Beads Business Quotes

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I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin. And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin. I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies. John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat. The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies. But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
There's a man who's been out sailing In a decade full of dreams And he takes her to a schooner And he treats her like a queen Bearing beads from California With their amber stones and green He has called her from the harbor He has kissed her with his freedom He has heard her off to starboard In the breaking and the breathing Of the water weeds While she was busy being free
Joni Mitchell
At certain times I have no race. I am me. I belong to no race or time. I am the eternal feminine with its string of beads. I do not weep at the world--I am too busy sharpening my oyster knife. I have a strong suspicion, but I can't be sure, that much that passes for constant love is a golded-up moment walking in its sleep. Ships at a distance have every man's wish on board. Sometimes I feel discriminated against, but it does not make me angry. It merely astonishes me. How can anyone deny themselves the pleasure of my company? It's beyond me. There are years that ask questions and years that answer.
Zora Neale Hurston
You are lucky, Renisenb. You have found the happiness that is inside everybody's own heart. To most women, happiness means coming and going, busied over small affairs. It is care for one's children and laughter and conversation and quarrels with other women and alternate love and anger with a man. It is made up of small things strung together like beads on a string.
Agatha Christie (Death Comes as the End)
In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run!
Martin Amis (Money)
The Quakers pray as the spirit moves them; but to let oneself be moved by the spirit is an arduous business. Kindlier and more worldly churches, with a feeling for human weakness, provide their worshipers with rituals, litanies, beads and prayer wheels.
Aldous Huxley (Those Barren Leaves)
She was like a practical priest, someone to whom one could confess things—fears, hopes, mistakes—and expect in return, not a simpleton’s recipe for prayers and beads, or a psychologist’s standard “And how does that make you feel?” runaround, but actual wisdom. How to get on with the business at hand. How to survive.
Bonnie Garmus (Lessons in Chemistry)
So what actually goes on with all this religion business? Does it really matter whether you’re a Gnostic, a Christian, a Muslim, a Shi’ite, a Hindu, a Taoist, a Rosicrucian, a Jew, a Witch or a Jehovah’s Witness? Not in the slightest. (Well, it might matter if you’re a Jehovah’s Witness). Does it matter if you follow the teachings of Confucius, Buddha, Ramakrishna or Mary Baker Eddy? Of course not. Does it matter if your ritual object or talisman is a cup, an amulet, a tabernacle, a horseshoe, holy water, a wishbone, a Sanctus bell, a St. Christopher, a baptismal font, a rabbit’s foot, rosary beads, a broomstick or a seven-branched candlestick? No, it’s just something to focus your mind on. The real power is within you. Just as long as it doesn’t become a cop-out. Which it so often does. Why? I’ll tell you. Because Rag, Tag & Bobtail are not willing to take responsibility for their own lives. They need someone to tell them what to do and what to believe. But in reality you don’t need anyone. It’s all there inside you. You grant your own absolution. Hey, it’s your life! You certainly have more control over your ultimate destiny than a priest.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Then the Yogi suddenly fell silent, and when I looked puzzled he shrugged and said: ‘Don’t you see yourself where the fault lies?’ But I could not see it. At this point he recapitulated with astonishing exactness everything he had learned from me by his questioning. He went back to the first signs of fatigue, repugnance, and intellectual constipation, and showed me that this could have happened only to someone who had submerged himself disproportionately in his studies and that it was high time for me to recover my self-control, and to regain my energy with outside help. Since I had taken the liberty of discontinuing my regular meditation exercises, he pointed out, I should at least have realized what was wrong as soon as the first evil consequences appeared, and should have resumed meditation. He was perfectly right. I had omitted meditating for quite a while on the grounds that I had no time, was too distracted or out of spirits, or too busy and excited with my studies. Moreover, as time went on I had completely lost all awareness of my continuous sin of omission. Even now, when I was desperate and had almost run aground, it had taken an outsider to remind me of it. As a matter of fact, I was to have the greatest difficulty snapping out of this state of neglect. I had to return to the training routines and beginners’ exercises in meditation in order gradually to relearn the art of composing myself and sinking into contemplation.” With a small sigh the Magister ceased pacing the room. “That is what happened to me, and to this day I am still a little ashamed to talk about it. But the fact is, Joseph, that the more we demand of ourselves, or the more our task at any given time demands of us, the more dependant we are on meditation as a wellspring of energy, as the ever-renewing concord of mind and soul. And – I could if I wished give you quite a few more examples of this – the more intensively a task requires our energies, arousing and exalting us at one time, tiring and depressing us at another, the more easily we may come to neglect this wellspring, just as when we are carried away by some intellectual work we easily forget to attend to the body. The really great men in the history of the world have all either known how to meditate or have unconsciously found their way to the place to which meditation leads us. Even the most vigorous and gifted among the others all failed and were defeated in the end because their task or their ambitious dream seized hold of them, made them into persons so possessed that they lost the capacity for liberating themselves from present things, and attaining perspective. Well, you know all this; it’s taught during the first exercises, of course. But it is inexorably true. How inexorably true it is, one realizes only after having gone astray.
