Beaded Bags Quotes

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in better company, they found among all those hideous carcasses two skeletons, one of which held the other in its embrace. One of these skeletons, which was that of a woman, still had a few strips of a garment which had once been white, and around her neck was to be seen a string of adrezarach beads with a little silk bag ornamented with green glass, which was open and empty. These objects were of so little value that the executioner had probably not cared for them. The other, which held this one in a close embrace, was the skeleton of a man. It was noticed that his spinal column was crooked, his head seated on his shoulder blades, and that one leg was shorter than the other. Moreover, there was no fracture of the vertebrae at the nape of the neck, and it was evident that he had not been hanged. Hence, the man to whom it had belonged had come thither and had died there. When they tried to detach the skeleton which he held in his embrace, he fell to dust.
Victor Hugo (The Hunchback of Notre-Dame)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds. Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day. Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
Diane Ackerman (I Praise My Destroyer: Poems)
PERCY ALREADY FELT LIKE THE lamest demigod in the history of lame. The purse was the final insult. They’d left R.O.F.L. in a hurry, so maybe Iris hadn’t meant the bag as a criticism. She’d quickly stuffed it with vitamin-enriched pastries, dried fruit leather, macrobiotic beef jerky, and a few crystals for good luck. Then she’d shoved it at Percy: Here, you’ll need this. Oh, that looks good. The purse—sorry, masculine accessory bag—was rainbow tie-dyed with a peace symbol stitched in wooden beads and the slogan Hug the Whole World. Percy wished it said Hug the Commode. He felt like the bag was a comment on his massive, incredible uselessness. As they sailed north, he put the man satchel as far away from him as he could, but the boat was small.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
For my twenty-seventh birthday, I was really looking forward to your father's gift...But there was no box. There was no bag with tissue sticking out of the top. We sat down on his bed, in his closet room, as he gave me an envelope...Instead, there was a blank card with these instructions: 'Write down all of your goals.' Then he had me recite them back to him. And after every goal I read out loud to him, he replied, 'So it shall be. '... And despite having put anal beads up another grown man's ass in a previous relationship, I had never experienced and activity that was so intimate. And straight up free.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Did you just say you got away from the Snatchers with a spare wand?” “What?” said Ron, who had been watching Hermione examining the locket. “Oh--oh yeah.” He tugged open a buckle on his rucksack and pulled a short, dark wand out of its pocket. “Here. I figured it’s always handy to have a backup.” “You were right,” said Harry, holding out his hand. “Mine’s broken.” “You’re kidding?” Ron said, but at that moment Hermione got to her feet, and he looked apprehensive again. Hermione put the vanquished Horcrux into the beaded bag, then climbed back into her bed and settled down without another word. Ron passed Harry the new wand. “About the best you could hope for, I think,” murmured Harry. “Yeah,” said Ron. “Could’ve been worse. Remember those birds she set on me?” “I still haven’t ruled it out,” came Hermione’s muffled voice from beneath her blankets, but Harry saw Ron smiling slightly as he pulled his maroon pajamas out of his rucksack.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Mac brought up the rear, feeling ridiculous holding a beaded purse and marching behind his fake fiancée, his ex-girlfriend, and notorious arms dealer carrying a double-dicked lizard. Griselda fell into step beside her husband carrying a five-pound bag of sugar and a half-used tube of KY Jelly.
Tawna Fenske (Fiancée for Hire (Front and Center, #2))
He teaches his language students to imagine they have a bag full of one thousand beads. Every time they make a mistake talking to someone else in the language they take out one bead. When the bag is empty they will have achieved level 1 mastery. The faster they make those mistakes, the faster they will progress.
Greg McKeown (Effortless: Make It Easier to Do What Matters Most)
Now you've done it." His tone was quietly playful. I couldn't help it.I looked up at him questioningly. "You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed." I turned back to my notebook,my hands trembling. He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone. I could feel little beads of sweat form on my forehead. "You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?" He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work. I started to close my book. "Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag. Say something.Say something. "Um..." Jack paused, as if further movement might stop my words. He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please." He took his book back out and put it on his desk. I followed,setting my own books out. "Thank you," Jack whispered. We didn't talk for the rest of the hour.
