Beach Baby Quotes

We've searched our database for all the quotes and captions related to Beach Baby. Here they are! All 100 of them:

You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
When you're in love, the world is brighter. Sunnier. The air smells flowerier, and your hair is silkier, and suddenly you find yourself smiling at babies and strangers and old couples walking down the beach holding hands.
Jess Rothenberg (The Catastrophic History of You and Me)
Oh, man there's a marathon of Beaches running tomorrow night. Can we go after ten so I can see it once all the way through?" Everyone in the room turned to the blond-and-black haired guy, who was propped in the corner, massive arms over his chest. What," he said. "Look, it's not Mary Tyler Moore, 'kay? So you can 't give me shit." Vishous, the one with the black glove on his hand, glared across the room. "It's worse than Mary Tyler Moore. And to call you and idiot would be an insult to half-wits around the world." Are you kidding me? Bette Midler rocks. And I love the ocean. Sue me." Vishous glanced at the king. "You told me I could beat him. You promised." As soon as you come home," Wrath said as he got to his feet, "we'll hang him up by his armpits in the gym and you can use him as a punching bag." Thank you, baby Jesus." Blond-and-Black shook his head. "I swear, one of these days I'm going to leave." As one, the Brothers all pointed to the open door and let silence speak for itself. You guys suck.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
God, baby, I can’t do this. I can’t pretend I’m not fucking thrilled you’re standing in my house right now.
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
Blaire, I’m not a romantic guy. I don’t kiss and cuddle. It’s all about the sex for me. You deserve someone who kisses and cuddles. Not me. I just fuck, baby. You aren’t meant for someone like me.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
You just came wild and sexy all over my hand and even left some claw marks on my back to prove it. Don’t go getting shy on me now. ‘Cause baby, before the night is over you will be naked in my bed.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
You're it for me, baby. Just you. You're not going to be your mother. You're special and unique and we're going to get you help. But I will be right by your side the entire time. I'll never leave you. I swear it.
Abbi Glines (Twisted Perfection (Rosemary Beach, #5; Perfection, #1))
Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
You're my all-in Della. I'll throw it all away for you. I just want you. I'm all in, baby. This life with you, I'm planning on us.
Abbi Glines (Simple Perfection (Rosemary Beach, #6; Perfection, #2))
I want you to trust yourself, baby. Love is all that matters and you’ve always known that. You’ve known, since you were a very little girl, what your life is meant to be about…
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
You’re driving me crazy, Blaire. Insane, baby. Fucking insane,
Abbi Glines (Never Too Far (Rosemary Beach, #2; Too Far, #2))
She felt like Lady in Lady and the Tramp, one of Hanna's favorite movies as a kid. When Jim Dear and Darling had a new baby, they kicked Lady to the curb. Except Hanna didn't even have a scruffy bad-boy stray she could run off with because her supposed boyfriend was going to be hundreds of miles away soaking up sunshine on a nude beach with a skank.
Sara Shepard (Pretty Little Secrets: A Pretty Little Liars Collection (Pretty Little Liars, #4.5))
On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances. They build their houses with sand, and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds. They know not how to swim, they know not how to cast nets. Pearl-fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets. The sea surges up with laughter, and pale gleams the smile of the sea-beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea-beach. On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships are wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
Rabindranath Tagore (Gitanjali)
When they first kiss, there on the beach, they will kneel at the edge of the Pacific and say a prayer of thanks, sending all the stories of love inside them out in a fleet of bottles all across the oceans of the world.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
I think love is kind of like those waves out there," she said. "You ride one in to the beach, and it's the most amazing thing you've ever felt. But at some point the water goes back out; it has to. And maybe you're lucky-maybe you're both too busy to do anything drastic. Maybe you're good as friends, so you stay. And then something happens-maybe it's something as big as a baby, or as small as him unloading the dishwasher-and the wave comes back in again. And it does that, over and over. I just think sometimes people forget to wait.
Erica Bauermeister (Joy for Beginners)
Lila Kate will always be my baby girl. I will cherish and love her until the day I die. But you . . . you’re the love of my life. You’re my forever. I’ll grow old loving you.
Abbi Glines (One More Chance (Rosemary Beach, #8; Chance, #2))
[Or perhaps my friends should have realized that they shouldn't have left behind the FRICKING REASON FOR THEIR PROTEST! And that thought just cracked me up.] It was like my friends had walked over the backs of baby seals in order to get to the beach where they could protest against the slaughter of baby seals.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn. Oh, Mary Lou. My baby. My love.
Pete Hamill (Tabloid City)
A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live. “To be a bay” holds the wonder that, for this moment, the living water has decided to shelter itself between these shores, conversing with cedar roots and a flock of baby mergansers. Because it could do otherwise—become a stream or an ocean or a waterfall, and there are verbs for that, too. To be a hill, to be a sandy beach, to be a Saturday, all are possible verbs in a world where everything is alive. Water, land, and even a day, the language a mirror for seeing the animacy of the world, the life that pulses through all things, through pines and nuthatches and mushrooms. This is the language I hear in the woods; this is the language that lets us speak of what wells up all around us.[…] This is the grammar of animacy.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Briseis is kneeling by my body. She has brought water and cloth, and washes the blood and dirt from my skin. Her hands are gentle, as though she washes a baby, not a dead thing. Achilles opens the tent, and their eyes meet over my body. "Get away from him," he says. "I am almost finished. He does not deserve to lie in filth." "I would not have your hands on him." Her eyes are sharp with tears. "Do you think you are the only one who loved him?" "Get out. Get out!" "You care more for him in death than in life." Her voice is bitter with grief. "How could you have let him go? You knew he could not fight!" Achilles screams, and shatters a serving bowl. "Get out!" Briseis does not flinch. "Kill me. It will not bring him back. He was worth ten of you. Ten! And you sent him to his death!" The sound that comes from him is hardly human. "I tried to stop him! I told him not to leave the beach!" "You are the one who made him go." Briseis steps towards him. "He fought to save you, and your darling reputation. Because he could not bear to see you suffer!" Achilles buries his face in his hands. But she does not relent. "You have never deserved him. I do not know why he ever loved you. You care only for yourself!" Achilles' gaze lifts to meet hers. She is afraid, but does not draw back. "I hope that Hector kills you." The breath rasps in his throat. "Do you think I do not hope the same?" he asks.
