Batting Appreciation Quotes

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Back up shall we? When my brother, the crazy chicken warrior, turned into a falcon and went up the pyramid’s chimney with his new friend, the fruit bat, he left me playing nurse to two very wounded people—which I didn’t appreciate, and which I wasn’t particularly good at.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend's child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky's front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and 'normality' are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: 'Hitch, I find that I am a little envious of you.' I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that 'security' and 'normality,' rather like the fantasy of salvation, cannot purchase.
Christopher Hitchens (Hitch 22: A Memoir)
Reyna managed a smile. She was starting to appreciate the differences between satyrs and fauns. If she ever fell asleep with a faun on duty, she'd wake up with her supplies stolen, a moustache drawn on her face and the faun long gone. Coach Hedge was different – mostly good different, though he did have an unhealthy obsession with martial arts and baseball bats.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
THERE’S NOTHING LIKE AN all-expense-paid late-winter vacation under the palms and within sight and sound of batted baseballs to give a sensitive man a deeper appreciation of the nature of guilt.
Roger Angell (The Roger Angell Baseball Collection: The Summer Game, Five Seasons, and Season Ticket)
But as soon as we grasp this—and I appreciate it takes quite a bit of latching onto for people who have spent their whole lives thinking the other way—we see that if salvation is that sort of thing, it can’t be confined to human beings. When human beings are saved, in the past as a single coming-to-faith event, in the present through acts of healing and rescue, including answers to the prayer “lead us not into temptation, but deliver us from evil,” and in the future when they are finally raised from the dead, this is always so that they can be genuine human beings in a fuller sense than they otherwise would have been. And genuine human beings, from Genesis 1 onward, are given the mandate of looking after creation, of bringing order to God’s world, of establishing and maintaining communities. To suppose that we are saved, as it were, for our own private benefit, for the restoration of our own relationship with God (vital though that is!), and for our eventual homecoming and peace in heaven (misleading though that is!) is like a boy being given a baseball bat as a present and insisting that since it belongs to him, he must always and only play with it in private. But of course you can only do what you’re meant to do with a baseball bat when you’re playing with other people. And salvation only does what it’s meant to do when those who have been saved, are being saved, and will one day fully be saved realize that they are saved not as souls but as wholes and not for themselves alone but for what God now longs to do through them.
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
Much as it pained me to admit it, I would probably have been even happier hitting her with the baseball bat again, sending her into a serene slumber. She deserved a little hitting. Sadly, it would just have distressed Simon, who didn’t seem to appreciate me beating his child to a pulp. Amateur.
Seanan McGuire (The Brightest Fell (October Daye, #11))
I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She’s holding my eyelids open like she used to do in high school when we’d stayed up all night talking and then slept through the morning alarm. ‘Get. Up. Henry.’ ‘What time is it? I ask, batting off her hands. ‘It’s eleven. The shop’s been open for an hour. There are customers asking for books I can’t find. George is yelling at a guy called Martin Gamble who’s here to help me create the database. And as a separate issue, Amy’s waiting in the reading garden.’ ‘Amy’s here?’ I sit up and mess my hair around. ‘How do I look?’ ‘I decline to answer on the grounds that technically you’re my boss and I don’t want to start my new job by insulting you.’ ‘Thank you,’ I say. ‘I appreciate that.
Cath Crowley (Words in Deep Blue)
get out. “I would tell you to send Josephine my kindest regards, but I doubt it would be appreciated.” “Without doubt.” I slide from the car and turn to shut the door. The window lowers and I bend to get William back into my field of vision. His gray eyes are shining, his big body reclined, putting emphasis on his torso. He’s incredibly fit for a man in his mid-forties. “She would probably take a baseball bat to your posh
Jodi Ellen Malpas (One Night: Denied (One Night, #2))
Tom Arnold is already waiting at the bar when I arrive, and Vanessa purrs loudly when she spots him. I ignore the slut and stand next to him, waiting for him to notice me, bopping my head slightly to Andy Williams singing Can’t Take My Eyes Off You. At last, he turns and smiles at me. “Pip! You look lovely,” he tells me with an appreciative glance. I simper. “So do you,” I tell him, attempting to bat my eyelids like Vanessa would. “Have you got something in your eye?” he frowns. “Contact lens is playing up,” I mutter. “I didn’t know you wore contacts,” he says in surprise. “All the better to see you with, my dear,” I respond in a deep voice, and he gives me a strange look. I clear my throat. “It’s a free bar tonight, isn’t it?
