“
When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night.
”
”
Alice Hoffman (Here on Earth)
“
There is only a black fence
and a wide field and a barn of Wyeth red.
The smell of anger chokes the air.
Ravens of September rain descend.
Some say a mad mad hermit man lived here
talking to himself and the woodchuck.
But he's gone. No reason. No sense.
He just wandered off one day,
past the onions, past the fence.
Forget the letters. Forget love.
Troy is nothing more than
a black finger of charcoal
frozen in lake ice.
And near where the owl watches
and the old bear dreams,
the parapet of memory burns to the ground
taking heaven with it.
”
”
Mark Z. Danielewski (House of Leaves)
“
Like what? The things Literature was all about: love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God. And barn owls.
”
”
Julian Barnes (The Sense of an Ending)
“
The soft, fluttering cry of a barn owl rose over the churchyard. Silent men flowed out of the dark.
”
”
Parke Godwin
“
As he looked out in the pitch dark beyond, a barn owl came into the floodlight, glid silently between the barns and was gone, seeming to leave some ghost of itself, some measureless whiteness in the air.
”
”
Cynan Jones (The Dig)
“
Writers show us the glades we'd missed, the trickling voices of streams, the eyes of a barn owl watching us. A writer like my father revealed a shape and movement amid it all, layers, meaning, perspective, joy, because he paid such careful attention, and paying attention is about the biggest redemption there is.
”
”
Anne Lamott
“
My mind blurs to a ripple of pleasure when his soft, full lips at last make contact with mine. He starts to deepen the kiss, but pauses, intent on the glass behind me. “You gotta be kidding.”
I glance over my shoulder. Outside, Morpheus hangs on the glass in moth form, level with my head, glaring at us with his bulbous gaze. Even without a face, his smugness is apparent. His favorite pastime is interrupting Jeb’s romantic moments. I try not to laugh, but can’t help myself.
“Cocky son of a bug.” Jeb sets me on the floor and draws the dropcloth tighter around me.
A barn owl swoops from the sky and skims the glass. Morpheus launches off in a tizzy, trying to outrun the bird. Now Jeb’s the one laughing.
I slap his shoulder. “Hey, that’s not funny.”
“Ah, he’ll be okay.” Jeb raises an eyebrow, watching the aerial pursuit taking place outside the glass. “It’s a new genus of vegetarian owls. They’re only in it for the chase. Besides, Morphie-boy can change to his other form anytime he wants.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
In the pause before his answer, I heard the distant screech of a barn owl. Then a nightingale warbled from a nearby hedge. The first could be a warning; the second suggested a mystery or . . . love. Or just a bird singing in the hedge. Reading signs was rather an imprecise art.
”
”
Sharon Lynn Fisher (Salt & Broom)
“
Mathilde saw her own face reflected in the window, but no, it was a barn owl on a low branch in the cherry trees. She could barely master herself. She had never expected this. These women, such kindness, their eyes shining in the dim room. They saw her. She didn't know why, but they saw her, and they loved her even still.
”
”
Lauren Groff (Fates and Furies)
“
A barn owl was perched atop the refrigerator.
”
”
Elizabeth Bear (Future Visions: Original Science Fiction Inspired by Microsoft)
“
“You’re wearing your Seduction Hat. Why am I not surprised?”
He offers a pirate’s smile. “Did you notice . . . I’ve a new embellishment?” He makes a show of adjusting an owl’s tail feather in the band.
I bite back a giggle. “Vegetarian barn owl, I presume?”
“Won’t be bothering me again for some time.”
“I can guarantee it’s not the only one out there.”
He loops my arm through his. “Good. I’m always up for a worthy chase.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
Hing hang hung! the words rang faintly through his daydream like echoes of Miz Cunningham's tart little doorbell. Then he looked again at the old woman herself. Why, she was really quite wonderful - this old fat woman! In the end, she got her hands on nearly everything in the world! Just look at her window! There by the pair of old overshoes were Jamey Hankins' ice skates. There was old Walt Spoon's elk's tooth. There - his mother's own wedding ring! There was a world in the window of this remarkable old woman. And it was probable that when Miz Cunningham like an ancient barn owl fluttered and flapped to earth at last, they would take her away and pluck her open and find her belly lined with fur and feathers and the tiny mice skulls of myriad dreams.
