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The world for which you have been so carefully prepared is being taken away from you,' he said, 'by the grace of God.' (Walter Brueggemann)
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Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
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It was a stretch to imagine that Barbara Walters might want to give it all up for Ed Couch, but Evelyn tried her hardest. Of course, even though she was not religious, it was a comfort to know that the Bible backed her up in being a doormat.
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Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
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So I’d been called the Barbara Walters of weird shit.There’s weird shit and then there’s weird shit.
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Carrie Vaughn (Kitty and the Dead Man's Hand (Kitty Norville, #5))
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There was something else that [Christopher] Reeve told me privately, off camera, and it made me grin. While he was lying in the hospital, just becoming conscious with tubes connected to all parts of his body, a doctor in a white coat came in and with a Russian accent, commanded: "Turn over!"
Are you nuts? Reeve thought.
I said: 'Turn over!'" the doctor repeated.
As Reeve was about to answer "the imbecile", he realized there was something familiar about the man in the white coat. He wasn't a doctor at all. He was Reeve's old buddy from acting school at Julliard, Robin Williams. Reeve waited for a breath, and almost choked with laughter. He realized, he told me, "If I can laugh, I can live.
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Barbara Walters
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It would be nice to feel that we are a better world, a world of more compassion and a world of more humanity, and to believe in the basic goodness of man.
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Barbara Walters
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it's good to fail sometimes.When you fail, you have to prove yourself. That's often the best thing than can happen, because then you're sure your success isn't just luck. - Barbara Walters
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O, The Oprah Magazine (O's Best Advice Ever!: Make Over Your Life With Oprah & Friends)
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Those who can make you believe absurdities can make you commit atrocities.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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That you've got to have someone you love and not necessarily that you have to have someone who loves you.You've got to have a reason to get up in the morning.That doesn't mean you have to have a career. But you must have something you really care about.- Barbara Walters
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O, The Oprah Magazine (O's Best Advice Ever!: Make Over Your Life With Oprah & Friends)
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People may tolerate years of poverty, unemployment, and discrimination. They may accept shoddy schools, poor hospitals, and neglected infrastructure. But there is one thing they will not tolerate: losing status in a place they believe is theirs. In the twenty-first century, the most dangerous factions are once-dominant groups facing decline.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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He made so many promises,” said the deeply disappointed Obama acolyte Barbara Walters five years into the presidency. “We thought that he was going to be . . . the next messiah.” The messiah he was clearly not. He was not even an honest man. Lamented Walters, “People feel very disappointed because they expected more.
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Jack Cashill ("You Lie!": The Evasions, Omissions, Fabrications, Frauds and Outright Falsehoods of Barack Obama)
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anocracy.” Citizens receive some elements of democratic rule—perhaps full voting rights—but they also live under leaders with extensive authoritarian powers and few checks and balances.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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What touched me the most about the Dalai Lama was his definition of the purpose of life. It was, he said, “to be happy." How does one accomplish that? I asked. "I think warm-heartedness and compassion," he replied. "Compassion give you inner strength, more self-confidence. That can really change your attitude.
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Barbara Walters (Audition: A Memoir)
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To put it bluntly, how could she not have known that rats are more magnificent?
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Barbara Wersba (Walter: The Story of a Rat)
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The CIA first discovered the relationship between anocracy and violence in 1994.24 The U.S. government had asked the agency to develop a model to predict—two years in advance—where political instability and armed
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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If this fails to convince, I being out my secret weapon, announcing with portentous deliberation that Barbara. Damn. Walters. Does. Not. Drive. Heard of her?
This sort of accusatory conversion of course almost never goes down with native New Yorkers, people who, like Barbara Walters, live in that barbaric third world country that is Manhattan, and thus have yet to hear of newfangled American Advances like automobiles, happiness, and yards.
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Sarah Vowell (Take the Cannoli)
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I had left Florida in the nick of time, it turned out. The business decline that began when the real estate boom collapsed caught up with the nightclubs soon after I left. The Silent Night closed its gates for good. Palm Island popped into the news once in a while as time went by. Al Capone built a home there. Then Lou Walters, father of TV’s Barbara Walters, opened the Latin Quarter. But it was to be a long time before I saw Florida again.
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Ray Kroc (Grinding It Out: The Making of McDonald's)
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Suddenly, Walter was aware of all the things he did not know. There were hundreds--thousands--of books in the world, and he had read only a handful of them. One day he would die, a myriad of books unread, his knowledge of the world incomplete.
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Barbara Wersba (Walter: The Story of a Rat)
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Parton’s musical genius deserves a discussion far beyond and above the matters of gender and class. But the lyrics she wrote are forever tied to the body that sang them, her success forever tied to having patterned her look after the “town trollop” of her native holler. For doing so, she received a fame laced with ridicule; during interviews in the 1970s and 1980s, both Barbara Walters and Oprah Winfrey asked her to stand up so they could point out, without humor, that she looked like a tramp.