Claire Gallagher (The Strange Imagination of Pippa Clayton)
I’m not sure I see your point.” “Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?” “Get where?” “Understand, by saying ‘God,’ I am merely using ‘God’ as reference to long-term pattern we can’t decipher. Huge, slow-moving weather system rolling in on us from afar, blowing us randomly like—” eloquently, he batted at the air as if at a blown leaf. “But—maybe not so random and impersonal as all that, if you get me.” “Sorry but I’m not really appreciating your point here.” “You don’t need a point. The point is maybe that the point is too big to see or work round to on our own. Because—” up went the batwing eyebrow—“well, if you didn’t take picture from museum, and Sascha didn’t steal it back, and I didn’t think of claiming reward—well, wouldn’t all those dozens of other paintings remain missing too? Forever maybe? Wrapped in brown paper? Still shut in that apartment? No one to look at them? Lonely and lost to the world? Maybe the one had to be lost for the others to be found?” “I think this goes more to the idea of ‘relentless irony’ than ‘divine providence.’ ” “Yes—but why give it a name? Can’t they both be the same thing?
Donna Tartt (The Goldfinch)
As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?” “Get where?” “Understand, by saying ‘God,’ I am merely using ‘God’ as reference to long-term pattern we can’t decipher. Huge, slow-moving weather system rolling in on us from afar, blowing us randomly like—” eloquently, he batted at the air as if at a blown leaf. “But—maybe not so random and impersonal as all that, if you get me.” “Sorry but I’m not really appreciating your point here.” “You don’t need a point. The point is maybe that the point is too big to see or work round to on our own
Donna Tartt (The Goldfinch)
Mariabella is divine,” Maximus said, leaning in toward Cass. “Beautiful and talented. She used to assist me in my act from time to time. I wouldn’t be surprised if she was the beauty your brother fell in love with.” “What did--does--she look like?” Cass asked. Maximus pulled a rose out of thin air. “She has silky dark hair and the most delicious set of lips.” He reached out his index finger as though to touch Cass’s lips and then seemed to think better of it. “You resemble her, in a way. Except you don’t have her birthmark.” He traced the shape of a heart in the air. Cass’s blood accelerated in her veins. A heart-shaped birthmark. It had to be the same girl. Mariabella. A maid missing from Joseph Dubois’s estate, and now a dead courtesan, one of his chosen companions. Could it possibly be a coincidence? Emotions churned together in her stomach--excitement and wonder and fear. And more excitement. She leaned in to give the conjurer an impulsive peck on the cheek. The conjurer pressed the rose into her palm. “I think your master is watching us.” Cass glanced up and saw Falco staring at her--no, at them--from the doorway of the portego. Cass hadn’t even heard the front doors open. “I see you’ve met my beautiful signorina,” Falco said, nodding to the conjurer as he snaked his fingers around one of Cass’s small wrists. The conjurer winked at Cass. “Indeed. There’s something magical about her, wouldn’t you say?” “You’ve no idea,” Falco said. He pulled her across the room, out of the conjurer’s earshot. “Is it safe to leave you alone for a few minutes while I go speak to the owner of the house?” “No need,” Cass said. She couldn’t help but smile triumphantly. “I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.” Outside the house, Falco kept his hand wrapped around Cass as they headed down the marble staircase. The tall boy in the vest was gone. “So who’s Paolo?” she asked, pausing at the bottom of the steps to catch her breath. The night had definitely taken a turn for the better. “My roommate,” Falco answered shortly. “Friendly,” Cass said, remembering how the boy had looked straight through her. “Seems to me you have no shortage of admirers,” Falco said. And then, abruptly: “You know conjurers are nothing but common criminals, right? I’d check your pockets--I wouldn’t be surprised if several coins are missing.” Cass’s eyes widened. “I believe I’ve heard the same about artists. And it almost sounds like…But surely it’s not in the nature of a patron of a common prostitute to be jealous.” One of her ankles wobbled, and Cass had to grab on to Falco’s waist to keep from falling over. Falco pushed her away playfully and then pulled her tightly to his chest. “Funny,” he whispered in her ear. “But I doubt there’s anything common about you.” He shook his dark hair back from his face. “Ready to get serious now?” “What do you mean, Master?” she asked, half reeling from the heat of Falco’s breath on her jawbone. A rush of warmth surged through her body. “You’re the one who figured out where our murdered prostitute lived,” Falco said. “Lead the way, Signorina Avogadore.” Falco linked his arm through hers.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet. As we traveled downstream in the boat, he spotted a large carpet python on an overhanging limb. We filmed as Steve held on to the python’s tree limb, keeping the boat steady. He talked about the snake, and how it might have been in that tree to hunt fruit bats. Suddenly the tree lamb snapped, and both the branch and snake crashed down into the boat. Everyone reacted, startled. I had been standing up, and I fell backward into the river. Splashing to the surface would only catch a crocodile’s attention, so I let myself sink and then gradually drift up to the surface again. As my head broke the surface, I could see the boat had drifted off. I can remember looking up from the murky water and seeing the spotlight get smaller and smaller. Don’t panic, I told myself, knowing we were right in front of a baited croc trap. I was trying to tread water without making any splashing or “hurt animal”--type movements that would attract a crocodile. I could feel my heart pounding. It was hard to breathe. I was absolutely fighting the panic. Steve and the film crew were wrangling branch and snake. The boat motor had quit. Steve frantically attempted to start it. I could hear him swearing in the darkness. The crew member holding the spotlight divided his attention between making sure I was okay and helping Steve see what he was doing. The boat continued to drift farther and farther down the river. Just be as motionless as possible, I told myself. I had my teeth clenched in anticipation of feeling a croc’s immense jaw pressure close around my leg. Suddenly I heard the engine roar back to life. Steve swung the boat around and gunned it. As soon as he got to me, he dragged me back in. I felt a little sick. I lay there for a moment, but the drama was not over. Our cameraman was deathly afraid of snakes, and the carpet python was still in the bottom of the boat. Steve scooped it up. The snake decided it didn’t appreciate the whole ordeal. It swung around and proceeded to grab Steve repeatedly on the forearm, bite after bite after bite. Looking back at the footage now, the whole ordeal seems a bit amusing. “Ah! Ah! Ah!” a male voice yells. You think it might be Steve, as he is the one being bitten, but actually it was John Stainton. He cries out in sympathy each time the python sinks its teeth into Steve’s arm. It sounds as though Steve himself is being terribly injured, when in fact the little tiny pinpricks form the carpet python’s hundreds of teeth were only minor wounds. Although the teeth go deep into the flesh and it bleeds quite readily, there was no permanent scarring, no venom, and no infection. “Are you okay, babe?” Steve asked. I told him I was. Shaken, but in one piece. Steve was okay, the python was okay, and even the cameraman seemed to have recovered. We returned the snake to its tree. “We might as well go back to camp,” Steve said, mock-sternly. “Thanks to you, we probably won’t catch that croc tonight. You probably scared the living daylights out of him, landing in the water like that.
