Banner Life Quotes

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Well, now If little by little you stop loving me I shall stop loving you Little by little If suddenly you forget me Do not look for me For I shall already have forgotten you If you think it long and mad the wind of banners that passes through my life And you decide to leave me at the shore of the heart where I have roots Remember That on that day, at that hour, I shall lift my arms And my roots will set off to seek another land
Pablo Neruda (Selected Poems)
If You Forget Me I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda
Change has to come for life to struggle forward.
Helen Hollick (The Kingmaking (Pendragon's Banner Trilogy, #1))
In a higher phase of communist society, after the enslaving subordination of the individual to the division of labor, and therewith also the antithesis between mental and physical labor, has vanished; after labor has become not only a means of life but life's prime want; after the productive forces have also increased with the all-around development of the individual, and all the springs of co-operative wealth flow more abundantly—only then can the narrow horizon of bourgeois right be crossed in its entirety and society inscribe on its banners: From each according to his ability, to each according to his needs!
Karl Marx (Critique of the Gotha Program)
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (If You Forget Me)
We had so many dreams as children. Where do they go when we grow? Are they swallowed up by the mundane things of everyday life? Or do we lose them, leave them behind us in the dust, for new children to find and take up?
Helen Hollick (The Kingmaking (Pendragon's Banner Trilogy, #1))
The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.
Rebecca Solnit (Men Explain Things to Me)
Be faithful, be vigilant, be untiring in your efforts to break every yoke, and let the oppressed go free. Come what may - cost what it may - inscribe on the banner which you unfurl to the breeze, as your religious and political motto - "NO COMPROMISE WITH SLAVERY! NO UNION WITH SLAVEHOLDERS
William Lloyd Garrison (Narrative of the Life of Frederick Douglass)
Whosoever will list himself under the banner of Christ, must, in the first place and above all things, make war upon his own lusts and vices. It is in vain for any man to usurp the name of Christian, without holiness of life, purity of manners, benignity and meekness of spirit.
John Locke (Unknown Book 12380837)
Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark . . . I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
If you think it long and mad the wind of banners that passes through my life And you decide to leave me at the shore of the heart where I have roots Remember That on that day, at that hour, I shall lift my arms And my roots will set off to seek another land
Pablo Neruda (Selected Poems)
He was a soldier. He was a shepherd. He was a beggar, and a king. He was a farmer, gleeman, sailor, carpenter. He was born, lived, and died Aiel. He died mad, he died rotting, he died of sickness, accident, age. He was executed, and multitudes cheered his death. He proclaimed himself the Dragon Reborn and flung his banner across the sky; he ran from the Power and hid; he lived and died never knowing. He held off the madness and the sickness for years; he succumbed between two winters. Sometimes Moiraine came and took him away from the Two Rivers, alone or with those of his friends who had survived Winternight; sometimes she did not. Sometimes other Aes Sedai came for him. Sometimes Red Ajah. Egwene married him; Egwene, stern-faced in stole of Amyrlin Seat, led Aes Sedai who gentled him; Egwene, with tears in her eyes, plunged a dagger into his heart, and he thanked her as he died. He loved other women, married other women. Elayne, and Min, and a fair-haired farmer's daughter met on the road to Caemlyn, and women he had never seen before he lived those lives. A hundred lives. More. So many he could not count them. And at the end of every life, as he lay dying, as he drew his final breath, a voice whispered in his ear. I have won again, Lews Therin. Flicker.
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
We live among ruins in a World in which ‘god is dead’ as Nietzsche stated. The ideals of today are comfort, expediency, surface knowledge, disregard for one’s ancestral heritage and traditions, catering to the lowest standards of taste and intelligence, apotheosis of the pathetic, hoarding of material objects and possessions, disrespect for all that is inherently higher and better — in other words a complete inversion of true values and ideals, the raising of the victory flag of ignorance and the banner of degeneracy. In such a time, social decadence is so widespread that it appears as a natural component of all political institutions. The crises that dominate the daily lives of our societies are part of a secret occult war to remove the support of spiritual and traditional values in order to turn man into a passive instrument of dark powers. The common ground of both Capitalism and Socialism is a materialistic view of life and being. Materialism in its war with the Spirit has taken on many forms; some have promoted its goals with great subtlety, whilst others have done so with an alarming lack of subtlety, but all have added, in greater or lesser measure, to the growing misery of Mankind. The forms which have done the most damage in our time may be enumerated as: Freemasonry, Liberalism, Nihilism, Capitalism, Socialism, Marxism, Imperialism, Anarchism, Modernism and the New Age.
Seyyed Hossein Nasr
Remember that, Iz. Be a kid of honesty. Wave it like a banner for all to see. Also, while I'm thinking about it - be a kid who loves surprises. Squeal with delight over puppies and cupcakes and birthday parties. Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles. Don't settle for the first guy (or girl) unless he's the right guy (or girl). Live your effing life. Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence. Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite, Iz. You know what I mean, don't you? (Of course you do. You're a Malone.) Okay, that's all for now. Catch you on the flip side. Blimey, get ready. Signing off, Mary Iris Malone, Your Big Sister
David Arnold (Mosquitoland)
I had standards and a life, and I wasn’t about to let some man destroy it like it was merely the paper banner he was meant to crash through as he entered the field.
Emily Henry (Book Lovers)
There’s fire in you, Julie. I can see you out there in the street, carrying a banner for all the underprivileged people of the world.
Catherine Marshall (Julie)
At the Trident, those brave men Viserys spoke of who died beneath our dragon banners - did they give their lives because they believed in Rhaegar's cause, or because they had been bought and paid for?" Dany turned to Mormont, crossed her arms, and waited for an answer. "My queen," the big man said slowly, "all you say is true. But Rhaegar lost on the Trident. He lost the battle, he lost the war, he lost the kingdom, and he lost his life. His blood swirled downriver with the rubies from his breastplate, and Robert the Usurper rode over his corpse to steal the Iron Throne. Rhaegar fought valiantly, Rhaegar fought nobly, Rhaegar fought honorably. And Rhaegar died.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
there are some some times in life where you have to let your feelings go and do what must be done
Evan Meekins (The Black Banner)
It was far better, he thought, just to get on with life yourself, to have your own adventures and make your own mistakes, without raising a banner over them that proclaimed: I'm this, or I'm that; of this party or of the other one.
Anthony McDonald (Adam)
To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.
Rebecca Solnit (Men Explain Things to Me)
Saving a life isn't just pulling a friend from the fire," he explains, the daredevil playing in his wet, excited eyes. "It's thereafter keeping him from the fire. Saving a life means saving it over and over.
Daryl Banner (Outlier: Rebellion (Outlier, #1))
We were brought up to be very independent. Our parents taught us that we were given certain talents and we needed to pursue them -- that we shouldn't go through life relying on others when we had all these abilities.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
There was love, a reliable and real love grown in a handful of days, and Tristan did not know why it was: friendship had happened to both of them, on the sudden, completely aside from Tristan's both endangering and saving Crissand's life. It was no reason related to that, it was no reason that either of them quite knew. Crissand had simply risen on his horizon like the sun of his banner...and that was that....They were together, and there was a great deal right with the day simply in that.
C.J. Cherryh
it's through the simple things in life, through its games, when our minds mature the most and we grow knowledgeable. It's also when the cloth masks of our outer, false personalities are torn asunder, and we are able to see every last blemish of a man's genuine character that they hide beneath... no matter how dark or obscene it may be.
