Bathroom Design Quotes

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I look ridiculous and stupid. As I check myself in the bathroom mirror, I want to back out. I'm wearing a skintight leotard/body suit obviously designed by women who have no clue about men's plumbing, because the outline of my dick is obscene. Don't dudes who do this ridiculous sport wear a cup or something? I've been on a trampoline, but I've never done synchronized trampolining. Looking at myself in the mirror, I can see why.
Simone Elkeles (Wild Cards (Wild Cards, #1))
Items from the bathroom should not be moved to or stored in any other part of the house except for a place designated for storage. And even then, the bathroom item should be cleaned before stored.
Hendrith Vanlon Smith Jr. (The Wealth Reference Guide: An American Classic)
It was just past midnight and I was trudging through the St. Louis Greyhound station, a grim building obviously brought to you by the people who design high school bathrooms.
Jordan K. Weisman (Cathy's Key (Cathy Vickers Trilogy, #2))
It might seem daunting to a congregation to have to learn about pronouns, or to designate a bathroom gender-neutral, or to have difficult conversations about what it means to affirm LGBTQ+ identities. But transgender people are not a burden for Christianity, or for the church. They come bearing gifts!
Austen Hartke (Transforming: The Bible & the Lives of Transgender Christians)
I hadn't realized how supremely shit-housed I was until we stumbled into our room at the Embassy Suites. You ever been so drunk you forgot that you have to shit until the last minute? Well I was at that stage. I nearly had my pants completely off when SlingBlade snaked past me and got into the toilet first. Fine, I go get out of my bar clothes and change into a t-shirt and pink Gap boxers to sleep in. I wait patiently for about three minutes, then I start pounding on the door, screaming at him that I am going to shit on his bed if he doesn't get out of there. A short time later he opens the door laughing his ass off, and says, "That was perhaps the most prodigious shit ever. I just put that toilet into therapy." I take a gander into the bathroom. It looks like Revelations. The toilet is overflowing, brown shit water is spilling out all over the bathroom floor, and the tank is making demonic gurgling noises. THE MOTHERFUCKER CLOGGED UP A HOTEL TOILET! Hotel toilets are industrial size; they are designed to be able to accommodate repeated elephant-sized shits, and their ram-jet engine flushes generate enough force to suck down a human infant, yet skinny ass 170-pound SlingBlade completely killed ours.
Tucker Max
Many items the skunk had were of the highest quality including bathroom vanities and hand and paw washing areas constructed by Finland’s well-known designer, Helsinki.
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
Plus, no matter how many times I'd brushed my teeth in Casey's bathroom (after half an hour she'd knocked on the door to make sure I was okay), the taste of disgusting, womanizing bastard was still in my mouth. Ugh!
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Wooden scrabble letters offer a whole forest of literature, tiled down for easy shower installment. If you limit your use to only the letters q, u, a, c, and k, your ducks will love what you've done with your bathroom.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
After my shower, I stepped on my bathroom scale and no numbers appeared on the screen. Either I weigh nothing at all, or the scale needs a new battery. I wonder how I got down to zero, and could I teach this anti-obesity at $19.95 per book?
Jarod Kintz (I design saxophone music in blocks, like Stonehenge)
The prospect of physical discomfort has not deterred anyone from buying, or sitting in, chairs that hurt. A painful chair, however, is more willingly bought and endured if it carries the imprimatur of a museum or some other respectable design authenticator. Randall Jarrell noted, with great wit but no exaggeration, that there are people who "...will sit on a porcupine if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won't buy and sit in if you tell him that it is a chair...
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
Predictions that digital tools would allow workers to telecommute were never fully realized. One of Marissa Mayer’s first acts as CEO of Yahoo! was to discourage the practice of working from home, rightly pointing out that “people are more collaborative and innovative when they’re together.” When Steve Jobs designed a new headquarters for Pixar, he obsessed over ways to structure the atrium, and even where to locate the bathrooms, so that serendipitous personal encounters would occur. Among his last creations was the plan for Apple’s new signature headquarters, a circle with rings of open workspaces surrounding a central courtyard. Throughout history
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Looking back into childhood is like turning a telescope the wrong way around. Everything appears in miniature, but with a clarity it probably does not deserve; moreover it has become concentrated and stylized, taking shape in symbolism. Thus it is that I sometimes see my infant self as having been set down before a blank slate on which to construct a map or schema of the external world, and as hesitantly beginning to sketch it, with many false starts and much rubbing-out, the anatomy of my universe. Happiness and sorrow, love and friendship, hostility, a sense of guilt and more abstract concepts still, must all find a place somewhere, much as an architect lays out the plan of a house he is designing - hall, dining-room and bedrooms - but must not forget the bathroom. In a child’s map, too, some of the rooms are connected by a serving-hatch, while others are sealed off behind baize doors. How can the fragments possibly be combined to make sense? Yet this map or finished diagram, constructed in the course of ten or twelve years’ puzzling, refuses to be ignored, and for some time to come will make itself felt as bones through flesh, to emerge as the complex organism which adults think of as their philosophy of life. Presumably it has its origins in both heredity and enviorment. So with heredity I shall begin.
Frances Partridge (Love in Bloomsbury: Memories)
Some women hate it so much that I would hear them vomiting in the bathroom between scenes. I would find others outside, smoking endless chains of Marlboro Lights… But the multi-billion dollar porn industry wants you to believe the fantasy that we porn actresses love sex. They want you to buy into the lie that we enjoy being degraded by all kinds of repulsive acts. Creatively edited films and prettified packaging are designed to brainwash consumers into believing that the lust we portray on hot and bothered faces are part of the act. But the reality is women are in unspeakable pain from being slapped, bit, spit upon, kicked and called names like “filthy little whore” and “toilet cunt.
Shelley Lubben (Truth Behind the Fantasy of Porn: The Greatest Illusion on Earth)
I went through a living room crowded with overstuffed furniture in a green-and-white jungle design from which eyes seemed to watch me, down a short hallway past a pink satin bedroom which reminded me of the inside of a coffin in disarray, to the open door of a bathroom. Tom's jacket lay across the threshold like the headless torso of a man, flattened by the passage of some enormous engine.
Ross Macdonald (The Doomsters (Lew Archer, #7))
The thing I love about God is He intentionally guides people into failure. He made us be born as little kids who can’t walk or talk or even use a bathroom correctly. We have to be taught everything. All that learning takes time, and He made us so we are dependent on Him, our parents, and each other. The whole thing is designed so we try again and again until we finally get it right. And the whole time He is endlessly patient.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
A choice architect has the responsibility for organizing the context in which people make decisions. [T]here are many parallels between choice architecture and more traditional forms of architecture. A crucial parallel is that there is no such thing as a “neutral” design. [A]s good architects know, seemingly arbitrary decisions, such as where to locate the bathrooms, will have subtle influences on how the people who use the building interact. [S]mall and apparently insignificant details can have major impacts on people’s behavior. [I]n many cases, the power of these small details comes from focusing the attention of users in a particular direction. Good architects realize that although they can’t build the perfect building, they can make some design choices that will have beneficial effects. And just as a building architect must eventually build some particular building, a choice architect must [for example] choose a particular arrangement of food options at lunch, and by so doing she can influence what people eat. She can nudge.
