Baseball Gloves Quotes

Babies don't come with instruction booklets. You'd learn the same way we all do -- you'd read up on dinosaurs, you'd Google backhoes and skidders. And you don't need a penis to go buy a baseball glove.

Laurel’s in right field, leading off. Her fielding’s crap, but she’s got a good bat.” “My fielding is not crap.” She hit Del with the glove. “Keep it up and you’re not going to have any problem winning that beat, Brown.” When she stalked off, Mal took an easy, testing swing. “What bet?” Laurel strode straight up to Mac. “I want to switch with you. I want to play on Jack’s team.” “Baseball slut. Okay by me, but you’d better tell Jack.” She walked over to where Jack sat on the ground writing his lineup. “I switched with Mac. I’m on your team.” “Trading the redhead for the blonde. Okay, let me figure… You’re right field, leading off.” Son of a bitch. Did he and Del have telepathy? Laurel narrowed her eyes. “Why right field?” He flicked her a glance, and she saw him reconsider his response. “You’ve got a strong arm.” She pointed at him. “Good answer.” “How come you… Hey. Hey, is that Mal? Del hooked Mal?” Jack barred his teeth. “So that’s the way he wants to play the game?” “Let’s kick his ass.

Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi

I split my adolescence between the pulpy smell of books, which was my mother’s passion, and the leathery smell of baseball gloves, which was my father’s.

Freddie Freeman led all Braves’ starters with a (.282) batting average in 2011. Not bad for a rookie. Then again, this is the kid who hit his first big league bomb against none other than Roy Halladay … the same kid whose leather at first is so flashy than at times it’s hard to decide which to be more excited about, his bat or his glove, the same kid who joined teammate Dan Uggla with concurrent 20-game hitting streaks in 2011—a first in modern era Braves’ history—and the same kid who won NL Rookie of the Month honors in July after hitting .362 with six homers, 17 runs, and 18 RBIs.

One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

You choose to work». «For us!» «No, Tatiana, for you». «Well, who do you work for? Don’t you work for you?» «No,» said Alexander. «I work for you. I work so that I can build you a house that will please you. I work very hard so you don’t have to, because your life has been hard enough. I work so you can get pregnant; so you can cook and putter and pick Anthony up from school and drive him to baseball and chess club and guitar lessons and let him have a rock band in our new garage with Serge and Mary, and grow desert flowers in our backyard. I work so you can buy yourself whatever you want, all your stiletto heels and clingy clothes and pastry mixers. So you can have Tupperware parties and bake cakes and wear white gloves to lunch with your friends. So you can make bread every day for your family. So you will have nothing to do but cook and make love to your husband. I work so you can have an ice cream life.

Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.

In June 1981, a strike shuttered the major leagues for fifty days, the first time in baseball history that players walked out during the season. Determined to make his people earn their keep, George Steinbrenner ordered his major-league coaches into the minors to scout and help mentor the organization’s prospects. Berra drew Nashville, where Merrill was the manager. Merrill was a former minor-league catcher with a degree in physical education from the University of Maine. He began working for the Yankees in 1978 at West Haven, Connecticut, in the Eastern League and moved south when the Yankees took control of the Southern League’s Nashville team in 1980. Suddenly, in mid-1981, the former catcher who had never made it out of Double-A ball had the most famous and decorated Yankees backstop asking him, “What do you want me to do?” Wait a minute, Merrill thought. Yogi Berra is asking me to supervise him? “Do whatever you want,” Merrill said. “No,” Berra said. “Give me something specific.” And that was when Merrill began to understand the existential splendor of Yogi Berra, whom he would come to call Lawrence or Sir Lawrence in comic tribute to his utter lack of pretense and sense of importance. “He rode buses with us all night,” Merrill said. “You think he had to do that? He was incredible.” One day Merrill told him, “Why don’t you hit some rollers to that lefty kid over there at first base?” Berra did as he was told and later remarked to Merrill, “That kid looks pretty good with the glove.” Berra knew a prospect when he saw one. It was Don Mattingly, who at the time was considered expendable by a chronically shortsighted organization always on the prowl for immediate assistance at the major-league level.

brace covered his neck. Dark, fingerless gloves covered his hands to allow a better grip on his shotgun. An aluminum baseball bat was slung across his back, Samurai-style, in a crude scabbard next to a large backpack He

Candles and waterproof matches.” “Check.” “Weather radio, flashlight, batteries…” “Check, check, check…” “Hurricane-tracking chart, potable water, freeze-dried food, can opener, organic toilet paper, sensible clothes, upbeat reading material, baseball gloves, compass, whistle, signal mirror, first-aid kit, snake-bite kit, mess kit, malaria tablets, smelling salts, flints, splints, solar survival blanket, edible-wild-plant field almanac, trenching tool, semaphores, gas masks, Geiger counter, executive defibrillator, railroad flares, lemons in case of scurvy, Austrian gold coins in case paper money becomes scoffed at, laminated sixteen-language universal hostage-negotiation ‘Kwik-Guide’ (Miami-Dade edition), extra film, extra ammunition, firecrackers, handcuffs, Taser, pepper spray, throwing stars, Flipper lunch box, Eden Roc ashtray, Cypress Gardens felt pennant, alligator snow globe, miniature wooden crate of orange gumballs, acrylic seashell thermometer and pen holder, can of Florida sunshine…” “Check, check, check…. What about my inflatable woman?