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Sarah Smarsh (She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs)
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That fall it was the most talked about book in America, because the pundits could not fathom why a book giving guidance on suicide could be in such huge demand. What, they asked, had happened to America?
The simple answer was perhaps contained in my response on ABC-TV’s Nightline program when Barbara Walters asked me: 'Why is it a best-seller, Mr. Humphry?' My reply was: 'Because everybody dies, and nearly every person wonders, however privately, what form that death will take. They’re looking to Final Exit for options.
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Derek Humphry (Final Exit: The Practicalities of Self-Deliverance and Assisted Suicide for the Dying)
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prisons, and through Mark Vermilion, who ran Baez’s human rights foundation Humanitas. When Jobs donated some computers to them, he asked if he could meet Baez. A few weeks later he and Baez had lunch in Cupertino. “I wasn’t expecting a lot, but she was really smart and funny,” he recalled. At the time, he was nearing the end of his relationship with Barbara Jasinski. They had vacationed in Hawaii, shared a house in the Santa
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Walter Isaacson (Steve Jobs)
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Democratic countries that veer into anocracy do so not because their leaders are untested and weak, like those who are scrambling to organize in the wake of a dictator, but rather because elected leaders—many of whom are quite popular—start to ignore the guardrails that protect their democracies. These include constraints on a president, checks and balances among government branches, a free press that demands accountability, and fair and open political competition. Would-be autocrats such as Orbán, Erdoğan
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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She was interviewing one of my favorite television actors, Don Johnson of Miami Vice. As he reclined on a couch in his lovely home, Don told Barbara about the joys and difficulties in his life. He talked of past struggles with drug and alcohol abuse and work addiction. Then he spoke of his relationships with women—how exciting and attractive he found them. I could see his energy rise and his breath quicken as he spoke. An air of intoxication seemed to fill the room. Don said his problem was he liked women too much and found it hard to be with one special partner over a long period. He would develop a deep friendship and intimacy, but then his eyes would wander. I thought to myself, this man has been sexually abused! His problems sounded identical to those of adult survivors I counsel in my practice. But then I reconsidered: Maybe I’ve been working too hard. Perhaps I’m imagining a sexual abuse history that isn’t really there. Then it happened. Barbara leaned forward and, with a smile, asked, “Don, is it true that you had your first sexual relationship when you were quite young, about twelve years old, with your seventeen-year-old baby-sitter?” My jaw dropped. Don grinned back at Barbara. He cocked his head to the side; a twinkle came into his blue eyes. “Yeah,” he said, “and I still get excited just thinking about her today.” Barbara showed no alarm. The next day I wrote Barbara Walters a letter, hoping to enlighten her about the sexual abuse of boys. Had Don been a twelve-year-old girl and the baby-sitter a seventeen-year-old boy, we wouldn’t hesitate to call what had happened rape. It would make no difference how cooperative or seemingly “willing” the victim had been. The sexual contact was exploitive and premature, and would have been whether the twelve-year-old was a boy or a girl. This past experience and perhaps others like it may very well be at the root of the troubles Don Johnson has had with long-term intimacy. Don wasn’t “lucky to get a piece of it early,” as some people might think. He was sexually abused and hadn’t yet realized it. Acknowledging past sexual abuse is an important step in sexual healing. It helps us make a connection between our present sexual issues and their original source. Some survivors have little difficulty with this step: They already see themselves as survivors and their sexual issues as having stemmed directly from sexual abuse. A woman who is raped sees an obvious connection if she suddenly goes from having a pleasurable sex life to being terrified of sex. For many survivors, however, acknowledging sexual abuse is a difficult step. We may recall events, but through lack of understanding about sexual abuse may never have labeled those experiences as sexual abuse. We may have dismissed experiences we had as insignificant. We may have little or no memory of past abuse. And we may have difficulty fully acknowledging to ourselves and to others that we were victims. It took me years to realize and admit that I had been raped on a date, even though I knew what had happened and how I felt about it. I needed to understand this was in fact rape and that I had been a victim. I needed to remember more and to stop blaming myself before I was able to acknowledge my experience as sexual abuse.