Richard H. Thaler, Cass R. Sunstein
He thus didn’t find himself outside the limits of his experience; he was high above it. His distaste for himself remained down below; down below he had felt his palms become sweaty with fear and his breath speed up; but here, up high in his poem, he was above his paltriness, the key-hole episode and his cowardice were merely a trampoline above which he was soaring; he was no longer subordinate to his experience, his experience was subordinate to what he had written. The next day he used his grandfather’s typewriter to copy the poem on special paper; and the poem seemed even more beautiful to him than when he had recited it aloud, for the poem had ceased to be a simple succession of words and had become a thing; its autonomy was even more incontestable; ordinary words exist only to perish as soon as they are uttered, their only purpose is to serve the moment of communication; subordinate to things they are merely their designations; whereas here words themselves had become things and were in no way subordinate; they were no longer destined for immediate communication and prompt disappearance, but for durability. What Jaromil had experienced the day before was expressed in the poem, but at the same time the experience slowly died there, as a seed dies in the fruit. “I am underwater and my heartbeats make circles on the surface”; this line represents the adolescent trembling in front of the bathroom door, but at the same time his feature in this line, slowly became blurred, this line surpassed and transcended him. “Ah, my aquatic love”, another line said, and Jaromil knew that aquatic love was Magda, but he also knew that no one could recognise her behind these words; that she was lost, invisible, buried there, the poem he had written was absolutely autonomous, independent and incomprehensible as reality itself, which is no one’s ally and content simply to be; the poem’s autonomy provided Jaromil a splendid refuge, the ideal possibility of a second life; he found that so beautiful that the next day he tried to write more poems; and little by little he gave himself over to this activity.
Milan Kundera (Life is Elsewhere)
As good architects know, seemingly arbitrary decisions, such as where to locate the bathrooms, will have subtle influences on how the people who use the building interact. Every trip to the bathroom creates an opportunity to run into colleagues, for better or for worse. A good building is not merely attractive, it also works. As we shall see, small and apparently insignificant details can have major impacts on people's behaviour. A good rule of thumb is to assume that everything matters. In many cases, the power of these small details come from focusing the attention of users in a particular direction. A wonderful example of this principle comes from, of all places, the men's rooms at Schiphol airport in Amsterdam. There, the authorities etched the image of a black housefly into each urinal. It seems that men usually do not pay much attention to where they aim, which can create a bit of a mess. But if they see a target, attention, and therefore accuracy, are much increased. According to the man who came up with the idea, it works wonders... Etchings reduced spillage by 80%. The insight that everything matters can be both paralysing and empowering.
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
Fox was the most junior member of a group assigned to the Team Disney Building in Burbank. Her first job was typical grunt work, laying out bathrooms in the executive wing. MICHAEL GRAVES: Bernadette was driving everyone insane. She wanted to know how much time the executives spent in their offices, how often they’d be in meetings, at what time of day, how many people would be in attendance, the ratio of men to women. I picked up the phone and asked her what the hell she was doing. She explained, “I need to know what problems I’m solving with my design.” I told her, “Michael Eisner needs to take a piss, and he doesn’t want everyone watching.” I’d like to say I kept her around because I recognized the talent that would emerge. But really, I liked the sweaters. She knitted me four, and I still have them. My kids keep trying to steal them. My wife wants to give them to Goodwill. But I won’t part with them. The Team Disney Building was repeatedly delayed because of the permitting process. During an all-firm meeting, Fox presented a flowchart on how to game the building department. Graves sent her to Los Angeles to work on-site. MICHAEL GRAVES: I was the only one sad to see her go.
Maria Semple (Where'd You Go, Bernadette)
AESTHETIC SIMPLICITY For some people simplicity is an aesthetic value, so one further sense that might be attached to the notion of simple living is a preference for an uncomplicated, uncluttered living environment. Imagine, for instance, an apartment with white walls, white trim, bare wood floors, simple wooden furniture, plain white kitchenware, white towels in the bathroom, and white blankets on the simple wooden beds. Or a house where the brick walls and overhead beams are left exposed, the furniture is rustic, and any artwork on display is clearly local and amateurish. Or a study containing nothing but a desk and a chair. All these are interiors that people deliberately create for themselves. Simplicity of this sort is not necessarily frugal. The uncluttered apartment could be in the center of Paris; the plain wooden furniture might be custom-made. Wittgenstein designed a house in Vienna for his sister Margaret characterized by austere, almost minimalist aesthetic lines, yet built with no concern for cost. But although such setups may not be cheap, they make no exhibition of expense. And the styles have symbolic significance. They bespeak sympathy with the plain, the unpretentious, the unostentatious. They connote honesty, purity, and a mind focused on essentials. In the case of country retreats, closeness to nature may also be sought and expressed.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
Even though the Internet provided a tool for virtual and distant collaborations, another lesson of digital-age innovation is that, now as in the past, physical proximity is beneficial. There is something special, as evidenced at Bell Labs, about meetings in the flesh, which cannot be replicated digitally. The founders of Intel created a sprawling, team-oriented open workspace where employees from Noyce on down all rubbed against one another. It was a model that became common in Silicon Valley. Predictions that digital tools would allow workers to telecommute were never fully realized. One of Marissa Mayer’s first acts as CEO of Yahoo! was to discourage the practice of working from home, rightly pointing out that “people are more collaborative and innovative when they’re together.” When Steve Jobs designed a new headquarters for Pixar, he obsessed over ways to structure the atrium, and even where to locate the bathrooms, so that serendipitous personal encounters would occur. Among his last creations was the plan for Apple’s new signature headquarters, a circle with rings of open workspaces surrounding a central courtyard. Throughout history the best leadership has come from teams that combined people with complementary styles. That was the case with the founding of the United States. The leaders included an icon of rectitude, George Washington; brilliant thinkers such as Thomas Jefferson and James Madison; men of vision and passion, including Samuel and John Adams; and a sage conciliator, Benjamin Franklin. Likewise, the founders of the ARPANET included visionaries such as Licklider, crisp decision-making engineers such as Larry Roberts, politically adroit people handlers such as Bob Taylor, and collaborative oarsmen such as Steve Crocker and Vint Cerf. Another key to fielding a great team is pairing visionaries, who can generate ideas, with operating managers, who can execute them. Visions without execution are hallucinations.31 Robert Noyce and Gordon Moore were both visionaries, which is why it was important that their first hire at Intel was Andy Grove, who knew how to impose crisp management procedures, force people to focus, and get things done. Visionaries who lack such teams around them often go down in history as merely footnotes.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.