Brodi Ashton (Everneath (Everneath, #1))
They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag. “Polyjuice Potion…Invisibility Cloak…Decoy Detonators…You should each take a couple just in case…Puking Pastilles, Nosebleed Nougat, Extendable Ears…” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I leave entry for the first day of the tenth month in the year the albatross came to the south-western halls This morning I fetched the small cardboard box with the word AQUARIUM and the picture of an octopus on it. It is the box that originally contained the shoes Dr Ketterley gave me. When Dr Ketterley told me to hide Myself from 16, I took the ornaments out of my hair and placed them in the box. But now, wanting to look my best when I enter the New World, I spent two or three hours putting them back in, all the pretty things that I have found or made: seashells, coral beads, pearls, tiny pebbles and interesting fishbones. When Raphael arrived, she seemed rather astonished at my pleasant appearance. I took my messenger bag with all my Journals and my favourite pens and we walked towards the two Minotaurs in the South-Eastern Corner. The shadows between them shimmered slightly. The shadows suggested the shape of a corridor or alleyway with dim walls and, at the end of it, lights, flashes of moving colour that my eye could not interpret. I took one last look at the Eternal House. I shivered. Raphael took my hand. Then, together, we walked into the corridor.
Susanna Clarke (Piranesi)
Dear lady,' says a faerie, coming toward us from a shop that sells jewels. He has the eyes of a snake and forked tongue that darts out when he speaks. 'This hairpin looks as though it were made for you.' It's beautiful, woven gold and silver in the shape of a bird, a single green bead in its mouth. Had it been in a display, my eyes would have passed over it as one of a dozen unobtainable things. But as he holds it out, I can't help imaging it as as mine. 'I have no money and little to trade,' I tell him regretfully, shaking my head. The shopkeeper's gaze goes to Oak. I think he believes the prince is my lover. Oak plays the part, reaching out his hand for the pin. 'How much is it? And will you take silver, or must it be the last wish of my heart?' 'Silver is excellent.' The shopkeeper smiles as Oak fishes through his bag for some coins. Part of me wants to demur, but I let him buy it, and then I let him use it to pin back my hair. His fingers on my neck are warm. It's only when he lets go that I shiver. He gives me a steady look. 'I hope you're not about to tell me that you hate it and you were just being polite.' 'I don't hate it,' I say softly. 'And I am not polite.' He laughs at that. A delightful quality. I admire the hairpin in every reflective surface we pass.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
So it was that Phryne acquired a skimpy costume of Fugi cotton, with fringes, in a blinding shade of pink known colloquially as ‘baby’s bottom’, a pair of near-kid boots with two-inch heels, an evening bag fringed and beaded to within an inch of complete inutility, stockings in peach, and a dreadful cloche hat with a drunken brim in electric blue plush. Her method in choosing these garments was simple. Anything at which Dot exclaimed, ‘Oh, no, Miss!’ she bought.
Kerry Greenwood (Cocaine Blues (Phryne Fisher, #1))
You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
One of these skeletons, which was that of a woman, still had a few strips of a garment which had once been white, and around her neck was to be seen a string of adrézarach beads with a little silk bag ornamented with green glass, which was open and empty. These objects were of so little value that the executioner had probably not cared for them. The other, which held this one in a close embrace, was the skeleton of a man. It was noticed that his spinal column was crooked, his head seated on his shoulder blades, and that one leg was shorter than the other. Moreover, there was no fracture of the vertebrae at the nape of the neck, and it was evident that he had not been hanged. Hence, the man to whom it had belonged had come thither and had died there. When they tried to detach the skeleton which he held in his embrace, he fell to dust.
