“
She rises up out of a sea of faces and embraces me, embraces me passionately--- a thousand eyes, noses, fingers, legs, bottles, windows, purses, saucers all glaring at us an we in each other's arm oblivious. I sit down beside her and she talks--- a flood of talk. Wild consumptive notes of hysteria, perversion, leprosy. I hear not a word because she is beautiful and I love her and now I am happy and willing to die.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
I love that you don’t carry a purse,” I say.
“I love that you don’t carry one, either,” she says with a laugh.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-
-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
”
”
David Nicholls (One Day)
“
HARRY DRESDEN—WIZARD Lost Items Found. Paranormal Investigations. Consulting. Advice. Reasonable Rates. No Love Potions, Endless Purses, Parties, or Other Entertainment
”
”
Jim Butcher (Storm Front (The Dresden Files, #1))
“
There’s nothing to read into. I’m here to collect my beloved Damon and
Stefan is just helping me.”
Bonnie looked at her with her brows knitted and her mouth pursed, but
didn’t venture a word.
“Bonnie?”
“Um-hm?”
“Did I just say what I thought I said?”
“Um-hm.”
Elena, with one motion, gathered an armful of pillows and deposited them
on her face.
”
”
L.J. Smith (The Awakening (The Vampire Diaries, #1))
“
Her lips pursed. My palms went damp. Her fangs were out, as pointed and delicate as little bone daggers. "That’s disappointing, Solange."
I was going to die because I couldn’t embroider roses on a pillow.
”
”
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
“
Cookie dropped her purse and tried to catch it midair. In the process, she knocked over a vase. When she lunged for the vase, she slipped on the tile and overturned an entire table. A lovely handblown piece of glass flew in my direction, and all I could think as I caught it was, Really? Again? We were going to have to practice muscle control.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
That's a lovely piece," Kat said, pointing at a Louise XV armoire near the fireplace.
The man raised his eyebrows. "Did you come to steal it?"
"Darn it," Kat said with a snap of her fingers."I knew I should have brought my big purse.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn't say it back. I just looked at him and let him look at me until he nodded, lips pursed and turned away, placing the side of his head against the window.
”
”
John Green (The Fault in Our Stars)
“
Guys are like purses,Cute, full of crap, and totally replaceable.
”
”
Lucy Miller
“
Shaunee was digging in her purse like she'd misplaced a tube of one of MAC's seasonal lipsticks that you buy and fall in love with AND THEN THEY DISCONTINUE IT BECAUSE THEY REALLY HATE US AND WANT US TO BE CRAZY.
”
”
P.C. Cast (Destined (House of Night, #9))
“
She shook her head, baffled and amused. “Jesus, Marcella, anyone ever told you that you’re batshit crazy?” Marcella pursed her lips. “Several times,” she said. “It’s an insult men love to aim at ambitious women.
”
”
Victoria Schwab (Vengeful (Villains, #2))
“
When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?
”
”
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
“
Speak, Nazyalensky. When you purse your lips like that, you look like you’ve made love to a lemon.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Isn't Bunson's training evil geniuses?"
"Yes, mostly."
"Well, is that wise? Having a mess of seedling evil geniuses falling in love with you willy-nilly? What if they feel spurned?"
"Ah, but in the interim, think of the lovely gifts they can make you. Monique bragged that one of her boys made her silver and wood hair sticks as anti-supernatural weapons. With amethyst inlay. And another made her an exploding wicker chicken."
"Goodness, what's that for?"
Dimity pursed her lips. "Who doesn't want an exploding wicker chicken?
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
I don’t care. Don’t you get it? I’m in love with you, Willa. Prickly legs, random carrots in your purse, pregnant, not pregnant. I want you.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (The sun and her flowers)
“
I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go, don't-look-at-my-Amazon-bill. I choose purses based on whether I can cram a paperback into them, and my books are the first items I pack into a suitcase. I am the person who family and friends call when they need a book recommendation or cannot remember who wrote Heidi. My identity as a person is so entwined with my love of reading and books that I cannot separate the two.
”
”
Donalyn Miller (The Book Whisperer: Awakening the Inner Reader in Every Child)
“
I don't have that much cash on me," she told in a shaky voice. "My purse is in the bedroom."
”
”
Sharon Carter (Love Auction II: Love Designs)
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
Love"I'm in love with you," he said quietly.
"Augustus,"I said.
"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you."
"Augustus," I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn't say it back. I couldn't say anything back. I just looked at him and let him look at me until he nodded, lips pursed, and turned away, placing the side of his head against the window.
”
”
John Green (The Fault in Our Stars)
“
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
”
”
Heather Dixon Wallwork (Entwined)
“
She didn’t know that my heart was a sandstorm waiting to open her skin in a desert of cuts. She didn’t know the animal that waited in my stomach, silently shredding the walls. For her, my heart wore small white shoes and carried a purse, went to bed early. I wanted to shoot myself into her arms so she understood the need to crash cars with me, to tear up pavement because we were beautiful.
”
”
Michelle Tea (Valencia)
“
Giving tells the Universe that you believe you are provided for. For even as you empty your purse, you fear not. The act alone is a demonstration of faith that you will remain whole, that your coffers will be replenished, and that love is what matters most. And for whomsoever believes these things to be true, it shall become their reality, and abundance shall be showered upon them unceasingly, as if the heavens had opened up.
