Baskets Show Quotes

Shigure:"A summer home like this by the lake, you half expect JASON to show up!" Yuki: "There he goes again..." Kyo: (Thinking to himself) Jieison...Jaysun? Now where have I heard that before? Shigure: "'Jason' is a new species of bear. You're so ignorant, Kyo-Kun." Kyo: "SHUT UP! I KNEW THAT!!" Hatori:"That's not it..." Tohru:"Is it a foreign kind of bear?" Hatori:"....

I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.

Holy water, a couple cloves of garlic, vials of salt, and iron fillings filled the basket, intended to be door prizes for anything that showed up in an attempt to suck my blood, carry me off to faerieland, or sell me stale cookies.

It was easy to be proud of the kid who got straight A's and who made the winning basket-a kid the world already adored. But true character showed when you could find something to love in a child everyone else hated.

Going Gone Over stone walls and barns, miles from the black-eyed Susans, over circus tents and moon rockets you are going, going. You who have inhabited me in the deepest and most broken place, are going, going. An old woman calls up to you from her deathbed deep in sores, asking, "What do you keep of her?" She is the crone in the fables. She is the fool at the supper and you, sir, are the traveler. Although you are in a hurry you stop to open a small basket and under layers of petticoats you show her the tiger-striped eyes that you have lately plucked, you show her specialty, the lips, those two small bundles, you show her the two hands that grip her fiercely, one being mine, one being yours. Torn right off at the wrist bone when you started in your impossible going, gone. Then you place the basket in the old woman's hollow lap and as a last act she fondles these artifacts like a child's head and murmurs, "Precious. Precious." And you are glad you have given them to this one for she too is making a trip.

I also find it helpful to remind myself that every human is a mess on the inside. It’s easy to assume the good-looking and well-spoken person in front of you has it all together and is therefore your superior. The reality is that everyone is a basket case on the inside. Some people just hide it better. Find me a normal person and I’ll show you someone you don’t know that well. It helps to remind yourself that your own flaws aren’t that bad compared with everyone else’s. I

I'm going to say this one time and one time only, so you had better listen up. The world is going to hell in a hand basket. We got Jacque running off into ponds like a crazy woman; Fane thinking he's Aqua Man, diving in after her and getting his ass captured by the wicked witch; we have freak lightening shows; thunder that shakes the ground; and wind strong enough to knock you over. And you know what's really scary? It's going to get worse before it gets better. The fan is broken from all the shit that has hit it. Yes, I have a potty mouth. I get to have one when the world as we know it is crumbling around us.

It was difficult to anticipate—in these monsters with enormous, fantastic beaks which they opened wide immediately after birth, hissing greedily to show the backs of their throats, in these lizards with frail, naked bodies of hunchbacks—the future peacocks, pheasants, grouse or condors. Placed in cotton wool, in baskets, this dragon brood lifted blind, walleyed heads on thin necks, croaking voicelessly from their dumb throats.

They exchanged notes, like children. My grandfather made his out of newspaper clippings and dropped them in her woven baskets, into which he knew only she would dare stick a hand. Meet me under the wooden bridge and I will show you things you have never, ever seen. The "M" was taken from the army that would take his mother’s life: GERMAN FRONT ADVANCES ON SOVIET BORDER; the "eet" from their approaching warships: NAZI FLEET DEFEATS FRENCH AT LESACS; the "me" from the peninsula they were blue-eyeing: GERMANS SURROUND CRIMEA; the "und" from too little, too late: AMERICAN WAR FUNDS REACH ENGLAND; the "er" from the dog of dogs: HITLER RENDERS NONAGGRESSION PACT INOPERATIVE…and so on, and so on, each note a collage of love that could never be, and a war that could

The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.

Young John was some time absent, and, when he came back, showed that he had been outside by bringing with him fresh butter in a cabbage leaf, some thin slices of boiled ham in another cabbage leaf, and a little basket of water-cresses and salad herbs. When these were arranged upon the table to his satisfaction, they sat down to tea.

Morning showed up swinging a basket full of bright sunshine.

Baskets on bikes are pretty inefficient, and overall pretty stupid… for show, for women and dandies who want to use them as transportation to and from picnics.

Once when Newton was away from his astronomical laboratory, he had returned to find that his little poodle dog Diamond had torn into shreds and eaten up part of his map showing distant star points. Perhaps God was punishing him for his neglect of God. He had picked up his poodle from its basket and had brushed its curls with his loving hand as he- not shouting in anger- had whispered serenely, consolingly, "Ah, little Diamond! Diamond! Thou dost not know the harm which thou hast done." Some corner of the universe had been made into pulp. He had left it so.

In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…

Now imagine one day hyperinflation strikes, and the price of your ribeye increases to one hundred dollars while your daily wage remains ten dollars. What happens to the price of your basket of goods? It cannot rise tenfold because you cannot afford the one-hundred-dollar ribeye. Instead, you make do with the chemical shitstorm that is a soy burger for ten dollars. The CPI, magically, shows zero inflation.

He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'its' because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.

Right, you see that girl over there, the one in that group that keeps looking right at you?'...'Right, let's say I'm convinced she's wearing black knickers - she looks like a black knickers kind of gal to me - and I'm so sure that's what she's wearing, so positive of that sartorial fact, I want to bet a million dollars on it. The trouble is, if I'm wrong, I'm wiped out. So I also bet she's wearing knickers that aren't black, but are any one of a whole basket of colours - let's say I put nine hundred and fifty thousand dollars on that possibility: that's the rest of the market; that's the hedge. This is a crude example, okay, in every sense, but hear me out. Now if I'm right, I make fifty K, but even if I'm wrong I'm going to lose fifty K, because I'm hedged. And because ninety-five per cent of my million dollars is not in use - I'm never going to be called on to show it: the only risk is in the spread - I can make similar bets with other people. Or I can bet it on something else entirely. And the beauty of it is I don't have to be right all the time - if I can just get the colour of her underwear right fifty-five per cent of the time I'm going to wind up very rich...

The fact is, since America’s “War on Poverty” was launched a little over fifty years ago, the poverty rate in America is exactly where it was then. The main difference is that today, even poverty isn’t as dire for most people as it was fifty years ago. Michael Tennant, writing in The New American, said: “Fifteen trillion dollars: That’s how much American taxpayers have forked over in the name of helping the poor since 1964. And what do we have to show for it? A poverty rate that has barely budged, an entrenched bureaucracy, and a population—like that of Greece and Portugal, two welfare-state basket cases—increasingly dependent on government handouts.

Basket of Figs” Bring me your pain, love. Spread it out like fine rugs, silk sashes, warm eggs, cinnamon and cloves in burlap sacks. Show me the detail, the intricate embroidery on the collar, tiny shell buttons, the hem stitched the way you were taught, pricking just a thread, almost invisible. Unclasp it like jewels, the gold still hot from your body. Empty your basket of figs. Spill your wine. That hard nugget of pain, I would suck it, cradling it on my tongue like the slick seed of pomegranate. I would lift it tenderly, as a great animal might carry a small one in the private cave of the mouth. Ellen Bass, Mules of Love (BOA Editions Ltd.; 1st edition (April 1, 2002)

He tossed his crown aside and plucked a basket out of the sack. He took a deep breath, held the basket behind his back and turned to face Cinderella. “Duchess Cinderella Lacreux, I must confess I have fallen deeply in love with you. If you would marry me, I would be the happiest of men—but there are some things that must be stated. I am in the army, and while you will always have my love, I cannot guarantee I will always return to you whole, or alive,” Friedrich said, briefly shutting his eye. “Also, I am the prince of a troubled country. If you marry me, I fear you will be called to show love, kindness, and compassion beyond what a normal human could extend. I am confident my countrymen will learn to love you and cherish you as deeply as I do, but I am aware you have already made great sacrifices…and I do not want to force more on you.” Friedrich knelt at her feet. For

