covered with welts, as if he'd been stung by a million bees, or dragged across gravel. Possibly both. "Humph." the man said. "Holy father, boy. I should think ou know the difference by now.
”
”
Rick Riordan
“
I’m the prince and you’re the princess and rescuing our friend is my job. Just ask Merlin!” Tedros yelled, practically a shriek— “Yes, now you’ve got it, boy,” Merlin spouted, not looking as he trimmed his beard with a thorn. “Sound perfectly female now.
”
”
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
“
In that moment, I finally figured out what kind of handsome he was. He was fiction-handsome. Romance novel handsome; but not the clean-cut (billionaire) alpha male or even the tattooed (billionaire) bad boy archetype. He was the Scottish highlander, Viking conqueror, bodice-ripper historical romance kind of handsome; an unshaven, lion wrestling, mountain man recluse, toss you over his shoulder and plunder your goodies kind of handsome. He was both scary and swoony. I wanted to braid his beard. I also wanted to run away.
”
”
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
“
We,” King Lot said, his eyes cold and piercing. “Will refuse any gifts this beardless boy offers us.”
“Is there a reason why he is so obsessed with my lack of a beard?” Britt sighed.
”
”
K.M. Shea (Enthroned (King Arthur and Her Knights, #1))
“
Tom," said Douglas, "just promise me one thing, okay?"
"It's a promise. What?"
"You may be my brother and maybe I hate you sometimes, but stick around, all right?"
"You mean you'll let me follow you and the older guys when you go on hikes?"
"Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff."
"I should say not! Whatta you think I am, anyway?"
"'Cause if worst comes to worst, and both of us are real old--say forty or forty-five some day-- we can own a gold mine out West and sit there smoking corn silk and growing bears."
"Growing beards! Boy!"
"Like I say, you stick around and don't let nothing happen."
"You can depend on me," said Tom.
"It's not you I worry about," said Douglas. "It's the way God runs the world."
Tom thought about this for a moment.
"He's all right, Doug," said Tom. "He tries.
”
”
Ray Bradbury (Dandelion Wine)
“
We sit silently in our living room. He watches the mute television screen and I watch him. The planes and ridges of his face are more familiar to me than my own. I understand that he wishes even more than I do that he still loved me.
”
”
Jo Ann Beard (The Boys of My Youth)
“
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
“
There he is, tall, tanned, Italian, sophisticated. So what do you do?"
I said, "Er, leap on him and snog him within an inch of his life? Taking care not to strangle myself on his false beard, or disturb his banana.
”
”
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
“
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”
This Santa’s beard was real, and so was his hair. He wasn’t fucking around.
“I’m not really a little boy,” I pointed out.
“Get on my lap, then, big boy.”
I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted
his crotch.
“Ho ho ho!” he chortled.
I sat gingerly on his knee, like it was a subway seat with gum on it.
“Have you been a good little boy this year?” he asked.
I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.
He actually wobbled with joy.
“Good! Good! Then what can I bring you this Christmas?”
I thought it was obvious.
“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”
“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in
his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”
“What?” I asked.
He gestured with his eyes down to his stomach. “Go ahead.”
I looked closely and saw the faint outline of an envelope beneath his red velvet coat.
“You know you want it,” he whispered.
The only way I could survive this was to think of it as the dare it was.
Fuck off, Lily. You can’t intimidate me.
I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and
his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time
having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear.
I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it
out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap.
“Security’s here!” the elf proclaimed.
The letter was in my hand, damp but intact.
“He touched Santa!” a young child squealed.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I have a beard,' Dr. Montague said, pleased, and looked around at them with a happy beam. 'My wife,' he told them, 'likes a man to wear a beard. Many women, on the other hand, find a beard distasteful. A clean-shaven man - you'll excuse me, my boy - never looks fully dressed, my wife tells me.' He held out his glass to Luke.
”
”
Shirley Jackson (The Haunting of Hill House)
“
Feathery Stokers - There is no definitive list but here are some examples. Men who didn’t eat red meat were Feathery Strokers. Men who used postshave balm instead of slapping stinging aftershave onto their tender skin were Feathery Strokers. Men who noticed your shoes and handbags were Feathery Strokers. (Or Jolly Boys.) Men who said pornography was exploitation of women were Feathery Strokers. (Or liars.) Men who said pornography was exploitation of men as much as women were of the scale. All straight men from San Francisco were Feather Strokers. All academics with beards were Feathery Stokers. Men who stayed friends with their ex-girlfriends were Feathery Strokers. Especially if they called them their “ex-partner.” Men who did Pilates were Feathery Strokers. Men who said, “I have to take care of myself right now” were screaming Feathery Strokers. (Even I’d go along with that.) ~Jacqui
”
”
Marian Keyes (Anybody Out There? (Walsh Family, #4))
“
Stubble or what?"
Eyes still closed he chuckled. "I'm not shaving until our parents let us date again."
He kissed my cheek.
"What if it takes... a... while?"
I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly.
"There are only six or seven weeks until August football practice starts right?"
"Hm." His mouth moved up my neck toward my ear. Oh.
"Will you be able to stuff your beard into your helmet?" I croaked.
In answer he put his lips on my ear.
I forgot the next joke I'd planned to make and lost myself in Adam.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
I’d once overheard my daddy tell my momma that the six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
”
”
Penny Reid (Truth or Beard (Winston Brothers, #1))
“
Beards were like axehound pups. Boys dreamed of the day they'd get one, never realizing how annoying they could be.
”
”
Brandon Sanderson (The Way of Kings, Part 2 (The Stormlight Archive #1, Part 2 of 2))
“
Boys with their first beards can be a thorough pain in the neck.
”
”
Margaret Atwood (The Penelopiad)
“
According to Polybius, Cato once remarked that one sign of the deterioration of the Republic was that pretty boys now cost more than fields, jars of pickled fish more than ploughmen.
”
”
Mary Beard (SPQR: A History of Ancient Rome)
“
The boys were dancing. The pile was so rotten, and now so tinder-dry, that whole limbs yielded passionately to the yellow flames that poured upwards and shook a great beards of flame twenty feet in the air. For yards round the fire the heat was like a blow, and the breeze was a river of sparks. Trunks crumbled to a white dust.
”
”
William Golding (Lord of the Flies)
“
We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it is
good-and that is the real theater-to
transcend them in the manner of play, by
means of games and irony; it is good to be dirty and bearded, to have long hair,
to look like a girl when one is a boy (and vice versa); one must put "in
play," show up, transform and reverse
the systems which quietly order us about.
”
”
Michel Foucault
“
As Plato, the dangerous beguiler, said: the best philosophers in the world are boys with their beards new on their chins; I am a boy again.