Terri Irwin (Steve & Me)
Me and the Texas Woman, it was not love at first sight. In fact, my match with her was a bit of an arranged marriage. Once with a rocky start, potholed by cultural misunderstandings and distrust. It took decades of observation to fully appreciate the Yellow Rose in all her glories. All her contradictions. All her glorious contradictions. Was she Southern? All belles and balls? Or was she Western? Ready to rope and ride and shoot the head off a rattler? You already know the answer. You know, that like sulfur, charcoal, and bat guano, the ingredients don't really pop until they're mixed up together into gunpowder. The Texas Woman is a hybrid with all the vigor that comes from the perfect pairing of the best of two species. She is Southern but with the Western grit handed down by her foremothers, who could give birth during a Comanche attack, help out when it came time to turn the bulls into steers, and still end up producing more Miss USAs that any other state in the union.
Sarah Bird (A Love Letter to Texas Women)
Pushing the door open with the end of the bat, she watched the steam roll toward her and bring with it the scent of yummy-man. A man who smelled like that at any other time would have her following him just to get a whiff. His scent was clean, with citrus and spice overtones that made her mouth water. The body that stepped out of the shower bare-ass-naked stole the breath from her lungs, the attack plan from her memory, and made her thankful she was a woman who could appreciate the human form because she’d never seen one finer.
Robin Kaye (Breakfast in Bed (Domestic Gods, #3))
You are a good man, Ioan,” she said to him. “By all appearances, a fine and capable leader as well. A queen could do well with a man such as you by her side.” Christian’s ears perked up at her words. Even though his body was throbbing from pain, he didn’t miss the look of heat that came into Ioan’s eyes, or the speculative gleam in Adara’s. It made his vision dim. Ioan gave her a hot, seductive smile. “I appreciate your compliment, Majesty. While we await your quarters being prepared, would you like to have something to eat?” His wife all but preened under the Welshman’s look. “Aye, my lord. We are truly famished and your kindness would be most appreciated.” Christian’s sight dimmed even more as he watched her coy smile. She even batted her eyelashes. This was more than he could stand. “Abbot?” Phantom asked. “Are you all right?” “I am fine,” he said from between clenched teeth. Phantom scoffed. “Whatever you say.” “He looks ill to me,” Lutian said. “Rather green and red. Can’t tell if he’s angry or vomitous.” Christian slanted a look at the fool that had him retreating. Adara felt a modicum of satisfaction at her husband’s ill humor until she saw the reddish stain that was barely discernible through the black cloth of his robe. “You’re bleeding,” she said sternly, moving to stand beside him. Christian tried to brush her off, but she would have none of it. Her anger flared. “Cease with your stubbornness, Christian. Your wounds need to be tended.” He glared at her. She glared back. Ioan whistled low. “Phantom, who is the queen, that Christian would tolerate her thusly?” Phantom folded his arms over his chest as he watched them. “His wife.” “Only until our marriage is annulled,” Christian snapped. Adara put her hands on her hips as she continued to glower at him. “Well, if you stand there until you bleed to death, we won’t need an annulment, now, will we?” Phantom sucked his breath between his teeth. “The queen has gotten a bit snippy, eh?” Christian looked to Ioan. “Have you a healer in your company?” Ioan snorted at that as he looked back and forth from Christian to Adara. “Heed my words well, Abbot, no man who possesses his full sense will ever come between a woman and her husband.” -Adara, Ioan, Phantom, Christian, & Lutian
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
he just didn’t get it. He’d never understood the whole hero worship thing over actors and singers and sports stars. Cops and firemen, yeah. Soldiers, absolutely. He appreciated and admired a great athlete’s abilities, but just because a guy had the eye-hand coordination to swing a bat and hit a ball didn’t make him a hero. Neither did riding a bull in a rodeo.
Emily March (Heartache Falls (Eternity Springs, #3))
I didn’t think you’d appreciate sleeping with bats tonight.” His head jerked to the door. Three tiny brown objects shot across the window. “Good call.