You want to talk pigs, come down to the office, take a look through my In basket any morning of the week, I’ll show you pigs! The things that other men do—and get away with! And with never a second thought! To inflict a wound upon a defenseless person makes them smile, for Christ’s sake, gives a little lift to their day! The lying, the scheming, the bribing, the thieving—the larceny, Doctor, conducted without batting an eye. The indifference! The total moral indifference! They don’t come down from the crimes they commit with so much as a case of indigestion!

after the first time they did not listen. So Sarah tried teaching them words. Pointing to the table, stool, fire, she would say the name slowly and clearly. Then the Indian children said—or tried to say—the words, shouting with laughter when their tongues could not find a way around the strange sounds. They, in turn, showed her where the wild strawberries grew. So she went out and filled a basket with the berries, which were like red jewels in the grass. When John Noble came home with a duck he had shot, or a fish caught in the river, he would find ripe berries waiting, too. They traded with

I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the

He seemed to savor telling the story, as if he'd memorized its details especially for her: how three or four days after she and Lulu had left the general's redoubt, the photographers began showing up, first one or two whom the soldiers ferreted out of the jungle and imprisoned, then more, too many to capture or even count-they were superb hiders, crouching like monkeys in the trees, burying themselves i shallow pits camouflaging inside bunches of leaves. Assassins has never managed to locate the general with any precision, but the photographers made it look easy: scores of them surging across the border without visas, curled in baskets and wine casks, rolled up in rugs, juddering over unpaved roads in the backs of trucks and eventually surrounding the general's enclave, which he didn't dare leave.

Miss Rose sitting on a porch. Beside her, a bushel basket of ripe peaches or tomatoes. The drunkards buzzing, but easily smashed with a swat. Early mornings, she starts singing, "What a Friend We Have in Jesus," and that's your cue to rise. To eat the heavy breakfast that will keep you full all day. Once you've helped her with peeling those tomatoes or peaches, there are weeds to be plucked from the garden, from around the vegetables that will show up fresh on the supper table. Fish need cleaning if Uncle Norman comes through with a prize. After dinner, the piecing together of quilt tops from remnants until the light completely fades. The next morning, it starts again. A woman singing off-key praises to the Lord. The sweet fruit dripping with juice. The sound of bugs. I thought of what Mama liked to say: to find this kind of love, you have to enter deep country.

To me, the forest is simply green and vast, but Huia knows exactly what she's looking for and points things out from a distance. But slowly I learn. I distinguish devil's club and stinging nettles and salmonberry. I spot the hummingbirds that dart and quiver around pink flowers. I spy a patch of fiddleheads and start plucking before Huia warns me to take only a few so the plant can keep growing for next season. I am the student. The fiddleheads are aptly named, shaped just like the top of a violin, and soon Huia declares her basket "full enough" of them. We dawdle through the forest, aimlessly it seems to me, though she appears to know exactly where she is, pausing every now and then to watch birds and pick flowers. We sit on a log that's sprouting soft, hopeful ferns, a "nurse log," Huia calls it, and I show her how to make a crown of daisies. She gets me to make the slits in the stems with my nails and then weaves one for me too.

Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen, Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age, Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean, Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest. I am satisfied—I see, dance, laugh, sing; As the hugging and loving bed-fellow sleeps at my side through the night, and withdraws at the peep of the day with stealthy tread, Leaving me baskets cover’d with white towels swelling the house with their plenty, Shall I postpone my acceptation and realization and scream at my eyes, That they turn from gazing after and down the road, And forthwith cipher and show me to a cent, Exactly the value of one and exactly the value of two, and which is ahead?

Our two taco specials get shoved up on the serving counter, crispy, cheesy goodness in brown plastic baskets lined with parchment paper, sour cream and guacamole exactly where they should be. On the side. There is a perfect ratio of sour cream, guac, and salsa on a shredded chicken tostada. No one can make it happen for you. Many restaurants have tried. All have failed. Only the mouth knows its own pleasure, and calibration like Taco Heaven cannot be mass produced. It simply cannot. Taco Heaven is a sensory explosion of flavor that defies logic. First, you have to eye the amount of spiced meat, shredded lettuce, chopped tomatoes, and tomatillos. You must consider the size and crispiness of the shells. Some people–I call them blasphemers–like soft tacos. I am sitting across from Exhibit A. We won’t talk about soft tacos. They don’t make it to Taco Heaven. People who eat soft tacos live in Taco Purgatory, never fully understanding their moral failings, repeating the same mistakes again and again for all eternity. Like Perky and dating. Once you inventory your meat, lettuce, tomato, and shell quality, the real construction begins. Making your way to Taco Heaven is like a mechanical engineer building a bridge in your mouth. Measurements must be exact. Payloads are all about formulas and precision. One miscalculation and it all fails. Taco Death is worse than Taco Purgatory, because the only reason for Taco Death is miscalculation. And that’s all on you. “Oh, God,” Fiona groans through a mouthful of abomination. “You’re doing it, aren’t you?” “Doing what?” I ask primly, knowing damn well what she’s talking about. “You treat eating tacos like you’re the star of some Mythbusters show.” “Do not.” “Do too.” “Even if I do–and I am notconceding the point–it would be a worthwhile venture.” “You are as weird about your tacos as Perky is about her coffee.” “Take it back! I am not that weird.” “You are.” “Am not.” “This is why Perky and I swore we would never come here with you again.” Fiona grabs my guacamole and smears the rounded scoop all over the outside of her soft taco. I shriek. “How can you do that?” I gasp, the murder of the perfect ratio a painful, almost palpable blow. The mashed avocado has a death rattle that rings in my ears. Smug, tight lips give me a grimace. “See? A normal person would shout, ‘Hey! That’s mine!’ but you’re more offended that I’ve desecrated my inferior taco wrapping with the wrong amount of guac.” “Because it’s wrong.” “You should have gone to MIT, Mal. You need a job that involves nothing but pure math for the sake of calculating stupid shit no one else cares about.” “So glad to know that a preschool teacher holds such high regard for math,” I snark back. And MIT didn’t give me the kind of merit aid package I got from Brown, I don’t add. “Was that supposed to sting?” She takes the rest of my guacamole, grabs a spoon, and starts eating it straight out of the little white paper scoop container thing. “How can you do that? It’s like people who dip their french fries in mayonnaise.” I shudder, standing to get in line to buy more guac. “I dip my french fries in mayo!” “More evidence of your madness, Fi. Get help now. It may not be too late.” I stick my finger in her face. “And by the way, you and Perky talk about my taco habits behind my back? Some friends!” I hmph and turn toward the counter.

In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .

Do you remember that I said I have something to show you?" Back when they were entering the house. Before she'd seen Hugh. Before their argument. "Yes?" He pushed open the door to her bedroom. "Look." She went inside and saw Valente sitting on the floor in front of her fireplace with a basket. He had a silly grin on his face. She glanced over her shoulder to Raphael. "What-?" Her husband tilted his chin toward Valente and the basket. "Go and see." At the same time she heard an animal whimper. Her lips parted and she picked up her skirts to hurry to the basket. It was lined with a soft blanket and inside was the sweetest little blond puppy, looking very sorry for itself. Iris stared, torn. Did Raphael think a 'puppy' would be an adequate substitution for him? The moment the puppy saw her it began whimpering and yipping, trying to climb from its wicker prison, but its legs were too short to make the attempt and it ended by falling backward, revealing that it was female. It was hardly the puppy's fault that she was angry with Raphael. "Oh," Iris breathed, sinking to her knees on the carpet opposite Valente. "She's perfect." Somehow the words made tears start in her eyes again. She picked up the puppy, which wriggled in Iris's hands until she held the small animal against her chest. The puppy promptly began licking Iris's chin with a tiny pink tongue. Iris looked up at Raphael through her tears. "What is her name?" He shook his head. "She has none that I know of. You must give her one." Iris stood, cradling the still-squirming puppy carefully, and went to her husband. "Thank you." She stood on tiptoe and kissed him on the lips, trying to convey all she'd said before. All he'd pushed aside. 'Stay. Stay. Stay.' Raphael took her arms gently and kissed her, angling his face over hers. He embraced her as if she were a lifeline. As if he wished to remain with her forever. The puppy yelped and he took a step back, breaking the kiss. Drawing away from her without effort. He walked out of the bedroom. Iris closed her eyes to keep her sorrow and tears in. She kissed the top of the puppy's silky head and whispered in her ear, "Tansy.