”
”
Thornton Wilder (The Ides of March)
“
He leaned forward suddenly, so that for an instant the strong, bearded face was clear; the voice softened, and there was an aching sadness in it. "Only the creatures of the earth take from one another, boy. All creatures, but men more than any. Life they take, and liberty and all that another man may have - sometimes through greed, sometimes through stupidity, but never by any volition but their own. Beware your own race, Bran Davies - they are the only ones who will ever harm you, in the end.
”
”
Susan Cooper (The Grey King (The Dark is Rising, #4))
“
If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great. Like a fucking rug. You eat soup, it’ll filter out the potatoes. Terrier style. Do you have hair on your legs? I’ve never noticed.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
By the 1920s if you wanted to work behind a lunch counter you needed to know that 'Noah's boy' was a slice of ham (since Ham was one of Noah’s sons) and that 'burn one' or 'grease spot' designated a hamburger. 'He'll take a chance' or 'clean the kitchen' meant an order of hash, 'Adam and Eve on a raft' was two poached eggs on toast, 'cats' eyes' was tapioca pudding, 'bird seed' was cereal, 'whistleberries' were baked beans, and 'dough well done with cow to cover' was the somewhat labored way of calling for an order of toast and butter. Food that had been waiting too long was said to be 'growing a beard'. Many of these shorthand terms have since entered the mainstream, notably BLT for a bacon, lettuce, and tomato sandwich, 'over easy' and 'sunny side up' in respect of eggs, and 'hold' as in 'hold the mayo'.
”
”
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
“
That's the noise that made the Redcoats run!" Mr. Paddock said to Father.
"Maybe," Father said, tugging his beard. "But it was muskets that won the Revolution. And don't forget it was axes and plows that made this country."
"That's so, come to think of it," Mr. Paddock said.
”
”
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
“
we saw a man walking in our midst who would have made James Bond feel insecure. Indiana Jones would have looked like a momma’s boy compared to the man in the leather jacket with two days’ growth of beard who walked to where my mother stood and then—horror of horrors—winked at her.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
All the real blokes I know are obsessed with cars and have started doing cycling at the weekend and being really, really boring about it and banging on about their Fitbits and growing stupid beards and talking about being on Tinder. That's what all the 'real men' are like these days!
”
”
Jenny Colgan (The Little Shop of Happy Ever After)
“
Why Do People become Shadowhunters, by Magnus Bane
This Codex thing is very silly. Downworlders talk about the Codex like it is some great secret full of esoteric knowledge, but really itès a Boy Scout manual.
One thing that it mysteriously doesnèt address is why people become Shadowhunters. And you should know that people become Shadowhunters for many stupid reasons.
So here is an addition to your copy.
Greetings, aspiring young Shadowhunter-to-be- or possibly already technically a Shadowhunter. I canèt remember whether you drink from the Cup first or get the book first. Regardless, you have just been recruited by the Monster Police. You may be wondering, why? Why of all the mundanes out there was I selected and invited to this exclusive club made up largely, at least from a historical perspective, of murderous psychopaths?
Possible Reasons Why
1. You possess a stout heart, strong will, and able body.
2. You possess a stout body, able will, and strong heart.
3. Local Shadowhunters are ironically punishing you by making you join them.
4. You were recruited by a local institute to join the Nephilim as an ironic punishment for your mistreatment of Downworlders.
5. Your home , village, or nation is under siege by demons.
6. You home, village, or nation is under siege by rogue Downworlders.
7. You were in the wrong place at the wrong time.
8.You know too much, and should be recruited because the secrecy of the Shadow World has already been compromised for you.
9. You know too little; it would be helpful to the Shadowhunters if you knew more.
10. You know exactly the right amount, making you a natural recruit.
11. You possess a natural resistance to glamour magic and must be recruited to keep you quiet and provide you with some basic protection.
12. You have a compound last name already and have convinced someone important that yours is a Shadowhunter family and the Shadowhunteriness has just been weakened by generations of bad breeding.
13. You had a torrid affair with a member of the Nephilim council and now he's trying to cover his tracks.
14. Shadowhunters are concerned they are no longer haughty and condescending enough-have sought you out to add a much needed boost of haughty condescension.
15. You have been bitten by a radioactive Shadowhunter, giving you the proportional strength and speed of a Shadowhunter.
16. Large bearded man on flying motorcycle appeared to take you away to Shadowhunting school.
17. Your mom has been in hiding from your evil dad, and you found out you're a Shadowhunter only a few weeks ago.
That's right. Seventeen reasons. Because that's how many I came up with. Now run off, little Shadowhunter, and learn how to murder things. And be nice to Downworlders.
”
”
Cassandra Clare (The Shadowhunter's Codex)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
Hence, Orlando and Sasha, as he called her for short, and because it was the name of a white Russian fox he had had as a boy—a creature soft as snow, but with teeth of steel, which bit him so savagely that his father had it killed—hence they had the river to themselves. Hot with skating and with love they would throw themselves down in some solitary reach, where the yellow osiers fringed the bank, and wrapped in a great fur cloak Orlando would take her in his arms, and know, for the first time, he murmured, the delights of love. Then, when the ecstasy was over and they lay lulled in a swoon on the ice, he would tell her of his other loves, and how, compared with her, they had been of wood, of sackcloth, and of cinders. And laughing at his vehemence, she would turn once more in his arms and give him, for love’s sake, one more embrace. And then they would marvel that the ice did not melt with their heat, and pity the poor old woman who had no such natural means of thawing it, but must hack at it with a chopper of cold steel. And then, wrapped in their sables, they would talk of everything under the sun; of sights and travels; of Moor and Pagan; of this man’s beard and that woman’s skin; of a rat that fed from her hand at table; of the arras that moved always in the hall at home; of a face; of a feather. Nothing was too small for such converse, nothing was too great.
”
”
Virginia Woolf (Orlando)
“
The six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
”
”
Penny Reid (Truth or Beard (Winston Brothers, #1))
“
I IS ONLY AN EIGHT YEAR OLD LITTLE BOY BUT I IS GROWING A SPLENDID BUSHY BEARD AND ALL THE OTHER BOYS IS JALOUS.
”
”
Roald Dahl (The BFG)
“
I had shaved my beard for her-a huge disappointment, because I’d enjoyed my three weeks looking like a bank robber.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
No. I grew a beard because no one was around to teach us boys how to shave.” .
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
He was still dirty and bedraggled and his beard was truly unfortunate, but now he only looked very bad instead of like death warmed over.
”
”
T. Kingfisher (Clockwork Boys (Clocktaur War, #1))
“
and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den—walk up to a girl—a strange girl—an orphan girl—and demand of her why she wasn’t a boy.
