Barrett Quotes

How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach

You're something between a dream and a miracle.

How do I love thee? Let me count the ways.

We write in response to what we read and learn; and in the end we write out of our deepest selves.

No man can be called friendless who has God and the companionship of good books.

Earth's crammed with heaven... But only he who sees, takes off his shoes.

I love you not only for what you are, but for what I am when I am with you.

Earth's crammed with heaven, And every common bush afire with God, But only he who sees takes off his shoes; The rest sit round and pluck blackberries.

I love you not only for what you are, but for what I am when I am with you. I love you not only for what you have made of yourself, but for what you are making of me. I love you for the part of me that you bring out.

How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace. I love thee to the level of every day's Most quiet need, by sun and candle-light. I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints. I love thee with the breath, Smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.

You were made perfectly to be loved and surely I have loved you in the idea of you my whole life long.

Love me sweet With all thou art Feeling, thinking, seeing; Love me in the Lightest part, Love me in full Being.

My sun sets to rise again.

Why, what is to live? Not to eat and drink and breathe,—but to feel the life in you down all the fibres of being, passionately and joyfully.

Who so loves believes the impossible.

The little cares that fretted me, I lost them yesterday Among the fields above the sea, Among the winds at play.

Quick-loving hearts ... may quickly loathe.

Light tomorrow with today.

God's gifts put men's best dreams to shame.

Witch, scholar, poet, dreamer, and the rest...

If in life we are surrounded by death, then in the health of our intellect we are surrounded by madness.

With stammering lips and insufficient sound I strive and struggle to deliver right the music of my nature.

Wish You Were Here So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.

All actual heroes are essential men, And all men possible heroes.

I love thee to the depth and breadth and height my soul can reach.

Parting is all we know of heaven And all we need of hell

And yet, because I love thee, I obtain From that same love this vindicating grace, To live on still in love, and yet in vain

Books, books, books! I had found the secret of a garret room Piled high with cases in my father’s name; Piled high, packed large,--where, creeping in and out Among the giant fossils of my past, Like some small nimble mouse between the ribs Of a mastodon, I nibbled here and there At this or that box, pulling through the gap, In heats of terror, haste, victorious joy, The first book first. And how I felt it beat Under my pillow, in the morning’s dark, An hour before the sun would let me read! My books!

Measure not the work until the day's out and the labor done.

She doesn't speak, and I say nothing more. We just stare at each other, letting the tears roll down our cheeks. That's what tears are for, after all. A way for the soul to bleed.

I saw, in gradual vision through my tears, The sweet, sad years, the melancholy years, Those of my own life, who by turns had flung A shadow across me.

And if God choose I shall but love thee better after death.

What I do, and what I dream include thee, as the wine must taste of its own grapes.

Hey, so I told my hoe yesterday that..." Aww, he talks to his shovel. How cute.

What we call Life is a condition of the soul. And the soul must improve in happiness and wisdom, except by its own fault. These tears in our eyes, these faintings of the flesh, will not hinder such improvement.

Numerous experiments showed that people feel depressed when they fail to live up to their own ideals, but when they fall short of a standard set by others, they feel anxious.

My patience has dreadful chilblains from standing so long on a monument.

The world of books is still the world.

Girls blush, sometimes, because they are alive, Half wishing they were dead to save the shame. The sudden blush devours them, neck and brow; They have drawn too near the fire of life, like gnats, And flare up bodily, wings and all. What then? Who's sorry for a gnat... or a girl?

Alas, I have grieved so I am hard to love. Yet love me--wilt thou? Open thine heart wide, And fold within, the wet wings of thy dove.

If thou must love me, let it be for naught Except for love's sake only. Do not say, 'I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity. If Thou Must Love Me

There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment.

I would build a cloudy House For my thoughts to live in; When for earth too fancy-loose And too low for Heaven! Hush! I talk my dream aloud - I build it bright to see, - I build it on the moonlit cloud, To which I looked with thee.

Fangirl rage. It demands to be feared.

As Elizabeth Barrett Browning once observed poetically: "Earth's crammed with heaven, and every common bush afire with God.

If I leave all for thee, wilt thou exchange And be all to me?

An emotion is your brain’s creation of what your bodily sensations mean, in relation to what is going on around you in the world.

She lived, we'll say, A harmless life, she called a virtuous life, A quiet life, which was not life at all (But that she had not lived enough to know)

In this abundant earth no doubt Is little room for things worn out: Disdain them, break them, throw them by! And if before the days grew rough We once were lov'd, us'd -- well enough, I think, we've far'd, my heart and I.

Will that light come again, As now these tears come...falling hot and real!

You have touched me more profoundly than I thought even you could have touched me - my heart was full when you came here today. Henceforward I am yours for everything.

You don't have to kiss a lot of frogs to recognize a prince when you find one." -Henrietta Barrett, (Minx, Splendid Trilogy book #3)

That's what tears are for, after all. A way for the soul to bleed. Pg. 109

Yes, I answered you last night; No, this morning, sir, I say: Colors seen by candle-light Will not look the same by day.

