Barber Sayings Quotes

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I learned not to trust people; I learned not to believe what they say but to watch what they do; I learned to suspect that anyone and everyone is capable of 'living a lie'. I came to believe that other people - even when you think you know them well - are ultimately unknowable.
Lynn Barber (An Education: My Life Might Have Turned Out Differently if I Had Just Said No)
People say you shouldn't marry for looks but I disagree: if I tot up all the pleasure I got from looking at David over the years I'd say it amounted to a very substantial hill of beans.
Lynn Barber (An Education: My Life Might Have Turned Out Differently if I Had Just Said No)
FIGARO. I’d say that the nonsense that finds its way into print only matters to the people who would like to ban it; that without the freedom to criticize, praise is meaningless
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
know when you need to draw your lines in the sand. know when you need to lock your windows & your doors. know when you need to put your fences up. (& when you need to lace them with barber wire.) truth is, we have control over very little but we have every say in who gets our love. - boundaries
Amanda Lovelace (Dragonhearts)
A man who visits a barber to be shaved, or who orders a suit from a tailor, is not a disciple, but a customer. So one who comes to the Savior only to be saved is the Savior’s customer, not His disciple. A disciple is one who says to Christ, ‘How I long to do work like Yours! To go from place to place taking away fear; bringing instead joy, truth, comfort, and life eternal!
Richard Wurmbrand (In God's Underground)
Would it be possible, he wondered, to stand up before the world and with the utmost conviction spew out lies and nonsense? To say that windmills were knights, that a barber’s basin was a helmet, that puppets were real people? Would it be possible to persuade others to agree with what he said, even though they did not believe him? In other words, to what extent would people tolerate blasphemies if they gave them amusement? The answer is obvious, isn’t it? To any extent. For the proof is that we still read the book. It remains highly amusing to us. And that’s finally all anyone wants out of a book—to be amused.
Paul Auster (City of Glass (The New York Trilogy, #1))
The barber's assistant asks if I am a Swede. An American? Not that either. A Russian? Well, then, what are you? I love to answer such nationalistically tinted questions with a steely silence, and to leave people who ask me about my patriotic feelings in the dark. Or I tell lies and say that I'm Danish. Some kinds of frankness are only hurtful and boring.
Robert Walser (Jakob von Gunten)
Barbers, on the other hand, are interesting guys with fascinating stories to tell. And I in turn feel at ease to say what’s on my mind. We converse about politics, cars, sports and family. Guys who are waiting read the newspaper and comment on current events. And everyone is involved: the barbers, the customers getting their haircut and the customers waiting to get their haircut.
Brett McKay (The Art of Manliness: Classic Skills and Manners for the Modern Man)
I was just not cut out to be an American journalist. In England, I could phone my editor and say 'Do you want an interview with X?' and get an immediate yes or no. At Vanity Fair I had to 'pitch ideas' and then go through layers of editors, all of whom asked what my 'angle' was going to be. I have always deeply hated and resented this question. If you have an angle on someone, it means you have already decided what to write before you meet, so you really might as well not bother interviewing them" (126).
Lynn Barber (An Education: My Life Might Have Turned Out Differently if I Had Just Said No)
SUZZANE. If our play of the Follies of a Day, Has something serious to say, It is that folly must have its season To give a human face to reason.
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
Dr. King was called a troublemaker and even a race-baiter 45 years ago as he led the call for a civil rights and economic justice Movement. He called for a Poor People’s Movement to address the glaring realities of poverty even as he loved America enough to say: Let us be dissatisfied until America will no longer have a high blood pressure of creeds and an anemia of deeds.
William J. Barber II (Forward Together: A Moral Message for the Nation)
People in the service industry work for low wages and tips help to boost that income, and I have absolutely no issue with that. But it should be what you feel is reasonable, not a percentage of the amount of food you can stuff in your face. But why do we tip some people and not others? It seems we’re expected to tip waitresses, cab drivers, barbers and yet not midwives or nurses. We tip a waitress for bringing us a meal, yet we don’t tip a barman for serving us a pint. Okay, we might occasionally say, '… And one for yourself,' to the barman but even that’s mostly dying out nowadays
Karl Wiggins (Gunpowder Soup)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Colonel Crawley’s defective capital. I wonder how many families are driven to roguery and to ruin by great practitioners in Crawlers way?— how many great noblemen rob their petty tradesmen, condescend to swindle their poor retainers out of wretched little sums and cheat for a few shillings? When we read that a noble nobleman has left for the Continent, or that another noble nobleman has an execution in his house — and that one or other owes six or seven millions, the defeat seems glorious even, and we respect the victim in the vastness of his ruin. But who pities a poor barber who can’t get his money for powdering the footmen’s heads; or a poor carpenter who has ruined himself by fixing up ornaments and pavilions for my lady’s dejeuner; or the poor devil of a tailor whom the steward patronizes, and who has pledged all he is worth, and more, to get the liveries ready, which my lord has done him the honour to bespeak? When the great house tumbles down, these miserable wretches fall under it unnoticed: as they say in the old legends, before a man goes to the devil himself, he sends plenty of other souls thither.
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
And then you rushed off afterward because of that business with the barber in Gleam Street.” “Sweeney Jones,” said Vimes. “Well, he was killing people, Sybil. The best you could say is that he didn’t mean to. He was just very bad at shaving—
Terry Pratchett (Jingo (Discworld, #21))
Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster. “We have to get home,” Ceres says. “I am home,” her daughter says.
Amy Bloom (Away)
You said, to be clearer, "I am not in love with you, Nell Barber,” and it was the kindest and most legitimizing thing you could say, as if you could have loved me, as if you only happened not to, as if you only didn’t, not couldn’t, not wouldn’t dare.
Rebecca Dinerstein Knight
IN THE GREAT DICTATOR’S CLOSING SCENES, CHARLIE CHAPLIN’S timid Jewish barber is, through a complicated plot twist, mistaken for the film’s Hitler-like character, also played by Chaplin. Clad in a German military uniform, he finds himself standing before a microphone, expected to address a mammoth party rally. Instead of the rapid-fire invective the crowd anticipates, Chaplin delivers a homily about the resilience of the human spirit in the face of evil. He asks soldiers not to give themselves to “men who despise you, enslave you . . . treat you like cattle, use you as cannon fodder . . . unnatural men—machine men with machine minds and machine hearts. You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. “Even now my voice is reaching millions throughout the world,” the humble barber tells the crowd, “millions of despairing men, women, and little children—victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say—do not despair. . . . The hate of men will pass, and dictators die, and the power they took from the people will return to the people. . . . Liberty will never perish.” Chaplin’s words are sentimental, maudlin, and naïve. I cannot listen to them without wanting to cheer.