Hermann Hesse (The Glass Bead Game (Vintage Classics))
Duffy and I had been in the back room of Slade’s place waiting for Alex, with whom I had the hope of transacting a little business. I was a newspaperman and Alex knew something I wanted to know. Duffy had called him in, for Duffy was a friend of mine. At least, he knew that I worked for the Chronicle, which at that time was supporting the Joe Harrison outfit. Joe Harrison was Governor then. And Duffy was one of Joe Harrison’s boys. So I was sitting in the back room of Slade’s place, one hot morning in June or July, back in 1922, waiting for Alex Michel to turn up and listening to the silence in the back room of Slade’s place. A funeral parlor at midnight is ear-splitting compared to the effect you get in the middle of the morning in the back room of a place like Slade’s if you are the first man there. You sit there and think how cozy it was last night, with the effluvium of brotherly bodies and the haw-haw of camaraderie, and you look at the floor where now there are little parallel trails of damp sawdust the old broom left this morning when the unenthusiastic old Negro man cleaned up, and the general impression is that you are alone with the Alone and it is His move. So I sat there in the silence (Duffy was never talkative in the morning before he had worried down two or three drinks), and listened to my tissues break down and the beads of perspiration explode delicately out of the ducts embedded in the ample flesh of my companion. Alex
Robert Penn Warren (All The King's Men)
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
God came up and kissed Day on his forehead. When Day looked over at Johnson, who was still slowly sipping his soda, the guy did look lonely as hell. Before Day could say something kind, his other headache strolled in. “Oh hell. What the fuck is going on in here? This must be the officer’s gay alliance club meeting.” Day blew an exasperated breath. “And now that you’re here, Ronowski, all members are present and we can begin.” Day smiled as God and Johnson practically spit their drinks out laughing. Ronowski fumed. “Day, you’re going to stop calling me gay! I have never been gay! I will never be gay, and I don’t like anyone that is gay! So stop saying that before people start believing your bullshit!” Day clapped his hands together once. “Okay everyone those are the notes from last week’s meeting, now on to new business.” Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly. He stepped in so close to Ronowski that he could smell the body wash he used. “Let a man bang your back out one time.” Day leaned in to the man’s ear and felt Ronowski’s body give a fierce shutter. “I mean pound your ass so hard that you can’t walk straight for a week, and I guarantee you, you’ll want to march in the next gay pride parade, wearing nothing but a glitter jockstrap and a fuckin’ hot-pink feather boa.” Day stepped back and saw the beads of sweat that had popped up on Ronowski’s forehead. Satisfied he’d proven his point he refilled his coffee and left the break room.