Madeline Miller (The Song of Achilles)
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
Please, don’t be good. Please,” I begged. Rush let out a rugged breath, “Shit, baby. Stop it. I’m going to explode. I’ll give you your release but when I finally bury myself inside you for the first time you won’t be sprawled in the back of my car. You’ll be in my bed.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
Given the chance, i'll die like a baby, on some faraway beach, when the season's over.
Brian Eno
Rush walked into the room with Nate in his arms and a baby bag over his shoulder. That was funny shit. Rush Finlay, badass rock star’s son, had a baby bag and a baby in his arms.
Abbi Glines (Simple Perfection (Rosemary Beach, #6; Perfection, #2))
Something strange has happened to the idea of privacy in our surreal time. Instead of being cherished, it appears to have become, a valueless quality—actually undesirable. If a thing is not made public, it doesn’t really exist. Your dog, your wedding, your beach, your baby, your dinner, the interesting meme you recently saw—these things need, on a daily basis, to be shared. Where attention has become the thing most hungered for, where the quest for followers and likes is the new gluttony, privacy has become unnecessary, unwanted, even absurd.
Salman Rushdie (Knife: Meditations After an Attempted Murder)
In that case, which would be the lesser of two evils—terror cabin with a psycho or beach estate with a weirdo?
K. Webster (This is War, Baby (War & Peace, #1))
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
It’s everything, isn’t it? It’s the quiet dinners when not much gets said. It’s the sunny days at the beach. It’s hearing your laughter in my head when I see Kayla giggling. It’s seeing the love in your eyes when you watch our baby sleep. It’s watching the sun rise in your smile and set in your tears. It’s the contentment in seeing you eat and sleep and study and play. It’s the small, everyday things, like never getting tired of watching you tuck that same stubborn strand of hair behind your ear twenty times a day, and it’s the huge life-altering things like seeing your smile and my eyes on our beautiful little girl’s face. It’s knowing that even if you turn away from me forever, I’ll always be the better for having had you in my life.
Natasha Anders (A Husband's Regret (Unwanted, #2))
You see, when you were little they kept sending me snap–shots of you, first as a baby and then as a child in socks playing on the beach with a pail and shovel, and then suddenly as a wistful little girl with wondering, pure eyes—and I used to build dreams about you. A man has to have something living to cling to. I think, Lois, it was your little white soul I tried to keep near me—even when life was at its loudest and every intellectual idea of God seemed the sheerest mockery, and desire and love and a million things came up to me and said: 'Look here at me! See, I'm Life. You're turning your back on it!' All the way through that shadow, Lois, I could always see your baby soul flitting on ahead of me, very frail and clear and wonderful.
F. Scott Fitzgerald (Flappers and Philosophers)
Sleep tight in the secure arms of your daddy. I know I have. He’ll be good at making you feel safe. When you’re scared, let him remind you that he’s right there, always ready to hold you when you need it. More than anything, I want to tell you this: You are a fighter. You are strong. You are brave. You can accomplish anything you set your mind to. This world is yours to make the most of, and I believe you will live a life so full of happiness that I will feel it from above. Never let others bring you down. Their words don’t change who you are. You are in control of who you are. You, my sweet Lila Kate, are your mother’s daughter. We fight for what we want and what we believe in. We don’t listen to others, and we are secure in who we are. Show the world how amazing Lila Kate Carter is, and climb mountains, baby girl. Climb them all.
Abbi Glines (One More Chance (Rosemary Beach, #8; Chance, #2))
i think love is like..waves.. you ride one in to the beach, and it's the most amazing thing you've ever felt. but at some point the water goes back out, it has to. and maybe you're lucky--maybe you're both too busy to do anything drastic. maybe you're good as friends, so you stay. and then something happens--maybe it's something as big as a baby, or as small as him unloading the dishwasher--and the wave comes back in again. and it does that, over and over. i just think sometimes people forget to wait.
Erica Bauermeister (Joy for Beginners)
I think beaches kind of get in your blood, and if you grow up near one you never feel quite right when you're away from it.
Ann M. Martin (Dawn and the Surfer Ghost (Baby-Sitters Club Mystery, #12))
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
Rick Riordan
Millionaires own a paid for home and maybe a beach condo. Millionaires probably live just down the block from you in a normal residential neighborhood. Millionaires often still cut their own grass.
Dave Ramsey (Baby Steps Millionaires: How Ordinary People Built Extraordinary Wealth-- and How You Can Too)
Young people and dreams are like baby turtles on the beach. The eggs hatch and they have to scramble to the water before the birds get them. We all have our sights set on water, but only a lucky few make it there unscathed. Life has a way of swooping in and picking off the forces and beliefs that motivates us.
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
We proclaimed the freedom of the individual, bought and drove millions of cars to prove it, built more roads for the cars to drive on so we could go the everywhere that was nowhere. We watered our lawns, we washed our cars, we gulped plastic bottles of water to stay hydrated in our dehydrated land, we put up water parks. We built temples to our fantasies--film studios, amusement parks, crystal cathedrals, megachurches--and flocked to them. We went to the beach, rode the waves, and poured our waste into the water we said we loved. We reinvented ourselves every day, remade our culture, locked ourselves in gated communities, we ate healthy food, we gave up smoking, we lifted our faces while avoiding the sun, we had our skin peeled, our lines removed, our fat sucked away like our unwanted babies, we defied aging and death. We made gods of wealth and health. A religion of narcissism. In the end, we worshipped only ourselves. In the end, it wasn't enough.