Evan Meekins (The Black Banner)
Stepping back, Anika smiled at her prisoners and clicked open the Zippo. Its flame hopped to life. Wasting no time, she underhand-tossed the lighter through the air. It hit the middle of its target, and the banner exploded into flames. 
Chad Boudreaux (Homecoming Queen: A Small Town Political Thriller)
May I at least carry, to the boundless possibility contained in the abyss of everything, the glory of my disillusion like that of a great dream, and the splendor of not believing like a banner of defeat; a banner in feeble hands, but still and all a banner, dragged through mud and the blood of the weak but raised high for who knows what reason - whether in defiance, or as a challenge, or in mere desperation - as we vanish into quicksand. No one knows for what reason, because no one knows anything, and the sand swallows those with banners as it swallows those without. And the sand covers everything: my life, my prose, my eternity. I carry my awareness of defeat like a banner of victory.
Fernando Pessoa (The Book of Disquiet)
[Letter to his wife, Natalia Sedova] In addition to the happiness of being a fighter for the cause of socialism, fate gave me the happiness of being her husband. During the almost forty years of our life together she remained an inexhaustible source of love, magnanimity, and tenderness. She underwent great sufferings, especially in the last period of our lives. But I find some comfort in the fact that she also knew days of happiness. For forty-three years of my conscious life I have remained a revolutionist; for forty-two of them I have fought under the banner of Marxism. If I had to begin all over again I would of course try to avoid this or that mistake, but the main course of my life would remain unchanged. I shall die a proletarian revolutionist, a Marxist, a dialectical materialist, and, consequently, an irreconcilable atheist. My faith in the communist future of mankind is not less ardent, indeed it is firmer today, than it was in the days of my youth. Natasha has just come up to the window from the courtyard and opened it wider so that the air may enter more freely into my room. I can see the bright green strip of grass beneath the wall, and the clear blue sky above the wall, and sunlight everywhere. Life is beautiful. Let the future generations cleanse it of all evil, oppression and violence, and enjoy it to the full.
Leon Trotsky
I probably won’t play a song the same way tomorrow as I play it today. Only a pitchman says the same thing the same way twice, without varying a word. If music is a language, why don’t people use it with the same subtlety, nuance, and facility as they do the spoken language? Probably because they don’t verbalize with the same vocabulary and tone they once did. It has been said that a people’s character is reflected in their music. Our culture is a perfect example. If people here walk around using one-syllable words with no color, no variety, no shading, how can we expect our musical language to be any different? It’s like the emperor’s new clothes – sure they can sit and make wild noises on their synthesizers and call it music – who questions? But ask them to pull up a chair and play ‘Gal in Calico’ or Temptation,’ or even a straight dramatic version of ‘The Star-Spangled Banner’ and they can’t do it. They’re too pretentious. They can’t just play songs.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
I wondered how many people had sung "By the dawn's early light' yesterday and were dead today.
Susan Beth Pfeffer (Life As We Knew It (Last Survivors, #1))
modern times, of course, political ideologies have taken over the numinous function, with the face of the leader multiplied on a thousand banners.
Erik H. Erikson (The Life Cycle Completed (Extended Version): A Review)
Red is the life-tide of our common humanity and red our symbol of universal kinship. Tyrants deny it; fear it; tremble with rage and terror when they behold it. We reaffirm it and on this day pledge anew our fidelity—come life or death—to the blood-red Banner of the Revolution.
Eugene V. Debs (Writings of Eugene V. Debs)
I receive remarkable letters. They are opened for me, unfolded, and spread out before my eyes in a daily ritual that gives the arrival of the mail the character of a hushed and holy ceremony. I carefully read each letter myself. Some of them are serious in tone, discussing the meaning of life, invoking the supremacy of the soul, the mystery of every existence. And by a curious reversal, the people who focus most closely on these fundamental questions tend to be people I had known only superficially. Their small talk has masked hidden depths. Had I been blind and deaf, or does it take the harsh light of disaster to show a person's true nature? Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark... I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
The truth is this: Pride must die in you or nothing of heaven can live in you. Under the banner of the truth, give yourself up to the meek and humble spirit of the holy Jesus. Humility must sow the seed or there can be no reaping in heaven. Look not at pride only as an unbecoming temper, nor at humility only as a decent virtue: for the one is death and the other is life; the one is hell and the other is heaven. So much as you have of pride within you, you have of the fallen angel alive in you; so much as you have of true humility, so much you have of the Lamb of God within you.
Andrew Murray (Humility: The Journey Toward Holiness)
I did not really seek liberty. I am a civilised man. The civilised man knows there is no such thing. Only the younger and cruder nations put the word Liberty on their banner. There must always be a planned framework of security. And the essence of civilisation is that the way of life should be a moderate one.
Agatha Christie (Destination Unknown)
Sometimes You are kind, sometimes unfaithful, You break my heart but My Love, my essence, do not go away I can’t be without You. You are the head and I am the feet You are the hand, I am our banner If You leave, I will perish I can’t be without You. You have erased my image, taken my sleep You’ve torn me away from everybody but I can’t be without You. I find no joy in life or relief in death. Why don’t You say it too. I can’t be without You.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
At every new torment which is too hard to bear we feel yet another vein protrude, to unroll its sinuous and deadly length along our temples or beneath our eyes. And thus gradually are formed those terrible ravaged faces, of the old Rembrandt, the old Beethoven, at whom the whole world mocked. And the pockets under the eyes and the wrinkled forehead would not matter much were there not also the suffering of the heart. But since strength of one kind can change into a strength of another kind, since heat which is stored up can become light and the electricity in a flash of lightning can cause a photograph to be taken, since the dull pain in our heart can hoist above itself like a banner the visible permanence of an image for every new grief, let us accept the physical injury which is done to us for the sake of the spiritual knowledge which grief brings; let us submit to the disintegration of our body, since each new fragment which breaks away from it returns in a luminous and significant form to add itself to our work, to complete it at the price of sufferings of which others more richly endowed have no need, to make our work at least more solid as our life crumbles away beneath the corrosive action of our emotions.
Marcel Proust (Time Regained)
Ramadi’s sky was generously filled with stars. Celestial ornaments set against a banner of a deep blue velvet sky. It was a place where hell, death, and heaven were so clear and the closest I’ve felt to all three in my life.
M.B. Dallocchio (Quixote in Ramadi: An Indigenous Account of Imperialism)
Truth, in the great practical concerns of life, is so much a question of the reconciling and combining of opposites, that very few have minds sufficiently capacious and impartial to make the adjustment with an approach to correctness, and it has to be made by the rough process of a struggle between combatants fighting under hostile banners.
John Stuart Mill (On Liberty)
Each time I wondered at how any of them could ever consider that life would be better without them, and then I remembered that it’s the same thing I struggle with when my brain tries to kill me. And so they’ve saved me too. That’s why I continue to talk about mental illness, even at the cost of scaring people off or having people judge me. I try to be honest about the shame I feel because with honesty comes empowerment. And also, understanding. I know that if I go out on a stage and have a panic attack, I can duck behind the podium and hide for a minute and no one is going to judge me. They already know I’m crazy. And they still love me in spite of it. In fact, some love me because of it. Because there is something wonderful in accepting someone else’s flaws, especially when it gives you the chance to accept your own and see that those flaws are the things that make us human. I do worry that one day other kids will taunt my daughter when they’re old enough to read and know my story. Sometimes I wonder if the best thing to do is just to be quiet and stop waving the banner of “fucked up and proud of it,” but I don’t think I’ll put down this banner until someone takes it away from me. Because quitting might be easier, but it wouldn’t be better.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Caroline nodded. "I understand that. The bayou is a huge part of your life and the local lifestyle. And people might come in here because of the bayou, but they don't fall in love with it and come back because of that. They fall in love and come back because they feel like a part of the family. Because they feel welcome and accepted here. That's what all of this represents." She gestured to encompass all of the photographs they had hanging on the wall. "I think these photographs are key. The posters and sports banners are great, but these photographs need to stay for sure.