”
”
Mike Dooley
“
Money is only one kind of power. Faith is power, too. Love is power. Slaughter and madness are both roads to power. Certainly, symbols are power – you wear one wherever you go, that purse you carry. And you wear others when you decide to dress yourself, how to look at men and women, how to carry your body and direct your gaze. And all these symbols can raise people to labour or war.
”
”
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
“
Marry someone patient. Let's face it, you're not always a walk in the park. And when you throw a fit because you can't find your keys and he says did you check your purse? and you say of course I checked my purse, do you think I'm a moron?? and then you really check your purse, and there are your keys, you want a person who will just shake his head and smile, and call you an idiot under his breath. But lovingly.
”
”
Nora McInerny Purmort (It's Okay to Laugh (Crying Is Cool Too))
“
Twenty-three,” he said. “Mm?” She opened her dazed eyes. Thorne pulled back, looking guilty and worried, which made some of her euphoria fade away. “You once asked me how many times I’d told a girl I loved her. I’ve been trying to remember them all, and I’m pretty sure the answer is twenty-three.” She blinked, a slow, fluttering stare. Her lips pursed in a question that took a while to form. “Including the Lunar girl who kissed you?” His brow furrowed. “Are we counting her?” “You said it, didn’t you?” His gaze darted to the side. “Twenty-four.” Cress gaped. Twenty-four girls. She didn’t even know twenty-four people.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Real power doesn’t come from having a million followers, good hair, a Louis Vuitton purse, a new car, a new home, a title, a partner, or anything that can be weighed, measured, or acquired. Real power is the thing you’ve always had inside you. Real power doesn’t need to be demonstrated or boasted. Real power is the ability to be in your skin, to know who you are, to know you will always be okay. Real power comes from your gut and your heart and your courage and your bravery and your love. Real power can never be taken away from you and never lost once it’s found.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
What is it, then? Why are you helping us?"
Pursing his lips, he considered. "Perhaps because the world needs a whit less hate and a trifle more love.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. I'm a wizard. I work out of an office in midtown Chicago. As far as I know, I'm the only openly practicing professional wizard in the country. You can find me in the yellow pages, under "Wizards." Believe it or not, I'm the only one there. My ad looks like this:
HARRY DRESDEN — WIZARD
Lost Items Found. Paranormal Investigations.
Consulting. Advice. Reasonable Rates.
No Love Potions, Endless Purses, Parties, or Other Entertainment
You'd be surprised how many people call just to ask me if I'm serious.
”
”
Jim Butcher (Storm Front (The Dresden Files, #1))
“
You were at the age where you could fall in love with a girl over an expression, over a gesture. That's what happened with your girlfriend, Paloma- she stooped to pick up her purse and your heart flew out of you.
”
”
Junot Díaz
“
People talk about books being an escape, but here on the tube, this one feels more like a lifeline. As she leafs through the pages, the rest of it fades away: the flurry of elbows and purses, the woman in a tunic biting her fingernails, the two teenagers with blaring headphones, even the man playing the violin at the other end of the car, its reedy tune working its way through the crowd. The motion of the train makes her head rattle, but her eyes lock on the words the way a figure skater might choose a focal point as she spins, and just like that, she’s grounded again.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Just because a guy wears glasses and smiles at you doesn't mean he's nice." Lisa dug around in her purse for a tube of lip-gloss. "Maybe he's a visually impaired cannibal. Did you ever think of that? Like one of those serial killers you love so much."
"I don't love serial killers," Katie argued, defensive. "Not romantically, at least.
”
”
Cecily White (Prophecy Girl (Angel Academy, #1))
“
I don’t sell spells, and I don’t sell tricks. I don’t carry illusions or marked cards or weighted coins. I cannot sell you an endless purse or help you win the lottery. I can’t make that girl you’ve got your eye on fall in love with you, and I wouldn’t do it even if I could. I don’t have a psychic hotline to your dead relatives, I don’t know if you’re going to be successful in your career, and I don’t know when you’re going to get married. I can’t get you into Hogwarts or any other kind of magic school, and if you even mention those stupid sparkly vampires I will do something unpleasant to you.
”
”
Benedict Jacka (Cursed (Alex Verus, #2))
“
Seriously. Who needed a real lover when you had a handsome, affectionate man who adored you, put a beautiful house over your head, gave you a great job, lavished you with fabulous clothes, shoes, purses and jewelry and would never break your heart?
”
”
Kristen Ashley (Play It Safe)
“
Where did you learn to throw an elbow like that?” he asked. She watched him straighten; her silver purse looked miniscule in his large hands. “Definitely not the same place you did,” she offered, taking another deep breath that settled her heartbeat.
”
”
Nancy Haviland (A Love of Vengeance (Wanted Men, #1))
“
So," the woman asks, digging through her purse and emerging with a pair of foam earplugs, "how did you two meet?"
They exchange a quick glance.
"Believe it or not," Oliver says, "it was in an airport."
"Oh how wonderful!" she exclaims, looking positively delighted. "And how did it happen?"
"Well" he begins, sitting up a bit taller, "I was being quite gallant, actually, and offered to help her with her suitcase. And then we started talking and one thing lead to another..."
Hadley grins "And he's been carrying my suitcase ever since."