”
”
L.M. Montgomery (Anne of Green Gables)
“
In a few hours the world will resume itself, but for now we’re in a pocket of silence. We’re in the plasmapause, a place of equilibrium, where the forces of the earth meet the forces of the sun. I imagine it as a place of stillness, where the particles of dust stop spinning and hang motionless in deep space.
”
”
Jo Ann Beard (The Boys of My Youth)
“
Fix that hair! Close that mind! Repeat after me! Page me the second the old man croaks it! Now, are you boys ready? A Seabrook boy is always ready. Ready to work. Ready to play. Ready to listen to his teachers, especially the greatest educator of them all, Jesus. as Jesus said to me once, Greg, what's your secret? And I said, Jesus--study your notes! Get to class! Shave that beard! You show up to your first day on the job dressed like a hippie, of course they're going to crucify you, I don't care whose son you are . . .
”
”
Paul Murray (Skippy Dies)
“
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
”
”
Cormac McCarthy (The Road)
“
Mara, remember how you kicked sand into that neighbor child’s eyes? I yelled at you and made you apologize in your best dress, and that night I cried by myself in the bathroom because you are Bad’s child as much as you are mine. Remember when you ran into the plate glass window and cut your arms so badly we had to drive you to the nearest hospital in the pickup truck, and when it was over Bad begged me to replace the backseat because of all the blood? Or when Tristan told us that he wanted to invite a boy to prom and you put your arm around him like this? Mara, remember? Your own babies? Your husband with his Captain Ahab beard and calloused hands and the house you bought in Vermont? Mara? How you still love your little brother with the ferocity of a star; an all-consuming love that will only end when one of you collapses? The drawings you handed us as children? Your paintings of dragons, Tristan’s photographs of dolls, your stories about anger, his poems about angels? The science experiments in the yard, blackening the grass to gloss? Your lives sated and[…]
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
He wasn’t a pretty boy, his nose was crooked and his grin lopsided, but he had that square-jawed, salt-of-the-earth handsome look that made a girl think of loose-hipped cowboys and demanding Scottish Lairds. And speaking of Scottish Lairds, old mate was a redhead. Usually gingers weren’t her scene but this guy’s hair was the rich coppery-auburn of a fox's pelt. It gleamed like rose gold under the floodlights, his short beard the exact colour as the stuff on his head. Big Red was doing it for her. Big time. And apparently, the feeling was mutual.
”
”
Eve Dangerfield (Open Hearts (Bennett Sisters, #2))
“
The next morning, on the way to school in Peter’s car, I steal a look at his profile. “I like how you’re so smooth,” I say. “Like a baby.”
“I could grow a beard if I wanted to,” he says, touching his chin. “A thick one.”
Fondly I say, “No, you couldn’t. But maybe one day, when you’re a man.”
He frowns. “I am a man. I’m eighteen!”
I scoff, “You don’t even pack your own lunches. Do you even know how to do laundry?”
“I’m a man in all the ways that count,” he boasts, and I roll my eyes.
“What would you do if you were drafted to go to war?” I ask.
“Uh…aren’t college kids given a pass on that? Does the draft even still exist?”
I don’t know the answers to either of these questions, so I barrel forward. “What would you do if I got pregnant right now?”
“Lara Jean, we’re not even having sex. That would be the immaculate conception.”
“If we were?” I press.
He groans. “You and your questions!
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
In this entre-nous spirit, then, old confidant before we join the others, the grounded everywhere, including, I’m sure, the middle-aged hot-rodders who insist on zooming us to the moon, the Dharma Bums, the makers of cigarette filters for thinking men, the Beat and the Sloppy and the Petulant, the chosen cultists, all the lofty experts who know so well what we should or shouldn’t do with our poor little sex organs, all the bearded, proud, unlettered young men and unskilled guitarists and Zen-killers and incorporated aesthetic Teddy boys who look down their thoroughly unenlightened noses at this splendid planet where (please don’t shut me up) Kilroy, Christ, and Shakespeare all stopped – before we join these others, I privately say to you, old friend (unto you, really, I’m afraid), please accept from me this unpretentious bouquet of very early-blooming parentheses: (((()))).
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Men live simply, but are not simple. Boys are simple, but do not live simply.
”
”
Penny Reid (Grin and Beard It (Winston Brothers, #2))
“
VLADIMIR: Has he a beard, Mr. Godot?
BOY: Yes Sir.
VLADIMIR: Fair or... or black?
BOY: I think it's white, Sir.
VLADIMIR: Christ have mercy on us!
”
”
Samuel Beckett (Waiting for Godot)
“
PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me, 5
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman (Leaves of Grass)
“
Helga’s gray pupils glued to the ground, unable to look at her student for a long time. Slowly, her long white hair retracted into her skull, growing scratchy and short. The grooves of her face magically deepened and the skin hardened to a leathery tan beneath a growing white beard. Her cheeks hollowed, her nose fattened, her eyebrows bushied, her body burlying to a barrel shape . . . until at last Yuba the Gnome gazed up at his former students, in the same lavender dress and wobbly heels. “Do you mind if I change?” he asked quietly. Sophie gawped at her old Forest Group teacher, morphed from a girl into a boy. She twirled to Agatha, appalled. “That’s how you want us to get in the boys’ school? By turning us into . . . gnomes?” Agatha banged her head against the wall.
”
”
Soman Chainani (A World without Princes (The School for Good and Evil, #2))
“
Her little hands, Crumb. Her little paws, like a child's. She has no guile in her. And she never speaks. And if she does I have to bend my head to hear what she says. And in the pause I can hear my heart. Her little bits of embroidery, her scraps of silk, her halcyon sleeves, she cut out of the cloth some admirer gave her once, some poor boy struck with love for her...and yet she has never succumbed. Her little sleeves, her seed pearl necklace...she has nothing...she expects nothing...' A tear at last sneaks from Henry's eye, meanders down his cheek and vanishes into the mottled grey and ginger of his beard.
”
”
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
“
The Illusory Self
I am composed of body and soul, I seem to have mind, reason, sense, yet I find none of them my own. For where was my body prior to my birth, and whither will it go when I have departed? Where are the various states produced by the life stages of an illusory self? Where is the newborn babe, the child, the boy, the pubescent, the stripling, the bearded youth, the lad, the full-grown man? Whence came the soul, whither will it go, how long will it be our mate? Can we tell its essential nature? When did we acquire it? Prior to our birth? But we were not then in existence. What of it after death? But then we who are embodied, compounds endowed with quality, shall be no more, but shall hasten to our rebirth, to be with the unbodied, without composition and without quality. But now, inasmuch as we are alive, we are the dominated rather than the rulers, known rather than knowing. The soul knows us, though unknown by us, and imposes commands we are obliged to obey as wervants their mistress. And when it will, it will transact its divorce in court and depart, leaving our home desolate of life. If we press it to remain, it will dissolve our relationship. So subtle is its nature that it furnishes no handle to the body.
