Bangle Bracelets With Quotes

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She was tall and stout with a firm jaw and a glossy platinum braid sitting on each shoulder. She was wearing denim overalls, a blue T-shirt, and lots of rings and gold bangle bracelets. I imagined her with one of those horned helmets that cartoon opera singers always wear. Nona’s very own Warrior Princess.
Carleen Brice (Orange Mint and Honey)
When she reaches down to touch his shoulder—a gesture only a few species and a million or so years removed from lifting a leg and marking him as her territory with a stream of urine—enough bracelets and bangles to lay track across the Australian Outback slide down her arm and come to a jangling stop at her wrist.
Elle Lothlorien (Alice in Wonderland)
Well, this girl, this Ashford or whatever her name was, looked like a hippie. She was wearing a very pretty pink flowered skirt that was full and so long, it touched the tops of her shoes, which I soon realized were not shoes, but sort of hiking boots. Her blouse, loose and lacy, was embroidered with pink flowers, and both her wrists were loaded with silver bangle bracelets. Her hair, which was almost as long as my friend Dawn's and was dirty blonde, was pulled into a big fat braid (which I might add, was not held in place with a rubber band or anything; it sort of trailed to an end). But the amazing thing was that because of her hair was pulled back, you could see her ears and she had three pierced earrings in each ear. They were all silver and all dangly, but none matched.
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
Both men and women of the race were extremely handsome; the former tall and strong, with fine features, curly hair, and a clear bronze complexion. They wore long tunics and turbans, and carried lances, bucklers, or round shields, and large swords slung across their shoulders, the latter, also very tall and well formed, were dressed in becoming bodices with full skirts, a loose mantle enveloping the whole form in graceful drapery. They wore jewels in their ears, and necklaces, bracelets, bangles, and anklets, made of gold, ivory, or shells.   Thousands of oxen paced quietly along with these men, women, old men, and children. They had neither harness nor halter, only bells or red tassels on their heads, and double packs thrown across their backs, which contained wheat and other grains.   A whole tribe journeyed in this manner, under the directions of an elected chief, called the “naik,” whose power is despotic while it lasts. He controls the movements of the caravan, fixes the hours for the start and the halt, and arranges the dispositions of the camp.   I was struck by the magnificent appearance of a large bull, who with superb and imperial step led the van. He was covered with a bright coloured cloth, ornamented with bells and shell embroidery, and I asked Banks if he knew what was the special office of this splendid animal.   “Kâlagani will of course be able to tell us,” answered he. “Where is the fellow?”   He was called, but did not make his appearance, and search being made, it was found he had left Steam House.   “No doubt he has gone to renew acquaintance with some old comrade,” said Colonel Munro. “He will return before we resume our journey.”   This seemed very natural. There was nothing in the temporary absence of the man to occasion uneasiness, but somehow it haunted me uncomfortably.   “Well,” said Banks, “to the best of my belief this bull represents, or is an emblem of, their deity. Where he goes they follow; where he stops, there they encamp; but of course we are to suppose he is in reality under the secret control of the ‘naik.’ Anyhow, he is to these wanderers an embodiment of their religion.”   The cortege seemed interminable, and for two hours there was no sign of an approaching end.
Jules Verne (The Steam House)
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
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The British burnt down villages and took chiefs as hostages, but it wasn’t until 5 August that the Oba gave himself in.50 He walked into Benin City with hundreds of followers, some twenty elegant wives, many chiefs, and musicians. Messengers walked in front, carrying a white flag. He spent two nights at Obaseki’s house, deliberating on his future. On 7 August the Oba walked to the new court building, which stood in front of his palace from which he had fled six months earlier. He was dressed in full red coral regalia, including a headdress, collar, bangles up to his elbows and ankle bracelets. A huge crowd assembled. The Oba hesitated, and then kneeled in front of Roupell. Three times the Oba lowered his forehead to the dirt ground. He had performed the traditional act of obeisance, in full view of his own people. It was a very public surrender, and exactly the humiliation the British sought. Roupell told the Oba that he’d been deposed, and that he and his chiefs would stand trial for the killing of Phillips and the six other white men.
Barnaby Phillips (Loot: Britain and the Benin Bronzes (Revised and Updated Edition))
She had hidden the jade bracelet inside her pillow cover when showering, and now she took it out and wore it around her left wrist. She rubbed the surface of the green band and saw that it was smooth like glass. Lyssa held the bangle to her cheek and let the cool surface caress her skin. Then, she let the band rest in between her lips. She shut her eyes and tried to think of Hong Kong and the twinkling lights of the skyscrapers, like stars in the night, but her mind went back to what had happened earlier in the room downstairs.
Wan Phing Lim (Two Figures in a Car and Other Stories)