Chandelier Light Quotes

I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Light bounced off the cut glass and illuminated the checkerboard floor: alternating squares of darker and lighter wood. If you climbed to the chandelier and looked down, they revealed themselves as the shape of the Angelic Power rune. Not that Emma would admit she’d done that. Though one did get an excellent view of the massive stone chair of the Institute’s head from that angle.

L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire

As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him." Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?" As if that were rather stupid of him. "I'm so fucking tired of it. I really am." "That I believe." "Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year-- On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing. "Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.

On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.

With the passage of days in this godly isolation [desert], my heart grew calm. It seemed to fill with answers. I did not ask questions any more; I was certain. Everything - where we came from, where we are going, what our purpose is on earth - struck me as extremely sure and simple in this God-trodden isolation. Little by little my blood took on the godly rhythm. Matins, Divine Liturgy, vespers, psalmodies, the sun rising in the morning and setting in the evening, the constellations suspended like chandeliers each night over the monastery: all came and went, came and went in obedience to eternal laws, and drew the blood of man into the same placid rhythm. I saw the world as a tree, a gigantic poplar, and myself as a green leaf clinging to a branch with my slender stalk. When God's wind blew, I hopped and danced, together with the entire tree.

Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again. How many books had she touched? How many had she felt? She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect.

I ONLY steal because my dear old family needs the money to live!” Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer. “Liar!” they chorused in unison. “I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass. “Liar!” “I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement. “Liar!” “I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.” “Liar!” At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!” “BASTARD!

Everything is lit with glowing chandeliers and copious candles, so that the light is not bright but deep and warm and bubbling.

I stand there at the corner, known by the equinox and knowing nothing, exposed by the alethic light of those apples, that fearless crocus, the magnolia tree, its chandelier of tears.

Alec surprised Magnus and the werewolf both by breaking away and lunging at Marcy. Whatever he had been planning, it didn’t work: this time the werewolf’s swipe caught him full in the chest. Alec went flying into a hot pink wall decorated with gold glitter. He hit a mirror set into the wall and decorated with curling gold fretwork with enough force to crack the glass across. “Oh, stupid Shadowhunters,” Magnus moaned under his breath. But Alec used his own body hitting the wall as leverage, rebounding off the wall and up, catching a sparkling chandelier and swinging, then dropping down as lightly as a leaping cat and crouching to attack again in one smooth movement. “Stupid, sexy Shadowhunters.

Love’s time’s beggar, but even a single hour, bright as a dropped coin, makes love rich. We find an hour together, spend it not on flowers or wine, but the whole of the summer sky and a grass ditch. For thousands of seconds we kiss; your hair like treasure on the ground; the Midas light turning your limbs to gold. Time slows, for here we are millionaires, backhanding the night so nothing dark will end our shining hour, no jewel hold a candle to the cuckoo spit hung from the blade of grass at your ear, no chandelier or spotlight see you better lit than here. Now. Time hates love, wants love poor, but love spins gold, gold, gold from straw.

Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off of the lenses of her glasses. My gaze snaps away from the kettle, back to her. “To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.

A Brief Awakening In the vastness of the out-rushing cosmos, you are but tiny—a warm and pulsing spark. Against all odds, your birth a brief awakening from silent eons spent sleeping in the dark. When you feel your heart swell with wild wonder at the dazzling diamond chandeliers of night, know your body was built from ancient stardust and the universe now sees through your eyes. So let the breath of sweet gratitude fill you, as the light of each new day begins. For this moment itself is a miracle, and to live it is your privilege my friend.

Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.

there are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter’s girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. *

Broken glass still sparkles when the light hits it. It might even look like diamonds or chandeliers’ jewels. It’s still ruined and in need of repair. Time will fix it, if you live free.

The glittering light of eight chandeliers was reflected in her upturned eyes, filling them with tiny sparks that made the blue irises look like a starry summer midnight. She was staring at him with an intensity that she had never shown before, as if she yearned for something she might never have. The look disquieted him, eliciting a powerful need to satisfy her in any way possible. Whatever she might have asked him for in that moment, he would have given without a qualm.

Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner: THE 1ST ANNUAL VILLAINS "NO BALL

And, as I had gazed at my surroundings, at the muted, yet triumphant, colors splashed in joyful serenity over the immaculate stone floor, at the profiles of my fellow parishioners bent in prayer, and finally, up above, at the flickering lights held in a soft gray ceiling like chandeliers in an ancient palace, I realized that my thoughts had been transferred to Someone Else.

Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off the lenses of her glasses. My gaze snaps away from the kettle, back to her. “To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.