GutterInstallation
So,” I cleared my throat, unable to tolerate his moans of pleasure and praise any longer, “uh, what are your plans for the weekend?” “The weekend?” He sounded a bit dazed. “Yes. This weekend. What do you have planned? Planning on busting up any parties?” I asked lightly, not wanting him to know that I was unaccountably breathless. I moved to his other knee and discarded the towel. “Ha. No. Not unless those wankers down the hall give me a reason to.” Removing his arms from his face, Bryan’s voice was thick, gravelly as he responded, “I, uh, have some furniture to assemble.” “Really?” Surprised, I stilled and stared at the line of his jaw. The creases around his mouth—when he held perfectly still—made him look mature and distinguished. Actually, they made him even more classically handsome, if that was even possible. “Yes. Really. Two IKEA bookshelves.” I slid my hands lower, behind his ankle, waiting for him to continue. When he didn’t, I prompted, “That’s it?” “No.” He sighed, hesitated, then added, “I need to stop by the hardware store. The tap in my bathroom is leaking and one of the drawer handles in the kitchen is missing a screw. I just repainted the guest room, so I have to take the excess paint cans to the chemical disposal place; it’s only open on Saturdays before noon. And then I promised my mam I’d take her to dinner.” My mouth parted slightly because the oddest thing happened as he rattled off his list of chores. It turned me on. Even more so than running my palms over his luscious legs. That’s right. His list of adult tasks made my heart flutter. I rolled my lips between my teeth, not wanting to blurt that I also needed to go to the hardware store over the weekend. As a treat to myself, I was planning to organize Patrick’s closet and wanted to install shelves above the clothes rack. Truly, Sean’s penchant for buying my son designer suits and ties was completely out of hand. Without some reorganization, I would run out of space. That’s right. Organizing closets was something I loved to do. I couldn’t get enough of those home and garden shows, especially Tiny Houses, because I adored clever uses for small spaces. I was just freaky enough to admit my passion for storage and organization. But back to Bryan and his moans of pleasure, adult chores, and luscious legs. I would not think about Bryan Leech adulting. I would not think about him walking into the hardware store in his sensible shoes and plain gray T-shirt—that would of course pull tightly over his impressive pectoral muscles—and then peruse the aisles for . . . a screw. I. Would. Not. Ignoring the spark of kinship, I set to work on his knee, again counting to distract myself. It worked until he volunteered, “I’d like to install some shelves in my closet, but that’ll have to wait until next weekend. Honestly, I’ve been putting it off. I’d do just about anything to get someone to help me organize my closet.” He chuckled. I’d like to organize your closet. I fought a groan, biting my lip as I removed my hands, turned from his body, and rinsed them under the faucet. “We’re, uh, finished for today.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
he was so focused on watching where Presley went that she almost didn’t see the man he was with until they stopped beneath a security light, their backs to her. She first noticed the other man then, and was shocked at his size. Then her gaze moved to the thick bush of curly hair pulled into a pony tail at the back of his neck, and she wondered how he ever got something that unruly washed and dried. It wasn’t until he turned sideways that she got a momentary glimpse of his profile. As she did, a strange, anxious feeling skittered through her belly, then quickly disappeared. The stranger didn’t matter. He couldn’t matter. It was time to make her move. She had to stop Presley now, before he went any farther. She reached toward the glove box for her handgun and taser, slipped the taser in her pocket and was reaching for the door latch when the big man turned and faced her. For a full fifteen or twenty seconds, Cat had a clear and unfettered view of his face, and in those seconds, the world fell out from under her. She didn’t know that she started moaning, or that she’d broken out in a cold sweat. All she knew was that she was no longer in her car in a San Antonio parking lot but back in her childhood home, trying to run from the intruder who’d come out of their bathroom. She was screaming for her father when the intruder’s arm slid around her chest and lifted her off her feet. She saw the strange geometric designs on his arm, then on the side of his face, as the cold slash of steel from his knife suddenly slid against her throat. The coppery scent of her own blood was thick in her nose as he dropped her to the floor, leaving her to watch as he slammed the same knife into her father over and over again. She tried to scream, but the sounds wouldn’t come. The last things she saw before everything went black were the look of sorrow on her father’s face and the demon who’d killed them running out the front door.
Sharon Sala (Nine Lives (Cat Dupree, #1))
The sequence was initiated by Gene's insisting I give a lecture on Asperger's syndrome that he had previously agreed to deliver himself. The timing was extremely annoying. The preparation could be time-shared with lunch consumption, on the designated evening I had scheduled ninety-four minutes to clean my bathroom.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
love my body, and my body loves me. It is such a pleasure to take a shower. The water feels so good. I am grateful for the people who designed and built this shower. My life is so blessed. I am showered with good thoughts all day long! USING THE BATHROOM: I easily release all that my body no longer needs. Intake, assimilation, and elimination are all in Divine right order. GETTING DRESSED: I love my closet. It is so easy for me to get dressed. I always pick the best thing to wear. I am comfortable in my clothing. I trust my inner wisdom to pick the perfect outfit for me. IN THE KITCHEN: Hello, kitchen, you are my nourishment center. I appreciate you! You and all your appliances help me so much in easily preparing delicious, nutritious meals. There is such an abundance of good, healthy
Louise L. Hay (You Can Create an Exceptional Life)
The famed British plumber and owner of the “Venerable Thomas Crapper Co.” is credited with popularizing the toilet and improving flushing in turn-of-the-century London. His eye for elegant toilet design earned him work for the Royal Family and a place in the annals of plumbing history.