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Wendy Maltz (The Sexual Healing Journey: A Guide for Survivors of Sexual Abuse)
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Hardy reinforces his narrative with stories of heroes who didn’t have the right education, the right connections, and who could have been counted out early as not having the DNA for success: “Richard Branson has dyslexia and had poor academic performance as a student. Steve Jobs was born to two college students who didn’t want to raise him and gave him up for adoption. Mark Cuban was born to an automobile upholsterer. He started as a bartender, then got a job in software sales from which he was fired.”8 The list goes on. Hardy reminds his readers that “Suze Orman’s dad was a chicken farmer. Retired General Colin Powell was a solid C student. Howard Schultz, the CEO of Starbucks, was born in a housing authority in the Bronx … Barbara Corcoran started as a waitress and admits to being fired from more jobs than most people hold in a lifetime. Pete Cashmore, the CEO of Mashable, was sickly as a child and finished high school two years late due to medical complications. He never went to college.” What do each of these inspiring leaders and storytellers have in common? They rewrote their own internal narratives and found great success. “The biographies of all heroes contain common elements. Becoming one is the most important,”9 writes Chris Matthews in Jack Kennedy, Elusive Hero. Matthews reminds his readers that young John F. Kennedy was a sickly child and bedridden for much of his youth. And what did he do while setting school records for being in the infirmary? He read voraciously. He read the stories of heroes in the pages of books by Sir Walter Scott and the tales of King Arthur. He read, and dreamed of playing the hero in the story of his life. When the time came to take the stage, Jack was ready.
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Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
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not his first choice. He works most of the time with people like Fiona Campbell-Walter and Barbara
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Penny Vincenzi (A Question of Trust)
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Then I saw an answer staring me in the face. I knew he wouldn’t come on The Kelly File, but I was preparing for my Fox Broadcasting Special, which was by its nature a more casual, less aggressive venue. Trump would be a natural lead interview—he had already done Barbara Walters’s 10 Most Fascinating People series three times. (“A record!” he once told me.) Talking to him face-to-face could reestablish a sane relationship. If
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Megyn Kelly (Settle for More)
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It turns out that what people like the most is fear over calm, falsehood over truth, outrage over empathy. People are far more apt to like posts that are incendiary than those that are not, creating an incentive for people to post provocative material in the hopes that it will go viral.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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are now severely affected by a wave of international autocratization
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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For a decaying democracy, the risk of civil war increases almost the moment it becomes less democratic. As a democracy drops down the polity index scale—a result of fewer executive restraints, weaker rule of law, diminished voting rights—its risk for armed conflict steadily increases.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Such political exploitation only compounds divisions across society. Citizens, feeling insecure about the future and losing confidence in their government to resolve conflict or serve the population as a whole, end up rallying around the most partisan parties—the ones who promise to protect their very lives, as well as their interests, way of life, and conception of what society should be.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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For a society to fracture along identity lines, you need mouthpieces - people who are willing to make discriminatory appeals and pursue discriminatory policies in the name of a particular group. They are usually people who are seeking political office or trying to stay in office. They provoke and harness feelings of fear as a way to lock in the constituencies that will support their scramble for power. Experts have a term for these individuals: ethnic entrepreneurs. [...] Though the catalyst for conflict is often ostensibly something else - the economy, immigration, freedom of religion - ethnic entrepreneurs make the fight expressly about their group's position and status in society. Harnessing the power of the media, which they often control, they work to convince citizens that they are under threat from an out-group and must band together under the entrepreneur to counter the threat.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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was neither smart nor politically experienced
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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LIKE ALL AMERICANS, I was shocked by what happened on January 6. But it was, at the same time, deeply familiar. President Trump’s defiance after losing the 2020 election reminded me of other presidents, from Nicolás Maduro, who in the months before Venezuela’s 2015 election declared he would not relinquish his post no matter the outcome, to Laurent Gbagbo, who refused to concede after Ivory Coast’s 2010 election because he claimed it was stolen. Venezuela slid toward authoritarianism; the Ivory Coast descended into civil war. A part of me did not want to accept the implications of what I was seeing. I thought of Daris, from Sarajevo, who, even years later, still struggled to understand how the people of his multicultural, vibrant country had turned so violently on one another. This is America, I thought. We are known for our tolerance and our veneration of democracy. But this is where political science, with its structured approach to analyzing history as it unfolds, can be so helpful. No one wants to believe that their beloved democracy is in decline, or headed toward war; the decay is often so incremental that people often fail to notice or understand it, even as they’re experiencing it. If you were an analyst in a foreign country looking at events in America—the same way you’d look at events in Ukraine or the Ivory Coast or Venezuela—you would go down a checklist, assessing each of the conditions that make civil war likely. And what you would find is that the United States, a democracy founded more than two centuries ago, has entered dangerous territory.