”
”
Davis Grubb (The Night of the Hunter)
“
José Luis Peña, a neuroscientist at the Albert Einstein College of Medicine, and his collaborators have discovered that the sound localization system in a barn owl’s brain performs sophisticated mathematical computations to execute this pinpointing of prey.
”
”
Jennifer Ackerman (What an Owl Knows: The New Science of the World's Most Enigmatic Birds)
“
Thus, in my rendering, Chateaubriand may occasionally sound like Cioran (who called him “a sonorous Pascal”), or Baudelaire (who called him “one of the surest and rarest masters”), or Proust (who compared his distinctive sentences to the barn owl’s distinctive cry), or Sebald (who so seamlessly integrated passages of the Memoirs into the penultimate chapter of The Rings of Saturn).
”
”
François-René de Chateaubriand (Memoirs from Beyond the Grave: 1768-1800)
“
She never expected gross perfidy from the meek and mild.” Mathilde saw her own face reflected in the window, but no, it was a barn owl on a low branch in the cherry trees. She could barely master herself. She had never expected this. These women. Such kindness. Their eyes shining in the dim room. They saw her. She didn’t know why, but they saw her and they loved her even still. “There’s
”
”
Lauren Groff (Fates and Furies)
“
THE MEETING"
"Scant rain had fallen and the summer sun
Had scorched with waves of heat the ripening corn,
That August nightfall, as I crossed the down
Work-weary, half in dream. Beside a fence
Skirting a penning’s edge, an old man waited
Motionless in the mist, with downcast head
And clothing weather-worn. I asked his name
And why he lingered at so lonely a place.
“I was a shepherd here. Two hundred seasons
I roamed these windswept downlands with my flock.
No fences barred our progress and we’d travel
Wherever the bite grew deep. In summer drought
I’d climb from flower-banked combe to barrow’d hill-top
To find a missing straggler or set snares
By wood or turmon-patch. In gales of March
I’d crouch nightlong tending my suckling lambs.
“I was a ploughman, too. Year upon year
I trudged half-doubled, hands clenched to my shafts,
Guiding my turning furrow. Overhead,
Cloud-patterns built and faded, many a song
Of lark and pewit melodied my toil.
I durst not pause to heed them, rising at dawn
To groom and dress my team: by daylight’s end
My boots hung heavy, clodded with chalk and flint.
“And then I was a carter. With my skill
I built the reeded dew-pond, sliced out hay
From the dense-matted rick. At harvest time,
My wain piled high with sheaves, I urged the horses
Back to the master’s barn with shouts and curses
Before the scurrying storm. Through sunlit days
On this same slope where you now stand, my friend,
I stood till dusk scything the poppied fields.
“My cob-built home has crumbled. Hereabouts
Few folk remember me: and though you stare
Till time’s conclusion you’ll not glimpse me striding
The broad, bare down with flock or toiling team.
Yet in this landscape still my spirit lingers:
Down the long bottom where the tractors rumble,
On the steep hanging where wild grasses murmur,
In the sparse covert where the dog-fox patters.”
My comrade turned aside. From the damp sward
Drifted a scent of melilot and thyme;
From far across the down a barn owl shouted,
Circling the silence of that summer evening:
But in an instant, as I stepped towards him
Striving to view his face, his contour altered.
Before me, in the vaporous gloaming, stood
Nothing of flesh, only a post of wood.
”
”
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
“
As she pronounced the last word the corpse shuddered violently; it slumped down to the ground and for a moment Gytha thought it was going to disappear back into the earth. But as she watched, its ashen, waxy skin began to bubble all over, as if maggots were crawling out of it, covering it from its skull to its feet. The skin was erupting into soft white feathers. The child lifted its head, and in the dark empty hollows of its eyes were two black glistening pearls. Two long wings unfurled on either side of its body and as they beat, the pale creature rose silently into the air. The barn owl hovered above them for a moment, its wings outstretched against the moon, then it turned and glided away over the dark mass of the trees.