Victor Hugo (Victor Hugo: The Complete Novels (The Greatest Writers of All Time Book 15))
On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete
Ann M. Martin (Jessi and the Awful Secret (The Baby-Sitters Club, #61))
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
I was hungry and you gave me food….” —Matthew 25:35 (RSV) I sat through lunch at the usual eatery, hoping the woman would be gone when I walked back to the office. The sight of her was just too upsetting: a disheveled-looking mom at the top of the subway steps, begging with her two young children in tow. “If she’s gone when I go back, I won’t have to do anything,” I told myself. I’d be off the hook. But just the image of her had kept me on the hook. Why weren’t her children in school? Where did they live? “I shouldn’t give her anything because she’s probably an addict,” I rationalized. People who know more about these things than I do tell me beggars will take whatever money you give them and use it for drugs or alcohol. But what about her kids? They weren’t addicts. They were wearing clean T-shirts, jeans, their hair braided with beads. “I’ll pray for them,” I told myself. But to leave it at that seemed like a cop-out. Maybe they’re there because God wants you do something, Rick. Not just for them but also for you. The poor and hungry should not just be ignored. I swallowed the rest of my sandwich and went to the counter to buy some more food. Not for myself this time. I carried my bag and rounded the corner. She was still there. “What’s your name?” I asked the woman. “Dolores,” she said. “Dolores, this is for you.” I gave her the food and promised to pray for her. Back at the office I put her name on a note with the names of the other people I pray for. I’ve never been good about praying for big concepts like hunger or the poor, but now I had these three faces and one name. Harden not my heart, Lord, from the pain in the world. Let me know how I can relieve it. —Rick Hamlin Digging Deeper: Mt 25:31–46; 2 Cor 1:3–4
Guideposts (Daily Guideposts 2014)
Where are we?’ he asked, peering around at a fresh mass of trees as Hermione opened the beaded bag and began tugging out tent poles. ‘The Forest of Dean,’ she said. ‘I came camping here once, with my mum and dad.
J.K. Rowling (Harry Potter and the Deathly Hallows)
It was now packed inside the beaded bag, which, Harry was impressed to learn, Hermione had protected from the Snatchers by the simple expedient of stuffing it down her sock.
J.K. Rowling (Harry Potter and the Deathly Hallows)
A few of Delia’s stray hairs tickled my wrist as my fingers snagged on the sticky roll of duct tape I’d used to fix her hair. Something bit me as I shoved it aside. With a yelp, I whipped my hand from the bag. A thin line of blood beaded along my fingers. Carefully, I plucked aside the blood-stained burp rag I’d used to clean my daughter’s forehead that morning. Below it, I found the dull kitchen knife I’d thrown in with it, along with the keys to my van.
Elle Cosimano (Finlay Donovan Is Killing It (Finlay Donovan, #1))
My losses by the robberies of the Banian employed slaves are more than made up by Mr. Stanley, who has given me twelve bales of calico; nine loads = fourteen and a half bags of beads; thirty-eight coils of brass wire; a tent; boat; bath; cooking pots; twelve copper sheets; air beds; trowsers; jackets, &c. Indeed, I am again quite set up, and as soon as he can send men, not slaves, from the coast I go to my work, with a fair prospect of finishing it.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last Moments ... From His Faithful Servants Chuma And Susi)
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)
Lecia tells me that Harold allegedly propositioned some cowboy in the men’s room, and the guy had beaten the shit out of him. Which prompted Mother to draw—from her beaded bag—the pearl-handled revolver so small it could pass for a cigarette lighter. She held the cowboys at bay through the parking lot while she wrangled the pulp-faced Harold into her car. Once home, Mother poured herself a glass of milk and opened a tranquilizing package of ho-hos. Then she proceeded to tear Harold a new asshole—verbally speaking. He was bloody-nosed already, and stout as a prize pig, blubbering Mother was his soul mate till he corked off on the kitchen floor. Mother had sat on the counter stool, sipping at the milk and ratcheting up her pissed-off with every whisper sweep of the clock till it came to her Harold needed a piece of her mind. She’d pelted him with a pastry, then kicked him not very hard, she’d told Lecia, and mostly in his big fat ass. Then she got her pistol out again and fired it over Harold’s head, and he’d screamed himself awake. Somewhere in there, he’d pissed his pants. She couldn’t shift him off the kitchen floor, so she called to Tex, who hauled Harold to detox. She shot at him? I say. That’s exactly what I said. You shot at him? Lecia says. So embarrassing.