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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In the words of David Kilcullen—former special adviser for counterinsurgency in George W. Bush’s administration and chief counterterrorism strategist for the U.S. State Department—the most important thing governments can do is to “remedy grievances and fix problems of governance that create the conditions that extremists exploit.” If America does not change its current course, dangers loom. In the case of the United States, the federal government should renew its commitment to providing for its most vulnerable citizens, white, Black, or brown. We need to undo fifty years of declining social services, invest in safety nets and human capital across racial and religious lines, and prioritize high-quality early education, universal healthcare, and a higher minimum wage. Right now many working-class and middle-class Americans live their lives “one small step from catastrophe,” and that makes them ready recruits for militants. Investing in real political reform and economic security would make it much harder for white nationalists to gain sympathizers and would prevent the rise of a new generation of far-right extremists.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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The scholars who created the racial resentment scale argue that the racial views of white Americans have changed radically over the last half century. The United States, they write, has shifted from a nation where most of the population believed that racial minorities were inferior to one where many Americans believe that all races are equal but resent African Americans and other minorities for demanding too much in the way of special favors and accommodations. Along with being anti-Black, these attitudes are fueled by reverence for rugged individualism: Racially resentful whites feel that, by asking for government support and protection, Blacks are not adhering to values associated with the Protestant work ethic. In the 2016 American National Election Study, about 40 percent of Americans (and almost 50 percent of white Americans) could be categorized as racially resentful—figures that suggest this new, more subtle form of prejudice is widely held. Remember, it’s not the desperately poor who start civil wars, but those who once had privilege and feel they are losing status they feel is rightfully theirs.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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The United States is supposed to be a model of democracy, a beacon of freedom, but we have allowed money and extremism to infiltrate our politics. We can strengthen our democratic institutions and our society: We did this with the New Deal, when our government put people back to work, lifted many Americans out of poverty, and restored Americans’ faith in their economic system, reviving a sense of hope. We did it in the civil rights era, when citizens demanded equal rights and freedoms for African Americans, and the government responded, satisfying a desire for equity and justice. And we can do it again, by reclaiming and mediating our public discourse so we can get off the path of self-segregating, predatory factionalism and restore hope in the long-term health of our country. We are already seeing this at the local level, where groups of citizens in every state are forming small organizations to try to restore civic values.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Right-wing terrorism used to rise and fall depending on who was president: It decreased when a Republican was in the White House and increased when a Democrat was in power. President Trump broke the pattern. For the first time, violent right-wing groups increased their activity during a Republican administration. The president encouraged the more extreme voices among his supporters rather than seeking to calm or marginalize them. To these followers, Trump’s 2016 victory wasn’t the end of their fight; it was the beginning.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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civil wars look entirely different today. Those who wage war against their governments in the twenty-first century tend to avoid the battlefield entirely; they know they will almost certainly lose in a conventional war against a powerful government. Instead, they choose the strategy of the weak: guerrilla warfare and terrorism. And, increasingly, domestic terror campaigns are aimed at democratic governments. Terror can be effective in democracies because its targets—citizens—have political power: They can vote against politicians who are unable to stop the attacks. The Provisional IRA, Hamas, and the Tamil Tigers all believed that the more pain they inflicted on average citizens, the more likely governments would be to make concessions to the terrorists in exchange for peace. Either way, extremists benefit: They either convince the incumbent leader to pursue policies more favorable to the extremists (no gun control, stricter immigration policies), or they convince enough voters to elect a more extreme leader who is ideologically closer to them. Terror is also surprisingly easy to pull off in democracies, where there is more freedom of movement and less surveillance. There are also numerous constitutional constraints against labeling domestic groups terrorists, giving them more leeway than foreign terrorists would have.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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A central driver to factionalism has always been conspiracy theories. If you want to incite people to action, give them an “other” to target. Emphasize a behind-the-scenes plot designed to hurt their group. Convince them that an enemy is steering the country to their disadvantage. This is exactly what slaveholders in the South did in the years before the Civil War. They portrayed abolitionists as an existential threat to their way of life. Online platforms have made conspiracies more virulent, more powerful. Modern conspiracy theorists like Alex Jones of Infowars have painted immigrants and Jews as an existential threat. As Voltaire once said, “Those who can make you believe absurdities can make you commit atrocities.