A.E. Via
Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Life is a little like getting on a bus with loads of passengers who are already on when you get on. A bus to nowhere but going with absolute certainty to nowhere or so it seems to you. And, you somehow secure a seat and think as long as you sit quietly, you might be allowed to stay till the destination, whatever it may be. You wonder if you could buy a more secure seat if you become the life and soul of the bus, since then nobody will want you to get off. So, you try. There are people you like on the bus, some you cannot bear to be around with. People keep getting on. The bus is overcrowded. You watch some who gracefully get down, some who literally jump off the running bus and others who are abruptly forced off the bus. You feel sorry for those who have been forced off, happy you are still there. You must be special then for that privilege. You sit there thinking if you are quiet and decent, and minding your business or counting your beads, you should be ok, not realising that you could be the next. There is deep down a fear that you could be, but you hope that all what you had done since you got on would guarantee a longer passage to nowhere. Maybe, to a better destination? Where could the bus be going? Who will be getting off next? Will it be you? What is this strange journey with passengers you cannot choose, stops you cannot decide and destination unknown. Suddenly you cannot bear this torture anymore. This meaningless journey with atrocious company to nowhere. And, you sit there in this tumbling, roller coaster ride, hanging onto dear life and swear to yourself that you will enjoy the journey while it lasts. Amidst it all, the question arises... who am I who is sitting here on the bus on a ride to nowhere? And, you sit there... waiting, pretending, dreaming, smiling, laughing... living a little, dying a little, hoping your stop is not the next and wondering what if it is.
Srividya Srinivasan
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
California, land of my dreams and my longing. You've seen me in New York and you know what I'm like there but in L.A., man, I tell you, I'm even more of a high-achiever - all fizz and push, a fixer, a bustler, a real new-dealer. Last December for a whole week my thirty-minute short Dean Street was being shown daily at the Pantheon of Celestial Arts. In squeaky-clean restaurants, round smoggy poolsides, in jungly jacuzzis I made my deals. Business went well and it all looked possible. It was in the pleasure area, as usual, that I found I had a problem. In L.A., you can't do anything unless you drive. Now I can't do anything unless I drink. And the drink-drive combination, it really isn't possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it's an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there's a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God's green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE-NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON'T WALK, all of them, all the time. That is the message, the content of Los Angeles: don't walk. Stay inside. Don't walk. Drive. Don't walk. Run! I tried the cabs. No use. The cabbies are all Saturnians who aren't even sure whether this is a right planet or a left planet. The first thing you have to do, every trip, is teach them how to drive.
Martin Amis (Money)
Designori's face had clouded over once more. "Some times," he said resignedly, "it seems to me that we have not only two different languages and ways of expressing ourselves, each of which can only vaguely be translated into the other, but that we are altogether and fundamentally different creatures who can never understand each other. Which of us is really the authentic and integral human being, you or me? Every so often I doubt that either of us is. There were times when I looked up to you members of the Order and Glass Bead Game players with such reverence, such a sense of inferiority, and such envy that you might have been gods or supermen, forever serene, forever playing, forever enjoying your own existences, forever immune to suffering. At other times you seemed to me either pitiable or contemptible, eunuchs, artificially confined to an eternal childhood, child-like and childish in your cool, tightly fenced, neatly tidied playground and kindergarten, where every nose is carefully wiped and every troublesome emotion is soothed, every dangerous thought repressed, where everyone plays nice, safe, bloodless games for a lifetime and every jagged stirring of life, every strong feeling, every genuine passion, every rapture is promptly checked, deflected, and neutralized by meditation therapy. Isn't it artificial, sterilized, didactically pruned world, a mere sham world in which you cravenly vegetate, a world without vices, without passions, without hunger, without sap and salt, a world without family, without mothers, without children, almost without women? The instinctual life is tamed by meditation. For generations you have left to others dangerous, daring, and responsible things like economics, law, and politics. Cowardly and well-protected, fed by others, and having few burdensome duties, you lead your drones' lives, and so that they won't be too boring you busy yourselves with all these erudite specialties, count syllables and letters, make music, and play the Glass Bead Game, while outside in the filth of the world poor harried people live real lives and do real work.