Mr. Severin smiled, tiny constellations of reflected chandelier lights glinting in his eyes. "Since I've told you about my tastes... what are yours?" Cassandra looked down at her folded hands in her lap. "I like trivial things, mostly," she said with a self-deprecating laugh. "Handiwork, such as embroidery, knitting, and needlepoint. I sketch and paint a little. I like naps and teatime, and taking a lazy stroll on a sunny day, and reading books on a rainy afternoon. But I would like two have my own family someday, and... I want to help other people far more than I'm able to now. I take baskets of food and medicine to tenants and acquaintances in the village, but that's not enough. I want to provide real help to people who need it." She sighed shortly. "I suppose that's not very interesting. Pandora's the exciting, amusing twin, the one people remember. I've always been... well, the one who's not Pandora.

In the beginning, the earth was without form, and void and the darkness was upon the face of the deep. And the spirit of God moved upon the face of the waters. And god said, 'Let there be light.' and there was light. Only, it wasn't good light. Bob created fireworks, sparklers and neon tubes that circled the globe like weird tangled rainbows. He dabbled with bugs that blinked and abstract creatures whose heads lit up and cast long overlapping shadows. There were mile-high candles and mountains of fairy lights. For an hour or so, earth was lit by enormous crystal chandeliers. Bob thought his creations were cool. They were cool, but they didn't work

The man behind the divan stood up, the machine pistol quivering in his grasp. There was a flash, Abigail thinking he’d pulled the trigger, the walls of the sitting area lighting up, the snow glinting. It went dark again. Muffled thunder rolled through the basin, shook the chandelier, the weakened floor trembling beneath her feet.

delicate masks hiding some of their features better than others. Multiple luminium chandeliers sparkled from the golden ceiling, a string orchestra played from a balcony high above their heads, and at their ankles swirled a layer of misted cloud — kept in place by elemental magic, no doubt, as were the floating specks of light dotting the air, like starbursts hovering among the dancing couples. On the far side, the glass wall had been opened to a reveal a balcony beyond which the Serin lay, its surface dusted with enough luminium candles to make it sparkle brighter than the moonlight shining down on the city.

I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light. My God. Who Art in the Kingdom of Heaven, which is within. I wish you would tell me Your Name, the real one I mean. But You will do as well as anything. I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not our doing: I don't believe for an instant that what's going on out there is what You meant. I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it. Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves. I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy. Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say. Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge. I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight. Deliver us from evil. Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones. You must feel pretty ripped off. I guess it's not the first time. If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us. I feel very unreal talking to You like this. I fee as if I'm talking to a wall. I wish You'd answer. I feel so alone. All alone by the telephone. Except that I can't use the telephone. And if I could, who could I call? Oh God. It's no joke. Oh God oh God. How can I keep on living.

There were crystal chandeliers, heavy glass with electric sparklights. It was all light, it was an island of light. ‘We sneaked into one of the old balconies, the ones that were supposed to be unsafe and roped off. But we were boys, and boys will be boys, so they will. To us everything was dangerous, but what of that? Had we not been made to live forever? We thought so, even when we spoke to each other of our glorious deaths.

Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.

And then he is in bed, light-headed but not quite sleepy, staring at the dark, mercury-like gleam the chandelier makes in the shadowy room. “I’m lonely,” he says aloud, and the silence of the apartment absorbs the words like blood soaking into cotton.

Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off of the lenses of her glasses. My gaze snaps away from the kettle, back to her. “To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.” It’s the opposite of the usual line. A simpler time. A time when a lady was a lady. “Maybe. I hadn’t really thought about it.” I rub the edge of a tablecloth between my thumb and forefinger but feel only the friction of my age-softened gloves. “I suppose it depends on where I was too. I wouldn’t want to get burned at the stake as a witch.” “Oh, but can you blame them? You are a witch. I don’t doubt you would have poisoned the village crops, salted their fields, and led their daughters into temptation.” “Just their daughters?” Ellis glances back. She’s taken off the pince-nez; the frames dangle from an idle hand. “It takes one to know one.

The hidden room was large and open, desks and tables laden throughout. Stained glass windows, depicting various scenes of evil and torture, were evenly spaced along the beige brick walls, bringing in a warm array of light over the space. The cobwebbed chandelier above them glinted as the light hit it, reminding Evie of the severed heads still hanging from the rafters below. She really hoped that scream from the torture chambers wasn’t another head about to be displayed as well.

Like a strange rain, the water rose from the floor as I willed it to become like those stars Rhys had summoned in his blanket of darkness. I willed the droplets to separate until they hung around us, catching the light and sparkling like crystals on a chandelier. Rhys broke my stare to study them. 'I suggest,' he murmured, 'you not show Tarquin that little trick in the bedroom.' I sent each and every one of those droplets shooting for the High Lord's face. Too fast, too swiftly for him to shield. Some of them sprayed me as they ricocheted off him. But of us now soaking, Rhys gaped a bit- then smiled.