Don Winslow (Savages (Savages #2))
Leo whooped so loudly they probably heard him in China. “YEAH! WHO DIED? WHO CAME BACK? WHO’S YOUR FREAKIN’ SUPERSIZED McSHIZZLE NOW, BABY? Woooooooo!” They spiraled toward Ogygia, the warm wind in Leo’s hair. He realized his clothes were in tatters, despite the magic they’d been woven with. His arms were covered in a fine layer of soot, like he’d just died in a massive fire...which, of course, he had. But he couldn’t worry about any of that. She was standing on the beach, wearing jeans and a white blouse, her amber hair pulled back. Festus spread his wings and landed with a stumble. Apparently one of his legs was broken. The dragon pitched sideways and catapulted Leo face-first into the sand. So much for a heroic entrance.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
Rebecca let out a gusty sigh. “Pregnant, I tell you. I’m definitely getting pregnant.” Her mother responded by passing over the tearful little guy. Not a bad idea, Jane decided. Birth control by baby brother
Christie Ridgway (Beach House No. 9 (Beach House No. 9, #1))
Oh I could be out, rollicking in the ripeness of my flesh and others’, could be drinking things and eating things and rubbing mine against theirs, speculating about this person or that, waving, indicating hello with a sudden upward jutting of my chin, sitting in the backseat of someone else’s car, bumping up and down the San Francisco hills, south of Market, seeing people attacking their instruments, afterward stopping at a bodega, parking, carrying the bottles in a paper bag, the glass clinking, all our faces bright, glowing under streetlamps, down the sidewalk to this or that apartment party, hi, hi, putting the bottles in the fridge, removing one for now, hating the apartment, checking the view, sitting on the arm of a couch and being told not to, and then waiting for the bathroom, staring idly at that ubiquitous Ansel Adams print, Yosemite, talking to a short-haired girl while waiting in the hallway, talking about teeth, no reason really, the train of thought unclear, asking to see her fillings, no, really, I’ll show you mine first, ha ha, then no, you go ahead, I’ll go after you, then, after using the bathroom she is still there, still in the hallway, she was waiting not just for the bathroom but for me, and so eventually we’ll go home together, her apartment, where she lives alone, in a wide, immaculate railroad type place, newly painted, decorated with her mother, then sleeping in her oversized, oversoft white bed, eating breakfast in her light-filled nook, then maybe to the beach for a few hours with the Sunday paper, then wandering home whenever, never- Fuck. We don't even have a baby-sitter.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Here’s your daddy,” Emily whispered to the pink bundle in her arms. They had taken her away right after she was born to run some tests. They were worried about her heart, which had scared the shit out of me. Emily had held my hand and reassured me that our little girl would be OK. She prayed to God , so she was banking on the big man to save our baby. I wished I trusted him that much. Glines, Abbi (2014-12-15). Kiro's Emily: A Rosemary Beach Novella (The Rosemary Beach Series Book 10) (Kindle Locations 1159-1162). Atria Books. Kindle Edition.
Abbi Glines (Kiro's Emily (Rosemary Beach, #9.5))
We spent afternoons kicking around in the sand, picking through the seaweed for shells, making headdresses of washed-up fishing ropes and hats from Styrofoam cups. Beach rats, we were called. We stopped brushing our hair, and it hung in tangles spun by the salt air. We sprayed Sun-In across our heads and let it turn our hair orange in patches. Our skin peeled, and we didn't much care. We woke up to the feel of sand in our sheets. We covered ourselves in baby oil and iodine and let the sun bake our skin. We smelled like Love's Baby Soft perfume, like summer all year long. We were tanned, with freckles across our noses.
Ilie Ruby (The Salt God's Daughter)
Contractions. Kane’s stomach dropped right out of his body. He stared down at her, his mind going fuzzy. That was one of those words like menstruation, period, or female products . The list just wasn’t uttered in male company. Contractions fit right in there. God. This was not happening. He forced his brain under control, ignoring the pounding in his head and the roaring in his ears. He studied Rose’s body carefully. She wasn’t due for another four or five weeks, right? He knew when she got pregnant. When he’d first seen her, she had looked slim, but that had been an illusion. On the other hand, she never looked as— big —as she did at that moment.“What?” Rose demanded, glaring up at him. The warning signal flashed bright red in Kane’s head. Telling a woman she was as big as a beach ball wouldn’t win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out the window when he was near her and she said words like contractions.He’d jump out of a plane without hesitation in the heart of enemy territory, but damn it all, ask him to kill someone, not deliver babies. She didn’t take her eyes off him, and that expression on her scowling face demanded an answer.
Christine Feehan (Ruthless Game (GhostWalkers, #9))
There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.
Alan Cohen (A Course in Miracles Made Easy: Mastering the Journey from Fear to Love)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
It is the simplest phrase you can imagine,” Favreau said, “three monosyllabic words that people say to each other every day.” But the speech etched itself in rhetorical lore. It inspired music videos and memes and the full range of reactions that any blockbuster receives online today, from praise to out-of-context humor to arch mockery. Obama’s “Yes, we can” refrain is an example of a rhetorical device known as epistrophe, or the repetition of words at the end of a sentence. It’s one of many famous rhetorical types, most with Greek names, based on some form of repetition. There is anaphora, which is repetition at the beginning of a sentence (Winston Churchill: “We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields”). There is tricolon, which is repetition in short triplicate (Abraham Lincoln: “Government of the people, by the people, and for the people”). There is epizeuxis, which is the same word repeated over and over (Nancy Pelosi: “Just remember these four words for what this legislation means: jobs, jobs, jobs, and jobs”). There is diacope, which is the repetition of a word or phrase with a brief interruption (Franklin D. Roosevelt: “The only thing we have to fear is fear itself”) or, most simply, an A-B-A structure (Sarah Palin: “Drill baby drill!”). There is antithesis, which is repetition of clause structures to juxtapose contrasting ideas (Charles Dickens: “It was the best of times, it was the worst of times”). There is parallelism, which is repetition of sentence structure (the paragraph you just read). Finally, there is the king of all modern speech-making tricks, antimetabole, which is rhetorical inversion: “It’s not the size of the dog in the fight; it’s the size of the fight in the dog.” There are several reasons why antimetabole is so popular. First, it’s just complex enough to disguise the fact that it’s formulaic. Second, it’s useful for highlighting an argument by drawing a clear contrast. Third, it’s quite poppy, in the Swedish songwriting sense, building a hook around two elements—A and B—and inverting them to give listeners immediate gratification and meaning. The classic structure of antimetabole is AB;BA, which is easy to remember since it spells out the name of a certain Swedish band.18 Famous ABBA examples in politics include: “Man is not the creature of circumstances. Circumstances are the creatures of men.” —Benjamin Disraeli “East and West do not mistrust each other because we are armed; we are armed because we mistrust each other.” —Ronald Reagan “The world faces a very different Russia than it did in 1991. Like all countries, Russia also faces a very different world.” —Bill Clinton “Whether we bring our enemies to justice or bring justice to our enemies, justice will be done.” —George W. Bush “Human rights are women’s rights and women’s rights are human rights.” —Hillary Clinton In particular, President John F. Kennedy made ABBA famous (and ABBA made John F. Kennedy famous). “Mankind must put an end to war, or war will put an end to mankind,” he said, and “Each increase of tension has produced an increase of arms; each increase of arms has produced an increase of tension,” and most famously, “Ask not what your country can do for you; ask what you can do for your country.” Antimetabole is like the C–G–Am–F chord progression in Western pop music: When you learn it somewhere, you hear it everywhere.19 Difficult and even controversial ideas are transformed, through ABBA, into something like musical hooks.