Erin Nicholas (Say It Like You Mane It (Boys of the Bayou Gone Wild, #5))
I want you to know one thing.   You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.   Well, now, if little by little you stop loving me I shall stop loving you little by little.   If suddenly you forget me do not look for me, for I shall already have forgotten you.   If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land.   But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (Love Poems (New Directions Paperbook) (Spanish Edition))
Be a kid of honesty. Wave it like a banner for all to see.. Be a kid who loves surprises... Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles... Live your effing life. Do it with gusto... Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite
David Arnold (Mosquitoland)
But when fascism comes it will not be in the form of an anti-American movement or pro-Hitler bund, practicing disloyalty. Nor will it come in the form of a crusade against war. It will appear rather in the luminous robes of flaming patriotism; it will take some genuinely indigenous shape and color, and it will spread only because its leaders, who are not yet visible, will know how to locate the great springs of public opinion and desire and the streams of thought that flow from them and will know how to attract to their banners leaders who can command the support of the controlling minorities in American public life. The danger lies not so much in the would-be Fuhrers who may arise, but in the presence in our midst of certainly deeply running currents of hope and appetite and opinion. The war upon fascism must be begun there.
John T. Flynn (As We Go Marching: A Biting Indictment of the Coming of Domestic Fascism in America)
They are THE OPPORTUNISTS, those souls who in life were neither for good nor evil but only for themselves. Mixed with them are those outcasts who took no sides in the Rebellion of the Angels. They are neither in Hell nor out of it. Eternally unclassified, they race round and round pursuing a wavering banner that runs forever before them through the dirty air; and as they run they are pursued by swarms of wasps and hornets, who sting them and produce a constant flow of blood and putrid matter which trickles down the bodies of the sinners and is feasted upon by loathsome worms and maggots who coat the ground.
Dante Alighieri (Inferno)
It is funny how people - millions and millions of people - go about watching the telly and singing and humming in spite of the fact that they lost brother or father or lover in a war; and what is stranger still, they contemplate with equanimity seeing their other brothers or lovers off to yet another war. They don't see the tragedy of it all. Now and then one of the millions reads a book, or starts thinking, or something shakes him, and then he sees tragedy all over the place. Wherever he looks, he finds tragedy. He finds it tragic that other people don't see this tragedy around them and then he becomes like Font or Edna, or joins some party or other, or marches behind banners until his own life, seen detachedly, becomes a little tragic.
Waguih Ghali (Beer in the Snooker Club (Twentieth Century Lives))
What speaks to us, seemingly, is always the big event, the untoward, the extra-ordinary: the front-page splash, the banner headlines....Behind the event there is a scandal, a fissure, a danger, as if life reveals itself only by way of the spectacular, as if what speaks, what is significant, is always abnormal. [But] how should we take account of, question, describe what happens everyday and recurs everyday: the banal, the quotidian, the obvious, the common, the ordinary, the infra-ordinary, the background noise, the habitual? (209-210)
Georges Perec (Species of Spaces and Other Pieces)
There are moments in life when you blunder in front of a window, or a glass. And you stop to see the most risible creature peering back at you, in some hideous weskit that he has mistaken for the very pineapple of fashion, a kingsman slung round his neck like the banner of his pretentions, with an expression of adolescent constipation that is clearly intended as Deep Sagacity. You blink - you may even for an instant begin to laugh - until the realization dawns: this is a reflection, and it is mine. You've draped yourself in Rainbow togs and swaddled yourself in fervent convictions, but in that reflection there you stand: exposed in the knobbly white nakedness of your own absurdity.
Ian Weir (Will Starling)
I’m a tattoo artist, I’ll probably always be a tattoo artist and I don’t know how that plays into your future or the future you have planned after school and frankly I don’t care. This is what I have to offer you Shaw and just like you let me be your first, I’m letting you be mine,” I covered her entire palm with a detailed drawing of a sacred heart, it matched the one I had inked on the center of my chest. It had flames dancing up the back, a crown of thorns on top of it, a spray of roses along the bottom and in the center I drew a scrolling banner with my name in the center. “Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
Jay Crownover (Rule (Marked Men, #1))
His will be done, as done it surely will be, whether we humble ourselves to resignation or not. The impulse of creation forwards it; the strength of powers, seen and unseen, has its fulfillment in charge. Proof of a life to come must be given. In fire and in blood, if needful, must that proof be written. In fire and in blood do we trace the record throughout nature. In fire and in blood does it cross our own experience. Sufferer, faint not through terror of this burning evidence. Tired wayfarer, gird up thy loins, look upward, march onward. Pilgrims and brother mourners, join in friendly company. Dark through the wilderness of this world stretches the way for most of us: equal and steady be our tread; be our cross our banner. For staff we have His promis, whose 'word is tried, whose way perfect": for present hope His providence, 'who gives the shield of salvation, whose gentleness makes great'; for final home His bosom, who 'dwells in the height of Heaven'; for crowning prize a glory exceeding and eternal. Let us so run that we may obtain: let us endure hardness as good soldiers; let us finish our course, and keep the faith, reliant in the issue to come off more than conquerors: 'Art though not from everlasting mine Holy One? WE SHALL NOT DIE!
Charlotte Brontë
Be faithful, be vigilant, be untiring in your efforts to break every yoke, and let the oppressed go free. Come what may—cost what it may—inscribe on the banner which you unfurl to the breeze, as your religious and political motto—"NO COMPROMISE WITH SLAVERY! NO UNION WITH SLAVEHOLDERS
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night. I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet. {Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
Mark Twain (Letters from the Earth: Uncensored Writings)
It was the summer in America when the nausea returned, when the joking didn't stop, when the speculation and the theorizing and the hyperbole didn't stop, when the moral obligation to explain to one's children about adult life was abrogated in favor of maintaining in them every illusion about adult life, when the smallness of people was simply crushing, when some kind of demon had been unleashed in the nation and, on both sides, people wondered "Why are we so crazy?" when men and women alike, upon awakening in the morning, discovered that during the night, in a state of sleep that transported them beyond envy or loathing, they had dreamed of the brazenness of Bill Clinton. I myself dreamed of a mammoth banner, draped dadaistically like a Christo wrapping from one end of the White House to the other and bearing the legend A HUMAN BEING LIVES HERE.
Philip Roth (The Human Stain (The American Trilogy, #3))
Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades.