”
”
Karen Maitland (The Gallows Curse)
“
This was another one of our fears: that Life wouldn't turn out to be like Literature. Look at our parents--were they the stuff of Literature? At best, they might aspire to the conditions of onlookers and bystanders, part of a social backdrop against which real, true, important things could happen. Like what? The things Literature was all about: love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God. And barn owls... Real Literature was about psychological, emotional and social truth as demonstrated by the actions and reflections of its protagonists.
”
”
Julian Barnes (The Sense of an Ending)
“
Children, now we shall try to write a capital letter L,” I say and go to the blackboard. “Ten lines of L’s, then five lines of Lina, and five lines of Larch.” I write out the words slowly with chalk. A shuffling and rustling begins behind me. I expect to find that they are laughing at me and turn around. But it is only the notebooks being opened and the slates put in readiness. The forty heads are bent obediently over their task. —I am almost surprised. The slate pencils are squeaking, the pens scratching. I pass to and fro between the forms. On the wall hangs a crucifix, a stuffed barn owl and a map of Europe. Outside the windows the clouds drive steadily by, swift and low. The map of Germany is coloured in brown and green. I stop before it. The frontiers are hatched in red, and make a curious zigzag from top to bottom. Cologne—Aachen, there are the thin black lines marking the railways; Herbesthal, Liège, Brussels, Lille—I stand on tiptoe—Roubaix, Arras, Ostend—Where is Mount Kemmel then? It isn’t marked at all; but there is Langemarck, Ypres, Bixschoote, Staden. How small they are on the map—tiny points only, secluded, tiny points—and yet how the heavens thundered and the earth raged there on the 31st of July when the Big Offensive began and before nightfall we had lost every officer. I turn away and survey the fair and dark heads bending zealously over the words, Lina and Larch. Strange—for them those tiny points on the map will be no more than just so much stuff to be learned—a few new place names and a number of dates to be memorized by note in the history lesson—like the Seven Years’ War or some battle against the Romans. A
”
”
Erich Maria Remarque (The Road Back)
“
It was spring, and the long months of desolation melted into running water, with streamlets pouring from every hill and miniature waterfalls leaping from stone to stone to stone. The air was filled with the racket of birds, a cacophony of melody that replaced the lonely calling of geese passing by far overhead. Birds go one by one in the winter, a single raven hunched brooding in a barren tree, an owl fluffed against the cold in the high, dark shadows of a barn. Or they go in flocks, a massed thunder of wings to bear them up and away, wheeling through the sky like handsful of pepper grains thrown aloft, calling their way in Vs of mournful courage toward the promise of a distant and problematic survival. In winter, the raptors draw apart unto themselves; the songbirds flee away, all the color of the feathered world reduced to the brutal simplification of predator and prey, gray shadows passing overhead, with no more than a small bright drop of blood fallen back to earth here and there to mark the passing of life, leaving a drift of scattered feathers, borne on the wind. But as spring blooms, the birds grow drunk with love and the bushes riot with their songs. Far, far into the night, darkness mutes but does not silence them, and small melodious conversations break out at all hours, invisible and strangely intimate in the dead of night, as though one overheard the lovemaking of strangers in the room next door.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
He’d watched the old man live his life “by the signs.” Whether a moon waxed or waned decided when the crops were planted and harvested, the hogs slaughtered and the timber cut, even when a hole was best dug. A red sunrise meant coming rain, as did the call of a raincrow. Other signs that were harbingers of a new life, or a life about to end. Boyd was fourteen when he heard the corpse bird in the woods behind the barn. His grandfather had been sick for months but recently rallied, gaining enough strength to leave his bed and take short walks around the farm. The old man had heard the owl as well, and it was a sound of reckoning to him as final as the thump of dirt clods on his coffin. It’s come to fetch me, the old man had said, and Boyd hadn’t the slightest doubt it was true. Three nights the bird called from the woods behind the barn. Boyd had been in his grandfather’s room those nights, had been there when his grandfather let go of his life and followed the corpse bird into the darkness.