The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

Via Negativa Sometimes it's too hard with words or dark or silence. Tonight I want a prayer of high-rouged cheekbones and light: a litany of back-lit figures, lithe and slim, draped in fabrics soft and wrinkleless and pale as onion slivers. Figures that won't stumble or cough: sleek kid-gloved Astaires who'll lift ladies with glamorous sweeps in their hair— They'll bubble and glitter like champagne. They'll whisper and lean and waltz and wink effortlessly as figurines twirling in music boxes, as skaters in their dreams. And the prayer will not be crowded. You'll hear each click of staccato heel echo through the glassy ballrooms—too few shimmering skirts; the prayer will seem to ache for more. But the prayer will not ache. When we enter, its chandeliers and skies will blush with pleasure. Inside we will be weightless, and our goodness will not matter in a prayer so light, so empty it will float.

I wish I could blame the solar storm that blitzed the earth with electromagnetic rays, rerouted several commercial airlines, and caused all the geese to mistakenly fly west, the secret compass needles in their heads playing spin the bottle over a rowdy Pacific. Satellite communications were disrupted, electric eels in Peru forgot how to sing, and for a few seconds all the iPhones in the world flickered to black, during which time everyone raised their eyes and noticed moths shivering like tiny chandeliers. The truth is your glance shortcuts every traffic light in my heart and now no one’s in charge, I’m accelerating down the expressway of a tuba’s gold dream. With one outburst from your hair, I sputter like a firefly drowning in champagne. Just imagining the charged particles of your lips colliding with mine and I’m watching the northern lights, those bodies flaring across midwinter sheets of sky

After All the Lullabies Vanish From the Library" In a bullet-riddled villa we choreograph swordfights and sing to militant termites feasting on the walls. We read newspapers from headlines to horoscope. Our nights too long. Our bed too big for every room. We turn invisible doorknobs, light ignus fatuus chandeliers. The storyteller paints her body when she loses her voice, and we pass her around a circle, naming what we see— Myrmidons! Saturn!–a storm flickering in the god’s eye. On her hip, the ascendant unborn. A thigh of white bellbirds sunning on an alligator’s back. An arm of starfall in daylight. We warn the children it will be a small story, a smaller house, the smallest mermaid’s purse preserved in a jar. Era uma vez… Lightning on the Atlantic looking for trees. A nautilus moaning a monody. There is no ending to be had. Sleep kisses our eyelids. Stars wheel in the dreams. The river plants its tide in us, saying, sea, sea, sea. 32 Poems (Vol. 10, No. 2, Fall 2012)

I lie flat, the damp air above me like a lid. Like earth. I wish it would rain. Better still, a thunderstorm, black clouds, lightning, ear-splitting sound. The electricity might go off. I could go down to the kitchen then, say I’m afraid, sit with Rita and Cora around the kitchen table, they would permit my fear because it’s one they share, they’d let me in. There would be candles burning, we would watch each other’s faces come and go in the flickering, in the white flashes of jagged light from outside the windows. Oh Lord, Cora would say. Oh Lord save us. The air would be clear after that, and lighter. I look up at the ceiling, the round circle of plaster flowers. Draw a circle, step into it, it will protect you. From the center was the chandelier, and from the chandelier a twisted strip of sheet was hanging down. That’s where she was swinging, just lightly, like a pendulum; the way you could swing as a child, hanging by your hands from a tree branch. She was safe then, protected altogether, by the time Cora opened the door. Sometimes I think she’s still in here, with me. I feel buried.

I lie flat, the damp air above me like a lid. Like earth. I wish it would rain. Better still, a thunderstorm, black clouds, lightning, car-splitting sound. The electricity might go off. I could go down to the kitchen then, say I'm afraid, sit with Rita and Cora around the kitchen table, they would permit my fear because it's one they share, they'd let me in. There would be candles burning, we would watch each other's faces come and go in the flickering, in the white flashes of jagged light from outside the windows. Oh Lord, Cora would say. Oh Lord save us. The air would be clear after that, and lighter. I look up at the ceiling, the round circle of plaster flowers. Draw a circle, step into it, it will protect you. From the center was the chandelier, and from the chandelier a twisted strip of sheet was hanging down. That's where she was swinging, just lightly, like a pendulum; the way you could swing as a child, hanging by your hands from a tree branch. She was safe then, protected altogether, by the time Cora opened the door. Sometimes I think she's still in here, with me. I feel buried.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.

