“
The only occupant of the more posh saloon bar was a godlike man in a bowler hat with grave, finely chiselled features and a head that stuck out at the back, indicating great brain power. To cut a long story short, Jeeves.
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”
P.G. Wodehouse (The Mating Season (Jeeves, #9))
“
The guys in the saloons shoving free ones across the bar and saying happy new year and many more of them kid you been a good customer have one on the house happy new year and the hell with the prohibitionists some day the bastards are going to give us trouble. The girls from the hash houses and the girls from the hotels and the guys swarming out of dirty little apartment bedrooms and music and dancing and smoke and somebody with the ukulele and have another and the feeling of being lonesome that everybody has inside him and people bouncing against you and off you and have another one and a girl passing out at the bar and a fight and happy new year.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
THE BLUE GLACIER SALOON was part general store, part restaurant, part bar. It was my fantasy come true, a Stuckey’s that served shots.
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Molly Harper (How to Flirt with a Naked Werewolf (Naked Werewolf, #1))
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
“
The inn was an old stone-built rambling comfortable sort of place. There was a terrace above the river, where peacocks (one called Norman and the other called Barry) stalked among the drinkers, helping themselves to snacks without the slightest hesitation and occasionally lifting their heads to utter ferocious and meaningless screams. There was a saloon bar where the gentry, if college scholars count as gentry, took their ale and smoked their pipes; there was a public bar where watermen and farm labourers sat by the fire or played darts, or stood at the bar gossiping, or arguing, or simply getting quietly drunk; there was a kitchen where the landlord’s wife cooked a great joint every day, with a complicated arrangement of wheels and chains turning a spit over an open fire; and there was a potboy called Malcolm Polstead.
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Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
With such luck as this, he rode the beast in the jaunty way that she deserved, back north, seemingly back from Mexico, pulling up finally at an outlying bar-ex-saloon (they had covered the old adobe face with knotty pine, substituted big stone matades for the cuspidors) and having brought her wrecklessly this far did not park her in the little parking lot but in front of the church next door. They had lifted that face too and neonized, but it did no good, they seemed to know they had no chance against an older god, their doors were closed. Thus one could join the pagan worshipers with a self-righteous shrug, through latticed doors.
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”
Douglas Woolf (Wall to Wall (American Literature))
“
Prohibition had been good to Tijuana . . . . The number of saloons had doubled in the span of a few years. Gambling clubs mushroomed: Monte Carlo, the Tivoli Bar, the Foreign Club. Raunchy establishments mixed with others that promised a glimpse of "old Mexico," a false creation more romantic than any Hollywood film. But what did the tourists know? The Americans streamed into Mexico, ready to construct a new playground for themselves, to drink the booze that was forbidden in Los Angeles, San Diego, and San Francisco, but flowed abundantly across the border. Lady Temperance had no abode here.
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Silvia Moreno-Garcia (Gods of Jade and Shadow)
“
Those entering the Saloon Bar of the ‘The Midnight Bell’ from the street came through a large door with a fancifully frosted glass pane, a handle like a dumb-bell a brass inscription ‘Saloon Bar and Lounge,’ and a brass adjuration to Push. Anyone temperamentally so wilful, careless, or incredulous as to ignore this friendly admonition was instantly snubbed, for this door would only succumb to Pushing. Nevertheless hundreds of temperamental people nightly argued with this door and got the worst of it. Given proper treatment, however, it swung back in the most accomplished way, and announced you to the Saloon Bar with a welcoming creak.