”
”
Ron Rash (Something Rich and Strange: Selected Stories)
“
A day of endless wind and rain, which I wasted away in the lee of hollow trees, in sheds and barns, and under broken carts. I saw the hawk once, or thought I saw it, like a distant arrow flicking into a tree, blurred and distorted by the million shining prisms of the rain.
All day the unquenchable skylarks sang. Bullfinches lisped and piped through the orchards. Sometimes a little owl called lugubriously from its hollow tree. And that was all.
”
”
J.A. Baker (The Peregrine)
“
Barn Owls were known for their extremely sensitive hearing. They could contract and expand the muscles of their facial disks to funnel the sound source to their unevenly placed earholes.
”
”
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
“
Listen close—my previous life was good.
My mind has many pleasant memories:
Camping on the Wensome’s chalk river shores,
Running in green fields, picking spring flowers,
Exploring the sand dunes and pine forests,
A picnic on the mud flats, carefree days
At home with my family in the village,
Watching the terns, sedge warblers and swallows,
Lessons in cooking and animal care,
Untamed rivers and lakes, games with my friends,
Sandy beaches, marshes, fens, and reed beds,
The barn owl who liked to sing every night,
Stirring conversations with my husband,
Mundane chores alongside both my daughters,
Magical countryside, large gray stone blocks,
Tall flint walls in a nearby Roman town,
Spongy saltmarsh, woodlands, and butterflies.
It was all a gift, all blessed—and now
I feel an unexpected clarity.
”
”
Ruth Ann Oskolkoff (The Bones of the Poor)
“
Against the pink-streaked sky, a ghostly shape skimmed the hedge. Nell gripped Rav’s hand as she watched the barn owl land on a fence post. Bright-white chest with honey-gold wings. The head rotated, until the inquisitive heart-shaped face stared right at them. Nell gasped. ‘That’s the male! Checking things out.’ The owl’s body heaved and bobbed as he let out another hissing shriek. Then he flew towards the barn, straight through the gap in the weatherboard. Seconds later, another screech pierced the silence. ‘Oh wow,’ breathed Rav. ‘I reckon that’s a call to a mate. That he’s found somewhere to nest.’ From the woodland, a second shriek came in reply. Rav and Nell gaped, locking eyes, before Rav nudged her to look out of the window. She turned in time to see a second, more speckled, barn owl – the female – glide past, straight into the barn.
”
”
Sarah Yarwood-Lovett (A Cast of Falcons (Nell Ward, #2))
“
The pudding fell to the floor with a heart-stopping crash. Cream splattered the windows and walls as the dish shattered. With a crack like a whip, Dobby vanished. There were screams from the dining room and Uncle Vernon burst into the kitchen to find Harry, rigid with shock, covered from head to foot in Aunt Petunia’s pudding. At first, it looked as though Uncle Vernon would manage to gloss the whole thing over (‘Just our nephew – very disturbed – meeting strangers upsets him, so we kept him upstairs …’) He shooed the shocked Masons back into the dining room, promised Harry he would flay him to within an inch of his life when the Masons had left, and handed him a mop. Aunt Petunia dug some ice-cream out of the freezer and Harry, still shaking, started scrubbing the kitchen clean. Uncle Vernon might still have been able to make his deal – if it hadn’t been for the owl. Aunt Petunia was just handing round a box of after-dinner mints when a huge barn owl swooped through the dining room window, dropped a letter on Mrs Mason’s head and swooped out again. Mrs Mason screamed like a banshee and ran from the house, shouting about lunatics. Mr Mason stayed just long enough to tell the Dursleys that his wife was mortally afraid of birds of all shapes and sizes, and to ask whether this was their idea of a joke.
”
”
J.K. Rowling (Harry Potter: The Complete Collection (1-7))
“
Waves of despair rolled over him. He hadn’t expected any of this: not the caved-in barns or crumbling fences, not the rotting wheat in the unplowed fields. It was as if the life had been punched right out of this place.
”
”
Christine Brodien-Jones (The Owl Keeper)
“
Birds of the Western Front
Your mess-tin cover's lost. Kestrels hover
above the shelling. They don't turn a feather
when hunting-ground explodes in yellow earth,
flickering star-shells
and flares from the Revelation of St John.