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
Destiny has chosen me for the Wind,” he said in resonant tones as he swept out his hands in a showman’s gesture, even while he winked at her. “Atmospheres, temperature, air, these are mine to beckon.” And he did, sweeping a breeze through the room just strong enough to make Legna’s gown ruffle. Suddenly, without even a flash of light or warning, Elijah’s form dissipated into thin air, becoming the air. His voice swirled all around her as he playfully lifted her hair up from her shoulders, drawing it into a banner that fluttered high above her head, making her laugh. “The weather sways to my will, the tempests and pressures of it mine to manipulate. I can infuse a place with life-giving oxygen or remove it completely. The Wind is the breath of life, and She breathes through me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
I tell you that man has no more tormenting care than to find someone to whom he can hand over as quickly as possible that gift of freedom with which the miserable creature is born. But he alone can take over the freedom of men who appeases their conscience. With bread you were given an indisputable banner: give man bread and he will bow down to you, for there is nothing more indisputable than bread. But if at the same time someone else takes over his conscience - oh, then he will even throw down your bread and follow him who has seduced his conscience. In this you were right. For the mystery of man's being is not only in living, but in what one lives for. Without a firm idea of what he lives for, man will not consent to live and will sooner destroy himself than remain on earth, even if there is bread all around him. That is so, but what came of it? Instead of taking over men's freedom, you increased it still more for them! Did you forget that peace and even death are dearer to man than free choice in the knowledge of good and evil? There is nothing more seductive for man than the freedom of his conscience, but there is nothing more tormenting either. And so, instead of a firm foundation for appeasing human conscience once and for all, you chose everything that was unusual, enigmatic, and indefinite, you chose everything that was beyond men's strength, and thereby acted as if you did not love them at all - and who did this? He who came to give his life for them! Instead of taking over men's freedom, you increased it and forever burdened the kingdom of the human soul with its torments. You desired the free love of man, that he should follow you freely. seduced and captivated by you. Instead of the firm ancient law, men had henceforth to decide for himself, with a free heart, what is good and what is evil, having only your image before him as a guide - but did it not occur to you that he would eventually reject and dispute even your image and your truth if he was oppressed by so terrible a burden as freedom of choice? They will finally cry out that the truth is not in you, for it was impossible to leave them in greater confusion and torment than you did, abandoning them to so many cares and insoluble problems. Thus you yourself laid the foundation for the destruction of your own kingdom, and do not blame anyone else for it.
Fyodor Dostoevsky
Today, people just want to live their lives, they don’t need some great Idea. This is entirely new for Russia; it’s unprecedented in Russian literature. At heart, we’re built for war. We were always either fighting or preparing to fight. We’ve never known anything else—hence our wartime psychology. Even in civilian life, everything was always militarized. The drums were beating, the banners flying, our hearts leaping out of our chests. People didn’t recognize their own slavery—they even liked being slaves. I
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
Growing up is terrifying. When you’re young, you have this feeling inside of you that you’ll eventually get the chance to do and try everything in life, because life looks so infinitely long from the perspective of a kid. Then suddenly, you realize that every choice you make unchooses all the other ones. This isn’t a video game. There’s no reset button and no infinite lives. Every single decision I make is permanent, and the more I make, the slimmer my path becomes in this shrinking, dark forest we call adulthood.
Daryl Banner (Bromosexual)
In the absence of conviction, I’ve come to terms with the fact that uncertainty is an inescapable corollary of life. An abundance of mystery is simply part of the bargain—which doesn’t strike me as something to lament. Accepting the essential inscrutability of existence, in any case, is surely preferable to its opposite: capitulating to the tyranny of intransigent belief.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Mr. Banner called the class to order then, and I turned with relief to listen. I was in disbelief that I’d just explained my dreary life to this bizarre, beautiful boy who may or may not despise me. He’d seemed engrossed in our conversation, but now I could see, from the corner of my eye, that he was leaning away from me again, his hands gripping the edge of the table with unmistakable tension.
Stephenie Meyer (Twilight (Twilight, #1))
I thought of Mark’s reckless eyes—The only things I believe in are out on that there dig—and then of revolutionaries waving ragged, gallant banners, of refugees swimming swift nighttime currents; of all those who hold life so light, or the stakes so dear, that they can walk steady and open-eyed to meet the thing that will take or transform their lives and whose high cold criteria are far beyond our understanding.
Tana French (In the Woods (Dublin Murder Squad, #1))
Both revelation and delusion are attempts at the solution of problems. Artists and scientists realize that no solution is ever final, but that each new creative step points the way to the next artistic or scientific problem. In contrast, those who embrace religious revelations and delusional systems tend to see them as unshakeable and permanent. . . . Religious faith is an answer to the problem of life. . . . The majority of mankind want or need some all-embracing belief system which purports to provide an answer to life’s mysteries, and are not necessarily dismayed by the discovery that their belief system, which they proclaim as “the truth,” is incompatible with the beliefs of other people. One man’s faith is another man’s delusion. . . . Whether a belief is considered to be a delusion or not depends partly upon the intensity with which it is defended, and partly upon the numbers of people subscribing to it.* ANTHONY STORR, FEET OF CLAY
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
www youtube com/watch?v=wRHxEj1HGHM I want you to know one thing. You know how this is: if I look, at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (If You Forget Me)
Today, people just want to live their lives, they don’t need some great Idea. This is entirely new for Russia; it’s unprecedented in Russian literature. At heart, we’re built for war. We were always either fighting or preparing to fight. We’ve never known anything else—hence our wartime psychology. Even in civilian life, everything was always militarized. The drums were beating, the banners flying, our hearts leaping out of our chests. People didn’t recognize their own slavery—they even liked being slaves.
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
I wasn’t thinking about our deal either when I got selected for the Worlds team. Being chosen to compete had been a jaw-dropping moment for me. But now I was riding a wave of excitement and fear. I’d be one of five girls carrying the banner for my country. Could I handle the pressure? I knew this was my test. I’d have to find a way to manage everyone’s expectations in order to keep them from making me feel overwhelmed. I needed to learn how to carry those expectations lightly—like a turtle carries its shell.
Simone Biles (Courage to Soar: A Body in Motion, a Life in Balance)
Exoneration of Jesus Christ If Christ was in fact God, he knew all the future. Before Him like a panorama moved the history yet to be. He knew how his words would be interpreted. He knew what crimes, what horrors, what infamies, would be committed in his name. He knew that the hungry flames of persecution would climb around the limbs of countless martyrs. He knew that thousands and thousands of brave men and women would languish in dungeons in darkness, filled with pain. He knew that his church would invent and use instruments of torture; that his followers would appeal to whip and fagot, to chain and rack. He saw the horizon of the future lurid with the flames of the auto da fe. He knew what creeds would spring like poisonous fungi from every text. He saw the ignorant sects waging war against each other. He saw thousands of men, under the orders of priests, building prisons for their fellow-men. He saw thousands of scaffolds dripping with the best and bravest blood. He saw his followers using the instruments of pain. He heard the groans—saw the faces white with agony. He heard the shrieks and sobs and cries of all the moaning, martyred multitudes. He knew that commentaries would be written on his words with swords, to be read by the light of fagots. He knew that the Inquisition would be born of the teachings attributed to him. He saw the interpolations and falsehoods that hypocrisy would write and tell. He saw all wars that would be waged, and-he knew that above these fields of death, these dungeons, these rackings, these burnings, these executions, for a thousand years would float the dripping banner of the cross. He knew that hypocrisy would be robed and crowned—that cruelty and credulity would rule the world; knew that liberty would perish from the earth; knew that popes and kings in his name would enslave the souls and bodies of men; knew that they would persecute and destroy the discoverers, thinkers and inventors; knew that his church would extinguish reason’s holy light and leave the world without a star. He saw his disciples extinguishing the eyes of men, flaying them alive, cutting out their tongues, searching for all the nerves of pain. He knew that in his name his followers would trade in human flesh; that cradles would be robbed and women’s breasts unbabed for gold. And yet he died with voiceless lips. Why did he fail to speak? Why did he not tell his disciples, and through them the world: “You shall not burn, imprison and torture in my name. You shall not persecute your fellow-men.” Why did he not plainly say: “I am the Son of God,” or, “I am God”? Why did he not explain the Trinity? Why did he not tell the mode of baptism that was pleasing to him? Why did he not write a creed? Why did he not break the chains of slaves? Why did he not say that the Old Testament was or was not the inspired word of God? Why did he not write the New Testament himself? Why did he leave his words to ignorance, hypocrisy and chance? Why did he not say something positive, definite and satisfactory about another world? Why did he not turn the tear-stained hope of heaven into the glad knowledge of another life? Why did he not tell us something of the rights of man, of the liberty of hand and brain? Why did he go dumbly to his death, leaving the world to misery and to doubt? I will tell you why. He was a man, and did not know.
