Beach Towels With Quotes

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A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Her brain, which had up until then still been in the shower, toweled off and joined her on the beach. It whispered a tiny thought to her and then went to dry its hair.
Adrienne Kress (Alex and the Ironic Gentleman (Alex and the Ironic Gentleman, #1))
Trimming your dogs nails is a traumatic event that requires three people, a beach towel, and a can of spray cheese.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
I want to towel off, leave my heart on this beach and walk the sand into a lake of stars, while never looking back.
A.P. Sweet (dead, but dreaming)
The thought of people reading in the sun, on a beach, tempts me to recommend dark books, written in the shadow of loneliness, despair, and death. Let these revelers feel a chill as they loll on their towels.
Anatole Broyard
A woman calls from Seaview to say her linen closet is missing. Last September, her house had six bedrooms, two linen closets. She's sure of it. Now she's only got one. She comes to open her beach house for the summer. She drives out from the city with the kids and the nanny and the dog, and here they are with all heir luggage, and their towels are gone. Disappeared. Poof. Bermuda triangulated.
Chuck Palahniuk (Diary)
But that had been Alex's immediate thought how easy it would be to take things, out here. All sorts of things. The bikes leaning against the fence. The bags unattended on towels. The cars left unlocked, no one wanting to carry their keys on the beach. A system that existed only because everyone believed they were among people like themselves.
Emma Cline (The Guest)
Though the weather was cool, the beach at Herringsdorf was dotted with quite a few diehard nudists. Primarily men, they lay walrus-like on towels or boosterously congregated.
Jeffrey Eugenides (Middlesex)
Sand might shift with wind or tide, but it didn’t really change, it just rearranged itself.
Grace Greene (Beach Towel (Emerald Isle, NC #1.5))
Nail clippers: As you may have noticed, trimming your nails is a traumatic event that requires three people, a beach towel, and a can of spray
Allie Brosh (Hyperbole and a Half)
The carnivals gave me my names, Edward. Sometimes I was the Blue Man of the North Pole, or the Blue Man of Algeria, or the Blue Man of New Zealand. I had never been to any of these places, of course, but it was pleasant to be considered exotic, if only on a painted sign. The 'show' was simple. I would sit on the stage, half undressed, as people walked past and the barker told them how pathetic I was. For this, I was able to put a few coins in my pocket. The manager once called me the 'best freak' in his stable, and, sad as it sounds, I took pride in that. When you are an outcast, even a tossed stone can be cherished. One winter, I came to this pier. Ruby Pier. They were starting a sideshow called the Curious Citizens. I liked the idea of being in one place, escaping the bumpy horse carts of carnival life. This became my home. I lived in a room above a sausage shop. I played cards at night with the other sideshow walkers, with the tinsmiths, sometimes even with your father. In the early mornings, if I wore long shirts and draped my head in a towel, I could walk along the beach without scaring people. It may not sound like much, but for me, it was a freedom I had rarely know.' He stopped. He looked at Eddie. Do you understand? Why we're here? This is not your heaven. It's mine.
Mitch Albom (The Five People You Meet in Heaven)
Casa de Campo has got beaches the way the rest of the Island has got problems. These, though, have no merengue, no little kids, nobody trying to sell you chicharrones, and there’s a massive melanin deficit in evidence. Every fifty feet there’s at least one Eurofuck beached out on a towel like some scary pale monster that the sea’s vomited up.
Junot Díaz (This Is How You Lose Her)
L.A. was the John Wayne Gacy of cities, smothering its children with a toxic beach towel of poisoned air, mindless growth, and bad values.
William Finnegan (Barbarian Days: A Surfing Life)
...we got sanded. In the towels, scalps, clumping on sweat along our limbs. It had begun, the gritification of the day.
Colson Whitehead (Sag Harbor)
Is that my foot? Silly me, it's a starfish
Petra Mathers (Lottie's New Beach Towel)
Nail clippers: As you may have noticed, trimming your nails is a traumatic event that requires three people, a beach towel, and a can of spray cheese.
Allie Brosh (Hyperbole and a Half)
she says, "Well, I hope you're making good use of youth." Less, cross-legged on his towel and pink as a boiled shrimp:" I don't know." She nods, "You should waste it." "What's that?" "You should be at the beach, like today. You should get stoned and drunk and have loads of sex." She takes another drag off her cigarette. "I think the saddest thing in the world is a twenty-five-year-old talking about the stock market. Or taxes. Or real estate, goddamn it! That's all you'll talk about when you're forty. Real estate! Any twenty-five-year-old who says the word refinance should be taken out and shot. Talk about love and music and poetry. Things everyone forgets they ever through were important. Waste everyday, that's what I say.