Hermann Hesse (The Glass Bead Game)
The population, who are, ultimately, indifferent to public affairs and even to their own interests, negotiate this indifference with an equally spectral partner and one that is similarly indifferent to its own will: the government [Ie pouvoir] . This game between zombies may stabilize in the long term. The Year 2000 will not take place in that an era of indifference to time itself - and therefore to the symbolic term of the millennium - will be ushered in by negotiation. Nowadays, you have to go straight from money to money, telegraphically so to speak, by direct transfer (that is the viral side of the matter). A viral revolution, then, more akin to the Glass Bead Game than to the steam engine, and admirably personified in Bernard Tapie's playboy face. For the look of money is reflected in faces. Gone are the hideous old capitalists, the old-style industrial barons wearing the masks of the suffering they have inflicted. Now there are only dashing playboys, sporty and sexual, true knights of industry, wearing the mask of the happiness they spread all around themselves. The world put on a show of despair after 1968. It's been putting on a big show of hope since 1980. No more tears, alright? Reaganite optimism, the pump ing up of the dollar. Fabius's glossy new look. Patriotic conviviality. Reluctance prohibited. The old pessimism was produced by the idea that things were getting worse and worse. The new pessimism is produced by the fact that everything is getting better and better. Supercooled euphoria. Controlled anaesthesia. I should like to see the equivalent of Bernard Tapie in the world of business emerge in the world of concepts. Buying up failing concepts, swallowing them up, dusting them off (firing all the deadbeats who are in the way), putting them back into circulation with a dynamic virginity, sending them shooting up on the Stock Exchange and then abandoning them afterwards like dogs. Some people do this very well. It is perhaps better to save tired concepts by maintaining them in a super cooled state like unemployed labour, or locking them away in interactive data banks kept alive on a respirator.
Jean Baudrillard (Cool Memories)
Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
THE STORY WHEEL I leave you to your ceremony of grieving Which is also of celebration Given when an honored humble one Leaves behind a trail of happiness In the dark of human tribulation. None of us is above the other In this story of forever. Though we follow that red road home, one behind another. There is a light breaking through the storm And it is buffalo hunting weather. There you can see your mother. She is busy as she was ever— She holds up a new jingle dress, for her youngest beloved daughter. And for her special son, a set of finely beaded gear. All for that welcome home dance, The most favorite of all— when everyone finds their way back together to dance, eat and celebrate. And tell story after story of how they fought and played in the story wheel and how no one was ever really lost at all.
Joy Harjo (An American Sunrise)
But it is an archaeological site called Sunghir, discovered in the 1950s on the muddy banks of Klyazma River on the eastern fringes of the Russian city of Vladimir, that hints at how these populations busied themselves while waiting for the worst of winter to pass. Included among the stone tools and other more conventional bits and pieces, archaeologists there discovered several graves. None were more remarkable than the elaborate shared grave of two young boys who, sometime between 30,000 and 34,000 years ago, were buried together alongside a straightened mammoth-tusk lance in clothing decorated with nearly 10,000 laboriously carved mammoth-tusk beads, as well as pieces including a belt decorated with teeth plucked from the skulls of over a hundred foxes. With archaeologists estimating it took up to 10,000 hours of work to carve these beads alone—roughly equivalent to five years’ full-time effort for one individual working forty hours a week—some have suggested that these boys must have enjoyed something resembling noble status, and as a result that these graves indicate formal inequality among these foragers.11 It is at best tenuous evidence of institutional hierarchy; after all, some egalitarian foraging societies like the Ju/’hoansi made similarly elaborate items. But the amount of
James Suzman (Work: A Deep History, from the Stone Age to the Age of Robots)