The Ten Ways to Evaluate a Market provide a back-of-the-napkin method you can use to identify the attractiveness of any potential market. Rate each of the ten factors below on a scale of 0 to 10, where 0 is terrible and 10 fantastic. When in doubt, be conservative in your estimate: Urgency. How badly do people want or need this right now? (Renting an old movie is low urgency; seeing the first showing of a new movie on opening night is high urgency, since it only happens once.) Market Size. How many people are purchasing things like this? (The market for underwater basket-weaving courses is very small; the market for cancer cures is massive.) Pricing Potential. What is the highest price a typical purchaser would be willing to spend for a solution? (Lollipops sell for $0.05; aircraft carriers sell for billions.) Cost of Customer Acquisition. How easy is it to acquire a new customer? On average, how much will it cost to generate a sale, in both money and effort? (Restaurants built on high-traffic interstate highways spend little to bring in new customers. Government contractors can spend millions landing major procurement deals.) Cost of Value Delivery. How much will it cost to create and deliver the value offered, in both money and effort? (Delivering files via the internet is almost free; inventing a product and building a factory costs millions.) Uniqueness of Offer. How unique is your offer versus competing offerings in the market, and how easy is it for potential competitors to copy you? (There are many hair salons but very few companies that offer private space travel.) Speed to Market. How soon can you create something to sell? (You can offer to mow a neighbor’s lawn in minutes; opening a bank can take years.) Up-front Investment. How much will you have to invest before you’re ready to sell? (To be a housekeeper, all you need is a set of inexpensive cleaning products. To mine for gold, you need millions to purchase land and excavating equipment.) Upsell Potential. Are there related secondary offers that you could also present to purchasing customers? (Customers who purchase razors need shaving cream and extra blades as well; buy a Frisbee and you won’t need another unless you lose it.) Evergreen Potential. Once the initial offer has been created, how much additional work will you have to put in in order to continue selling? (Business consulting requires ongoing work to get paid; a book can be produced once and then sold over and over as is.) When you’re done with your assessment, add up the score. If the score is 50 or below, move on to another idea—there are better places to invest your energy and resources. If the score is 75 or above, you have a very promising idea—full speed ahead. Anything between 50 and 75 has the potential to pay the bills but won’t be a home run without a huge investment of energy and resources.

The king and queen were usually present, and the king or the dauphin would light a pyre. The cats were then tumbled into the flames from an overhead basket, and the crowd reveled in their cries. “Certainly this is not really a worse spectacle than the burning of heretics, or the torturings and public executions of every kind,” Elias writes. “It only appears worse because the joy in torturing living creatures shows itself so nakedly and purposelessly, without any excuse before reason. The revulsion aroused in us by the mere report of the institution, a reaction which must be taken as ‘normal’ for the present-day standard of affect control, demonstrates once again the long term change of personality structure.” 15 Elias argued that

Real property is a form of investment Real v on shenton floor plan estate is a type of funding and is shortly being adopted by many people. The benefits of actual property investments are many as mentioned here.There is a common adage that says do not put all your eggs in one basket. This is the place real estate steps in to supply diversification. Diversification means spreading the danger of your cash. Real estate supplies one other way of investing money quite than investing it all in one place. Additional advantages of real property investments are that by precept, you get to pay down as a substitute of up. As if that's not sufficient, you are assured that real property investments will appreciate in worth over time. This implies extra money for any investor. Think about it. Take up actual estate investments and start having fun with the advantages that include being part of real property. Among the different advantages of real estate investments is that in case you desire a loan from a monetary institution, the true property can act as a security for the loan. Most of the time, it is accepted as security by financial institutions. That is due to its capacity to keep rising in worth. Proudly owning actual property will subsequently will increase the probabilities of one accessing credit score supplied one offers the necessary documents to show ownership.

Our neighbors were so excited when a black family moved in that they got them a welcome basket with the first three seasons of The Cosby Show on DVD.

You are not a man,” Brisbane reminded me. He unwound his neckcloth and set to work on his collar. “Does that make a difference?” I bent my head to unpin his cuffs. “It might.” He trailed a fingertip along the lace at my décolletage. “Do you think I would be accommodating to any man who had shared your bed?” “You knew the only man who shared my bed,” I reminded him. “He died in your arms.”4 The finger dipped lower and I gave a little shiver. “And if he hadn’t, I would have happily strangled him to put him out of the way.” I slapped lightly at his hand. “You would not. You are far too devoted to justice to kill a man without reason.” “I am devoted to you,” he said, bending his head low and pressing his lips to my neck. His hand resumed its interesting business with my neckline and this time I let him. “And it would have been justice to put Edward Grey out of the way. He did not deserve you.” “And you do?” The words were breathless, coming out on a gasp. “Let me show you.” I turned my face up to his and he began to kiss me. After a few blissful moments, he drew back suddenly with a sharp oath. “What the devil? Julia,” he said patiently, “will you kindly remove that dormouse from your décolletage? There is only room for one of us in there and I refuse to share.” I hurried to pull the little creature out of my garment. I put him into his basket, bidding him goodnight as he curled obligingly into a restful slumber and closed his black teardrop eyes. “I am sorry,” I said, returning to Brisbane’s arms. “Let me make it up to you.

Of course, I think Colonel Lowe will be happy to become a permanent fixture in Chicago if it means he can stay around Mollie. I’ve never seen a man so awestruck.” His head shot up. “Has he been pestering Mollie?” Zack demanded. Dr. Buchanan had just shoveled a huge bite of makowiec loaf into his mouth, and Zack’s blood began pounding through his system. Why had he been so blind to overlook what would happen when eighteen able-bodied men showed up on Mollie’s doorstep? He’d been letting Mollie lick her wounds in private, but what kind of idiot abandoned her when there were plenty of strapping young men there to take her mind off things? Dr. Buchanan finished eating and wiped his mouth. “I don’t think pester is the right word, although not an hour goes by that he isn’t paying her compliments. Yesterday, Colonel Lowe brought her a basket of oranges, although where he got oranges at this time of year is anyone’s guess.” Zack narrowed his eyes. “Why would Mollie be interested in some old man?” “Colonel Lowe isn’t an old man. I’d guess he’s about your age. Thirty-four, maybe thirty-six. And he’s a handsome fellow, no doubt about that. Miss Mollie seems quite taken by him.” The memory of a blond man sitting beside Mollie in her workshop with drafting paper before them smacked Zack in the face. He shot to his feet. “I’m going over there.” His mother tried to talk sense into him. “Zachariasz, it is cold outside. Sleet! You will catch your death.” He had lived through worse, and he wasn’t about to sit home eating makowiec loaf while the woman he loved was falling prey to some predator out to seduce her. As if diamond powder would impress her when Colonel Lowe was building her a whole new factory! He yanked his coat from the rack in the hall, still wet from his trip home. He’d put up with a lot from Mollie in the past few weeks, but this was the limit. While he was selling his soul to cut a deal for diamond powder this afternoon, she had been eating oranges with Colonel Lowe.