You look away
from artillery lobbing roar and suck and snap
against one corner of a thicket
to the partridge of the war zone
making its nest in shattered clods.
History
floods into subsoil to be blown apart. You cling
to the hard dry stars of observation.
How you survive. They were all at it:
Orchids of the Crimea
nature notes from the trench
leaving everything unsaid - hell's cauldron
with souls pushed in, demons stoking flames beneath -
for the pink-flecked wings of a chaffinch
flashed like mediaeval glass.
You replace gangrene and gas mask
with a dream of alchemy: language of the birds
translating human earth
to abstract and divine. While machine-gun
tracery gutted that stricken wood
you watched the chaffinch flutter to and fro
through splintered branches, breaking buds
and never a green bough left.
Hundreds lay in there wounded.
If any, you say, spotted one bird
they may have wondered why a thing with wings
would stay in such a place.
She must have, sure, had chicks
she was too terrified to feed, too loyal to desert.
Like roots clutching at air
you stick to the lark singing fit to burst at dawn
sounding insincere
above the burning bush: plough-land
latticed like folds of brain
with shell-ravines where nothing stirs
but black rats, jittery sentries and the lice
sliding across your faces every night.
Where every elixir's gone wrong
you hold to what you know.
A little nature study. A solitary magpie
blue and white
spearing a strand of willow.
One for sorrow. One for Babylon,
Ninevah and Northern France,
for mice and desolation, the burgeoning
barn-owl population
and never a green bough left.
”
”
Ruth Padel
“
While we were standing together at the back of the basilica, there was suddenly a tremendous gust of wings. Sparrows and pigeons were continually flying around but this gust of bird was mighty and different. We looked up and there, high above the narthex, was the unmistakable, compelling face of a barn owl. Again and again, it flew and paused, franticly crashing its white body with terrible hopelessness against the dusty windows. Every so often, it would fly the whole length of the church, only to soar up again into another barrier of light. I cannot describe how unbearable it was to follow the flight of that bird, knowing that we were quite incapable to give it its freedom. There were holes and spaces—if only it could see them. Each time it failed and paused and the stillness became longer and the fearful despair of that bird felt greater. We left for the library; we couldn’t bear to be there. Later, the whole experience haunted me; the gaze of that particular bird was so involving. I suddenly thought, What if God witnesses in every man a divine spark, which flies within us blindly, like that bird, crashing in terror; punched and pounded from wall to wall, blinded by obstacles and dust? And yet, God knows that there is a way for natural freedom and ascending flight. What an extraordinary pain that witness would be.
”
”
Jennifer Lash (On Pilgrimage)
“
The Resonance of Honeyed Summer
Elizabethan Sonnet Sequence
abab, cdcd, efef, gg
Synchronous in honeyed summer sings a choir of tremulous birch leaves,
A sweet breeze surges south from the mountains to cool down the farm.
To a white picket fence, among the honeybees, a steadfast garden cleaves,
After blind disregard by a town plow, mended again from winter harm.
A sensual scent of new mown meadow, the clash of croquet mallet to ball,
A ricochet sings a tin din of two wickets and a knock into a winning stake.
By the barn, night owls howl, by day gleeful wee hummingbirds enthrall.
The mirth of dipping children as wakes of droning motorboats lap a lake.
Bluebirds have woven a love nest in a stilted, rough-hewn, wooden house.
By a stonewall wild berries grow swollen from green to a misty blue hue.
As we ride bikes beside a hayfield, we rouse the flight of a russet grouse.
At dawn a doe and fawn cross our lawn leaving hoof prints upon the dew.
In long lemonade days, rocking and sipping on the porch, in our defense,
We're in awe of honeyed summertime and the harmony of its resonance.
