“
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
”
”
Ray Bradbury (Fahrenheit 451)
“
You have more balls than a Christmas tree.
”
”
Danielle Steel
“
Moscow was, as some said, the most beautiful mistress a man could ever want, but never cross her: like any good woman, she might just cut off your balls for the hell of it.
”
”
Marjorie M. Liu (Shadow Touch (Dirk & Steele, #2))
“
Because you've got balls of steel.'
I hated when people said that, like it assumed strength and being a male were synonymous. There was strength in being a woman. 'Spence, I don't have balls. Good thing, too, because they'd look terrible in the lingerie I'm wearing.
”
”
Cora Carmack (Faking It (Losing It, #2))
“
When everything else is gone, balls are all any of us really have left. The question is: are yours made of flesh and blood, or steel?
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Just that, is one of those uncommon moments, those times when you don't wish for something else, for even one thing to be different; when you have no other needs or worries, where your insides are calm, and everything you were ever restless about, anything that had ever given you angst, is quieted to stillness. No steel ball in your chest, no breathless fear. No blue numbness of nearly passing out, no nagging doubts of the backstage mind. All of that, forgotten. It is just rightness, so rare.
”
”
Deb Caletti (The Nature of Jade)
“
The thought of talking about it made Pueblo's gut ache, but then he thought of everything that Amy had been through – not that she'd told him her version yet. She had balls of steel, he thought with a smile. And what did he have? Three pairs of loin cloths going crisp on the radiator.
”
”
Dianna Hardy (The Sands Of Time (The Witching Pen series, #2))
“
The big rules of knife fighting are (a) do not try it at home, and (b) the whole point is never, ever use the blade. It is there to distract your opponent. While he stares at the gleaming steel, you kick his balls to kingdom come--he's all yours. Just a tip!
”
”
Keith Richards (Life)
“
What in god’s name happened to your nuts?”
“They met a jet-powered water hose.”
He grimaced.
“They’re already healing.”
A rare glint of amusement lit Lawrence’s eyes. “You have balls of steel.”
“You have inappropriate humour.
”
”
Dianna Hardy (Releasing The Wolf (Eye Of The Storm, #1))
“
The only way I’ll play beer pong is if the room was a sterile room, the table was stainless steel sprayed down with disinfectant, the ball brand new, and everybody playing wore gloves and hairnets underneath their space suits.
”
”
Jarod Kintz ($3.33 (the title is the price))
“
Brother Pharzuph," Astaroth begins. I know what he is going to say, and I steel myself. "I'm afraid this is more dire than we thought. Your son and the traitor's daughter are quite... in love.
Hm. I like the sound of that. It's the worst possible kick in the balls I can give Father, who looks as if he might vomit.
”
”
Wendy Higgins (Sweet Temptation (Sweet, #4))
“
This story is the tale of me starting to walk. Not in the physical sense… but in an adolescence to adulthood sort of way…
”
”
Hirohiko Araki (スティール・ボール・ラン 1 (JoJo's Bizarre Adventure Part 7, Steel Ball Run #1))
“
Oh, you know me.” Jean reached behind his neck, down behind the loose leather vest he wore over his simple cotton tunic. He withdrew a pair of matching hatchets, each a foot and a half in length, with leather-wrapped handles and straight black blades that narrowed like scalpels. These were balanced with balls of blackened steel, each as wide around as a silver solon. The Wicked Sisters—Jean’s weapons of choice. “I never travel alone. It’s always the three of us.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
As Ramses did the same for his mother, he saw that her eyes were fixed on him. She had been unusually silent. She had not needed his father's tactless comment to understand the full implications of Farouk's death. As he met her unblinking gaze he was reminded of one of Nefret's more vivid descriptions. 'When she's angry, her eyes look like polished steel balls.' That's done it, he thought. She's made up her mind to get David and me out of this if she has to take on every German and Turkish agent in the Middle East.
”
”
Elizabeth Peters (He Shall Thunder in the Sky (Amelia Peabody, #12))
“
Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!"
People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH..
If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something..
No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again.
Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore..
It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!
”
”
Timothy Padayachee
“
why does the word ‘pussy’ equate to weakness, when even the slightest flick to a guy’s ‘balls of steel’ sends him to his knees—but vaginas can push out an entire human being?
”
”
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
“
Good evening, Miss Steele. You are the ninth-loveliest woman at this ball."
"Thank you,' Beatrice said with a curtsy, "though I think there are fewer than nine women in attendance.
”
”
Julia Seales (A Most Agreeable Murder (Beatrice Steele, #1))
“
I am not a total pervert. Although, to be honest, consider the night we’ve been having. First handcuffs, and
now this? Way more kinky than I expected.”
“Please,” M’cal said. “Do not talk.”
“You like the strong and silent type, huh?”
“If you do not shut up, I will kill you with my voice.”
