Anime Rails Quotes

with the night falling we are saying thank you we are stopping on the bridge to bow from the railings we are running out of the glass rooms with our mouths full of food to look at the sky and say thank you we are standing by the water looking out in different directions back from a series of hospitals back from a mugging after funerals we are saying thank you after the news of the dead whether or not we knew them we are saying thank you in a culture up to its chin in shame living in the stench it has chosen we are saying thank you over telephones we are saying thank you in doorways and in the backs of cars and in elevators remembering wars and the police at the back door and the beatings on stairs we are saying thank you in the banks that use us we are saying thank you with the crooks in office with the rich and fashionable unchanged we go on saying thank you thank you with the animals dying around us our lost feelings we are saying thank you with the forests falling faster than the minutes of our lives we are saying thank you with the words going out like cells of a brain with the cities growing over us like the earth we are saying thank you faster and faster with nobody listening we are saying thank you we are saying thank you and waving dark though it is

The key point is that anthropomorphism is not always as problematic as people think. To rail against it for the sake of scientific objectivity often hides a pre-Darwinian mindset, one uncomfortable with the notion of humans as animals. When we are considering species like the apes, which are aptly known as “anthropoids” (humanlike), however, anthropomorphism is in fact a logical choice. Dubbing an ape’s kiss “mouth-to-mouth contact” so as to avoid anthropomorphism deliberately obfuscates the meaning of the behavior. It would be like assigning Earth’s gravity a different name than the moon’s, just because we think Earth is special.

... a bullock, backing in alarm from the halter, crashed its craggy behind into my midriff. The wind shot out of me in a sharp hiccup, then the animal decided to turn round in the narrow passage, squashing me like a fly against the railings. I was pop-eyed as it scrambled round; I wondered whether the creaking was coming from my ribs or the wood behind me.

A five-hour flight works out to three days and nights on land, by rail, from sea to shining sea. You can chalk off the hours on the back of the seat ahead. But seventy-some hours will not seem so long to you if you tell yourself first: This is where I am going to be for the rest of my natural life.

When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.

Many textbooks point out that no animal has evolved wheels and cite the fact as an example of how evolution is often incapable of finding the optimal solution to an engineering problem. But it is not a good example at all. Even if nature could have evolved a moose on wheels, it surely would have opted not to. Wheels are good only in a world with roads and rails. They bog down in any terrain that is soft, slippery, steep, or uneven. Legs are better. Wheels have to roll along an unbroken supporting ridge, but legs can be placed on a series of separate footholds, an extreme example being a ladder. Legs can also be placed to minimize lurching and to step over obstacles. Even today, when it seems as if the world has become a parking lot, only about half of the earth's land is accessible to vehicles with wheels or tracks, but most of the earth's land is accessible to vehicles with feet: animals, the vehicles designed by natural selection.

I don't like animals. It's a strange thing, I don't like men and I don't like animals. As for God, he is beginning to disgust me. Crouching down I would stroke his ears, through the railings, and utter wheedling words. He did not realize he disgusted me. He reared up on his hind legs and pressed his chest against the bars. Then I could see his little black penis ending in a thin wisp of wetted hair. He felt insecure, his hams trembled, his little paws fumbled for purchase, one after the other. I too wobbled, squatting my heels. With my free hand I held on to the railings. Perhaps I disgusted him too. I found it hard to tear myself away from these vain thoughts.

She communicated in what ways she could – sweet whines of happiness and wet kisses. She knew him. She knew him. He knelt in the grass, still pouring his attention onto her. She received every ounce of it in a way only a dog can, its unconditional love contained in every breath and every heartbeat. And Luke was struck precisely at that moment at his capacity to feel so moved by the simple act of affection for this sweet animal. He swallowed hard. It wasn’t easy to let himself feel it, the gentle tug from a place deeply buried. And in the grass on his knees, he found himself releasing the sadness long held hostage in that deep place. Tears spilled over, finally uncontained. The dog stretched its snout through the rails and found his wet cheeks with its tongue. He did not retreat, but let her clean the tears from his face.

A genius must sometimes be a racist if we are to hope for elucidation. History is generously peppered with geniuses who despised the Jews, who dismissed the blacks, who objectified women. Are we to bury their great works because of this? The answer is a resounding no, we are not to. We are, all of us, human. We are, all of us, imperfect. Prejudice is evolutionarily implanted in our genes. We need to know The Tiger is a dangerous animal. We need not know that all tigers are not. Identifying the personalities of individual tigers does not serve our need to survive. Granted, it might make us more enlightened individuals and friends with some tigers, and I am all for that. I applaud that, but one must recognize that there is a tribal instinct in humans and it is at its base an instinct for survival. So accept that, mourn it, decry it, rail against it, but recognize it is a very human trait and have patience with it. Have compassion. Thank you and good night.

Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.

