Baseball Inspirational Quotes

Always go to other people's funerals, otherwise they won't come to yours.

No matter where you go, there you are,

It’s hard to beat a person who never gives up.

If you don't think too good, don't think too much.

A man has to have goals - for a day, for a lifetime - and that was mine, to have people say, 'There goes Ted Williams, the greatest hitter who ever lived.

While baseball and parties can help, the only thing that heals a broken heart is time.

But Little League can be a great experience for kids, as long as they want to play--and don't play to bring their parents glory.

They don't think it be like it is, but it do.

If I didn't wake up, I'd still be sleeping.

Maybe it’s not acting for you. Maybe it’s baseball or coding or taking care of kids. But whatever path you choose, whatever career you decide to go after, the important thing is that you keep finding joy in what you’re doing, especially when the joy isn’t finding you. Treat every day like you’re starring in it. Don’t wait for permission or good reviews. If you can do that, you’ll be surprised by how far you might end up sailing.

Ninety percent of baseball is mental, the other half is physical.

In our beautiful memory We were all handsome We could all sing We all had the heart Of the prettiest girl in town And we all hit .300

Some people like baseball, some soccer and some others like no sports at all. Their psychological orientation with sports doesn't make them any less or more human. The same is with religious orientation. The true Kingdom of God is within you, and it is defined by your behavior with other people, regardless of their religious affiliation. You are the God of your life, and your divinity lies in your actions.

the person who did this to you is broken. Not you. The person who did this to you is out there, choking on the glass of his chest. It is a windshield and his heartbeat is a baseball bat: regret this, regret this. Nothing was stolen from you. Your body is not a hand-me-down. There is nothing that sits inside you holding your worth, no locket that can be seen or touched, fucked from your stomach to be left on concrete.

One of the supreme paradoxes of baseball, and all sports, is that the harder you try to throw a pitch or hit a ball or accomplish something, the smaller your chances are for success. You get the best results not when you apply superhuman effort but when you let the game flow organically and allow yourself to be fully present. You'll often hear scouts say of a great prospect, "The game comes slow to him." It mean the prospect is skilled and poised enough to let the game unfold in its own time, paying no attention to the angst or urgency or doubt, funnelling all awareness to the athletic task at hand.

Sure, some people are afraid of steroids. Some people were afraid of fire, too. Afraid of electricity, or of splitting the atom. But I know that the body I have now is far superior to the one I was born with. I, Jose Canseco, have changed my own destiny and become more than just an athletic superstar -- I have become a superman. A god!

In any game, the game itself is the prize, no matter who wins, ultimately both lose the game.

The best way to deal with the voice that tells you that you're not good enough, or smart enough, or qualified enough, is to wake up every day and prove it wrong.

Imagine if we taught baseball the way we teach science. Until they were twelve, children would read about baseball technique and history, and occasionally hear inspirational stories of the great baseball players. They would fill out quizzes about baseball rules. College undergraduates might be allowed, under strict supervision, to reproduce famous historic baseball plays. But only in the second or third year of graduate school, would they, at last, actually get to play a game. If we taught baseball this way, we might expect about the same degree of success in the Little League World Series that we currently see in our children’s science scores.

Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed _sometimes_, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. The scouts cared little for Henry's superhuman grace; insofar as they cared they were suckered-in aesthetes and shitty scouts. Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can't be a hundred, it had better be ninety-nine.

In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

I found a sense of peace on Beechnut. I could just walk with him and not have to say a word. In between takes, I would sit with the cast and Beechnut would stand behind me, sometimes with his head on my shoulder. I didn't have to tie him, up; he would just stand there. I loved being a cowboy... again. The only other times I'd felt this sense of peace had been while fielding ground balls or playing catch on a baseball field or doing stand-up when everything was working. When filming was over, my agent, Andrea Eastman, gave me Beechnut as a surprise gift. at first, I didn't want him. Owning a horse is an enormous responsibility, and I was concerned hat my relationship with him was just a location romance. But I accepted, and I rode him until 2009, when he passed away at the age of twenty-eight.