“I love it when you talk dirty.”
“Fine. Which would you prefer to lose first? Your soul or your testicles?”
“You know, you’re just a bit obsessed with chopping off balls. Do you have issues with your masculinity?
”
”
Marjorie M. Liu (Soul Song (Dirk and Steele, #6))
“
A Congreve clock?’ Captain Petersen was puzzled. ‘It’s a clock that keeps time by a steel ball running on a zig-zag track down an inclined plane,’ Keith told him. ‘Only it doesn’t keep very good time. It takes thirty seconds for the ball to run down one way — then the plane tilts and it runs back again. It’s quite fascinating to watch.
”
”
Nevil Shute (Trustee from the Toolroom)
“
Grief is personal. It isn’t something you can share, like a box of chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You
”
”
C.J. Tudor (The Hiding Place)
“
Leaving out trifles such as ricochets and grazes, I was hit at least fourteen times, these being five bullets, two shell splinters, one shrapnel ball, four hand-grenade splinters and two bullet splinters, which, with entry and exit wounds, left me an even twenty scars.
”
”
Ernst Jünger (Storm of Steel)
“
He’s got the world’s softest knuckles. They’re like rubber the way they bounce off my steel balls.
”
”
Jarod Kintz (Seriously delirious, but not at all serious)
“
With a heave and a shove, his shoulder popped back in its socket. Everyone stared. Fucker had balls of steel.
”
”
Madeline Sheehan (Undeniable (Undeniable, #1))
“
The current COO will be CEO in the interim—a woman who is apparently a badass with silver hair and balls of steel (a Capricorn, of course)
”
”
Christina Lauren (The Paradise Problem)
“
Think of a ball of steel as large as the world, and a fly alighting on it once every million years. When the ball of steel is rubbed away by the friction, eternity will not even have begun.
”
”
David Lodge (The Picturegoers)
“
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.
”
”
Vladimir Nabokov (Strong Opinions)
“
And in the same vein,” she said, “why does the word ‘pussy’ equate to weakness, when even the slightest flick to a guy’s ‘balls of steel’ sends him to his knees—but vaginas can push out an entire human being?
”
”
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
“
The toiling masses,' and all that. This country has no toiling masses, we have Dan at the diner and Verne in the mine and Jerry in the steel mill and Burdette at the filling station and so on. They don't toil, for Christ's sake, they do a day's work and then they go home and have a beer. You can't get them into a mass for anything. If there's a good ball game on TV they won't come out to see the president ride by.
”
”
Herman Wouk (Youngblood Hawke)
“
Neutrinos, they are very small.
They have no charge and have no mass
And do not interact at all.
The earth is just a silly ball
To them, through which they simply pass,
Like dustmaids down a drafty hall
Or photons through a sheet of glass.
They snub the most exquisite gas,
Ignore the most substantial wall,
Cold shoulder steel and sounding brass,
Insult the stallion in his stall,
And, scorning barriers of class,
Infiltrate you and me. Like tall
And painless guillotines they fall
Down through our heads into the grass.
At night, they enter at Nepal
And pierce the lover and his lass
From underneath the bed—you call
It wonderful; I call it crass.
”
”
John Updike
“
Noc knew that his girlfriend was better as he got to the door of Kay’s living room. This he could tell by the sound of her screaming at Turney for some infraction on the Son of Time’s part. He opened it to see her soaking wet, cornering Turney by the stereo and holding a ball of Hellfire. Noc burst out laughing at the normalcy of the whole thing.
”
”
Brian Fatah Steele (Petty Like A God)
“
It was better to talk, which would be a helluva lot easier if he would just talk back a little. Damn it, it was like pulling a teeth to get him to say anything.
Like right now. He'd gone completely silent on her again, leaving the ball in her court, where the ball had been for the last half an hour.
”
”
Tara Janzen (Crazy Hot (Steele Street, #1))
“
It’s not enough to explain what we don’t understand.” She lifts the ball and holds it tight in her fist. “It’s not enough to account for the inconsistencies we see and hear and feel.” When she opens her fist, the ball has vanished. “It’s not enough on which to pin our hopes, our dreams—our faith.” She raises the steel cup to reveal the ball beneath it. “Some magicians say that magic shatters your worldview. But I think magic holds the world together. It’s dark matter; it’s the glue of reality, the putty that fills the holes between everything we know to be true. And it takes magic to reveal how inadequate”—she puts the cup down—“reality”—she makes a fist—“is.
”
”
Chloe Benjamin (The Immortalists)
“
Science has robbed the sun and moon of magic, leaving a spotted ball of gasses and a dead crater-pocked world in place of gold god and silver queen: a poor trade. Worse, men and women no longer live by intuition, but by ideas. The chittering dictums of the head and the will block out the spontaneous voices of the blood and the impulse. . . . Deprived of the rhythm of savage song, the meaning of the animal yell, we exist for the mechanical screak of steel on steel . . . .