Derek Thompson (Hit Makers: Why Things Become Popular)
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Part of me had hoped my BSC friends had planned this whole thing as a huge April Fool's joke seven months early. We'd all have a big laugh and go back to the way we were, loyal and full of group spirit. But here's the other side: even though my mind was a mess, my body felt the strangest sense of calmness, as if I'd just taken a swim on a Hawaiian beach. I felt free. Free and peaceful.
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
Look, Rune. Look at your footprints in the sand.” Rune’s eyes left mine to observe the beach. His breath caught and his gaze came back to me. Lip quivering, I whispered, “You carried me. In my hardest times, when I couldn’t walk … you carried me through.” “Always,” Rune managed to reply hoarsely. “Forever always.” Taking a deep breath, I laid my head against his chest and hushed out, “Take me home, baby.
Tillie Cole (A Thousand Boy Kisses)
The point is, honey, once you hold a baby and he or she looks at you like you hung the moon and have their next bottle in your hand? Once you rock a sick child to sleep in the middle of the night, or hold their hand on the first day of school, or wipe a tear and know you could and would kill the person who caused it?” Sam smiled. “You really don’t care if they have your genes or not. They have your heart.
Cecelia Scott (Cocoa Beach Cottage (Sweeney House, #1))
He had done it all, from barnstorming to crop dusting, and had even flown a Davis Waco with the Baby Ruth Flying Circus. It was an advertising blitz unlike anything the country had ever seen. Billy would fly over county and state fairs, racetracks, and crowded beaches in his red and white plane, dropping hundreds of tiny rice paper parachutes—each one bearing a small Baby Ruth candy bar—on the crowds below.
Fannie Flagg (The All-Girl Filling Station's Last Reunion)
The few things I’d sacrificed, or put on hold, to be with my husband and baby were worth it. That broken boy on the beach seemed like a lifetime ago. Years had passed, college and the NFL, marriage and a baby, but every once in a while, when Jude looked over at me and gave me that slow, knowing smile of his, I was that girl in a black string bikini all over again, longing for a boy I never thought could be mine.
Nicole Williams (Crush (Crash, #3))
One time, when I was little more than a baby, I was taken to visit my grandmother, who was living in a cottage on a nearly uninhabited stretch of beach in northern Florida. All I remember of this visit is being picked up from my crib in what seemed the middle of the night and carried from my bedroom and out of doors, where I had my first look at the stars. “It must have been an unusually clear and beautiful night for someone to have said, “Let’s wake the baby and show her the stars.” The night sky, the constant rolling of the breakers against the shore, the stupendous light of the stars, all made an indelible impression on me. I was intuitively aware not only of a beauty I had never seen before but also that the world was far greater than the protected limits of the small child’s world which was all I had known thus far. I had a total, if not very conscious, moment of revelation: I saw creation bursting the bounds of daily restriction, and stretching out from dimension to dimension, beyond any human comprehension. I had been taught to say my prayers at night: Our Father, and a long string of God-blesses, and it was that first showing of the galaxies which gave me an awareness that the God I spoke to at bedtime was extraordinary and not just a bigger and better combination of the grownup powers of my father and mother. This early experience was freeing, rather than daunting, and since it was the first, it has been the foundation for all other such glimpses of glory. (The Irrational Season)
Madeleine L'Engle
Turning one more time to face the sun, my eyes dropped to the golden sand. And then my heart filled with such impossible light when I whispered, “Look, Rune. Look at your footprints in the sand.” Rune’s eyes left mine to observe the beach. His breath caught and his gaze came back to me. Lip quivering, I whispered, “You carried me. In my hardest times, when I couldn’t walk … you carried me through.” “Always,” Rune managed to reply hoarsely. “Forever always.” Taking a deep breath, I laid my head against his chest and hushed out, “Take me home, baby.
Tillie Cole (A Thousand Boy Kisses)
...[M]ost of us have figured out that we have to do what's in front of us and keep doing it. We clean up beaches after oil spills. We rebuild whole towns after hurricanes and tornadoes. We return calls and library books. We get people water. Some of us even pray. Every time we choose the good action or response, the decent, the valuable, it builds, incrementally, to renewal, resurrection, the place of newness, freedom, justice. The equation is: life, death, resurrection, hope. The horror is real, and so you make casseroles for your neighbor, organize an overseas clothing drive, and do your laundry. You can also offer to do other people's laundry if they have recently had any random babies or surgeries. We live stitch by stitch, when we're lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we'd pretend that life was just fine and running like a Swiss watch. That's not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears.
Anne Lamott (Stitches: A Handbook on Meaning, Hope, and Repair)
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
Don't count on me to take you in because I'm angry. I'm angry at you for leading us on such a song and dance all these years, not just these few years but all the years, skipping all those holidays and staying away from beach trips and missing Mom and Dad's thirtieth anniversary and their thirty-fifth and Jeannie's baby and not attending my wedding that time or even sending a card or calling to wish me well. But most of all Denny, most of all: I will never forgive you for consuming every last little drop of our parents' attention and leaving nothing for the rest of us.
Anne Tyler
Behind me, walking into the sea was my smallest self, a baby girl throwing herself into the waves. Behind her I saw my mother, flying in footsteps to pluck me from the water. My mother's cut foot trailed a red spool of blood in the sand, weaving to the small figure of my mother as a girl, crouched and digging for food, waiting for the sea to offer her something to believe in. Wandering behind my mother I saw her gone mother, watching the sea in a wind-worn dress. Out in the distance was another young woman, and another, each walking beside their own mothers and sisters now, tall women, stern women, a woman whose name I did not know, her upturned face a copper sun, marking me. I bobbed transfixed, neck-deep in waves, watching the women weave and stretch for miles and decades beyond me, beyond and beyond, marking a line that trailed out from our little strip of beach and into the sweltering city, up into the hills and the green backbone of our country. Walking behind her and behind her, I saw them all the women who had put one foot in front of the other and pushed their hands into the dirt. Women who had survived. The women who made me.