”
”
Philo of Alexandria
“
Harry had to crane his neck to look up into the giant face above: It was ancient and monkeyish, with a long, thin beard that fell almost to the bottom of the wizard's sweeping stone robes, where two enormous gray feet stood on the smooth Chamber floor. And between the feet, facedown, lay a small, black-robed figure with flaming-red hair.
"Ginny!" Harry muttered, sprinting to her and dropping to his knees. "Ginny- don't be dead- please don't be dead-" He flung his wand aside, grabbed Ginny's shoulders, and turned her over. Her face was white as marble, and as cold, yet her eyes were closed, so she wasn't Petrified. But then she must be-
"Ginny, please wake up," Harry muttered desperately, shaking her. Ginny's head lolled hopelessly from side to side.
"She won't wake," said a soft voice.
Harry jumped and spun around on his knees.
A tall, black-haired boy was leaning against the nearest pillar, watching. He was strangely blurred around the edges, as though Harry were looking at him through a misted window. But there was no mistaking him-
"Tom- Tom Riddle?"
Riddle nodded, not taking his eyes off Harry's face.
"What d'you mean, she won't wake?" Harry said desperately. "She's not- she's not-?"
"She's still alive," said Riddle. "But only just.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The cannons leaped backward, the air was full of flying grass and weeds. Almanzo ran with all the other boys to feel the warm muzzles of the cannons. Everybody was exclaiming about what a loud noise they had made. “That’s the noise that made the Redcoats run!” Mr. Paddock said to Father. “Maybe,” Father said, tugging his beard. “But it was muskets that won the Revolution. And don’t forget it was axes and plows that made this country.
”
”
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
“
When you peel away all the layers of masculinity--the cleverness, power, sarcasm, the strength we built (or faked), the toughness (which is really just quiet suffering), white knuckles, bodies covered in boots and beards, muscles, green ink skulls, arrows, and ghosts, hearts surrounded as if by barbed wire--what you see is a sad boy in the dark afraid that he will always be alone because that is the first thing he ever learned about life.
”
”
Mikel Jollett (Hollywood Park)
“
He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den—walk up to a girl—a strange girl—an orphan girl—and demand of her why she wasn’t a boy.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward.
When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind.
He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could.
I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution.
“Caleb,” I say. “Give me the backpack.”
“What?” he says.
I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.”
“Tris, no.” He shakes his head. “No, I won’t let you do that.”
“Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!”
“I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.”
Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!”
In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me.
I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway.
“Caleb,” I say, “I love you.”
His eyes gleam with tears as he says, “I love you, too, Beatrice.”
“Get down on the floor!” I yell, for the benefit of the guards.
Caleb sinks to his knees.
“If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I mean, do you believe in God or what? “ “Not the name-brand God they serve here.” Tim said. “That old guy with the beard, granting wishes out of the clouds to whoever says the most rosaries. That’s bullshit. I believe in everything.
”
”
Chris Fuhrman (The Dangerous Lives of Altar Boys)
“
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
”
”
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
“
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
”
”
T.H. White
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
Her little hands, Crumb. Her little paws, like a child's. She has no guile in her. And she never speaks. And if she does I hate to bend my head to hear what she says. And in the pause I can hear my heart. Her little bits of embroidery, her scraps of silk, her halcyon sleeves, she cut out of the cloth some admirer gave her once, some poor boy struck with love for her...and yet she has never succumbed. Her little sleeves, her seed pearl necklace...she has nothing...she expects nothing...' A tear at last sneaks from Henry's eye, meanders down his cheek and vanishes into the mottled grey and ginger of his beard.
”
”
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
“
You've had your chance, Richard. Scott's a big boy now, and if he wants to spend a few years chanting mantras and giving away his lunch money to some bearded horse's ass with a Jehovah Complex, well, you've had your chance to help him, so what do you say you just get on with your screwed-up life, Richard E. Baedecker
”
”
Dan Simmons (Phases of Gravity)
“
PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman (Leaves of Grass)
“
The beatest characters in the country swarmed on the sidewalks—all of it under those soft Southern California stars that are lost in the brown halo of the huge desert encampment LA really is. You could smell tea, weed, I mean marijuana, floating in the air, together with the chili beans and beer. That grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie woogie in the American night. Everybody looked like Hassel. Wild Negroes with bop caps and goatees came laughing by; then longhaired brokendown hipsters straight off Route 66 from New York; then old desert rats, carrying packs and heading for a park bench at the Plaza; then Methodist ministers with raveled sleeves, and an occasional Nature Boy saint in beard and sandals.
”
”
Jack Kerouac (On the Road)
“
No. That’s not what I want. You would have to go all in. We would go out to dinner, see movies, call each other, text. I’d work on your car—you know, the Mustang you left at my house earlier this week—install gadgets you don’t need ’cause you’re my girl. You might come to the Winston place and hang out with us boys. This would be both of us, all in for all twelve months—or less if we find we don’t suit.
”
”
Penny Reid (Truth or Beard (Winston Brothers, #1))
“
Within a few months Mitch Bush, head veterinarian at the National Zoo, and David Wildt, a young reproductive physiologist working as a postdoctoral fellow in my laboratory at the National Cancer Institute, were on a plane bound for South Africa. Bush is a towering, bearded, giant of a man with a strong interest and acumen in exotic animal veterinary medicine, particularly the rapidly improving field of anesthetic pharmacology. Wildt is a slight and modest Midwestern farm boy, schooled in the reproductive physiology of barnyard animals. His boyish charm and polite shy demeanor mask a piercing curiosity and deep knowledge of all things reproductive. Bush and Wildt's expedition to the DeWildt cheetah breeding center outside Pretoria would ultimately change the way the conservation community viewed cheetahs forever.
”
”
Stephen J. O'Brien (Tears of the Cheetah: The Genetic Secrets of Our Animal Ancestors)
“
Miss Kay
When Phil walked into our apartment that night, the boys were so happy. The first thing they wanted to know was whether he’d brought back the big TV. All Phil could say was, “I didn’t know I was supposed to do that.” He looked around the sparse room where we had been living and said, “You should have gotten more stuff.” It never was about stuff to me. The last thing we needed during that time was more stuff.