"It's what an true gentlemen would do," Oliver says with an exaggerated modesty.
"Especially the really gallant ones.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
You know what the best thing about purses was? They could carry around books.
”
”
Brittainy C. Cherry (Loving Mr. Daniels)
“
Don’t waste your breath, lovely.”
“But you don’t even know what I was going to say.”
“You were about to plead your case, tell me you need my help, you can’t pay me but your heart is true, the usual thing.”
I blinked. That was exactly what I’d been about to do. “But—”
“Waste of breath, waste of time, waste of a fine afternoon,” he said. “I don’t like to see prisoners mistreated, but that’s as far as my interest goes.”
“You—”
He shook his head. “And I’m notoriously immune to tales of woe. So unless your story involves a talking dog, I don’t want to hear it. Does it?”
“Does it what?”
“Involve a talking dog.”
“No,” I snapped. “It involves the future of a kingdom and everyone in it.”
“A pity,” he said, and took me by the arm, leading me to the aft hatch.
“I thought you worked for Ravka,” I said angrily.
“I work for the fattest purse.”
“So you’d sell your country to the Darkling for a little gold?”
“No, for a lot of gold,” he said. “I assure you, I don’t come cheap.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
On No Work of Words
On no work of words now for three lean months in the bloody
Belly of the rich year and the big purse of my body
I bitterly take to task my poverty and craft:
To take to give is all, return what is hungrily given
Puffing the pounds of manna up through the dew to heaven,
The lovely gift of the gab bangs back on a blind shaft.
To lift to leave from the treasures of man is pleasing death
That will rake at last all currencies of the marked breath
And count the taken, forsaken mysteries in a bad dark.
To surrender now is to pay the expensive ogre twice.
Ancient woods of my blood, dash down to the nut of the seas
If I take to burn or return this world which is each man's work.
”
”
Dylan Thomas (Collected Poems)
“
One historical note that I just love: When the suffragettes were marching, at one point they started wearing red lipstick so they would all be wearing the same bold color and stand in solidarity with one another. I love how this little thing many women had in their purses became a powerful political symbol. It's a reminder that we don't have to diminish ourselves as women to be seen as strong. You can push for societal change and you can love getting dressed up. You don't have to choose.
”
”
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
“
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled.
"Nah, I'm fine. I'm more than fine."
A sly grin bloomed as he mouthed, ain't that the truth.
"Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?"
As he nodded, she rolled her eyes.
"I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep."
John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks.
" Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that."
Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred.
She purred.
The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness.
" Oh, John..."
And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha.
" You are a bastard, " she said on a laugh.
He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind.
"I'm not surrendering , you know."
He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass.
"Where do you think you're going ?
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
Had I paused to reflect, I would have understood that my devotion to Clara brought me no more than suffering. Perhaps for that very reason, I adored her all the more, because of the eternal human stupidity of pursing those who hurt us the most.
”
”
Carlos Ruiz Zafón
“
He pursed his lips and gazed at me reproachfully for throwing our seventh-grade history in his face,times two. back then he'd brought our tween-love Armageddon on himself by letting our whole class in on a secret while he kept me in the dark.
Not that i was bitter.
”
”
Jennifer Echols (The Ex Games)
“
Flee all that’s evil, do all that’s good, seek what is true, purse only peace, love
unconditionally.’
Warden’s Oath
”
”
Megan Nagle (Azurite (Daughter of the Mountain #1))
“
I haven’t shaved my legs.” I chuckle. “I don’t care. Don’t you get it? I’m in love with you, Willa. Prickly legs, random carrots in your purse, pregnant, not pregnant. I want you.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
You didn’t do anything. But I won’t let anyone talk to you like that.. I don’t care who they are.”
“You ready to fight the whole town then, darlin’?”
She pursed her lips and said without even a bit of hesitation, “If I have to.
”
”
Shelly Laurenston (Howl For It (Pride, #0.5))
“
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning.
And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car.
Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late."
Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms.
"Hunter!" she gasped as he carried her effortlessly toward the car.
He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
Beside the sleeping Max, who was curled up like a little boy, knees tucked into his chest, mouth pursed into a surprised pout, lay Sanary’s Southern Lights. Perdu picked up the slim volume. Max had underlined certain sentences in pencil and jotted some questions in the margins; he had read the book as a book ought to be read. Reading—an endless journey; a long, indeed never-ending journey that made one more temperate as well as more loving and kind. Max had set out on that journey. With each book he would absorb more of the world, things and people.
”
”
Nina George (The Little Paris Bookshop)
“
You can sing all you want about how you love Jesus, you can have crocodile tears in your eyes, but the consecration that doesn't reach your purse has not reached your heart.
”
”
Adrian Rogers
“
For their love
Llies in their purses, and whoso empties them
By so much fills their hearts with deadly hate.
”
”
William Shakespeare (Richard III)
“
English:
Ô, take this eager dance you fool,
don’t brandish your stick at me.
I have several reasons to travel on,
on to the endless sea:
I have lost my love. I’ve drunk my purse.
My girl has gone, and left me rags to sleep upon.
These old man’s gloves conceal the hands with which I’ve killed but one!
Francais:
Idiot, prends cette danse ardente, au lieu de tendre ton bâton.