for Falasteen the boy i adored at sixteen gifted me his keffiyeh feeling guilty for living when others were killed simply for existing i haven’t seen him in sixteen years but think of him often these days his grandmother’s purse still carrying keys to their home believing they’d return in weeks can it even be called a key if what it unlocked is no longer there? we’d sneak onto mall rooftops & pretend shooting only happened with stars! 'we have a duty of memory,' he said, 'so they’ll kill us all until only the soil is witness' how could i reply? i sat in my liquid silence today there are nurseries of martyrs they bomb babies for they fear enemies hiding between pacifiers & tiny wrists bomb hospitals because enemies hide in ICU bedpans bomb schools because enemies hide in children’s bags bomb the oldest mosques & churches because enemies hide in rosary beads & votive candles they bomb journalists because enemies are hiding under their PRESS vests & helmets bomb poets because enemies hide in pages of peace poems the elderly are bombed because enemies hide under their canes the disabled are bombed because they harbour enemies in their artificial limbs they raze & burn all the ancient trees because enemies make bombs from olives they bomb water treatment plants because enemies are now water & so it goes: justification provided exoneration granted business as usual & the boy I adored has green-grey eyes the colour of fig leaves we don’t speak but i wish to tell him 'i’m sorry the world is a blade i’m sorry home is blood & bones i’m sorry music is sirens & wails i’m sorry night is infinite' but the boy I adored has grey-green eyes the colour of forgotten ash
Kamand Kojouri
As cadets, we constantly hammered, scraped and wire brushed rusting steel, before applying red lead paint. Most of the paint we used was Navy surplus or a concoction made up of fish oil, lampblack and china dryer. We found that by mixing all different color paints, we would wind up with a paint we called “Sh-t Grindle Brown.” Inventiveness was key as we repaired, replaced, and painted the State of Maine from stem to stern. This work, being in addition to our studies, consumed all of our time. How we managed to fit all of this into the time we had, is still a mystery. The conversion of the ship was labor intensive and expensive, but the U.S. Maritime Commission contributed to the Academy’s financial needs where possible. The mounting expenses remained a challenge but we didn’t give up. We never did finish the entire conversion prior to our first cruise, but one thing we managed to do was paint over the name “USS Comfort” and hand letter in her new name “State of Maine.” If you looked carefully, you could still see her previous name outlined by a welded bead, but this was a minor detail that would eventually be taken care of. Perhaps because of my experience with the letters on the front of “Richardson Hall,” the task of lettering her name and her new homeport on the stern became mine. Much of the ship’s superstructure was still covered with a sticky preservative made up of paint and crank case oil, which never really dried and indelibly got onto our working uniforms. However, from a distance, you couldn’t tell the difference and it looked all right, but more importantly it prevented further rusting. One bulkhead at a time, using a mixture of gasoline and paint remover, we scraped the gunk off and repainted it. The engineers had been busy rebuilding the pumps and generators, as well as repacking steam pipes with asbestos wrapping. We finally got the ship to where we could sail her to Portland under her own power. The twin Babcock and Wilcox heater-type boilers had to be repaired and re-bricked there. After this, we would continue on to the dry dock in Boston for additional work and the hull inspection that was required below the water line.
Hank Bracker
Hold the wire firmly so that it’s taunt, and cross the wires around the bead. . Keep the wire firm and then cross them again, so as the wrapped wire you have just made lays beneath the previous crossed wire you made
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
Continue to wrap these wires around the circle of the bead, applying pressure on the wire. Ensure that each of the new layers is wrapped beneath the previous layer.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
After having the 4-5 wraps, you are now done with wrapping around the bead, so you should now finish on the sides.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
Now clip the unwanted parts of your wire, and allow about 1.5 inches of wire to each of the sides to finish the ring with.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
Start the wrapping from the tail of the wire, just around one side of your ring. Ensure that you maintain a firm grip to make neat and lovely loops.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
Make about 3-4 loops and then snip off the unwanted wire using a pair of wire cutters. You can snip with the cut on top of the ring to prevent the end from going underneath the ring. This can easily poke fingers during wearing.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
You can transfer the ring to an unmarked wooden mandrel to ensure that you can restore the perfect round shape. Turn the ring around the mandrel in a circle to shape it and straighten out other problems. To ensure that the loops fit tightly together, set them in place using pliers while your ring is snug on the mandrel.