Robert G. Ingersoll
It seems wrong to call it "business". It seems wrong to throw all those hectic days and sleepless nights, all those magnificent triumphs and desperate struggles, under that bland, generic banner: business. What we were doing felt like so much more. Each new day brought fifty new problems, fifty tough decisions that needed to be made, right now, and we were always acutely aware that one rash move, one wrong decision could be the end. The margin for error was forever getting narrower, while the stakes were forever creeping higher–and none of us wavered in the belief that "stakes" didn't mean "money". For some, I realize, business is the all-out pursuit of profits, period, full stop, but for use business was no more about making money than being human is about making blood. Yes, the human body needs blood. It needs to manufacture red and white cells and platelets and redistribute them evenly, smoothly, to all the right places, on time, or else. But that day-to-day of the human body isn't our mission as human beings. It's a basic process that enables our higher aims, and life always strives to transcend the basic processes of living–and at some point in the late 1970s, I did, too. I redefined winning, expanded it beyond my original definition of not losing, of merely staying alive. That was no longer enough to sustain me, or my company. We wanted, as all great business do, to create, to contribute, and we dared to say so aloud. When you make something, when you improve something, when you deliver something, when you add some new thing or service to the life of strangers, making them happier, or healthier, or safer, or better, and when you do it all crisply and efficiently, smartly, the way everything should be done but so seldom is–you're participating more fully in the whole grand human drama. More than simply alive, you're helping other to live more fully, and if that's business, all right, call me a businessman.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
And this, she saw, her dream had done. She had built against that fear a vision of power not wholly selfish—power to protect not only herself, but others. And that vision—however partial it had been in those days—was worth following. For it led not away from the fear, as a dream of rule might do, but back into it. The pattern of her life—as she saw it then, clear and far away and painted in bright colors—the pattern of her life was like an intricate song, or the way the Kuakgan talked of the grove's interlacing trees. There below were the dream's roots, tangled in fear and despair, nourished in the death of friends, the bones of the strong, the blood of the living, and there high above were the dream's images, bright in the sun like banners or the flowering trees of spring. And to be that banner, or that flowering branch, meant being nourished by the same fears: meant encompassing them, not rejecting them.
Elizabeth Moon (The Deed of Paksenarrion (The Deed of Paksenarrion, #1-3))
In our co-lecturing days, Flo Kennedy and I were sitting in the back of a taxi on the way to the Boston airport, discussing Flo’s book Abortion Rap. The driver, an old Irish woman, the only such cabbie I’ve ever seen, turned to us at a traffic light and said the immortal words, “Honey, if men could get pregnant, abortion would be a sacrament!” Would she have wanted to own her words in public? I don’t know, but I so wish we had asked her name. When Flo and I told this taxi story at speeches, the driver’s sentence spread on T-shirts, political buttons, clinic walls, and protest banners from Washington to Vatican Square, from Ireland to Nigeria. By 2012, almost forty years after that taxi ride, the driver’s words were on a banner outside the Republican National Convention in Tampa, when the party nominated Mitt Romney for president of the United States on a platform that included criminalizing abortion. Neither Flo nor the taxi driver could have lived to see him lose—and yet they were there.
Gloria Steinem (My Life on the Road)
There are some ten thousand extant religious sects--each with its own cosmology, each with its own answer for the meaning of life and death. Most assert that the other 9,999 not only have it completely wrong but are instruments of evil, besides. None of the ten thousand has yet persuaded me to make the requisite leap of faith. In the absence of conviction, I've come to terms with the fact that uncertainty is an inescapable corollary of life. An abundance of mystery is simply part of the bargain--which doesn't strike me as something to lament. Accepting the essential inscrutability of existence, in any case, is surely preferable to its opposite: capitulating to the tyranny of intransigent belief.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
It had been a windy night, that night where his life had taken its turning. The atmosphere, in flood, was trying to wash the trees right off the hills. The big oaks twisted and shuddered like black flames in the moonlight, and the white grass rippled and bannered. The wind that night made him feel his chronic longing. The wind, trying to stampede the trees, was roaring for a grand, universal departure to another solar system, a better deal, and the grass struggled to join the rootless giant of the air. All that lives strives to fly, to master time. All tribes of beings strain to rise in insurrection, all knowing their time is short, all, when the wind blows, wanting to climb aboard. ("The Growlimb")
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
I like the idea of being rigorous about friendship. My friends tend to be accomplished, overcommitted people, many of them with busy family lives and heavy-duty jobs. I understood it wasn’t always easy for them to get away. But this was part of the point. We were all so used to sacrificing for our kids, our spouses, and our work. I had learned through my years of trying to find balance in my life that it was okay to flip those priorities and care only for ourselves once in a while. I was more than happy to wave this banner on behalf of my friends, to create the reason—and the power of a tradition—for a whole bunch of women to turn to kids, spouses, and colleagues and say, Sorry, folks, I’m doing this for me.
Michelle Obama (Becoming)
him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
One person looks around and see a universe created by a God who watches over its long unfurling, marking the fall of sparrows and listening to the prayers of his finest creation. Another person believes that life, in all its baroque complexity, is a chemical aberration that will briefly decorate the surface of a ball of rock spinning somewhere among a billion galaxies. And the two of them could talk for hours and find no greater difference between each other, for neither set of beliefs makes us kinder or wiser. William the Bastard forcing Harold to swear over the bones of Saint Jerome, the Church of Rome rent asunder by the King's Great Matter, the twin towers folding into smoke. Religion fueling the turns and reverses of human history, or so it seems, but twist them all to catch a different light and those same passionate beliefs seem no more than banners thrown up to hide the usual engines of greed and fear. And in our single lives? Those smaller turns and reverses? Is it religion which trammels and frees, which gives or withholds hope? Or are these, too, those old base motives dressed up for a Sunday morning? Are they reasons or excuses?
Mark Haddon (The Red House)
he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
It’s usually used for scientists or inventors. The phenomenon of two people discovering something in different places at essentially the same time,” I say. “You’d be surprised how often it happens. Calculus, oxygen, the blast furnace . . . all multiple discoveries. Even Darwin’s Theory of Evolution was postulated at the same time by someone else.” Zo lifts his brows, silently asking what my nerd talk has to do with the price of tacos in Mexico. “I think that’s what happened to us,” I continue. “We both met Banner at the same time in her life, and we saw something in her no one else saw yet. We made a spectacular discovery, and the rest of the world didn’t recognize it. Couldn’t see it when we could. It’s like we shared a secret, the two of us.” “I get that,” he says quietly, lifting a speculative gaze to mine. “And how is it resolved? When two discover something at the same time?” I shrug, shove my hands into the pocket of my pants. “It becomes a matter of who tells the secret first,” I explain. “A rush to claim.” “So are you saying if I had met Banner first, she would have chosen me?” Dark humor fills his eyes. “No, I don’t think so,” I answer. “Banner is my opposite, but she’s my match.” My equinox. “The only way Banner would have chosen you,” I tell him frankly, honestly, “is if she’d never met me.