A boy and a girl were insanely in love with each other,” my mother’s voice was saying. “They decided to become engaged. And that’s when presents are always exchanged. The boy was poor–his only worthwhile possession was a watch he’d inherited from his grandfather. Thinking about his sweetheart’s lovely hair, he decided to sell the watch in order to buy her a silver barrette. The girl had no money herself to buy him a present. She went to the shop of the most successful merchant in the town and sold him her hair. With the money, she bought a gold watchband for her lover. When they met on the day of the engagement party, she gave him the wristband for a watch he had sold, and he gave her the barrette for the hair she no longer had

An actor is a sculptor who carves in snow.

Life loves to be taken by the lapel and told: "I'm with you kid. Let's go.

OF writing many books there is no end; And I who have written much in prose and verse For others' uses, will write now for mine,- Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer and looks at it Long after he has ceased to love you, just To hold together what he was and is.

That's all I wanted to do as a kid. Play a guitar properly and jump around. But too many people got in the way.

Beloved, let us live so well our work shall still be better for our love, and still our love be sweeter for our work.

XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.

It takes more than one human brain to create a human mind.

الكتاب هو المعلم الذي يعلم بلا عصا و لا كلمات و لا غضب . . بلا خبز و لا ماء . . إن دنوت منه لا تجده نائماً وإن قصدته لا يختبىء منك . . وإن أخطأت لا يوبخك وإذا أظهرت جهلك لا يسخر منك

If thou must love me, let it be for naught except for love's sake only.

تغير وجه العالم في ظني..منذ سمعت خطو روحك أول مرة

Emotions are not reactions to the world; they are your constructions of the world.

Twice Flush had done his utmost to kill his enemy; twice he had failed. And why had he failed, he asked himself? Because he loved Miss Barrett. Looking up at her from under his eyebrows as she lay, severe and silent on the sofa, he knew that he must love her for ever. Things are not simple but complex. If he bit Mr. Browning he bit her too. Hatred is not hatred; hatred is also love.

Because God's gifts put man's best dreams to shame.

I do not think I’m easy to define. I have a wandering mind. And I’m not anything that you think I am.

What is art but the life upon the larger scale, the higher. When, graduating up in a spiral line of still expanding and ascending gyres, it pushes toward the intense significance of all things, hungry for the infinite?

But love me for love's sake, that evermore Thou may'st love on, through love's eternity.

The face of all the world is changed, I think, Since first I heard the footsteps of they soul Move still, oh, still, beside me...

I'm full of dust and guitars...

Scientific revolutions tend to emerge not from a sudden discovery but by asking better questions

Men could not part us with their worldly jars, Nor the seas change us, nor the tempests bend; Our hands would touch for all the mountain-bars,-- And, heaven being rolled between us at the end, We should but vow the faster for the stars.

The human brain is a cultural artifact. We don't load culture into a virgin brain like software loading into a computer; rather, culture helps to wire the brain. Brains then become carriers of culture, helping to create and perpetuate it.

Instead think, “We have a disagreement,” and engage your curiosity to learn your friend’s perspective. Being curious about your friend’s experience is more important than being right.

If a man has learned to think, no matter what he may think about, he is always thinking of his own death. All philosophers were like that. And what truth can there be, if there is death?

Golf: A plague invented by the Calvinistic Scots as a punishment for man's sins.

I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use

...But the child's sob in silence curses deeper / Than the strong man in his wrath.

Love doesn't make the world go round, Love is what makes the ride worthwhile!

Home, he murmured. It’s always the hardest to leave. ...because it gives you the biggest punch in the gut as you’re on your way off. All the memories come flooding in… and you’re left with a feeling of emptiness. You’re homesick before you’re even gone.

Our Euripides the human, With his droppings of warm tears, and his touchings of things common Till they rose to meet the spheres.

I take her as God made her, and as men Must fail to unmake her, for my honoured wife.

The word “smile” doesn’t even exist in Latin or Ancient Greek. Smiling was an invention of the Middle Ages, and broad, toothy-mouthed smiles (with crinkling at the eyes, named the Duchenne smile by Ekman) became popular only in the eighteenth century as dentistry became more accessible and affordable.

I think that it is a great tragedy that a child can lose their mother, father, sister or brother, because you and I made a decision that getting loaded was more important than they are.

We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy." Unhappy? Why's that?" With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward. Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course." I nodded. I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.

Man's feeling of homelessness, of alienation has been intensified in the midst of a bureaucratized, impersonal mass society. He has come to feel himself an outsider even within his own human society. He is trebly alienated: a stranger to God, to nature, and to the gigantic social apparatus that supplies his material wants. But the worst and final form of alienation, toward which indeed the others tend, is man's alienation from his own self. In a society that requires of man only that he perform competently his own particular social function, man becomes identified with this function, and the rest of his being is allowed to subsist as best it can - usually to be dropped below the surface of consciousness and forgotten.