Madeleine K. Albright (Fascism: A Warning)
FIGARO. What he says isn’t always the same as what he means. Watch out for words that slip out when he’s talking, those tiny gestures, the way he moves: it’s the key to a man’s character. There’s something wicked afoot. It’s obvious he believes nothing can stop him, because to me he seems… craftier, wilier, more smug—in fact he’s like these imbeciles here in France who start cheering before the battle’s been won! You must try and be as devious as he is: butter him up, tell him what he’d like to hear, and whatever he wants, don’t say no.
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
Neumann One, who, if he were not scheduled to die ten weeks from now in the Allied invasion of Normandy, might have become a barber later in life, who would have smelled of talc and whiskey and put his index finger into men’s ears to position their heads, whose pants and shirts always would have been covered with clipped hairs, who, in his shop, would have taped postcards of the Alps around the circumference of a big cheap wavery mirror, who would have been faithful to his stout wife for the rest of his life—Neumann One says, “Time for haircuts.
Anthony Doerr (All the Light We Cannot See)
167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
Fernando Pessoa (The Book of Disquiet)
(H)ow many great noblemen rob their petty tradesmen, condescend to swindle their poor retainers out of wretched little sums, and cheat for a few shillings? When we read that a nobleman has left for the Continent, or that another noble nobleman has an execution in his house - that one or other owe six or seven millions, the defeat seems glorious even, and we respect the victim of the vastness of his ruin. But who pities a poor barber who can't get his money for powdering the footman's heads; or a poor carpenter who has ruined himself by fixing up ornaments and pavilions for my lady's déjeuner; or the poor devil of a tailor whom the steward patronizes, and who has pledged all he is worth, and more, to get the liveries ready, which my lord has done him the honor to bespeak? - When the great house tumbles down, these miserable wretches fall under it unnoticed: as they say in old legends, before a man goes to the devil himself, he sends plenty of other souls thither.
William Makepeace Thackeray
You should have seen the coachload I looked over. There was a mortician wearing odd shoes, one brown, one yellow. And a moon-faced gump sporting a hat made from the skin of a barber's pole, all stripy. Only thing missing was his bubble pipe - and probably he'll be given that where he was going." - Colonel Sheldon "Where was he going?" -Ambassador "I don't know, your excellency. They refused to say." -Sheldon "Well, that is a valuable addition to the sum total of our knowledge. Our minds are now enriched by the thought that an anonymous individual may be presented with a futile object for an indefinable purpose when he reaches his unknown destination." -Ambassador
Eric Frank Russell
Back From Vacation" "Back from vacation", the barber announces, or the postman, or the girl at the drugstore, now tan. They are amazed to find the workaday world still in place, their absence having slipped no cogs, their customers having hardly missed them, and there being so sparse an audience to tell of the wonders, the pyramids they have seen, the silken warm seas, the nighttimes of marimbas, the purchases achieved in foreign languages, the beggars, the flies, the hotel luxury, the grandeur of marble cities. But at Customs the humdrum pressed its claims. Gray days clicked shut around them; the yoke still fit, warm as if never shucked. The world is still so small, the evidence says, though their hearts cry, "Not so!
John Updike
I never argue,” Jacobs said. “That’s because you don’t know this kind of ignorance,” Rayber explained. “You’ve never experienced it.” Jacobs snorted. “Oh yes I have,” he said. “What happened?” “I never argue.” “But you know you’re right,” Rayber persisted. “I never argue.” “Well, I’m going to argue,” Rayber said. “I’m going to say the right thing as fast as they can say the wrong. It’ll be a question of speed. Understand,” he went on, “this is no mission of conversion; I’m defending myself.” “I understand that,” Jacobs said. “I hope you’re able to do it.” “I’ve already done it! You read the paper. There it is.” Rayber wondered if Jacobs were dense or preoccupied. “Okay, then leave it there. Don’t spoil your complexion arguing with barbers.
Flannery O'Connor (The Complete Stories)
Afterwards she said she had been silly, that the boy’s hair would have had to be cut, sooner or later. In the end, she even brought herself to say to her husband it was just as well he had played barber when he did. But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered the scene all her life, as one in which she had suffered the most intensely.
D.H. Lawrence (The Centaur Collection of 50 Literary Masterpieces (Centaur Classics))
ANTHONY: I feel you, Johanna, I feel you Do they think that walls can hide you? Even now I'm at your window I am in the dark beside you, Buried sweetly in your yellow hair, Johanna… SWEENEY TODD: And are you beautiful and pale, With yellow hair, like her I'd want you beautiful and pale, The way I've dreamed you were, Johanna... ANTHONY: Johanna... SWEENEY TODD: And if you're beautiful, what then, With yellow hair, like wheat? I think we shall not meet again — My little dove, my sweet Johanna… ANTHONY: I'll steal you, Johanna… SWEENEY TODD: Goodbye, Johanna. You're gone, and yet you're mine. I'm fine, Johanna, I'm fine! ANTHONY: Johanna… BEGGAR WOMAN: Smoke! Smoke! Sign of the devil! Sign of the devil! City on fire! Witch! Witch! Smell it, sir! An evil smell! Every night at the vespers bell — Smoke that comes from the mouth of hell — City on fire! City on fire! Mischief! Mischief! Mischief... SWEENEY TODD: And if I never hear your voice, My turtledove, my dear, I still have reason to rejoice: The way ahead is clear, Johanna... JOHANNA: I'll marry Anthony Sunday Anthony…Sunday… ANTHONY: I feel you… SWEENEY TODD: And in that darkness when I'm blind With what I can't forget — ANTHONY: Johanna… SWEENEY TODD: It's always morning in my mind, My little lamb, my pet, Johanna… JOHANNA: I knew you'd come for me one day… Come for me…one day… SWEENEY TODD/ANTHONY: You stay, Johanna — Johanna… SWEENEY TODD: The way I've dreamed you are Oh look, Johanna — a star! ANTHONY: Buried sweetly in your yellow hair… SWEENEY TODD: A shooting star! BEGGAR WOMAN: There! There! Somebody, somebody look up there! Didn't I tell you? Smell that air! City on fire! Quick, sir! Run and tell! Warn 'em all of the witch's spell! There it is, there it is, the unholy smell! Tell it to the Beadle and the police as well! Tell 'em! Tell 'em! Help! Fiend! City on fire! City on fire! Mischief! Mischief! Mischief...Fiend . . . Alms…alms...for a miserable woman… SWEENEY TODD: And though I'll think of you, I guess, until the day I die, I think I miss you less and less as every day goes by, Johanna... ANTHONY: Johanna... JOHANNA: With you beside me on Sunday, Married on…Sunday… SWEENEY TODD: And you'd be beautiful and pale, And look too much like her. If only angels could prevail, We'd be the way we were, Johanna... ANTHONY: I feel you...Johanna… JOHANNA'S VOICE: Married on Sunday…married on Sunday ... SWEENEY TODD: Wake up, Johanna! Another bright red day! We learn, Johanna, to say goodbye! ANTHONY: I’ll steal you!
