Bark Building Quotes

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For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of “sin"–this sense that it was possible to go "too far”, and that many people were doing it–this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.
Joan Didion (The White Album)
Build a far mosque where you can read your soul-book and listen to the dreams that grew in the night.
Coleman Barks (The Soul of Rumi: A New Collection of Ecstatic Poems)
We can talk in here.” Dodgson led him to a glass-walled superintendent’s booth, in the center of the building. The glass cut down the sound of the barking. But through the windows, they could look out at the rows of animals.
Michael Crichton (The Lost World (Jurassic Park, #2))
The tree is burning on the autumn noon That builds each year the leaf and bark again. Though frost will strip it raw and barren soon, The rounding season will restore and mend. Yet people are not mended, but go on, Accumulating memory and love. And so the wood we used to know is gone, Because the years have taught us that we move. We have moved on, the Tamburlaines of then, To different Asias of our plundering. And though we sorrow not to know again A land or face we loved, yet we are king. The young are never robbed of innocence But given gold of love and memory. We live in wealth whose bounds exceed our sense, And when we die are full of memory. -from "September Ode
Donald Hall (Old And New Poems)
Rumi tells of Solomon's practice of building each dawn a place made of intention and compassion and sohbet (mystical conversation). He calls it the "far mosque." Solomon goes there to listen to the plants, the new ones that come up each morning. They tell him of their medicinal qualities, their potential for health, and also the dangers of poisoning.
Coleman Barks (The Soul of Rumi: A New Collection of Ecstatic Poems)
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Jess and Flora met in a cafe. Unfortunately, their part of town was completely lacking in style, and the only place open on Sundays was a little religious charity place that sold snacks made by poor people in Africa. 'God!' growled Jess, trying to free her teeth from a cereal bar made of tree bark, gravel, and superglue. 'Is this actually food or some kind of building material?
Sue Limb (Girl, 15, Charming but Insane (Jess Jordan, #1))
That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
It was a childhood of mud, barking dogs, barbed wire, dilapidated farm buildings, squealing pigs with their flaking skin and squashed-in faces, and little human contact, beyond a mother who sat most of the day at the kitchen table wearing the slack, staring aspect of someone who had been lobotomized, and his father, who ruled their acres of pig shit and ruin with his angry laughter and his fists.
Joe Hill (Heart-Shaped Box)
THE POETRY TEACHER The university gave me a new, elegant classroom to teach in. Only one thing, they said. You can’t bring your dog. It’s in my contract, I said. (I had made sure of that.) We bargained and I moved to an old classroom in an old building. Propped the door open. Kept a bowl of water in the room. I could hear Ben among other voices barking, howling in the distance. Then they would all arrive— Ben, his pals, maybe an unknown dog or two, all of them thirsty and happy. They drank, they flung themselves down among the students. The students loved it. They all wrote thirsty, happy poems.
Mary Oliver (Dog Songs)
everything is energy. The chair you’re sitting on, the building you’re in, the dog barking down the street, the flowers growing outside the window, and the thoughts going through your head. All of it is energy.
Caroline A. Shearer (Raise Your Vibration: Tips and Tools for a High-Frequency Life (Raise Your Vibration min-e-book™ series, #1))
Do not act so friendly, Savannah. You are a celebrity. We will have enough attention drawn to us. They are our neighbors. Try not to scare them to death, will you? Savannah took his arm, grinning up at him teasingly. "You look as fierce as a member of the Mafia. No wonder our neighbors are staring.People tend to be curious.Wouldn't you be if someone moved in next door to you?" "I don't abide next-door neighbors. When humans consider building in the vicinity of one of my homes, the neighborhood is suddenly inundated with wolves.It works every time." He sounded menacing. Savannah laughed at him. "You're such a baby,Gregori. Scared of a little company." "You scare me to death, woman. Because of you I find myself doing things I know are totally insane. Staying in a house built in a crowded city below sea level.Neighbors on top of us.Human butchers surrounding us." "Like I'm supposed to believe that would scare you," she said smugly,knowing his only worry was for her safety, not his.They turned a corner and headed toward the famous Bourbon Street. "Try to look less conspicuous," he instructed. A dog barked, rushed to the end of its lead,and bared its teeth. Gregori turned his head and hissed, exposing white fangs. The dog stopped its aggression instantly,yelped in alarm, and retreated whining. "What are you doing?" Savannah demanded, outraged. "Getting a feel for the place," he said absently, his mind clearly on other matters, his senses tuned to the world around him. "Everyone is crazy here, Savannah.You are going to fit right in." He ruffled her hair affectionately.
Christine Feehan (Dark Magic (Dark, #4))
Once upon a time, in a faraway forest, there lived a tree that was different from all the other trees in the woods. While the other trees grew perfectly straight toward the sky, this particular tree grew in loops, twists, and turns. It was known as the Curvy Tree by all who saw it, and many humans and animals came from far and wide to see its splendor. When the humans and animals were away, in a language that only could be heard by the plants of the forest, the other trees would taunt the poor Curvy Tree. ‘We hate your bark and your branches and your leaves that twist and turn! One day they will chop you into firewood and you will forever burn!’ It made the Curvy Tree very sad, and if you spoke Plant you would hear it cry itself to sleep every night. Years later, on the last day of winter before spring began, loggers traveled to the forest looking for wood, not to burn, but to build with. They cut down every tree in the woods to build houses, tables, chairs, and beds. When they finally left the forest, only one tree remained, and I bet it will come as no surprise when I tell you it was the Curvy Tree. The loggers had seen how its trunk and branches twisted and turned and they knew they could never use its wood to build with. And so the Curvy Tree was left alone to grow in peace now that all the other trees were gone. The end.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
How much are you lifting?” “Seven hundred.” Alrighty then. I will just stand over here, out of your way, and hope you don’t remember my promise to kick your ass. He grinned. “Wanna spot me?” “No thanks. How about I just scream verbal encouragements at you?” I took a deep breath and barked. “No pain, no gain! That pain is just weakness leaving your body! Come on! Push! Push! Make that weight your bitch!” He cracked up. The weight stopped, perilously close to his chest, while he shook with laughter. I stepped up and grabbed the bar. It put me into an incredibly compromising position, since his head was really close to my thighs and the area directly above them, but I didn’t want to explain to a rabid Pack how I was responsible for the Beast Lord crushing his chest with a weight bar. I put my back into it. There was no way in hell I could ever pull it up without him pushing. The bar crept up very slowly. “Curran, stop playing and lift.” I looked down and saw him looking straight at me. He had a smile on his face. The sight of me puffing and straining apparently amused him to no end. He raised the bar up and slid it into the twin forks on the side of the bench. I beat a hasty retreat, putting a few feet between him and me. He sat, pulled his shirt off, and used it to wipe the sweat off his chest. Slowly. Flexing a bit for my benefit. I turned around and looked at the scenery. Having a streak of drool hang from my mouth would seriously cramp my style. Besides, if he full-out flexed, I would probably faint. Or jump off the building.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
There are days when you will wonder if it is even possible to make money doing what you do, or whether you are just barking up the wrong tree... There will be days when you think that if you don't show up for the next few days nobody will miss you and nobody will care... Don't believe it...it's not true...If your gift and your passion wasn't needed you wouldn't have them...