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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He then questioned the peaceful transfer of power, a hallmark of American democracy, and attempted to overturn the results of the election. This led to America’s polity score dropping from a + 7 to a + 5, the lowest score since 1800. The United States became an anocracy for the first time in more than two hundred years. Let that sink in. We are no longer the world’s oldest continuous democracy. That honor is now held by Switzerland, followed by New Zealand, and then Canada. We are no longer a peer to nations like Canada, Costa Rica, and Japan, which are all rated a + 10 on the polity index.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Over the following decades, other identity markers became politicized. Religion was next. In an effort to secure the support of evangelical leaders and their increasingly mobilized flock, Republican elites staked out more and more pro-life positions. People like Jerry Falwell, Sr., the leader of the Moral Majority, a political organization associated with the Christian right, grew increasingly powerful. Democrats, seeing a chance to win over more atheists, agnostics, and culturally liberal voters, came out more and more in favor of women’s rights and access to abortion. By the early twenty-first century, if you were Christian or evangelical, you had little choice but to vote Republican. Early partisan divides on abortion were followed by increasingly polarized positions on gay rights and eventually transgender rights. Wealthy Republicans used these issues to capture the white working-class vote, and they largely succeeded, even though voting Republican was often not in workers’ economic interest. Moral imperatives and cultural identities were now, more than ever, driving voting patterns. White evangelicals now represent two-thirds of the Republican Party. By contrast, non-Christians—including agnostics, Jews, and Muslims—represent half of the Democratic Party.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Americans across the political spectrum are becoming more accepting of violence as a means to achieve political goals, not less. Recent survey data show that 33 percent of Democrats and 36 percent of Republicans feel “somewhat justified” in using violence. In 2017, just 8 percent of people in both parties felt the same way. Another recent survey found that 20 percent of Republicans and 15 percent of Democrats say the United States would be better off if large numbers of the other party died.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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In The New Biographical Dictionary of Film, David Thomson argues that Brennan should have won awards for even better performances in To Have and Have Not (1944), My Darling Clementine (1946), Red River (1948), The Far Country (1955), and Rio Bravo (1959). Thomson counts no less than twenty-eight high caliber Brennan performances in still more films, including These Three (1936), Fury (1936), Meet John Doe (1941), and Bad Day At Black Rock (1955). Brennan worked with Hollywood’s greatest directors—John Ford, Howard Hawks, William Wyler, King Vidor, and Fritz Lang—while also starring in Jean Renoir’s Hollywood directorial debut, Swamp Water (1941). To discuss Brennan’s greatest performances is also to comment on the work of Gary Cooper, Henry Fonda, Dana Andrews, Spencer Tracy, John Wayne, Humphrey Bogart, Lauren Bacall, Anne Baxter, Barbara Stanwyck, Lana Turner, Linda Darnell, Ginger Rogers, Loretta Young, and many other stars.
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Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
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in Banjo on My Knee (December 11, 1936). He plays Joel McCrea’s father, a wizened old river denizen and musician who goes off in search of his son, who is himself looking for his estranged wife (Barbara Stanwyck). Brennan dominates scene after scene. He becomes iconic, the very spirit of the fiercely independent and rugged river people. William Faulkner was assigned this picture, and though he was taken off it early, the spirit of the novelist’s country people seems to suffuse Brennan’s performance. He plays a character thirty years older than his actual age—not through makeup or mannerisms, so much as with his reedy voice, semi-toothless grin, and adroitly mussed and thinning hair, all of which projects an age-old and indomitable presence. When Brennan gets to Memphis, just north of Faulkner’s Jefferson, Mississippi, he becomes a hit performer after a club owner discovers him. Brennan’s performance on banjo, harmonica, drums, and various other instruments—while also singing the “Saint Louis Blues”—is pure vaudeville, which is to say, pure Walter Brennan. And it’s worth noting that the scene is also a ruse, since Brennan played no instruments; six musicians actually produced the sound that seems to be coming out of his nimble fingers.
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Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
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No other supporting player won three Academy Awards, and you would be hard-pressed to name another character actor whose performances frequently overwhelmed those of ostensible leads like Joel McCrea and Barbara Stanwyck in Banjo on My Knee. “We’re supporting you. Be nice to us,” McCrea and Stanwyck joked with Brennan. Those stars had the fights of their lives trying to stay on equal terms with old Walter. Sure, other character actors have had their star turns—especially in television, which gave Ward Bond in Wagon Train, Raymond Burr in Perry Mason, and Harry Morgan in M.A.S.H. their respective moments of fame—but no character actor other than Brennan dominated the Hollywood century of popular entertainment, or attained the iconic status he achieved. To follow Brennan—beginning with his career as a seven-dollar-a-day extra—is to learn all you need to know about Hollywood and its mythologizing of the American dream. Walter Brennan became an archetype, not a stereotype.
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Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
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The second time, Michael Milken galloped to the rescue. "I believed in Barbie," Milken told Barbara Walters in 1993. "I called up the head of Mattel and I told him that I personally would be willing to invest two hundred million dollars in his company. There's more Barbie dolls in this country than there are people.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Dear Miss Pomeroy, I am saddened by the things I do not know. There are hundreds--thousands--of books in the world and I will never be able to read all of them.
I am old.
Walter
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Barbara Wersba (Walter: The Story of a Rat)
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They are more inclined to think you’re innocent if you sound like Barbara Walters,” Rita said.
“You think Barbara would be a good date?”
“Oh, oink,” Rita said.