Andrew Sean Greer (Less (Arthur Less, #1))
Our crab pots are out front, and Francis has fixed a big metal barrel right on the beach. He lights a good fire to get the water boiling, and after the crabs are cooked, we women sit on the patio shucking until we have a mountain of meat in the middle of the table. We stir up buckets of cocktail sauce from catsup, mayonnaise, Worcestershire, lemon juice, and celery salt, and the kids come running. They eat on their towels on the sand, soaking up as much sun as possible to get them through the next winter.
Kim Fay (Love & Saffron)
The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels. A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you—daft as a brush, but very very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o’clock, but the heat showed no sign of abating.
Haruki Murakami (The Wind-Up Bird Chronicle)
Shall I get right to it? No, slowly, leisurely, that’s the way. Let me first mention that it is October here in Germany. Though the weather was cool, the beach at Herringsdorf was dotted with quite a few diehard nudists. Primarily men, they lay walrus-like on towels or boisterously congregated in the striped Strandkörbe, the little beach huts.
Jeffrey Eugenides (Middlesex)
I don’t have a best friend to tell all my secrets to or call at two o’clock in the morning if I feel sad or anxious. I don’t have a group of friends to call about pulling together a last-minute gathering either. In fact, I’m a loner. I’ve always been that way and I’ve never had a problem with it. I like to go to the movies alone, exercise alone, and daydream on my towel at the beach alone. And,
Amélie Antoine (Interference)
He ignored that and sat on her towel at her feet. She could see her reflection in his sunglasses as he stared at her. What was he doing? Why was he being so familiar? The eighteen years of silence while she was gone, along with the year and a half of a cold shoulder she'd given him since she'd been back should have been more than enough to discourage him from sitting on her towel on the beach, inches away from her bare legs.
Sarah Addison Allen (The Peach Keeper)
I felt better when I got there. I don't know what it is about a beach - the drifty, fake-coconut scent of suntan lotion, the endless whoosh of little waves lapping the shore, or the way the sun beats down so bright and hot, you feel too baked to think - but when I was there, I could almost forget everything. I floated in the cool water, too tired to actually swim, then flopped down on a towel and read. I read a lot." -Stella
Sara Pennypacker (Summer of the Gypsy Moths)
I don’t have a best friend to tell all my secrets to or call at two o’clock in the morning if I feel sad or anxious. I don’t have a group of friends to call about pulling together a last-minute gathering either. In fact, I’m a loner. I’ve always been that way and I’ve never had a problem with it. I like to go to the movies alone, exercise alone, and daydream on my towel at the beach alone. And, of course, I like to be alone with my camera.
Amélie Antoine (Interference)
How many miles have we done in her?” she asked. “More than a hundred and fifty thousand,” said Arthur. “Have you checked we’ve got enough fuel?” “She’s as ready for us as we are for her.” “Then let’s go.” Arthur opened the boot and placed the suitcases inside. Then, from the workbench, he picked up the hosepipe and, using parcel tape, attached one end to the exhaust pipe and the other to a crack in the side window, padding the rest of the gap with an old beach towel. Finally, he climbed into the van to join June and turned on the ignition. “Where do you fancy going then?” June asked as the engine chugged. “We never made it to Barcelona and I always wanted to climb the steps up La Sagrada Família. It looks so beautiful in photographs.” “Then let’s go there first.” She reached out her hand to entwine her fingers around his. His eyes welled as he offered his wife a grin as broad as any he had given her during their lifetime together. Then he wiped the tears away and closed his eyes. “It’s you and me to the end, girl,” Arthur whispered. “You and me,” she repeated, and he could smell her apple blossom shampoo as she leaned her head onto his shoulder. And together, they set off on their final adventure together.
John Marrs (The Marriage Act)
What seems dangerous often is not—black snakes, for example, or clear-air turbulence. While things that just lie there, like this beach, are loaded with jeopardy. A yellow dust rising from the ground, the heat that ripens melons overnight—this is earthquake weather. You can sit here braiding the fringe on your towel and the sand will all of a sudden suck down like an hourglass. The air roars. In the cheap apartments onshore, bathtubs fill themselves and gardens roll up and over like green waves. If nothing happens, the dust will drift and the heat deepen till fear turns to desire. Nerves like that are only bought off by catastrophe.