Osayi Emokpae Lasisi (Billionaire Mindset (for MoneyMaking Mommies): How to make your Billions and build your legacy)
And so two dogs are swimming in the waters between Singapore and Borneo—but in opposite directions. They pause halfway to exchange greetings. The dog headed toward Borneo asked the other dog why he’s swimming to Singapore. The answer: “Ah, the shopping, the housing, the air conditioning, the health care, the schools. So why are you going to Borneo?” Says the dog from Singapore: “Oh, I just want to bark.” The
Tom Plate (Conversations with Lee Kuan Yew Citizen Singapore: How to Build a Nation (Giants of Asia Series))
Dear John Ambrose McClaren, I know the exact day it all started. Fall, eighth grade. We got caught in the rain when we had to put all the softball bats away after gym. We started to run back to the building, and I couldn’t run as fast as you, so you stopped and grabbed my bag too. It was even better than if you’d grabbed my hand. I still remember the way you looked--your T-shirt was stuck to your back, your hair wet like you just came out of the shower. When it started to pour, you whooped and hollered like a little kid. There was this moment--you looked back at me, and your grin was as wide as your face. You said, “Come on, LJ!” It was right then. That’s when I knew, all the way down to my soaking-wet Keds. I love you, John Ambrose McClaren. I really love you. I might have loved you for all of high school. I think you might have loved me back. If only you weren’t moving away, John! It’s so unfair when people move away. It’s like their parents just decide something and no one else gets a say in it. Not that I even deserve a say--I’m not your girlfriend or anything. But you at least deserve a say. I was really hoping that one day I would get to call you Johnny. Your mom came to get you after school once, and a bunch of us were hanging out on the front steps. And you didn’t see her car, so she honked and called out, “Johnny!” I loved the sound of that. Johnny. One day, I bet your girlfriend will call you Johnny. She’s really lucky. Maybe you already have a girlfriend right now. If you do, know this--once upon a time in Virginia, a girl loved you. I’m going to say it just this once, since you’ll never hear it anyway. Good-bye, Johnny. Love, Lara Jean I let out a scream, so loud and so piercing that Jamie barks in alarm. “Sorry,” I whisper, falling back against my pillows. I cannot believe that John Ambrose McClaren read that letter. I didn’t remember it to be so…naked. With so much…yearning. God, why do I have to be a person who yearns so much? How horrible. How perfectly horrible. I’ve never been naked in front of a boy before, but now I feel like I have.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Solitary Swedish Houses" A mix-max of black spruce and smoking moonbeams. Here’s the croft lying low and not a sign of life. Till the morning dew murmurs and an old man opens – with a shaky hand – his window and lets out an owl. Further off, the new building stands steaming with the laundry butterfly fluttering at the corner in the middle of a dying wood where the mouldering reads through spectacles of sap the proceedings of the bark-drillers. Summer with flaxen-haired rain or one solitary thunder-cloud above a barking dog. The seed is kicking inside the earth. Agitated voices, faces fly in the telephone wires on stunted rapid wings across the moorland miles. The house on an island in the river brooding on its stony foundations. Perpetual smoke – they’re burning the forest’s secret papers. The rain wheels in the sky. The light coils in the river. Houses on the slope supervise the waterfall’s white oxen. Autumn with a gang of starlings holding dawn in check. The people move stiffly in the lamplight’s theatre. Let them feel without alarm the camouflaged wings and God’s energy coiled up in the dark.
Tomas Tranströmer (Samlade dikter: 1954–1996)
I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going on around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation was the idea of “sin”—this sense that it was possible to go “too far,” and that many people were doing it—was very much with us in Los Angeles in 1968 and 1969. A demented and vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.
Joan Didion
. Our platoon, along with third and fourth, launched out of the Combat Outpost on foot, with two Humvees mounting medium machine guns in support. After fighting our way west through the city for an hour or so, Joker One received orders to hit a building “just north of the Saddam mosque minaret, at the very middle of the city.” Immediately, the Ox’s voice crackled over the radio. “Roger, Bastard Five, will do. Be advised, what’s a minaret? Over.” A long silence followed, then the radio barked back: “Joker Five, the minaret is the large tower that every single mosque in the city has next to it. Looks like a big dick. Over.
Donovan Campbell (Joker One: A Marine Platoon's Story of Courage, Leadership, and Brotherhood)
They came to the door of the ladies’ club and Ash reached for the handle. Before he could touch it, the door flew open and Lyre fell out, still dressed in the white waiter “uniform” and his arms full of his clothes and weapons. Shouts burst from the building’s interior. “There you are!” Lyre blurted, wild-eyed. “Time to go.” “What happened?” Ash barked. Clio was still gawking when Lyre launched down the alley, leaving her and Ash to rush after him. “Some women react poorly to rejection,” Lyre explained breathlessly. “Especially when they’ve paid a lot of money to not be rejected.” “You blew your cover by rejecting her?” Ash snapped. They fled down several alleys before Lyre skidded to a stop and whirled on Ash, still clutching his belongings. “I’ll dress up in stupid costumes,” the incubus snarled with unexpected temper, “and I’ll pretend to be a paid whore, and I’ll even let a crucial informant pinch and paw at me.” He thrust an accusatory finger at Ash. “But I will not allow that nasty old hag’s tongue anywhere near me, not even to save the damn world!” Ash blinked. Scowling blackly, Lyre shoved his armload at Ash, then pulled a dagger from the pile and cut his leather-strap top off. “Next time, you can do the nasty stuff and I’ll kill people.
Annette Marie (The Blood Curse (Spell Weaver, #3))
Snow and soot covered the ancient tree's broken branches and seared bark. It wasn't dead, not quite yet. Here and there tiny shoots of green struggled to emerge, but they weren't doing well. The end was near. A shadow loomed, and a creature settled into the drifts, and old, wounded thing of the skies, as near death as the tree. Pinions drooping, it laboriously began building a nest--a place of dying. Stick by stick, it pecked among the ruined wood on the ground, piling the bits higher until it was clear that it was not a nest at all. It was a pyre. The bloody, dying thing settled in atop the kindling, and crooned soft music unlike anything ever heard before. A glow began to build, surrounding the beast soon in a rich purple lambience. Blue flames burst forth. And the tree seemed to respond. Aged, ruined branches curled forward toward the heat, like an old man warming his hands. Snow shivered and fell, the green patches grew and began to fill the air with the fragrance of renewal It was not the creature on the pyre that was reborn, and even in sleep, that surprised Gordon. The great bird was consumed, leaving only bones. But the tree blossomed, and from its flowering branches things uncurled and drifted off into the air. He stared in wonderment when he saw that they were balloons, airplanes, and rocket ships. Dreams. They floated away in all directions, and the air was filled with hope.