”
”
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
You wanna know if I'm religious? I sure haven't made a dent in the pew, but boy do I thank God. For ever morning I get to wake up and my coffee's hot and your mom's right there next to me at the breakfast table. I thank God I get to work this ranch for a living instead of having to put on a necktie and commute to some office. I get to smell sage and pinon instead of traffic exhaust. Somebody or something made a beautiful place in this ugly world, and saw fit to put me right in the middle of it. Now, whether there's some old fella with a beard floating on a cloud up there or just some...cosmic energy or whatnot, I got no idea. But whatever God is, wherever He lives, I thank Him because, I tell you what, I can look back on every minute of it, good and bad, and I can tell you that I've had one hell of a life. Pardon my French" -Walter
”
”
Meagan Brothers (Weird Girl and What's His Name)
“
Cletus Byron Winston, you are being rude.” I might have my own less than glowing thoughts about my father, but he was my father.
He opened his mouth to respond, then snapped it shut and did a double take, his eyes narrowing on me. “First of all, how do you know my middle name?”
“Your momma used to use it when you were naughty, when you boys would help her shelve books in the library. ‘Cletus Byron! Stop stuffing Astrophysics Monthly down your pants!’”
Cletus grinned. Then he chuckled. His eyes lost some of their zealous focus as he pushed away from the tree and strolled closer. “Oh yeah. She did, didn’t she?”
“I felt sorry for Billy, though.” I scooched to one side as he sat down. “His name always confused everyone, like your momma was trying to talk to Shakespeare’s ghost. ‘William Shakespeare, would you please stop Beauford from pulling down his pants in front of the girls?’”
Cletus laughed harder, leaning backward and holding his stomach. “I remember that. How old was Beau?”
“He was ten. He was trying to show us his new Tarzan underwear. I don’t think he meant any harm.”
“He sure did love that underwear.” Cletus nodded and he scratched his beard. “I’m going to have to find him some Tarzanunderwear in adult size.”
“So you can torture him about it?”
He pretended to be shocked by my accusation. “Certainly not. I don’t torture my siblings.”
“Yeah, right.” I gave him my side-eye. “You forget, I’m a people watcher. I know you sell embarrassing pictures of them onstock photo sites. Jethro was griping about it after church over the summer. If it’s not torture, what do you call it then?”
He lifted his chin proudly. “I offer invaluable character building opportunities. I help them reach their true potential through suffering.”
“Oh, please
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
If a single man of them had shown himself courageous it would have been something: I would have felt less ashamed of my country. I had long suspected the veracity of certain of the heroic legends of ancient Rome related by the historian Livy, and on hearing of this scene in the Senate I even began to have doubts about my favourite passage, the one describing the fortitude of the senators of old after the disaster of the River Allia when the Celts were advancing on the City and all hope of defending the walls was gone. Livy tells how the young men of military age, with their wives and children, withdrew into the Citadel after getting in a store of arms and provisions, resolved to hold out to the last. But the old men, who could be only an encumbrance to the besieged, remained behind and awaited death, wearing senatorial robes and seated in chairs of office in the porticoes of their houses, their ivory rods of office grasped firmly in their hands. When I was a boy, old Athenodorus made me memorize all this and I have never forgotten it: “The halls of the patricians stood open and the invaders gazed with feelings of true awe upon the seated figures in the porticoes, impressed not only by the super-human magnificence of their apparel and trappings but also by their majestic bearing and the serene expression that their countenances wore: they seemed very Gods. So they stood marvelling, as at so many divine statues, until, as the legend tells, one of them began gently to stroke the beard of a patrician, by name Marcus Papirius—beards in those days were universally worn long—who rose and smote him on the head with his ivory staff. Admiration yielded to passion and Marcus Papirius was the first patrician to meet his death. The rest were butchered still seated in their chairs.
”
”
Robert Graves (Claudius The God: And His Wife Messalina)
“
As she lies in the bed she weeps, for Bing, for the melting, shimmering candles, the filigree on the holiday tablecloth. She is an unwilling astronaut, bumping against the thick glass of the ship, her line tangling lazily in zero gravity, face mask fogged with fear. My sister reaches across, over the bed, and we both embrace the mother, holding her on earth, pulling her onto the ship, breathing our oxygen into her line. Ten hours later she is dead.
”
”
Jo Ann Beard (The Boys of My Youth)
“
As he fell, Caesar cried out in Greek to Brutus, ‘You too, child’, which was either a threat (‘I’ll get you, boy!’) or a poignant regret for the disloyalty of a young friend (‘You too, my child?’), or even, as some suspicious contemporaries imagined, a final revelation that Brutus was, in fact, his victim’s natural son and that this was not merely assassination but patricide. The famous Latin phrase ‘Et tu, Brute?’ (‘You too, Brutus?’) is an invention of Shakespeare’s.
”
”
Mary Beard (SPQR: A History of Ancient Rome)
“
No matter how awful it is to be sitting in this
Terrible magazine office, and talking to this
Circular-saw-voiced West side girl in a dirt-
Stiff Marimekko and lavender glasses, and this
Cake-bearded boy in short-rise Levi’s, and hearing
The drip and rasp of their tones on the softening
Stone of my brain, and losing
The thread of their circular words, and looking
Out through their faces and soot on the window to
Winter in University Place, where a blue-
Faced man, made of rags and old newspapers, faces
A horrible grill, looking in at the food and the faces
It disappears into, and feeling,
Perhaps, for the first time in days, a hunger instead
Of a thirst; where two young girls in peacoats and hair
As long as your arm and snow-sanded sandals
Proceed to their hideout, a festering cold-water flat
Animated by roaches, where their lovers, loafing in wait
To warm and be warmed by brainless caresses,
Stake out a state
Of suspension; and where a black Cadillac 75
Stands by the curb to collect a collector of rents,
Its owner, the owner of numberless tenement flats;
And swivelling back
To the editorial pad
Of Chaos, a quarter-old quarterly of the arts,
And its brotherly, sisterly staff, told hardly apart
In their listlessly colored sackcloth, their ash-colored skins,
Their resisterly sullenness, I suddenly think
That no matter how awful it is, it’s better than it
Would be to be dead. But who can be sure about that?
”
”
L.E. Sissman
“
Answers to the Twenty Questions People Ask Us Most
1. Do you like the beards?
Miss Kay: If Phil ever shaved his beard, I’d think I was committing adultery.
Korie: When I married Willie, he was clean-shaven and had short hair. Boy, how things change! Over the years, I’ve really come to like the look he has now, including the beard.
Missy: I love Jase. I don’t like the beard. I miss the days of scratch-free kisses. Besides, he’s just too cute under there!