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
OLD YOUTHFUL [sneezing]. But sir, it’s not fair. Where’s the justice… BARTHOLO. Justice! Ignorant clods like you can go on and on about justice. But I’m your master and that means I’m always right! OLD YOUTHFUL [sneezing]. But if a thing is true… BARTHOLO. If something’s true! If I don’t want a thing to be true, it isn’t true by my say-so. If you let any Tom, Dick, or Harry be right, you’d soon see what’s to become of authority and discipline!
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
Brother Males and Shemales: Are you coming to the Health Bee?  It will be the livest Hop-to-it that this busy lil ole planet has ever see.  And it's going to be Practical.  We'll kiss out on all these glittering generalities and get messages from men as kin talk, so we can lug a think or two (2)home wid us. Luther Botts, the famous community-sing leader, will be there to put Wim an Wigor neverything into the program.  John F. Zeisser, M.A., M.D., nail the rest of the alphabet (part your hair Jack and look cute, the ladies will love you) will unlimber a coupla key-notes.  (On your tootsies, fellers, thar she blows!)  From time to time, if the brakes hold, we will, or shall in the infinitive, hie oursellufs from wherein we are apt to thither, and grab a lunch with Wild Wittles. Do it sound like a good show?  It do!  Barber, you're next.  Let's have those cards saying you're coming. This
Sinclair Lewis (Arrowsmith)
When you glorify Christ and He is seen in and through you, your behavior will radically change. Remember, this is not a self-help program. This is not where you grit your teeth and say, “I’m going to do better.” Flesh doesn’t get better. But when you come and say, “I can’t do better,” and you are willing to die to your own will and your own agenda and you are willing to surrender yourself to Christ, then your behavior will be markedly different.
Wayne Barber (Living Daily in God’s Grace)
In his ministry to the sick Luther recommended physicians, barbers, and apothecaries. Resort to medicine is desirable, he said, and it is well that physicians and nurses do what they can. However, Luther went beyond most of these physicians in pointing to the mental and emotional origin of some physical ailments. “Our physical health depends in large measure on the thoughts of our minds. This is in accord with the saying, ‘Good cheer is half the battle.’”{18}
Martin Luther (Luther: Letters of Spiritual Counsel)
I wondered if he meant celibacy. “You’re right,” my father was saying. “Absolutely.” “I don’t mean it isn’t a sacrifice.” I supposed he did. “It’s a tremendous sacrifice. We had a young fellow, just out of the seminary, come to our parish a few years back, nice as could be, but he didn’t last. He couldn’t take it. Eventually he left and got himself married. So I know it’s a sacrifice. But get rid of it and the priests will become just like everyone, wait and see. You’ll do as well to confess to your barber.
Alice McDermott (Charming Billy)
FIGARO. Such a fantastic chain of events! How did it all happen to me? Why those things and not others? Who pointed them in my direction? Having no choice but to travel a road I was not aware I was following, and which I will get off without wanting to, I have strewn it with as many flowers as my good humour has permitted. But when I say my good humour, how can I know if it is any more mine than all the other bits of me, nor what this ‘me’ is that I keep trying to understand: first, an unformed bundle of indefinable parts, then a puny, weak-brained runt, a dainty frisking animal, a young man with a taste for pleasure and appetites to match, turning his hand to all trades to survive—sometimes master, sometimes servant as chance dictated, ambitious from pride, hard-working from necessity, but always happy to be idle! An orator when it was safe to speak out, a poet in my leisure hours, a musician as the situation required, in love in crazy fits and bursts. I’ve seen it all, done it all, had it all. Then the bubble burst and I was too disillusioned… Disillusioned!
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
I can feel his breath on my cheekbone as he leans in to shave me carefully. The water is warm and so is his touch. Getting a shave at the barber shop used to be something dudes did in ye olden days, but now I know the process is weirdly intimate. My face is so sensitive to Wes’s touch. I enjoy the way his free hand cups my jaw, his thumb stroking over my cheek to check his work. When he switches sides, I get a kiss on the back of my neck. “I’m supposed to go to Nashville in the morning,” he says as two fingers tap beneath my chin. “Lift.
Sarina Bowen (Us (Him, #2))
Neumann One, if he were not scheduled to die ten weeks from now in the Allied invasion of Normandy, might have become a barber later in life, who would have a smelled of talc and whiskey and put his index finger into men's ears to position their heads, whose pants and shirts always would have been covered with clipped hairs, who, in his shop, would have taped postcards of the Alps around the circumference of a big cheap wavery miirror, who would have been faithful to his stout wife for the rest of his life -- Neumann One says, "Time for haircuts.
Anthony Doerr (All the Light We Cannot See)
We have written the equations of water flow. From experiment, we find a set of concepts and approximations to use to discuss the solution--vortex streets, turbulent wakes, boundary layers. When we have similar equations in a less familiar situation, and one for which we cannot yet experiment, we try to solve the equations in a primitive, halting, and confused way to try to determine what new qualitatitive features may come out, or what new qualitative forms are a consequence of the equations. Our equations for the sun, for example, as a ball of hydrogen gas, describe a sun without sunspots, without the rice-grain structure of the surface, without prominences, without coronas. Yet, all of these are really in the equations; we just haven't found the way to get them out. ...The test of science is its ability to predict. Had you never visited the earth, could you predict the thunderstorms, the volcanoes, the ocean waves, the auroras, and the colourful sunset? A salutary lesson it will be when we learn of all that goes on on each of those dead planets--those eight or ten balls, each agglomerated from the same dust clouds and each obeying exactly the same laws of physics. The next great era of awakening of human intellect may well produce a method of understanding the qualitative content of equations. Today we cannot. Today we cannot see that the water flow equations contain such things as the barber pole structure of turbulence that one sees between rotating cylinders. Today we cannot see whether Schrodinger's equation contains frogs, musical composers, or morality--or whether it does not. We cannot say whether something beyond it like God is needed, or not. And so we can all hold strong opinions either way.