David Brin (The Postman)
That's my little piece of heaven. Go ahead." Ciro followed Remo through the open door to a small enclosed garden. Terra-cotta pots positioned along the top of the stone wall spilled over with red geraniums and orange impatiens. An elm tree with a wide trunk and deep roots filled the center of the garden. Its green leaves and thick branches reached past the roof of Remo's building, creating a canopy over the garden. There was a small white marble birdbath, gray with soot, flanked by two deep wicker armchairs. Remo fished a cigarette out of his pocket, offering another to Ciro as both men took a seat. "This is where I come to think." "Va bene," Ciro said as he looked up into the tree. He remembered the thousands of trees that blanketed the Alps; here on Mulberry Street, one tree with peeling gray bark and holes in its leaves was cause for celebration.
Adriana Trigiani (The Shoemaker's Wife)
A bird doesn't need a professor to teach it how to fly. A fish doesn't need a professor to teach it how to swim. A bee doesn't need a professor to teach it how to sting. A termite doesn't need a professor to teach it how to build. A spider doesn't need a professor to teach it how to weave. A cricket doesn't need a professor to teach it how to sing. A parrot doesn't need a professor to teach it how to mimic. A serpent doesn't need a professor to teach it how to bite. A chameleon doesn't need a professor to teach it how to camouflage. A sheep doesn't need a professor to teach it how to follow. A horse doesn't need a professor to teach it how to sprint. A monkey doesn't need a professor to teach it how to steal. A camel doesn't need a professor to teach it how to survive. A dog doesn't need a professor to teach it how to bark. A cheetah doesn't need a professor to teach it how to race. A fox doesn't need a professor to teach it how to scheme. A crocodile doesn't need a professor to teach it how to float. An hyena doesn't need a professor to teach it how to stalk. A panther doesn't need a professor to teach it how to strike. A wolf doesn't need a professor to teach it how to kill. A lion doesn't need a professor to teach it how to hunt.
Matshona Dhliwayo
Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
W.S. Merwin
Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.
V.F. Mason (Lachlan's Protégé (Dark Protégés #1))
Fuck you.” “Oh, now you want me too.” Syn barked a laugh. “I thought you were straight.” “Syn,” Furi snapped. “Knock it off.” Syn took Furi’s backpack off his shoulder and slid it on to his own. He intertwined their fingers and Furi couldn’t ignore how much he liked that gesture from his tough Sergeant. Doug still stood very close to Furi, watching them both through narrowed eyes. “Stop looking like that,” Furi whispered. “Are you sure you know what you’re doing?” Doug whispered back. Furi turned and looked behind him at Syn’s ruggedly gorgeous face then down at their joined hands. He turned back to Doug’s concerned eyes. “Yes, I do.” Furi leaned in and chastely kissed Doug on the lips and watched him turn and leave. When Furi turned back, Syn was wearing a large frown and his chest was frozen like he was holding his breath. Furi got as close to Syn as he could. “What’s the matter?” “Don’t do that again.” Syn’s voice was rough and low. “Do what?” Furi frowned in confusion. Syn brought his free hand up and wiped the pad of his thumb across Furi’s full lips. “Don’t put your lips on him again.” Syn shook his head when Furi opened his mouth to argue. “I know it was friendly, and it didn’t mean anything, but humor me, okay? Don’t put your mouth on his. Syn leaned in and pulled Furi’s bottom lip into his mouth and gently sucked on it, right there in the IHOP parking lot. “Only I get to taste these pretty lips,” Syn moaned inside Furi’s mouth. Furi put his arms around Syn’s shoulders. “Okay,” he whispered back, kissing Syn’s cheek. “Let’s go.” Syn carried Furi’s backpack to the large Suburban he’d parked beside the building and placed it in the back seat. “Whose truck is this?” Furi asked. “I borrowed it from work. It belongs to the team. We can use them if needed.” Syn started the powerful engine. Furi hooked his seat belt and turned to look at Syn, realizing he was just sitting there, staring straight ahead. Furi unhooked his belt. “Babe. What’s the matter?” Syn took his glasses back off and turned his body so he was facing Furi. “Furi. What you did today ... don’t do that again. I can respect your privacy. Really, I can. But in light of recent events, please don’t cut yourself off like that. I was ... I thought ..." “Fuck, Syn. I’m so sorry. I wasn’t thinking. I wanted to call you so many times today.” Syn’s eyes widened. “Just to hear your voice. Not because I was in trouble. But, I didn’t want to seem all clingy and shit. We fucked once and already I’m acting sprung. Can’t stop thinking of you.” Furi knew his embarrassment was making him blush. But Syn was trying to find the words to say he was scared today, so Furi wasn’t holding back on his feelings. They closed the distance over the large console and let their kiss be their words.
A.E. Via
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
Dayna, wait,” she called ahead. “I hear Tux up there.” She pointed at the tumbled rocks. She saw Dayna slowly turn Champagne and head back at a slow walk. “Why would Shane’s dog go up there?” she drawled. “Maybe he found Bando.” Liv tried to keep the sarcasm out of her voice. “Isn’t that what we’re all trying to do?” “I don’t hear any barking,” Dayna said doubtfully. Liv blew out an exasperated breath. “Well, I heard him. Are you coming with me to look, or not?” “Oh all right, but this is a total waste of time,” she heard Dayna mutter behind her. “We’re never gonna find that colt alive.” “Don’t be so sure.” Liv called over her shoulder as she leaned forward to help Cactus Jack climb over the stony surface. “These Spanish horses have survival skills your fancy palominos could only wish for.” Dayna caught up. “That’s a laugh.” She shrugged. “My dad says your grandparents’ horses are just scruffy little leftovers from the past. The herd is down to, what? Thirty-three horses now and it’s gonna keep shrinking. So much for their survival skills.” “We can build it up again. And there are thirty-four horses if we can find Bando.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
On Guard I know how to build fences. I've built my border for years. Routinely, I repair attempted entries into my space. Everyone is suspect, gray-haired women, a child's hand reaching in, people disguised as rocks, all possible invasions. Don't be deceived: I savor my isolation, my dark interior. Silence, please. Your opinions are unwelcome. Your jabber, your many tongues bore me but will never bore into my well-guarded space. All the un-me is alien. I take pride in being on guard. I'm willing to share my strategies– threats, barks, explosions– for remaining untouched –in here– by the world's garbage.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
The root and bark of life experiences forges our leafy character. We become a manifestation of the stalk of character that we forged while operating in the piney landscape of our environmental demands. What we seriously attend to, how we go about play, and whom we choose as friends and enemies, and other lushes choices that we make in conducting our lives reveals the stem of our character. The most telling of all sylvan experiences are naturally associated with difficult adventures. Conflict brings out budding character traits, its blooming foliage reveals qualities we previously did not know about ourselves. The more challenging experiences we expose ourselves to in life, the more we understand our quintessence, the core of our unique blend of character traits.