Kennedy Ryan (Block Shot (Hoops, #2))
It’s amazing how gullible people are,” DeLoy continues. “But you have to remember what a huge comfort the religion is. It provides all the answers. It makes life simple. Nothing makes you feel better than doing what the prophet commands you to do. If you have some controversial issue that you’re dealing with—let’s say you owe a lot of money to somebody, and you don’t have the means to pay them—you go in and talk to the prophet, and he might tell you, ‘You don’t have to pay the money back. The Lord says it’s Okay.’ And if you just do what the prophet says, all the responsibility for your actions is now totally in his hands. You can refuse to pay the guy, or even kill somebody, or whatever, and feel completely good about it. And that’s a real big part of what holds this religion together: it’s not having to make those critical decisions that many of us have to make, and be responsible for your decisions.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner. The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so. Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
Charles Haddon Spurgeon
the back of their trucks, or that woman who sold fresh vegetables right out of her garden and smiled like the sun when you said good mornin’?’ Somebody’ll say, ‘Oh, they sell all those things at the supermarket now, and you don’t have to go hither and yon to buy what you need, it’s all under one roof. And why don’t they do that to everythin’? Just put a whole town’s stores under one roof so the rain won’t fall on you and you won’t get cold. Wouldn’t that be a jim-dandy idea?’ ” My father worked his knuckles for a moment. “And then you’ll have stores and roads and houses, but you won’t have towns anymore. Not the way they are now. And you’ll walk into one of those stores under one roof and you’ll ask for somethin’ and the gum-chewin’ girl’ll say no, we don’t have that. We don’t have that, and we can’t get it for you because they don’t make that anymore. That’s not what people want, you see. People only want what the big banners hangin’ from the ceilin’ tell them to want. We only have those things, and they’re made by machines a thousand a minute. But they’re perfect, she’ll say. Not an imperfection in the lot. And when you use it up or get tired of it or when the banners change, you can just throw it away because it’s made to be thrown away. Now! she’ll say, How many of these perfect things do you need today, and please hurry because there’s a line behind you.
Robert McCammon (Boy's Life)
We have come to understand the phenomena of life only as an assemblage of the lifeless. We take the mechanistic abstractions of our technical calculation to be ultimately concrete and "fundamentally real," while our most intimate experiences are labelled "mere appearance" and something having reality only within the closet of the isolated mind. Suppose however we were to invert this whole scheme, reverse the order in which it assigns abstract and concrete. What is central to our experience, then, need not be peripheral to nature. This sunset now, for example, caught within the network of bare winter branches, seems like a moment of benediction in which the whole of nature collaborates. Why should not these colours and these charging banners of light be as much a part of the universe as the atoms and molecules that make them up? If they were only "in my mind," then I and my mind would no longer be a part of nature. Why should the pulse of life toward beauty and value not be a part of things? Following this path, we do not vainly seek to assemble the living out of configurations of dead stuff, but we descend downwards from more complex to simpler grades of the organic. From humans to trees to rocks; from "higher grade" to "lower grade" organisms. In the universe of energy, any individual thing is a pattern of activity within the flux, and thereby an organism at some level.
William Barrett (The Illusion of Technique: A Search for Meaning in a Technological Civilization)
A second example of this abandonment of fundamental principles can be found in recent trends in the U.S. Supreme Court. Note what Lino A. Graglia, a professor of law at the University of Texas, has to say about this: 'Purporting merely to enforce the Constitution, the Supreme Court has for some thirty years usurped and exercised legislative powers that its predecessors could not have dreamed of, making itself the most powerful and important institution of government in regard to the nature and quality of life in our society.... 'It has literally decided issues of life and death, removing from the states the power to prevent or significantly restrain the practice of abortion, and, after effectively prohibiting capital punishment for two decades, now imposing such costly and time-consuming restrictions on its use as almost to amount to prohibition. 'In the area of morality and religion, the Court has removed from both the federal and state government nearly all power to prohibit the distribution and sale or exhibition of pornographic materials.... It has prohibited the states from providing for prayer or Bible-reading in the public schools. 'The Court has created for criminal defendants rights that do not exist under any other system of law-for example, the possibility of almost endless appeals with all costs paid by the state-and which have made the prosecution so complex and difficult as to make the attempt frequently seem not worthwhile. It has severely restricted the power of the states and cities to limit marches and other public demonstrations and otherwise maintain order in the streets and other public places.
Ezra Taft Benson (The Constitution: A Heavenly Banner)
Did you ever hear what happened to Oliver Cromwell’s head? It was originally lashed to the roof of Westminster Hall as a potent warning not to mess with the government of the day, but in 1685 a violent storm blew it off its perch and a captain of the guard had it away and hid it up his chimney, where it stayed until he admitted the crime on his death bed. So can you picture the scene? Cromwell died in 1658. 27 years later this geezer nicks his head and shoves it up his chimney. He’s about to croak it, the whole family’s gathered around his death bed, everybody’s in tears and they’re all wondering if he’ll come out with any famous last words. Perhaps, “Farewell, my children, forever. I go to your father,” or maybe, “Let us pass over the river and rest under the shade of the trees,” or even, “Don’t let it end like this, tell them I said something.” Not this fucking joker! No! What does he say? He says, “Here Jackie, the sausages tasted a bit off tonight. Did I ever tell you I nicked Oliver Cromwell’s head and shoved it up the chimney? It’s still there,” and he draws back the veil of his earthly life and succumbs to eternal peace. They all look at each other, “What did he fucking say?” “He said he nicked Oliver Cromwell’s head.” “What do you mean; he nicked Oliver Cromwell’s head?” “That’s what he said, don’t blame me!” “Fuck’s sake!” “Well, do you think we should look?” “Don’t talk bollocks! You honestly want to look up the chimney to see if Oliver Cromwell’s head’s up there?” “I’m just saying …..” Anyway, one of them had a look up the chimney, found the head and by 1710 it was appearing in a freak show under the banner, ‘The Monster’s Head.’ True story
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Prostitution clearly promotes the depersonalisation of sex, which can never be good news for women—any women. Prostitution has a ripple effect. It creates the illusory view in the minds of men that women are not human beings as men are, but simply the walking carrier of a product, and that they serve one principal function, whether or not they are paid for it, which is to be used as vessels for the sexual release of men. They are effortlessly and imperceptibly relegated from the realms of the human. They are not people on a par with their male counterparts. How could they be, when their principal function is as something to be fucked? Prostitution obscures women’s humanity from society generally, but it also causes women specifically to lose sensitivity to their own humanity by way of tolerating the prostitution of others of their gender. When women tolerate prostitution they are actually tolerating the dehumanisation of their own gender in a broader and more encompassing sense. Countries with male-majority governments are implementing the legalisation of prostitution with frightening rapidity throughout the western world. Where is the female revolt towards all this? There is no widespread female revolt because female sexuality has so long been viewed as a commodity that woman have begun to believe in the necessity of a separate class of women to provide it. If a woman tolerates this treatment of her fellow women, if she accepts it under the banner of ‘liberalism’ or anything else, then she must also accept that she herself is only removed from prostitution by lack of the circumstances necessary to place her there. Should these circumstances ever occur, her body, too, would be just as welcome for mauling, sucking and fucking by the clients of the brothels and would be just as reviled by the men who are on the look-out for a wife. The acceptance of prostitution makes all women potential prostitutes in the public view since there are only two requirements for a woman to work in a brothel: one is that circumstance has placed her so (and who knows when that can happen, to any of us?) and the other is that she has a vagina, and all women are born meeting at least one of these requirements. It bears repeating: if the commodification of women is to be accepted then all women fall under that potential remit. If a woman accepts prostitution in society, then she accepts this personal indenture, whether she knows it or not; and yes, that is a loss. As