Safiya Sinclair (How to Say Babylon)
They beached me, like a harpooned baby whale, and started to check the damage, just for the record ... By this time the whole joint was jumping -- cops, reporters, neighbors, passersby -- as much hoopdedoo as we get in Los Angeles when they open a Super Market. Even the newsreel guys came roaring in. Here was an item everybody could have some fun with, the heartless so-and-so's. What would they do to her? Even if she got away with it in court- crime of passion - temporary insanity - those headlines would kill her: Forgotten Star a Slayer--Aging Actress--Yesterday's Glamour Queen...
Billy Wilder
I felt the stupidity rising in my throat and bit down harder, staring at his collarbone and the small piece of blue sea glass he wore on a leather cord around his neck, rising and falling. Rising. Falling. Seconds? Hours? I didn’t know. He’d made the necklace the year before from a triangular piece of glass he’d found during their family vacation to Zanzibar Bay, right behind the California beach house they rented for three weeks every summer. According to Matt, red glass was the rarest, followed by purple, then dark blue. To date he’d found only one red piece, which he’d made into a bracelet for Frankie a few months earlier. She never took it off. I loved all the colors – dark greens, baby blues, aquas, and whites. Frankie and Matt brought them back for me in mason jars every summer. They lived silently on my bookshelf, like frozen pieces of the ocean I had never seen. “Come here,” he whispered, his hand still stuck in my wild curls, blond hair winding around his fingers. “I still can’t believe you made that,” I said, not for the first time. “It’s so – cool.” Matt looked down at the glass, his hair falling in front of his eyes. “Maybe I’ll give it to you,” he said. “If you’re lucky.
Sarah Ockler (Twenty Boy Summer)
Despite the many cheerful photographs suggesting otherwise, I did not love lunch on the beach when the kids were little. They were so committed, it seemed, to getting sand in the cooler, sand in the chip bag, sand in the cherry bag, the cookies, the pretzels. They dropped their sandwiches into the sand, spilled my iced tea into the sand, poured sand over their own sweaty heads for no reason and cried. They stuffed their sandy baby fingers into my nostrils. They groped me with their sandy palms. They tracked sand over the towels and through my psyche. All I wanted was two unsandy seconds to swallow down their peanut butter and jelly crusts and call it a meal.
Catherine Newman (Sandwich)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
I was an avid reader of Surf Life magazine, and I was surprised to discover a write-up of our Tasmanian visit. It made me proud to read how impressed those guys were with Steve’s surfing abilities. One incident that didn’t make the article was when Steve came partway to shore while I watched him from the beach. All of a sudden he stripped off his wet suit. It was winter and quite cold. “What are you doing?” I called out. He stood in the icy water. “This is how dedicated I am to having a boy baby,” he said, with a mischievous grin. I said, “I think you’re just supposed to keep them cool, not actually freeze them off.” He laughed. But I knew this was Steve’s way of encouraging me to stick to the boy-baby diet. Did I mention that I could not eat chocolate? The sacrifices we make for love.
Terri Irwin (Steve & Me)
Family is everything to him. When he was a young boy, he lost his mother and four sisters to scarlet fever, and was sent away to boarding school. He grew up very much alone. So he would do anything to protect or help the people he cares about." She hefted the album into Keir's lap, and watched as he began to leaf through it dutifully. Keir's gaze fell to a photograph of the Challons relaxing on the beach. There was Phoebe at a young age, sprawling in the lap of a slender, laughing mother with curly hair. Two blond boys sat beside her, holding small shovels with the ruins of a sandcastle between them. A grinning fair-haired toddler was sitting squarely on top of the sandcastle, having just squashed it. They'd all dressed up in matching bathing costumes, like a crew of little sailors. Coming to perch on the arm of the chair, Phoebe reached down to turn the pages and point out photographs of her siblings at various stages of their childhood. Gabriel, the responsible oldest son... followed by Raphael, carefree and rebellious... Seraphina, the sweet and imaginative younger sister... and the baby of the family, Ivo, a red-haired boy who'd come as a surprise after the duchess had assumed childbearing years were past her. Phoebe paused at a tintype likeness of the duke and duchess seated together. Below it, the words "Lord and Lady St. Vincent" had been written. "This was taken before my father inherited the dukedom," she said. Kingston- Lord St. Vincent back then- sat with an arm draped along the back of the sofa, his face turned toward his wife. She was a lovely woman, with an endearing spray of freckles across her face and a smile as vulnerable as the heartbeat in an exposed wrist.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
Hey!" To his horror, the canvas started to move and a perfectly manicured hand appeared. Law rushed across the hall, his feet making not a single sound against the carpet. “Hafta getta way.” Kinley was trying to haul herself out of the laundry cart. One fist came up. “Won’t let you. Won’t.” Riley peered down at her. How did she make that look so fucking adorable? She was a mess of white tulle, and all he could think about was wrapping himself around her. “Baby, it’s all right.” Law reached for her hand, his voice softer than Riley could ever remember hearing it. Law was rough and tumble, but he got so tender around this one bit of blonde fluff. “What the hell. I thought I emptied the fucking syringe in her arm. We need the chloroform, Riley." Yes, it was their last resort. It wouldn’t keep Kinley out for very long, but they had to keep her out long enough to escape this damn hotel. “Don’t want to get married. Want the beach. Happy there.” They weren’t taking her to the beach, but at least Law seemed to be calming her down. Then she turned those kick-him-in-the-gonads brown eyes his way. "So pretty. Wanna get married?
Shayla Black (Their Virgin Hostage (Masters of Ménage, #5))
She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’ Faye looks for Julie’s eyes in the mirror. Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’ Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’ 'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’ It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself? Julie is looking at Faye. 'See?’ Faye’s eyes are open. They get wide. 'You don’t like my face at rest?