Meridith stepped down from the chair and scooted it a few feet. “Let me.” Jake took the string and looped it over the hooks one at a time. It took him two minutes to finish the porch. “Show-off,” she said. “Being tall has its benefits.” And being strong. Words of gratitude formed in her mind, but it took a moment to order them. “I never thanked you last night.” He scratched behind Piper’s ears. “No need.” He plugged the lights in the wall outlet, and they glowed dimly. “Hopefully there’s a wall switch inside.” “I mean it, Jake. I don’t know what I would’ve done.” Heat worked into her cheeks. She pulled a cornflower blue pail from the box and set it on one of the tables. “Your arms . . .” She looked down, noticing the bruises. Brownish-gray blotches, Sean’s fingerprints on her skin. She rubbed the spots, wishing she could wipe them away. Seeing them there, she could almost feel Sean’s grip on her, feel the helplessness welling up. “I should’ve beat the kid to a pulp.” Jake’s fists clenched. “He’s long gone. That’s all that matters.” “He should’ve been arrested.” “I don’t think he meant to—to attack me that way. We stumbled, and he fell on me.” “You’re wearing evidence that says otherwise.” He had a point. And the night before, sand grinding into her back, she’d been convinced she was in danger. “Don’t like the idea of you and the kids here alone.” “Aren’t you the one who thought the partitions were silly?” “Never said that.” “Didn’t have to.” She gave a wry smile. She was pretty good at reading people. Like just now, he was thinking she was right. “Maybe I did.” He leaned a shoulder on the shingled wall, looking every bit as cocky as he had that first day he’d turned up on her doorstep. It didn’t bother her just this minute. “I know I said I was done with the repairs, but what would you think of finishing the ones that aren’t too costly?” His gaze intensified. “Really?” Meridith collected a basket and began filling it with shells. “You mentioned the fireplace. I’d like to get it working again. We have tree branches hitting the house, a couple trees that a stiff wind would blow over—if you do that kind of work. Not to mention the other things on the list.” Jake walked to the railing, staring out to sea. When Piper joined him, Jake ruffled her fur. Maybe he didn’t want to stay now. Maybe having the kids underfoot all week had been a pain. Maybe he’d been offended at the way she’d confronted him about being alone with Noelle—a notion that now seemed ludicrous in light of the way he’d come to her rescue. “I mean, if you can’t, that’s all right. You probably have other work lined up.” It was only a couple months. They’d be safe that long, right? She saw Sean’s hardened face, heard the bitter slur of his words, and shuddered. “I’ll stay.” “Are you sure?” Her words rushed out. “Glad to.” She smiled. “All right then.” He straightened, winked, and she felt it down to her bones. “Back

Listen, I haven’t even seen half of what there is to see in Hytanica. You could show me one day.” “You seem to be everywhere in this city,” I scoffed. “There can’t be much left for you to explore. Or have you just been following me around?” “Well, you’re the most interesting feature of the city I’ve come across.” He smirked, and I gave him a sideways glance. Was he admitting to stalking me? Then he chuckled. “As long as I’m assigned to oversee the city, we’re bound to run into each other. I would be lying, however, if I denied that I look forward to our encounters.” Heat again flooded my face. Saadi was making me uncomfortable. I was in danger of liking him too much. “That reminds me,” I said. “I owe you for a lock.” I glanced to see that Dahnath was still talking to Drael. He was holding her hands, preparing to depart. Knowing from the general length of their goodbyes that it would be at least five minutes more, I removed a coin from my pocket. Saadi grinned. “I thought you had forgotten.” “Not at all.” I pressed the coin into his hand. “But you have to go. My sister will be coming to find me at any moment. She can’t see us together or she’ll tell my mother and probably Cannan. We could both end up in dismal straits.” I expected him to ridicule me for being afraid of my mother, but he did not. “What do you say, Shaselle? Two days from now I’ll be off duty.” “You really want to see me?” “Yes,” he confirmed, pale blue eyes sparkling, his bronze hair sticking erratically up in front. “All right then.” “Wonderful. I can meet you whenever, wherev--” “On one condition.” His smile faded and his tone grew wary. “Which is?” “I’ll spend a day with you only if you can beat me in a horse race.” He laughed and shook his head. “Of course I can beat you.” “Then prove it. We’ll each pick a mount and race--I’ll need to borrow one from your Cokyrian stables. Take it or leave it. Either way, I have to go now. But I wouldn’t be so cocky if I were you, boy.” He smiled, intrigued by my challenge. “I’ll take it, but let’s raise the stakes. Make it more worthwhile.” Curious, I motioned for him to go on. “If I win, you agree to spend two days with me, when I’m off duty. If you win, you get to keep the horse you chose to ride.” I stared into his eyes for a long moment, until I was certain he wasn’t toying with me. He knew as well as I did that I would choose one of my father’s horses--one that had been stolen by his sister. He was giving me a chance to bring one of them home. My spirits soared, and I extended my hand. Saadi shook it, then shoved the basket at me, turning to stride away. Just in time, too, for Dahnath was approaching.

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The severed heads of Anne Boleyn and Catherine Howard, made of papier-mâché-covered balloons, lay neatly in front of them, smiling benignly in wicker log baskets. Sugar-pink cardboard necks,

So, I tried the same thing in our local Chinese restaurant. I squinted my eyes and shouted, “Harro! Spesha frah raice, prease!” But, instead of showing appreciation, they took the upturned prawn-cracker basket from my head and told me to get out.

It was a bright humid night in Chiang Mai. Sangris and I trotted toward the night bazaar, stepping over the basketfuls of fried red chili that the sellers had spread out on the streets like open bowls of flowers. Finding a canal on the fringes of the market, we fed enormous gold carp. They curled through the water like submerged flames beneath the heavy tropical-black sky. Acting innocent, I bought him orange juice and watched his face change when he realized that the sellers had filled it with salt. A trick to prevent dehydration, I explained, and ran off cackling before he could get revenge. I wanted to go into the orchid farms and the butterfly gardens, but they were closed, and I refused his offer to break in (of course Sangris had a way of assuming that rules didn't apply to him, but, I said, they applied to me), so we walked along a half-lit street instead, warm greenness and humming insects all around us, and spent hours trying to catch the guppies that swarmed in innumerable pots by the roadsides. I was better at it: I could lift my hands out of the green-tinted, plant-filled water slowly, without startling the fish, and show him the flashes of yellow and orange and violet and red guppies that flickered through the water cupped in my palms like a strange and magical treasure.