O Life, How oft we throw it off and think, — 'Enough, Enough of life in so much! — here's a cause For rupture; — herein we must break with Life, Or be ourselves unworthy; here we are wronged, Maimed, spoiled for aspiration: farewell Life!' — And so, as froward babes, we hide our eyes And think all ended. — Then, Life calls to us In some transformed, apocryphal, new voice, Above us, or below us, or around . . Perhaps we name it Nature's voice, or Love's, Tricking ourselves, because we are more ashamed To own our compensations than our griefs: Still, Life's voice! — still, we make our peace with Life.

Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...

Enough! we're tired, my heart and I. We sit beside the headstone thus, And wish that name were carved for us. The moss reprints more tenderly The hard types of the mason's knife, As Heaven's sweet life renews earth's life With which we're tired, my heart and I .... In this abundant earth no doubt Is little room for things worn out: Disdain them, break them, throw them by! And if before the days grew rough We once were loved, used, - well enough, I think, we've fared, my heart and I.

My letters! all dead paper, mute and white! And yet they seem alive and quivering Against my tremulous hands which loose the string And let them drop down on my knee to-night. This said, -- he wished to have me in his sight Once, as a friend: this fixed a day in spring To come and touch my hand ... a simple thing, Yet I wept for it! -- this, ... the paper's light ... Said, Dear I love thee; and I sank and quailed As if God's future thundered on my past. This said, I am thine -- and so its ink has paled With lying at my heart that beat too fast. And this ... O Love, thy words have ill availed If, what this said, I dared repeat at last!

But one thing is certain: every day in America, thousands of people appear before a jury of their peers and hope they will be judged fairly, when in reality they are judged by human brains that always perceive the world from a self-interested point of view. To believe otherwise is a fiction that is not supported by the architecture of the brain.

... Such a scribe you pay and praise for putting life in stones, Fire into fog, making the past your world. There's plenty of 'How did you contrive to grasp The thread which led you through this labyrinth? How build such solid fabric out of air? How on so slight foundation found this tale, Biography, narrative?' or, in other words, How many lies did it require to make The portly truth you here present us with?

..one true thing among all these paths is the need to tap a deep vein of connection between our own uncontrollable interior preoccupations and what we're most concerned about in the world around us. We write in response to that world; we write in response to what we read and learn; and in the end we write out of our deepest selves, the live, breathing, bleeding place where the picture form, and where it all begins.

And wilt thou have me fashion into speech The love I bear thee, finding words enough, And hold the torch out, while the winds are rough, Between our faces, to cast light on each? - I dropt it at thy feet. I cannot teach My hand to hold my spirits so far off From myself--me--that I should bring thee proof In words, of love hid in me out of reach. Nay, let the silence of my womanhood Commend my woman-love to thy belief, - Seeing that I stand unwon, however wooed, And rend the garment of my life, in brief, By a most dauntless, voiceless fortitude, Lest one touch of this heart convey its grief.

To a Vase "How do I break thee? Let me count the ways. I break thee if thou art at any height My paw can reach, when, smarting from some slight, I sulk, or have one of my crazy days. I break thee with an accidental graze Or twitch of tail, if I should take a fright. I break thee out of pure and simple spite The way I broke the jar of mayonnaise. I break thee if a bug upon thee sits. I break thee if I'm in a playful mood, And then I wrestle with the shiny bits. I break thee if I do not like my food. And if someone they shards together fits, I'll break thee once again when thou art glued.

Yet, love, mere love, is beautiful indeed And worthy of acceptation. Fire is bright, Let temple burn, or flax; an equal light Leaps in the flame from cedar-plank or weed: And love is fire. And when I say at need I love thee ... mark! ... I love thee -- in thy sight I stand transfigured, glorified aright, With conscience of the new rays that proceed Out of my face toward thine. There's nothing low In love, when love the lowest: meanest creatures Who love God, God accepts while loving so. And what I feel, across the inferior features Of what I am, doth flash itself, and show How that great work of Love enhances Nature's.

Brian Wilson went to bed for three years. Jean-Michel Basquiat would spend all day in bed. Monica Ali, Charles Bukowski, Marcel Proust, Elizabeth Barrett Browning, Tracey Emin, Emily Dickinson, Edith Sitwell, Frida Kahlo, William Wordsworth, René Descartes, Mark Twain, Henri Matisse, Kathy Acker, Derek Jarman and Patti Smith all worked or work from bed and they’re productive people. (Am I protesting too much?) Humans take to their beds for all sorts of reasons: because they’re overwhelmed by life, need to rest, think, recover from illness and trauma, because they’re cold, lonely, scared, depressed – sometimes I lie in bed for weeks with a puddle of depression in my sternum – to work, even to protest (Emily Dickinson, John and Yoko). Polar bears spend six months of the year sleeping, dormice too. Half their lives are spent asleep, no one calls them lazy. There’s a region in the South of France, near the Alps, where whole villages used to sleep through the seven months of winter – I might be descended from them. And in 1900, it was recorded that peasants from Pskov in northwest Russia would fall into a deep winter sleep called lotska for half the year: ‘for six whole months out of the twelve to be in the state of Nirvana longed for by Eastern sages, free from the stress of life, from the need to labour, from the multitudinous burdens, anxieties, and vexations of existence’.‡ Even when I’m well I like to lie in bed and think. It’s as if