Deuce Flanagan (Everybody Poops 410 Pounds a Year: An Illustrated Bathroom Companion for Grown-Ups (Illustrated Bathroom Books))
Creating and Enjoying Then God looked over all he had made, and he saw that it was very good! GENESIS 1:31 NLT Mary had been working diligently on tiling her bathroom. It was a big project for her and required a lot of planning and thought to design it just right. There was the mortarboard that had to replace the old, moldy drywall, and the plumber had to frame in the tub for her. She measured, sawed, carried heavy boards, nailed, cut, glued, and grouted. Every night after work she labored carefully and fell into bed exhausted for nearly three weeks straight. Finally it was done, and she loved it! She adorned it with new curtains and a few fresh towels. She found herself going in the bathroom just to be in that room, she was so pleased. A few days later she found her son standing in the bathroom. “I like to come in here and just look at it, Mom; it’s so nice. I can’t imagine how good you must feel!” Mary thought about it and smiled. “God made us like Him. You know, how He stood back and enjoyed His creation after He made it.” Lord God, thank You for allowing us to be creative and enjoy the work of our hands. Most of all, thank You for making us and watching over us every day because You love what You’ve made! Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
Founded in 2011, ToyTalk already produces popular animated conversational apps — among them the Winston Show and SpeakaZoo — that encourage young children to engage in complex dialogue with a menagerie of make-believe characters. Now the company’s technology, originally designed for two-dimensional characters on-screen, is poised to power tangible playthings that children hold in their hands. This fall, Mattel plans to introduce Hello Barbie, a Wi-Fi enabled version of the iconic doll, which uses ToyTalk’s system to analyze a child’s speech and produce relevant responses. “She’s a huge character with an enormous back story,” Mr. Jacob says of Barbie. “We hope that when she’s ready, she will have thousands and thousands of things to say and you can speak to her for hours and hours.” [Video: Hello Barbie is World's First Interactive Barbie Doll Watch on YouTube.] It was probably inevitable that the so-called Internet of Things — those Web-connected thermostats and bathroom scales and coffee makers and whatnot — would beget the Internet of Toys. And just like Web-connected consumer gizmos that can amass details about their owners and transmit that data for remote analysis, Internet-connected toys hold out the tantalizing promise of personalized services and the risk of privacy perils.
Anonymous
All the estate houses were the same design. Two up and two down. Originally. Little kitchens and bathrooms were added on after the war.
Rosamunde Pilcher (Winter Solstice)
I want to show you something,” I say. “But I’m afraid you’re going to be angry at me.” She’s suddenly on guard. “Why? What is it?” I turn my wrist over and point to her tattoo on my inner wrist. It’s a bare spot I’d been saving for something special. She leans toward it, and all of her breath rushes from her body. I can feel it across my hand when she exhales. “That’s my tat,” she says. She takes my hand in hers and lifts it toward her face. “Are you angry?” I ask. She looks up at me briefly and then back down at the tattoo. She’s taking in every facet of it. Her hand trembles as she holds tightly to mine. “You changed it.” “I felt like you needed a way out.” I put it on my wrist because I was intrigued by the secrets inside. It’s art, and I appreciate art in all its forms. She swallows. Hard. Then her eyes start to fill with tears. She blinks them back for as long as she can. And then she gets up and runs toward the bathroom. Shit. Now I fucked up. I made her cry. She runs by the waitress, who startles. The waitress starts in my direction, a sway in her hips, but I get up and follow Kit. I stop outside the door to the ladies’ room and press my hand against it. I don’t know what I’m waiting for. She’s in there crying, and I obviously can’t hear her to be sure she’s all right. Fuck it. I’m not leaving her in there upset. I push through the door, and I don’t see any feet in the stalls when I bend over. Where the fuck did she go? I push doors open, but the last one is locked. I stand up on my tiptoes and look over the top. She’s standing there with her forearms pressed against the wall, her head down between her arms, and her back is shaking. She’s crying. I knock on the stall door and say, “Let me in, Kit.” The door doesn’t open. I step back onto my tiptoes and look over. She’s still crying. “Let me in,” I repeat. She doesn’t move, so I walk into the stall next to hers and stand up on the toilet. I rock the partition between the stalls gently. It might hold my weight. There’s only one way to find out. I hoist myself up and over the wall, bringing my legs over the top slowly and carefully, and then I hop down. Before I can reach for her, she’s in my arms, her hands sliding around my neck. She’s still sobbing, and her body shakes against mine. I tilt her face up because I can’t see her lips to tell if she’s saying anything to me or not. I need to apologize. I didn’t expect her to get so upset. I’ll have it covered up with something else if it bothers her this much. My heart twists inside my chest. I really fucked up. “I’m sorry,” I tell her, looking down into her face. Her cheeks are soaked with tears, and she freezes, looking up at me. I can feel her like a heartbeat in my chest. She steps on the toes of my boots and then rocks onto her tiptoes. She pulls my head down with a hand at the back of my neck. Her brown eyes are smoldering, and black shit is running down her cheeks again, but I don’t care. She’s never looked more beautiful to me. I hold her face in my hands and wipe beneath her eyes with my thumbs. Her breath tickles my lips, and she leans even closer. She’s standing on my fucking boots, and I don’t care. She can do whatever it takes to get closer to me. “Why did you do it?” she asks, moving back enough that I can see her lips. I already told her: I thought she needed a way out. All I added to the tattoo was a keyhole right in the center of the guitar. It’s a simple design really. “I don’t know,” I say. I want to explain it to her, but I can’t. Not right now.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
In private life, human beings spend a great deal of time in seclusion behind closed doors (e.g., in bathrooms and bedrooms) and other partitions designed to shield their bodies from prying eyes. Scientists have determined that too much visual monitoring can be harmful to human health.
David B. Givens (The NONVERBAL DICTIONARY of gestures, signs and body language cues)
Nevertheless, it was a little bit surprising to find that Bloody Stupid had turned to bathroom design. But, as Ridcully said, it was known that he had designed and built several large musical organs and, when you got right down to it, it was all just plumbing, wasn’t it?
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
If bad was spilling a piping hot latte over a laptop, subsequently frying thirty new designs without backing them up, and if very bad was ordering fifty grand’s worth of the wrong marble slabs, then very, very bad was letting my boss go down on me in his sister’s bathroom. As
Kate Canterbary (The Space Between (The Walshes #2))
We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.
Terri Irwin (Steve & Me)
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It had been a month before then that I'd sat on the bathroom floor and now it was back, the feeling that I was watching life through a thick pane of glass and that, whatever was out there, I wasn't designed for it.
T.R. Richmond
Sub-Zero I am a genteel wretch, not without gaiety or self-respect, a ‘ragamuffin top’, so to speak,dining daily off an eclectic tasters menu culled from hunter green dumpsters of Zagat 29s. It’s really not a bad life, a bit of an adventure too, like the time I went fishing for bream from a mokoro in the Okavanga Delta and a hippo nearly tipped my dugout because I inadvertently came between the mom and her calf. I pissed my pants and returned for a change of wardrobe and cocktails to my five star safari tent at Camp Moreni,a charming hideaway with a teak wardrobe, designer linens, woven rugs and en-suite bathroom. Lately, I’ve sought shelter in a Sub-Zero cardboard box which I’ve accented with freshly plucked Lilies of the Valley. Sure, it’s smaller than the GE 25 cubic but you can’t compare the stiffness of the corrugation, the A-fluting and 400# test strength. Hey, without our standards what are we?