Richard P. Feynman
I’ll lay a bet,” said Sancho, “that before long there won’t be a tavern, roadside inn, hostelry, or barber’s shop where the story of our doings won’t be painted up; but I’d like it painted by the hand of a better painter than painted these.” “Thou art right, Sancho,” said Don Quixote, “for this painter is like Orbaneja, a painter there was at Ubeda, who when they asked him what he was painting, used to say, ‘Whatever it may turn out’; and if he chanced to paint a cock he would write under it, ‘This is a cock,’ for fear they might think it was a fox.” —Miguel de Cervantes, Don Quixote
Michael Gruber (The Forgery of Venus)
In God’s own name, Sir Knight of the Sorry Face, I just can’t stand some of these things you come out with, making me think that everything you tell me about chivalries, and winning kingdoms and empires, and giving islands away and doing other favours and great deeds, as knight errants do, must all be empty lies, and a fraction or a friction or whatever it is you call it. Because anyone who hears you saying that a barber’s basin is Mambrino’s helmet, and sticking to your story for days on end – what’s he going to think except that the man who says things like that must be queer in the head? Yes, I’ve got the basin in my saddle-bag, well dented, and the reason I’ve got it there is to take it home and mend it for trimming my beard, if God’s good enough to let me see my wife and children again some day.
Miguel de Cervantes Saavedra (Don Quixote)
BÉGEARSS [very conceited]. My dear, there’s nothing to it. To start with, there are just two things that make the world go round: morality and politics. Morality, a very footling thing, means being fair and honest. It is, so they say, the basis of a number of rather boring virtues.[...] Politics is the art of making things happen, of leading people and events by the nose: it’s child’s play. Its purpose is self-interest, its method intrigue. Always economical with the truth, it has boundless, dazzling possibilities which stand like a beacon and draw you on. As deep as Etna, it smoulders and rumbles for a long time before finally erupting into the light of day. By then nothing can stop it. It calls for superior talents and is threatened by only one thing: honest principles. [He laughs] That’s the key to all the deals that are ever made!
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
Tell me about yourself," Midori said. "What about me?" "Hmm, I don't know, what do you hate?" "Chicken and VD and barbers who talk too much." "What else?" "Lonely April nights and lacy telephone covers." "What else?" I shook my head. "I can't think of anything else." "My boyfriend - which is to say, my ex-boyfriend - had all kinds of things he hated. Like when I wore too-short skirts, or when I smoked, or how I got drunk too quickly, or said disgusting things, or criticized his friends. So if there's anything about me you don't like, just tell me, and I'll fix it if I can." "I can't think of anything," I said after giving it some thought. "There's nothing." "Really?" "I like everything you wear, and I like what you do and say and how you walk and how you get drunk. Everything." "You mean I'm really OK just the way I am?" "I don't know how you could change, so you must be fine the way you are." "How much do you love me?" Midori asked. "Enough to melt all the tigers in the world to butter," I said. "Far out," she said with a hint of satisfaction.
Haruki Murakami (Norwegian Wood)
I heard a story about a critical, negative barber who never had a pleasant thing to say. A salesman came in for a haircut and mentioned that he was about to make a trip to Rome, Italy. “What airline are you taking and at what hotel will you be staying?” asked the barber. When the salesman told him, the barber criticized the airline for being undependable and the hotel for having horrible service. “You’d be better off to stay home,” he advised. “But I expect to close a big deal. Then I’m going to see the Pope,” said the salesman. “You’ll be disappointed trying to do business in Italy,” said the barber, “and don’t count on seeing the Pope. He only grants audiences to very important people.” Two months later the salesman returned to the barber shop. “And how was your trip?” asked the barber. “Wonderful!” replied the salesman. “The flight was perfect, the service at the hotel was excellent; I made a big sale, and I got to see the Pope.” “You got to see the Pope? What happened?” The salesman replied, “I bent down and kissed his ring.” “No kidding! What did he say?” “Well, he placed his hand on my head and then he said to me, ‘My son, where did you ever get such a lousy haircut?’” There’s
John C. Maxwell (Be a People Person: Effective Leadership Through Effective Relationships)
They were insane. They were insane and it made perfect sense to Barhu because this madness was, like her, made by Falcrest: a pattern of authority by bodily violence which remained, like a scar, after Falcrest departed. This terror was ultimately created by the Kyprists, by their ruthless barbers and their use of mass thirst as a weapon. Kyprism was in turn an artifice created by Falcrest's decapitation of all Kyprananoke's traditions and the installation of a biddable new ruling class. No matter how vivid and imminent the horrors here, Falcrest was in a distant but powerful way responsible. But Barhu could not bring herself to forgive the Pranist and his warband. No matter the cause, these were people doing evil. To absolve them of guilt would be to deny their humanity, to deny that they had some intrinsic dignity and moral independence which only they could choose to surrender. To say that these people were doing monstrous things entirely of their own monstrous nature was to deny Falcrest's immense historical crimes. But to say that these people were doing monstrous things solely because Falcrest had made them into monsters was to grant Falcrest the power to destroy the soul: to permanently remove the capacity for choice.
Seth Dickinson (The Tyrant Baru Cormorant (The Masquerade, #3))
RUDYARD KIPLING If If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don’t deal in lies, Or being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise: If you can dream – and not make dreams your master; If you can think – and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build ’em up with worn-out tools: If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: ‘Hold on!’ If you can talk with crowds and keep your virtue, Or walk with Kings – nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds’ worth of distance run, Yours is the Earth and everything that’s in it, And – which is more – you’ll be a Man, my son!
Laura Barber (Penguin's Poems for Life)
Mama made the coach stop at a barber shop around the corner from their house. 'Go in there,' she told Francie, 'and get your father’s cup.' Francie didn't know what she meant. 'What cup?' she asked. 'Just ask for his cup.' Francie went in. There were two barbers but no customers. One of the barbers sat on one of the chairs in a row against the wall. His left ankle rested on his right knee and he cradled a mandolin. He was playing 'O, Sole Mio.' Francie knew the song. Mr. Morton had taught it to them saying the title was 'Sunshine.' The other barber was sitting in one of the barber chairs looking at himself in the long mirror. He got down from the chair as the girl came in. 'Yes?' he asked. 'I want my father’s cup.' 'The name?' 'John Nolan.' 'Ah, yes. Too bad.' He sighed as he took a mug from the row of them on a shelf. It was a thick white mug with 'John Nolan' written on it in gold and fancy block letters. There was a worn-down cake of white soap at the bottom of it and a tired-looking brush. He pried out the soap and put it and the brush in a bigger unlettered cup. He washed Johnny’s cup. While Francie waited, she looked around. She had never been inside a barber shop. It smelled of soap and clean towels and bay rum. There was a gas heater which hissed companionably. The barber had finished the song and started it over again. The thin tinkle of the mandolin made a sad sound in the warm shop. Francie sang Mr. Morton’s words to the song in her mind. Oh, what’s so fine, dear, As a day of sunshine. The storm is past at last. The sky is blue and clear. Everyone has a secret life, she mused.