J'en ai des raisons de voyager encore sur la mer infinie:
J'ai perdu l'amour et j'ai bu ma bourse.
Ma belle m'a quitté, j'ai ses haillons pour m'abriter.
Mes gants de vieillard cachent les mains d'un fameux assassin!
”
”
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
“
It tugs at me, filling me with the kind of seasick nostalgia that can hit you in the gut when you find an old concert ticket in your purse or an old coin machine ring you got down at the boardwalk on a day when you went searching for mermaids in the surf with your best friend.
That punch of nostalgia hits me now and I start to sink down on the sky-coloured quilt, feeling the nubby fabric under my fingers, familiar as the topography of my hand.
”
”
Brenna Ehrlich (Placid Girl)
“
This is the woman I'm t' marry! Where have ye been all me life, me love?"
And without a blink, I replied, "Don't start with me, ye scoundrel! If ye come with an empty purse, ye can leave now, fer I'd rather be unwed than unfed.
”
”
Karen Hawkins (To Scotland, With Love (MacLean Curse, #2))
“
Kristen, I vow that no matter what health issues lie ahead, I will love and take care of you. I will show you every day of your life that you’re worth everything. I will carry your worries. All I ask is that you carry your own dog purse.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
Remember, whoever holds the purse strings for the wedding has the control. Don't accept a cent from anyone else if possible. Then you and him will be the only ones calling the shots. All the decisionswill be yours and the rest of them will just have to go along with it.
”
”
Melissa Hill (The Guest List (Lakeview, #5))
“
The old man suddenly became intent, his brows knitted, his lips pursed. He stood motionless, in deep thought, presenting the picture that I love to see: a patient in the actual moment of discovery — half-appalled, half-amused — seeing for the first time exactly what is wrong and, in the same moment, exactly what there is to be done. This is the therapeutic moment.
”
”
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
“
O Heavenly Children, you chant God's name but you have forgotten him. He does not want your verses, or the coins from your purses, but for you to love and embrace each other. To uphold truth, justice and peace — and to respect your father and mother, fellow sisters and brothers.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Do you love him?" I blurted out.
Laadan swallowed and a long pause followed. In the gap, I heard someone moving around in the kitchen.
I started to grin. "You like him."
Looking away, her lips pursed.
I nudged her with my elbow. "You like him a lot."
She drew herself up. "Your father—"
"Is the love of your life?"
Alexandria," she snapped, but there was no real heat to her tone.
”
”
Jennifer L. Armentrout
“
Human tool-makers always make tools that will help us get what we want, and what we want hasn't changed for thousands of years because as far as we can tell the human template hasn't changed either. We still want the purse that will always be filled with gold, and the Fountain of Youth. We want the table that will cover itself with delicious food whenever we say the word, and that will be cleaned up afterwards by invisible servants. We want the Seven-League Boots so we can travel very quickly, and the Hat of Darkness so we can snoop on other people without being seen. We want the weapon that will never miss, and the castle that will keep us safe. We want excitement and adventure; we want routine and security. We want to have a large number of sexually attractive partners, and we also want those we love to love us in return, and be utterly faithful to us. We want cute, smart children who will treat us with the respect we deserve. We want to be surrounded by music, and by ravishing scents and attractive visual objects. We don't want to be too hot or too cold. We want to dance. We want to speak with the animals. We want to be envied. We want to be immortal. We want to be gods.
But in addition, we want wisdom and justice. We want hope. We want to be good.
”
”
Margaret Atwood (In Other Worlds: SF and the Human Imagination)
“
Love’s Not The Way To Treat a Friend"
Love’s not the way to treat a friend.
I wouldn’t wish that on you. I don’t
want to see your eyes forgotten
on a rainy day, lost in the endless purse
of those who can remember nothing.
Love’s not the way to treat a friend.
I don’t want to see you end up that way
with your body being poured like wounded
marble into the architecture of those who make
bridges out of crippled birds.
Love’s not the way to treat a friend.
There are so many better things for you
than to see your feelings sold
as magic lanterns to somebody whose body
casts no light.
”
”
Richard Brautigan (Rommel Drives on Deep Into Egypt)
“
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.”
I sat bolt upright, and Akinli rolled his eyes.
“I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.”
I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
“All right, we’ll take this slow. Five, six, seven, eight.”
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied.
We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
“Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
”
”
Kiera Cass (The Siren)
“
We tried to love the world. We cleaned after this world, scrubbed its hospital floors and ironed its shirts, sweated in its kitchens and spooned school lunches, cared for its sick and nursed its babies. But the world didn't want us, so we left and gave our love to Upper Room. Now we're afraid of this world. A boy snatched Hattie's purse one night and now none of us go out after dark. We hardly go anywhere at all, besides Upper Room. We've seen what this world has to offer. We're scared of what it wants.
”
”
Brit Bennett (The Mothers)
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
I'll love you forever. Nothing can change how I feel about you. Nothing. I'd take a bullet for you, walk on hot coals. I'll watch chick flicks and hold your purse at the mall. When babies come I'll rub your feet, and when we are old and gray, I'll love you even more than I do now. But I can't stand here and say 'Do whatever makes you happy,' because happy is temporary. I want us to have more, Kate. I want us to have joy.