David Foster Wallace (Girl with Curious Hair)
I stared at the little white agates in my hand, delicate as moon drops. The mystery of God's love as I understand it is that God loves the man who was being mean to his dog just as much as he loves babies; God loves Susan Smith, who drowned her two sons, as much as he loves Desmond Tutu. And he loved her just as much when she was releasing the handbrake of her car that sent her boys into the river as he did when she first nursed them. So of course, he loves old ordinary me, even or especially at my most scared and petty and mean and obsessive. Loves me; chooses me. Remembering this helped, but here is what in fact saved me: Sam came over to see what I held in my palm, glared contemptuously at my small white pebbles, and then without missing a beat slapped the bottom of my hand so that the agates scattered. He ran off down the beach, laughing with glee. It surprised me so, this small meanness, that it made me catch my breath. Boy, I thought, is he going to be hard to place. When I was young I would have felt, What’s the point of trying to be good if the people who aren’t even trying get to be equally loved? Now I just picked up my pace and tried to catch up with that rotten Sam, because I don’t know much of anything for sure. Only that I am loved – as is
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
For the bus ride, which Delaney estimated would be ninety minutes, she had prepared a mix of happy journeying music, which she activated as they pulled out of the campus gate. The first song was by Otis Redding, and the first message came via her phone. Woman-hater, it said, with a link to an unsigned and evidence-less post hinting that he had been unkind to an ex-girlfriend who he’d met shortly before the bay and the dock and the sitting. Thanks for the early-morning pick-me-up! the writer said, meaning that Delaney had ruined the day and tacitly endorsed Redding’s newly alleged misogyny. Delaney skipped to the next song, Lana Del Rey’s “High by the Beach,” and then quickly figured it was too big a risk so skipped ahead. The third song, the Muppets’ “Movin’ Right Along,” was unknown to most on the bus, and survived its three-minute length, during which a handful of passengers furiously tried to find a reason the song was complicit in evil committed or implied. Delaney skipped the next song, by Neil Diamond, thinking any Jewish singer dubious in light of the Israeli sandwich debacle, skipped songs six and seven (from Thriller), briefly considered the Ronettes’ “Be My Baby” but then remembered Phil Spector, and so finally settled on a young Ghanian rapper she’d recently discovered. His first song was hunted down quickly in a hail of rhetorical buckshot—as a teen, the rapper had zinged a borderline joke about his female trigonometry teacher—so Delaney turned off the shared music, leaving everyone, for the next eighty-one minutes, to their earbuds and the safety of their individualized solitude.
Dave Eggers (The Every)
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)
THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.
Vince Antonucci (God for the Rest of Us: Experience Unbelievable Love, Unlimited Hope, and Uncommon Grace)
For me and Suzanne, it was supposed to go like this: We'd be the maids of honor at each other's weddings. Our husbands would be really different, of course, but they'd like each other a lot anyway. We'd have babies at the same time, take family beach trips to Jamaica, remain mildly critical of each other's parenting techniques, and be favorite fun aunties to each other's kids as they grew. I'd get her kids books for their birthdays; she'd get mine pogo sticks. We'd laugh and share secrets and roll our eyes at what we perceived as the other person's ridiculous idiosyncrasies, until one day we'd realize we were two old ladies who'd been best friends forever, flummoxed suddenly by where the time had gone. That, for me, was the world as it should be.
Michelle Obama (Becoming)
He also would be traveling soon as he heard that the best deals on baby furniture were in The Cribbean.
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
Good girl,” he managed, finding her taut ass cheeks in his hands, easing her into a rhythm that made her mouth form an O. “That’s right, baby. It’s a perfect fit.” He slapped her bottom lightly, the smack sound echoing in the back seat. “Fuck your man.
Tessa Bailey (The Beach Kingdom Bundle: The Complete Series)
Jesus (Don't Touch My Baby)" In California Forever summer and hot Into the ocean You're smiling a lot On sandy beaches And the blankets are hot You're in my arms And I kiss your heart Jesus, don't touch my baby Jesus, don't touch my baby Jesus, don't touch my baby She's all that I got Reflections coming In through the sheets You love your baby are sweet Out on the highway We ride tonight Jesus don't know you He was just saying "Hi" Don't touch my baby Jesus, don't touch my baby Ryan Adams, Demolition (2002)
Ryan Adams
You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
Who's Gonna Ride Your Wild Horses" You're dangerous 'cause you're honest You're dangerous, you don't know what you want Well you left my heart empty as a vacant lot For any spirit to haunt Hey hey sha la la Hey hey You're an accident waiting to happen You're a piece of glass left there on the beach Well you tell me things I know you're not supposed to Then you leave me just out of reach Hey hey sha la la Hey hey sha la la Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna ride your wild horses Who's gonna fall at the foot of thee Well you stole it 'cause I needed the cash And you killed it 'cause I wanted revenge Well you lied to me 'cause I asked you to Baby, can we still be friends Hey hey sha la la Hey hey sha la la Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna ride your wild horses Who's gonna fall at the foot of thee Oh, the deeper I spin Oh, the hunter will sin for your ivory skin Took a drive in the dirty rain To a place where the wind calls your name Under the trees the river laughing at you and me Hallelujah, heaven's white rose The doors you open I just can't close Don't turn around, don't turn around again Don't turn around, your gypsy heart Don't turn around, don't turn around again Don't turn around, and don't look back Come on now love, don't you look back Who's gonna ride your wild horses Who's gonna drown in your blue sea Who's gonna taste your salt water kisses Who's gonna take the place of me Who's gonna ride your wild horses Who could tame the heart of thee U2, Achtung Baby (1991)
U2 (U2 -- Achtung Baby Songbook: Guitar Lead Line)
You’ve had my heart for a long time, Sylvie. Before the baby—hell, even before the beach, I was so fucking gone for you. I have loved you for a long time. It’s always been you, but I was too afraid to say it. Afraid that if I said the words out loud, I’d somehow wake up from this dream, and it would all disappear. I wanted to tell you tonight over candlelight and with flowers just the two of us—but here in this moment, I feel it. I want to go with you to Savannah, and I don’t want to keep that from you for a second longer. I love you. I have always loved you. You’re it for me, and I can’t live this life without you.
Lena Hendrix (One Night (The Sullivan Family, #4))
The baby kicks the shit out of me non-stop, and I feel like a beached whale. Whoever said pregnancy is beautiful can die a fiery death, as far as I’m concerned.