Betty Smith
COUNT. What’s to stop you taking her with you to London? FIGARO. A man who was married and had to be away so much? I’d never hear the end of it. COUNT. But with your qualities and brains you could climb the ladder and end up with an important government post one of these days. FIGARO. Brains? Climb the ladder? Your Lordship must think I’m stupid. Second-rate and grovelling, that’s the thing to be, and then the world’s your oyster. COUNT. All you’d have to do is take a few lessons in politics from me. FIGARO. I know what politics is. COUNT. Like you know the key to the English language? FIGARO. Not that it’s anything to boast about. It means pretending you don’t know what you do know and knowing what you don’t, listening to what you don’t understand and not hearing what you do, and especially, claiming you can do more than you have the ability to deliver. More often that not, it means making a great secret of the fact that there are no secrets; locking yourself in your inner sanctum where you sharpen pens and give the impression of being profound and wise, whereas you are, as they say, hollow and shallow; playing a role well or badly; sending spies everywhere and rewarding the traitors; tampering with seals, intercepting letters, and trying to dignify your sordid means by stressing your glorious ends. That’s all there is to politics, and you can have me shot if it’s not. COUNT. But what you’ve defined is intrigue. FIGARO. Call it politics, intrigue, whatever you want. But since to me the two things are as alike as peas in a pod, I say good luck to whoever has anything to do with either. ‘Truly, I love my sweetheart more’, as old King Henry’s song goes.
Pierre-Augustin Caron de Beaumarchais (The Barber of Seville / The Marriage of Figaro / The Guilty Mother)
You might consider a full shave," he suggested. "You certainly have the chin for it." Keir shook his head. "I must keep the beard." Looking sympathetic, the barber asked, "Pockmarks? Scars?" "No' exactly." Since the man seemed to explain an explanation, Keir continued uncomfortably, "It's... well... my friends and I, we're a rough lot, you ken. 'Tis our way to chaff and trade insults. Whenever I shave off the beard, they start mocking and jeering. Blowing kisses, calling me a fancy lad, and all that. They never tire of it. And the village lasses start flirting and mooning about my distillery, and interfering with work. 'Tis a vexation." The barber stared at him in bemusement. "So the flaw you're trying to hide is... you're too handsome?" A balding middle-aged man seated in the waiting area reacted with a derisive snort. "Balderdash," he exclaimed. "Enjoy it while you can, is my advice. A handsome shoe will someday be an ugly slipper." "What did he say, nephew?" asked the elderly man beside him, lifting a metal horn to his ear. The middle-aged man spoke into the horn. "Young fellow says he's too handsome." "Too handsome?" the old codger repeated, adjusting his spectacles and squinting at Keir. "Who does the cheeky bugger think he is, the Duke of Kingston?" Amused, the barber proceeded to explain the reference to Keir. "His Grace the Duke of Kingston is generally considered one of the finest-looking men who's ever lived." "I know-" Keir began. "He caused many a scandal in his day," the barber continued. "They still make jokes about it in Punch. Cartoons with fainting women, and so forth." "Handsome as Othello, they say," said a man who was sweeping up hair clippings. "Apollo," the barber corrected dryly. He used a dry brush to whisk away the hair from Keir's neck. "I suspect by now Kingston's probably lost most of those famed golden locks." Keir was tempted to contradict him, since he'd met the duke earlier that very day and seen for himself the man still had a full head of hair. However, he thought better of it and held his tongue.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And
Seneca (On The Shortness of Life)
Thomas (his middle name) is a fifth-grader at the highly competitive P.S. 334, the Anderson School on West 84th in New York City. Slim as they get, Thomas recently had his long sandy-blond hair cut short to look like the new James Bond (he took a photo of Daniel Craig to the barber). Unlike Bond, he prefers a uniform of cargo pants and a T-shirt emblazoned with a photo of one of his heroes: Frank Zappa. Thomas hangs out with five friends from the Anderson School. They are “the smart kids.” Thomas is one of them, and he likes belonging. Since Thomas could walk, he has constantly heard that he’s smart. Not just from his parents but from any adult who has come in contact with this precocious child. When he applied to Anderson for kindergarten, his intelligence was statistically confirmed. The school is reserved for the top 1 percent of all applicants, and an IQ test is required. Thomas didn’t just score in the top 1 percent. He scored in the top 1 percent of the top 1 percent. But as Thomas has progressed through school, this self-awareness that he’s smart hasn’t always translated into fearless confidence when attacking his schoolwork. In fact, Thomas’s father noticed just the opposite. “Thomas didn’t want to try things he wouldn’t be successful at,” his father says. “Some things came very quickly to him, but when they didn’t, he gave up almost immediately, concluding, ‘I’m not good at this.’ ” With no more than a glance, Thomas was dividing the world into two—things he was naturally good at and things he wasn’t. For instance, in the early grades, Thomas wasn’t very good at spelling, so he simply demurred from spelling out loud. When Thomas took his first look at fractions, he balked. The biggest hurdle came in third grade. He was supposed to learn cursive penmanship, but he wouldn’t even try for weeks. By then, his teacher was demanding homework be completed in cursive. Rather than play catch-up on his penmanship, Thomas refused outright. Thomas’s father tried to reason with him. “Look, just because you’re smart doesn’t mean you don’t have to put out some effort.” (Eventually, Thomas mastered cursive, but not without a lot of cajoling from his father.) Why does this child, who is measurably at the very top of the charts, lack confidence about his ability to tackle routine school challenges? Thomas is not alone. For a few decades, it’s been noted that a large percentage of all gifted students (those who score in the top 10 percent on aptitude tests) severely underestimate their own abilities. Those afflicted with this lack of perceived competence adopt lower standards for success and expect less of themselves. They underrate the importance of effort, and they overrate how much help they need from a parent.
Po Bronson (NurtureShock: New Thinking About Children)
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
You say you won’t take risks, but you will. And when you do, you’ll make anything Beslan and I might try look like an evening stroll in the garden. With you around, even the barber is blind.
Robert Jordan (Winter's Heart (The Wheel of Time, #9))
Scientists will say with conviction - and they are right - that "there are no technical or economic barriers to achieving sustainability." ... Many [market players] understand the science of climate change perfectly well; they are not deniers and don't need to be. They are not ignorant, certainly not stupid; they are simply driven by interests at odds with sustainability or climate justice. What's good for them and what's good for the planet are just not the same.
Benjamin R. Barber (Cool Cities: Urban Sovereignty and the Fix for Global Warming)
Most of the things like me, we ignore you all. You all think you’re slick. Praying for cash and guns, conjuring the egun and spilling the blood of innocents thinking that will satisfy. You know what they say, somebody got to die.