Ashlan Thomas (To Hold (The To Fall Trilogy, #2))
But by the time he got there, he’d learned the importance of character. “I used to scoff at it, when I first took the job in Boston,” Epstein said, referring to a focus on character. “I just felt like, You know how we’re going to win? By getting guys who get on base more than the other team, and by getting pitchers who miss bats and get ground balls. Talent wins. But . . . it’s like every year I did the job, I just developed a greater appreciation for how much the human element matters and how much more you can achieve as a team when you have players who care about winning, care about each other, develop those relationships, have those conversations. It creates an environment where the sum is greater than the parts.”20
John C. Maxwell (Developing the Leader Within You 2.0)
Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek. “Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other. Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that. In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him. “Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.” He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other. “Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up. But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym. And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect: “Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.” “Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!” Evan’s grin deepens as he looks down at me; he winks. “It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Mr. Attleton’s way of life—not what you’d call regular, sir—and yet it’s all against his interests to have an open break with Mrs. Attleton. He liked his comfort, sir. Good service, good food, a good club, Turkish baths, swimming, fencing, motoring and all. Mr. Attleton’s a very pleasant gentleman to work for, appreciates good service, and is generous when he’s in funds, but if anything isn’t just so, he’ll not put up with it. If his linen sheets aren’t always the same quality, his bath water as hot as he likes it, his bath salts just so, he mentions it. Likes good living, as I say, sir, but who pays for the linen, and the heating, and the service, in this house, sir? Not Mr. Attleton.” Macdonald nodded his appreciation of this really oratorical effort on the part of Weller,
E.C.R. Lorac (Bats in the Belfry)
Elizabeth felt a sudden disposition to cry. She had not had any affection for Bruce Attleton; had, in fact, resented the whim which had made her father put her into Attleton’s charge, but now she began to remember the way in which he had been kind to her. It was Bruce who had insisted on Elizabeth coming to live with himself and his wife, instead of living in a club or hostel as she had suggested, and he had done his best in many ways to see that she had had a good time, and even done what he could to teach her to read, to appreciate literature and despise trash, to listen to music as well as to jazz, and to speak English instead of schoolgirl slang. Alone in the room which had been peculiarly his, Elizabeth visualised his tall figure and dark head, with the black forelock he tossed back from his high forehead, and was sorry that she had disliked him.
E.C.R. Lorac (Bats in the Belfry)
Cold exposure is the most powerful known stimulus for BAT activation.3469 Just twenty minutes at cool temperatures can boost metabolism for hours.3470 The colder the better, but putting people in a room chilled down into the 50s Fahrenheit is “often not appreciated by [research] subjects.”3471 It’s not called a “thermal comfort zone” for nothing. Exposure
Michael Greger (How Not to Diet)
What do you think of Raven?” “I thought we had to be quiet.” Shea was looking in every direction for bats. “The bats know we are here, Shea, but there is no need to fear them. I will keep them away from you.” He spoke calmly as if it was an everyday occurrence to control the movements of bats. His fingers curled around the nape of her neck as much in reassurance as to prevent her from fleeing. His thumb caressed her satin skin, found her pounding pulse, and stroked gently, soothingly. “Raven seems very nice, even if she’s married to another wild man like you.” She probably has lousy taste, just like me. She tacked the thought on deliberately. “What does that mean?” He tried to sound indignant, to keep her talking, to help her sustain her sense of humor. Jacques appreciated her courage and her unfailing determination to keep up her end, no matter how difficult it was on her. “It means she can’t have much sense. That man is dangerous, Jacques, even if he is your brother. And the healer is positively scary.” “Did you think so?” “Didn’t you? He smiled and talked so gently and calmly, but did you ever look into his eyes? It’s evident he feels no emotion whatsoever.