I know what I should do.” “Oh?” “Yes. I should run away to Loire. I could…join a traveling show or something.” “I imagine folks would pay to see a noble who feeds pigs, massacres baskets, and runs a market stand,” Marie said. “I could learn how to ride a trick horse,” Cinderella said. “Of course.” “It would be a fine income,” Cinderella insisted. “Absolutely,” Marie said. The two girls stared at each other for a moment before erupting into laughter. “Y-you

You have rightly surmised I brood and paw and snort at times for show, Mrs. Seaton. It keeps His Grace from getting ideas, for one thing. But make no mistake on this point: I will defend my brother’s interests without exception or scruple. If I find you are playing him false in any sense or trifling with him, I will become your worst enemy.” Anna smiled at him thinly. “Do you think he’d appreciate these threats you make to his housekeeper?” “He might understand them,” St. Just said. “For the other message I have to convey to you is that to the extent you matter to my brother, you matter to me. If he decides he values you in his life, then I will also defend you without exception or scruple.” “What is it you are saying?” “You are a woman with troubles, Anna Seaton. You have no past anyone in this household knows of, you have no people you’ll admit to, you have the airs and graces of a well-born lady, but you labor for your bread instead. I’ve seen you conferring with Morgan, and I know you have something to hide.” Anna raised her chin and speared him with a look. “Everybody has something to hide.” “You have a choice, Anna,” St. Just said, her given name falling from his lips with surprising gentleness. “You either trust the earl to resolve your troubles, or you leave him in peace. He’s too good a man to be exploited by somebody under his own roof. He’s had that at the hands of his own father, and I won’t stand for it from you.” Anna hefted her basket and flashed St. Just a cold smile. “Like the duke, you’ll wade in, bully and intimidate, and jump to conclusions regarding Westhaven’s life, telling yourself all the while you do it because you love him, when in fact, you haven’t the first notion how to really go about caring for the man. Very impressive—if one wants proof of your patrimony.” She

First time on a sailboat?” she asked, as casually as if she wasn’t standing there, gripping the wheel of a sleek, forty-foot sailing vessel while looking like sex candy on a stick. “First time on any boat,” he told her. She turned that smile on him again, and his body leaped to attention, while his mind leaped to wondering just what it was she had in mind. Looks might be deceiving. But he was beginning to hope they weren’t. “Looks like you’ll be getting a few firsts this afternoon, then.” With that little bombshell dropped, she calmly looked back to the water as she navigated the boat away from the pier and through the other vessels tied up along the maze of docks and piers, some of them sailboats but more of them working ones. With nothing else to do, and fairly certain if he stared at her in that tropical print napkin any longer he’d simply lunge at her, he made his way over to the picnic basket and cooler and stowed both in one of the big storage bins Thomas had showed him earlier.

Do you make pizza dough?" "Yes." "This is the same thing. Very easy." When the yeast was foamy, she added flour, olive oil, and salt and handed me a large wooden spoon. "Now you stir it hard until it comes together. Then we knead." She floured the counter and I stirred until the ingredients came together and then turned the dough mass out onto the flour. Rosa divided it in half and we each kneaded a piece until it was smooth. We shaped them into balls, and Rosa covered them with a kitchen towel. "Now we prepare the fillings," she said. She went into a large pantry and returned with a basket filled with Italian salamis, ham, cheeses, red bell peppers, broccoli rabe, and fresh arugula. Just as Sally had said on the promotion show, "Casey Costello was cooking right in the kitchen with a real Italian," but it was no different from cooking with Mom or Nonna. The ingredients were the same, and Rosa, like my mother and grandmother, used no recipes. She knew her way around her ingredients and seemed pleased that I did as well. I realized that more than the country, more than the language, the food connected me to my heritage. I oiled the peppers and put them in a hot oven to roast. When they were charred, I removed the stems and seeds and cut them into thin strips. I laid them on a dish and put a little olive oil, salt, and vinegar on them. She peeled the stems of the broccoli rabe then cut it into two-inch pieces before blanching it for a minute and then sautéing it with olive oil, garlic, and hot pepper. I washed the arugula, removed the tough stems, and dried it. We put the fillings on platters. The colors were dynamite.

It was strange to speak forthrightly, after living at Mrs. Bittle’s those years: exiting the bathroom with downcast eyes, sitting at supper while old Mr. Judd piped up with his yellowed news extras. Now it seems we shared a kindred silence, restraining our smiles on hearing that Limburger has flown across the Atlantic. But maybe I contrive this, as lovers reconfigure the days before, with every glance leading ultimately to union. In any event here she is, installed in my dining room. I hated to show her the mail, stored in bushel baskets in the empty spare bedroom. She did not flinch. Grasped each bushel by the handles, marched it downstairs, and dumped onto the maple table one mountain for each month. Bravely she dives in, even before we’ve found her a filing cabinet or acceptable typewriter. (Royal or L. C. Smith.) We shall put the bathroom door back on its hinges, as soon as I’ve cleared its surface of all piles and chapters, and found a proper

For numbers less than 1, you can use a method we call “counting in baskets” to make things start to show up as whole numbers. If you find that .2% of people have a certain trait, use a basket size of at least 500, maybe 1,000, to make them show up as real people. “1 out of 500” or “2 out of 1,000” makes these abstract percentages into real things.

Ah, the Chairs of Doom," she murmured, gingerly lowering her butt onto a piece of furniture straight out of Jane Eyre's boarding school. "How much I have not missed thee. This show brings in a fortune in advertising revenue. You'd think they could shell out for a few cushions and a muffin basket.

Men so often are allowed to show emotion towards others only at certain times; brothers fallen on the battlefield may be embraced, women may be courted, yet the emotion most men are permitted to show in public is rage, anger. The rest of them they are taught to tie up inside, emotions bound inside their souls and hearts, as though feelings other than anger are balls of wool to roll up and place in a basket out of sight. How we limit women by making them perform roles of perfection, of virtue and meekness, chastity and sweetness, yet how we reduce men too; make them creatures only of anger and action, never contemplation and reflection. They have that inside them, just as women have much too, yet laws, the Church, habits of man and mortal try to make us but one thing, the thing accepted. Aberrations men call monsters, yet this is just lack of understanding. Were our minds wider, we might be more accepting, allowing people to grow into creations more glorious than that which they started life as.

You can disrupt a behavior you don’t want by removing the prompt. This isn’t always easy, but removing the prompt is your best first move to stop a behavior from happening. A few years ago I went to the South by Southwest conference in Austin, Texas. I walked into my hotel room and threw my bag on the bed. When I scanned the room, I saw something on the bureau. “Oh nooooo,” I said out loud to absolutely no one. There was an overflowing basket of goodies. Pringles. Blue chips. A giant lollipop. A granola bar. Peanuts. I try to eat healthy foods, but salty snacks are delicious. I knew the goody bin would be a problem for me at the end of every long day. It would serve as a prompt: Eat me! I knew that if the basket sat there I would eventually cave. The blue chips would be the first to go. Then I would eat those peanuts. So I asked myself what I had to do to stop this behavior from happening. Could I demotivate myself? No way, I love salty snacks. Can I make it harder to do? Maybe. I could ask the front desk to raise the price on the snacks or remove them from the room. But that might be slightly awkward. So what I did was remove the prompt. I put the beautiful basket of temptations on the lowest shelf in the TV cabinet and shut the door. I knew the basket was still in the room, but the treats were no longer screaming EAT ME at full volume. By the next morning, I had forgotten about those salty snacks. I’m happy to report that I survived three days in Austin without opening the cabinet again. Notice that my one-time action disrupted the behavior by removing the prompt. If that hadn’t worked, there were other dials I could have adjusted—but prompts are the low-hanging fruit of Behavior Design. Teaching the Behavior Model Now that you’ve seen how my Behavior Model applies to various types of behavior, I’ll show you more ways to use this model in the pages that follow.

Do you not know how to wash? There’s a basket of flowers there, just rub them on yourself. Do you need me to show you how?” He looked at me with hunger in his eyes. “No, I don’t need you to show me how to wash.” Flowers for soap? How odd. When in Rome I guess. “Towel?” “Just grab a dry one,” he said as he walked away, leaving me to figure out the makeshift shower.

THE PORT OF the main island of Iejima, despite or because of its lack of tourist recommendations, is instantly attractive. Houses tumble down the hillsides, fall over each other, and all but end in the water. Their gray-tile roofs almost touch, and small and narrow alleys swarm in all directions. The mud walls, straw showing through, are so close that it would seem the inhabitants move crab-fashion. The port is filled with fishing boats, strange, junklike ships with high prows and raked sails, and around them, on the docks, are bales and coils and baskets and boxes. On all sides there is the most glorious confusion. In

Passing a road called Laurel Canyon, I remembered a folksinger with a record named that and near-expected her to show up with a basket of sunflowers. Or Neil Young would amble toward me in a fringed leather jacket. Or J. D. Salinger himself, who’d become my mentor and order up poems from me like so many diner pancakes…. (What hurts so bad about youth isn’t the actual butt whippings the world delivers. It’s the stupid hopes playacting like certainties.) At one point a town car glided up, and my heart bounded like a doe as the window silently slid down. But it was a wrinkled lady in tennis whites, asking in bad Spanish if I was Luz from the agency.