The trees are aware, and the bushes. The birds and small animals are aware, and they listen, hesitant, suspecting. Awareness of danger is an element of their being. It is like their breathing, like the blood in their veins, and one who lives much with the wilderness become so aware, too... Half of woodcraft is attention, and all of survival.

EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel

Nature wasn’t really motherly. Mom said nature was more like a bipolar aunt who treated you kindly most of the time but, now and then, could be a real witch, conjuring killer storms and vicious animals, like big toothy mountain lions that, if given a menu, would always order tender children. He sat on the porch steps. His mother expected that he would sit in one of the chairs or on the swing, or stand at the railing. But the steps put him closer to the action, if there should be any action, and he was still living by the rules, the primary one of which was that he should not go into the yard. The

Screams of horror reverberated off the walls. Adrenaline took over as Mina lunged for Brody, missing his body entirely but grabbing the shoulder strap of his black Jansport backpack. She had done it without thinking, even though she wasn’t very strong, and now she gritted her teeth as she slammed into the railing, which caused her to cry out in pain. There was a moment of suspended animation when she thought she had him and they were safe, but then her feet slowly lost contact with the floor. Screaming, she started moving upward and over, her feet dangling uselessly. She was going to go over the railing with him.

It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him. He took his coat from the cloak-room and went out into the bitter coldness of the night.

One of the most elusive things about the white shark is their, uh..." His eyes moved to hers and he held them there. "Their what?" she asked when he didn't finish, a bit rapt by his expression. He kept his eyes locked on her. "Their mating." "Mating," she repeated, feeling a flutter in her stomach at the way he was looking at her...then suddenly not looking at her. "We don't know if individual animals spawn in a certain spot every time --- kind of like a human might go to a particular pub if she wants some action. Juan an example, mind you? She folded her arm, feeling her cheeks heat up. "Pub Uh-huh." Jeff leaned against the railing, his expression looking smug at her embarrassment. "For all we know, sharks are just, ya know, doing it everywhere." "Like the Kardasians?" .... "But who know. Maybe, if we play just the right mood music, you and I will get lucky, Sharona Blaire." Was he talking about shark reproduction... or human? And... was he flirting? Earlier, he'd gone cold and hostile when she'd tried to apologize. The man was a ball of contradiction. A very sexy, very nice-smelling contradiction. "Well." She swallowed, staring in his eyes. "I'm all for getting lucky.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.

The Blessed I am in the darkness and alone. In front of me stands the door. When I open it, I am bathed in light. There are a father, a mother and sister, A dog, which, dumb, still barks in friendliness. How can I lie, and how can I say That I, hidden there in darkness, have not come to harm them? I drag myself over the threshold. Snow blossoms in my eyes. I saw him bowing to me courteously; How much that hurt me. How could my heart find peace, When round it raced the voice of the old man? I live in coldness. I dried my tears and went To where the man was eating with his family. It was so calm and loving a reception. I felt the violins sounding inside me At first, so sweetly, so gently. They will never sound again, when I have finished. Fear drenched my hands. Beneath me I could almost taste my womb. A sneer seemed to say: 'Have you no shame? What have you done with the wedding-ring on your finger? Terrible thief, where did you hide your courage? Does the nakedness of my right hand mean so little to me?' I felt so poor and naked. I wriggled in my chair And trembled to think what I must do. Pity clawed at my heart and shook my body Like a tree in a winter field blown by the wind Shedding leaves. I told myself it was time to go, Scolding my wan, faded self for my little worries. Pleased with myself again, I steeled myself for the torture. The joy of it! Oh, how I want to be Just like an animal and be happy again! I sharpen my claws with a knife. It is still night, and that thing called shame, I may not let it show itself. I know the train that tears through the woods. I go out to the unfeeling rails. Weary, I am glad to go to bed, Running across two flat sticks of iron.

The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal-dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the green-grocers’! the awful hats in the milliners’! all went by ugly, ugly, ugly, followed by the plaster-and-gilt horror of the cinema with its wet picture announcements, “A Woman’s Love!”, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensive pink brick, and graveled playground inside iron railings, all very imposing, and mixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la-me-do-la exercises and beginning a “sweet children’s song.” Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals mean something when they yell. It was like nothing on earth, and it was called singing... What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will power remained?