Christine Feehan (Dark Desire (Dark, #2))
A cheerful and helpful nurse followed them into the cubicle, once Aggie became fully alert. “Well, hon, what happened to you?” Without the sincere expression on the nurse’s face, her syrupy tone would have sounded contrived. “I was walking past my brother, and he swung his bat and hit my head.” The nurse looked concerned, and Aggie realized that she didn’t know what happened. “So, your brother hit you with his baseball bat? Was he mad at you?” The woman shot a disapproving look at Aggie. “Oh, no! They were playing softball, and I was walking to the swing out back and didn’t see them. Laird’s probably pretty mad at himself.” Embarrassment in Tavish’s face and manner made him look dishonest. “Didn’t you see them playing? How could you just walk into the middle of a ball game?” Doubt and suspicion laced the nurse’s words, and she surreptitiously pressed a buzzer on the wall. Aggie sighed. She knew they were in trouble now. Tavish, unaware of the tension growing in the room, answered automatically. “Well, I wasn’t watching where I was going. I was reading and looked up just in time to see the bat coming at me. I ducked, but I think that just kept me from getting it in the neck.” Aggie laughed. She couldn’t help it. This was the boy’s third accident stemming from walking while reading. “Tavish, I have to make it a rule now. You may not open your book if you are standing on your feet. Do you understand?” Tavish sheepishly nodded. The nurse watched the exchange and then smiled. “Well, hon, I used to be real klutzy when I was your age, but it wasn’t because I was reading. I didn’t have a good excuse like that.” She gave Aggie a knowing look. “I have to go stop the nurse from calling someone about the accident. You understand.” Relief washed Aggie’s face, and she smiled. “I appreciate it. Sorry to be a bother.” “I’ll be right back. Happy to stop this one!” The nurse walked out of the room, and Aggie overheard her telling the receptionist to cancel the Social Services call. “I was premature— I remembered hearing about the house with all the kids and the 9-1-1 calls and jumped the gun. Tell Linda I am sorry for bothering her.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
For Frege, an account of what it is for a purely logical power to be in act suffices to allow us to achieve a proper philosophical appreciation of what “content,” “object,” “thought,” “judgment,” and “truth,” as such, are. These notions come to be fully in place through an elucidation of that power, considered apart from our capacity to arrive at kinds of knowledge that are not purely logical in content. Our capacity for empirical judgment, when it comes into view, will come into view as a comparatively complex joint exercise of a variety of faculties, in which the logically fundamental notions that figure in its explication (“content,” “object,” thought,” “judgment,” “truth”) are still supposed to retain the specific sense originally conferred upon them in our explication of the purely logical case, while allowing for their extension to logically impure cases of thought and proposition. A certain picture of the role of reflection on the purely logical case, inthe order of explication of kinds of knowledge, is at work here—a picture that has been enormously influential on the subsequent development of analytic philosophy. On this picture, only if we are armed with a prior account of the case of purely logical thought, supplementing it as we go along, can we come to understand what empirically contentful theoretical thought (or practical thought) is. On this picture, the spatiotemporal bearing and the self-consciousness of the thinking subject do not belong to the form of thought (and hence their treatment does not belong, as Kant held, to a suitably capacious conception of philosophical logic); rather, all such further details among various species of thought are to be subsequently specified, if at all, through the introduction of further indices figuring within the content of thought. (Thoughts are simply conceived of as occurring at a time or at a person.) These consequences of the Fregean picture are not, on the whole, something for which post-Fregean analytic philosophers argue. Rather, it involves an entire philosophical picture that is simply tacitly, and largely unwittingly, assumed—a picture that is already under attack, albeit in very different ways, in both Kant and early Wittgenstein. According to this post-Fregean picture, we can furnish an account of the wider reaches of our capacity for finite theoretical cognition only by assuming the prior intelligibility of some self- standing account of how one of the ingredient capacities in empirical cognition—the capacity for logical thought—off its own bat is able to yield a delimitable sphere of truth-evaluable, object-related thoughts with judgable content, without its yet having entered into any form of co- operation with our other cognitive capacities.
James Ferguson Conant (The Logical Alien: Conant and His Critics)