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Robert B. Parker (Widow's Walk (Spenser, #29))
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They participate more in the political life of their nations, have greater protections from discrimination and repression, and receive a greater percentage of state resources. They are also happier, wealthier, better educated, and generally have a higher life expectancy than people who live in dictatorships.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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It turns out that one of the best predictors of whether a country will experience a civil war is whether it is moving toward or away from democracy.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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In the shift away from autocracy, formerly disenfranchised citizens come into new power, while those who once held privileges find themselves losing influence.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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parties at the Argentine Embassy and had a very pleasant dalliance with Ambassador Orfila. We went out several times and I was startled when, out of the blue, he asked me to marry him. Was he kidding? I brushed off his proposal, if that’s what it was, and we continued to be friends. Maybe he just wanted an American wife. Orfila went on to become the twice-elected secretary-general of the prestigious Organization of American States (OAS).
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Barbara Walters (Audition: A Memoir)
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someone like my sister, Jackie, or others who had very difficult lives, could come back to something better,” she said years later. “On some spiritual level that reaches me.
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Susan Page (The Rulebreaker: The Life and Times of Barbara Walters)
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People don’t realize how vulnerable Western democracies are to violent conflict. They have grown accustomed to their longevity, their resilience, and their stability in the face of crises. But that was before social media created an avenue by which enemies of democracy can easily infiltrate society and destabilize it from within. The internet has revealed just how fragile a government by and for the people can be.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
“
Ultimately, it’s the algorithms of social media that serve as accelerants for violence. By promoting a sense of perpetual crisis, these algorithms give rise to a growing sense of despair. Disinformation spread by extremists discredits peaceful protesters, convinces citizens that counterattacks by opposition groups are likely, and creates a sense—often a false sense—that moderates within their own movement are not doing enough to protect the population, or are ineffective and weak compared to the opposition. It’s at this point that violence breaks out: when citizens become convinced that there is no hope of fixing their problems through conventional means. Fueled by social media, they come to believe that compromise is simply not possible.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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The second stage of insurgency, which the CIA calls the incipient conflict stage, is marked by discrete acts of violence. Timothy McVeigh’s attack in Oklahoma City could be viewed as the very earliest attack, in some ways years before its time. The insurgents’ goal is to broadcast their mission to the world, build support, and provoke a government overreaction to their violence, so that more moderate citizens become radicalized and join the movement. The second stage is when the government becomes aware of the groups behind these attacks, but according to the CIA, the violence is often dismissed “as the work of bandits, criminals, or terrorists.” Timothy McVeigh seemed to many Americans a lone wolf actor. But McVeigh and his accomplice, Terry Nichols, were suspected members of the Michigan Militia. In 2012, the number of right-wing terrorist attacks and plots was fourteen; by August 2020, it was sixty-one, a historic high. The open insurgency stage, the final phase, according to the CIA’s report, is characterized by sustained violence as increasingly active extremists launch attacks that involve terrorism and guerrilla warfare, including assassinations and ambushes, as well as hit-and-run raids on police and military units. These groups also tend to use more sophisticated weapons, such as improvised explosive devices, and begin to attack vital infrastructure (such as hospitals, bridges, and schools), rather than just individuals. These attacks also involve a larger number of fighters, some of whom have combat experience. There is often evidence “of insurgent penetration and subversion of the military, police, and intelligence services.” If there is foreign support for the insurgents, this is where it becomes more apparent. In this stage, the extremists are trying to force the population to choose sides, in part by demonstrating to citizens that the government cannot keep them safe or provide basic necessities. The insurgents are trying to prove that they are the ones who should have political power; they are the ones who should rule. The goal is to incite a broader civil war, by denigrating the state and growing support for extreme measures. Where is the United States today? We are a factionalized country on the edge of anocracy that is quickly approaching the open insurgency stage, which means we are closer to civil war than any of us would like to believe.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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We do not yet know whether the attack on the Capitol will be replicated or become part of a pattern. If it does, Americans will begin to feel unsafe, unprotected by their government. They will question who is in charge. Some will take advantage of the chaos to gain through violence what they couldn’t gain through conventional methods. That’s when we’ll know we’ve truly entered the open insurgency stage. For now, one thing is clear: America’s extremists are becoming more organized, more dangerous, and more determined, and they are not going away.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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A government that is democratizing is weak compared to the regime before it—politically, institutionally, and militarily. Unlike autocrats, leaders in an anocracy are often not powerful enough or ruthless enough to quell dissent and ensure loyalty. The government is also frequently disorganized and riddled with internal divisions, struggling to deliver basic services or even security. Opposition leaders, or even those within a president’s own party, may challenge or resist the pace of reform, while new leaders must quickly earn the trust of citizens, fellow politicians, or army generals. In the chaos of transition, these leaders often fail.