Kilroy J. Oldster (Dead Toad Scrolls)
All winter she has struggled to describe the joy of her life’s work and the discoveries that have solidified in a few short years: how trees talk to one another, over the air and underground. How they care and feed each other, orchestrating shared behaviors through the networked soil. How they build immune systems as wide as a forest. She spends a chapter detailing how a dead log gives life to countless other species. Remove the snag and kill the woodpecker who keeps in check the weevils that would kill the other trees. She describes the drupes and racemes, panicles and involucres that a person could walk past for a lifetime and never notice. She tells how the woody-coned alders harvest gold. How an inch-high pecan might have six feet of root. How the inner bark of birches can feed the starving. How one hop hornbeam catkin holds several million grains of pollen. How indigenous fishermen use crushed walnut leaves to stun and catch fish. How poplars clean soils of chlorinated solvents and willows remove heavy metals. She lays out how fungal hyphae—countless miles of filaments folded up in every spoon of soil—coax open tree roots and tap into them. How the wired-up fungi feed the tree minerals. How the tree pays for these nutrients with sugars, which the fungi can’t make.
Richard Powers (The Overstory)
Once the delivery was over and we were led to our hospital room for the night, Jordyn was famished, so I went down to the cafeteria to find her something to eat. I scoured for something that she might actually be able to stomach but retreated back to our room empty-handed, opting to perhaps order from the Jerry’s Deli across the street. I walked across the hall to the nurse station, where there was one nurse on duty, a large woman with Hulk Hogan’s build who barked at me in a thick eastern European accent, “CAN I HELP YOU?” “Yes . . . um, can you tell me if Jerry’s Deli delivers here?” She stared at me with her ice-cold eyes and growled, “I AM NOT AT LIBERTY TO DISCLOSE ANY INFORMATION ABOUT WHO IS DELIVERED HERE.” I smiled, realizing that she’d misunderstood my question, and said, “Hahaha . . . no . . . does JERRY’S DELI deliver here?” Looking like she was about to leap over her computer and strangle me with her giant, professional-wrestling hands, she raised her volume and repeated, “I TOLD YOU! I AM NOT AT LIBERTY TO DISCLOSE ANY INFORMATION ABOUT WHO IS DELIVERED HERE!!!” I scurried away in fear, walked across the street, and ordered a sandwich for Jordyn while standing next to Jennifer Lopez. Another night in Los Angeles. My mother was right, being a father to a daughter was indeed the most special relationship of my life. I was soon well versed in the art of a smudgeless pedicure, how to tie the perfect ponytail, and how to identify every Disney princess just by the color of her dress. This was easy, I thought.
Dave Grohl (The Storyteller: Tales of Life and Music—A Memoir of Dreams, Music and Legendary Collaborations)
The New York police-dogs are not as finely trained as those of Ghent and other European cities. Not as much is asked of them. But they are expected to stick to their official masters, to recognize men in uniforms as friends and all others as possible enemies, to answer at once to the police-whistle or the rap of a night-stick, to hurl themselves upon a man attacking a policeman, to lie still and watch when commanded, to pursue and throw a fleeing criminal, to search around buildings at night, and to give notice by barking of the presence of persons lurking in the shadows. Pete showed not the slightest inclination to do any of these things.
Walter Alden Dyer (Many Dogs There Be (Short Story Index Reprint Series))
It was the angry eyebrow man, some ways away. He was barking orders at some villager who was building a house. When this villager placed a door, he must have made a mistake, because the eyebrow man became so angry, he actually ripped the door off its hinges and—wielding it with both hands like a weapon—struck the side of the house. He shouted with each swing: On the first swing: "Cloud mining—" On the second: "—empty bucket carrying—" The third: "——thunderstorm jogging——!!" The fourth: "——GRAVEL BRIDGE BUILDING——!!" On the fifth swing, the door shattered into hundreds of wooden bits: ". . . P-P-P . . . P-P . . . P . . . POWDER KEG JOCKEY . . . !!" Suddenly, Hurion seemed to understand who I meant by the 'angry eyebrow man'. "Let's get outta here," he said. "He's been acting pretty strange too, more angry than usual, and I really don't feel like dealing with him right now. Times a googol.
Cube Kid (Nether Kitten 6 (Nether Kitten #6))
Sewing is an enjoyable hobby that allows you to be creative and make a variety of items for yourself and others. At Clothingus.com, we offer a range of resources to help you learn how to sew, including easy projects and information about different sewing tools and their uses. Here are some interesting facts about sewing and related materials that may inspire you to try this useful craft: Cotton fabric can last for up to 100 years with proper care. In fact, cotton fabric has been found in many archaeological sites, indicating its longevity. Women's buttons are typically sewn onto the left side of a garment due to historical reasons. In the past, buttons were expensive, and only wealthy women with domestic help could afford them. To make it easier for the help to button up the garments, they were placed on the left side. Zippers were invented in 1893 and were initially used only on shoes and boots to make them easier to put on. Over time, they gained popularity and were used on other garments as well. The term "calico" refers to a type of cotton print that originated in the city of Calcutta, India. These hand-woven printed fabrics were made in the late 18th century and were named after the city. Buttons on sleeves were introduced by Napoleon Bonaparte. He wanted to prevent his soldiers from wiping their noses on their sleeves, so he ordered buttons to be sewn onto the ends of the sleeves. Sewing is believed to be one of the first skills that Homo sapiens learned. Archaeologists have found evidence of people sewing together fur, hide, skin, and bark for clothing dating back to 25,000 years ago. Early sewing needles were made of bone and ivory, with metal needles being developed later in human history. By the 20th century, more than 4000 different types of sewing machines had been invented. However, only those that made sewing simple, fun, and easy survived over time. If you're interested in learning more about sewing, visit Clothingus.com for lessons and projects that can help you build a solid foundation in this skill. Whether you're a beginner or have some experience, we have something for you. Visit Clothingus.com now.