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Patrick Hamilton (Twenty Thousand Streets Under the Sky (Twenty Thousand Streets Under the Sky, #1-3))
“
Main Street is dead, which is no news to the families whose families ran family businesses on Main Street. When I returned...I found that all the local businesses from my childhood had been extirpated by Wal-Mart. If there is one single symbol for the demise of regional American culture, it is this superstore prototype, a huge capitalist boot that stomped the moms and pops, like soft, damp worms, to death. Don’t get me wrong. I love Wal-Mart. There is nothing I like more than to consign a mindless afternoon to those aisles, suspending thought, judgment. It’s like television. But to a documentarian of American culture, Wal-Mart is a nightmare. When it comes to towns, Hope, Alabama, becomes the same as Hope, Wyoming, or, for that matter, Hope, Alaska, and in the end, all that remains of our pioneering aspirations are the confused and self-conscious simulacra of relic culture: Ye Olde Curiosities ‘n’ Copie Shoppe, Deadeye Dick’s Saloon and Karaoke Bar—ingenious hybrids and strange global grafts that are the local businessperson’s only chance of survival in economies of scale.
”
”
Ruth Ozeki (My Year of Meats)
“
MATHEMATICAL MIRACLE Some years ago, I heard a story which has been making the rounds in Midwest A.A. circles for years. I don’t have any names to back up this story, but I have heard it from many sources, and the circumstances sound believable. A man in a small Wisconsin city had been on the program for about three years and had enjoyed contented sobriety through that period. Then bad luck began to hit him in bunches. The firm for which he had worked for some fifteen years was sold; his particular job was phased out of existence, and the plant moved to another city. For several months, he struggled along at odd jobs while looking for a company that needed his specialized experience. Then another blow hit him. His wife was forced to enter a hospital for major surgery, and his company insurance had expired. At this point he cracked, and decided to go on an all-out binge. He didn’t want to stage this in the small city, where everyone knew his sobriety record. So he went to Chicago, checked in at a North Side hotel, and set forth on his project. It was Friday night, and the bars were filled with a swinging crowd. But he was in no mood for swinging—he just wanted to get quietly, miserably drunk. Finally, he found a basement bar on a quiet side street, practically deserted. He sat down on a bar stool and ordered a double bourbon on the rocks. The bartender said, “Yes, sir,” and reached for a bottle. Then the bartender stopped in his tracks, took a long, hard look at the customer, leaned over the bar, and said in a low tone, “I was in Milwaukee about four months ago, and one night I attended an open meeting. You were on the speaking platform, and you gave one of the finest A.A. talks I ever heard.” The bartender turned and walked to the end of the bar. For a few minutes, the customer sat there—probably in a state of shock. Then he picked his money off the bar with trembling hands and walked out, all desire for a drink drained out of him. It is estimated that there are about 8,000 saloons in Chicago, employing some 25,000 bartenders. This man had entered the one saloon in 8,000 where he would encounter the one man in 25,000 who knew that he was a member of A.A. and didn’t belong there. Chicago, Illinois
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Alcoholics Anonymous (Came to Believe)
“
Adventures only happen to adventurers,’ Mr Deacon had said one evening when we were sitting drinking in the saloon bar of the Mortimer.
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Anthony Powell (The Kindly Ones)
“
You look confused.” “Oh, good evening, Mr Curtis. I’m fine, thank you. I was debating whether to go into the saloon or down to the dining room.” “If you’re heading into the saloon, may we order a couple of Manhattans from you?” He gazed at his wife. “We can’t bear the thought of leaving the United States.” “Well, then, you’ve helped me decide. Come and take a seat.” She ushered them to their usual table. “Perhaps you can go back to New York one day.” “I’m sure we will.” He patted his wife’s hand. “We’re already talking about it.” “That’s something to look forward to, then.” She headed to the bar, where Mr Brennan was
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V.L. McBeath (The Stewardess's Journey (Windsor Street Family Saga, #2))
“
Work in the kitchen and in the home has been systemically devalued and outright dismissed for thousands of years. It's impossible to confine alcohol or cocktail history to the bar because so many types of people were not allowed to work or drink there until very recently in modern history. Alcohol was a deeply important part of the private home lives of people all over the world in the nineteenth century, not just the goings-on in the public taverns, hotels, saloons or pubs. Many of women's recipes and innovations are what various alcohol industries and companies are built on.