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Yugoslavia didn’t erupt into civil war because Croats and Serbs and Bosniaks had an innate, primordial hatred for one another. It erupted because opportunistic leaders tapped into fears and resentments and then released small groups of well-armed thugs on the population in order to gain power.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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These parties can also be personalistic in nature, revolving around a dominant figure who often appeals to ethnic or religious nationalism to gain and then maintain power. A coherent policy platform is often absent.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Campaigning for office is the process of uniting people under a particular ideology to compete for political power. In some ways, it is the peaceful precursor to armed mobilization.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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By the time average citizens are aware that a militant group has formed, it is often older and stronger than people think.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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civil wars appear to explode after governments decide to play hardball. Extremists have already embraced militancy. What changes is that average citizens now decide that it’s in their interest to do so as well.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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É pouco provável que seja apenas coincidência o fato de que o afastamento global da democracia tenha seguido tão de perto o advento da internet, a introdução de smartphones e o uso generalizado das redes sociais.16
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Barbara F. Walter (Como as guerras civis começam: E como impedi-las (Portuguese Edition))
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But the dawn of datasets cast doubt on this theory.11 While civil wars were increasingly being fought by ethnic factions, researchers such as Paul Collier and Anke Hoeffler at Oxford, and Fearon and Laitin at Stanford, found that ethnically diverse countries were not necessarily more prone to war than ethnically homogeneous ones. This was a puzzling finding: If diversity didn’t matter, then why did so many civil wars break down along ethnic or religious lines? This prompted the Political Instability Task Force to include more nuanced measures of ethnicity in their model. Instead of looking at the number of ethnic or religious groups in a country or the different types of groups, they looked at how ethnicity was connected to power: Did political parties in a country break down along ethnic, religious, or racial lines, and did they try to exclude one another from power? The PITF had been collecting and analyzing data for years when they discovered a striking pattern. One particular feature of countries turned out to be strongly
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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For the next five years, the Political Instability Task Force evaluated and reevaluated the variable to make sure it was valid. Monty Marshall, one of the leaders of the PITF, together with Benjamin Cole, studied hundreds of countries and their level of factionalism over seventy years. They found that the biggest warning sign of civil war, once a country is in the anocracy zone, is the appearance of a faction. According to Marshall, “We studied every situation of factionalism and I’m completely convinced that [this is] the strongest variable outside of anocracy.”12 Two variables—anocracy and factionalism—predicted better than anything else where civil wars were likely to break out.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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But two weeks later, American soldiers arrived in her part of the city. The first sounds she heard were airplanes and then explosions late in the afternoon. She rushed up to the roof of their house, following her mother and sisters, not knowing what they would find. When she looked up at the sky, she saw armored vehicles floating under parachutes. “It was like a movie,” she said.1 A few days later, American soldiers walked down the street in front of her house, and Noor ran to the front door to watch them. She saw her neighbors also standing in their doorways, smiles on their faces. The soldiers smiled back, eager to talk to anyone who was willing. “Everybody was so happy,” Noor recalled. “There was suddenly freedom.” Less than a week later, on April 9, her fellow Iraqis descended on Firdos Square in central Baghdad, where they threw a rope over the enormous statue of Saddam Hussein, and, with the help of American soldiers, tore it down. Noor thought to herself, You know, we can have a new life. A better life. Life under Saddam had been challenging. Noor’s father had been a government employee, yet like many other Iraqis, the family had little money. Saddam’s failed war
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Today’s rebel groups rely on guerrilla warfare and organized terror: a sniper firing from a rooftop; a homemade bomb delivered in a package, detonated in a truck, or concealed on the side of a road. Groups are more likely to try to assassinate opposition leaders, journalists, or police recruits than government soldiers. Abu Musab al-Zarqawi, the leader of al-Qaeda in Iraq, masterminded the use of suicide bombings to kill anyone cooperating with the Shia-controlled government during Iraq’s civil war. Abu Bakr al-Baghdadi, the leader of ISIS, perfected the use of massive car bombs to attack the same government. Hamas’s main tactic against Israel has been to target average Israeli citizens going about their daily business. Most Americans cannot imagine another civil war in their country. They assume our democracy is too resilient, too robust to devolve into conflict. Or they assume that our country is too wealthy and advanced to turn on itself. Or they assume that any rebellion would quickly be stamped out by our powerful government, giving the rebels no chance. They see the Whitmer kidnapping plot, or even the storming of the U.S. Capitol, as isolated incidents: the frustrated acts of a small group of violent extremists. But this is because they don’t know how civil wars start.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Why do some countries safely navigate the road through the anocracy zone, while others become engulfed in cycles of chaos and violence? The story of Iraq again offers a clue. When I asked Noor to describe what changed before civil war erupted in her homeland, she looked at me for a moment. Soft-spoken and reserved, she radiated the quiet confidence of someone who doesn’t break easily. Her face, however, was heavy with sadness. “People began asking whether you were Shia or Sunni,” she said.57 People had never asked her this before, she explained. In Baghdad, there were no Shia or Sunni neighborhoods; she had never been told she couldn’t marry someone from a different ethnic or religious group. She had no sense that she was a minority or that religion mattered; she didn’t even know which of her friends were Shia or Sunni. “But then people started asking about it publicly. What are you? Where are you from? What is your religion?