Amy Hempel
Much as I admire sand’s miraculous ability to be transformed into useful objects like glass and concrete, I am not a great fan of it in its natural state. To me, it is primarily a hostile barrier that stands between a parking lot and water. It blows in your face, gets in your sandwiches, swallows vital objects like car keys and coins. In hot countries, it burns your feet and makes you go “Ooh! Ah!” and hop to the water in a fashion that people with better bodies find amusing. When you are wet, it adheres to you like stucco, and cannot be shifted with a fireman’s hose. But—and here’s the strange thing—the moment you step on a beach towel, climb into a car, or walk across a recently vacuumed carpet, it all falls off.
Bill Bryson (Notes from a Small Island)
She says, “Well, I hope you’re making good use of youth.” Less, cross-legged on his towel and pink as a boiled shrimp: “I don’t know.” She nods. “You should waste it.” “What’s that?” “You should be at the beach, like today. You should get stoned and drunk and have loads of sex.” She takes another drag off her cigarette. “I think the saddest thing in the world is a twenty-five-year-old talking about the stock market. Or taxes. Or real estate, goddamn it! That’s all you’ll talk about when you’re forty. Real estate! Any twenty-five-year-old who says the word refinance should be taken out and shot. Talk about love and music and poetry. Things everyone forgets they ever thought were important. Waste every day, that’s what I say.
Andrew Sean Greer (Less (Arthur Less, #1))
The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.
Helen Dunmore
Bruno, this is my friend Pippa. Pippa, my cousin Bruno.” Bruno. The in-with-the-wrong-crowd Bruno. Divinely and supernaturally gorgeous Bruno. And he just winked at me. Not good. He closes the distance between us in two long strides of his tight white pants and says “Piacere!”--which I remember from my phrase book means “pleased to meet you”--before taking ahold of my shoulders and kissing each of my cheeks. His lips are on my cheeks. I catch a glimpse of myself in the mirror and want to die. It’s physically impossible for a face to be any redder. I try to say “Piacere!” back but only a squeaky noise escapes my lips. I raise my shirt just enough to hide behind and fake a coughing fit, waving with the other hand for him to leave the room. He laughs and mutters something in Italian as he walks off. Chiara closes the door. Way to make a great first impression on the sexy Italian. “What did you say to him?” I ask when I’ve recovered the ability to speak. “I told him that he should knock on doors that are closed. That you are American and do not lie on the beach with le tette out. You are private.” “Le tette? What’s that?” My face pinks again. “My boobs?” “Si.” She sprawls across the bottom bunk. “I think it is sweet. Leaves room for the imagination.” “Um…thanks.” I finish getting dressed. “What did he say?” She laughs. “He said, ‘She will one day.’” My nose scrunches at the thought of baring it all on a beach towel in a foreign country, with Bruno and other guys who look like Bruno watching. I shudder. “Doubtful. There are some parts of me the sun just wasn’t meant to see.” Chiara rolls to her side and looks at me. “So you have never been swimming without clothes on?” “Skinny-dipping?” I smile as I stow my dirty clothes into my suitcase. “Well, the moon can handle those parts of me just fine.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Take her to a beach and fuck her on a towel.” That was Blade’s solution. According to him, beaches are romantic. I’m going to kill myself.
Jaci J. (The Rage (Hell's Disciples MC #3))
That the ocean is. IS. It didn't think, it didn't care. It simply existed in a mindless state, performing to the laws of nature.