Rachel Moran (Paid For – My Journey through Prostitution: Surviving a Life of Prostitution and Drug Addiction on Dublin's Streets)
Love one another, Fathers,’ said Father Zossima, as far as Alyosha could remember afterwards. ‘Love God’s people. Because we have come here and shut ourselves within these walls, we are no holier than those that are outside, but on the contrary, from the very fact of coming here, each of us has confessed to himself that he is worse than others, than all men on earth.... And the longer the monk lives in his seclusion, the more keenly he must recognise that. Else he would have had no reason to come here. When he realises that he is not only worse than others, but that he is responsible to all men for all and everything, for all human sins, national and individual, only then the aim of our seclusion is attained. For know, dear ones, that every one of us is undoubtedly responsible for all men — and everything on earth, not merely through the general sinfulness of creation, but each one personally for all mankind and every individual man. This knowledge is the crown of life for the monk and for every man. For monks are not a special sort of men, but only what all men ought to be. Only through that knowledge, our heart grows soft with infinite, universal, inexhaustible love. Then every one of you will have the power to win over the whole world by love and to wash away the sins of the world with your tears.... Each of you keep watch over your heart and confess your sins to yourself unceasingly. Be not afraid of your sins, even when perceiving them, if only there be penitence, but make no conditions with God. Again, I say, be not proud. Be proud neither to the little nor to the great. Hate not those who reject you, who insult you, who abuse and slander you. Hate not the atheists, the teachers of evil, the materialists — and I mean not only the good ones — for there are many good ones among them, especially in our day — hate not even the wicked ones. Remember them in your prayers thus: Save, O Lord, all those who have none to pray for them, save too all those who will not pray. And add: it is not in pride that I make this prayer, O Lord, for I am lower than all men.... Love God’s people, let not strangers draw away the flock, for if you slumber in your slothfulness and disdainful pride, or worse still, in covetousness, they will come from all sides and draw away your flock. Expound the Gospel to the people unceasingly... be not extortionate.... Do not love gold and silver, do not hoard them.... Have faith. Cling to the banner and raise it on high.
Fyodor Dostoevsky (The Brothers Karamazov)
Why, the isolation that prevails everywhere, above all in our age—it has not fully developed, it has not reached its limit yet. For every one strives to keep his individuality as apart as possible, wishes to secure the greatest possible fullness of life for himself; but meantime all his efforts result not in attaining fullness of life but self-destruction, for instead of self-realization he ends by arriving at complete solitude. All mankind in our age have split up into units, they all keep apart, each in his own groove; each one holds aloof, hides himself and hides what he has, from the rest, and he ends by being repelled by others and repelling them. He heaps up riches by himself and thinks, ‘How strong I am now and how secure,’ and in his madness he does not understand that the more he heaps up, the more he sinks into self-destructive impotence. For he is accustomed to rely upon himself alone and to cut himself off from the whole; he has trained himself not to believe in the help of others, in men and in humanity, and only trembles for fear he should lose his money and the privileges that he has won for himself. Everywhere in these days men have, in their mockery, ceased to understand that the true security is to be found in social solidarity rather than in isolated individual effort. But this terrible individualism must inevitably have an end, and all will suddenly understand how unnaturally they are separated from one another. It will be the spirit of the time, and people will marvel that they have sat so long in darkness without seeing the light. And then the sign of the Son of Man will be seen in the heavens.... But, until then, we must keep the banner flying. Sometimes even if he has to do it alone, and his conduct seems to be crazy, a man must set an example, and so draw men's souls out of their solitude, and spur them to some act of brotherly love, that the great idea may not die.
Fyodor Dostoevsky (The Brothers Karamazov)
What rending pains were close at hand! Death! and what a death! worse than any other that is to be named! Water, be it cold or warm, that which buoys up blue icefields, or which bathes tropical coasts with currents of balmy bliss, is yet a gentle conqueror, kisses as it kills, and draws you down gently through darkening fathoms to its heart. Death at the sword is the festival of trumpet and bugle and banner, with glory ringing out around you and distant hearts thrilling through yours. No gnawing disease can bring such hideous end as this; for that is a fiend bred of your own flesh, and this — is it a fiend, this living lump of appetites? What dread comes with the thought of perishing in flames! but fire, let it leap and hiss never so hotly, is something too remote, too alien, to inspire us with such loathly horror as a wild beast; if it have a life, that life is too utterly beyond our comprehension. Fire is not half ourselves; as it devours, arouses neither hatred nor disgust; is not to be known by the strength of our lower natures let loose; does not drip our blood into our faces with foaming chaps, nor mouth nor slaver above us with vitality. Let us be ended by fire, and we are ashes, for the winds to bear, the leaves to cover; let us be ended by wild beasts, and the base, cursed thing howls with us forever through the forest.
Harriet Prescott Spofford
I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame; -- we have beaconed the world's night. A city: -- and we have built it, these and I. An emperor: -- we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming.... These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such -- The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns.... Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass; -- All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ---- Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers.... But the best I've known, Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, "All these were lovely"; say, "He loved.
Rupert Brooke
Taut, intelligent, and intense suspense that is deeply human.”—Mark Greaney, New York Times Bestselling Author of Gunmetal Gray “Exciting and well-layered....David Bell is a master storyteller with a sure hand at crafting characters you feel for and stories you relish.”—Allen Eskens, USA Today Bestselling Author of The Life We Bury “A tense and twisty suspense novel about the dark secrets that lie buried within a community and a father who can save his daughter only by uncovering them. Will leave parents wondering just how well they truly know their children.”—Hester Young, author of The Gates of Evangeline and The Shimmering Road “A gripping, immersive tour-de-force full of twists and turns. BRING HER HOME kept me flipping the pages late into the night. Don’t expect to sleep until you’ve finished reading this book. I could not put it down!”—A. J. Banner, bestselling author of The Good Neighbor and The Twilight Wife “In David Bell’s riveting BRING HER HOME, the unthinkable is only the beginning. From there, the story races through stunning twists all the way to its revelation, without letting its heart fall away in the action. Intense, emotional, and deeply satisfying. This one will keep you up late into the night. Don't miss it!”—Jamie Mason, author of Three Graves Full and Monday’s Lie “Spellbinding and pulse-raising, BRING HER HOME hooked me from the first sentence and surprised me until the final pages. Sharply written and richly observed, this book is about the secrets we keep, the mysteries that keep us, and the lengths a father will go to for the daughter he loves. David Bell is a masterful storyteller who has perfected the art of suspense in BRING HER HOME.”—Sarah Domet, author of The Guineveres
David Bell (Bring Her Home)
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
Émile Zola
Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.