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Mallory O'Meara (Girly Drinks: A World History of Women and Alcohol)
“
Even now, as the country moved towards the late fifties, there were men who hated the idea of a woman drinking in a public house. Even in the lounge bar. In the saloon bar, alongside the menfolk, never
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Merryn Allingham (Murder at St. Saviour's (Flora Steele, #5))
“
It was against the law for a colored person and a white person to play checkers together in Birmingham. White and colored gamblers had to place their bets at separate windows and sit in separate aisles at racetracks in Arkansas. At saloons in Atlanta, the bars were segregated: Whites drank on stools at one end of the bar and blacks on stools at the other end, until the city outlawed even that, resulting in white-only and colored-only saloons. There were white parking spaces and colored parking spaces in the town square in Calhoun City, Mississippi. In one North Carolina courthouse, there was a white Bible and a black Bible to swear to tell the truth on.
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Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
“
Brennan had the best lines in the script. Dispensing justice from his saloon bar, he declares, “Don’t spill none of that liquor, Son. It eats right into the bar.
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Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
“
one way to find out. I drew my Colt and spurred my horse forward, my guiding Cisco and the mare between the wagons, buckboards and riders blocking my path to the saloon. Bryce didn’t see me coming. He took a long pull on the cigar and then contentedly exhaled the smoke through pursed lips. I was close now and could have shot him easily. But I knew that wouldn’t satisfy me. I wanted to look into his eyes, to see the shock and the pain in them as he felt my slug rip through him, so I held my fire. It was a costly mistake. For in the next moment Bryce must have heard my horse coming and turned toward me. He instantly recognized me and in one continuous move whirled around and dived through the saloon swing-doors. I didn’t bother to dismount. Dropping the mare’s reins, so I wasn’t hampered by her, I spurred my horse onto the red-brick sidewalk and without stopping, ducked my head and rode into the saloon. A dozen shots greeted me. I heard Cisco grunt and knew he’d been hit. By then I had spotted the Guthrie brothers firing around the sides of upturned tables, and opened fire on them. I saw the oldest brother, Doke, grab his arm up by his shoulder and spin around, while my other shots forced Gibby and Bryce to pull back behind their tables. By now the panicked customers had scattered in different directions and both barkeeps had ducked below the bar. But they weren’t safe there. A wild shot smashed the mirror above the back-bar and shards of glass showered over them.
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Steve Hayes (Shootout in Canyon Diablo (A Steve Hayes Western))
“
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
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Robert W. Service (The Shooting of Dan McGrew and Other Poems)
“
I’d prefer ‘Bonnie Blue Flag’, if you take requests…” Tom had turned and rested his elbows on the bar. His hand was inches from the Colt. These were the men he was looking for.
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C.G. Faulkner (Unreconstructed (The Tom Fortner Trilogy #1))
“
Warm. Wet. Woman. Tyrel Kincaid listed his needs in that order. He was standing at the end of the planked bar of a miner’s saloon in a back-of-nowhere camp,
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Raine Cantrell (Once a Maverick (The Kincaids #1))
“
Chapter 2 “THE UTTER FAILURE OF THE MUNICIPAL GOVERNMENT OF MEMPHIS” The economic success achieved in the 1850s simply could not have been accomplished without the backbreaking labor of enslaved human beings. African American slaves picked the cotton that was shipped through the Bluff City and worked the docks that loaded the white gold onto steamboats. Slaves also constructed railroads and worked in many of the city’s manufacturing concerns. In addition, the buying and selling of slaves was also one of the most lucrative businesses in Memphis. For example, the slave-trading firm owned by city alderman Nathan Bedford Forrest charged between $800 and $1,000 for individual chattel, and in a good year, Forrest and his partner, Byrd Hill, sold more than 1,000 slaves. By 1860 there were 16,953 slaves residing in Shelby County, and the majority of them made their way into Memphis either through the cotton trade or being rented to businesses in the city. Because of Memphis’s dependence on cotton and slaves for its economic growth, the city was often referred to as “the Charleston of the West.” The large numbers of slaves passing through the city made government officials very nervous. As a result, the mayor and board of aldermen passed several ordinances designed to control the number of slaves and free persons of color who resided or worked in Memphis. On March 27, 1850, an omnibus bill was passed that severely restricted the movements of African Americans in Memphis: State laws against slaves, free blacks and mulattoes to be enforced by city marshal. Slaves not allowed to be entertained or permitted to visit or remain on Sabbath in the house of any free person of colour. Large collection of slaves banned, except for public worship conducted in an orderly manner under superintendence of a white person. Unlawful for slaves to remain in corporate limits of city after sun set or any part of the Sabbath, except by permission of owner specifying limit of time. Collection of negroes in tippling houses [saloons and bars] not to be allowed.