Grace Greene (Beach Three: Beach Rental / Beach Towel / Beach Winds (Emerald Isle, NC #1, 1.5, 2))
I’m trying to make a profit. I’m using batteries, toilet paper, and paper towels as currency. Each is something that will eventually be in short supply.” “You’re trying to get all the toilet paper in town?” Astrid shrilled. “Are you kidding?” “No, Astrid, I’m not kidding,” Albert said. “Look, right now, kids are playing with the stuff. I saw little kids throwing rolls of it around on their lawns like it was a toy. So—” “So your solution is to try and take it all away from people?” “You’d rather see it wasted?” “Yeah, actually,” Astrid huffed. “Rather than you getting it all for yourself. You’re acting like a jerk.” Albert’s eyes flared. “Look, Astrid, now kids know they can buy their way into the club with it. So they’re not going to waste it anymore.” “No, they’re going to give it all to you,” she shot back. “And what happens when they need some?” “Then there will still be some left because I made it valuable.” “Valuable to you.” “Valuable to everyone, Astrid.” “It’s you taking advantage of kids dumb enough not to know any better. Sam, you have to put a stop to this.” Sam had drifted away from the conversation, his head full of the music. He snapped back. “She’s right, Albert, this isn’t okay. You didn’t get permission—” “I didn’t think I needed permission to give kids what they want. I mean, I’m not threatening anyone, saying, ‘Give me your toilet paper, give me your batteries.’ I’m just playing some music and saying, ‘If you want to come in and dance, then it’ll cost you.’” “Dude, I respect you being ambitious and all,” Sam said. “But I have to shut this down. You never got permission, even, let alone asked us if it was okay to charge people.” Albert said, “Sam, I respect you more than I can even say. And Astrid, you are way smarter than me. But I don’t see how you have the right to shut me down.” That was it for Sam. “Okay, I tried to be nice. But I am the mayor. I was elected, as you probably remember, since I think you voted for me.” “I did. I’d do it again, man. But Sam, Astrid, you guys are wrong here. This club is about all these kids have that can get them together for a good time. They’re sitting in their homes starving and feeling sad and scared. When they’re dancing, they forget how hungry and sad they are. This is a good thing I’m doing.” Sam stared hard at Albert, a stare that kids in Perdido Beach took seriously. But Albert did not back down. “Sam, how many cantaloupes did Edilio manage to bring back with kids who were rounded up and forced to work?” Albert asked. “Not many,” Sam admitted. “Orc picked a whole truckload of cabbage. Before the zekes figured out how to get at him. Because we paid Orc to work.” “He did it because he’s the world’s youngest alcoholic and you paid him with beer,” Astrid snapped. “I know what you want, Albert. You want to get everything for yourself and be this big, important guy. But you know what? This is a whole new world. We have a chance to make it a better world. It doesn’t have to be about some people getting over on everyone else. It can be fair to everyone.” Albert laughed. “Everyone can be equally hungry. In a week or so, everyone can starve.
Michael Grant (Hunger (Gone, #2))
Gabby, look,” Rachel squealed as I pushed open the screen door.  “A dog!” On the deck, Rachel reclined on her side, stretched out on a beach towel.  Between her towel and the one she’d set out for me, lay a monster of a dog, relaxing in the sun. I stopped and stared.  What was that thing?  Although the size of a mastiff, it looked nothing like one.  At least seven feet from nose to tail, the dog’s shaggy brown coat gave it a wild look.  Rachel didn’t seem to mind, though.  She continued to pet its head affectionately. It turned its head, which moved it out of Rachel’s reach.  Its soft brown eyes met mine. Rachel shifted to a sitting position to reach its head again. “It just walked up the porch steps and lay right down.  I nearly peed myself.  Have you ever seen a dog this big before?  What kind do you think it is?”  She continued to pet it lovingly. I remained glued in place, my stomach sinking.  Any lingering homesickness died as my suspicion grew.  What are the odds that an extremely large, random dog just appeared at my door scant hours after Sam dropped me off?  Improbable odds.  When I’d said I would get a dog, I’d meant it as a joke.  I couldn’t afford a dog. “And you’re not going to believe what its tag says,” Rachel said, not seeming to care that I hadn’t answered her questions.  “‘If found, please provide a good home.’  Isn’t that funny?”  She ruffled his neck fur, which made his hidden tags jingle.  The dog continued to watch me and ignore Rachel’s ministrations. “Yeah.  Funny,” I mumbled.  The size of the dog would ensure men didn’t bother me.  But a dog half its size would do the same.  Why get one so big?  Its size compared to Sam in his fur.  Did Sam think some of his kind might bother me?  If so, I didn’t see how a plain old dog would help.  My eyes widened as my own idiocy dawned on me. Not a plain dog. I needed to call Sam, find out what he’d been thinking, and then give him an earful for sending someone to the house to keep an eye on me.  I was about to turn and go back into the house when Rachel said something that made my stomach drop to my toes. “His tag also says his name is Clay.  What do you think?  Should we keep him?