that little school in the crook of the baseball glove that is Wisconsin. He’d

Baseball is played on baseball field. There are four bases, first, second, third and fourth. Players than have a bat, ball and glove that they use. The goal is to have the baseball tossed to you and then to hit it out as far as you can, without it going out of bounds. An American classic, the most popular player of all time is Hank Aaron.

the barrel of the bat and flew out into the field, I felt a sense of joy and freedom as powerful and true as anything I’ve ever experienced. If you have never felt the resistance and connection of a bat hitting a baseball; if you have not heard the crack of the bat split an autumn afternoon; if you have not watched that ball sail through the open air and settle into the fresh-cut grass, you have missed one of life’s purest feelings of achievement. Hitting a ball is like catching a piece of the sky and sending it back up to itself. It’s like creating your own crack of thunder. And stopping a ball—especially a grounder you have to reach for, or a line drive that should have flown past your glove—is like catching a bolt of lightning.

Final Note: The prices can range greatly on any baseball glove depending on the condition, age, style and model. As a general rule of thumb the more fancy the glove looks the more money it will bring.

Everything you needed to play baseball was in the Garden of Eden. You had the grass. You had the dirt. You had a branch from a tree to make a bat. There had to be a cow somewhere to give you the ball and the glove. I was telling this story once and some wise guy said: ‘Yeah, they even had a snake for the media.

Rock concerts, baseball games, and even church gatherings would all be canceled in fear of sparking new outbreaks. Those who would venture out for food or medicine would only do so clad in rubber gloves and surgical masks. The economic impact to the country would be devastating. Wholesale industries would be forced to shut down overnight. Furloughed and laid-off workers would spike unemployment rates to double that of the Great Depression.

Jay got up and walked to the trash to scrape off his plate, but when the trash can popped open, he stopped and reached in. Mae got cold inside. Shit. That was where she had put everything from her satisfying clear-out earlier in the day, and she hadn't covered up the things she was discarding with other trash, as she usually did. Damn it! She knew exactly what was coming. Jay stood up with a ratty stuffed chicken in his hand. "You can't throw this away. Ryder loves this." He did, but Mae hated it. The little stuffed chicken---a gift from her sister when Ryder was born---had grown gray and smelly and was beyond washing, and Mae had been able to slip it away from Ryder's bed for several nights running. With the trip, she figured he would forget about it, although she'd felt a tiny twinge of regret as she'd stuffed it into the trash can. It was just that it was so gross now, and there were so many stuffies. If she didn't get rid of them, they'd take over. "He doesn't care about it. Not really," she said. It sounded weak, even to her. "It's so filthy, Jay. He's little. He'll like other things. It's just junk, anyway." Jay turned on her. "You don't always get to decide what's junk, Mae. You don't get to pick and choose everything we have and everything we do and everywhere we go." "I don't. Just---some things. And it's not the same." Throwing away a toy was not the same as making all their life decisions---and how could she not make decisions right now, when everything Jay wanted to do felt so precarious? Couldn't he see that they wanted the same things, for the world to stay nice and safe and solid around Madison and Ryder and around themselves? She knew Jay had moved around a lot as a kid, and that at least once his dad had handed him a shoebox and told him if it didn't fit in there, it couldn't come. But sometimes you had to get rid of those things, even things you once loved, to make room for better things. And sometimes you made mistakes. Don't bring up the baseball glove. Don't bring up the baseball glove. She hadn't known the baseball glove was a perfectly worn-in classic Rawlings. Or that Jay had been hoping Madison or Ryder might use it someday. All she'd seen was that it was old. And kinda moldy. She honestly hadn't thought he would notice it was gone.

It held many years’ worth of memorabilia, chairs shaped like leather baseball gloves, and an odd selection of B-list celebrities of the day—reality-show players like a runner-up on American Idol and the then–Apprentice star, Donald Trump.

to the major leagues. As Jim became more interested in sports, his parents tried to gently direct him to soccer, a sport famous for not needing the use of your hands. Yet everyone in the neighborhood was playing baseball, so that is what Jim Abbott wanted to play. As any good parent would, Mike would spend hours with Jim working on hand-eye coordination drills to help him accomplish the same motions other kids were doing with two hands. After hours of throwing rubber balls against brick walls and catching the rebounds, Jim eventually began practicing the glove technique that would make him famous. He would elegantly remove his left hand from his glove and then take the ball out of his glove to throw to the

What’s in a glove? And for that matter, where might a glove have been, or gone, and to what future did all these worn-out pieces of leather, stitched together with the precision of shotgun blast, have awaiting them?