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Penixmed
Please,’ the man wept, ‘please don’t kill me.’ Through his helm’s olfactory receptors, Talos scented the cloying incense on the mortal’s robes, and the sour reek of his breath. He was infected with… something. Something within his body. A cancer, perhaps, eating at his lungs… Taint. He reeked of taint. Talos let the man stare into the impassive skulled face of his helm for several more beats of his panicked, mortal heart. Let the fear build. The words of his gene-father, the teachings of the VIII Legion: Show the prey what the predator can do. Show that death is near. The prey will be in your thrall. ‘Do you wish to join your friends in death?’ he snapped, knowing his helm’s speakers turned the threat into a mechanical bark. ‘No, please. Please. Please.’ Talos shivered involuntarily. Begging. He had always found begging particularly repulsive, even as a child in the street gangs of Atra Hive on Nostramo. To reveal that level of weakness to another being… With a feral snarl, he pulled the man’s weeping, pleading face against the cold front of his helm. Tears glistened on the ceramite. Talos felt his armour’s machine-spirit roil at the new sensation, like a river serpent thrashing in deep
Aaron Dembski-Bowden (Night Lords: The Omnibus (Night Lords, #1-3))
He finishes up in a couple more minutes and comes striding over. He gives me a few close looks before he leans over to stow the full bag in the cargo compartment. “What’s going on?” “Nothing.” “Something wrong with you?” “No, of course not.” I force a smile. His frown deepens, but he doesn’t question me further. He swings his leg over the seat and then waits until I’ve climbed on behind him. I wrap my arms around him, but I don’t lean forward or hold him as tightly as I did on the way here. I keep my back straight. It shouldn’t upset me. When I let Mack go two years ago, I knew he’d see other women. That was the point. He needed to find someone who could give him what he wanted, what he deserved, and that could never be me. But I thought he’d been retreating from the world for the past six months. I thought he’d been holed up on his own, licking his wounds. I’ve been so worried about him because it’s not like him at all. Yet evidently he’s had the time and interest for screwing around with Lily. Mack is silent for most of the drive, breaking the quiet only to tell me to duck my head when we pass by that building with the guys out front. He’s so uncommunicative that I actually jerk in surprise when he suddenly barks out, “Tell me what the hell happened!” “Nothing happened. I told you.” When he makes a guttural sound I can hear over the buzz of the engine, I add, “That one guy came over and asked if I wanted to be his woman.” “Yeah, I figured. That shouldn’t have upset you.” “It didn’t upset me.” “Did Lily say something to upset you?” I don’t like the way he says her name. Like he knows her. It’s such a silly and irrational feeling that I want to tamp it down, but I can’t. “No, of course not. She was friendly. She was very relieved to hear we aren’t together.” There’s no way I can see Mack’s expression in this position, but I swear I can sense his frown. He’s thinking. Trying to figure out my mood. I tell myself to shut up. Anything else I say is going to give him further clues, and it will be mortifying if he realizes how I’m feeling. For some reason, I fail to listen to my good advice and ramble on instead. “She’s got a lot of hopes for you. Went on and on about how great a guy you are. And how hot. I guess the two of you have had some good times together, and she’s hoping it will turn into something serious.” He’s breathing faster and louder. After a minute, he asks gruffly, “You jealous?” “No! Of course I’m not jealous. I’m reporting on the conversation since you asked.” “Sounds like you’re jealous.
Claire Kent (Beacon (Kindled #8))
What the devil are you eating?” Leo, Lord Ramsay, stood in the family parlor at Ramsay House, viewing his dark-haired twins, Edward and Emmaline, who were playing on the carpeted floor. His wife, Catherine, who was helping the babies to build block towers, looked up with a smile. “They’re eating biscuits.” “These?” Leo glanced at a bowl of little brown biscuits that had been placed on a table. “They look revoltingly similar to the ones Beatrix has been feeding the dog.” “That’s because they are.” “They’re…Good God, Cat! What can you be thinking?” Lowering to his haunches, Leo tried to pry a sodden biscuit away from Edward. Leo’s efforts were met with an indignant squall. “Mine!” Edward cried, clutching the biscuit more tightly. “Let him have it,” Catherine protested. “The twins are teething, and the biscuits are very hard. There’s nothing harmful in them.” “How do you know that?” “Beatrix made them.” “Beatrix doesn’t cook. To my knowledge, she can barely butter her bread.” “I don’t cook for people,” Beatrix said cheerfully, coming into the parlor with Albert padding after her. “But I do for dogs.” “Naturally.” Leo took one of the brown lumps from the bowl, examining it closely. “Would you care to reveal the ingredients of these disgusting objects?” “Oats, honey, eggs…they’re very nourishing.” As if to underscore the point, Catherine’s pet ferret, Dodger, streaked up to Leo, took the biscuit from him, and slithered beneath a nearby chair. Catherine laughed low in her throat as she saw Leo’s expression. “They’re made of the same stuff as teething biscuits, my lord.” “Very well,” Leo said darkly. “But if the twins start barking and burying their toys, I’ll know whom to blame.” He lowered to the floor beside his daughter. Emmaline gave him a wet grin and pushed her own sodden biscuit toward his mouth. “Here, Papa.” “No, thank you, darling.” Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. “Is this a dog or a street broom?” “It’s Albert,” Beatrix replied.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
He’ll probably kill me. Good, that’s better than having him hate me. A quick throttling, and it will be over. I wish I could throttle myself and spare him the trouble. Maybe I should toss myself out the window. If only I’d never written those letters. If only I’d been honest. Oh, what if he goes to Ramsay House and waits there for me? What if--” She stopped abruptly as she heard a noise from outside. A bark. Creeping to the window, she looked down and saw Albert’s jaunty, furry form trotting around the building. And Christopher, tethering his horse near hers. He had found her. “Oh God,” Beatrix whispered, blanching. She turned and set her back against the wall, feeling like a prisoner facing execution. This was one of the worst moments of her entire life…and in light of some of the Hathaways’ past difficulties, that was saying something. In just a few moments, Albert bounded into the room and came to her. “You led him here, didn’t you?” Beatrix accused in a furious whisper. “Traitor!” Looking apologetic, Albert went to a chair, hopped up, and rested his chin on his paws. His ears twitched at the sound of a measured tread on the stairs. Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened. Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Google, for example, states, “[Our] affection for our canine friends is an integral facet of our corporate culture. We like cats, but we’re a dog company, so as a general rule we feel cats visiting our offices would be fairly stressed out.” Amazon has a similar policy, simply requiring that employees register the dog and be responsible for good canine citizenship (barking and peeing are no-no’s). Other large companies with dog-friendly policies include Ben & Jerry’s Ice Cream, Clif Bar, the Humane Society headquarters, Build-A-Bear Workshop headquarters, and the software maker Autodesk. And, of course, many small businesses around the country.
Gregory Berns (How Dogs Love Us: A Neuroscientist and His Adopted Dog Decode the Canine Brain)
A big, tough samurai once went to see a little monk. “Monk,” he barked, in a voice accustomed to instant obedience, “teach me about heaven and hell!” The monk looked up at the mighty warrior and replied with utter disdain, “Teach you about heaven and hell? I couldn’t teach you about anything. You’re dumb. You’re dirty. You’re a disgrace, an embarrassment to the samurai class. Get out of my sight. I can’t stand you.” The samurai got furious. He shook, red in the face, speechless with rage. He pulled out his sword, and prepared to slay the monk. Looking straight into the samurai’s eyes, the monk said softly, “That’s hell.” The samurai froze, realizing the compassion of the monk who had risked his life to show him hell! He put down his sword and fell to his knees, filled with gratitude. The monk said softly, “And that’s heaven.” ZEN PARABLE
Fred Kofman (Conscious Business: How to Build Value through Values)
The burst of life that took centuries to build, revealed in an old tree trunk's cross section. At its center, material memories of the sapling that this tree once was. Year after it grew by accretion, adding successive layers of the interplay of xylem and phloem, water in and water out, sap traveling up and down, transporting complexities under the corky protection of callous bark. If we could read the code of this great being, we would hear tales of drought summers or deep winter snows melting into spring overflow. The history of a life much longer than any human's tells its tale in concentric rings.