Melissa Haag (Hope(less) (Judgement of the Six #1))
The second time wearing the suit was a little less nerve-racking.  I didn’t stare nervously in the mirror and eye all the pale skin glaring back at me.  Instead, I appreciated the vivid coloring on the suit.  Rachel had good taste. Intent on finding the beach towels Rachel had used, I opened the door and stopped short at the sight of Clay.  His huge dog head moved up, then down, as his eyes traveled the length of my body.  I flushed, slammed the door, and changed back into shorts and a tank top.  I opted to cut the grass, instead. Clay sat on the porch and watched me push the mower back and forth.  When I moved to the front, he followed.  He was never in the way, just always there.  After I went back inside to read, he did disappear for a bit.  He had apparently taken my complaint about his hygiene seriously and had chosen to shower again.  I hoped he would make it a daily routine. Since he’d bathed and given me privacy as I’d asked, I had no reason to complain when I went to my room that night and saw him lying on the foot of the bed.  However, when I woke Wednesday morning with him lying next to me, I did complain.  Lividly. “Now, just hold on,” I whispered with a scowl.  “You’re a dog.  Act like one.  Fur stays at the foot of the bed.” He grudgingly moved to his place at the foot of the bed, watching me the whole time. “Don’t give me your doleful eyes.  This is your choice, not mine.”  As soon as I said that, I recalled his talent for misinterpretation which had caused this co-ed housing in the first place.  “Not that you’d get to sleep next to me in your skin either.  So, don’t even think about it.  If you don’t like the end of the bed, you can always sleep on the floor.” *
Melissa Haag (Hope(less) (Judgement of the Six #1))
Mother Mary wants to draft two more kids,” Astrid told Sam. “Okay. Approved.” “Dahra says we’re running low on kids’ Tylenol and kids’ Advil, she wants to make sure it’s okay to start giving them split adult pills.” Sam spread his hands in a helpless gesture. “What?” “We’re running low on kid pills, Dahra wants to split adult pills.” Sam rocked back in the leather chair designed for a grown man. “Okay. Whatever. Approved.” He took a sip of water from a bottle. The wrapper on the bottle said “Dasani” but it was tap water. The dishes from dinner—horrible homemade split-pea soup that smelled burned, and a quarter cabbage each—had been pushed aside onto the sideboard where in the old days the mayor of Perdido Beach had kept framed pictures of his family. It was one of the better meals Sam had had lately. The fresh cabbage tasted surprisingly good. There was little more than smears on the plates: the era of kids not eating everything was over. Astrid puffed out her cheeks and sighed. “Kids are asking why Lana isn’t around when they need her.” “I can only ask Lana to heal big things. I can’t demand she be around 24/7 to handle every boo-boo.” Astrid looked at the list she had compiled on her laptop. “Actually, I think this involved a stubbed toe that ‘hurted.’” “How much more is on the list?” Sam asked. “Three hundred and five items,” Astrid said. When Sam’s face went pale, she relented. “Okay, it’s actually just thirty-two. Now, don’t you feel relieved it’s not really three hundred?” “This is crazy,” Sam said. “Next up: the Judsons and the McHanrahans are fighting because they share a dog, so both families are feeding her—they still have a big bag of dry dog food—but the Judsons are calling her Sweetie and the McHanrahans are calling her BooBoo.” “You’re kidding.” “I’m not kidding,” Astrid said. “What is that noise?” Sam demanded. Astrid shrugged. “I guess someone has their stereo cranked up.” “This is not going to work, Astrid.” “The music?” “This. This thing where every day I have a hundred stupid questions I have to decide. Like I’m everyone’s parent now. I’m sitting here listening to how little kids are complaining because their older sisters make them take a bath, and stepping into fights over who owns which Build-A-Bear outfit, and now over dog names. Dog names?” “They’re all still just little kids,” Astrid said. “Some of these kids are developing powers that scare me,” Sam grumbled. “But they can’t decide who gets to have which special towel? Or whether to watch The Little Mermaid or Shrek Three?” “No,” Astrid said. “They can’t. They need a parent. That’s you.
Michael Grant (Hunger (Gone, #2))
(Sakaki and Osaka lying on towels at the beach) ... Osaka: You know them Hemmorrhoids... Sakaki: ...Eh? =-O Osaka: Some folks call 'em "Hemorrhoids", but others call 'em "Roids". Why does the one not have an "H" in it? Which one's right? Sakaki: ...... Osaka: Would it be under "H" or "R" in the dictionary? Sakaki: ...I don't know. =/
Kiyohiko Azuma (Azumanga Daioh: The Omnibus)
Sorting Laundry" Folding clothes, I think of folding you into my life. Our king-sized sheets like tablecloths for the banquets of giants, pillowcases, despite so many washings, seems still holding our dreams. Towels patterned orange and green, flowered pink and lavender, gaudy, bought on sale, reserved, we said, for the beach, refusing, even after years, to bleach into respectability. So many shirts and skirts and pants recycling week after week, head over heels recapitulating themselves. All those wrinkles To be smoothed, or else ignored; they're in style. Myriad uncoupled socks which went paired into the foam like those creatures in the ark. And what's shrunk is tough to discard even for Goodwill. In pockets, surprises: forgotten matches, lost screws clinking the drain; well-washed dollars, legal tender for all debts public and private, intact despite agitation; and, gleaming in the maelstrom, one bright dime, broken necklace of good gold you brought from Kuwait, the strangely tailored shirt left by a former lover… If you were to leave me, if I were to fold only my own clothes, the convexes and concaves of my blouses, panties, stockings, bras turned upon themselves, a mountain of unsorted wash could not fill the empty side of the bed.