”
”
Victoria Bylin (Until I Found You)
“
Before all else I learned that these playthings were not mere idle trifles invented by manufacturers and dealers for the purposes of gain. They were, on the contrary, a little or, rather, a big world, authoritative and beautiful, many sided, containing a multiplicity of things all of which had the one and only aim of serving love, refining the senses, giving life to the dead world around us, endowing it in a magical way with new instruments of love, from powder and scent to the dancing show, from ring to cigarette case, from waist-buckle to handbag. This bag was no bag, this purse no purse, flowers no flowers, the fan no fan. All were the plastic material of love, of magic and delight. Each was a messenger, a smuggler, a weapon, a battle cry.
”
”
Hermann Hesse (Steppenwolf)
“
Then you’ve never been in love?”
“Never.”
She nodded. “Nor have I.”
“A pity,” he said, pursing his lips. “I wonder how it would feel? To be swept away by a grand passion? To give everything for only one person in the world?”
Her lips curved wryly. “So idealistic for a rake. Really, you do spoil my prior understanding of what the word entailed.”
“This is my social face,” he said lightly. “Don’t confuse it with the animal beneath.
”
”
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
“
And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly.
The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always.
He gave each of us in turn the Look of Doom.
"Y'all smell like a North Carolina tobacco field in a wildfire," he said.
We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder.
Would he call my parents?
"I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled.
"He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty."
"You're awfully philosophical for a girl that just got busted," I told her.
"Sometimes you lose a battle. But mischief always wins the war.
”
”
John Green (Looking for Alaska)
“
Hamilton found it difficult to concentrate on what Eliza was saying. Her lips were moving rapidly, but he couldn't actually decipher what the words coming out of her mouth were. It was such a lovely mouth, and he found it quite quirky, given the fact that it could assume different positions with alarming frequency. Like now, it was pursed in a most attractive manner, and now... it was moving again as if the lady could not get the words out fast enough. His gaze traveled upward, past the eyes that were flashing and settled on her hair. He couldn't help but appreciate the efforts of Mabel. The curls she'd been able to produce on Eliza's head, well, they were tantalizing. He had the strangest urge to reach out and touch them, to feel with his own hand if they were as soft as they appeared, something he'd been contemplating ever since he got a good look at her in the dining room. He pulled abruptly back to reality when Eliza poked him in the chest.
”
”
Jen Turano (A Change of Fortune (Ladies of Distinction, #1))
“
Well, fuck a duck,” comes Morris’s delighted voice.
I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over.
“I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.”
I narrow my eyes. “He told you about the picture?”
“About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.”
Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this.
“I wish I was gay,” he says ruefully.
A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.”
“Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.”
“Gee, thanks.”
“Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Lady Linnea said,
“I don’t think you understand the balance of relationships. They are give-and-take.Gemma is my best friend,Gemma has my loyalty because she’s earned it, and I have Gemma’s trust because I’ve earned it.”
She tilted her head and studied Prince Toril with pursed lips.
“It takes work to build a lasting relationship, My Lord. You cannot expect someone to give you their everything just because.”
“I don’t think I understand,” Prince Toril said.
Lady Linnea said, stopping their stroll down the hallway.
“Allow me to rephrase it. A friendship is filled only with as much love as YOU give. Gemma has my heart because I chose to give it to her. And my choice paid off, because there is no one in this horrible, tattered world that I trust more than Gemma Kielland. And so we are two best friends, walking together to achieve what neither of us could do alone. Do you understand it now?
”
”
K.M. Shea (Rumpelstiltskin (Timeless Fairy Tales, #4))
“
This is something that has been puzzling me for years. Women will stand there watching their items being rung up, and then when the till lady says, ‘That’s £4.20, love,’ or whatever, they suddenly look as if they’ve never done this sort of thing before. They go ‘Oh!’ and start rooting in a flustered fashion in their handbag for their purse or chequebook, as if no-one had told them that this might happen.
”
”
Bill Bryson (Notes From A Small Island: Journey Through Britain)
“
I don’t sell spells, and I don’t sell tricks. I don’t carry illusions or marked cards or weighted coins. I can not sell you an endless purse or help you win the lottery. I can’t make that girl you’ve got your eye on fall in love with you, and I wouldn’t do it even if I could. I don’t have a psychic hotline to your dead relatives, I don’t know if you’re going to be successful in your career, and I don’t know when you’re going to get married. I can’t get you into Hogwarts or any other kind of magic school, and if you even mention those stupid sparkly vampires I will do something unpleasant to you.
”
”
Benedict Jacka (Cursed (Alex Verus, #2))
“
I like looking at your body,” she said.
“Thank you. I like looking at you, period,” I responded. She removed her shirt. She asked for help with her bra. We embraced. Our skins touched. I felt her heart beat against my chest. I felt my heart beating. Our heartbeats became one. One heartbeat. We became one. Time passed. I looked at my watch. 10:10. I stood. She remained on the bed, defining beauty.
“It’s getting close to eleven, baby. You should probably get up,” I said, looking for my shirt. I ran my hands through my hair.
“Stand right there,” she said. “Don’t move.” I stood. She reached to the side of the bed, and got her phone from her purse. She held it at arm’s length. “Don’t move,” she said.
“I heard you,” I responded. I stood. She took three photos. “I wish I could paint a picture of you,” I said.
“Do you paint?” she asked.