Shannon Barber (Wood. Feather. Bullet.)
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'” “I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road." "That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.” “My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got." "The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.” “Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
Jaroslav Hašek (The Good Soldier Schweik)
the doctors say is vital to his pulling through. But he is going to be a long time recovering.” “I heard he can’t walk.” Grant had forgotten Wally Benson was driving the buckboard that picked up Trouble at the river. “I don’t think anybody can say for sure. In his shape, I don’t think any man would be walking.” “I mean he got shot in the back, and it tore his backbone to pieces. You fished him out of the river and was there with him. You doctored him some, so I figure you should know.” “I staunched the bleeding of the wounds. He took a backshot, but I wouldn’t know how much damage there was. I didn’t see any sign of a shattered backbone. I think the gossips might be exaggerating some.” “You ain’t going to tell me nothing more, are you?” “Enos, I don’t know more than I have told you. I really don’t. I’m sure you will be informed when the doctors know something.” “Humph. Do you know you’re being followed?” Grant turned his head and looked down Main Street. “I don’t see anybody.” “You don’t think the feller would stand in the middle of the street waving at you, do you? He took cover between the barber shop and the bootmaker’s place once he seen where you was headed. Likely, he’s got a horse hitched someplace
Ron Schwab (Trouble (Lockwood Book 3))
At this point, Saddam took Saleh aside at the Presidential Palace, walked him to his private quarters, and called on the presidential barber to get a haircut, and the presidential tailor to get him a well-fitted suit. An hour later, Saddam flattered Saleh saying, “Now you look Presidential.” The two leaders hit it off quickly after that... Excerpt from- Abdulaziz: Making Yemen a Good World Citizen, page 91.
Raidan AlSaqqaf (ABDULAZIZ: Making Yemen a Good World Citizen)
I am bothered by people who say so much about what God says so little about, and so little about what God says so much about—especially the plight of the poor and rejected in society.
William J. Barber (White Poverty: How Exposing Myths About Race and Class Can Reconstruct American Democracy)
Dieters need to know they’re losing weight, even if gradually. We can help learners to weigh their English,  that is to realise their sense of achievement, or competence, in various ways. For example, we can set challenging but manageable tasks, give them tests, record them speak and have them listen a month later and notice the improvement and of course encourage and praise. The same principles apply when learners practise away from class. One reason we need to spend some time in class discussing what the learners do outside class is to create the opportunity for feedback (from the teacher and from fellow students), to say ‘Well done’, ‘Keep it up’ or ‘Go on, give it a go’. In addition, we can provide expert knowledge about which activities are right for them in terms of level and appropriacy.
Daniel Barber (From English Teacher to Learner Coach)
Witnesses to his whoppers realized that Reagan was not lying but had persuaded himself of the validity of his tales. “He finds it next to impossible to say anything that is not in some crucial way untrue,” wrote the journalist Jack Beatty. “It’s not a credibility gap, for there is no evidence of cynical or even conscious duplicity. The President is so far out of touch that it amounts to a reality gap.” Still, listeners were often dumbfounded. His daughter Patti said, “He has the ability to make statements that are so far outside the parameters of logic that they leave you speechless.” John Sloan, author of The Reagan Effect, has written: “In Reagan’s mind, unpleasant facts could be avoided; contradictions could be denied; anecdotes could overcome facts; movie illusions could substitute for history; unpleasant realities could be blamed on a hostile press.” His fictions mattered little, though, for after a generation of assassination and scoundrelry the media decided—consciously or unconsciously—to feature his presidency as a success story and to brush aside inconvenient particulars. “Ronald Reagan,” observed the political scientist James David Barber, “is the first modern President whose contempt for the facts is treated as a charming idiosyncrasy.” In London, a writer in the Observer commented: “His errors glide past unchallenged. At one point … he alleged that almost half the population gets a free meal from the government each day. No one told him he was crazy. The general message of the American press is that, yes, while it is perfectly true that the emperor has no clothes, nudity is actually very acceptable this year.
William E. Leuchtenburg (The American President: From Teddy Roosevelt to Bill Clinton)
The ball sack is supposed to be wrinkly; they’re not bloody worry lines! I can’t believe there’s a machine that fixes this. I don’t even own an iron. Balls don’t need ironing! They’re like a shellsuit, they’re meant to be crease-looking. And anyway, I’ve sat on them most of the time, so they’d only get creased again. As for getting your arse bleached, I don’t know what to make out that. I couldn’t tell you what mine looks like. If you showed five photos of various anuses, I couldn’t pick mine out from a line-up. I never understood why barbers used to show me the back of my head in a mirror after a quick trim, so I certainly wouldn’t worry about the colour of my anus. I’d say if you’re worrying about the colour of your anus, things must be good, as you can’t have proper worries in your life.
Karl Pilkington (The Moaning of Life: The Worldly Wisdom of Karl Pilkington)
A little boy walks into a barbershop. The barber whispers to his customer, “This is the world’s dumbest kid. Watch and I’ll prove it to you.” The barber puts a dollar bill in one hand and two quarters in the other, then asks the little boy, “Hey kid, which do you want?” The boy takes the quarters and leaves. “What did I tell you?” said the barber. “The kid never learns!” Later the customer sees the little boy eating an ice cream and says, “Hey, little boy, why do you always take the quarters instead of the dollar bill?” The boy licked his cone and answered, “Because the day I take the dollar, the game is over.
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
It has become increasingly popular today to say that we live in an era of what Benjamin Barber has labelled ‘Jihad vs. McWorld’. The globalising powers of capitalism (‘McWorld’) are confronted with or resisted by the forces that Barber labels ‘Jihad’ – the variety of tribal particularisms and ‘narrowly conceived faiths’ opposed to the homogenising force of capital. Even those with a critical view of the growth of American empire and the expansion of what is erroneously termed the global market usually subscribe to this interpretation. In fact it is the critics who often argue that we need a better understanding of these local forms of resistance against the ‘universal’ force of the market. The terms of this debate are quite misleading. We live in an age, to adapt Barber’s nomenclature, of ‘McJihad’. It is an age in which the mechanisms of what we call capitalism appear to operate, in certain critical instances, only by adopting the social force and moral authority of conservative Islamic movements.