In the piece Capit highlights the advantages of a filthy house: no more visitors or, as she puts it, no more “inspections.” She writes, “If I want to be rid of guests altogether, all I have to do is show them the cabinet under the sink where an old sponge sits with a bunch of ancient cleaning rags, which have become a funky-smelling basket.” It may be a mess inside the Capit family home, but she relishes her time for doing nothing. Niksen is a feminist act of resistance.

The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows. Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke. "What language is that?" I whispered to Dom from our perch in the back. "I... I actually think it's a pretend language," he replied. "What are you talking about?" I asked. "What do you mean pretend language?" "Do you have one of the programs with you?" he asked. "I bet there's a note in there about it." "No, but let me grab one." I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers. Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure. I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program. "What is it?" he asked. "It's Elvish," I said, holding back a laugh. "What?" he replied a little too loud. "Keep your voice down," I said, now pointing to the line in the program as proof. "Like, from The Lord of the Rings?" "I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises." "For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff." "Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die." We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony. As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.

Pray for him! Never grow tired of doing so. And pray for me, too! My children! I want you to have something by which to remember this poor friar.” At this he removed from his basket a box of ordinary wood, sanded and polished with Capuchin refinement. “This holds the remains of a crust of bread, the first piece of charity that I ever received. That bread you have heard me speak of before. I leave it with you. Conserve it. Show it to your children. They will grow up in a sad world and in sad times, surrounded by the proud and the irate. Tell them they must always forgive, and forgive everything. And that they, too, should pray for this poor friar.

Fish and the old woman An old woman, selling fish, Crying at all those who passed by, “Try my fish that you shall relish,” Most of them ignored her calls but many asked why? She answered all whys, all ifs, all questions, As long as you were someone she thought would buy, And I stood there listening to her witty quotations, That addressed all doubts and answered every why, Her greasy hands often patted and placed the fish in order, In the round wicker basket that was wet but clean, And in this fish market she looked much wiser and older, Her face was round, her eyes sharp, with a body frame that was lean, Few minutes passed, unlike the fish she was unable to catch a reliable prospect, Then a man stopped and looked at her basket full of fish, And she had found her much needed suspect, The providence had granted her her wish, She turned the fish around and showed him the best ones, Her greasy hands held them with twin feelings, A feeling that still wanted to retain the best ones, And a feeling that was willing to let go of the few in her commercial dealings, And there was her struggle, and her eyes revealed it clearly, She shuffled the best ones around and then mixed them with the rest, And she did this with a professional dexterity, Creating a mix of the good fish and the best, Because to her all customers are the same, They all deserve to savour the fish that she thinks are the finest, So she had to indulge in this necessary hypnotic game, And she performed it in ways sharp and tidiest, She scrubbed off the scales carefully, And cleaned them with a unique fondness, And when ready she handed them to the man lovingly, He held them with a sense of quickness, And walked away, leaving behind the old woman and her basket full of fish, Who once again shouted in her typical melody, “Try my fish that you shall relish, The fish that will make the tastiest dish, The fish from the lake that breeds the best fish!” While I watched her and her teary eyes, Because she missed the fish that were being taken away, Away from her everyday, with her daily lot gone a part of her in that basket dies, But she does not let her feelings give in or sway, Because this is who she is, the seller of life and joy, Who shouts on the bridge on a cold November day, For she too has a home, where she has to feed her girl and her always waiting boy, It has been so for many decades, and was so today, In the evening when the wicker basket is dry with no fish left in it, She lifts the basket, mops the floor, and places it on her head, Well I guess not all of us can do it, Because she carries the physical load over the head that with a million thoughts is also fed, Yet she walks with a smile and vivaciousness that is radiant, Because she sells the fish that are the best, And in the wicker basket they look magnificent and brilliant, I guess for her, the fish and the basket are her test, Where fate pushes her to the extreme every day, But she never gets tired to shout and say, “Try my fish that you shall relish anyday, Why not let that day be today, your luckiest day!” With the old woman gone, the bridge is still crowded but the spot is empty, So, I turn around and look at it, and I hear her echoes, And I feel a wave of humility induced by my realistaion of her piety, Towards a different God, the God she invokes often in her melody that resides there in the form of her echoes, I may never see her again, or maybe I will, Whenever I cross the bridge, the bridge that leads people to their destinations, But for me it begins there and it ends there too, there time holds still, Because we all respect her courage and we love her melodious incantations!

Fish and the old woman An old woman, selling fish, Crying at all those who passed by, “Try my fish that you shall relish,” Most of them ignored her calls but many asked why? She answered all whys, all ifs, all questions, As long as you were someone she thought would buy, And I stood there listening to her witty quotations, That addressed all doubts and answered every why, Her greasy hands often patted and placed the fish in order, In the round wicker basket that was wet but clean, And in this fish market she looked much wiser and older, Her face was round, her eyes sharp, with a body frame that was lean, Few minutes passed, unlike the fish she was unable to catch a reliable prospect, Then a man stopped and looked at her basket full of fish, And she had found her much needed suspect, The providence had granted her her wish, She turned the fish around and showed him the best ones, Her greasy hands held them with twin feelings, A feeling that still wanted to retain the best ones, And a feeling that was willing to let go of the few in her commercial dealings, And there was her struggle, and her eyes revealed it clearly, She shuffled the best ones around and then mixed them with the rest, And she did this with a professional dexterity, Creating a mix of the good fish and the best, Because to her all customers are the same, They all deserve to savour the fish that she thinks are the finest, So she had to indulge in this necessary hypnotic game, And she performed it in ways sharp and tidiest, She scrubbed off the scales carefully, And cleaned them with a unique fondness, And when ready she handed them to the man lovingly, He held them with a sense of quickness, And walked away, leaving behind the old woman and her basket full of fish, Who once again shouted in her typical melody, “Try my fish that you shall relish, The fish that will make the tastiest dish, The fish from the lake that breeds the best fish!” While I watched her and her teary eyes, Because she missed the fish that were being taken away, Away from her everyday, with her daily lot gone a part of her in that basket dies, But she does not let her feelings give in or sway, Because this is who she is, the seller of life and joy, Who shouts on the bridge on a cold November day, For she too has a home, where she has to feed her girl and her always waiting boy, It has been so for many decades, and was so today, In the evening when the wicker basket is dry with no fish left in it, She lifts the basket, mops the floor, and places it on her head, Well I guess not all of us can do it, Because she carries the physical load over the head that with a million thoughts is also fed, Yet she walks with a smile and vivaciousness that is radiant, Because she sells the fish that are the best, And in the wicker basket they look magnificent and brilliant, I guess for her, the fish and the basket are her test, Where fate pushes her to the extreme every day, But she never gets tired to shout and say, “Try my fish that you shall relish any day, Why not let that day be today, your luckiest day!” With the old woman gone, the bridge is still crowded but the spot is empty, So, I turn around and look at it, and I hear her echoes, And I feel a wave of humility induced by my realisation of her piety, Towards a different God, the God she invokes often in her melody that resides there in the form of her echoes, I may never see her again, or maybe I will, Whenever I cross the bridge, the bridge that leads people to their destinations, But for me it begins there and it ends there too, there time holds still, Because we all respect her courage and we love her melodious incantations!