“No,” I responded, “But I wish I could. I would paint a picture of you right now, lying there without your shirt. I could stand here, Britney, and admire you for all of what is forever. You make me want to cry. But. That part of me is broken.
”
”
Scott Hildreth (Broken People)
“
Hope is a constant companion in this life. It is the one thing that neither cruel nature, God, nor other men can wrench from us. Health, wealth, beloved brothers and sisters, children, friends, the past, the future - all can be stolen from us as easily as an unguarded purse. But our greatest treasure, hope, remains. It is a sturdy little motor within, purring, ticking, driving us on when reason would suggest surrender. It is both the most pathetic and noblest thing about us, the most absurd and the most admirable quality we possess, for as long as we have hope, we also have the capacity for love, for caring, for decency.
”
”
Dean Koontz (Twilight Eyes)
“
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps.
That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Je fais mon lit et mon ménage; I seek my dinner in a restaurant; my supper takes care, of itself; I pass days laborious and loveless; nights long and lonely; I am ferocious, and bearded and monkish; and nothing now living in this world loves me, except some old hearts worn like my own, and some few beings, impoverished, suffering, poor in purse and in spirit, whom the kingdoms of this world own not, but to whom a will and testament not to be disputed has bequeathed the kingdom of heaven.
”
”
Charlotte Brontë
“
Well,the hell with you." She natched up her purse. "The hell with both of you."
"We love you, Margo."
That stopped her.She whirled back to glare at Kate. "That's a lousy thing to say.Bitch." When Kate grinned,she tried to grin back.Instead she dropped her purse back behind the counter and burst into tears.
"Oh,shit." Shocked,Kate leaped forward to gather her close. "Oh,hell.Oh, shit.Lock the door,Laura.I'm sorry, Margo.I'm sorry.Bad plan.I thought you'd just get mad and go tearing off to fix his butt.What did the bastard do to you,honey?I'll fix his butt for you."
"He dumped me." Thoroughly ashamed, she sobbed wretchedly on Kate's shoulder. "He hates me.I wish he were dead.I wish I had slept with Claudio."
"Wait.Whoa." Firmly, Kate drew he back,while Laura brought over a cup of tea.
"Who's Claudio and when didn't you sleep with him?"
"He's a friend,just a friend.And I never slept with him." The tears were so hot it felt as though her eyes were on fire. "Especially not when Josh found us in the bedroom."
"Uh-oh."
Kate rolled her eyes at Laura. "Is it a French farce or a Greek tragedy?You be the judge."
"Shut up,Kate.Come on Margo.Let's sit down.This time you tell us everything.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
It is merely a lust of the blood and a permission of the will. Come, be a man: drown thyself! drown cats and blind puppies. I have professed me thy friend, and I confess me knit to thy deserving with cables of perdurable toughness; I could never better stead thee than now. Put money in thy purse; follow thou the wars; defeat thy favour with an usurped beard; I say, put money in thy purse. It cannot be that Desdemona should long continue her love to the Moor,—put money in thy purse,—nor he his to her: it was a violent commencement, and thou shalt see an answerable sequestration;—put but money in thy purse.—These Moors are changeable in their wills:—fill thy purse with money: the food that to him now is as luscious as locusts shall be to him shortly as acerb as the coloquintida. She must change for youth: when she is sated with his body, she will find the error of her choice: she must have change, she must: therefore put money in thy purse.—If thou wilt needs damn thyself, do it a more delicate way than drowning. Make all the money thou canst; if sanctimony and a frail vow betwixt an erring barbarian and a supersubtle Venetian be not too hard for my wits and all the tribe of hell, thou shalt enjoy her; therefore make money. A pox of drowning thyself! it is clean out of the way: seek thou rather to be hanged in compassing thy joy than to be drowned and go without her.
”
”
William Shakespeare
“
When I finished my beautiful day, I walked toward my car. I turned around and Harry was watching me through the window. We waved and I walked on to my car. He was probably still watching me—the slight sway of my hips. My plain ordinary navy blue skirt rippling like a flirt. My long legs. I purposely dropped my keys, so I’d have to bend over to pick them up. He’d enjoy that all evening when he was alone thinking of me. And the way I opened the door wide. And the way I sat in the car, leaving one foot hanging out for a bit, while I dug something out of my old plastic purse, just to be in his view longer.
”
”
G.M. Monks (Iola O)
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
I pulled, allowing her body to slide down mine. I kept my hands at her waist to slow her descent. The shifting of her body against mine was heavenly. She sucked in a breath, and when our faces were level, her eyes were not narrowed, but closed. Her lips weren't pursed, but her bottom lip was caught between her teeth in a way that made my mouth dry. Her cheeks were still flushed, but I had a feeling it wasn't about anger anymore.
"You did that on purpose," she said.
I laughed, and it came out raspy. She wasn't the only one affected by our closeness. "I definitely did that on purpose. I think we should make this a post-show ritual actually.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin.
“I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.”
Keegan sighed, raspy and long. “Okay.”
“Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.”
Another sigh followed, and then a nod of consent.
“My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.”
“Er, okay.”
“My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?”
He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach.
“I’m going too far, huh?”
His smile was crooked. “Just a smidge.
”
”
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
“
I Knew a Woman"
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I’d have them sing in chorus, cheek to cheek).
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and Stand;
She taught me Touch, that undulant white skin;
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved).