It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.

Louis de Broglie, who carried the title of prince by virtue of being related to the deposed French royal family, studied history in hopes of being a civil servant. But after college, he became fascinated by physics. His doctoral dissertation in 1924 helped transform the field. If a wave can behave like a particle, he asked, shouldn’t a particle also behave like a wave? In other words, Einstein had said that light should be regarded not only as a wave but also as a particle. Likewise, according to de Broglie, a particle such as an electron could also be regarded as a wave. “I had a sudden inspiration,” de Broglie later recalled. “Einstein’s wave-particle dualism was an absolutely general phenomenon extending to all of physical nature, and that being the case the motion of all particles—photons, electrons, protons or any other—must be associated with the propagation of a wave.”46 Using Einstein’s law of the photoelectric affect, de Broglie showed that the wavelength associated with an electron (or any particle) would be related to Planck’s constant divided by the particle’s momentum. It turns out to be an incredibly tiny wavelength, which means that it’s usually relevant only to particles in the subatomic realm, not to such things as pebbles or planets or baseballs.

Sometimes when things go bad in life, we just need to hit the reset button.

and other gear

The Return Season On March 19, 1995, Michael Jordan officially returned to the hardwood floor as an NBA player in a game against the Indiana Pacers wearing jersey number 45, which was his brother Larry’s number and the number he used while playing baseball. Still feeling the rust of being away from competitive basketball for nearly two years, Jordan only had 19 points on a poor 7 out of 28 shooting clip in that loss to the Pacers. But while the Bulls may have lost that outing, they were happy enough that they had the franchise’s greatest player back in time to help them with their playoff push. While Jordan took his sweet time getting his groove back, he still had scoring explosions even as he was shaking off the rust. On March 28th he helped avenge the Bulls’ seven-game series loss to New York the previous year by exploding for 55 points against the Knicks. Just three days before that, he had 32 in a win over the Atlanta Hawks. Just as the Chicago Bulls had hoped, they got the push they needed when Jordan returned to the team. They won 13 of the 17 regular-season games that MJ appeared in and went on to make the playoffs with a 47-win season. In that brief 17-game campaign, Michael Jordan averaged 26.9 points, 6.9 rebounds, and 5.3 assists while shooting 41.1% from the floor. It was clear that

local

basketball

baseball.

The making of a ballplayer: the production of brute efficiency out of natural genius. For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yes somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not. // Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed ~sometimes, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. ... Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can't be a hundred, it had better be ninety-nine.

April 6th

Renowned for his courtesy and assertiveness, Frank Zebzda is focused on his dual careers as a therapist and paramedic. A passionate New York Yankees fan, Frank also enjoys soccer, baseball, basketball, and campfires. Inspired by his addiction recovery, he is determined to guide others in overcoming challenges and achieving a brighter future.

Devin Pohl's life in Bend, Oregon, revolves around his deep love for baseball, supporting the Oregon Ducks and Boston Red Sox. His enthusiasm for the sport includes following game stats and attending games. Devin also treasures his time hiking in the Deschutes National Forest, where he finds tranquility and inspiration in nature.

significantly.

Fear is not the American way, I remind my children. So although I feel America's fear, and on some days even share its contempt or disdain, I do not believe that doing so reflects America at its best. As we strive for a better American union, it is knowledge and compassion, rather than fear mongering and ignorance, that must reign supreme. Today more than ever, America's hope, vision, and exceptionalism are needed as an inspiration for those who are aspiring and struggling to gain the freedom and rights we already have.

Team sports like basketball and baseball often frustrated him when he or his teammates did not perform as expected.

Pick up any photograph of Ted Williams in 1943 and there’s a good chance you’ll see him seated on a footlocker beside Babe Ruth or perched on a chipped cement wall wearing a jersey stitched with dark blue Navy insignia. Many of those photographs were taken while he was training in Chapel Hill and they tell a story about the summer Ted changed.