Susan Tyler Hitchcock
I’m guessing this one is about a hundred years old,” he said. “Then it’s ancient.” He nodded. “If I’m lucky, I’ll get twenty thousand feet of board out of it. Twelve feet long by an inch thick. Good solid board.” She took a step away from him, her face a mask of shock. “What’s the matter?” “How could you even think about destroying this glorious, magnificent, beautiful tree?” For a long moment he could only stare at her, baffled. “It’s my job. What did you think we’re doing out here? Digging for gold?” “Oh, I know perfectly well what you’re doing. You’ll take all you can get from this land, and then you’ll leave behind a chaotic mess.” “We parcel off the land and sell it to farmers.” “You know that’s not happening.” “Maybe not everywhere.” She planted her fists on her hips. “I’ve traveled around enough of Michigan this winter to see what the land looks like after lumber companies pull out and head somewhere else.” “Oh, come on, Lily.” Exasperation tugged at him. “What would our country do without the supply of lumber we’re providing? If we stop our operations, we’ll deprive the average family of affordable means for building homes.” She arched her brow. “Affordable?” “Compared to brick homes? Yes.” She obviously didn’t know anything about the industry. “As a matter of fact, hundreds of thousands of people in growing midwestern towns rely upon our boards and shingles for their homes. And on the other products that come from these trees.” He patted the pine. “I don’t care.” She reached for the tree, caressing it almost as if it were a living being, trailing her fingers in the deep grooves of the bark. “These trees, this land—they don’t deserve to be ravaged.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
As he passed the tool wagon Wilbur had brought out that morning from Fort Deveraux he snatched up a pick. “Caleb!” Lily cried, terrified that he meant to destroy her cabin. But he went around the cabin to the land behind it and plunged the pick into the ground with a mighty swing. “Right here!” he bellowed, no longer caring, evidently, that some of his troops were there to witness his fit of temper. “I’m building my house right here!” Lily stared. “But you can’t, Caleb. Someone else has claim to that land.” “The hell I can’t,” he barked back. “I filed before I ever had the misfortune to meet you!” Lily’s eyes went wide. “You’ve claimed the land adjoining mine?” Caleb grinned, but his gaze fairly crackled with fury. “I have indeed.” “Well, I don’t want your house so close by,” Lily fussed, folding her arms again and stomping over to look up into his face. Caleb pointed to the ground. “Get off my land,” he ordered. “Everybody else around here might jump when you give an order, Caleb Halliday,” Lily told him, “but I’m not afraid of you.” “You’d better be,” Caleb drawled, advancing on her so that she was forced to retreat. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Standing behind Georgie, Luke slipped his arms about her waist and pulled her back against him. She rested her hands on his. “She used my colored ribbon. Do you see it?” They faced her corner window, watching as the mama cardinal nosed the edges of her nest. It had taken her only three days to build it. The compact bowl was a masterpiece of twigs, rootlets, vines, and strips of bark. Interlaced within its siding was a frivolous piece of yellow-and-orange frippery. “I do,” he said. “Definitely gives it the woman’s touch.” She smiled. He had to admit the process was fascinating. The male had kept a close eye on his mate during construction, but didn’t offer any help. He wondered if it contributed at all once copulation had occurred, but wasn’t quite sure how to pose the question. “How long before she lays?” he asked. “Five or six days.” “Then how long before they hatch?” “Another twelve, give or take.” He rested his mouth against her hair and inhaled the flowery-cinnamon shampoo paste she used. “You going to name them?” She angled her head back. “I believe the most romantic couple’s names have already been taken.” Unable to resist, he gave her a soft kiss. “There’s Romeo and Juliet.” Scrunching her nose, she turned back around. “I don’t much care for the ending of that tale.” The female cardinal hopped to the edge of the ligustrum, then darted away in search of food. “Cleopatra and Caesar?” “No, I’m through glamorizing people who don’t deserve it.” He gave her a quick squeeze. “Then what about Queen Victoria and Prince Albert?” Her spine straightened. “Oh, I like that. And with the cardinals’ rich beautiful plumage, they deserve royal names.
Deeanne Gist (Love on the Line)
retrieve their winter coats from the cloakroom, he wrenched open the door and ran down the short flight of steps to the courtyard. “We’ll take the cart to speed us up.” He slid behind the wheel of the small golf cart they used to transport supplies around the island. Bran leaped into the back, barking in excitement. A moment later, Peters clambered into the passenger seat, clutching both their coats. Darko turned the key in the ignition and eased the vehicle into motion. “Is the corpse male or female? Young or old?” “Male. Medium height. Heavy build. Forty-plus.” Darko’s
Zara Keane (The Rock Star's Secret Baby (Ballybeg Bad Boys, #2))
A figure moved, painfully flexing stiff, aching shoulder blades, and looked back towards the control tower. There was a different atmosphere about the place and the men and women who waited there. On the breeze could be heard voices, the bark of nervous laughter. Something serious had occurred in those grey, disused buildings. It would soon be time to move.
Joy Ellis (Killer on the Fens (DI Nikki Galena #4))
Mrs. Mayfield’s bakery still filled the streets with the smell of fresh bread, the barbershop still seemed empty, and the Dundurn Gazette building still looked dilapidated and about to crumble. Maybe this is what I need, Gen thought. She craved stability right now. Recently she had felt lost and overwhelmed, hating life at university and struggling with her course, but desperate to please her mother. Every Isherwood woman attended the University of Toronto; Gen couldn’t be the exception. There was only one major road entering and leaving Dundurn, and it quickly took them away from the bustle. Soon they could see the arch boldly displaying the farm’s name etched into the metal: The Triple 7 Ranch. Nothing about the ranch seemed to have changed: the barn behind the house, the farmland beyond it, or the wheat fields arranged in neat lines stretching into the distance. Gen waited to hear Whisky, their German shepherd, as they pulled in. She always came out of wherever she was and barked loudly when cars arrived. “Where’s Whisky?” she asked after a couple of seconds. “Oh, Whisky passed on last year, honey,” her mum said. “No! What happened?” “Some hooligans from Saskatoon ran her over, honey.” “Sheriff Liam says we have to be extra careful now that some new businesses have settled out there.” “Who would do such a thing?” It seemed some things changed after all. ><>< Gen turned the knob of the bedroom door, which creaked as it swung open. Peering into her old bedroom, memories flooded her senses; she travelled to a time when the world made sense. She heard giggling and the patter of running feet as she recalled a time when all that mattered was finding the best place to hide while playing with her grandfather. She had been an only child but had never felt the loneliness others in her position described. Her grandfather had been her friend, confidante,
A.K. Howard (Genesis Awakens (Footnail, #1))
He was fearless for them. He saw the grip of terror holding these guys, and he reached in and untangled the knot as deftly and selflessly as I’d ever seen. His generosity dissolved all fear and let love fill the void. Let’s build a cathedral on this spot.
Gregory Boyle (Barking to the Choir: The Power of Radical Kinship)
Winnie felt better in the sunlight. She let her hand rest on the tree's ropy trunk. The bark was smooth beneath her fingers. These were the breed of strangling ficus that spent two hundred years braiding their bodies around a host tree, killing it while gradually assuming its form. Parasite, doppelgänger, sarcophagus. Winnie admired it. What she wished, she reflected dreamily, her whole back now leaning against the tree, was for the same thing to happen to her. For the new self she'd hoped she would become in Saigon a better self, a banyan self, resilient and impenetrable to encase Old Winnie completely in its cage-like lattice of roots and then let her wither away inside. She wanted there to be no trace left of that thirteen-year-old girl that Dr. Sang had remembered.