Timothy Mitchell (Carbon Democracy: Political Power in the Age of Oil)
I'm reading Molière, if you must know.' 'Jings. That French pish! What are you reading yon for? Have you got nothing better to do with your time? On ne meurt qu'une fois, et c'est pour si longtemps, eh? Absolute shite, so it is. Absolute shite.' 'If you must know, I just happen to like the sub-Hudibrastic lineage of the prose. So much better than his Scottish or English contemporaries.' James Strachan finally sat up in bed. Wide awake. Aware of the wind piling the snow against the side of the house; he ignored it. 'Hudibrastic? You mean his writing employs a burlesque cacophonous octosyllabic couplet with extravagant rhymes?' 'Aye.' 'Away and stick your heid in a bucket of sludge, Mary Strachan. Molière did no such thing.' 'He did so!' 'You know fine well he didn't. You just wanted to say Hudibrastic.' 'I did not.' James
Douglas Lindsay (The Barber Surgeon's Hairshirt (Barney Thomson #2))
For the mouth speaks what the heart is full of.” —Luke 6:45 (NIV) One morning before a church meeting, I made the sign of the cross over my mouth as a quick prayer to keep me from saying negative or critical things. All went well until the end, when we discussed trying a new form of worship. Suddenly, a quick criticism fell right out of my mouth: “The powers that be won’t like it, and they’ll probably veto it.” I immediately felt a twinge of guilt, but I pretended nothing was wrong. After the meeting I knew it was time to visit the prayer chapel. As I knelt, I recalled that last Sunday in class we’d seen a video where the speaker had two glasses filled to the brim with beads. When he knocked them together, several beads popped out of both of them because of the impact. The speaker explained that we can’t blame other people for bringing out the worst in us because nothing can come out of us that’s not already in there to begin with. I left the chapel knowing I had been forgiven, but I still felt I’d let down God and myself. Driving home, I hit road-construction traffic and turned off on a street I rarely take. As I was passing a church, my eye caught a message board sign out front. “Jesus still loves you” was all it said. I let out a deep cleansing breath, thankful that not only are God’s mercies new every morning but so is His unchanging love. Dear Jesus, show me the hidden places inside of me where I need Your mercies every morning, so I can live better days for You. Amen. —Karen Barber Digging Deeper: Jl 2:12–13; Heb 4:16
Guideposts (Daily Guideposts 2014)
…Who through faith…whose weakness was turned to strength…. —Hebrews 11:33–34 (NIV) I probably shouldn’t have checked my computer one last time after a very tiring day. One click and I was staring in disbelief at an e-mail from our church prayer planning committee leader with more than one hundred prayer requests attached! The petitions had been gathered at our Ash Wednesday service, and no one thought about who was going to pray for them once they were placed on the altar. Although we weren’t an intercessory prayer group (we plan prayer events), our committee was elected! I was even more overwhelmed when I glanced at the list: chemotherapy, job losses, marriages falling apart, the death of young adults, anger issues, serious child behavior problems… I felt absolutely unable—and unwilling—to tackle the job. So instead of praying, I escaped to the laundry room to take the clothes out of the dryer. As I vigorously shook out a shirt, this thought came to mind: Here you are thinking it’s impossible to pray for one hundred requests. God not only hears billions of requests an hour, He also follows through and acts on them. I printed out the requests and put them by the chair where I do my morning prayers, and each morning I prayed for ten of them until I finally finished all of them. Dear Creator of the universe, help me to say yes to the spiritual tasks You assign me even when I feel unequal to the task. Amen. —Karen Barber Digging Deeper: Mk 10:45; 1 Pt 4:10–11
Guideposts (Daily Guideposts 2014)
Did the two of you talk about it?” “There was nothing to talk about. Nothing happened.” “And ‘nothing’ makes you jump every time I get near you.” He tipped his bowl, mopping up with a biscuit. “You know he can’t find you here. I’ll keep you safe.” “It’s not a problem.” “Well then, what is? I’ve promised never to hurt you. I’ve promised not to go in debt. I’ll build you a decent house soon as I can pay cash. I’ll get a haircut the minute there’s a barber within a hundred miles.” His thumb slid under the cuff of her sleeve. “Say, you’re not pining away for some poor soldier who didn’t make it back from the War, are you? My older brother’s sweetheart moped around for two years. They weren’t even engaged. Or maybe there’s someone else you’d rather marry, maybe someone who didn’t ask in time.” “There’s no one.” “So what is the problem? Are you homesick? Miss your folks? Just tell me what’s got you so fidgety, and I’ll fix it.” “It’s nothing.
Catherine Richmond (Spring for Susannah)
But, you know, terrible as that mess was - not just Wheeler, but the whole war - it brought out the greatness in the American people. There's something about war that brings out greatness. I hate to say that, but it's true. Of course, maybe that's because you can get great so quick in a war. Just one damn fool thing for a couple of seconds, and you're great. I could be the greatest barber in the world, and maybe I am, but I'd have to prove it with a lifetime of great haircutting, and then nobody'd notice. That's just the way peacetime things are, you know?
Kurt Vonnegut Jr. (Player Piano)
Brigham Young answered [William McCary who had...] complained that he was 'hypocritically abused' among the Latter-Day Saints and had experienced racism... with an appeal to the New Testament and the broad commonality among all of God's children. Paraphrasing Acts 17:26, Young said, 'It's nothing to do with the blood, for of one blood has God made all flesh.' In an effort to calm McCary's worries, Young reinforced the commonality of the entire human family. Not only did God create racial diversity out of 'one blood'; Young insisted that Latter-Day Saints did not discriminate even in distributing priesthood authority. He then cited Q. Walker Lewis in the Lowell, Massachusetts branch as his proof: 'We [h]av[e] one of the best Elders[,] and African in Lowell---a barber,' he told McCary. Even Black men were welcome and eligible for the priesthood, Young affirmed. The interview continued in somewhat arbitrary directions after that but eventually returned to McCary's standing among the Saints. 'I am not a Pres[iden]t, or a leader of the p[eo]pl[e],' McCary lamented, but merely a 'common bro[the]r,' something he attributed to the fact that he was 'a little shade darker.' Brigham Young again asserted a universal ideal and told McCary, 'We don't care about the color.' McCary liked hearing that from Brigham Young but still wondered if other apostles shared the same sentiments. 'Do I hear that from all?' he asked. Those present responded with a unified 'aye.' Brigham Young counseled McCary to ignore 'what the p[eo]pl[e] say, shew by your actions that you don't care for what they say---all we do is serve the Lord with all our hearts,' he insisted... William McCary... [was] married [to] Lucy Stanton, a white Latter-Day Saint... McCary was a formerly enslaved [convert] from Mississippi [who attempted to pass as] Native American...
W. Paul Reeve (Let’s Talk About Race and Priesthood)
Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave
Tom Waits
I am not in love with you, Nell Barber,” and it was the kindest and most legitimizing thing you could say, as if you could have loved me, as if you only happened not to, as if you only didn’t, not couldn’t, not wouldn’t dare.