Let seed be grass, and grass turn into hay:
I’m martyr to a motion not my own;
What’s freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways).
”
”
Theodore Roethke (The Collected Poems)
“
The truth is, there are no alternate realities. At least not the way Penny describes them. Maybe an infinite multiverse is born from every action, whether it’s two atoms colliding or two people. Maybe reality is constantly fluctuating around us, but our senses aren’t equipped to detect those quantum variations. Maybe that’s what our senses are, an ungainly organic sieve through which the chaos of existence is filtered into something manageable enough that you can get out of bed in the morning . Maybe the totality of what we perceive with our senses is as clumsy a portrait of reality as a child’s chalk drawing on a sidewalk compared to the face of the woman you’re already falling in love with lying next to you in a mess of sheets and blankets, her lips still pursed as they pull away from your mouth.
”
”
Elan Mastai (All Our Wrong Todays)
“
. . . Yes, I’m an aesthete. I like beauty.
Yes – poor countries are beautiful. Poor people are beautiful. It’s a wonderful feeling to have money in a country where most people are poor, to ride in a taxi through horrible slums.
Yes – a beggar can be beautiful. A beggar can have beautiful lips, beautiful eyes. You’re far from home. To you, her simple shawl seems elegant, direct, the right way to dress. You see her approaching from a great distance. She’s old, thin, and yes, she looks sick, very sick, near death. But her face is beautiful – seductive, luminous. You like her – you’re drawn to her. Yes, you think – there’s money in your purse – you’ll give her some of it.
And a voice says – Why not all of it? Why not give her all you have?
Be careful, that’s a question that could poison your life. Your love of beauty could actually kill you.
If you hear that question, it means you’re sick. You’re mentally sick. You’ve had a breakdown.
”
”
Wallace Shawn (The Fever)
“
I felt bashful, like I had when I'd first told him of An Imperial Affliction. "Um, okay. Okay. 'Let us go, trough certain half-deserted streets,/ The muttering retreats/ Of restless nights in one-night cheap hotels/ and sawdust restaurants with oyster shells:/ Streets that follow like a tedious argument/ Of insidious intent/ To lead you to an overwhelming question../Oh, do not ask, "What is it?"/ Let us go and make our visit" "I'm in love with you," he said quietly. "Augustus," I said. "I am, " he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you." "Augustus," I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this wierdly painful joy, but I couldn't say it back. I couldn't say it back. I just looked at him and let him look at me until he nodded, lips pursed, and turned away, placing the side of his head against the window.
”
”
John Green (The Fault in Our Stars)
“
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French."
He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
Here’s a theory: Maybe I had not really been broken this whole time.
Maybe I had been a human—flawed and still growing but full of light nonetheless. All this time, I had received plenty of love, but I’d given it, too. Unbeknownst to me, I had been scattering goodness all around like fun-sized chocolates accidentally falling out of my purse as I moved through the world. Perhaps the only real thing that was broken was the image I had of myself—punishing and unfair, narrow and hypercritical. Perhaps what was really happening was that, along with all my flaws, I was a fucking wonder. And I continue to be a fucking wonder. A fun, dependable friend who will always call you back, cook for you, and fiercely defend your honor. A devoted sister and daughter who prioritises and appreciates family in ways less-traumatised people can never quite understand. A hardworking, capable employee who brings levity and mischievousness to the offices I inhabit. I am a person who is generous with her love, who is present in texts and calls and affirmations, because I know so intimately how powerful that love can be.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.
Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
”
”
E.L. Doctorow (City of God)
“
She was theorizing on the Deep State; that enduring Turkish paranoia that the nation really was a conspiracy run by a cabal of generals, judges, industrialists and gangsters. The Taksim Square massacre of three years before, the Kahramanmaraş slaughter of Alevis a few months after, the oil crisis and the enduring economic instability, even the ubiquity of the Grey Wolves nationalist youth movement handing out their patriotic leaflets and defiling Greek Churches: all were links in an accelerating chain of events running through the fingers of the Derin Devlet. To what end? the men asked. Coup, she said, leaning forward, her fingers pursed. It was then that Georgios Ferentinou adored her. The classic profile, the strength of her jaw and fine cheekbones. The way she shook her head when the men disagreed with her, how her bobbed, curling hair swayed. The way she would not argue but set her lips and stared, as if their stupidity was a stubborn offence against nature. Her animation in argument balanced against her marvellous stillness when listening, considering, drawing up a new answer. How she paused, feeling the regard of another, then turned to Georgios and smiled.
In the late summer of 1980 Georgios Ferentinou fell in love with Ariana Sinanidis by Meryem Nasi’s swimming pool. Three days later, on September 12th, Chief of General Staff Kenan Evren overthrew the government and banned all political activity.
”
”
Ian McDonald (The Dervish House)
“
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
”
”
John Green (The Fault in Our Stars)
“
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.”
“Con, chill out,” Jeremiah said. “She’s not leaving. Right, Belly?”
He looked at me, and I pursed my lips and nodded. Then I gave Conrad the dirtiest look I could muster, and I shot one at the girl, too, when I was far enough away that she wouldn’t be able to reach out and grab me by the hair.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
”
”
Friedrich Nietzsche
“
His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.”
“You’re talking nonsense,” Kate said self-consciously. “My hands—”
But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?”