Violet Kupersmith (Build Your House Around My Body)
Poetry. Was there any other worse form of hell? I plopped my sandaled feet up on the picnic table in front of me. Too-bright hot pink nail polish on my toenails claimed my attention, and I squinted, trying for blinders to focus on this stupid assignment. I tuned out the hot summer sun baking me in the staff’s lunch area at the animal shelter. Ignored the country tunes murmuring from my coworker’s car across the lot. Dismissed the distant barking in the building behind me. Focus. Po-et-ry… Nothing. I gnawed on my lower lip and tapped the pencil to the notebook on my thighs.
Amabel Daniels (Secrecy: Year One (Olde Earth Academy #1))
Facebook built its foundation on a second lie, repeated thousands of times in early meetings between Facebook’s army of sales reps and the world’s largest consumer brands: “Build big communities and you will own them.” Hundreds of brands invested hundreds of millions on Facebook to aggregate enormous branded communities hosted by Facebook. And by urging consumers to “like” their brands, they gave Facebook an inordinate amount of free advertising. After brands built this expensive house, and were ready to move in, Facebook barked, “Just kidding, those fans aren’t really yours; you need to rent them.” The organic reach of a brand’s content—percentage of posts from a brand received in a fan’s feed—fell from 100 percent to single digits. Now, if a brand wants to reach its community, it must advertise on—that is, pay—Facebook. This is similar to building a house and having the county inspector show up as you’re putting on the finishing touches. As she changes the locks she informs you, “You have to rent this from us.
Scott Galloway (The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google)
who must sense that he’s suddenly become the center of attention. He lifts his smooth feathered head and cracks out a series of coarse kraas! which sound way too loud for this early in the morning, and I’m wondering if the Insubordinates, our fellow rebels who are sleeping in the dozens of other rooms on this floor, think we’re in here running an aluminum garbage can through a corn-thresher. Manthy clamps her hands over her ears, and Cardyn puts his finger to his lips in a pointless effort to tell Render to be quiet. Render barks out another string of raspy kraas! and then spreads his wings and suddenly seems gigantic, like a prehistoric flying dinosaur or something. I don’t need to activate my psychic connection with him to know what’s on his mind: he’s hungry, and he doesn’t like being cooped up. It was comforting for me to know he was in here with us all night but having lived his life in the boundless mountain air, he’s not a big fan of walls or ceilings. I hop up from the end of my cot and go over to the window. I’ve barely got it open when the familiar woosh of feathery purplish-black whizzes by my face, and Render is soaring out over the quiet city with the first pinkish rays of the morning sun lighting him up like a glistening missile. This is our first time in such a big city, and I panic for a second as I watch him disappear into a forest of tall office buildings of reflecting black glass and synth-steel. I let out a long, soft breath when I spot him banking and circling as he happily scouts around the city for something he can scavenge for breakfast. I turn back to Brohn and the others just as the door to our room creaks open on old-style metal hinges to reveal Wisp and Granden, and I’m suddenly shaken out of the illusion that we’re all just a bunch of normal teenagers in a normal situation
K.A. Riley (Rebellion (The Resistance Trilogy #3))
In the rest of the world, they used papyrus, clay tablets, or parchment for writing, but they all had similar drawbacks. But during the Han Dynasty, according to myth, a court official looking at wasps building their nest became inspired to create paper from the bark of trees, rags of cloth, fishing nets, and remnants of hemp. And according to this story, this invention happened around 105 CE. But archeological findings go as far as the 2nd century BCE, but the first use for writing on paper is evidenced in 8 BCE.
Captivating History (Ancient China: A Captivating Guide to the Ancient History of China and the Chinese Civilization Starting from the Shang Dynasty to the Fall of the Han Dynasty (Ancient Asia))
They had terrorized this poor, defenseless beauty. He would make them rue it. As for Kate, after all she had been through, she had impressed him with her self-possession, to say nothing of her fiery spirit. She had stood there ready to battle him like some spunky little terrier barking at a wolf, aye, and throwing the greater predator into temporary confusion with her unexpected show of ferocity. Though petite of build, she was large in courage, a little lady of intrepid spirit
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Significantly, too, the triumvirs Octavian, Antony and Lepidus, promised to build a temple to Isis and Serapis to win favour with the populace (DC, 47, 15, 4). But the promise was not kept, and the war setting Octavian against Cleopatra's lover would become a war of the gods, between Apollo and 'barking Anubis
Robert Turcan (The Gods of Ancient Rome: Religion in Everyday Life from Archaic to Imperial Times)
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
Jack Slater (Flash Point (Jason Trapp, #3))
with granite of black, gray, and ash white. Jericho explained how all the municipal buildings were built from the same quarry stone, including the courthouse, township building and the walls lining the morgue. It wasn’t the sightseeing that delayed my exit though. In the rich corridors next to the courthouse, we ran into District Attorney Ashtole and Mayor Jonathon Miller, their voices an echo, greeting me with arms extended and questions on their lips. “I’ve already heard so much about you,” the mayor said, his barrel chest filling like a machine as he sucked in air. The man stood a half-foot over me, and though he smiled, his face was fixed in a scowl, his bushy eyebrows stuck in a permanent slant. His shoulders were wide like a football player’s and his hands were like clubs. I wasn’t normally intimidated but he had a presence, and I suddenly found myself feeling nervous. “It’s nice to meet you,” I answered, my hand disappearing in his. Ashtole stood at his side, dwarfed, nearly hidden. “What’s the progress?” the district attorney asked, his voice annoyingly sharp, like the bark of an ankle-high dog. “Three bodies. We need something to tell the press. Heck, the timing is awful.” “Daniel,” the mayor said in a foreboding tone.
B.R. Spangler (Taken from Home (Detective Casey White #1))
Subject: A solution for scary boarding Dear Name, If you’re anything like us, you hate leaving your dog behind when you go out of town. And you hate the idea of your dog being locked in a crate next to a bunch of other stress-inducing, barking dogs. As dog lovers, we used to hate that feeling too, and that’s why we created Crest Hill Boarding.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
On the way back to Nádori, the driver stopped at Emerence’s old home. It was still apparently referred to as the Szeredás house. It stood out clearly in the gathering dusk of one of those improbable summer evenings when the sun doesn’t linger but withdraws its rays suddenly, leaving variegated streaks of orange, blue and violet glowing behind the grey. We took a good look at this scene from the past. It was just as Emerence had described it — the painted façade, the trees round the side, the general line and height of the building. She had neither embellished nor understated. What was most surprising was her perfect recall of the proportions. She hadn’t dreamed up a fairy-tale castle in place of her charming old home. It was quite beautiful enough the way József Szeredás had built it, a house designed not just with affection but with love. It had all the force of a timeless statement. There was still a workshop where the old one had stood, but this one had a power saw standing inside, and chained dogs that barked a warning. The little garden was still there. The roses had aged into trees, someone had planted a pair of maples near the sycamore and the walnut had filled out and shot up. A swing hung from one of its branches and there were children playing beneath it. I didn’t find the farmyard.