Jessica: Yes! Although Jep is really cute under all that hair, and although he does have the Robertson dimples, I still prefer the beard. I think sometime over the course of our marriage I transitioned to loving the beard. I do make him trim the mustache every once in a while for better kisses! I also feel safer with the beard; I know no one is going to mess with us because the beard kind of scares people. For some reason, I think they think he’s a madman!
Lisa: Alan is often referred to as “the Robertson without a beard,” and I like it that way!
”
”
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
Some incidents of facial profiling have been more inconvenient than others. I’ll never forget walking through airport security when I was flying to give a speech to a Christian men’s group in Montana. The Department of Homeland Security screeners obviously didn’t recognize me as “Jase the Duckman” from Duck Dynasty, and I felt like I was one wrong answer away from being led to an interrogation room in a pair of handcuffs! Hunting season had recently ended, so my hair and beard were in full bloom! The security screeners saw a Bible in my bag, and I guess they figured I was a Christian nut because of my long hair and bushy beard. Somehow, I made it through the metal detector and an additional pat-down, and I guess they couldn’t find a justifiable reason to detain me. But as I was getting my belongings back together, I accidentally bumped into a woman. She screamed! It must have been an involuntary reflex. It was a natural response, because she thought I was going to attack her.
Once she finally settled down, I made my way to the gate and sat down to compose myself. After a few minutes, a young boy walked up and asked me for my autograph. Finally, I thought to myself. Somebody recognizes me from Duck Dynasty. Not everyone here believes I’m the Unabomber! Man, I could have used the kid about twenty minutes earlier, when I was trying to get through security! I looked over at the boy’s mother, and she was smiling from ear to ear. I realized they were very big fans. I signed my name on a piece of paper and handed it to the kid.
“Can I ask you a question?” he said.
“Sure, buddy,” I said. “Ask me anything you want.”
“How much does Geico pay y’all?” he asked.
My jaw dropped as I looked at the kid.
“Wait a minute, man,” I said. “I’m not a caveman!”
“What do you mean?” the boy asked.
“I’m Jase the Duckman,” I said. “You know--from Duck Dynasty? Quack, quack?”
It didn’t take me long to realize the boy had no idea what I was talking about. In a matter of minutes, I went from being a potential terrorist to being a caveman selling insurance.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Acquainted? We know only names, so far. I know that it is Eleanor, here, who is wearing a red sweater, and consequently it must be Theodora who wears yellow—” “Doctor Montague has a beard,” Theodora said, “so you must be Luke.” “And you are Theodora,” Eleanor said, “because I am Eleanor.” An Eleanor, she told herself triumphantly, who belongs, who is talking easily, who is sitting by the fire with her friends. “Therefore you are wearing the red sweater,” Theodora explained to her soberly. “I have no beard,” Luke said, “so he must be Doctor Montague.” “I have a beard,” Dr. Montague said, pleased, and looked around at them with a happy beam. “My wife,” he told them, “likes a man to wear a beard. Many women, on the other hand, find a beard distasteful. A clean-shaven man—you’ll excuse me, my boy—never looks fully dressed, my wife tells me.” He held out his glass to Luke. “Now that I know which of us is me,” Luke said, “let me identify myself further. I am, in private life—assuming that this is public life and the rest of the world is actually private—let me see, a bullfighter. Yes. A bullfighter.
”
”
Shirley Jackson (The Haunting of Hill House)
“
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!
”
”
W.B. Yeats (100 Selected Poems)
“
When my mother sees the scraps, she assumes a look of scorn. Scorn is a beautiful word. He curls his bearded lip in scorn. Bastion is a beautiful word, as is citadel, vaunt and joust. Anyone who hesitates near me, these days, has to read me a chapter of 'King Arthur and the Knights of the Round Table'. I am considering adding knight errant to the profession of railway guard. Knight errant means knight wanderer, but I also think it means knight who has made a mistake. Mistakes are made all the time, it is a human thing, in a knight, to slip up once in a while.
I am waiting to change into a boy. When I am four this will occur.
”
”
Hilary Mantel (Giving Up the Ghost)
“
In addition to Linda and me, there's a brother, a strange little guy named Bradley, obsessed with his own cowboy boots. He paces areound and around the house, staring at his feet and humming the G. I. Joe song from the television commmercial. He is the ringleader of a neighborhood gang of tiny boys, four-year olds, who throw dirt and beat each other with sticks all day long. In the evenings he comes to dinner with an imaginnary friend named Charcoal.
'Charcoal really needs a bath', my mother says, spooning Spaghettios onto his plate. His hands are perfectly clean right up to the wrists and the center of his face is cleared so we can see what he looks like. The rest of him is dirt.
”
”
Jo Ann Beard
“
It is possible to get too hung up about this point. In, for example, the genealogical multiple pile-up of Swabia with almost every hill under its own prince, it is possible to imagine a feudal version of Jorge Luis Borges’ infinite library, a world of so many hundreds of rulers that every variation of behaviour is possible, or indeed certain, in any given moment. So somewhere a ruler with a huge grey beard is dying surrounded by his weeping family and retainers; somewhere else a bored figure is irritably shooting bits off the plaster decorations in the ballroom; another is making an improper suggestion to a stable boy; another is telling an anecdote about fighting the Turks, staring into space, girding for battle, converting to Calvinism, wishing he had a just slightly bigger palace, and so on. This dizzying multiplicity makes each of hundreds of castles a frightening challenge – with the possibility of the guide making my head explode with the dizzying details of how the young duchess had been walled up in a tower for being caught in a non-spiritual context with her confessor and how as a result the Strelitz-Nortibitz inheritance had passed, unexpectedly, to a cousin resident in Livonia who, on his way home to claim the dukedom, died of plague in a tavern near Rothenberg thus activating the claim of the very odd dowager’s niece, long resident in a convent outside Bamberg. But it is probably time to move on.
”
”
Simon Winder (Germania)
“
Miss Kay
There are only a few things in life that make me really, really angry. One of them is when people struggle in their marriages and refuse to fight for them, but I have already mentioned that. Another thing that infuriates me--and embarrasses me so much for the people who do it--is when women nearly fall all over my sons flirting with them. They try some of the most disgraceful things to catch Willie’s, Jase’s, or Jep’s attention. Some of the behavior I have seen toward my sons--and even toward Phil and Si--is just shameful! I don’t understand how people can let themselves act that way, and as a woman, I really am humiliated when other women do such things.
I realize all the boys are good-looking, and I know what great men they are, but they’re taken. A lot of people don’t respect the vows and commitments of marriage anymore and simply do not have any self-respect. They do not seem to have any reservation at all about flirting with men they know to be married. When people don’t honor the fact that each of my sons already has the woman he has chosen, I want to say, “Come on! These boys are happily married men. Go find your own duck hunter!”