Elsie Silver (Heartless (Chestnut Springs, #2))
Becky and Ian had a hell of a time convincing her to get rid of that infernal baby seal coat. You know what she said? She said seals sexually assault penguins and deserved to be clubbed. That woman is nuttier than a Snickers bar.
Dylan Allen (Beach Reads Box Set: Volume 4)
We got home from the beach, and all I could think was, here I am at the start of something new and beautiful, and I’m still stuck in the past. I realised I couldn’t keep making excuses for her. That I couldn’t leave things unresolved for the sake of peace. You deserved better than that. The baby deserved better than that. You made me realise that I deserved better than that. So I called her.
Hannah Bonam-Young (Out on a Limb)
Rachel and Becca aren’t real sisters, or so they say. They are stepsisters, living far apart, with little in common. Rachel is the successful one: happily married with three children and a big house, plus an impressive career. Artistic Becca, meanwhile, lurches from one dead-end job to another, shares a titchy flat and has given up on love
Lucy Diamond (A Baby at the Beach Café)
One day they were babies on your hip, the next they were driving.
Maggie Miller (Gulf Coast Wedding (Blackbird Beach, #7))
The Golem, The Monster was in love with herself; the Goy was in love with her too. She was in love with Club Golan. A perfect storm was approaching and I could almost feel it. I didn't know what was wrong with my beautiful girlfriend as her face gradually began to look like a monster's and she started treating me like garbage. What was controlling her mind? Who was behind her, making her get so sick again so quickly after meeting some new people at the beach bar? Why did Sabrina say that I would die lonely and sad, and why was Martina's perception of me so wrong and unreal? How was their plan on track, I didn't understand while I was running after Martina and I couldn't understand where our happiness had slipped out of our hands again? I was desperately trying to figure out what had happened to my life, my career, and what had happened to my pretty girlfriend, what had happened to my baby? It was almost like my girlfriend's perceptions were all wrong somehow. She had seen me as a useless homeless bum and she had seen the only value or service in Europe and Barcelona which could make a living or money as, 'short shorts and loose legs'. I felt hopeless and I didn't understand what the spell was. How was my 'Stupid Bunny' a Frankenstein? I could feel it on my skin, and I could see it in Martina's eyes, that the criminals' plans were in play and had been working since the moment Adam arrived in Spain, or maybe even before that somehow. Before I even met Martina. Before we even broke all up with Sabrina. Before the Red Moon, the last date and before the provocation the following night. I felt like 10-20 criminals were trying to bully me and trying to woo Martina and outsmart me with her, but I was so worried for her and was so busy trying to save her every day with her on my mind, as if I too was under spells, under possession and couldn't do anything about it to help her or break the illusions keeping her possessed, even when supposedly she was, we were, rid of the bad people. I felt like I was in a screenplay in the set up stages of a drama. I felt like someone had sat down with a piece of paper and a pen, and was drawing plans against my life. I felt like someone had written a screenplay on how to play this out, how to take the club from me and Martina. Someone must have written a list of characters. Casting. I never called Sabrina a bitch. Adam and Martina both called her “bitch.” Martina said “The Bitch” and Adam said “that Crazy Bitch.” ’The Goy’ ’The Bitch’ ’The Gipsy’ ’The Giants’ ’The Golem’ ’The Lawyer’ ’The Big Boss’ ’My Girlfriend’ ’The False Flag’ ’The Big Brother’ ’The Stupid Bunny’ ’The Big Boss Daddy’ ’The Italian Connection’, etc. I was unable to break any illusion, the secret, the code; I was dumbstruck in love with “my girlfriend” (who I thought was my “stupid bunny”), being the ‘false flag’, and maybe it was actually “the bitch” portrayed by Sabrina who was my true love perhaps, putting me to the tests, with Adam and the rest, using Martina and her brother, playing with strings, with her long pretty fingernails, teaching me a lesson for cheating when I thought she was cheating too and making me unhappy when I thought she was unhappy with me. As if I knew, Sabrina had been behind my new girlfriend, Martina playing roles; I had seen all the signs and jokes. I just couldn't comprehend it having a cover over my eyes. I was unsure what should I do what would be real wise? I didn't think Sabrina would be capable of hurting me at all. Why did Martina keep saying, Tomas you are so nice and tall?
Tomas Adam Nyapi
We fuck like monsters. Out of our fucking heads. Hell, I feel like I'm trying to kill her with my cock. My hand finds her throat, and I clamp down, squeezing the sides. Her eyes widen, and her lips part. Leaning down, I press my mouth to the side of her head. "Does this remind you of anything, baby?" I ask. Because it reminds me of our very first fuck. The beach house. If I could go back to that night and day, I wouldn't leave when Abel and Braxton came. I'd kick those fuckers out, tie her to the bed and fuck her for another week straight.
Lucy Smoke (Stone Cold Queen (Sick Boys, #2))
Sometimes, the sorrow of the road not taken would overwhelm her. Her sisters would visit with their children, or she’d talk with her nieces on the phone—about friends, about music, about picking a college or breaking up with a boyfriend—and Diana would think of the babies that she’d never have, or she’d glimpse a mother and daughter, in the supermarket or on the beach, sometimes squabbling, sometimes just sitting on the sand together, and the sadness would descend like a crushing weight until she could barely breathe.
Jennifer Weiner (That Summer)
I think they’re doing a photo shoot on the beach.” “Those aren’t models, baby. Those are my brothers.” “Oh.” He covered my eyes, and I laughed. “Stop it. I want to meet them.” “I’m not sure I want you to meet them now.” “You’re the sexiest one.” “You better think that.