Welcome to the first dinner of this academic year, we shall start as we always do by saying the witches’ creed,' Miss Moffat said. As she began to speak, the other witches joined in: 'Witches old and witches young owls and bats and black cats too. Come together in this castle to bring out the best in you. With perfect love and perfect trust we learn the spells and witches' rules. Acting for the good of all now let’s eat in this great hall.' Charlotte looked at Stef, and they exchanged awkward glances because everyone else around them seemed to know the words to the creed, including Gerty and even Alice, although she only joined in on the last few sentences. Charlotte knew that she'd need to learn it for next time so that she didn't stand out and reminded herself to ask Gerty to teach it to her and Stef later. As soon as the witch’s creed had finished the bats flew into the room carrying bowls of broth and baskets of bread rolls. They went to the teacher's table first before they brought in food for the girls. Charlotte watched, and she was incredibly impressed as two bats quickly but precisely placed the bowl of orangey red broth down in front of her. On seeing Stef begin to eat and Gerty grab a roll out of the basket in front of them, she also took a roll and then placed her spoon into her broth. Picking up the silver goblet in front of her, she saw that it was now full of cranberry juice, even though she was sure it had been empty when she'd first sat down. The main course was a selection of steamed meats, and freshly cooked vegetables and dessert was an array of fruits and mini cakes that the bats brought in on three-tiered stands. The food was so delicious that even Alice hadn't complained once, although when Charlotte thought about it, she realized that Alice hadn't said anything since she'd sat down. When everyone had finished eating Molly stood up and said 'luculentam' as she waved her wand. All the dirty dishes, goblets and cutlery immediately vanished, and the tables were perfectly tidy. 'I so need to learn that spell,' Stef said, and Charlotte and Gerty nodded in agreement. 'Now that dinner is over it is your free time to do as you wish, may you use it wisely. I request the new students to stay behind, and Molly will give you a tour of the Academy. As for the rest of you, you're now free to leave,' Miss Moffat said. She got onto the broomstick that was floating behind her chair and led the rest of the teachers and older students out of the room. Charlotte watched as the room became quieter. Then she followed the others over to where Molly was standing in front of the platform, her blonde-hair now tied into bunches. 'I don't see why I need a tour, I know where my room is, and the meeting hall is easy to find. Surely servants should be on call to show me the remaining rooms as and when I need to see them,' Alice said, breaking her short bout of silence. 'This castle is huge, and I'm excited to see more of it,' Charlotte whispered to Gerty.

The shelves were filled with baskets of goodies, and mason jars had been loaded with beautiful honey lollipops, their amber color almost translucent. There were tiered trays full of boxed cake slices and stunning cupcakes topped with playful fondant bees, clear packaging showing all the delight inside. An old tobacco basket on the countertop was brimming with sugar cookie sandwiches filled with various types of frosting.

I pop into Barrett's, ducking beneath the bright-red awning into the tiny shop, which is packed with fresh cuts of everything, from delicate lamb chops to meaty pork roasts covered in thick layers of fat. Mountains of fat sausages beckon from within the glass case, in more varieties than I could ever imagine---wild boar and apple, venison, chicken and sage, beef and garlic. A musty funk fills the store, giving the place an air of rustic authenticity. I order three Cornish hens (or, as the British call them, poussin) and then head back toward Pomona, the small food shop I visited this morning, remembering the fresh, crusty loaves of bread on their shelves. I grab a loaf of challah, its braided crust shiny and golden brown, along with some celery, an onion, some mushrooms, and a few spices. Before I pay, I also throw a bunch of speckled bananas, a pot of Greek yogurt, and some flour and sugar into my basket. The ingredients are slightly different here than they are back home---"self-raising flour," "caster sugar"---but I'm sure I can re-create the banana bread I developed for a famous morning-show host back in Chicago. It's one of my most popular recipes to date, and I'm sure it would taste great with a cup of tea.

After being together with someone for a few years, their attractions stand to become grievously familiar. We will ignore them and become experts on their most trying dimensions. But we are never without a chance to reverse the process. It might be that we watch them when they are with friends. We pick up again on their shy smile, their sympathetic look, or the purposeful way they push back the sleeves of their pullover. Or perhaps we hear that a casual acquaintance thinks that they are fascinating and elegant and – mixed in with a dose of jealous irritation – via this potential rival’s eye, we see again all that we could conceivably lose. We are adaptable creatures. Disenchantment is not a one-way street. We are capable of a second, more accurate look. We can turn to art for hints on how to perform the manoeuvre of re-enchantment. Many works of art look with particular focus at what has been ignored and taken for granted. In the 18th century, the French painter Chardin didn’t paint the grand things that other painters of the period went in for: heroic battles, majestic landscapes or dramatic scenes from history. Instead he looked around him and portrayed the quiet, ordinary objects of everyday life: kitchen utensils, a basket of fruit, a teacup. He brought to these objects a deeply loving regard. Normally you might not have given them a moment’s thought. But, encouraged by Chardin, we start to see their allure. He’s not pretending; he’s showing us their real but easily missed virtues. He isolates them, he concentrates attention, he carefully notes what is worthy of respect. He re-enchants our perception. In the 19th century, the English painter John Constable did something similar for clouds. Nothing, perhaps, sounds duller. Maybe as children we liked to watch the grey banks of cloud drift and scud across the arc of the sky. We had favourites among them; we saw how they merged and separated; how they were layered; how a blue patch could be revealed and then swiftly covered. Clouds are lovely things, we once knew. Then we forgot. Constable’s many cloud paintings remind us of the ethereal poetry unfolding above our heads at all moments, ready to delight us when we have the imagination to look up. Imagine meeting your partner through the lens of art. You would find again the allure of things about them that – through familiarity and haste – had been neglected. We could study once more the magic of a palm that we once longed to caress; we could attend again to a way of tilting the head that once seemed so suggestive. In the early days, we knew how to see. Now as artists of our lives – in our own fashion – we can rediscover, we can select, refocus, appreciate. We can become the explorers of lost continents filled with one another’s overlooked qualities.

Mildred swallowed. (Nervous people tend to do a great deal of swallowing at key moments, so this is simply a brief note from the author reminding you, the reader, of this fact rather than leave you to exist under the misapprehension that I, the author, cannot think of another action to give my characters in order to show how difficult a time this is for them. I am quite sure they would rather swallow more than usual than give way to the ascending dread caused by having a bitey winged crocodile with chicken-legs nestled in a basket only a few feet away from them. Thank you.)

Among these have been an unhealthy number of near-death moments, many of which I look back on now and wince. But I guess our training in life never really ends--and experience is always the best tutor of all. Then there are the most bizarre: like jet-skiing around Britain in aid of the UK lifeboats. Day after day, hour after hour, pounding the seas like little ants battling around the wild coast of Scotland and Irish Sea. (I developed a weird bulging muscle in my forearm that popped out and has stayed with me ever since after that one!) Or hosting the highest open-air dinner party, suspended under a high-altitude hot-air balloon, in support of the Duke of Edinburgh’s kids awards scheme. That mission also became a little hairy, rappelling down to this tiny metal table suspended fifty feet underneath the basket in minus forty degrees, some twenty-five thousand feet over the UK. Dressed in full naval mess kit, as required by the Guinness Book of World Records--along with having to eat three courses and toast the Queen, and breathing from small supplementary oxygen canisters--we almost tipped the table over in the early dawn, stratosphere dark. Everything froze, of course, but finally we achieved the mission and skydived off to earth--followed by plates of potatoes and duck à l-orange falling at terminal velocity. Or the time Charlie Mackesy and I rowed the Thames naked in a bathtub to raise funds for a friend’s new prosthetic legs. The list goes on and on, and I am proud to say, it continues. But I will tell all those stories properly some other place, some other time. They vary from the tough to the ridiculous, the dangerous to the embarrassing. But in this book I wanted to show my roots: the early, bigger missions that shaped me, and the even earlier, smaller moments that steered me.