Rebecca Dinerstein Knight (Hex)
but I have had a lucky life. That is to say that I know I’ve been lucky. Beyond that, the question is if I have not been also blessed, as I believe I have—and, beyond that, even called. Surely I was called to be, for one thing, a barber. All my real opportunities have been to be a barber, as you’ll see, and being a barber has made other opportunities. I have had the life I have had because I kept on being a barber, you might say, in spite of my intentions to the contrary. Now I have had most of the life I am going to have, and I can see what it has been. I can remember those early years when it seemed to me I was cut completely adrift, and times when, looking back at earlier times, it seemed I had been wandering in the dark woods of error. But now it looks to me as though I was following a path that was laid out for me, unbroken, and maybe even as straight as possible, from one end to the other, and I have this feeling, which never leaves me anymore, that I have been led. I will leave you to judge the truth of that for yourself; as Dr. Ardmire and I agreed, there is no proof.
Wendell Berry (Jayber Crow)
I’ve already been out here a long time, and my mom says you can never relive a single moment. I stopped swinging. A single moment. Individual blades of grass became very distinct in my vision, as they sometimes do in the light of thickly clouded days. I am thinking of a moment—it is gone. Here’s another—gone. Gone. Gone. One cannot consider, with any real accuracy, the currency of a single moment and its extinction. Those are not the words I thought, but I felt them. The ground spun beneath me, although I was sitting still. I stood up too fast and became light-headed and had to grab ahold of the swing set’s ladder, which was striped like a barber’s pole, I noticed for the first time. I wandered out of Rose’s yard and headed home as if I were sick. It was impossible to stop thinking about time; I couldn’t get it out of my head and the effect was that every step I took was measured in jerky increments that vividly illustrated the arrival of a little unit of time and the death of that unit, until I was nauseous.
Haven Kimmel (A Girl Named Zippy)
When I was finished, an older woman in that congregation stood up and said, “Did you hear how the Scripture ended? It says, ‘The Lord is there.’ It doesn’t say he’s going to be there. It says he’s already there.” She stood up in that church and told the people that the Lord was already on Jones Street, where the North Carolina General Assembly meets, and we needed to join God there.
William J. Barber II (The Third Reconstruction: How a Moral Movement Is Overcoming the Politics of Division and Fear)
What did Lincoln say about fooling people? "You may fool all the people some of the time; you can even fool some of the people all the time; but you can't fool all of the people all the time.
Nicola Barber (Question And Answer Encyclopedia: The USA)
There’s Laughter in the Air!, the book Molly is reading while Fibber tussles with the mower, contains excerpts from two Fibber McGee and Molly shows and portions of scripts from twenty other comedy programs. This episode features two extended similes that linger because of their descriptiveness: Fibber says the mower “runs like an iron deer being pursued by a stuffed dog through a petrified forest” and asserts that he is “making as much progress as a punch-drunk caterpillar trying to follow the white line around a revolving barber pole.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
He read what he could find—the distilled knowledge of hundreds of experts. He couldn’t follow all the physiology. The body had evolved to feel fear, hope, thrill, and peace in the presence of certain semi-ordered vibrations; no one knew why. It made no sense that a few staggered chords could make the brain love an unmet stranger or grieve for friends who hadn’t died. Nobody could say why Barber moved listeners and Babbitt didn’t, or whether an infant might be raised to weep at Carter. But all the experts agreed that waves of compressed air falling on the eardrum touched off chain reactions that flooded the body in signals and even changed the expression of genes.
Richard Powers (Orfeo)
A young Jewish man escapes the Holocaust and makes his way to England, where he manages, through sheer entrepreneurial genius, to make a fortune. His old widower father remains behind in the Warsaw ghetto and the young man is able to pay for an incredible, daring, and expensive airlift to rescue him. Once his father is safe in England, the young man tells him he must think of himself as an Englishman. “That is what I am now, Papa,” he explains to the old man. “This land has given me refuge and a haven and I have succeeded here. I am, by God, an Englishman and you must think of yourself as one from now on, too.” He takes his father to Bond Street and has him fitted for and dressed in a brand-new expensive suit in a haberdashery there. Then he takes him to a fancy tonsorial place where the old man is put in the barber chair and the hair cutter begins cutting the old man’s payos, the locks of hair worn by religious Hasidim. The father is suddenly sobbing convulsively and his son, with deep compassion as he watches his father’s hair locks tumble to the floor, sympathetically asks: “What, Papa? Are you crying because you feel you are losing your Jewish identity?” The old man shakes his head, sniffs, and, with another convulsive sob, says: “No, son. I’m crying because we lost India.
Michael Krasny (Let There Be Laughter: A Treasury of Great Jewish Humor and What It All Means)
For twenty years good old Sami has cut my hair, but from day to day he says less and less. I've had enough of his silence. A barber should tell stories better than the radio.
Rafik Schami (A Hand Full of Stars)
There’s a boy who oft goes to barbershop. Confused mom will say, “Another hair crop?” Why does the boy love frequenting the shop? Barber talks to him, his parents—a flop. Folks are oft busy and away from home; the boy seems in the house, not in the home. So if the boy’s looking for attention, he’ll find it in the shop, not there forlorn.
Rodolfo Martin Vitangcol
Leonid Brezhnev needed a haircut, so he went down to the ground floor of the Kremlin and plopped into the chair. It was understood that at such times the barber was to say not a word, just cut hair. But this morning, after a few snips, he said: ‘Comrade Brezhnev, what are you going to do about Poland?’ No reply. Some minutes later: ‘Comrade Brezhnev, what about Poland?’ Again no reply. Then, pretty soon: ‘Comrade Brezhnev, you’ve got to do something about Poland.’ “At this Brezhnev jumps out of the chair and tears away the cloth: ‘What’s all this about Poland?’ and the barber says: ‘It makes my job so much easier,’ and Brezhnev screams: ‘What do you mean?’ and the barber says: ‘Every time I mention Poland your hair stands straight up on end.’ 
James A. Michener (Poland)
Do justice echoed in every ripple of the great river of resistance. Treat people right, treat communities right, treat the least of these right. Love mercy, I heard my faith tradition say. Love helping people. Love building a government that cares for all. Love the least, the left out, the lost. Enjoy lifting those who have been abandoned. Get excited about rescuing those who have failed. And this: Walk humbly before your God. Never think as a nation that your bombs, missiles, and weaponry make you greater than God. Never become a nation that’s unable to repent when you have mistreated the vulnerable. Never become so arrogant in your wealth that you refuse to lift the poor. Never become so vain that you pray for God to bless America and forget that God is not your exclusive property.
William J. Barber II (The Third Reconstruction: How a Moral Movement Is Overcoming the Politics of Division and Fear)