Beryl Dov
Sub-Zero I am a genteel wretch, not without gaiety or self-respect, a ‘ragamuffin top’, so to speak, dining daily off an eclectic tasters menu culled from hunter green dumpsters of Zagat 29s. It’s really not a bad life, a bit of an adventure too, like the time I went fishing for bream from a mokoro in the Okavanga Delta and a hippo nearly tipped my dugout because I inadvertently came between the mom and her calf. I pissed my pants and returned for a change of wardrobe and cocktails to my five star safari tent at Camp Moreni, a charming hideaway with a teak wardrobe, designer linens, woven rugs and en-suite bathroom. Lately, I’ve sought shelter in a Sub-Zero Pro 48 cardboard box which I’ve accented with freshly plucked Lilies of the Valley. Sure, it’s smaller than the GE 25 cubic but you can’t compare the stiffness of the corrugation, the A-fluting and 400# test strength. Hey, without our standards what are we?
Beryl Dov
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Never before in history have grown men sat down and seriously designed electric hairbrushes, rhinestone-covered file boxes, and mink carpeting for bathrooms, and then drawn up elaborate plans to make and sell the gadgets to millions of people,” wrote Victor Papanek in 1971: Today, industrial design has put murder on a mass production basis. By designing criminally unsafe automobiles that kill or maim nearly one million people around the world each year, by creating whole new species of permanent garbage to clutter up the landscape, and by choosing materials and processes that pollute the air we breathe, designers have become a dangerous breed.
Sara Hendren (What Can a Body Do?: How We Meet the Built World)
In the last 15 years, German cities including Freiburg, Tübingen, Hamburg, and Berlin have developed cooperative building programs called “Baugemeinschaft” or “Baugruppen.” This is a development model that allows the future owners to become the developers. By developing buildings individually, plot by plot, a diverse, high-quality, and more affordable building stock is possible. The Baugemeinschaft approach bridges the individual and private needs of residents and their common and social needs. Seldom do urban dwellings respond to the needs of an active and growing family. Often, the only way to have a home designed to your own specification, is to find a site outside of the city and build a detached house. Designing your own home in an urban setting is often only an option for the wealthy. New apartments offer some choices, but they are limited to things such as bathroom tiles and kitchen cabinets. The idea of being able to influence the design of your own urban home, including the dimensions, layout, heating system, and insulation is extremely interesting.
David Sim (Soft City: Building Density for Everyday Life)
Master bathrooms are like operating rooms. They must be meticulous, clean and simple.
Catherine Bradford Bugg
women are at greater risk for sexual assault and violence if they don't have separate bathrooms
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
Buy cheap bathtubs in Houston, TX from The Lady Tub LLC. Its unique and stylish designs will definitely provide a modern twist to your bathroom. The beauty of our products looks attractive due to foundation of quality materials and enduring designs. We build customer relationships based upon service, quality, competitive pricing and prompt deliveries. We as a company will do our very best to ensure your satisfaction and budget. Our vision is to offer exceptional customer service at a revolutionary price, while leading the way in the bathroom industry. For more inquiries, call us at 2815796500.
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world is designed for men even in the simplest ways, like in the public bathroom where there is no place to put a child. The world is designed for women to be at home, covered in cloth, taking care of their babies, accepting any abuse that is forced upon them. Even in western society, we have not changed that basic design.
Emily Kimelman (The Sydney Rye Mysteries Box Set: Books 1-8)
In order to house our fellow comrades as quickly and economically as possible, we must, indeed, pursue bold new steps. So, let us not get bogged down with elaborate designs or bow to aesthetic vanities. Let us apply ourselves instead to a universal ideal that is fitting for our times.” Thus was born the golden age of the prefabricated, cement-walled, five-story apartment building—and the four-hundred-square-foot living spaces with ready access to communal bathrooms boasting four-foot tubs (after all, who has time to lie down in a bath when your neighbors are knocking at the door.]
Amor Towles (A Gentleman in Moscow)
1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
I haven’t yet come across a bathroom that isn’t improved by a bigger mirror over the sink.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
These are for you.  You have two choices.  You can use them when Rachel’s gone, or you can wait until she’s back, and I’m sure she’d be happy to help you.” He studied me for a moment then walked out of the kitchen, turning toward the bathroom.  I followed a few steps behind. A startled yelp escaped me when I rounded the corner and caught sight of a naked backside.  Without much thought, I tossed the soap and toothbrush in and slammed the door shut. “You could have waited until I put the stuff in there,” I said through the door as my heart thundered in my ears.  I took a steadying breath and heard the water turn on, the clink of his dog tag hitting the sink, then the shower curtain move. Who would have thought he would even know how to use a shower?  I hadn’t.  On the way home, I’d started to think of all the different things I would need to explain, like making sure to position the curtain inside the tub.  Standing outside the door, still reeling from the view I’d gotten, I realized I might see the same thing again if I didn’t get him a towel. I’d packed two bath towels.  Purchased from a discount store, they both sported gaudy floral designs.  I grabbed one and waited outside the door again until I heard him splashing in the shower.  Then, I knocked. “I have a towel for you,” I said through the door.  “If you’re still in the shower, I can open the door and toss it on the toilet seat.  Okay?”  I didn’t hear anything.  No surprise.  “Okay, I’m coming in.”  I waited a moment for any indication that I shouldn’t enter. When the water continued to run, I cautiously opened the door.  As soon as I saw a clear path to the toilet seat, I tossed the towel.  Standing just inside the bathroom with my hand wrapped around the door handle for a quick exit, I paused.  His new toothbrush rested on the sink. “My toothpaste is the one marked with the pink nail polish on the cap.  I’ll let you use it as long as you promise not to squeeze the tube from the middle.” His answer took the form of an accurately aimed splash of water over the top of the shower curtain.  I barely dodged it. “You’re cleaning that up.” I
Melissa Haag (Hope(less) (Judgement of the Six #1))
Architects are 'dismissive' of the people who turn their designs into building. And indecisive clients who have read too many design magazines all end up wanting bathrooms that look like 'variations of tiled rooms in an abattoir'.
Ole Thorstensen (Making Things Right: The Simple Philosophy of a Working Life)
that would be enough for even one of his fancy chrome portholes. ‘I don’t get technology. Any technology. It mystifies me.’ He reached for a glossy brochure, flipping it open to show her a diagram. Standing close to him was like torture. She felt her stomach flip. ‘We design our systems so they are very intuitive. The panels in each zone are the same, so you only have to learn it once. You can control every element of the boat from the central hub in the main salon, all from the comfort of your armchair. For example, you can alter the deck lighting to suit your mood – there’s a rainbow of colours; you can switch on the hot tub, get it warmed up; and you can even programme the sound system in the bathrooms. All
Amanda Prowse (Perfect Daughter (No Greater Strength, #1))
In the middle of the night: Remember: initially your puppy’s crate is ideally going to be located in your bedroom. So, you’ll hear them when they whine. And you will hear whining, especially during the first few nights when they are lonely and missing their littermates. But they’ll also whine because they have to go to the bathroom and are stressed out about peeing inside the crate where they sleep. Admittedly, at first it’s very difficult to know the difference between lonely whining and potty whining. When you hear whining, wait. If the crate is next to your bed, you can put your hand down next to the crate, so your puppy knows they are not alone. But don’t talk to them. If they calm down, stop whining, and go back to bed, they were just lonely. But if they don’t calm down and continue to whine, or the whining increases, err on the side of caution. Assume they have to pee and take them out of the crate to their designated area. Keep it businesslike—no playful interactions. It should just take a couple of minutes, then they go back in their crate and you go back to bed. If it’s taking more than a couple of minutes, your puppy just wanted your attention, so head back inside and put your puppy in their crate and you in your bed.