Royal Ontario Museum, Toronto. by Keith Schengili-Roberts Stuffed heath hen specimen at Boston Museum of Scienceby C. Horwitz Barbary lion from Algeria. Photographed by Sir Alfred Edward Pease. Thylacine in Washington D.C. National Zoo, c. 1904 author E.J. Keller, Baker Wake Island rail by W. S. Grooch Tecopa pupfish by Phil Pister Department of Fish and Game, State of California Caspian Tiger at Berlin Zoo, 1899 by unknown author (retouched) Golden toad of Costa Rica by Charles H. Smith U.S. Fish and Wildlife Service Imperial woodpecker reconstruction at Museum Wiesbaden by Fritz Geller-Grimm

The Pagan Characteristic. — Perhaps there is nothing more astonishing to the observer of the Greek world than to discover that the Greeks from time to time held festivals, as it were, for all their passions and evil tendencies alike, and in fact even established a kind of series of festivals, by order of the State, for their “all-too-human.” This is the pagan characteristic of their world, which Christianity has never understood and never can understand, and has always combated and despised. — They accepted this all-too-human as unavoidable, and preferred, instead of railing at it, to give it a kind of secondary right by grafting it on to the usages of society and religion. All in man that has power they called divine, and wrote it on the walls of their heaven. They do not deny this natural instinct that expresses itself in evil characteristics, but regulate and limit it to definite cults and days, so as to turn those turbulent streams into as harmless a course as possible, after devising sufficient precautionary measures. That is the root of all the moral broad-mindedness of antiquity. To the wicked, the dubious, the backward, the animal element, as to the barbaric, pre-Hellenic and Asiatic, which still lived in the depths of Greek nature, they allowed a moderate outflow, and did not strive to destroy it utterly. The whole system was under the domain of the State, which was built up not on individuals or castes, but on common human qualities. In the structure of the State the Greeks show that wonderful sense for typical facts which later on enabled them to become investigators of Nature, historians, geographers, and philosophers. It was not a limited moral law of priests or castes, which had to decide about the constitution of the State and State worship, but the most comprehensive view of the reality of all that is human. Whence do the Greeks derive this freedom, this sense of reality? Perhaps from Homer and the poets who preceded him. For just those poets whose nature is generally not the most wise or just possess, in compensation, that delight in reality and activity of every kind, and prefer not to deny even evil. It suffices for them if evil moderates itself, does not kill or inwardly poison everything — in other words, they have similar ideas to those of the founders of Greek constitutions, and were their teachers and forerunners.

Darwin has shown that we are animals; but—as humanists never tire of preaching­—how we live is 'up to us'. Unlike any other animal, we are told, we are free to live as we choose. Yet the idea of free will does not come from science. Its origins are in religion—not just any religion, but the Christian faith against which humanists rail so obsessively.

On train trips, Ernie always wanted the window seat. He knew the names of the trees we passed, and the clouds—nacreous, cumulus, nimbus. He was ever vigilant for animal life and appreciative of the tiny patches of humanity along the tracks that exposed the lives of the rail-side dwellers in such intimate detail. “I love sad houses,” he’d say, pointing to a chorus line of discoloured laundry waving at us, to an upturned self-propelled lawnmower, straggly gardens, leaky drainpipes, a rain-weathered pram that had been turned into a wheelbarrow. “The porch lights are on to keep the rats in their dens,” he’d said. To be a voyeur of decay at such close range was as much of an enthrallment as it was a validation of the scarcities in his own backyard. I knew exactly which days Ernie’s mum had had to choose between heating the house and putting food on the table. My mother had been there too. Before the Zipper had given her a leg up.

Yon colt is pouting.” Bannister’s tone was lugubrious. “He wants the lady to watch him go.” “Lady Deene is a trifle indisposed.” “Then the colt will be indisposed too. Your horse has fallen in love, and though you breed him to half the shire, he’ll not try his heart out until her ladyship is on that rail, watching him go.” “For God’s sake, Bannister, he’s a horse. He can’t fall in love.” Bannister snorted and fell silent, leaving Deene to watch as his prized stallion put in a lackluster performance for no apparent reason. “He wants her ladyship,” Aelfreth said when the horse was making desultory circles on the rail. “He kept looking at her spot, and she’s not there.” Even Deene had seen that much. It was pathetic, how a dumb animal… “Keep walking him, Aelfreth. My wife has taken me into dislike, but she’s as smitten with the damned horse as ever, or I very much mistake the matter. Bannister, have my saddle put on the mare.” When

seems to be a rule of nutritionism that for every good nutrient, there must be a bad nutrient to serve as its foil, the latter a focus for our food fears and the former for our enthusiasms. A backlash against protein arose in America at the turn of the last century as diet gurus like John Harvey Kellogg and Horace Fletcher (about whom more later) railed against the deleterious effects of protein on digestion (it supposedly led to the proliferation of toxic bacteria in the gut) and promoted the cleaner, more wholesome carbohydrate in its place. The legacy of that revaluation is the breakfast cereal, the strategic objective of which was to dethrone animal protein at the morning meal. Ever since, the history of modern