This kind of thing did not happen before we went on television, and I hate to see it happening now. As much as I enjoy interacting with our fans and hearing stories about the positive impact Duck Dynasty has had on so many people, I will never be okay with women chasing after my sons.
”
”
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
The boys are barely old enough
To grow a beard.
But here’s something interesting,
Maybe even a little weird.
One of those boys
Has volunteered!
You’re familiar with the type.
Good shoulders.
Good teeth.
Believes his own hype.
And now, just to add a little fun,
Some folks say
That he’s my son!
I guess it’s possible, you know.
I’ve had so many one-night stands,
So many whams and bams and thank-me-ma’ams,
I can’t keep track of every mademoiselle.
Plus, I’m not the type to kiss and tell.
Well, if I’m honest,
I’m not the type to kiss.
But truth is, his mother,
Aethra, was in a mess —
A sweet young thing, courted, prized.
Next thing you know she’s spermatized
By Aegeus, who is King of Athens.
Of course. None other.
”
”
David Elliott (Bull)
“
Lisa
In 1977, when I was in sixth grade at Pinecrest Elementary School in my hometown of West Monroe, Louisiana, I saw the cutest boy I had ever laid eyes on. He was new to our school, and I quickly found out his name was Alan Robertson. I was popular in school and people seemed to like me, but no matter how I tried, that cute boy did not seem to know I was alive. Maybe that’s because he was in eighth grade and did not have time for younger girls like me. That did not stop me from following him around school, though--during every recess, fire drill, and class change. Sometimes when I speak publicly about this now, I say I could have been on fire and he would not have noticed. At least that’s what I thought; he says he was vaguely aware that he had a sixth-grade stalker with braces.
”
”
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
”
”
C.S. Lewis (The Screwtape Letters)
“
On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems.
And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
”
”
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
“
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
”
”
Stephanie Oakes (The Sacred Lies of Minnow Bly)
“
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
”
”
Sue Monk Kidd (The Invention of Wings)
“
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
”
”
Anton Chekhov (Love)
“
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
”
”
Michael Chabon (Telegraph Avenue)
“
You seem surprised to find us here,’ the man said.
‘I am,’ I said. ‘I wasn’t expecting to find anyone.’
‘We are everywhere,’ the man said. ‘We are all over the country.’
‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’
‘Jewish refugees.’
[...]
‘Is this your land?’ I asked him.
‘Not yet,’ he said.
‘You mean you are hoping to buy it?’
He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’
‘So where do you go from here?’ I asked him. ‘You and all your orphans?’
‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’
‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’
He smiled again, presumably at the naïvety of my questions.
‘No,’ the man said, ‘I do not think we will become Palestinians.’
‘Then what will you do?’
‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’
‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip.
‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’
‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’
‘That is a very small problem,’ the man said. ‘Ours is much bigger.’
I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him.
‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’
‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours.
I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’
‘You mean the Jews have no country?’
‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’
‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’
‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us.
‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’
‘We don’t want Germany,’ the man said.
‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever.
‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
”
”
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
“
And the old man groaned, and beat his head
With his hands, and stretched out his arms
To his beloved son, Hector, who had
Taken his stand before the Western Gate,
Determined to meet Achilles in combat.
Priam's voice cracked as he pleaded:
"Hector, my boy, you can't face Achilles
Alone like that, without any support—
You'll go down in a minute. He's too much
For you, son, he won't stop at anything!
O, if only the gods loved him as I do:
Vultures and dogs would be gnawing his corpse.
Then some grief might pass from my heart.
So many fine sons he's taken from me,
Killed or sold them as slaves in the islands.
Two of them now, Lycaon and Polydorus,
I can't see with the Trojans safe in town,
Laothoë's boys. If the Greeks have them
We'll ransom them with the gold and silver
Old Altes gave us. But if they're dead
And gone down to Hades, there will be grief
For myself and the mother who bore them.
The rest of the people won't mourn so much
Unless you go down at Achilles' hands.
So come inside the wall, my boy.
Live to save the men and women of Troy.
Don't just hand Achilles the glory
And throw your life away. Show some pity for me
Before I go out of my mind with grief
And Zeus finally destroys me in my old age,
After I have seen all the horrors of war—
My sons butchered, my daughters dragged off,
Raped, bedchambers plundered, infants
Dashed to the ground in this terrible war,
My sons' wives abused by murderous Greeks.
And one day some Greek soldier will stick me
With cold bronze and draw the life from my limbs,
And the dogs that I fed at my table,
My watchdogs, will drag me outside and eat
My flesh raw, crouched in my doorway, lapping
My blood.
When a young man is killed in war,
Even though his body is slashed with bronze,
He lies there beautiful in death, noble.
But when the dogs maraud an old man's head,
Griming his white hair and beard and private parts,
There's no human fate more pitiable."
And the old man pulled the white hair from his head,
But did not persuade Hector.
”
”
Homer (The Iliad)
“
But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song.
At last, Harry held up his hands, and the portraits fell respectfully silent, beaming and mopping their eyes and waiting eagerly for him to speak. He directed his words at Dumbledore, however, and chose them with enormous care. Exhausted and bleary-eyed though he was, he must make one last effort, seeking one last piece of advice.
“The thing that was hidden in the Snitch,” he began, “I dropped it in the forest. I don’t know exactly where, but I’m not going to go looking for it again. Do you agree?”
“My dear boy, I do,” said Dumbledore, while his fellow pictures looked confused and curious. “A wise and courageous decision, but no less than I would have expected of you. Does anyone else know where it fell?”
“No one,” said Harry, and Dumbledore nodded his satisfaction.
“I’m going to keep Ignotus’s present, though,” said Harry, and Dumbledore beamed.
“But of course, Harry, it is yours forever, until you pass it on!”
“And then there’s this.”
Harry held up the Elder Wand, and Ron and Hermione looked at it with a reverence that, even in his befuddled and sleep-deprived state, Harry did not like to see.
“I don’t want it,” said Harry.
“What?” said Ron loudly. “Are you mental?”
“I know it’s powerful,” said Harry wearily. “But I was happier with mine. So…”
He rummaged in the pouch hung around his neck, and pulled out the two halves of holly still just connected by the finest thread of phoenix feather. Hermione had said that they could not be repaired, that the damage was too severe. All he knew was that if this did not work, nothing would.
He laid the broken wand upon the headmaster’s desk, touched it with the very tip of the Elder Wand, and said, “Reparo.”
As his wand resealed, red sparks flew out of its end. Harry knew that he had succeeded. He picked up the holly and phoenix wand and felt a sudden warmth in his fingers, as though wand and hand were rejoicing at their reunion.