Zoom Room Dog Training (Puppy Training in 7 Easy Steps: Everything You Need to Know to Raise the Perfect Dog)
Bathe & Beyond is the bathroom shop Staines depends on for all their bathroom design items and inspirations in the UK. We have a 4,500 ft2 bathroom showroom Staines property owners visit when looking to create modern bathrooms, and you are free to come, see and experience our different displays of bathrooms Staines would want to have.
Bathe and Beyond
Revamp Flooring is a one-stop-shop for all your flooring needs. Ranging from flooring installations to redesigning, kitchen backsplash work, all the way to outdoor tiles, we have a wide variety of products and services to offer. Being in the flooring industry for more than two decades, we have honed our expertise and skills to continue providing excellent service to our new and loyal clients. We cater to homeowners and business owners all around Pearland and the surrounding areas, ensuring that we can administer and execute our state of the art processes and methods for flooring installation and bathroom design. Our biggest priority is our clients, and we never fail in delivering customer satisfaction. Contact us now or visit our showroom!
Jena Weller
As a building company in Bromley, Kent, Connor Building has been supplying building services for over 20 years. We take your construction dreams from home design to planning permission to a new home. Our services include Loft Conversions, Plumbing, Heating, New Boilers, Bathrooms, Roofing, Electrics, Design & Build, Shell Only Build, Property Maintenance, Home Refurbishments, House Extensions, Plastering, Kitchen Extensions, Rendering and Blockwork. Contact Connor Building for a free quote today.
Connor Building
Consider how you can use visual pattern to define a space for its purpose and activity... - In the bathroom, you might want to use rippled or soft undulating patterns to remind yourself of the calmness of water, think water surface, sand, or shell patterns. - In the living room, leafy patterns and forest-inspired shapes and patterns can be relaxing and restorative. - Retreats or quiet spaces such as bedrooms or home offices might benefit from images of sheltered or secluded natural spaces, for example cave-like patterns. - By contrast, lively spaces may suit patterns of more dynamic natural systems, such as waterfalls and rivers. Remember that there is a balance to strive for here. Subtlety is key, so the patterns don't dominate the space and overwhelm you. Also keep in mind that there are no straight lines in nature, so hard edges can appear harsh.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
Whole-home heat recovery systems... extract stale, moist air from any room with water use, such as bathrooms and kitchens, then extract the warmth from it to preheat the fresh air being brought back in. The fresh air is run through filters before being pumped into all living spaces in the home. It can also be used to help cool a home during warmer months. This type of system is expensive and requires good duct runs, but is very effective.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
We have learned from so many mistakes in the past that women are at a greater risk for sexual assault and violence if they don’t have separate bathrooms,’ says Gauri van Gulik, Amnesty International’s deputy director for Europe and Central Asia.
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
British bathroom designer Edward Lewis... went on to say, "The bathroom is the one room in which we are able to finally switch off from all that is going on around us and simply be alone with our thoughts, and reflect on the day. A chance to relax and wash life's little stresses, and above all, where inspiration strikes. It's an experience!
Joshua Becker (The Minimalist Home: A Room-by-Room Guide to a Decluttered, Refocused Life)
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Companies don't want anyone telling them how to deal with their workers  -- they never have; they never will. Stores don't want anyone telling them how to design their entrances; how many steps they can have (or can't have); how heavy their doors can be. Yet they accept their city's building and fire codes, dictating to them how many people they can have in their restaurants, based on square footage, so that the place will not be a fire hazard. They accept that the city can inspect their electrical wiring to ensure that it "meets code" before they open for business. Yet they chafe if an individual wants an accommodation. Because, it seems, it is seen as "special for the handicapped," most of whom likely don't deserve it. Accommodation is fought doubly hard when it is seen to be a way of letting "the disabled" have a part of what we believe is for "normal" people. Although no access code, anywhere, requires them, automatic doors remain the one thing, besides flat or ramped entrances, that one hears about most from people with mobility problems: they need automatic doors as well as flat entrances. Yet no code, anywhere, includes them; mandating them would be "going too far"; giving the disabled more than they have a right to. A ramp is OK. An automatic door? That isn't reasonable. At least that's what the building lobby says. Few disability rights groups, anywhere, have tried to push for that accommodation. Some wheelchair activists are now pressing for "basic, minimal access" in all new single-family housing, so, they say, they can visit friends and attend gatherings in others' homes. This means at least one flat entrance and a bathroom they can get into. De-medicalization No large grocery or hotel firm, no home-and-garden discount supply center would consider designing an entrance that did not include automatic doors. They are standard in hotels and discount warehouses. Not, of course, for the people who literally can not open doors by themselves  -- for such people are "the disabled": them, not us. Firms that operate hotels, groceries and building supply stores fight regulations that require they accommodate "the disabled." Automatic doors that go in uncomplainingly are meant for us, the fit, the nondisabled, to ensure that we will continue to shop at the grocery or building supply center; to make it easy for us to get our grocery carts out, our lumber dollies to our truck loaded with Sheetrock for the weekend project. So the bellhops can get the luggage in and out of the hotel easily. When it is for "them," it is resisted; when it is for "us," however, it is seen as a design improvement. Same item; different purpose
Mary Johnson (Make Them Go Away: Clint Eastwood, Christopher Reeve & The Case Against Disability Rights)
Luxury porcelain Gray patina design tile for bathroom (کاشی و سرامیک لاکچری پرسلان طرح پتینه طوسی برای سرویس بهداشتی) مرکز اصلی فروش کاشی و سرامیک اصفهان ما واقع در خیابان ارباب اصفهان میباشد. ، همیشه دونکته را به مشتریان عزیزگوشزد میکنیم: نکته اول: یکی از بهترین انتخاب ها برای سرامیک سرویس بهداشتی میتواند سرامیک 60*120 با طرح پتینه ی طوسی مات باشد. نکته دوم: این طرح برای افرادی که به دنبال سرامیک رنگ تیره یا رنگ طوسی میباشند بسیارمیتواند طرح جذابی باشد.