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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The Political Instability Task Force (the one I later joined) came up with dozens of social, economic, and political variables—thirty-eight, to be precise, including poverty, ethnic diversity, population size, inequality, and corruption—and put them into a predictive model. To everyone’s surprise, they found that the best predictor of instability was not, as they might have guessed, income inequality or poverty. It was a nation’s polity index score, with the anocracy zone being the place of greatest danger. Anocracies, particularly those with more democratic than autocratic features—what the task force called “partial democracies”—were twice as likely as autocracies to experience political instability or civil war, and three times as likely as democracies.25 All the things that experts thought should matter in the outbreak of civil war somehow didn’t. It wasn’t the poorest countries that were at the highest risk of conflict, or the most unequal, or the most ethnically or religiously heterogeneous, or even the most repressive. It was living in a partial democracy that made citizens more likely to pick up a gun and begin to fight. Saddam Hussein never
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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For a society to fracture along identity lines, you need mouthpieces—people who are willing to make discriminatory appeals and pursue discriminatory policies in the name of a particular group. They are usually people who are seeking political office or trying to stay in office. They provoke and harness feelings of fear as a way to lock in the constituencies that will support their scramble for power.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Protests have increased the most in the countries deemed “free” by the nonprofit research institute Freedom House, including the liberal democracies of Western Europe and the United States. What’s disturbing is that these protests are failing at a higher rate than ever before.
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Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
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Donald Shepherd and Robert F. Slatzer wrote a tough biography, The Hollow Man, which depicted Crosby as a cold, calculating dictator who abandoned his first family to start a new one, who turned his back on his wife Dixie Lee as she lay dying of cancer in 1952, who left a cruel will for his second wife, Kathryn, manipulating his money from the grave. The book was condemned by Crosby’s most ardent fans as a hatchet job, but the charges lingered. Perhaps the most revealing piece on Crosby was his interview with Barbara Walters, given a second airing on television after his death. At one point Walters asks what Crosby would do if his daughter began openly living with a man against Crosby’s wishes. “Why, I’d never speak to her again,” Crosby says, and the way he says it makes a viewer believe there wasn’t much compromise in his nature. He did things his way, and that’s how people around him did them too.
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John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
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If you're in livestock, certainly Allan Savory, Jim Gerrish, Stan Parsons, Andre Voisin, and Allan Nation are high on the list. For general farming, J. I. Rodale, Ed Faulkner, Sir Albert Howard, Louis Bromfield, George Henderson, and Charles Walters come to mind. And for cultural anchoring, how about Wendell Berry, Barbara Kingsolver, Michael Ableman and Fred Kirschenman, Marion Nestle, Joan Gussow, Michael Pollan, and Gary Zimmer. In the culinary world, it's Alice Waters and Dan Barber. In the crop world, it's Colin Seis and Gabe Brown.
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Joel Salatin (Your Successful Farm Business: Production, Profit, Pleasure)
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Last evening the Bayard family met at our house for spiritual manifestations,” Kate said. “The piano was sweetly played upon by spirit fingers, the guitar was played, then taken up and carried above our heads, each person in the circle was touched. The room was perfectly dark and all hands held. Dr. Bayard and family said that they had never passed a happier evening in all their lives.” Kate cheerfully confided that her headaches had been cured by a healing medium and that she was planning to attend the opera with Mrs. Walter that night.
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Barbara Weisberg (Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism)
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The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops does not. Similarly, the exhibition catalogue explicitly poses the correct questions and reinserts the objects into a history spanning the mid-eighteenth century to the present day: James Macpherson (1736-96), Ossianism; European Romanticism; Walter Scott (1771-1832), the appropriation of Scott and Scotland by Europe and America; the internal reappropriation by Scotland itself of earlier external appropriations, via the emergence of Kailyard; Scottish militarism in the context of nineteenth-century colonial wars, both World Wars and beyond; the dissemination of the ensemble of images and categories of thought within successive practices and technologies - literature, lithography, photography, the postcard, the music hall, films, television. It is one thing to see the imagery of Tartanry/Kailyard in its so-called natural habitats of the souvenir shop or the wall of a Scottish home; it is quite another thing to see it reproduced on orange crates from California.
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Colin McArthur (Cencrastus No. 7: Winter 1981-82)