Eve Marian (Protecting Hailey (Billionaire Bodyguards #3))
Kokomo Aruba, Jamaica, ooh I want to take ya Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go, Jamaica Off the Florida Keys, there's a place called Kokomo That's where you want to go to get away from it all Bodies in the sand, tropical drink melting in your hand We'll be falling in love to the rhythm of a steel drum band Down in Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to Kokomo, we'll get there fast and then we'll take it slow That's where we want to go, way down in Kokomo. Martinique, that Montserrat mystique We'll put out to sea and we'll perfect our chemistry And by and by we'll defy a little bit of gravity Afternoon delight, cocktails and moonlit nights That dreamy look in your eye, give me a tropical contact high Way down in Kokomo [Chorus] Port au Prince, I want to catch a glimpse Everybody knows a little place like Kokomo Now if you want to go and get away from it all Go down to Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to
The Beach Boys
She thinks about that now. Is grief the price? Why does love have to be so costly? The benefits she has reaped from this love, have they been enough? When she had just Daisy toddling around, an older woman had said to her, “I think by the time they’re two, kids have repaid their parents for everything. They give us so much joy in just those first two years of their life. All the worrying and misery that might come after is just paying the piper.” Margaret, then a frizzled first-time mom, wondered what the woman was talking about. But now she thinks she knows. She’s had these moments, a nestling child in her arms, a kiss and a deep inhale of the heady sent of a sleeping baby, a laugh of pure joy shared with her husband at something funny that has been said by an unknowing innocent – she has had so, so many of these moments. Her life has been rich with those moments. She is grateful for them. She wants to remember and honor them. This is such a moment, she realizes. Sitting here, on the beach, with the warm sand beneath and the bright sun above, with Clarke and two of her children present, she feels something like a brief moment of contentment. You don’t win anything for being the saddest the longest, Dr. Stein has said. There’s no prize for being the most miserable. You are not betraying anyone by trying to live a better life. You are not giving up on anyone. I’m not telling you to be happy. I’m telling you that it’s okay to have moments when you’re not sad. You can laugh, maybe once a month, maybe twice. It’s okay. Here’s the thing. You think only one specific event, one miracle, will make things better, but actually life will get better if you only let it. You have to let life get better. You have to for your family’s sake, and for your sake. You don’t think your happiness matters, but it does. It matters for your family. They can’t be happy unless you see that you have the ability to be. Time will help. It can be agonizingly slow, but it always does. Forward. Onward. Those are the directions she has to follow. Remember this moment, she thinks fiercely. Hold onto it. - The Expatriates
Janet Y.K. Lee
Shhhh,” Johnny soothed, sliding his hands up and down her back, nuzzling her hair. “Car thieves don’t cry, baby. You gotta toughen up if you’re gonna have a future with good old Clyde here.” “I like it when you do that.” “What?” “Call me baby,” Maggie whispered. “You liked it when I called you Bonnie too,” he replied with a smile in his voice. “Why?” “You used to call me baby all the time. It makes me believe you can love me again.” Johnny wrapped his arms tightly around her waist and lifted her to him, kissing her tear-streaked cheeks before he touched his lips to hers. “I’m already there Maggie. I fell in love when you begged me to help you escape the cops. I fell in love when we danced to Nat King Cole singing ‘Stardust’ on a moonlit beach. Hell, I fell in love when you told me how blondes spell farm.” “E-I-E-I-O,” Maggie quipped wetly. Johnny laughed and held her tightly.
Amy Harmon (Prom Night in Purgatory (Purgatory, #2))
back. “WHERE ARE YOUR FEET?” “IN THE KITCHEN!” The Thomas/Brewer family was in total, utter chaos. It was 11:00 A.M. on the Sunday before Labor Day. My family was just waking up, groggy and jetlagged. We’d arrived in the wee hours of the morning from a vacation in sunny, exciting, beach-filled Hawaii. (I had a fantastic time, thanks for asking.) Our flight back had taken almost a whole day. That part wasn’t so great. You see, we’d left Hawaii on Saturday
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
Maybe the beach was a more natural place to leave a baby you couldn't care for. Nestle him in the sand and hope someone found him -- an old couple on a midnight stroll, a patrol cop sweeping his flashlight over beer cases. But if they didn't, if no one stumbled upon him, he'd return to his first home, an ocean like the one inside of her. Water would break onto the shore, sweep him up in its arms, and rock him back to sleep.
Brit Bennett (The Mothers)
When friends asked how he was coping with his spectacular loss, he would say, ‘I sleep like a baby – I wake up every ten minutes screaming!’ He was advised on health grounds to take a holiday, so he went to his home in Ibiza and ran regularly on the beach. ‘Someone asked me later how much I had lost. I said, “$300 million and 20lbs.
Siobhan Creaton (Ryanair: How a Small Irish Airline Conquered Europe)
Every four seconds a baby boomer turns fifty,
Claire Cook (Life's a Beach)
My resolution to “Embrace good smells” has developed into a full-blown obsession. A few of my favorite perfumes: CB I Hate Perfume    Demeter Fragrance Library    Frédéric Malle To See a Flower    Fireplace    Lys Méditerranée Hay    Pure Soap    En Passant Tea/Rose    Baby Powder    Gardenia de Nuit On the Beach 1966 Memory of Kindness         (for the Fleur Mécanique) The
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
Oh, excuse me!” I put a hand to my midsection, my cheeks getting hot with embarrassment. “I don’t know what’s wrong with me. Ever since I started eating solid food again it seems like I’m always hungry.” The old lady’s wrinkled face broke into a warm smile. “Now then, there’s no need to be embarrassed,” she said, taking my hand anyway. “You’re just hungry and that’s perfectly normal when you’re pregnant.” “What?” Gwendolyn and I said at the same time. “You heard me.” Gwendolyn’s grandmother smiled and patted my abdomen. “You’re pregnant, child. Do you mean to tell me you didn’t know?” “Oh, I…” I shook my head. “I just, I didn’t think it was possible. I mean, it’s not possible.” I looked at Gwendolyn. “Is it?” She shrugged helplessly. “I would have said no but this is one thing Grams always knows about. She’s one hundred percent accurate. If she says you’re pregnant, it doesn’t matter how impossible it is—you’re pregnant.” “But… but…” “If you’re worried about the baby, don’t be.” The old lady smiled at me and patted my tummy gently. “She’s a healthy baby girl and she’s going to be just fine." "A… a little girl?" My hands started to shake and I felt dizzy. "A girl?" I repeated but my voice sounded like it was coming from far away." "Easy there!" Gwendolyn grabbed me just as I started to tilt sideways. "I know it's surprising but don't faint." "My dream… I had a dream," I babbled. "I dreamed Victor and I were walking along the beach and we had a little girl with dark hair and brown eyes." "Well, that sounds just about right," Gwendolyn's grandmother said, smiling. "Like I said, child, she's going to be just fine. As long as you feed her, that is,” she added when my stomach growled again.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))