Love was what happened after the first flush of lust had worn off and you found out they hated doing the dishes and never put their socks in the laundry basket, and yet you still wanted to be with them. Love was looking after them when they thought they were dying from a measly cold, and putting up with their snoring, and letting them watch the rugby although there was a show you were missing on the other side. Wasn’t it?

Sometime later, Matthew ushered James firmly into breakfast and to their table, which James noticed was only Christopher and Thomas, and a rather select table after all. Christopher and Thomas, in another surprise for James in a morning full of surprises, seemed pleased to see him. "Oh, have you decided not to detest Matthew any longer?" Christopher asked. "I'm so glad. You were really hurting his feelings. Though we are not supposed to talk about that to you." He gazed dreamily at the bread basket, as if it were a wonderful painting. "I forgot that." Thomas put his head down on the table. "Why are you the way that you are?" Matthew reached over and patted Thomas on the back, then rescued Christopher from setting his own sleeves on fire with a candle. He gave James the candle and a smile. "If you ever see Christopher near an open flame, take him away from it, or take it away from him," Matthew said. "Fight the good fight with me. I must be eternally watchful." "That must be difficult, when surrounded by, um, your adoring public," said James. "Well," said Matthew, and paused, "it's possible," he said, and paused again, "I may have been . . . slightly showing off? 'Look, if you don't want to be friends with me, everybody else does, and you are making a big mistake.' I may have been doing that. Possibly." "Is that over?" Thomas asked. "Thank the Angel. You know large crowds of people make me nervous! You know I can never think of anything to say to them! I am not witty like you or aloof and above it all like James or living in cloud cuckoo land like Christopher. I came to the Academy to get away from being bossed by my sisters, but my sisters make me much less nervous than battering rams flying through the air and parties all the time. Can we please have some peace and quiet occasionally!" James stared at Thomas. "Does everybody think I'm aloof?" "No, mostly people think you're an unholy abomination upon this earth," Matthew said cheerfully. "Remember?" Thomas looked ready to put his head back on the table, but he cheered up when he saw James had not taken offense.

General Environment Principles Here are some things to keep in mind when organizing a child's environment. (1) Participation in Family Life: from the first days on invite the child into the life of the family. In each room—the bedroom, bathroom, kitchen, dining room, living room, front hall, and so forth have a space for the child to function. (2) Independence: The child's message to us at any age is "Help me to do it myself." Supporting this need shows respect for and faith in the child. Think carefully about family activities in all areas of the home, and arrange each space to support independence. A twin mattress for the child's bed; a small cupboard, coat tree, or low clothing rod or hook wherever the child dresses or undresses (front hall, bathroom, bedroom, etc.); a stool or bench for removing shoes and boots; inviting shelves for books, dishes, toys. This is a very child-friendly bathroom in a home in Oregon where the mother, a Montessori Assistant to Infancy, had an infant community. 4) Belongings: This brings up a very important point. It is too much for anyone to care for or enjoy belongings when there are too many out at one time. In preparing the home environment for a child, have a place to keep clothing, toys, and books that are not being used. Rotate these when you see the child tiring of what is out on the shelf, in the book display, or toy basket. Have just a few pieces of clothing available to the child to choose what to wear each day, just a few toys that are enjoyed, and only a few favorite or new books. (5) Putting Away & The Sense of Order: "Discipline" comes from the same word as "disciple" and our children become disciplined only by imitating us; just as we teach manners such as saying "thank you" by modeling this for our children instead of reminding, we can teach them to put away their books and toys only by gracefully and cheerfully doing it over and over in their presence.

It was after midnight when I shut my laptop and walked upstairs, entering our dark room. I sat down on our bed and felt him stir. What do I remember about waking him? I remember my husband being disoriented. Of course he was disoriented—his wife woke him up, using another woman’s name in the dark, a name she wasn’t supposed to know. Maybe you want a scene here—you want “show don’t tell,” you want to “see it,” you want the author to “put you in the room”—but I can’t build a scene from this amnesia. I can’t show you because I can’t see it or hear it myself. But while we’re on the subject: Why would you want to be in that room with us? Why would you want to see the faded turquoise quilt on our bed, and the laundry basket full of clean, folded clothes near the closet doors, and the narrow sliver of streetlight making its way through a crack in the curtains? Maybe I’m sparing you something.

Not through London, no,” Susan said. Soldiers moved aside to give us seats together. Susan stowed our bags in the luggage rack and tucked Bovril’s basket beneath the seat. She found a pencil and a piece of paper in her handbag. She drew. “This is England. Here’s where we are. Here’s London. Here’s home.” She added a squiggly line to show the train route to Kent.

trained one of my favorites—Keiki, an Atlantic bottlenose dolphin—to place swimming pool floats in his “piggy bank,” a bicycle basket suspended just underwater. I also trained him to bring floats to me. I would give him one fish for a white float, five for a red float, and 10 for a blue float. He quickly figured that out and brought me his blue floats first. He earned floats during the show, and he would store them in his piggy bank until he could trade them for fish. We did four shows a day, and I learned how to read an audience and improvise to keep them entertained.

She had seen her mother looking ethereal, in her tutu and swan feathers and dinky little crown, in the poster from a Denver Opera Ballet production—looking like something you could break in two. But looking over her shoulder one day and seeing Nita eyeing dubiously that old framed poster, her mother had said, “Honey, take my advice. Don’t mess around with swans. One of those pretty white wings could break your leg in three places.” And off she had gone with the laundry basket, sailing past, graceful and strong, with the danger showing only around the edges of the chuckle.

which a drawing imported into a text document can no longer be altered, but must be changed in the original graphics program and reintroduced into the text document.) Out of the box the Star was multilingual, offering typefaces and keyboard configurations that could be implemented in the blink of an eye for writing in Russian, French, Spanish, and Swedish through the use of “virtual keyboards”—graphic representations of keyboards that appeared on screen to show the user where to find the unique characters in whatever language he or she was using. In 1982 an internal library of 6,000 Japanese kanji characters was added; eventually Star users were able to draft documents in almost every modern language, from Arabic and Bengali to Amharic and Cambodian. As the term implied, the user’s view of the screen resembled the surface of a desk. Thumbnail-sized icons representing documents were lined up on one side of the screen and those representing peripheral devices—printers, file servers, e-mail boxes—on the other. The display image could be infinitely personalized to be tidy or cluttered, obsessively organized or hopelessly confused, alphabetized or random, as dictated by the user’s personality and taste. The icons themselves had been painstakingly drafted and redrafted so they would be instantaneously recognized by the user as document pages (with a distinctive dog-eared upper right corner), file folders, in and out baskets, a clock, and a wastebasket. Thanks to the system’s object-oriented software, the Star’s user could launch any application simply by clicking on the pertinent icon; the machine automatically “knew” that a text document required it to launch a text editor or a drawing to launch a graphics program. No system has ever equaled the consistency of the Star’s set of generic commands, in which “move,” “copy,” and “delete” performed similar operations across the entire spectrum of software applications. The Star was the epitome of PARC’s user-friendly machine. No secretary had to learn about programming or code to use the machine, any more than she had to understand the servomechanism driving the dancing golf ball to type on an IBM Selectric typewriter. Changing a font, or a margin, or the space between typed lines in most cases required a keystroke or two or a couple of intuitive mouse clicks. The user understood what was happening entirely from watching the icons or documents move or change on the screen. This was no accident: “When everything in a computer system is visible on the screen,” wrote David Smith, a designer of the Star interface, “the display becomes reality. Objects and actions can be understood purely in terms of their effects on the display.