It was a glorious experience to travel by rail for the children and the panoramic views of Africa through the big glass window in the back of the last car were beyond description. It was just as you would expect it to be as described in a vintage National Geographic magazine, with springbok and other wild animals abounding. The distance is approximately the same as from New York to Chicago and took an overnight. Adeline and Lucia talked late into the night as the children tried to hear what was being said. There was a lot of catching up to do, but it had been a long and exhausting day and the next thing they all knew, was that it was the following morning and the train was approaching Cape Town, affectionately known as the “Tavern of the Seas.” When the train finally came to a halt, after being switched from one track to another through the extensive rail yards, the realization sank in that this was their new life. Kaapstad, Cape Town in Afrikaans, would be their new home and German, the language they had spoken until now, was history. A new family came to meet them and helped carry their luggage to waiting cars. All of these strange people speaking strange languages were uncles, aunts and nephews. An attractive elderly woman who spoke a language very similar to German, but definitely not the same, was the children’s new Ouma. However, to avoid confusion she was to be addressed as Granny. She lived in a Dutch gabled house called “Kismet” located in a beautiful suburb known as “Rosebank.” This would be their home until Adeline could find a place where they could settle in and start their new life.

It was a glorious experience for the children to travel by rail and the panoramic views of Africa through the big glass window in the rear of the last car of the Blue Train, were beyond description. It was just as you would expect it to be, as described in a vintage National Geographic magazine, with springbok and other wild animals abounding. The distance is approximately the same as from New York City to Chicago and took an overnight. Adeline and Lucia talked late into the night as the children tried to hear what was being said. There was a lot of catching up to do, but it had been a long and exhausting day and the next thing they all knew, it was the following morning and the train was approaching Cape Town or Kaapstad in Afrikaans, affectionately known as the “Tavern of the Seas.

Aye, by all minerals we are mocked. Vegetables, yearly deciduous, are far more sympathetic. The lilac and laburnum, making lovely now the railed pathway to Christ Church meadow, were all a-swaying and a-nodding to the Duke as he passed by. "Adieu, adieu, your Grace," they were whispering. "We are very sorry for you—very sorry indeed. We never dared suppose you would predecease us. We think your death a very great tragedy. Adieu! Perhaps we shall meet in another world—that is, if the members of the animal kingdom have immortal souls, as we have.

Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him. Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness. Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely. From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment. Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face. Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him. “Blue Eyes?” He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much. She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand. He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.” Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.

When I was about a meter away and beyond the range of his peripheral vision, I took a deep step in, dropped into a squat just behind him, and wrapped my arms tourniquet-tight around his legs just above the knees. I felt his body go rigid, heard him suck in a breath. In my adrenalized, slow-motion vision, I logged every detail: the height of the guardrail; rust marks on the metal; chewing gum ground black into the cement tiles from which his feet were about to suddenly levitate. I brought my hips in and exploded up and out. He shrieked, a high, atavistic sound of sheer animal panic, and I felt a spasm of terror rip through his body as I launched him into the air over the railing. The cigarette tumbled out of his mouth. His limbs swam crazily, uselessly, against the air around him. Then he was gone, below my field of vision. The wild shriek continued, cut off a second later by the sound of a resounding, dull thud twenty feet below. Tires screeched. Another thud. Crunching sounds. More screeching tires. Then silence.

the idea of free will does not come from science. Its origins are in religion – not just any religion, but the Christian faith against which humanists rail so obsessively.

and at as after an add act adjective answer ask am animal ant ax Africa Medial that can had back last has than man hand plant began stand black happen fast apple /a/ LONG A, OPEN SYLLABLE RULE Initial able acre agent apron Asia apex April Medial paper lady baby radio crazy labor lazy flavor tomato navy station basic label equator relation vapor enable volcano vibration basis hazy potato ladle vacation tablecloth table /a/ LONG A, FINAL E RULE Initial ate age ache ale ape ace Medial make made face same came state late tale place name wave space gave base plane game shape baseball spaceship racetrack shapeless cake /a/ LONG A, AI DIGRAPH Initial aim aid ailment ail Medial rain train wait tail chain jail mail pain sail strait afraid brain claim detail explain fail gain main obtain paid remain wait plain laid faint grain rail nail See also List 7, Suggested Phonics Teaching Order; List 8, Phonics Research Basis. // LONG A, AY DIGRAPH Medial always mayor layer maybe gayly haystack wayside payment rayon jaywalk player daylight Final day say away play may today pay gray bay stay birthday highway repay anyway way pray lay gay hay crayon