Magda Szabó (The Door)
Dave Robertson, one of Kelly’s original recruits and aerospace’s most intuitively smart hydraulic specialist, ridiculed our design by calling it “a flying engagement ring.” Dave seldom minced words; he kept a fourteen-inch blowgun he had fashioned out of a jet’s tailpipe on his desk and would fire clay pellets at the necks of any other designers in the big drafting room who got on his nerves. Robertson hated having anyone look over his shoulder at his drawing and reacted by grabbing a culprit’s tie and cutting it off with scissors. Another opponent was Ed Martin, who thought that anyone who hadn’t been building airplanes since the propeller-driven days wasn’t worth talking to, much less listening to. He called the Hopeless Diamond “Rich’s Folly.” Some said that Ed’s bark was worse than his bite, but those were guys who didn’t know him.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Parents are given the great responsibility to minister to their children, instilling in them a desire to seek God and find Him. If we are continually nagging them, pointing out their faults, and telling them what not to do, we tear them down instead of building them up. Their hearts become as steely as the robots we fashion them into by our barking orders and rude demands.
Amber Lia (Parenting Scripts: When What You're Saying Isn't Working, Say Something New)
UNSAFE Human Foods Below is a list of harmful foods for dogs. This is not a complete list, but a common list of foods known to be harmful to our canine friends. If you are unsure of a food that you wish to add to your dog’s diet, please consult a veterinarian or expert on dog nutrition. Onions: Both onions and garlic contain the toxic ingredient thiosulphate. However, onions are more dangerous than garlic because of this toxin. Many dog biscuits contain trace amounts of garlic, and because of this small amount, there is no threat to the health of your dog. This poison can be toxic in one large dose, or with repeated consumption that builds to the toxic level in the dog’s blood. Chocolate: Contains theobromine, a compound that is a cardiac stimulant and a diuretic. This can be fatal to dogs. Grapes: Contains an unknown toxin that can affect kidney, and in large enough amounts can cause acute kidney failure. Raisins: (Same as above) Most Fruit Pits and Seeds: Contains cyanogenic glycosides, which if consumed can cause cyanide poisoning. The fruits by themselves are okay to consume. Macadamia Nuts: Contains an unknown toxin that can be fatal to dogs. Most Bones: Should not be given (especially chicken bones) because they can splinter and cause a laceration of the digestive system or pose a choking hazard because of the possibility for them to become lodged in your pet’s throat. Potato Peelings and Green Potatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Rhubarb leaves: Contains high amount of oxalates. Broccoli: Broccoli should be avoided, though it is only dangerous in large amounts. Green parts of tomatoes: Contains oxalates, which can affect the digestive, nervous, and urinary systems. Yeast dough: Can produce gas and swell in your pet’s stomach and intestines, possibly leading to a rupture of the digestive system. Coffee and tea: (due to the caffeine) Alcoholic Beverages: Alcohol is very toxic to dogs and can lead to coma or even death. Human Vitamins: Vitamins containing iron are especially dangerous. These vitamins can cause damage to the lining of the digestive system, the kidneys, and liver. Moldy or spoiled foods: There are many possible harmful outcomes from spoiled foods. Persimmons: These can cause intestinal blockage. Raw Eggs: Potential for salmonella. Salt: In large doses can cause an electrolyte imbalance. Mushrooms: Can cause liver and kidney damage. Avocados: Avocado leaves; fruit, seeds, and bark contain a toxin known as persin. The Guatemalan variety that is commonly found in stores appears to be the most problematic. Avocados are known to cause respiratory distress in other animals, but causes less harmful problems in dogs. It is best to avoid feeding them to your dog. Xylitol: This artificial sweetener is not healthy for dogs.
Paul Allen Pearce (Goldendoodle, Goldendoodle Training | Think Like a Dog ~ But Don't Eat Your Poop!: Here's EXACTLY How To TRAIN Your Goldendoodle)
If we are continually nagging them, pointing out their faults, and telling them what not to do, we tear them down instead of building them up. Their hearts become as steely as the robots we fashion them into by our barking orders and rude demands.
Amber Lia (Parenting Scripts: When What You're Saying Isn't Working, Say Something New)
Hail Eochaid Ollathair, Father of All! Hail Ruad Ro-fhessa, Lord of Perfect Knowledge! Lord of the Oak Tree, Phallus of the summer saplings, Rough as tree bark is your wisdom, Yet deep as sunken roots. You who can call the seasons with your harp, You are called upon by the common people For your gift of fair weather. You whose club is so great That nine men are required to carry it And even then it plows a great ditch; Whose terrible end slays hundreds at a blow And whose other end can restore them to life; You stake your life on the fertility of the land That others may survive the cold winters. You who build great fortresses, You know what it is to be the sole protection Of those you love, and to go forth In battle to save their lives. —By Cianaodh Óg from Our Pantheon’s Way
Hourly History (Celtic Mythology: A Concise Guide to the Gods, Sagas and Beliefs (Greek Mythology - Norse Mythology - Egyptian Mythology - Celtic Mythology))
When Robinson and Davis take over at orientation, they bark at the new recruits to stand up, then issue their first command: “Smile.” Students will learn a lot of things in Strive, but the first lesson is how to smile. The first few days are devoted to it. The new class members are always confused, and then they start to smile—except for about 20 percent of the room, who stand stone-faced. Robinson calls out those who don’t smile, pulls them up to the front of the room, and says, “This is my smile crew.” He tells the rest of the room to cheer until they can get these men and women, mostly men, to finally crack a smile. The claps and hoots and whistles rise in a crescendo heard throughout the building. Meanwhile, Davis and Robinson walk up and down the line, yelling, “Smile,” and pantomiming it, using their fingers to pull the corners of their own mouths back. The reluctant recruits roll their eyes. Some get tense, their faces get stuck in passive displays of aggression, as Robinson goes up and down the line and mocks: “Is it painful? Is there a medical condition? Smile!” He and Davis continue their full-on assault of well-wishing and joking and silliness until one by one, the students fold. A smile is the Strive game face, they explain. “I’m not asking you to smile on North Monroe Street at two in the morning,” Davis says. “I’m asking you to smile in here.” It’s usually the youngest men who bow out at this stage—the 19- and 20-year-olds who are too cool to tolerate the corniness, the guys who’ve been strongly encouraged to try Strive by some parole officer or social worker attempting to keep them from spending their twenties in prison. It’s the older guys who are eager to cooperate. They’re hungry.
Anonymous
Addie runs her hand over the bark, marvels at how the sapling has grown into a wide-trunked tree, its roots and branches escaping to every side. A hundred years since it was planted—a span of time once too long to fathom, and now, too hard to measure. So far, she has counted time in seconds, and in seasons, in cold snaps and in thaws, in uprisings and in aftermaths. She has seen buildings fall and rise, cities burn and be remade, the past and present blurred together into a fluid, ephemeral thing. But this, this is tangible. The years marked in wood and bark, root and soil.
Victoria E. Schwab (The Invisible Life of Addie LaRue)