“I’m putting the Elder Wand,” he told Dumbledore, who was watching him with enormous affection and admiration, “back where it came from. It can stay there. If I die a natural death like Ignotus, its power will be broken, won’t it? The previous master will never have been defeated. That’ll be the end of it.”
Dumbledore nodded. They smiled at each other.
“Are you sure?” said Ron. There was the faintest trace of longing in his voice as he looked at the Elder Wand.
“I think Harry’s right,” said Hermione quietly.
“That wand’s more trouble than it’s worth,” said Harry. “And quite honestly,” he turned away from the painted portraits, thinking now only of the four-poster bed lying waiting for him in Gryffindor Tower, and wondering whether Kreacher might bring him a sandwich there, “I’ve had enough trouble for a lifetime.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
...the marchers appear four abreast. Dressed in clothing of every description, all wearing red scarves at their necks. Red or orange, as close to red as they could find. . . . He wallowed on the ground and lay watching across his forearm. An army in tennis shoes, tramping. Carrying three-foot lengths of pipe with leather wrappings. Lanyards at the wrist. Some of the pipes were threaded through with lengths of chain fitted at their ends with every manner of bludgeon. They clanked past, marching with a swaying gait like wind-up toys. Bearded, their breath smoking through their masks. Shh, he said. Shh. The phalanx following carried spears or lances tasseled with ribbons, the long blades hammered out of trucksprings in some crude forge upcountry. The boy lay with his face in his arms, terrified. They passed two hundred feet away, the ground shuddering lightly. Tramping. Behind them came wagons drawn by slaves in harness and piled with goods of war and after that the women, perhaps a dozen of them, some of them pregnant, and lastly a supplementary consort of catamites, illclothed against the cold and fitted in dogcollars and yoked each to each.
”
”
Cormac McCarthy (The Road)
“
Remind yourself where you come from.
I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly.
When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy!
The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it.
“So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.”
I raised an eyebrow. “Pick who up?”
The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.”
I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance?
When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed.
Jennifer would say, “Told ya so.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes
his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’
In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’
In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’
Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes
his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’
In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’
In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’
Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
A Jewish boy comes to his father and asks, ‘Dad, why shouldn’t we eat pork?’ The father strokes
his long white beard thoughtfully and answers, ‘Well, Yankele, that’s how the world works. You are still young and you don’t understand, but if we eat pork, God will punish us and we will come to a bad end. It isn’t my idea. It’s not even the rabbi’s idea. If the rabbi had created the world, maybe he would have created a world in which pork was perfectly kosher. But the rabbi didn’t create the world – God did it. And God said, I don’t know why, that we shouldn’t eat pork. So we shouldn’t. Capeesh?’
In 1943 a German boy comes to his father, a senior SS officer, and asks, ‘Dad, why are we killing the Jews?’ The father puts on his shiny leather boots, and meanwhile explains, ‘Well, Fritz, that’s how the world works. You are still young and you don’t understand, but if we allow the Jews to live, they will cause the degeneration and extinction of humankind. It’s not my idea, and it’s not even the Führer’s idea. If Hitler had created the world, maybe he would have created a world in which the laws of natural selection did not apply, and Jews and Aryans could all live together in perfect harmony. But Hitler didn’t create the world. He just managed to decipher the laws of nature, and then instructed us how to live in line with them. If we disobey these laws, we will come to a bad end. Is that clear?!’
In 2016 a British boy comes to his father, a liberal MP, and asks, ‘Dad, why should we care about the human rights of Muslims in the Middle East?’ The father puts down his cup of tea, thinks for a moment, and says, ‘Well, Duncan, that’s how the world works. You are still young and you don’t understand, but all humans, even Muslims in the Middle East, have the same nature and therefore enjoy the same natural rights. This isn’t my idea, nor a decision of Parliament. If Parliament had created the world, universal human rights might well have been buried in some subcommittee along with all that quantum physics stuff. But Parliament didn’t create the world, it just tries to make sense of it, and we must respect the natural rights even of Muslims in the Middle East, or very soon our own rights will also be violated, and we will come to a bad end. Now off you go.’
Liberals, communists and followers of other modern creeds dislike describing their own system as a ‘religion’, because they identify religion with superstitions and supernatural powers. If you tell communists or liberals that they are religious, they think you accuse them of blindly believing in groundless pipe dreams. In fact, it means only that they believe in some system of moral laws that wasn’t invented by humans, but which humans must nevertheless obey. As far as we know, all human societies believe in this. Every society tells its members that they must obey some superhuman moral law, and that breaking this law will result in catastrophe.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.
”
”
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
“
Dear Peter K,
First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard.
Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore.
Here are all your worst qualities:
You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you.
You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude.
You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did.
You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be.
The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool.
Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long.
Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you:
One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad.
You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed.
You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym.
After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special.
Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it.
And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD!
Lara Jean Song
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Odysseus smiled in return, teeth white against his dark beard. “Excellent. One tent’s enough, I
hope? I’ve heard that you prefer to share. Rooms and bedrolls both, they say.” Heat and shock rushed through my face. Beside me, I heard Achilles’ breath stop. “Come now, there’s no need for shame—it’s a common enough thing among boys.” He
scratched his jaw, contemplated. “Though you’re not really boys any longer. How old are you?”
“It’s not true,” I said. The blood in my face fired my voice. It rang loudly down the beach.
Odysseus raised an eyebrow. “True is what men believe, and they believe this of you. But perhaps they are mistaken. If the rumor concerns you, then leave it behind when you sail to war.”
Achilles’ voice was tight and angry. “It is no business of yours, Prince of Ithaca.”
Odysseus held up his hands. “My apologies if I have offended. I merely came to wish you
both good night and ensure that all was satisfactory. Prince Achilles. Patroclus.” He inclined his head and turned back to his own tent.
Inside the tent there was quietness between us. I had wondered when this would come. As Odysseus said, many boys took each other for lovers. But such things were given up as they grew older, unless it was with slaves or hired boys. Our men liked conquest; they did not trust a man who was conquered himself.
“Perhaps he is right,” I said.
Achilles’ head came up, frowning. “You do not think that.”
“I do not mean—” I twisted my fingers. “I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—”
“No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.” Best of the Greeks.
“Your honor could be darkened by it.”
“Then it is darkened.” His jaw shot forward, stubborn. “They are fools if they let my glory rise
or fall on this.”
“But Odysseus—”
His eyes, green as spring leaves, met mine. “Patroclus. I have given enough to them. I will not give them this.”
After that, there was nothing more to say
”
”
Madeline Miller (The Song of Achilles)