Burbank's power of love, reported Hall, "greater than any other, was a subtle kind of nourishment that made everything grow better and bear fruit more abundantly. Burbank explained to me that in all his experimentation he took plants into his confidence, asked them to help, and assured them that he held their small lives in deepest regard and affection." Helen Keller, deaf and blind, after a visit to Burbank, wrote in Out­ look for the Blind: "He has the rarest of gifts, the receptive spirit of a child. When plants talk to him, he listens. Only a wise child can understand the language of flowers and trees." Her observation was particularly apt since all his life Burbank loved children. In his essay "Training of the Human Plant," later published as a book, he an­ticipated the more humane attitudes of a later day and shocked authori­tarian parents by saying, "It is more important for a child to have a good nervous system than to try to 'force' it along the line of book knowledge at the expense of its spontaneity, its play. A child should learn through a medium of pleasure, not of pain. Most of the things that are really useful in later life come to the children through play and through association with nature." Burbank, like other geniuses, realized that his successes came from having conserved the exuberance of a small boy and his wonder for everything around him. He told one of his biographers: 'Tm almost seventy-seven, and I can still go over a gate or run a foot race or kick the chandelier. That's because my body is no older than my mind-and my mind is adolescent. It has never grown up and I hope it never will." It was this quality which so puzzled the dour scientists who looked askance at his power of creation and bedeviled audiences who expected him to be explicit as to how he produced so many horticultural wonders. Most of them were as disappointed as the members of the American Pomological Society, gathered to hear Burbank tell "all" during a lecture entitled "How to Produce New Fruits and Flowers," who sat agape as they heard him say: In pursuing the study of any of the universal and everlasting laws of nature, whether relating to the life, growth, structure and movements of a giant planet, the tiniest plant or of the psychological movements of the human brain, some conditions are necessary before we can become one of nature's interpreters or the creator of any valuable work for the world. Preconceived notions, dogmas and all personal prejudice and bias must be laid aside. Listen patiently, quietly and reverently to the lessons, one by one, which Mother Nature has to teach, shedding light on that which was before a mystery, so that all who will, may see and know. She conveys her truths only to those who are passive and receptive. Accepting these truths as suggested, wherever they may lead, then we have the whole universe in harmony with us. At last man has found a solid foundation for science, having discovered that he is part of a universe which is eternally unstable in form, eternally immutable in substance.

A glass chandelier is exquisite in its fragility. We could replace it with a wood frame, sturdy and functional, which would have a certain virtue to it, but it would lose all the things that make it what it is: the light that twinkles off the multi-faceted glass or even the refinement that underscores a necessary sort of civilization. It would be a mistake to deem a chandelier worthless because it’s fragile. That misses the point. Fragility isn’t a defect; it may, in fact, be the defining worth of a thing.

A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.

You always keep an AK in the umbrella stand?” Isaiah said, looking at it. “Remind me not to come over here when it’s raining,” Dodson said. “It’s a long story,” Anthony said. “Part of the reason you’re here. Cal’s going to meet us in the game room.” Isaiah saw anger and exasperation in Anthony’s eyes like he’d been forced to work overtime too many nights in a row. Anthony led them through the house, walking fast like he was late for something, more chandeliers lighting the way. “In case you’re wondering, I’m Cal’s majordomo,” he said. “I deal with the lawyers, publicists, and promoters. I organize his schedule and run interference with his record label and whoever else wants a piece of him.” Isaiah

The fabled beauty of Lestat seemed potent as a drug. And the crowning light of the chandelier was merciless or splendid depending on one’s point of view.

I once heard someone say, "There's no such thing as a chandelier that's too big for a room." I'm not sure I completely agree with that, but I admit I've yet to see a chandelier too big for a room.

Matteo holds up a forkful of fish. "Just take this exquisite bite of fish. The way it plays on your tongue-- the salt, the richness, the luscious texture." Matteo takes his butter knife in his left hand and brushes a mound of pineapple fried rice on his fork. He holds it up in front of him, catching the light of the nearby overhead chandelier. It's like he's an appraiser scrutinizing a gemstone in the light. "And this rice. My oh my, this rice. The perfect complement to the delicately fried fish with its sweet chunks of succulent pineapple and salty bacon." He slaps his free hand on his knee and lets out a throaty chuckle that booms against the dining room walls. "Who would have thought to add bacon as a twist in fried rice?