Elisavietta Ritchie
firm, nonslip blanket, yoga mat, beach towel, or exercise or camping mat can be used to lie on. A thin (one- to three-inch) cushion or pillow can support your head and maintain the neck’s natural arch. Be careful: a thick pillow easily creates tension in the neck and this is to be avoided. An eye pillow, wash cloth, or scarf can cover your eyes. Even though your eyes will be closed, the extra darkness and weight of the eye cover enhances relaxation significantly. It calms the brain and reduces restlessness by preventing unnecessary eye movements. Do not cover your nose. Firm bolsters or pillows can be used to support your back and legs. Cover up with a cozy blanket to keep warm. Your body temperature is likely to drop during deep relaxation. Getting cold is a nuisance.
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
and from a thousand miles of soft memories and bad haikus away I let you pull me in, all warm and dry like a towel at the beach, which we lifted like that postcard From the Shade Garden— You are still everywhere, I wish you were here — Timmy Chong, from “I Know There’s Still a War Outside,” Up the Staircase Quarterly (no. 54, 2021)
Timmy Chong
Summer had grabbed its beach towels, buckets and spades and packed up for the season
C.J. Tudor
If you had to boil down the Wal-Mart system to one single idea, it would probably be communication, because it is one of the real keys to our success. We do it in so many ways, from the Saturday morning meeting to the very simple phone call, to our satellite system. The necessity for good communication in a big company like this is so vital it can’t be overstated. What good is figuring out a better way to sell beach towels if you aren’t going to tell everybody in your company about it?
Sam Walton (Sam Walton: Made In America)
My favorite buyer program is one called Eat What You Cook. Once a quarter, every buyer has to go out to a different store and act as manager for a couple of days in the department he or she buys merchandise for. I guarantee you that after they’ve eaten what they cooked enough times, these buyers don’t load up too many Moon Pies to send to Wisconsin, or beach towels for Hiawatha, Kansas.
Sam Walton (Sam Walton: Made In America)
a shrewd and tawdry city, shining like toyland between the swamps and the sea. The night was weighted with derelicts and dancers, terminal breathing in wards, clenched fists of women as they pushed each time the pains came, chips in perfect alignment on green felt as men thumbed up the corners of the hole cards just enough to read the news, giggling young men in a chickenwire apartment painting the body of one of their chums a lovely gold, ambulances and tow trucks moving away in separate directions with a load of torn flesh or a load of ripped metal, thousands and thousands of picture tubes all telling the same jokes at the same instant to a hundred thousand living rooms, frantic rumps ram-packing the beach sand under the spread towelling, the simultaneous squirts of red tomato and yellow mustard in a hundred different places to disguise the flannelly taste of fried meat, a thousand simultaneous sobbings, thrashings, swallowings, vomitings, ejaculations, coughings, scratchings, cursings, shy touchings, whisperings, kickings. . . . He had never considered himself particularly imaginative. Never before had he felt this way about a city, and he knew that it could only be possible in a strange city, and at a time when grief and uncertainty and introspection had sharpened and heightened awareness. This great Gold Coast became a gigantic cruise ship moving through time rather than space, constantly assimilating the foods, the newborn, the gadgetry, spewing aft the unending tonnage of garbage and waste and dead bodies and broken toys, rolling imperceptibly in the slow tides of history, the passengers unaware that no city is forever, that it will end one day and the eternality of time will cover it in a silence of dust, sand and vines.
John D. MacDonald (The Last One Left (Murder Room Book 672))
The beach itself was sheltered by the cliff from the wind and from the sun and from the view of the unending shore line. In that great openness of water, desert, and sky, it was curiously private; but the security it provided was, for Evelyn, a frail illusion. She was, nevertheless, grateful for it. She set the blanket and towels down almost against the cliff itself, twenty feet from the water, and sat down to watch Ann who had kicked off her shoes and was wading out from the shore to plant a bottle of wine.