Rebecca Solnit (Men Explain Things to Me)
Love one another, Fathers,” said Father Zossima, as far as Alyosha could remember afterwards. “Love God’s people. Because we have come here and shut ourselves within these walls, we are no holier than those that are outside, but on the contrary, from the very fact of coming here, each of us has confessed to himself that he is worse than others, than all men on earth... And the longer the monk lives in his seclusion, the more keenly he must recognize that. Else he would have had no reason to come here. When he realizes that he is not only worse than others, but that he is responsible to all men for all and everything, for all human sins, national and individual, only then the aim of our seclusion is attained. For know, dear ones, that every one of us is undoubtedly responsible for all men and everything on earth, not merely through the general sinfulness of creation, but each one personally for all mankind and every individual man. This knowledge is the crown of life for the monk and for every man. For monks are not a special sort of men, but only what all men ought to be. Only through that knowledge, our heart grows soft with infinite, universal, inexhaustible love. Then every one of you will have the power to win over the whole world by love and to wash away the sins of the world with your tears... Each of you keep watch over your heart and confess your sins to yourself unceasingly. Be not afraid of your sins, even when perceiving them, if only there be penitence, but make no conditions with God. Again I say, Be not proud. Be proud neither to the little nor to the great. Hate not those who reject you, who insult you, who abuse and slander you. Hate not the atheists, the teachers of evil, the materialists—and I mean not only the good ones—for there are many good ones among them, especially in our day—hate not even the wicked ones. Remember them in your prayers thus: Save, O Lord, all those who have none to pray for them, save too all those who will not pray. And add: it is not in pride that I make this prayer, O Lord, for I am lower than all men... Love God’s people, let not strangers draw away the flock, for if you slumber in your slothfulness and disdainful pride, or worse still, in covetousness, they will come from all sides and draw away your flock. Expound the Gospel to the people unceasingly... be not extortionate... Do not love gold and silver, do not hoard them... Have faith. Cling to the banner and raise it on high.
Fyodor Dostoevsky (The Brothers Karamazov (Centaur Classics) [The 100 greatest novels of all time - #8])
Love one another, Fathers,” said Father Zossima, as far as Alyosha could remember afterwards. “Love God's people. Because we have come here and shut ourselves within these walls, we are no holier than those that are outside, but on the contrary, from the very fact of coming here, each of us has confessed to himself that he is worse than others, than all men on earth.... And the longer the monk lives in his seclusion, the more keenly he must recognize that. Else he would have had no reason to come here. When he realizes that he is not only worse than others, but that he is responsible to all men for all and everything, for all human sins, national and individual, only then the aim of our seclusion is attained. For know, dear ones, that every one of us is undoubtedly responsible for all men and everything on earth, not merely through the general sinfulness of creation, but each one personally for all mankind and every individual man. This knowledge is the crown of life for the monk and for every man. For monks are not a special sort of men, but only what all men ought to be. Only through that knowledge, our heart grows soft with infinite, universal, inexhaustible love. Then every one of you will have the power to win over the whole world by love and to wash away the sins of the world with your tears.... Each of you keep watch over your heart and confess your sins to yourself unceasingly. Be not afraid of your sins, even when perceiving them, if only there be penitence, but make no conditions with God. Again I say, Be not proud. Be proud neither to the little nor to the great. Hate not those who reject you, who insult you, who abuse and slander you. Hate not the atheists, the teachers of evil, the materialists—and I mean not only the good ones—for there are many good ones among them, especially in our day—hate not even the wicked ones. Remember them in your prayers thus: Save, O Lord, all those who have none to pray for them, save too all those who will not pray. And add: it is not in pride that I make this prayer, O Lord, for I am lower than all men.... Love God's people, let not strangers draw away the [pg 178] flock, for if you slumber in your slothfulness and disdainful pride, or worse still, in covetousness, they will come from all sides and draw away your flock. Expound the Gospel to the people unceasingly ... be not extortionate.... Do not love gold and silver, do not hoard them.... Have faith. Cling to the banner and raise it on high.
Fyodor Dostoevsky (The Brothers Karamazov)
[A Tibetan Legend] "There comes a time when all life on Earth is in danger. Barbarian powers have arisen. Although they waste their wealth in preparations to annihilate each other, they have much in common: weapons of unfathomable devastation and technologies that lay waste the world. It is now, when the future of all beings hangs by the frailest of threads, that the kingdom of Shambhala emerges. "You cannot go there, for it is not a place. It exists in the hearts and minds of the Shambhala warriors. But you cannot recognize a Shambhala warrior by sight, for there is no uniform or insignia, there are no banners. And there are no barricades from which to threaten the enemy, for the Shambhala warriors have no land of their own. Always they move on the terrain of the barbarians themselves. "Now comes the time when great courage is required of the Shambhala warriors, moral and physical courage. For they must go into the very heart of the barbarian power and dismantle the weapons. To remove these weapons, in every sense of the word, they must go into the corridors of power where the decisions are made. "The Shambhala warriors know they can do this because the weapons are manomaya, mind-made. This is very important to remember, Joanna. These weapons are made by the human mind. So they can be unmade by the human mind! The Shambhala warriors know that the dangers that threaten life on Earth do not come from evil deities or extraterrestrial powers. They arise from our own choices and relationships. So, now, the Shambhala warriors must go into training. "How do they train?" I asked. "They train in the use of two weapons." "The weapons are compassion and insight. Both are necessary. We need this first one," he said, lifting his right hand, "because it provides us the fuel, it moves us out to act on behalf of other beings. But by itself it can burn us out. So we need the second as well, which is insight into the dependent co-arising of all things. It lets us see that the battle is not between good people and bad people, for the line between good and evil runs through every human heart. We realize that we are interconnected, as in a web, and that each act with pure motivation affects the entire web, bringing consequences we cannot measure or even see. "But insight alone," he said, "can seem too cool to keep us going. So we need as well the heat of compassion, our openness to the world's pain. Both weapons or tools are necessary to the Shambhala warrior.
Joanna Macy
Speech at the annual rally of young officer cadets at the Berlin Sportpalast December 18, 1940 If somebody characterizes the morale of a company as bad, then the company leader is responsible for this. If somebody characterizes the morale of a regiment as bad, then the regiment’s commander is responsible for this. A leader is always responsible for his followers. He passes his own spirit on to his followers. If he shows signs of weakness, then his followers will also become weak. If he shows signs of resistance and valor, then his followers will resist and will be valiant. If he shows signs of heroism, then his followers will die heroically. If he shows signs of cowardly capitulation, then his followers will capitulate. The leader of any organization is not only the bearer of its shield. He also fashions its character, its valor. And, in turn, in this sense, he is also responsible for its defeatism. You must hence pass on the faith and insights which you possess to your followers. They must believe in you. And you must always and at all times be the banner, the living banner, behind which they march, an example in all things to the soldier. If this idea continues to suffuse the entire Wehrmacht to the extent which we are already witnessing today to our great joy and pride-then this Wehrmacht will be invincible. And then this age in which we live will not only be a great age for all of us now, but it will also be regarded as an age of enlightenment by future generations. Just as we think with shame of the years 1918, 1919, 1920, 1921, and so on, so posterity will think with pride and joy of the age we are fashioning at present. Then, we will have done our duty. A man cannot expect more from life. Everyone will die sooner or later. Thus, there is only one question: how did he live his life? Did he live decently? Did he live courageously? Did he live faithfully and did he fulfill his duties? Or did he live like a drone among his Volk? Did he live as one of those who go with the flow of lethargy or apathy? That is the question. And if there is one reason for living, then it is to be able to say in one’s old age: “For my part, I did my duty. I always was indifferent to what the others did.” When one day you look back to this age, I wish that you will be able to do one thing: to look back with a feeling of pride: “Back then, when the Greater German Reich was fighting for its destiny, I was a soldier. I was an officer back then and I did my duty for this eternal Germany!
Adolf Hitler (Collection of Speeches: 1922-1945)