Kate shivered with delight.
“For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?”
Kate had no response, and he chuckled, the sound low and warm in her ears.
“And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.”
Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin.
“I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?”
His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.”
One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.”
“It’s my wedding night, too,” she pointed out.
He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?”
He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple.
“Touching,” Kate gasped, arching off the bed. “Definitely touching.”
“You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest.
"Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message.
I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke.
"I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died."
Her lips pursed and unpursed as she dreamed.
"Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for.
" I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you."
I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been.
" I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for."
There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round.
He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her.
I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter.
I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him.
All I could do was wait and give America the time she seem to need. Really, we all needed it.
Time was the only thing that would settle this.
”
”
Kiera Cass (Happily Ever After (The Selection, #0.4, 0.5, 2.5, 2.6, 3.3))
“
Hey, Large,” Gabe says, flicking me with his towel. “Where you been all day?”
“I’ve been around.” I look over at Peter, but he won’t meet my eyes. “I saw you guys on the slopes.”
Darrell says, “Then why didn’t you holler at us? I wanted to show off my ollies for you.”
Teasingly I say, “Well, I called Peter’s name, but I guess he didn’t hear me.”
Peter finally looks me in the eyes. “Nope. I didn’t hear you.” His voice is cold and indifferent and so un-Peterlike, the smile fades from my face.
Gabe and Darrell exchange looks like oooh and Gabe says to Peter, “We’re gonna head out to the hot tub,” and they trot off.
Peter and I are left standing in the lobby, neither of us saying anything. I finally ask, “Are you mad at me or something?”
“Why would I be mad?”
And then it’s back to quiet again.
I say, “You know, you’re the one who talked me into coming on this trip. The least you could do is talk to me.”
“The least you could do was sit next to me on the bus!” he bursts out.
My mouth hangs open. “Are you really that mad that I didn’t sit next to you on the bus?”
Peter lets out an impatient breath of air. “Lara Jean, when you’re dating someone, there are just…certain things you do, okay? Like sit next to each other on a school trip. That’s pretty much expected.”
“I just don’t see what the big deal is,” I say. How can he be this mad over such a tiny thing?
“Forget it.” He turns like he’s going to leave, and I grab his sweatshirt sleeve. I don’t want to be in a fight with him; I just want it to be fun and light the way it always is with us. I want him to at least still be my friend. Especially now that we’re at the end.
I say, “Come on, don’t be mad. I didn’t realize it was that big of a deal. I swear I’ll sit next to you on the way home, okay?”
He purses his lips. “But do you get why I was pissed?”
I nod back. “Mm-hmm.”
“All right then, you should know that you missed out on mocha sugar donuts.”
My mouth falls open. “How’d you get those? I thought the shop didn’t open that early!”
“I went out and got them last night specifically for the bus ride,” Peter says. “For you and me.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
What happened?” Dallas asked immediately, his hand reaching out toward Louie. I didn’t miss how Lou took his hand instantly.
“She called me a brat,” Louie blurted out, his other little hand coming up to meet with the one already clutching our neighbor’s.
I blinked and told myself I was not going to look at Christy until I had the full story.
“Why?” Dallas was the one who asked.
“He spilled some of his hot chocolate on her purse,” it was Josh who explained. “He said sorry, but she called him a brat. I told her not to talk to my brother like that, and she told me I should have learned to respect my elders.”
For the second time around this woman, I went to ten. Straight through ten, past Go, and collected two hundred dollars.
“I tried to wipe it up,” Louie offered, those big blue eyes going back and forth between Dallas and me for support.
“You should teach these boys to watch where they’re going,” Christy piped up, taking a step back.
Be an adult. Be a role model, I tried telling myself. “It was an accident,” I choked out. “He said he was sorry… and your purse is leather and black, and it’ll be fine,” I managed to grind out like this whole thirty-second conversation was jabbing me in the kidneys with sharp knives.
“I’d like an apology,” the woman, who had gotten me suspended and made me cry, added quickly.
I stared at her long face. “For what?”
“From Josh, for being so rude.”
My hand started moving around the outside of my purse, trying to find the inner compartment when Louie suddenly yelled, “Mr. Dallas, don’t let her get her pepper spray!”
The fuck?
Oh my God. I glared at Louie. “I was looking for a baby wipe to offer her one, Lou. I wasn’t getting my pepper spray.”
“Nuh-uh,” he argued, and out of the corner of my eye, I noticed Christy take a step back. “I heard you on the phone with Vanny. You said, you said if she made you mad again you were gonna pepper spray her and her mom and her mom’s mom in the—”
“Holy sh—oot, Louie!” My face went red, and I opened my mouth to argue that he hadn’t heard me correctly. But… I had said those words. They had been a joke, but I’d said them. I glanced at Dallas, the serious, easygoing man who happened to look in that instant like he was holding back a fart but was hopefully just a laugh, and finally peeked at the woman who I’d like to think brought this upon herself. “Christy, I would never do that—”
...
I cleared my throat and popped my lips. “Well, that was awkward.”
“I’m not a brat.” Louie was still hung up and outraged.
I pointed my finger at him. “You’re a tattletale, that’s what you are. Nosey Rosie. What did I tell you about snitches?”
“You love them?
”
”
Mariana Zapata (Wait for It)
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))