Jane Rule (Desert of the Heart)
She times it perfectly so that her sister would be heading for the bathroom just as Lina is on her way back to their shared room, so she could be alone. Naked on her bed, on top of her towel, she caresses pink lotion into her skin, not missing a single spot. Then she applies makeup but not too much because he had once made a comment about overly made-up girls, how they were trying to look older but they succeeded only in looking whorish. She blows her hair out in large sections so that it will lie straight but full of body, so that it might bounce across her back and shoulders as she walks. She applies perfume behind her ears, at the backs of the knees, and on the insides of her wrists. It’s a lemony floral scent evocative of beach house afternoons, of iced tea with mint leaves, and clean breezes.
Lisa Taddeo (Three Women)
On the screen, this man is wearing a bespoke suit and a smug grin, holding one of those ceremonial checks, a piece of cardboard the size of a beach towel, showily donating a million dollars to adult literacy. This is a charade, and not even a complicated one, nor convincing, just another everyday lie that everyone pretends to not notice. Another strategy for protecting the hefty bulk of his fortune by shaving off a sliver here and a sliver there, giving away little bits to ensure that he can keep the rest. One of the many manipulations available to men like him, created by men like him for the benefit of men like him, the tax structure and capital gains and mortgage-interest deductions, marriage and religion and capitalism and so-called representative democracy, all constructed so men like him could be not only the players but the house as well, everything about the game fixed in their favor, with not only backup schemes but also backups to the backups, and
Chris Pavone (Two Nights in Lisbon)
his beach shovel, his eyes wide open. Now, when the baby pushes away, the mother offers him milk from her left breast, but he refuses it. She burps him against her toweled shoulder, flooded with chemical love for this fragile being. He fusses. She rocks him. Within fifteen minutes, he’s asleep again. This is life, she has learned, with a newborn: it’s easing someone into and out of consciousness, over and over, providing sustenance in between. As though infants inhabit a different planet, one that orbits its sun four times faster than Earth does. If you want to understand the human condition, pay close attention to infants: the stakes are simultaneously at their highest, because you could die at any moment, and at their lowest, because someone bigger is satisfying every need. Language and agency have not yet arrived. What’s that like? Observe a baby.
Tess Gunty (The Rabbit Hutch)
Doug," be said, about five in the afternoon, as we were picking up our towels and heading back along the beach near the surf, "I want you to promise me something." "What?" "Don't ever be a Rocket Man." I stopped. "I mean it," he said. "Because when you're out there you want to be here, and when you're here you want to be out there. Don't start that. Don't let it get hold of you.
Ray Bradbury (The Rocket Man)
Mornings they get up late, eat breakfast in their cottages, then cross the road and spend the day gathered on the beach in front of Pasco’s place, one of about a dozen clapboard houses set on concrete pylons near the breakwater on the east end of Goshen Beach. They set up beach chairs, or just lie on towels, and the women sip wine coolers and read magazines and chat while the men drink beer or throw in a fishing line. There’s always a nice little crowd there, Pasco and his wife and kids and grandkids, and the whole Moretti crew—Peter and Paul Moretti, Sal Antonucci, Tony Romano, Chris Palumbo and wives and kids. Always a lot of people dropping by, coming in and out, having a good time. Rainy days they sit in the cottages and do jigsaw puzzles, play cards, take naps, shoot the shit, listen to the Sox broadcasters jaw their way through the rain delay. Or maybe drive into the main town two miles inland and see a movie or get an ice cream or pick up some groceries.
Don Winslow (City on Fire (Danny Ryan, #1))
Cameron gave a moving picture of a man longing to escape from his trammels, but within the framework of a freedom which was all that a King would be allowed. One evening the King ordered the train to halt beside a beach near Port Elizabeth. Police appeared and roped off a large crowd of onlookers into two halves: Down the path from the Royal Train walked a solitary figure in a blue bathrobe, carrying a towel. The sea was a long way off, but he went. And all alone, on the great empty beach, between the surging banks of the people who might not approach, the King of England stepped into the Indian Ocean and jumped up and down – the loneliest man, at that moment, in the world.
Sarah Bradford (George VI: The Dutiful King)
I make another trip to Rick's bakehouse to show people how he makes his pain au chocolat, that magical, flaky pastry filled with heavenly bites of chocolate. I shoot video of Rick laminating croissant dough, rolling and flattening and folding the butter-filled slab of pastry until the dough is as long as a beach towel and stratified with butter like canyon rock. He cuts it into rectangles and stuffs each one with two fat chunks of bittersweet chocolate inside. He bakes off five sheets in his convection oven, and when the croissants emerge, their golden tops glistening, I have to restrain myself from reaching out from behind the camera to stuff three or five into my face. As soon as the newsletter goes out the next week, Rick's customer base goes crazy. People line up and down the market thoroughfare, undeterred by the stifling July heat, clamoring for flaky pain au chocolat and crusty sourdough loaves. Day after day, he sells out everything at least thirty minutes before closing, and the chocolate croissants sell out in the first hour.