To be honest with everyone around you, humble no matter how good things get, reliable and consistent so that everyone knows what to expect, to willingly share your experiences with others—including those who might one day take your job!—to manage change with a smile on your face and stay engaged with everyone so that you can know how best to inspire them. That is what it takes to be a great teammate.

he wonders if the generation of baseball fans he inspired have expanded their skepticism to the point where it has crowded out other things like wonder and tolerance and a healthy understanding of our own limited understanding.

There are three types of teams, each of which requires different types of management and organization. The first type of team is like a pair of doubles tennis partners. It is a small team, in which each person adapts to the abilities of the other. Players have a primary responsibility, but can play many different roles. The second type of team is like a soccer or football team, in which each person has a given position, but the whole team moves together. The third team type is like a baseball team, in which all players have an assigned position and play on the team, rather than as a team. This model is akin to the traditional Detroit automaker, where each person has his or her assigned task. Organizations have to decide which type of team fits best, a decision that affects the entire organizational culture. Mixed teams don’t work; they just confuse everyone involved. Increasingly, organizations are becoming more like soccer or tennis teams, in which each member has to take more personal responsibility in making decisions. In such organizations, managers must inspire, rather command. You must fit the appropriate management style for your team type.

Buster Posey

The game is a thread, microscopic in breadth, a hint of gossamer drawing unsuspecting souls together in simple competition to the exclusion of all else, from a mother and her infant playing peekaboo to two old men hunched over a chessboard and everything in between. The game unifies, joining father and son pitching baseballs at night after a long day at the office, pitches pounding the mitt or skipping past, one time even knocking the coffee cup handle clean off and the boy scampering off to retrieve a wild one as the dad sips and ponders. The game allows brothers to bond even when the age gap is too great for real competition, their mutual effort to fashion a bridge between disparate age and ability forming a bond of trust and respect. And finally, it is the game’s presence and past and its memory that inspires each of us to forgive time and aging and their inevitable accompanying attrition because the gray and hobbled old man before me was once lean and powerful and magnificent and some of what became of him was due to the investment he made in me and after all the batting practice he threw and grounders he hit, his shoulder aches and his knees need replacement. Even though youth masks it so you don't realize it all when you’re a kid, someday it happens to you and suddenly you realize you are him and you are left wishing you could go back and tell him what you now know and perhaps thank him for what he gave up. You imagine him back then receiving nothing in return except the knowledge that you would someday understand but he could not hasten that day or that revelation and he abided it all so graciously knowing that your realization might be too late for him. So you console yourself that in the absence of your gratitude he clung to hope and conviction and the future. Turn the page and you find yourself staring out at the new generation and you wince as his pitches bruise your palm and crack your thumb and realize that today the game is growth and achievement and tomorrow it will be love and memories. The game is a gift.

she's learned it's largely a matter of being willing to ask the next question. She's met the very Mexican who first wore his baseball cap backward, asking the next question.

The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two sources of sound, where an individual is fully capable of hearing the audio mix the way it was intended to be heard by the musicians. Different static methods exist to broaden the area of the sweet spot. Sound engineers also refer to the sweet spot of any sound-producing body that may be captured with a microphone. Every individual instrument and voice has its own sweet spot, the perfect location to place the microphone or microphones in order to obtain the best sound. In tennis, baseball, or cricket, a given swing will result in a more powerful impact if the ball strikes the racquet or bat on the sweet spot, where a combination of factors results in a maximum response for a given amount of effort. The actual sweet spot on a racquet or bat is a very small area, where dispersing vibrations and spin in multiple directions are canceled out, resulting in a perfect contact point between incoming and outgoing energies.