The reorganisation of the world has at first to be mainly the work of a "movement" or a Party or a religion or cult, whatever we choose to call it. We may call it New Liberalism or the New Radicalism or what not. It will not be a close-knit organisation, toeing the Party line and so forth. It may be a very loose-knit and many faceted, but if a sufficient number of minds throughout the world, irrespective of race, origin or economic and social habituations, can be brought to the free and candid recognition of the essentials of the human problem, then their effective collaboration in a conscious, explicit and open effort to reconstruct human society will ensue. And to begin with they will do all they can to spread and perfect this conception of a new world order, which they will regard as the only working frame for their activities, while at the same time they will set themselves to discover and associate with themselves, everyone, everywhere, who is intellectually able to grasp the same broad ideas and morally disposed to realise them. The distribution of this essential conception one may call propaganda, but in reality it is education. The opening phase of this new type of Revolution must involve therefore a campaign for re-invigorated and modernised education throughout the world, an education that will have the same ratio to the education of a couple of hundred years ago, as the electric lighting of a contemporary city has to the chandeliers and oil lamps of the same period. On its present mental levels humanity can do no better than what it is doing now. Vitalising education is only possible when it is under the influence of people who are themselves learning. It is inseparable from the modern idea of education that it should be knit up to incessant research. We say research rather than science. It is the better word because it is free from any suggestion of that finality which means dogmatism and death. All education tends to become stylistic and sterile unless it is kept in close touch with experimental verification and practical work, and consequently this new movement of revolutionary initiative, must at the same time be sustaining realistic political and social activities and working steadily for the collectivisation of governments and economic life. The intellectual movement will be only the initiatory and correlating part of the new revolutionary drive. These practical activities must be various. Everyone engaged in them must be thinking for himself and not waiting for orders. The only dictatorship he will recognise is the dictatorship of the plain understanding and the invincible fact. And if this culminating Revolution is to be accomplished, then the participation of every conceivable sort of human+being who has the mental grasp to see these broad realities of the world situation and the moral quality to do something about it, must be welcomed. Previous revolutionary thrusts have been vitiated by bad psychology. They have given great play to the gratification of the inferiority complexes that arise out of class disadvantages. It is no doubt very unjust that anyone should be better educated, healthier and less fearful of the world than anyone else, but that is no reason why the new Revolution should not make the fullest use of the health, education, vigour and courage of the fortunate. The Revolution we are contemplating will aim at abolishing the bitterness of frustration. But certainly it will do nothing to avenge it. Nothing whatever. Let the dead past punish its dead.

Seeing the placenta as nebula a star-field of skin a chandelier from which we're all suspended flaring out from the same light.

Everything was black, and warm- and thick. Inky, but bordered with gold. I was swimming, kicking for the surface, where Tamlin was waiting, where life was waiting. Up and up, frantic for air. The golden light grew, and the darkness became like sparkling wine, easier to swim through, the bubbles fizzing around me, and- I gasped, air flooding my throat. I was lying on the cold floor. No pain- no blood, no broken bones. I blinked. A chandelier dangled above me- I'd never noticed how intricate the crystals were, how the hushed gasp of the crowd echoed off them. A crowd- meaning I was still in the throne room, meaning I... I truly wasn't dead. Meaning I had... I had killed those... I had... The room spun. I groaned as I braced my hands against the floor, readying myself to stand, but- the sight of my skin stopped me cold. It gleamed with a strange light, and my fingers seemed longer where I'd laid them flat on the marble. I pushed to my feet. I felt- felt strong, and fast and sleek. And- And I'd become High Fae.

Bryce sighed at the painted ceiling—the night sky rendered in loving care. The giant gold chandelier that hung down the center of the space was fashioned after an exploding sun, with all the other dangling lights in perfect alignment of the seven planets.

A bell chimes as I open the door. It's even more magical inside than out. Spools of ribbon hang from the walls like the atelier of a fairy queen. Tiny jasmine buds lace through the curls of a crystal chandelier. Dresses fill the curves of antique wardrobes, as if this were a princess's closet and not a store. A group of girls squeal as they browse the gowns. They've dressed almost otherworldly, so unlike the yoga pants and sweatshirts I'm used to in San Francisco. Instead, they're ornamented in seafoam trousers made of silk, lace corsets with ruffles across the bustier, satin slips with rose embroidery. They wear seashells in their hair and around their necks--- an iridescent mollusk held together by a string of pearls, an abalone claw clip that flashes different colors beneath the light, pukas threaded between pastel sea glass.

The stewards of Honeywell House had really outdone themselves with the decorations. As with the rehearsal dinner, everything was lit by candlelight. Delicate crystal chandeliers hung from the ceiling, light danced from the brass sconces on the walls, and there were pillars holding bowls of water with small tealight candles floating on the top in the shape of water lilies. It was like a set from one of those Nancy Meyers movies his mums had made him watch growing up.