Luxury porcelain Gray patina design tile for bathroom
Mom says as we both enter the background-designated trailer bathroom. I’d been holding my poop for an hour and couldn’t hold it anymore, so I finally asked a person with a walkie-talkie if I could please go, even though Mom tells me I might be labeled difficult for doing so. “Sorry,” I say while I poop and Mom wets a paper towel with water. I’m embarrassed she still insists on wiping my butt. I tried to tell her recently that now that I’m eight, I think I can handle it, but she looked like she was gonna cry and said she needs to do it until I’m at least ten because she doesn’t want skid marks on my Pocahontas underwear. I know if I did it there wouldn’t be skid marks, but it’s Mom’s tears I’m more worried about.
Jennette McCurdy (I'm Glad My Mom Died)
We went back to John’s place, and Amy initiated a FaceTime call. If you’re reading this in the future and you don’t know what that is, I’ll just say that technology in this era was deviously designed to alternately coddle and torture introverts. For example, a FaceTime call would suddenly make a stranger’s big, scary face appear on your phone out of nowhere, and answering it would automatically turn on your own camera, so it had the psychological impact of someone barging into your bathroom to demand a meeting while you are struggling with a stubborn poop.
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End #4))
And then his lips curved into the mischievous smile I so loved. “I have one more thing for you.” From the depths of his pockets, he withdrew a pile of napkins neatly enclosed in a clean plastic bag. “Your own stash, Trouble Magnet.” I laughed so hard I snorted. I couldn’t help it, but the napkins were so silly, so perfect. The bathroom inside the restaurant hadn’t had either toilet or toilet paper, and I suspected there would be a few more of those primitive latrines in my future. I was still laughing when I tucked both the napkins and the GPS safely inside my messenger bag, and when I looked up, Jacob was staring at me as if he wanted to tuck me away safely, keep me with him. There must be a few times in life when you stand at a precipice of a decision. When you know there will forever be a Before and an After. Mom’s life was twice marked: Before Dad, After Dad. Before her sister’s death and After. I knew there would be no turning back if I designated this moment as my own Prime Meridian from which everything else would be measured. Mom’s urging to be fair to Jacob, Karin’s warning about losing the security of a miracle boyfriend, the image of Erik’s easygoing grin itself — all those conspired now, convincing me to stay in the Before. And then there was Jacob, who stepped closer to me and then waited, letting me decide whether I would take that next step. Balanced there in indecision, it was as if the Twisted Sisters were before me, shaking their pom-poms, asking: But what is fair about staying with a guy who is ashamed to be seen with you? What was so miraculous about a relationship that was based more on my gratitude than mutual respect? I wanted more. I wanted better. I wanted Jacob. Even knowing that what I was doing was wrong, I jumped off my Before and reached for my After. I traveled that short, short distance separating Jacob from me and stepped into his waiting arms. My face tilted up, my lips parted, so ready for Jacob’s kiss. Unexpectedly, he let go of me, and my breath caught, painfully, deep in my chest. Had I so misread this map leading me to him? Then slowly, so slowly, Jacob cupped my face in his hands, his thumbs brushing gently across my cheeks, the good side and the bad.
Justina Chen
Prana Mudra The prana mudra is designed to help bring life force into the body and is connected to the Root Chakra like the earth mudra. Such energizing solutions for the Root Chakra are important because if the root is not healthy, none of the other chakras will function in good health. • Take both hands to face the palms. •       Curl each hand's ring finger and pink finger to touch the thumb tip of the same hand. • Keep the middle fingers and the pointer straight. • Perform this three times a day for fifteen minutes While you perform mudras, remember to breathe. Sometimes you'll focus on getting things right when you try a new pose, and you may hold your breath. Return your breath attention. Pause before moving on to your next appointment or activity after releasing the mudra to notice any effects. Over time, notice if your hands are more flexible, if the mudra has become effortless. As your hands ' flexibility increases, it reflects growing openness in your body and nature, allowing energy to flow more freely. Apana Mudra You must remove what you no longer want to bring with you as you clear your chakras: mentally, spiritually, and energetically. How much are you willing to release? You release when you breathe out, when you sweat, and when you go to the bathroom. These are indicators of how the body removes waste that you no longer want or need, including thoughts, food and energy. This phase can be supported by a hand mudra, the apana mudra: • Hold out your hands to face the palms. •       Curl each hand's ring finger and middle finger to meet the thumb of the same hand. • Hold this posture for 15 minutes, 3 times a day Use this mudra to help you get rid of toxicity and make room for new beginnings, new ideas and new projects. Imagine the purifying effects of prana entering your system with each inhalation. Know you're expelling what you don't need any more with each exhalation. This mudra is helpful together for all the chakras. It corresponds to disease or disease when any chakra is imbalanced. The apana mudra supports the proper functioning of all your energy centers by helping with physical, psychological, and energetic elimination of toxicity.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
From the boardroom to the bathroom, technology has flooded our lives with more content than we can possibly absorb, washing away our attention spans in the process.
Ryder Carroll (The Bullet Journal Method: Track the Past, Order the Present, Design the Future)
I had read another book, called Chromophobia, by David Batchelor, around this time, and he described how the modernist design aesthetic - the white kitchen, white floors, white walls - is a denial of our humanity. The reason bathrooms are white, too, is not only so you know that they are clean, but also so you know that they are not what's inside of us.
Emily Spivack
In universities and pharmaceutical labs around the world, computer scientists and computational biologists are designing algorithms to sift through billions of gene sequences, looking for links between certain genetic markers and diseases. The goal is to help us sidestep the diseases we're most likely to contract and to provide each one of us with a cabinet of personalized medicines. Each one should include just the right dosage and the ideal mix of molecules for our bodies. Between these two branches of research, genetic and behavioral, we're being parsed, inside and out. Even the language of the two fields is similar. In a nod to geneticists, Dishman and his team are working to catalog what they call our "behavioral markers." The math is also about the same. Whether they're scrutinizing our strands of DNA or our nightly trips to the bathroom, statisticians are searching for norms, correlations, and anomalies. Dishman prefers his behavioral approach, in part because the market's less crowded. "There are a zillion people looking at biology," he says, "and too few looking at behavior." His gadgets also have an edge because they can provide basic alerts from day one. The technology indicating whether a person gets out of bed, for example, isn't much more complicated than the sensor that automatically opens a supermarket door. But that nugget of information is valuable. Once we start installing these sensors, and the electronics companies get their foot in the door, the experts can start refining the analysis from simple alerts to sophisticated predictions-perhaps preparing us for the onset of Parkinson's disease or Alzheimer's.
