Based Zeus Quotes

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Zeus the Thunderer in his own person and with all solemnity made me certain promises. These you tell me to forget; and instead you would have me base my actions on the flight of birds, winged creatures who do not interest me at all - in fact I do not care whether they fly to the right towards the morning sun or to the left into the western gloom.
Homer (The Iliad)
Lieutenant Fielding was a relatively young teacher who taught Latin and Greek History. He was friendlier than most teachers and encouraged his students to come back to his classroom after hours for additional insight. I remember him professing that the Greeks placed great emphasis on the human body, especially that of men. He also explained that students and teachers should develop a very special bond, supposedly for their enhanced mutual benefit. His philosophy was based on Pederasty as it was practiced in Ancient Greece and, for Fielding; it provided an entrance into a form of ritualistic military life, and the religion of Zeus. At the time I had no inkling what he was talking about, but it didn’t take me long to figure out that he was “gay,” a term not used at the time. However, some students didn’t mind his advances and got unusually high grades, until one day he left without notice. Some of those students who received the extra help were either pulled out of school by their parents or asked to leave by the school’s administrators. In 1952 there was little tolerance for the alternate life style that Lieutenant Fielding was promoting!
Hank Bracker
Myths & Comics (The Sonnet) Some modern superheroes are green in color, Some ancient superheroes are blue in color. Some worship hulk, ironman, captain marvel, Some are fanatics of Zeus, Poseidon, Krishna. Mythologies are but comics of the old days, Just like comics are nothing but modern myths. Fiction is okay in its place, but trouble begins, When life is belittled and fiction is worshiped. Inspiration can come from anywhere, real or not, But all is useless, if it produces mindless savages. Even I've written fiction to explore some situations, Though based on reality, some of it is highly exaggerated. If it brings you back to life, only then it's worth it. Fiction is supposed to enhance reality, not enslave it.
Abhijit Naskar (Esperanza Impossible: 100 Sonnets of Ethics, Engineering & Existence)
MEDEA: Monster - an epithet too good for you... so you come to me, do you, you byword of aversion both in heaven and on earth, to me your own worst enemy? This is not courage. This is not being brave: to look a victim in the eyes whom you've betrayed - somebody you loved - this is a disease and the foulest that a man can have. You are shameless. But you have done well to come. I can unload some venom from my heart and you can smart to hear it. To begin at the beginning, yes, first things first, I saved your life - as every son of Greece who stepped on board the Argo knows. Your mission was to yoke the fire-breathing bulls and so the death-bearing plot of dragons' teeth. I came to your rescue, lit up life for you, slew the guardian of the Golden Fleece - that giant snake that hugged it sleepless coil on coil. I deserted my father and my home to come away with you to Iolcus by Mount Pelion, full of zeal and very little sense. I killed King Pelias - a horrid death, perpetrated through his daughters - and overturned their home. All this for you. I bore your sons, you reprobate man, just to be discarded for a new bride. Had you been childless, this craving for another bedmate might have been forgiven. But no: faith in vows was simply shattered. I am baffled. Do you suppose the gods of old no longer rule? Or is it that mankind now has different principles? Because your every vow to me, you surely know, is null and void. Curse this right hand of mine, so often held in yours, and these knees of mine sullied to no purpose by the grasp of a rotten man. You have turned my hopes to lies. Come now, tell me frankly, as if we were two friends, as if you really were prepared to help (I hope the question makes you wince): where do I go from here? [With a bitter laugh.] Home to my father, perhaps, and my native land, both of whom I sacrificed for you? Or to the poor deprived daughters of Pelias? They would be overjoyed to entertain their father's murderer. So this is how things stand. Among my loved ones at home I am execrated woman. There was no call for me to hurt them but now I have a death feud on my hands - and all for you. What a reward! What a heroine you have made me among the daughters of Hellas! Lucky Medea, having you! Such a wonderful husband, and so loyal! I leave this land displaced, expelled, deprived of friends, only my children with me and alone. What a charming record for our new bridegroom this: 'His own sons and the wife who saved him are wayside beggars.' [She breaks off and looks upward.] O Zeus, what made you give us clear signs for telling mere glitter from true gold, but when we need to know the base metal of a man no stamp upon his flesh for telling counterfeit?