+ + +
”
”
David B. Lentz (Sonnets on the Common Man: New Hampshire Verse)
“
Tony stood his ground for a hot minute. Pete rolled up his window. Antonia Soria’s six dogs snarled and circled, their hackles up and their teeth bared. They hadn’t killed a man yet, but the yet was displayed prominently in their expressions. This was how Tony came to be on the roof of the Mercury when the lights of Bicho Raro began to flicker on. Now that the lights were coming on, it was obvious that there were owls everywhere. There were horned owls and elf owls, long-eared owls and short-eared owls. Barn owls with their ghostly ladies’ faces, and screech owls with their shaggy frowns. Dark-eyed barred owls and spotted owls. Stygian owls with eyes that turned red in lights at night—these owls weren’t originally from Colorado, but like the Soria family, they had come from Oaxaca to Bicho Raro and decided to stay.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
Pete, for his part, observed Beatriz in the half shadow with her still, unblinking, eerie manner, her expression looking no warmer than those of the dark-eyed barn owls sitting on the roof above her. Although they had exchanged only a handful of words, Pete felt the most dangerous jolt to his heart so far, surpassing even what he had felt when he had fallen in love with the desert only hours before. He did not know the reason for this surge of intense curiosity, only that the scale of it felt deadly. It seemed that he should not repeat it if at all possible. He pressed his hand to his chest and vowed to keep his distance from Beatriz while he worked here.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
At dusk, on the last day of April, I hear a calling noise, like a white-winged barn owl, and I go to my window and push open the shutters and look out. There is a waning moon rising off the horizon, white against a white sky; it too is wasting away, and in its cold light I can hear a calling, like a choir, and I know it is not the music of owls, nor singers nor nightingales, but Melusina. Our ancestor goddess is calling around the roof of the house, for her daughter Jacquetta of the House of Burgundy is dying.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Super toad!” Carol said. “What?” “I was trying out another expression. Instead of ‘holy cow,’ maybe you can just pick any adjective and any animal and it would work.” “No, I don’t think so.” “Dancing piglet!” Carol whispered a little louder. “Oh, it totally works. Bloated antelope! Ugly barn owl! Hippie hedgehog! I’m going to have to write these down.” “Shhhh,
”
”
Chad Morris (The Avatar Battle (Cragbridge Hall #2))
“
Hermione, [...] had to move her orange juice aside quickly to make way for a large damp barn owl bearing a sodden Daily Prophet in its beak.
'What are you still getting that for?' said Harry irritably [...]
'It's best to know what the enemy is saying,' said Hermione.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Book 5 - Part 2))
“
We watched the light draw through the sky and a barn owl on her final patrol who broke up the dawn, a lone swimmer in an empty sea.
”
”
Evie Wyld (All the Birds, Singing)
“
Has she ever treated a barn owl?
”
”
Helen Peters (An Owl Called Star (Jasmine Green #8))
“
Alex’s espresso; her name badge said… ‘Reenie’. Alex took a sip. Not bad. Slowly, Reenie came back carrying a red plate, as if the food were a highly important telegram. She lowered it onto the yellow tablecloth and Alex wrinkled her nose with a sense of nausea that she’d suffered from lately. On the plate lay a perfect circle of egg and neat runways of bacon. ‘I ordered fruit and porridge, not a cardiac arrest,’ Alex said in an abrupt tone. The parrot squawked again. ‘He’s very friendly,’ called barn owl man’s voice from across the room. ‘Never nipped anyone.’ Alex got to her feet and glowered at the cage, the staff and the manager too. ‘Why is bad service a joke here?’ she asked. ‘You do know what this café is called?’ asked Tom. Oh. As it turned out she didn’t. Alex had always cut Hope short when she’d tried to give any details, and had simply focused on the directions to get to the building. Then she’d been distracted by her phone outside, just as she was going to read its name. He picked up the menu and passed it over. Alex read the front. By now the whole room had fallen silent. Contact lenses gave her perfect vision and it wasn’t April Fool’s Day, so what sort of idiot would call their business Wrong Order Café? ‘A café that purposely delivers the wrong orders? Next, in this parallel universe, you’ll be telling me that the
”
”
Samantha Tonge (The Memory of You)
“
Love in the Country
We live like this: no one but
some of the owls awake, and of them
only near ones really awake.
In the rain yesterday, puddles
on the walk to the barn sounded their
quick little drinks.
The edge of the haymow, all
soaked in moonlight,
dreams out there like silver music.
Are there farms like this where
no one likes to live?
And the sky going everywhere?