Gary F. Marcus (The Birth of the Mind: How a Tiny Number of Genes Creates The Complexities of Human Thought)
In universities and pharmaceutical labs around the world, computer scientists and computational biologists are designing algorithms to sift through billions of gene sequences, looking for links between certain genetic markers and diseases. The goal is to help us sidestep the diseases we're most likely to contract and to provide each one of us with a cabinet of personalized medicines. Each one should include just the right dosage and the ideal mix of molecules for our bodies. Between these two branches of research, genetic and behavioral, we're being parsed, inside and out. Even the language of the two fields is similar. In a nod to geneticists, Dishman and his team are working to catalog what they call our "behavioral markers." The math is also about the same. Whether they're scrutinizing our strands of DNA or our nightly trips to the bathroom, statisticians are searching for norms, correlations, and anomalies. Dishman prefers his behavioral approach, in part because the market's less crowded. "There are a zillion people looking at biology," he says, "and too few looking at behavior." His gadgets also have an edge because they can provide basic alerts from day one. The technology indicating whether a person gets out of bed, for example, isn't much more complicated than the sensor that automatically opens a supermarket door. But that nugget of information is valuable. Once we start installing these sensors, and the electronics companies get their foot in the door, the experts can start refining the analysis from simple alerts to sophisticated predictions-perhaps preparing us for the onset of Parkinson's disease or Alzheimer's.
Stephen Baker (The Numerati)
They had no children. They spent money on the house, and for five years it went through an elaborate series of new looks each one more ambitiously designed than the next, until to scratch the wall in the bathroom was to reveal a rainbow of pastel shades in which could be read my mother's hopeless biannual efforts to sustain her domestic dream.
Niall Williams (Four Letters of Love)
The Scriptures tell us that right and wrong do exist. Our duty is to do what is right, and it is not too difficult to discern. For example, look at the issue of transgendered people and using bathrooms. Just because someone is confused, doesn’t mean we give up our common sense. Many who have had sex-change surgery want to change back. They have big regrets. They may change their looks on the outside, but their chromosomes stay the same on the inside. Figuring out which bathroom to use should be a pretty simple matter, if you think about it. God has given each of us a certain kind of plumbing. Guys go to one bathroom and ladies go to another. You see, bathrooms are supposed to be biological and not social. But, of course, there is much more to this agenda than meets the eye. This is the breakdown of the family. This is an assault on what God says is right and wrong. God says man and woman in marriage, and the world says any combination of genders in marriage is fine. The Bible says to have kids within a heterosexual family, and the world says to have kids within any kind of family structure you want. On a recent plane flight, a guy named John was sitting next to me. He loved logic. Everything had to be logical for him. When I asked him, “If you could have any job on planet Earth and money wasn’t an issue, what would you want to do?” He didn’t hesitate. He said, “Philosophy professor at a university!” I already knew this was going to be a good conversation, but his reply was icing on the cake! Then out of nowhere he asked me, “What do you think about gay marriage?” This seems to be the only question on people’s minds these days! Some people are interested in your answer; others just want to label you a bigot. Whether or not they want to categorize you doesn’t matter; our job is to tell people the truth. So I asked him, “When people get married, how many people get married?” He responded that he didn’t understand my question. So I said, “When you go to a marriage ceremony in India, China, Russia, Canada, or the United States, how many people are in that ceremony?” He replied, “Two.” I then continued, “Where did the number come from?” You should have seen the look on his face. He didn’t have a clue. I let him know it came from the oldest writing ever on the subject of marriage. It came from the Jewish Torah, and in the book of Genesis, it says: Therefore shall a man leave his father and his mother, and shall cleave unto his wife: and they shall be one flesh. Genesis 2:24 The interesting thing was that John knew the verse! When I said it out loud, he finished it by saying, “one flesh.” Someone had taught him that verse at some point through the years. Then I said, “Whoever gets to tell you how many people can get married can also tell you who gets to be in that number.” He loved the logic. But, of course, God is logical. That is why it is logical to believe in Him. I also read somewhere: Whoever designs marriage gets to define marriage! That is a good statement, and I have been using it as I talk with people about this subject.
Mark Cahill (Ten Questions from the King)
A long time ago Lewis Mumford wrote that "in a society that knows no other ideals, spending becomes the chief source of delight; finally it amounts to a social duty." What an outrageous exaggeration that must have seemed to those at whom it was aimed. Yet today you can hardly pick up a business magazine without finding similar statements never intended to be pejorative. As the photographic historian Judith Mara Gutman says, in a book called Buying,, "the whole process of buying ...determines our daily pace, dictates our nightly rhythm...Buying structures our lives.
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
For the very nature of the product designer's role in industry tends to militate against his effectiveness. He is schooled--and presumably motivated--to design things for people; but he is retained to design things for the market.
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
Museums, whatever their content, are logical design arenas. Their renewed vitality reflects a spreading curatorial perception that a museum is a designed situation more than it is a warehouse open to the public. This in turn has made it possible for a great many people, including children, to perceive museum-going as something to do, rather than something that is done to you.
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
The experience of riding in a subway or elevator calls to mind Bertrand Russell's remark that much of modern anxiety stems from the time we spend in unnatural proximity to strangers without the preliminary sniffing that is instinctive in animals, including us.
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
As I indicated, I do not believe that any chair, however elegant, contributes significantly to life or solves problems that can be considered major by anyone who is not minor.
Ralph Caplan (By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons)
She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
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Creative Remodeling Construction
There are very few frills in this place, but at the very least we all get a bathroom. One of the design flaws of our bathrooms is that they all can be locked from the inside by pressing a small button on the doorknob and then closing the door. It is entirely too easy to lock yourself out of the bathroom if you happen to be on the outside and accidentally press the lock due to limited control of your extremities (clearly the case for 97 percent of all hospital residents).
Scott Stambach (The Invisible Life of Ivan Isaenko)
I’m over five and half feet tall and weigh about ten stone. My eyes are brown, hair black, and I forget the blood group. I used to be older than twenty but now I’m older than thirty. I’ve been called a crustacean, and too serious, but recently I was described by a dependable man as shrewd, obstinate and adequately intelligent. I was a writer once and now I’m a doctor, but I was advised to become these, I never wanted it. I’ve never wanted anything long. Except freedom.” There was a metallic rattle of laughter. Lanark said, “Yes, it’s a comic word. We’re all forced to define it in ways that make no sense to other people. But for me freedom is …” He thought for a while. “… life in a city near the sea or near the mountains where the sun shines for an average of half the day. My house would have a living room, big kitchen, bathroom and one bedroom for each of the family, and my work would be so engrossing that while I did it I would neither notice nor care if I was happy or sad. Perhaps I would be an official who kept useful services working properly. Or a designer of houses and roads for the city where I lived. When I grew old I would buy a cottage on an island or among the mountains—” “Dirty! Dirty! Dirty! Dirty!” said the voice on a low throb of rage. “Dirty bastards giving me a killer for a doctor!
Alasdair Gray (Lanark: A Life in Four Books)