Caramel Celebration Cake Yield: 10–12 servings My mother always made birthdays a big to-do in our family, with balloons hanging from the chandelier and the most gorgeous birthday cakes on crystal cake stands. This caramel cake is certainly celebration worthy! 4 cups cake flour 1 teaspoon baking soda 2 teaspoons baking powder 1 teaspoon salt 2-1/4 cups sugar 1/2 cup vegetable oil 1 cup butter 1-1/2 tablespoons vanilla extract 3 whole eggs plus 2 egg yolks 2-1/4 cups buttermilk Caramel Icing 1/2 cup butter 1 cup brown sugar 1/4 cup milk 2 cups sifted powdered sugar 1/2 teaspoon vanilla extract 1 pinch salt Preheat oven to 325 degrees F. Prepare 3 (8-inch) round cake pans by spraying with nonstick baking spray and lining with parchment paper cut rounds to fit bottom of cake pan. Sift cake flour, baking soda, baking powder, and salt into a mixing bowl; set aside. With a stand mixer, cream together sugar, vegetable oil, butter, and vanilla. Beat well at medium-high speed until light and fluffy. Beat the 3 whole eggs in, 1 at a time, then add in the 2 egg yolks. Fold in the dry ingredients alternately with buttermilk, beginning and ending with dry ingredients. Do not overmix the batter. Batter will be thick. Evenly divide batter between prepared pans and bake for 30–35 minutes or until toothpick inserted comes out clean. Allow cake to cool 10 minutes before turning onto wire racks to cool completely. Caramel Icing Melt butter and brown sugar together in a saucepan over medium-low heat. Add milk and bring to a boil, stirring constantly. Remove from heat and whisk in powdered sugar, 1 cup at a time. Using a hand-held mixer helps to smooth the icing. Add vanilla and salt. Add more powdered sugar for a thicker icing, if desired. As icing cools, it will set, so work quickly to pour and then spread icing over cake. This icing also works well for a sheet cake. If icing begins to set up, warm slightly in the microwave to make icing more spreadable. Note: This will be a thin layer of icing on the cake. If you want a thick layer, double the icing recipe. For layer cakes, lay sheets of wax paper around the cake as you spread on the icing to catch any overflow. TIP: Caramel icing is long known to be difficult, even for the most accomplished bakers. The key is to work quickly and spread the icing before it sets up.

It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife.

I ONLY steal because my dear old family needs the money to live!” Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer. “Liar!” they chorused in unison. “I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass. “Liar!” “I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement. “Liar!” “I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.” “Liar!” At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!” “BASTARD!

His parties have room for all. Come on in. Nobody to look at you funny in here. Nobody to tell you not to have that drink, kiss that fella, smash that chair, light that chandelier on fire. Do it all. Do it all forever.

The rhythm of the "Blue Danube" waltz rippled and rang and sang in his head, the lights of a thousand chandeliers glinted and prismed, and for a heartbeat Shadow was a child again, and all it took to make him happy was to ride the carousel: he stayed perfectly still, riding his eagle-tiger at the center of everything, and the world revolved around him.

Peter King paused just inside taking in the scene with a few critical sweeps of eyes so dark they didn’t catch any light from the sunlight or the chandelier. His irises seemed to bleed pigment into the whites, warming them with swirls of ivory. In his black suit, his skin tanned almost to match, he might have been a heroically sized construction paper cutout against white walls, white carpet, the white-and-gold marble-topped table that looked both antique and French.

The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass handle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.

The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass hangle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.

Candles, made and sold by licensed chandlers, were heavily taxed, which encouraged their clandestine manufacture. 75 The best-quality ones were of beeswax – some were made from thin sheets of beeswax wrapped round a flax or cotton wick and others were laboriously manufactured as solid candles. 76 Such candles were favoured by the wealthy and the Church, and they were better for chandeliers (often called ‘lustres’) in public buildings like theatres, where the light would be reflected and magnified by the numerous pieces of glass (‘drops’). Beeswax candles might also be mounted in candelabra or candlesticks, or fixed on wall brackets. Also of high quality were candles of spermaceti, a waxy oil from the head of sperm whales. Unlike beeswax candles, these could be made in moulds. Both beeswax and spermaceti candles burned slowly and brightly, producing little smoke or smell.

As darkness spread hesitantly in a clear sky, devoid of neon glows and the pollutants, Bright celestial light from scattered crystals of sparkling stars And a moon that shone like a giant white chandelier, guided me on my path ahead, As I continued to be swept along on this journey, To a destination, I still am unsure of…

At that moment, everything went utterly still, but for light shooting from jewelled throat to jewelled throat, from candelabra to chandelier.

above our heads a chandelier of perfect crystal teardrops trapped the light and spun it out again against the golden walls in little rainbow arcs that wavered with the slightest breath of movement.

I follow him into a high-ceilinged room upholstered in crimson damask and decorated with bronze sculptures and potted palms. A massive crystal-and-gold chandelier sparkles from the ceiling, sending a glittery ray of light over the matching red chairs, ottomans, and---finally!---a couch, although it looks far more formal than comfy. The Red Drawing Room is just as rich in art as the Blue, and Oscar proudly points out portraits of my ancestors painted by John Singer Sargent and Giovanni Boldini---names I know from my junior year art history class.