Mary Karr (Lit)
Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.
Margaret Atwood (Dearly: New Poems)
hot; his clothes, drenched with sweat, clung to his body; his left boot, which was full of water, was heavy and squelched; there were beads of sweat rolling down his gunpowder-smeared face; there was a bitter taste in his mouth, a smell of powder and the marsh in his nose, and an incessant sound of snipe squelching in his ears; the barrels of his gun had grown too hot to handle; his heart was thumping with rapid, short beats; his hands were trembling with the tension, and his weary legs were stumbling and getting in the way of each other on the tussocks and in the bog; but he carried on walking and shooting. Finally, after one disgraceful miss, he flung his gun and his hat on the ground. ‘No, I must pull myself together!’ he said to himself. He picked up his gun and his hat, called Laska to heel, and left the marsh. When he got out on to dry ground he sat down on a tussock, took off his boots and poured out the water, then walked over to the marsh, slaked his thirst with rusty-tasting water, wet the scorching-hot barrels of his gun, and washed his face and hands. After freshening up, he went back to the spot where a snipe had landed, with the firm intention of not losing his temper. He wanted to remain calm, but it was the same as before. His finger pressed the trigger before he had taken aim at the bird. Things just got worse and worse. He only had five birds in his game-bag when he headed towards the alder grove where he was to meet up with Stepan Arkadyich. Before he saw Stepan Arkadyich he saw his dog. Completely black from the stinking mud from the bog, Krak leapt out from behind the upturned root of an alder and began sniffing Laska with the air of a conqueror. The imposing figure of Stepan Arkadyich materialized behind Krak in the shade of the alders. Red-faced and sweaty, his collar unbuttoned, he walked towards him, limping as before. ‘Well, how did you get on? You were doing a lot of shooting!’ he said, smiling merrily. ‘And what about you?’ asked Levin. But there was no need to ask, because he had already seen the full game-bag. ‘Oh, it wasn’t too bad.’ He had fourteen birds. ‘Nice marsh! I’m sure Veslovsky got in your way. It’s awkward having one dog for two people,’ said Stepan Arkadyich, trying to tone down his triumph. 1 ‘What are they saying?’ 2 ‘Let’s go, it’s interesting.’ 11 WHEN Levin and Stepan Arkadyich arrived at the peasant’s hut where Levin always stayed, Veslovsky was already there.
Leo Tolstoy (Anna Karenina)
the bead now?” Pippa reached into the front pouch of her laptop case and pulled out a small plastic bag. She produced a bead and passed it to Mike. “Be careful with it.” He held it toward the strip light on the ceiling, rolling it between his fingers. “Holy … We need to get to work on this.” Mike passed the bead to Charlie and wheeled away to his laptop. Charlie’s first
Darren Wearmouth (Critical Dawn (Critical, #1))
Crow?” I leaned against the counter. He took a deep breath. “Yes, but not River or Mountain Band. He is something else.” I pointed toward the moccasins. “The bead pattern is one I’ve never seen; it’s geometric, but not the Crow that I know.” He knelt by the bars and examined the medicine bag and moccasins, though I noticed he touched neither, and nodded. “Kicked-in-the-Belly.” I waited a moment. “You mind telling a heathen devil white man what that is?” He pivoted and sat on the floor with his back to the cell, which Dog took as an invitation and joined him. “Eelalapi’io, a shunned band, one of thirteen exogamous maternal clans; fourth clan, grouped with ackya’pkawi’a, or Bad War Honors. ” I watched as he thought about it, first categorizing the information and then translating it so that it would be relatable to me linguistically and culturally. “Seventeen-twenty-seven, or thereabouts, there was a Crow war party led by Young White Buffalo that raided the Fat River country and came back with a very strange animal. This animal was as large as the elk but with rounded hooves, a long tail, and mane; it had no antlers, and the tribe was very interested in this new thing. A brave got too close to the
Craig Johnson (Another Man's Moccasins (Walt Longmire, #4))
Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
When you say you’ve got the Cloak, and clothes . . .” said Harry, frowning at Hermione, who was carrying nothing except her small beaded handbag, in which she was now rummaging. “Yes, they’re here,” said Hermione, and to Harry and Ron’s utter astonishment, she pulled out a pair of jeans, a sweatshirt, some maroon socks, and finally the silvery Invisibility Cloak. “How the ruddy hell — ?” “Undetectable Extension Charm,” said Hermione. “Tricky, but I think I’ve done it okay; anyway, I managed to fit everything we need in here.” She gave the fragile-looking bag a little shake and it echoed like a cargo hold as a number of heavy objects rolled around inside it. “Oh, damn, that’ll be the books,” she said, peering into it, “and I had them all stacked by subject. . . . Oh well. . . . Harry, you’d better take the Invisibility Cloak. Ron, hurry up and change. . . .” “When did you do all this?” Harry asked as Ron stripped off his robes.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
they were saying. And with the tricky steps, she was hesitant to turn around to find out. About halfway down, she saw a college-age girl walking up the stairs, wearing only a bikini and flip-flops, with a beach bag flung over her shoulder. Her hair was still wet from the water and beads of sweat were trickling down her exposed, tan skin. Her curves were impressive and the swimsuit barely contained them. She looked like she might burst out at various places any second. Jessie tried not to stare as they passed and wondered if Kyle was doing the same. “Damn fine ass on that one,” she heard Teddy say a few seconds later. Jessie stiffened involuntarily, not just at the crudeness but because the girl would have almost certainly been close enough to hear it. She was tempted to turn around and give him a scowl when she heard Kyle’s voice. “Right?” he added, snickering like a schoolboy. She stopped in her tracks. As Kyle reached her, she grabbed his forearm. Teddy stopped too, a surprised look on his face. “Go ahead, Teddy,” she said, putting a plastic smile on her face.
Blake Pierce (The Perfect Wife (Jessie Hunt, #1))
top, just to race to the bottom. Travis dug in his bag and found his camera. The air around him suddenly felt ten degrees warmer. Sweat beaded on Travis’s forehead. A hot wind whooshed from above him. He clutched at his camera and looked up. The golden underbelly of the dragon was only about ten feet above him, flying over him quickly. The thing had to be a hundred feet long from the snout to the tip of its tail. Travis felt his jeans go wet. If he lived to tell this tale, he’d leave out that detail. He reminded himself to breathe. As fast as it had come, it was gone. Travis couldn’t move. He watched the dragon turn and head back toward him. Travis clutched the camera and took a picture as the dragon opened its wide mouth. Its teeth were three feet long and wicked sharp. Seconds before the jaws clamped down on him, he dropped the camera. The air from the dragon’s throat blistered his skin, but it didn’t spew fire. Travis’s final thought was, What a horrible way to die. As the dragon flew away, thoroughly pleased with his meal, he didn’t realize he left behind not one, but two souvenirs. The camera. And a foot. Chapter One The sea’s salty air reached into the hideout and woke Obsidian. Not ready to get up, he stretched his wing, feeling for Skye. Instead of finding her warmth, he met the grimy cave floor. A shot of panic zipped from his horns to his tail. She
Kimberly Loth (Obsidian (The Dragon Kings Chronicles #1))
Here." Kerresha entered again with a brown, glass bottle with a ring of colorful beads on top. Looked like something straight out of witch doctor's medicine bag. "Hold this to your nose." Marvina waved the bottle away. "I don't mess with new age, psychedelic stuff. I stick with God." "It's lavender. I'm pretty sure God made it." Kerresha twisted the top off the bottle and held it under Marvina's nose. The scent, deep, calming, and pure, filled her the same way she imagined her body would feel if somebody poured the color purple all through her soul. A minute later, the anxiety level had gone from a 7 down to a 2.
Michelle Stimpson (Sisters with a Side of Greens)