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G. Wayne Dowdy (A Brief History of Memphis)
“
All the headlamps went dark except for Emmett’s. Abigail stood on the threshold, watching them explore the interior, the beam of Emmett’s light grazing the listing walls and a gnawed-board floor, littered with pieces of broken whiskey bottles, rusted tin-can scraps. The pine bar had toppled over and punched out a section of the back wall, through which the fog crept in, giving the saloon a natural smokiness.
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Blake Crouch (Abandon)
“
Lassiter once told him over drinks that he viewed the courtroom as a saloon in an old Western. He liked to burst through the swinging doors, knock over a poker table, pistol whip a gunfighter, toss a big lug through a window, and flip a chair into the mirror above the bar. “And that, Alex, is just when I say ‘good morning.
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Paul Levine (Lassiter (Jake Lassiter, #8))
“
As he shifted from one foot to the other, he recalled the fully mechanized saloon, he, Finnerty, and Shepherd had designed when they'd been playful young engineers. To their surprise, the owner of a restaurant chain had been interested enough to give the idea a try. They'd set up the experimental unit about five doors down from where Paul now stood, with coin machines and endless belt to do the serving, with germicidal lamps cleaning the air, with uniform, healthful light, with continuous soft music from a tape recorder, with seats scientifically designed by an anthropologist to give the average man the absolute maximum in comfort.
The first day had been a sensation, with a waiting line extending blocks. Within a week of the opening, curiosity had been satisfied, and it was a book day when five customers stopped in. Then this place had opened up almost next door, with a dust-and-germ trap of a Victorian bar, bad light, poor ventilation, and an unsanitary, inefficient, and probably dishonest bartender. It was an immediate and unflagging success
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Kurt Vonnegut Jr. (Player Piano)
“
So I thought, hey, the phone is all the way inside the saloon, on the wall behind the bar—the bar—where a giant, deadly snake could be napping, and then I thought, perhaps a pay phone. Perhaps,
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Christopher Moore (You Suck (A Love Story, #2))
“
She smiled and then she was gone, and I drove home more depressed than I had been in years. Why? Because the truth was that I wanted to drink. And I don’t mean I wanted to ease back into it, either, with casual Manhattans sipped at a mahogany and brass-rail bar with red leather booths and rows of gleaming glasses stacked in front of a long wall mirror. I wanted busthead boilermakers of Jack Daniel’s and draft beer, vodka on the rocks, Beam straight up with water on the side, raw tequila that left you breathless and boiling in your own juices. And I wanted it all in a run-down Decatur or Magazine Street saloon where I didn’t have to hold myself accountable for anything and where my gargoyle image in the mirror would be simply another drunken curiosity like the neon-lit rain striking against the window. After four years of sobriety I once again wanted to fill my mind with spiders and crawling slugs and snakes that grew corpulent off the pieces of my life that I would slay daily. I blamed it on the killing of Julio Segura. I decided my temptation for alcohol and self-destruction was maybe even an indication that my humanity was still intact. I said the rosary that night and did not fall asleep until the sky went gray with the false dawn.
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James Lee Burke (The Neon Rain (Dave Robicheaux, #1))
“
THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . .
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”
Thomas Pynchon (Against the Day)
“
It was late evening when K. arrived. The village lay deep in snow. There was nothing to be seen of Castle Mount, for mist and darkness surrounded it, and not the faintest glimmer of light showed where the great castle lay. K. stood on the wooden bridge leading from the road to the village for a long time, looking up at what seemed to be a void. Then he went in search of somewhere to stay the night. People were still awake at the inn. The landlord had no room available, but although greatly surprised and confused by the arrival of a guest so late at night, he was willing to let K. sleep on a straw mattress in the saloon bar. K. agreed to that. Several of the local rustics were still sitting over their beer, but he didn’t feel like talking to anyone. He fetched the straw mattress down from the attic himself, and lay down near the stove. It was warm, the locals were silent, his weary eyes gave them a cursory inspection, and then he fell asleep.
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Franz Kafka (The Castle (Penguin Modern Classics))
“
The King of the Tinkers was still laughing when the saloon door swung open and Bartley Gorman walked in. ‘Which man is Jack Ward?’ he asked. For the second time in an hour, the bar fell silent. ‘I am,’ said the huge, black-headed man. ‘Who wants to know?’ ‘Step outside,’ said Bartley. Ward looked him over and snorted. He put down his drink and strode outside, his men eagerly following. Bartley was alone, facing a powerful giant surrounded by cronies, but he was unafraid. He neither knew nor cared who Ward was. He believed that God was on his side, so who could harm him? They were taking bets on how long Bartley would last when he laid into Ward like a whirlwind. The big man swung back but his cumbersome blows were easily ducked. For the next ten minutes, young Bartley
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Bartley Gorman (Bareknuckle: Memoirs of the Undefeated Champion)
“
Violence was not uncommon in nineteenth-century bars. Customers at the Tiger Saloon in Eureka, Nevada, bore witness to a knife fight between “Hog-Eyed” Mary Irwin and “Bulldog” Kate Miller, and the owner of a joint in lower Manhattan, Gallus Mag, not only bit the ears off customers who got out of control but she also kept the trophies in jars of alcohol on display behind the bar.
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Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
“
wave of his hand to signal for him to leave. Elroy headed for the seedy side of Denver where if one was smart, he made sure to stand with his back to the bar in saloons so foul and smoky as to be an assault on the senses. He had to visit three such establishments before he found the men he felt were up to the task at hand and had a horse for the journey. The thought of taking the group back to the mansion gave Elroy pause. All four of them stunk to high heaven, and Elroy could envision them staining the walls of the office by just their mere presence in the room. Nonetheless, he led the unkempt bunch back to the home and made them wait on the veranda as he went inside the house. Elroy entered the office and found Mr. Oberg sitting at his desk while nursing a
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Duane Boehm (The Hunt For Piper Oberg)
“
I am a professor, not an inventor, artist, or businessperson, but a strong case can be made that alcohol-facilitated sociality plays a similarly pivotal role in academic innovation. My graduate seminars in the 1990s often ended with all of us, students and faculty, decamped to the campus pub, where the debate started in the seminar room continued over pitchers of beer and bar snacks—and often, after a pint or two, went off in unexpected and creative directions. On one such occasion, I witnessed firsthand a powerful demonstration of the role of the modern-day salon or saloon in driving innovation.
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Edward Slingerland (Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization)
“
The bartender put a couple of fistfuls of ice chunks into a big, thick mixing glass and then proceeded to make a Tom Collins that had so much gin in it that the other people at the bar started to laugh. He served the drink to the Babe just as it was made, right in the mixing glass. Ruth said something about how heavens to Betsy hot he was, and then he picked up the glass and opened his mouth, and there went everything. In one shot he swallowed the drink, the orange slice and the rest of the garbage, and the ice chunks too. He stopped for nothing. There is not a single man I have ever seen in a saloon who does not bring his teeth together a little bit and stop those ice chunks from going in. A man has to have a pipe the size of a trombone to take ice in one shot. But I saw Ruth do it, and whenever somebody tells me about how the Babe used to drink and eat when he was playing ball, I believe every word of it.
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Jimmy Breslin (Can't Anybody Here Play This Game?: The Improbable Saga of the New York Mets' First Year)