And she was about to hand back the notebook when a sketch hidden near the end caught her attention—a drawing she was surprised to recognize herself in. She sat with Keefe on the staircase at Havenfield, the light from the chandelier forming a soft halo around her as she leaned toward him, clinging to his hand while he turned away, his eyes slightly watery. It didn’t look like a happy scene, and it took her a second to realize she was seeing the moment she’d told him what little she’d learned from Fintan about Keefe’s shattered London memory. But underneath the sketch, in neat, bold letters, he’d written the words she remembered telling him that day: Lots of people care about you, Keefe.

As she set down the mug, her auburn hair shifted and caught the light of the wrought-iron chandeliers.

Beav raised his hands roofward, fingers spread. “Seen de light, Lawd, yessir, praise Je—” His glasses started to unfog then, and he saw the stranger on the couch. He lowered his hands, slowly, then smiled. That was one of the reasons Jonesy had loved him ever since grade school, although the Beav could be tiresome and wasn’t the brightest bulb in the chandelier, by any means: his first reaction to the unplanned and unexpected wasn’t a frown but a smile.

Such an array of jewels glinted in the chandelier light that the air was thick with rainbow fragments.

that should’ve made sense, but didn’t. I just couldn’t quite bring it all together. I thought there was movement. I thought there were feather-light touches. I thought there were tears. Mine? Surely not. I’d cried all my tears, hadn’t I? But if not mine, then whose? Smells. Familiar smells. Coconut. Then burning wood. Then clean linen. Softness. Like clouds. Clouds that couldn’t, shouldn’t, wouldn’t hold me. I didn’t deserve clouds. I deserved hard, cold concrete. And that was the thought that woke me. A memory. The first in a cascade of memories, of terrors I’d just as soon have forgotten. That would’ve been merciful. But merciful wasn’t to be the case. I opened my eyes to the dim glow of light. A lamp. A familiar ceiling as I blinked up at it. Plain white with a medallion around a gorgeous chandelier. I remembered the day Gabe and I picked it out. Home. I was home. It was a thought. A feeling. A fantasy. How could I ever go home? After what I’d done, after what I’d become, how could I ever go home? I heard sobbing. Gentle, delicate sobbing. Only when a hand pressed lightly onto my shoulder did I realize it was me. The sobs were mine. They were as broken as I was. I rolled onto my side, away from the light. “Bright,” I croaked. I needed darkness.

Several years ago I visited a church in a nearby city. The pastor was known as a godly man and a prayer warrior. As we spoke about life in general, he said, “We’re not supposed to enjoy life, are we?” To him it was a rhetorical question; unfortunately most Christians hold this same view. They believe in Christ; He is their savior. They love Him with all their heart. Their future home is in heaven, they attend church each Sunday and most mid- week services. They endeavor to raise their children in the nurture and admonition of the Lord. They witness to friends and family, yet to them, life is something to endure. They are like the small orphan boy adopted by a well-to-do family from a poor orphanage. The child reveled in the luxury of his own room. Sleeping in such a wonderful bed was a dream come true. He awoke the next morning to the sun streaming in his open window. The songs of birds welcomed him to a beautiful summer day. As he came down to breakfast, he saw a place was set for him at the large table in the dining room. Fine china and silverware gleamed in the light of the expensive chandelier. At his plate set a large glass of milk filled to the brim. At the orphanage each child would drink from the glass only so far, then pass it on. This continued until the glass was empty. The glass was then refilled and passed to the next child. With big eyes the little child looked at his new mother. “Please, ma’am, how deeply may I drink?” With tears in her eyes, his mother said “Drink it all son, it’s all for you.” I believe God has given us the cup of life filled to the brim and overflowing. God says, “Drink it all, my child, it’s all for you.” Many Christians believe life is drudgery. Therefore they miss the real pleasures God has intended for His children. His word promises us abundant life. Albert Einstein said, “There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.” We can choose to view everything as a miracle from God. Will there be sorrows? Of course. Will we suffer difficult setbacks? Undoubtedly. Are there enemies of Christians and the Lord? Surely. Does this mean God has changed His mind or abandoned us? No. In this book we will discuss ways of enjoying living on God’s blessings. You can indeed “live life to the fullest.