Janice Love (Jewelry Making: Make Your Passions Into Profits Step By Step Guide To Creating Your Own Unique Jewelry Brand And Starting A Profitable Business (Jewelry ... Beaded Jewelry, Jewelry Making Books))
The modern Berkshire Hathaway that he had created churned out new beads for the rosary almost like a clockwork. Buffett’s hunt for things to buy had become more ambitious, free of the cigar butts and lawsuits of the decades before. The great engine of compounding worked as a servant on his behalf, at exponential speed and under the gathering approval of a public gaze. The method was the same: estimate an investment’s intrinsic value, handicap its risk, buy using margin of safety, concentrate, stay in the circle of competence, let it roll as compounding did the work. Anyone could understand these simple ideas, but few could execute them. Even though Buffett made the process look effortless, the technique and discipline underlying it actually did involve an enormous amount of work for him and his employees. As
Alice Schroeder (The Snowball: Warren Buffett and the Business of Life)
Just outside the hall, a bevy of youths and maidens sat waiting demurely for the serious business of the gathering to be concluded. They were garlanded in rose-vines, the thorns of which had provocatively pricked their faultless skins, conjuring aromatic gems that beaded redly upon the surface. As we passed them, Beth and I made a sacred genuflection, because we knew the significance of their presence.
Storm Constantine (Burying the Shadow)
Brandon and Taryn are at the end of the hallway. He has her skinny little body pinned up against the lockers and is kissing her neck. He turns his head, sees me, and pauses (midkiss) and stares. His look speaks volumes: "Keep your mouth shut, fat girl." If I had an ax, I’d love to hold him down and chop his nuts off. Or if I had the guts, give him the finger, but I busy myself in my locker. By the time I slam it shut, they’re long gone. I’ve broken out in a cold sweat. My T-shirt clings to my stomach and back. A single bead of panic rolls down my spine, tickling my skin like a spider. I shiver as I round the corner. If I tell anyone about the rape, I risk major backlash. People won’t believe that Brandon raped me. I know it.
K.M. Walton (Empty)
...or works along its rim with busy fingers like a string of prayer beads.
Michael Paterniti (Driving Mr. Albert: A Trip Across America with Einstein's Brain)
great
Yulia Tyutyunnik (Beading Business Start Up Guide: A Beginner’s Guide to Turning Your Passion into a Successful Small Business)
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Is Buying Verified Facebook Ads Accounts from a Service Ever a Good Idea from Pvasellusa? Thinking of buying verified Facebook Ads accounts from Pvasellusa? Here's a complete breakdown of the pros, cons, risks, and benefits of purchasing pre-verified ad accounts in 2025. If you want to more information just contact now. 24 Hours Reply/Contact ➤Email: pvasellusa@gmail.com ➤Telegram: @PvaSellUSA ➤WhatsApp: +1(821)-204-1314 Introduction If you've run Facebook Ads before, you know how frustrating it can be—ad account bans, slow approvals, business manager restrictions, and more. That’s why many marketers are turning to sellers like Pvasellusa for verified Facebook Ads accounts. But here's the real question: Is buying these accounts ever a good idea? Let’s dig deep and break it down in simple terms—benefits, risks, and everything in between. What Is a Verified Facebook Ads Account? A verified Facebook Ads account is a business or personal ad account that has already passed Facebook’s verification checkpoints: Phone verified (PVA) Email verified Connected to a real business manager Has a clean ad history (or none) Often includes spending history or an active pixel These are often “ready-to-run” ad accounts. If you want to more information just contact now. 24 Hours Reply/Contact ➤Email: pvasellusa@gmail.com ➤Telegram: @PvaSellUSA ➤WhatsApp: +1(821)-204-1314 Why Are People Buying These Accounts in 2025? With stricter Meta rules, many advertisers face: Account bans after just one ad Delays in ad review Suspended Business Managers Multiple rejection loops without reason Buying a verified ad account bypasses all that—you skip the setup, verification, and warm-up phase. If you want to more information just contact now. 24 Hours Reply/Co
"PvaSellUSA: Buy Facebook Accounts Safely – Top 10 Sites for Management in 2026"