The Blind Men and the Elephant9 It was six men of Indostan To learning much inclined, Who went to see the Elephant (Though all of them were blind), That each by observation Might satisfy his mind. The First approached the Elephant, And happening to fall Against his broad and sturdy side, At once began to bawl: “God bless me! but the Elephant Is very like a wall!” The Second, feeling of the tusk Cried, “Ho! what have we here, So very round and smooth and sharp? To me `tis mighty clear This wonder of an Elephant Is very like a spear!” The Third approached the animal, And happening to take The squirming trunk within his hands, Thus boldly up he spake: “I see,” quoth he, “the Elephant Is very like a snake!” The Fourth reached out an eager hand, And felt about the knee: “What most this wondrous beast is like Is mighty plain,” quoth he; “’Tis clear enough the Elephant Is very like a tree!” The Fifth, who chanced to touch the ear, Said: “E’en the blindest man Can tell what this resembles most; Deny the fact who can, This marvel of an Elephant Is very like a fan!” The Sixth no sooner had begun About the beast to grope, Than, seizing on the swinging tail That fell within his scope. “I see,” quoth he, “the Elephant Is very like a rope!” And so these men of Indostan Disputed loud and long, Each in his own opinion Exceeding stiff and strong, Though each was partly in the right, And all were in the wrong! Moral So oft in theologic wars, The disputants, I ween, Rail on in utter ignorance Of what each other mean, And prate about an Elephant Not one of them has seen!

Oblation "Your prayers are your light; Your devotion is your strength; Sleep is the enemy of both. Your life is the only opportunity that life can give you. If you ignore it, if you waste it, You will only turn to dust." - Rabi'a The terror that brings me to these words, The horror and sickness I feel that words Are not enough, the sin I make in speaking, How can I rail against the pain without Pain itself balling in the gut and forcing itself through my throat? I’d fly in the wind And merge with its velocity, drive my car At the edge of the cliff and go over its rim, If I thought I’d come closer to the pain That they felt. The suffering of the child In the suburban home, the tear in the eye Of women and infants gathering food from ruins, Can I sharpen the edge of my knife On the rocks that smoke on the horizon, Rasp its teeth on the steel girders And console the sting of death? Let me bring these sparks of confusion to the altar, Set them on the pyre and merge into the light. Then, then, will I find what I am looking for? Find reality beyond time, the oneness that animates All life, pulls together these fragments and ties The knots in my muscles? I have nothing to offer On the altar but this flesh, this desire of desire, The lie and the fear that the flesh bears. Then, then, will I find what I am looking for? Find reality beyond time, the oneness that animates All life, pulls together these fragments and ties The knots in my muscles? I have nothing to offer On the altar but this flesh, this desire of desire, The lie and the fear that the flesh bears.

Right from the start he is dressed in his best - his blacks and his whites Little Fauntleroy - quiffed and glossy, A Sunday suit, a wedding natty get-up, Standing in dunged straw Under cobwebby beams, near the mud wall, Half of him legs, Shining-eyed, requiring nothing more But that mother's milk come back often. Everything else is in order, just as it is. Let the summer skies hold off, for the moment. This is just as he wants it. A little at a time, of each new thing, is best. Too much and too sudden is too frightening - When I block the light, a bulk from space, To let him in to his mother for a suck, He bolts a yard or two, then freezes, Staring from every hair in all directions, Ready for the worst, shut up in his hopeful religion, A little syllogism With a wet blue-reddish muzzle, for God's thumb. You see all his hopes bustling As he reaches between the worn rails towards The topheavy oven of his mother. He trembles to grow, stretching his curl-tip tongue - What did cattle ever find here To make this dear little fellow So eager to prepare himself? He is already in the race, and quivering to win - His new purpled eyeball swivel-jerks In the elbowing push of his plans. Hungry people are getting hungrier, Butchers developing expertise and markets, But he just wobbles his tail - and glistens Within his dapper profile Unaware of how his whole lineage Has been tied up. He shivers for feel of the world licking his side. He is like an ember - one glow Of lighting himself up With the fuel of himself, breathing and brightening. Soon he'll plunge out, to scatter his seething joy, To be present at the grass, To be free on the surface of such a wideness, To find himself. To stand. To moo. - A March Calf

Entirely in agreement with Salieri when he rails against God for having given humanity the gift of Mozart's divine music, for the sole purpose of making us look ridiculous and plunging us into despair. Salieri sets himself up as Man's champion against divine injustice. It is the same problem as that of the Grand Inquisitor in the Brothers Karamazov. When Christ returns to earth he says to him: 'We manage humanity for its greatest happiness. It has paid for this with its mediocrity. Don't come disturbing this fragile balance with insane promises. ' And he condemns Christ to death once again. Salieri is not mean-spirited: it took pride, not to become jealous of Mozart, but to challenge God and ask: 'Tell it to me plainly, why am I not Mozart?' For God mocked us by throwing Mozart among us in the guise of a vulgar being, who did not even bear the exceptional marks of grace. God is toying with us, and that is unbearable. Mozart must be destroyed. All that challenges God is noble in spirit and superior to gaping, unconditional admiration of His works. We will not have the same problem with Changeux's Neuronal Man, emerging on the horizon like Nietzsche's Last Man, with his cortical and synaptic flatness. Farewell Mozart, farewell Salieri, no more grace, but no more challenges either, such is the solution offered by modern science to the insoluble despair of the difference between men. Signs, signs? Is that all you have to say? People act and people dream, they speak or they don't - none of that is unreal. Shut up and watch. See the philosophical beauty of these closing years of the century, the stars in the sky falling lower as the fateful date approaches, and the interactive horizon of couples in love - all this is beyond doubt, and it moves me to tears . . . The age, the coming age is like a metropolis deserted by its population, cut off from its sources of energy. Are you going to say that, are you going to go on with these twilight rantings? Every century throws the reality principle into question as it closes, but it's over today, finished, done. Everybody works these days. Narrative and moral passions, the philosophical animal spirits, are literally blocking the electronic animal spirits, a thousand times more lively and insignificant. Videos and advertisements, credits, news reports and sports flashes, Dallas, that's television, all that transfers easily, with the minimum of energy, on ephemeral film. But pure television, like pure painting or pure speed, is hard to bear.

Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.

It was past noon and the alley was deserted, overbright and shadow-less. She had just woken up from a nap. Long was at work. The dog was in a rectangular cage, its snout muzzled. It had been deposited on the curb in front of the restaurant, destined to be eaten in one of the seven ways advertised on the sign. It was a small, skeletal thing, with jutting hip bones Winnie could make out all the way from the balcony, but it was so filthy that she couldn't tell what color it was supposed to be. And as she watched, the animal lifted its head and locked eyes with Winnie, and Winnie had to hold on to the railing to steady herself because there was such raw anger in those eyes that her whole body shuddered in response. In that moment Winnie felt something strangely akin to envy. There was something wild and unquenchable even in a cage, in the last hours before it became someone's dinner that the dog possessed, which Winnie had never figured out how to cultivate correctly inside herself. She did not pity the dog; she pitied herself, and this was why she knew she had to free it.

To convince ourselves of the amazing variety of noises, it is enough to think of the rumble of thunder, the whistle of the wind, the roar of a waterfall, the gurgling of a brook, the rustling of leaves, the clatter of a trotting horse as it draws into the distance, the lurching jolts of a cart on pavings, and of the generous, solemn, white breathing of a nocturnal city; of all the noises made by wild and domestic animals, and of all those that can be made by the mouth of man without resorting to speaking or singing. Let us cross a great modern capital with our ears more alert than our eyes, and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling of noises that breathe and pulse with indisputable animality, the palpitation of valves, the coming and going of pistons, the howl of mechanical saws, the jolting of a tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of the crashing down of metal shop blinds, slamming doors, the hubbub and shuffling of crowds, the variety of din, from stations, railways, iron foundries, spinning wheels, printing works, electric power stations and underground railways.

Riley wasn’t a gambler—nor was he particularly fond of the seedy scene at the track—but he had an Irishman’s passion for beautiful horses. He loved watching them run, their muscles rippling under their shiny coats, the flare of their nostrils as they reached top speed. To Riley, horses were the purest runners on earth, unburdened by human flaws such as vanity and egotism. He hated runners who showed up their opponents with their body language and facial expressions. He hated showmanship. Riley walked Jesse straight up to the rail, where together they spent the entire afternoon just watching the thoroughbreds run race after race. “Don’t talk, Jesse,” he said. “Watch.” And Jesse watched. He watched the horses as they galloped effortlessly down the stretch. He too couldn’t help but admire their form, the way it seemed that all their energy was expended but none wasted. Finally, after the tenth and final race, Riley turned to the boy and asked, “Well, what did you learn today?” “Well,” Jesse said, his hand still clasping the rail, “the way they move—the legs and the whole bodies of the horses that can get the lead and keep it—is like they’re not trying. Like it’s easy. But you know they are trying.” “And what about their faces?” Riley asked, getting to his primary point. “I didn’t see anything on their faces.” “That’s right, Jesse,” Riley said, lifting his bony finger to Jesse’s chest. It was an accusation. “Horses are honest. No animal has ever told a lie. No horse has ever tried to stare another one down. That’s for actors. And that’s what you were doing the other day. Acting. Trying to stare down the other runners. Putting your energy into a determined look on your face instead of putting it into your running.

That’s the thing about kindness. People view it as a weakness, when it’s anything but. There’s a strength in being decent, caring for others, and showing compassion. It takes strength to be merciful when all you’ve witnessed is treachery.  With the flavor of his blood dripping on my tongue, I whisper, “Don’t assume you’re taking something I haven’t given you willingly.  “Look at you, Snow, admitting that behind the good girl demeanor, you’re nothing but a filthy whore desperate for her big brother’s cock. You turned on by the idea of your stepbrother bending you over and fucking your brains out?” Heat floods my face, and I gaze at the lights above our heads.  “Tsk, tsk, sis. What would your daddy say if he knew his little girl was getting railed in church like a lowlife street walker?”  I grind my hips, desperate to match every powerful thrust of his hips. “I don’t know, big bro. What would your mommy say to you plowing her new daughter up against a wall like an animal?