Sir, your baseball career may be over. You need to find a new profession. Gatewood answered, I've heard that before. (He had always come back. He would prove them wrong again.) (From Love and Death at the Encierro)

Do what you love to do and give it your very best. Whether it's business or baseball, or the theater, or any field. If you don't love what you're doing and you can't give it your best, get out of it. Life is too short. You'll be an old man before you know it. -Al Lopez (1908 – 2005)

Carl Erskine, the famous baseball pitcher, said that bad thinking got him into more spots than bad pitching. As quoted in Norman Vincent Peale’s Faith Made Them Champions, he said: “One sermon has helped me overcome pressure better than the advice of any coach. Its substance was that, like a squirrel hoarding chestnuts, we should store up our moments of happiness and triumph so that in a crisis we can draw upon these memories for help and inspiration. As a kid I used to fish at the bend of a little country stream just outside my home town. I can vividly remember this spot in the middle of a big, green pasture surrounded by tall, cool trees. Whenever tension builds up both on or off the ball field now, I concentrate on this relaxing scene, and the knots inside me loosen up.” Gene Tunney told how concentrating on the wrong “facts” almost caused him to lose his first fight with Jack Dempsey. He awoke one night from a nightmare. “The vision was of myself, bleeding, mauled and helpless, sinking to the canvas and being counted out. I couldn’t stop trembling. Right there I had already lost that ring match which meant everything to me—the championship. . . . What could I do about this terror? I could guess the cause. I had been thinking about the fight in the wrong way. I had been reading the newspapers, and all they had said was how Tunney would lose. Through the newspapers I was losing the battle in my own mind. “Part of the solution was obvious. Stop reading the papers. Stop thinking of the Dempsey menace, Jack’s killing punch and ferocity of attack. I simply had to close the doors of my mind to destructive thoughts—and divert my thinking to other things.

In 1984, the creator of Sam Adams beer, Jim Koch, was staring long and hard across the chasm. It was spring. It was the beginning of the baseball season in Boston, and it was about to be “morning in America.” Ronald Reagan was preparing for what would be a landslide reelection to the presidency, the economy had finally turned around after years in recession, the US Olympic team was about to run away from the competition at the Summer Games in Los Angeles, and Jim was in the middle of his sixth year as a management consultant for Boston Consulting Group (BCG), already earning $250,000 per year (that’s more than $600K in 2020 dollars) before his thirty-fifth birthday. By all accounts, Jim Koch had it made. His feet were planted securely on the terra firma of the business consulting world. “We flew first-class. You consulted with CEOs. Everyone treated you really well,” Jim recalled. These were interesting, heady times at BCG. The company had just become fully employee owned, complete with an employee stock ownership plan (ESOP) that forged a real path to truly significant wealth for consultants like Jim. At the same time, he had already worked alongside a quartet of future luminaries:

To enter the Blitz, you had to negotiate your way past Strange on the door; he once correctly turned away the ridiculous Mick Jagger for arriving dressed in a baseball cap and trainers. You also had to look different, extravagantly different, which meant dressing up, wearing make-up and experimenting with gender roles (and that was just the boys). Those bands that were inspired by the Blitz crowd were later packaged and promoted as New Romantics or futurists, but there was nothing calculating about the early pioneers of the scene: they were sincerely, uninhibitedly weird.

the excitement in Houston over their baseball team was overwhelming

World Series,

seven stolen bases.

August 15th

If one person can change the opinion of just two people, it can eventually turn into a tsunami, where a once popular opinion is rendered obsolete.

In the end, we have to understand that being progressive means that you are leading from the front, not pushing from the back. You cannot worry about what people say and do if you truly want to make a real impact. You may never see your impact directly, but if you fight to make it happen you will have a chance at success.

to the major leagues. As Jim became more interested in sports, his parents tried to gently direct him to soccer, a sport famous for not needing the use of your hands. Yet everyone in the neighborhood was playing baseball, so that is what Jim Abbott wanted to play. As any good parent would, Mike would spend hours with Jim working on hand-eye coordination drills to help him accomplish the same motions other kids were doing with two hands. After hours of throwing rubber balls against brick walls and catching the rebounds, Jim eventually began practicing the glove technique that would make him famous. He would elegantly remove his left hand from his glove and then take the ball out of his glove to throw to the

From the first moment I started to uncover the infinite mysteries of baseball--like why players chose to wear certain numbers, what the brown stuff in players' mouths was, and just what the hell a balk entailed--I was hooked.

When life throws you a curveball, hit out of the park.