Euripides; Paul Roche (Transl.) (Three Plays of Euripides: Alcestis/Medea/The Bacchae)
In a very extensive etymological study based on solid arguments, Franz Rolf Schröder was able to reasonably show that the figure of Wayland was related to the Roman Volcanus, to the Cretan Zeus Felchanos, the Etruscan Velchans, and the Iranian Ossetian Wärgon.28 He must have been a smith god before being reduced to the status of a mere human.
Claude Lecouteux (The Hidden History of Elves and Dwarfs: Avatars of Invisible Realms)
Blindness is another classic castration symbol, according to Freud, and the template for the “blind prophet” goes back to the ancients, including the mythological backstory of Freud’s favorite tragedy Oedipus the King. That story is in some sense just as relevant to the tragic life of Robertson as it is to that of Freud, but in a very different way. Oedipus’s self-blinding when he realizes his own guilt links him to the blind seer Tiresias, who announces the king’s guilt at the end of the tragedy. Audiences would have known the mythological backstory of the seer and his blindness, just as they knew that of Oedipus. In his younger days, Tiresias had come upon two entwined snakes in the forest and touched them with his staff; upon doing so, he was transformed into a woman. After living as a woman for seven years, Tiresias encountered the snakes again, touched them, and was turned back into a man. Summoned to Mount Olympus to report on his experience, he revealed to Hera, in front of her husband Zeus, that (based on his extensive experience) women get much more enjoyment from sex than men do. Hera blinded him in punishment for revealing this secret, and Zeus gave him prophetic foresight in recompense. Tiresias thus reveals an ancient symbolic association between these two ideas, prophecy and sexual/gender liminality or boundary-crossing.20 The symbolism of the Sphinx, the guardian whose riddle Oedipus had to answer to become King (and thus to marry his mother), is also relevant here. Sphinxes are symbolic guardians of time,21 and not accidentally, sphinx is closely related to the word sphincter: a guardian (literally a “strangler”) designed to mainly admit the passage of things in one direction but sometimes capable of admitting other things traveling in reverse. As I hinted earlier, suggesting that the normal order of causality can be transgressed arouses similar hostile reactions from skeptical guardians of Enlightenment science that the prospect of a phallus—the ultimate “causal arrow”—moving the wrong way through a sphincter arouses in gatekeepers of patriarchal “Christian” morals. In a sense, Oedipus and Tiresias were permutations of the same basic possibility—transgression of some kind of sexual boundary, punished by symbolic castration but also (at least in Tiresias’s case) compensated with foresight. Transgressive enjoyment, which “impossibly” connects the future to the past, is thus what turns precognition into a psychoanalytic problem. As with Tiresias, the point of Oedipus’s story is not merely that he “traveled the wrong way through time” by marrying his mother and killing his father; it is that he committed these crimes and enjoyed them, and only belatedly discovered what it was that he had been enjoying. His guilt was not over his actions but over his enjoyment. Our ignorance as to our enjoyment (that is, our blindness to it) allows both the past and future to affect our lives in uncanny and seemingly “impossible” ways like the kinds of coincidences and twists of fate that seem to have characterized Robertson’s life.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
I wanted power but the real kind, the kind that was deeply rooted in fear and reverence, power and genuine cleverness that kept you at the top of the greedy pile of bodies that had tried and failed around you. Zeus’s kind of power. The kind built on blood, sweat, threats and tears in credence of a lifestyle based on freedom of expression, brotherhood and defiance of the man just because he was the fucking man.
Giana Darling (Welcome to the Dark Side (The Fallen Men, #2))