Slowly, Kate ran her hand up his bare chest and felt the thunder of his heart. He closed his eyes, visibly savoring her touch. Her mesmerized gaze followed her hand as she inched a caress over the muscled swells of his chest, and lower, to his chiseled abdomen. She heard his ragged exhalation. Then he gripped her forearm with a touch that would brook no denial and drew her silently into his cabin. She thought again of refusing as he closed the door, but when she saw his thoroughly determined stare, she knew there was no point. She knew that look. The warrior. He was going to have her, and heaven help her, she wanted wholeheartedly to give in. God, had she no pride? She was wet for him before he even touched her, lifting her chin softly with his fingertips. She closed her eyes, parted her lips, and surrendered in his feverish seduction. The next thing she knew, she was in his arms, pinned against the wall. They were kissing roughly. She raked him with her nails, he nipped her with his teeth. She clutched his hair as he left her lips to ravish the curve of her neck, his hands working feverishly to wrench aside the bodice of her gown. He dropped to his knees with an animal moan and proceeded to suck on her nipples like he would pleasure her for an eternity. Kate thrust the tip of her pinky between her teeth to keep from crying out. Rohan was shaking as he rose again, freeing his rigid member from the placket of his black trousers. She skimmed her fingertips along his silken length, but his need overtook him. In no mood to play, he lifted her striped satin skirts. His breath was harsh and rasping by her ear, panting in the darkness. He picked her up and leaned her back against the wall; she wrapped her arms and legs around him and buried her blushing face against his neck as he penetrated her. The soft groan of sheer relief that escaped him once he was buried to the hilt inside her was the stuff of a harlot's dreams. Oh, to have the power to make him moan like that. It was beyond intoxicating. Perhaps he could corrupt her so she would just take his gold and his body and be content without his love. She caressed his powerful arms, and whispered, "Yes, I know what you need." There was barely room to move, but the cabin was just large enough for what they had to accomplish. His athletic body grew damp with sweat as he made glorious use of her, heaving her up and down as if she weighed nothing, impaling her fast and vigorously on his mighty shaft. The second she whimpered in pain when he went too deep and hurt her, he instantly slowed and withdrew a little, letting her set her feet on the wooden rail of the cot built into the opposite bulkhead. Kate shivered, poised between pleasure and pain. "Better?" She nodded, her eyes closed, all of her awareness absorbed in him completely.

Emergence and spillover are distinct concepts but interconnected. “Spillover” is the term used by disease ecologists (it has a different use for economists) to denote the moment when a pathogen passes from members of one species, as host, into members of another. It’s a focused event. Hendra virus spilled over into Drama Series (from bats) and then into Vic Rail (from horses) in September 1994. Emergence is a process, a trend.

Foreigners only see what they want to see. Earlier it was snake charmers and sadhus, now it is the superpower things, the Bazaar Raj. We sit here like caged animals, and the government feeds us useless little pieces of hope through the bars of this iron railing. Not enough to live on, but just enough to prevent us from dying. They send their journalists to us. We tell our stories. For a while that lightens our burden. This is how they control us. Everywhere else in the city there is Section 144 of Criminal Procedure Code.

What are you in for?’ said Winston. ‘Thoughtcrime!’ said Parsons, almost blubbering. The tone of his voice implied at once a complete admission of his guilt and a sort of incredulous horror that such a word could be applied to himself. He paused opposite Winston and began eagerly appealing to him: ‘You don’t think they’ll shoot me, do you, old chap? They don’t shoot you if you haven’t actually done anything — only thoughts, which you can’t help? I know they give you a fair hearing. Oh, I trust them for that! They’ll know my record, won’t they? YOU know what kind of chap I was. Not a bad chap in my way. Not brainy, of course, but keen. I tried to do my best for the Party, didn’t I? I’ll get off with five years, don’t you think? Or even ten years? A chap like me could make himself pretty useful in a labour-camp. They wouldn’t shoot me for going off the rails just once?

Narian was outside, leaning on the railing and gazing out over the city and the rolling hills beyond. I walked up behind him and placed my hands on his shoulders, resting my head upon his back. “Will you miss the mountains?” I asked, and he twisted to face me, lightly holding me around the waist, my hands upon his chest. “I can still see them, Alera, just from a different perspective. And I imagine I will eventually return for a visit.” I nodded and gave him a light kiss. “I want to show you something.” He looked curiously at me, and I removed my betrothal ring from the chain around my neck, placing it on my finger. “I am no longer going to hide that we are in love.” He smiled and took me into his embrace, then we went to the King’s Dining Hall on the second floor together. We entered at the perfect moment, holding hands, for everyone else had already arrived. All conversation stopped, but we calmly took chairs next to each other, ignoring the astounded expressions on the faces around us. With our attitudes unassailable, our guests glanced curiously at one another, hardly daring to ask. It was my effervescent sister who finally spoke. “When is the wedding?” At her candid question, our guests burst into animated conversation, and I leaned close to kiss Narian--entirely inappropriately--full on the lips. Much was unknown to me in that moment--when the treaty with the High Priestess would be signed, when the citizenry would accept Narian, when our wedding would take place, what life would bring to me from here--but for once I was not hiding, from anyone or anything. Instead, I was staring into deep blue eyes filled with love, acceptance and hope. Deep blue eyes that would be mine to gaze into forever.