Isn't it odd that people pray every day over the tiniest things—the weather, a green light, a baseball game, things they can't change at all? But how come nobody prays when they are faced with a decision? When there's a difficult choice to make, don't you think God would like to help you make it?

Life just gets you down. That is a fact. There is no changing that. But you can do something at least. Make the most of what you're given. If you're thrown a curve-ball, do your best to make the home-run. If they cheat, well you still work as hard as you can to hit that ball out of the park, reach the stars. Eventually the ball will come back down. Eventually you will have to do all of this again. This time, you have practice though. If you didn't hit it the first time, you know you need to adjust. If you did, you know exactly what to do this time. If you couldn't tell, this was not just about baseball. This was about dreams. Get out there. Go ace that test, Go make that touchdown, Go accomplish something, anything. Every little thing you do... will leave an impact on the world. These accomplishments could just be the stepping stones for an even greater imprint. Make your mark.

The decision to integrate was based on the fact that Black America could save Major League Baseball. It would be the inclusion of Black baseball players that would bring life back to a dying pastime in America. (from... How to Move Black America Forward)

We are a short time here and along time gone. Live!

They sat quietly for a few minutes. Finally, Alex said, “So Ben, right now I like baseball because I just caught one. Why do you like baseball so much?” “I don’t like baseball. I love baseball.” “That’s pretty obvious, but why?” Ben looked at his brother and shook his head thoughtfully. “It’s different than any other sport. It’s like life. The only way you can appreciate it is slowly. The drama of the game builds as each inning goes by. Sure, it’s great seeing your team hit a home run in the first inning, but it’s even better to see one in the ninth inning, especially when your team is down and you win because of it. The entire season is like that too, the same kind of pace from game one until the World Series. It’s not about any individual play, although that’s important. It’s not the home run itself. It’s the drama that precedes the home run, maybe a whole game that’s turned around and changed by it. You can’t appreciate baseball if all you watch are the highlight reels or all you see is one inning or one play. I’m not the first to say this, but baseball is life.” Alex smiled at his brother. “Look, I play basketball and I’ve played it my whole life, but frankly, when you watch a professional game, in my opinion the defense is almost nonexistent and the only thing good about it is the last couple of minutes,” Ben said. “You don’t get that in baseball. The drama of baseball is in every moment of the game, it builds until the last out. Baseball is all about the whole game.” “What about football?” asked Alex. “That has drama. The game is played over sixty minutes. I find it a whole lot more exciting than baseball.” “It’s not the same thing. It has many of the same elements when you look at the basics of it. They both have athleticism, strategy, and tactics, but it’s different. I’ll bet you find it exciting because of its ferocity. The violence is what turns me off about football. Don’t get me wrong, you still have to be able to think to play the game, but at the end of the day football is about violence—linemen trying to kill each other, the defensive guys trying to kill the quarterback, the receiver. The violence overshadows the thinking. I’ve seen games where the fans actually cheered when a visiting player was injured.” “Yeah, welcome to Philly.” Alex smiled. “Fair enough, but I bet it’s the same in any city,” Ben said. “Baseball isn’t about violence. Look, I know it has violence. God must love the catchers. I don’t know how they survive a two-hundred-pound base runner sliding into home, cleats first, and many second basemen have been hurt trying to put a man out at second. But that’s not what the game is about. It’s just a part of it, like life. “If I had to summarize the difference between baseball and football, football is about war; baseball is about life. In football you have two armies clashing, over and over again. They keep at it until one side overwhelms the other. Baseball is different. It’s about going out and working hard and having little victories and defeats along the way and sometimes you win and sometimes you lose. Hopefully you win, but even if you don’t you keep coming back every day. It’s like when you drive a truck, cut hair, sell buttons and zippers, or do advertising. It’s the same thing for all of us. It’s day-in and day-out work, and you hope at the end of the year you’ve won more than you’ve lost. If I want violence all I have to do is open the paper and read about Korea, or close my eyes and think about Okinawa. I get inspired by baseball to come back every day and try harder and if I work as hard as I can, and have a little luck, I get rewarded for it.

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