1.12 The catcher must wear a catcher’s mitt (not a first baseman’s mitt or fielder’s glove) of any shape, size, or weight consistent with protecting the hand.

leaking in through the window, which told him they were now traveling into woodlands. The sharp odors of pine—wood, bark, cones, and needles—slivered through the air like blades, but beneath that, the fox recognized softer clover and wild garlic and ferns, and also a hundred things he had never encountered before but that smelled green and urgent. The boy sensed something now, too. He pulled his pet back to him and gripped his baseball glove more tightly. The boy’s anxiety surprised the fox. The few times they had traveled in the car before, the boy had been calm or even excited. The fox nudged his muzzle into the glove’s webbing, although he hated the leather smell.

I have a memory like a baseball glove, so please, don’t toss me a basketball-sized rumination.

I’m trying to cover all my bases so I can be a complete baseball nonplayer. I’ve already not bought a bat, a glove, and a bed to sleep on.

We are living in a culture in which metaphor is discarded for these so-called facts. We train minds to detect these facts much as one breaks in a baseball glove. Meanwhile, the imagination is neglected and is left unguarded and untrained. W

To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!

He lifted the picture for a closer look and saw himself among a group of men, tossing a baseball from bare right hand to gloved left hand. The flight of the ball had always made this photo mysterious to Francis, for the camera had caught the ball clutched in one hand and also in flight, arcing in a blur toward the glove. What the camera had caught was two instants in one: time separated and unified, the ball in two places at once, an eventuation as inexplicable as the Trinity itself. Francis now took the picture to be a Trinitarian talisman (a hand, a glove, a ball) for achieving the impossible: for he had always believed it impossible for him, ravaged man, failed human, to reenter history under this roof. Yet here he was in this acne of reconstitutable time, touching untouchable artifacts of a self that did not yet know it was ruined, just as the ball, in its inanimate ignorance, did not know yet that it was going nowhere, was caught. But the ball is really not yet caught, except by the camera, which has frozen only its situation in space. And Francis is not yet ruined, except as an apparency in process. The ball still flies. Francis still lives to play another day. Doesn't he?

You can’t wait until your son is old enough to throw a football to become an involved father. If you want him to enjoy playing catch with you when he’s ten, you have to start enjoying him when he’s a baby. (The same goes for girls, including the part where they’ll need a baseball glove.)

We ended up at the bar of a little steak house I had never noticed before. It was one of those places that seemed to have slipped through time unscathed and walking into it was like walking into a different decade. Dark walls, leather booths, thick slabs of beef, ashtrays on every table. The man behind the bar in a red plaid vest had the open, sad face of an old-time baseball player. “Mrs. S.,” he said in a thick nasally voice when we sat on the red-leather stools. “Terrific as always to see you.” “Rocco, this is Victor,” she said. “Victor and I are in desperate need of a drink. I’ll have the usual. What will it be for you, Victor?” “Do you make a sea breeze?” I said. Rocco looked at me like I had spit on the bar. I got the message. This was a serious place for serious drinking, a leftover from an era when the cocktail hour was a sacred thing, when a man was defined by his drink and no man wanted to be defined by something as sweet and inconsequential as a sea breeze. Kids in short pants with ball gloves sticking out of their pockets drank soda pop, men drank like men. “What’s she having?” I said, nodding at my companion. “A manhattan.” “What’s that?” “Whiskey, bitters, sweet vermouth.” “And a cherry,” said Alura Straczynski. “Mustn’t forget the cherry.” “No, Mrs. S.,” said Rocco. “I wouldn’t forget your cherry.

Soul can’t exist unless you have active, meaningful dialogue with stakeholders: employees, customers, the community, suppliers, and investors. When you launch a business, your job as the entrepreneur is to say, ‘Here’s a value proposition that I believe in. Here’s where I’m coming from. This is my point of view.’ At first, it’s a monologue. Gradually it becomes a dialogue and then a real conversation. Like breaking in a baseball glove. You can’t will a baseball glove to be broken in; you have to use it. Well, you have to use a new business, too. You have to break it in. If you move on to the next thing too quickly, it will never develop its soul. Look what happens when a new restaurant opens. Everyone rushes in to see it, and it’s invariably awkward because it hasn’t yet developed soul. That takes time to emerge, and you have to work at it constantly.

I love you, Raleigh,” I told her. “I love you like a quarterback loves the feel of the laces between his fingers. Like a baseball player loves the feel of an old, worn glove that he’s put thousands of hours into. Like the goddamn sun and the moon. You’re it for me. You’ll be my wife one day. You’ll have my kids. You’ll grow old with me and drink sweet tea on our front porch with me. You’ll be mine, and we’ll die within a week of each other because neither one of us will be able to stand to be here without the other.

It was a slice of life Eva thought only existed in movies, this idea that everything could be so perfect—the grass, the sun, the players in their crisp white uniforms, hitting home runs over the fence and into San Francisco Bay, where a cluster of people with baseball gloves in kayaks waited to catch one of them.