We met in the middle of a blackout. It was searing hot and there wasn’t any running water and New York City had lost its mind. People were sweaty and edgy, thronging the streets, leaking heat and anxiety. Traffic lights dangled dead over the intersections; taxis lurched through the dark. The ATMs didn’t work and bodegas were charging insane amounts for bottled water and I was thirsty, hungover, and almost out of cash. I felt defenseless every time I walked up the ten flights to my apartment, carrying a lit candle in the ghostly stairwell. I was nearing panic when a friend called and told me he had the water back on in his building down by City Hall, and a grill out on the balcony. As I walked there, on the cobblestone street just north of Washington Square Park, past an intersection where a woman in a sundress was directing traffic, down into the lighting district—window after window teaming with powerless, shimmering chandeliers, the people in the apartments above drinking beer on their fire escapes—the city seemed less like a nightmare and more like a carnival. My friend had said he had a houseguest in town, visiting from California: Lucy. She was golden-skinned and green-eyed in her white shirt, and she smiled with all the openness in the world when I walked in the door. She had the radiant decency of a sunflower.

My fingers flit across the counters as I take it all in. I stop when I notice the crystal pendant lights hanging over the peninsula. "Crystal ones?" I ask. "You've always loved the sparkles and chandeliers." "I do love them, they look great, but why because I like them?" He swallows hard and blows out a breath. "Because I didn't buy this house for me. I bought it for you...for us." It's our dream house. The one we talked about years ago. The ones we sculpted with teenage minds and teenage hearts is still perfectly us. "What?" "We used to talk about the future, about what our home would be like. I remember the excitement you would have when talking about what you wanted in our home, and I found a home with those elements that I could make ours." "Is this a little fast?" I ask, even though I know the answer in my heart. "It's not to pressure you, just to show you that I meant every promise. With the relationship you just came off of, we will take it at whatever pace you want, but no matter what, I'm going to be standing right beside you. I made the mistake of not coming home years ago, but I'm not going to take the chance of losing you again.

She looked up at a beautiful chandelier that hung above and twinkled and she smiled. “Light can be found in the darkest places.” ' A House Out of Time

It smelt of panelling and polish and the dust that settles into velvet curtains, and above our heads a chandelier of perfect crystal teardrops trapped the light and spun it out again against the golden walls in little rainbow arcs that wavered with the slightest breath of movement.

And behind her, just on the edge of the shadow—his tall person dominating the satiated guests and the disordered table—stood Baptiste, looking pale and grave, in the disdainful attitude of a lackey who has feasted his masters. He alone, in the atmosphere heavy with drunkenness, beneath the vivid light, now turning to a yellowish hue, of the chandelier, remained faultless, with his silver chain around his neck, his cold eyes in which the sight of the women's bare shoulders did not even kindle a spark, and his air of an eunuch waiting on some Parisians in the time of their decline and maintaining his dignity.

The polished oak floors reflected the light of the overhead crystal chandelier and gleaned under the plush deep red Persian rug.

Light up to a world of diverse selection of lighting solutions, featuring stylish table lamps, luxurious chandeliers, and practical outdoor lighting options. Our range covers various styles and technologies, ensuring you can satisfy the diverse demands of your clientele.

Do you ever pray to Jesus?” Sheila’s mom asked. Here we go. “No,” I said. Actually I did pray. Sometimes I prayed to the memory of the altar at our old church. Not on Sunday mornings but in the evenings, remembering the times after dinner that I’d snuck over to run around on the dark altar, with its linen cloth muddled in gold light. On the altar I’d seen a lady in her coffin, the skin of her face slack and her features completely still, and also a bride so pregnant that the zipper on the back of her dress had to be safety-pinned. I believed that the altar was a soft spot, an opening between our world and the infinite one. Now, though, God was mundane, something old and pretty, but broken, like the bronze door handle, or the odd crystal from a chandelier, things you might see in a box at a junk shop. At times I still felt the open God feeling, not so much in objects but in the space around them, like in the space around the couch or the area between the lamp and my bed: it was in that vacuum that something might happen, though it was impossible to know how to pray to nothingness and if it was crazy to do so.

At about the time the chandeliers were being lighted in the House, John Wilkes, Lord Mayor of London, champion of the people and the homeliest man in Parliament, stood to be heard, and to let there be no doubt that he was John Wilkes. “I speak, Sir, as a firm friend to England and America, but still more to universal liberty and the rights of all mankind. I trust no part of the subjects of this vast empire will ever submit to be slaves.” Never had England been engaged in a contest of such import to her own best interests and possessions, Wilkes said. We are fighting for the subjection, the unconditional submission of a country infinitely more extended than our own, of which every day increases the wealth, the natural strength, the population. Should we not succeed . . . we shall be considered as their most implacable enemies, an eternal separation will follow, and the grandeur of the British empire pass away.

The giant chamber of the St. Kinga Chapel, deep underground in the famous Wieliczka Salt Mine, was warmly lit by its standard lighting of five massive chandeliers along with the glow of ten thousand candles. At 101 metres below the surface, the grand gothic cathedral had been hand-carved from the rock salt over centuries and had only ceased to be a working mine in 1996 when the enormous underground labyrinth was transformed