Dana Bate (A Second Bite at the Apple)
at John in shock. “You told him and not me?” “Yes, there’s a cabin down this driveway,” John said quickly, trying to avoid her last question. “And there’s a lake, too.” “A lake?” “Yeah. I told you to pack your bikini and some beach towels.” “I did, but I wasn’t sure …” Veronica stared at John. “Whose place is this?” “It’s actually Fran’s cabin,” John said as he pushed the gate all the way open, shoving it back into the brush so they could get their Explorer through. Veronica looked at Fran. Drew panned the camera from Veronica to Fran. Fran gave them a
Mark Lukens (Sightings)
Your house has two colors," she said, while looking up at a corner of my ceiling and walls. "Yes," I replied. "Why is that rainbow beach blanket on the couch?" I replied, "Color." She bent over and ripped the beach towel off my white couch. Maybe she thought I was trying to hide something. "You talk a lot," she said sarcastically. I looked back at her. Maybe I raised an eyebrow, but I didn't say anything. She's right, of course. I don't talk much. I am a simple man. I speak from my heart. Sometimes, I write poetry.
Jeffrey A. White (A Blueness I Could Eat Forever)
His partner, though, wasn’t doing him any favors. Sauntering up the wooden walkway from the beach, towel slung over one shoulder, Aidan’s swim trunks were molded to his lower body in a way that left nothing to the imagination. Groaning, Jamie turned his back on Aidan and the ocean and adjusted his shorts. By
Layla Reyne (Single Malt (Agents Irish and Whiskey, #1))
His little gray swim bottoms are probably smaller than mine, potbelly hanging over the top of them. I lean toward Darren and whisper, “Take a picture of that. Five euros.” We both look back at the man just as he sheds his bottoms, revealing, well, everything. “Oh, sick out,” I screech, shrinking down and looking for something to hide under. I’ve seen a few sets of breasts on the beach so far--which is a little uncomfortable, though Darren does a good job pretending he doesn’t see--but this is completely different. I grab a towel and throw it over my head, laughing uncontrollably. Darren sits down cross-legged, our knees touching, and adjusts the towel to cover both of us. His lips fight back a smile. “I can’t believe you’re hiding from that fine specimen of a man,” he says. “I’m sure he’d love it if you helped him reapply his sunscreen.” “Thanks for that visual nightmare!” I’m laughing so hard, I’m crying. I just saw some dude’s thing. Just hanging out there. Morgan is going to die when she hears about this. “Did he put it away yet?” I ask. Darren peeks out from under the towel. “He’s still changing into his clothes.” I meet his eyes as I recover, catching my breath. We’re too close. Our lungs-are-sharing-the-same-moist-air close. The thick towel blocks most of the sunlight from overhead, but it reflects off the sand, illuminating our faces from underneath. We sit perfectly still, holding the gaze. This could be it. The moment Darren kisses me. He raises a hand and I hold my breath…but all he does is lift the edge of the towel to look out. “He’s done now. Aren’t you disappointed?
Kristin Rae (Wish You Were Italian (If Only . . . #2))
In a time of constant transformation, beatitude is the joy that comes with belief. The beatific bathe in almighty love, wear smug grins and play their harpsand acoustic guitars. Safe in their cocoon from the storm of metamorphosis, the blessed give thanks for their unchangingness and ignore the leg irons biting into their ankles. It's eternal bliss, but nix nix, you can keep that jailhouse cell. The Beats and their Generation were wrong. Beautitude is the prisoner's surrender to his chains. Happiness, now, that's something else again. Happiness is human, not divine, and the pursuit of happiness is what we might call love. This love, earthly love, is a truce between metamorphs, a temporary agreement not to shape-shift while kissing or holding hands. Love is a beach towel spread over shifting sands. Love is intimate democracy, a compact that insists on renewals and you can be voted out overnight, however big your majority. It's fragile, precarious, and it's all we can get without selling our souls to one party or the other. It's what we can have while remaining free.
Salman Rushdie (The Ground Beneath Her Feet)
I’d packed my sadness, despite its enormous size. Each day I lugged it down to the beach with my towel and beach chair and sunglasses and paperback and sunblock and water bottle.
Maggie Smith (You Could Make This Place Beautiful)