this one four or five feet high. The horse’s ears pricked and its stride lengthened as it approached the jump. Rachel’s body stretched along the animal’s neck as they soared over the top rail. The girl slumped as Rachel slowed the horse and walked to her side. Rachel dismounted and handed the girl the reins. “Cool him out.” With a hard look at Mike and Sean, the slim man moved to the entrance. He focused intently on Rachel as she opened the gate. After the girl and horse passed through and headed for the barn, the man stepped up behind Rachel. “You were supposed to train the horse so that my daughter can ride it,” he said quietly.

As citizens we recognize this "collateral damage," deplore it, and frequently decry it. But as consumers we habitually downplay and ignore it. We rail against exploitation of low-paid workers in Asia as we drive twenty minutes to the Big Box to save three bucks on tube socks and a dollar on underpants. We fume over the mistreatment of animals by agribusiness but freak out at an uptick in food prices. We lecture our kids on social responsibility and then buy them toys assembled by destitute child workers on some far-flung foreign shore. Maintaining cognitive dissonance is one way to navigate a world of contradictions, and on an individual basis there's much to be said for this. But somehow the Age of Cheap has raised cognitive dissonance to a societal norm.

Emma smiled thinly. “The pills say wake up, and we wake up. We won’t ever fall asleep at the wrong time again. But it’s like being an animal in a factory farm, pushed along between the rails, going wherever you want us to go.

Speed of light and limb, her father used to say, and although her head throbbed, although she had to clutch the railings sometimes to stop from falling, Vivien was a good runner, and she refused to stop. She imagined herself a wallaby, scooting through the bush; a dingo, slinking in the shadows; a lizard, sneaking in the dark...

In Florida I count cats. I first started counting the cats--a mix of strays and outdoor pets with collars and bells--while walking the dog and soon realized that we are hopelessly surrounded. Cats lounge on driveways and front lawns, crouch like gargoyles on porch railings and fence post, lurk in the bushes and under cars and behind trees, peer out from underneath crawl spaces. The derelict houses in the neighborhood appear to have been overtaken by cats--they crowd the decaying front porches, use the walls as scratching posts--and nearly all the non-derelict houses have what my husband and I refer to as a "stoop cat.

Soon enough, the narrow sidewalks fill with the riotous dead: ghosts with bony faces and iron needles for hair, ghosts with multiple heads, ghosts with stinking, bulbous growths that ooze pus or acid. Ghosts with pinprick mouths and distended bellies, whistling hideously as they beg for food they cannot eat. Ghosts who have taken on animal traits, with claws or gills or spikes. Ghosts who look normal, yet their flesh is lighter than mist. Ghosts who are pools of inhuman darkness, ghosts with exploded bodies or bleeding eyes, ghosts who swing from lampposts by their own viscera, ghosts whose heads detach or whose necks unwind like ribbons, ghosts heaving with diseases and scabs, beautiful ghosts with white hair and red dresses who scream like air raid sirens. Ghosts who look like little old ladies or fragile young children until you touch them on the shoulder and they turn around, ravenous of tooth and shrieking with demonic fury. Ghosts, ghosts, ghosts everywhere. Spirits flow and tumble and streak through alleys, over railings, up concrete steps, in gutters and in sewers, from rooftops and electrical lines, clawing or baying at warded windows and protected doorways, coming after the unlucky living to cause torment or even death. It is malice, but undirected malice; the wild, flailing trauma of many thousands of lives cut short through mass-scale violence. When the ghosts cannot find humans to torment, they turn on each other, bigger ones shredding smaller ones. For these are the years of war and devastation, when the distressed dead far outnumber the peaceful dead, and threaten to outnumber the fearful living.

pleasant and entertaining but intellectually undemanding. ear defenders plural n. plugs or earmuffs which protect the eardrums from loud or persistent noise. eardrum n. the membrane of the middle ear, which vibrates in response to sound waves; the tympanic membrane. ear flap n. 1 a flap of material on a hat or cap, covering the ear. 2 a part of an animal's outer ear which extends out from the head as a fleshy flap or lobe. earful n. [in sing.] INFORMAL 1 a prolonged and angry reprimand: executives got an earful about poor rail connections. 2 a loud blast of sound: an earful of white noise. Earhart Amelia (1897–1937), American aviator. In 1932 she became the first woman to fly across the Atlantic solo. Her aircraft disappeared over the Pacific Ocean during a subsequent round-the-world flight with the loss of Earhart and her navigator.