While the earth breaks the soft horizon
eastward, we study how to deserve
what has already been given us
”
”
William Stafford
“
Barn Owl"
High in the chaffy, taffy-colored haze
of the hayloft, up under the starry
nail-hole twinkle of the old tin roof,
there in a nest of straw and baling twine
I have hidden my valentine for you:
a white heart woven of snowy feathers
in which wide eyes of welcome open
to you as you climb the rickety ladder
into my love. Behind those eyes lies
a boudoir of intimate darkness, darling,
the silks of oblivion. And set like a jewel
dead center in the heart is a golden hook
the size of a finger ring, to hold you
always, plumpest sweetheart mouse of mine.
”
”
Ted Kooser (Valentines)
“
An oversized barn owl at the window does rather catch one’s attention.
”
”
Tilly Wallace (Vanity and Vampyres (Manners and Monsters, #4))
“
rare contentment to complete a set. I feel this sense of rare contentment every morning at this hour.” Rare? Soren thought. That was a word he knew, for his parents had told them that the family of Barn Owls to which they belonged, the Tyto Alba, had become rare, which meant there were not many of them. So how could this owlet’s contentment be rare if it happened every morning at a particular hour? “I, too, feel perfect.” Another owlet now spoke, turning toward Gylfie this time. It was nearly the same speech. At regular intervals now, the two owls turned alternately to Soren and Gylfie and gave short little reports on their states of contentment. On occasion, these reports became interspersed with comments. “25-2, for an owlet of your exceedingly tiny stature you have a fine posture as you peck.” “Thank you,” Gylfie replied, and dipped her head in what she thought was a docile manner. “You are most welcome, 25-2.” Then the owlet closest to Soren began, “12-1, your beak work is quite advanced. You work with industry and delicacy.” “Thank you,” said Soren. And then for some reason he added, “Thank you very much.” “You’re welcome. But you need not be excessively polite. It wastes energy. Politeness is its own reward—just like flecks.
”
”
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
“
Foreign leaves feed many a marsupial, grub and duck. Koalas often munch on American cypress pine needles and camphor laurel leaves. (They also like to perch in camphor laurels in summer for the cool shade they throw.) Exotic foods, and I don’t just mean weeds, are thoroughly enmeshed in foodwebs. Most Australia’s birds of prey take exotic meats. A study around Mildura found that young rabbits were the staple food (60-92 percent by weight) of eagles, goshawks, harriers, kites and falcons – eight species in all. That was be calicivirus struck. Wedge-tailed eagles will eat feral cats. In Western Australia little eagles moved into the south-west when rabbits arrived, then retreated after myxomatosis struck. House mice feed hawks, snakes and owls in central Australia, making up to 97 percent of barn owl diets.
”
”
Tim Low (Radio Volume 2)
“
The sun shone brightly on a stack of cauldrons outside the nearest shop. Cauldrons- All Sizes- Copper, Brass, Pewter, Silver- Self-Stirring- Collapsible, said a sign hanging over them.
"Yeah, you'll be needin' one," said Hagrid, "but we gotta get yer money first."
Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, "Dragon liver, seventeen Sickles an ounce, they're mad...."
A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium- Tawny, Screech, Barn, Brown, and Snowy. Several boys about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand- fastest ever-" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon....
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
some places, barn owls are considered birds of evil omen, and as such are driven away or killed.
”
”
I.C. Wildlife (25 Nocturnal Animals. Amazing facts, photos and video links to animals that prefer the night! (25 Amazing Animals Series Book 14))
“
Him,” he points. “With the blue Chucks.” “Unacceptable.” “Pourquoi?” “He’s barn owl-y.” “Fine. Inkblot T-Shirt?” “Pretentious.” “So? I love pretentious people!” “Why?” “They try so hard to be interesting, you don’t have to do any work.
”
”
J.C. Lillis (How to Repair a Mechanical Heart (Mechanical Hearts, #1))
“
He was weird. He knew this. He suspected he was in the wrong body, family, town, species, that there'd been some big cosmic mix-up. Like maybe he was supposed to be a tree or a barn owl or a prime number. He only found himself, his real self, in novels, not even in the stories and characters, but in the sentences, the lone words.
”
”
Jandy Nelson (When the World Tips Over)