We must get back “in touch.
”
”
Sylvia Plath
“
A self-propelled forty-pound ball of steel impacting at Mach 1 didn’t leave much room for argument.
”
”
Dennis E. Taylor (For We Are Many (Bobiverse, #2))
“
He’s terrified something will happen to me. But you have to trust life.
”
”
Danielle Steel (The Ball at Versailles)
“
he got right up into her personal space. She needed to get used to him being there, so now was as good a time as any to get that ball rolling. “You didn’t do anything wrong.
”
”
Stacy Gail (Steele (House of Payne, #5))
“
But all I could think was that my reaction to him had been sheer madness. Never had I been reduced to a trembling ball of nerves over a man. Never had I felt so alive in the presence of one, either, or so desirable.
”
”
C.J. Archer (The Watchmaker's Daughter (Glass and Steele, #1))
“
Everyone's existence is filled with special stories. But my life is my story; an amazing journey, a bouncing steel ball in a living pinball machine flying through the molecules and empty spaces of primal experience.
”
”
Gerasimos I. Kambites (Tears on the Equator - Muzungu)
“
I kicked Beaky Nose in the nuts with the toe of my shoe, very, very hard. I have big feet and my shoes have steel toes. This is never good news for the sorry son of a bitch whose balls get in the way of my rage issues.
”
”
Jonathan Maberry (Extinction Machine (Joe Ledger, #5))
“
The engines slapped against each other like two steel balls on a Newton's cradle, neither soft nor giving ground, just the savage brutal equalising momentum of physics that only the crushing and dissolving of metal could resolve
”
”
James Morgan
“
Everybody was a hero. Hadn't we all joined together to kick the hell out of de Gruber, and that fat Italian, and put that little rice-eating Tojo in his place?
Black men from the South who had held no tools more complicated than plows had learned to use lathes and borers and welding guns, and had brought in their quotas of war-making machines. Women who had only known maid's uniforms and mammy-made dresses donned the awkward men's pants and steel helmets, and made the ship-fitting sheds hum some buddy. Even the children had collected paper, and at the advice of elders who remembered World War I, balled the tin foil from cigarettes and chewing gum into balls as big as your head. Oh, it was a time.
”
”
Maya Angelou (Gather Together in My Name)
“
But please tell me that – that you understand? That I never lied to you, that you were everything I said you meant to me?" (…) ”Piper, I-"
He flew back so fast he seemed to vanish. Then he crashed into the bar and Ash was standing in front of him, a hand fisted in the front of the incubus's shirt..(…)
”If you touch her again," Ash snarled, pressing his fist into Micah's throat,”if you so much as look at her, I will rip off your balls and feed them to you. Do you understand?
”
”
Annette Marie (Chase the Dark (Steel & Stone, #1))
“
Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.
”
”
C.J. Tudor (The Hiding Place)
“
Don’t be so dramatic, Magnolia. So you flashed your tits to the world. At least you’re still young and they look good. Just imagine if I showed my drooping bowling balls. I could have started a world war. Or at least instigated a minor economic depression.
”
”
Denise Grover Swank (Center Stage (Magnolia Steele Mystery #1))
“
Pop culture. Nobody does bullshit better than us. Right? China took over manufacturing. And the Middle East has us on fossil fuels. That's just geography and politics. We're a nation of whacko immigrants. Scavengers and con men. We crossed the ocean on faith, stole some land and stone-cold made up a whole country out of nothing but balls and bullshit. Superhero comics got invented by crazy genius Jews who showed up and revamped the refugee experience into a Man of Steel sent from Krypton with a secret identity.
”
”
Damon Suede (Bad Idea (Itch #1))
“
No, we keep no truffle pigs,” she said. “Pigs are entirely too intelligent and I do not trust them. The young ones are well enough, but they all seem to go a bit mad when they grow into their balls.” “A common enough affliction,” said Istvhan blandly. “Yes, it seems to be.
”
”
T. Kingfisher (Paladin's Strength (The Saint of Steel, #2))
“
Some settlers began with no implements but an ax. In conversation, the subject of axes--their ideal weight, their proper helves--was more popular than politics or religion. A man who made good axes, who knew the secrets of tempering the steel and getting the center of gravity right, received the celebrity of an artist and might act accordingly. The best ax maker in southern Indiana was "a dissolute, drunken genius, named Richardson." Men who really knew how to chop became famous, too. An ax blow requires the same timing of weight shift and wrist action as a golf swing, and as in golf those who where good at it taught others; sometimes all the men in one district learned their stroke from the same axman extraordinaire. A good stroke had a "sweetness" similar to the sound of a well-struck golf or tennis ball, and gave a satisfaction which moved the work along.
”
”
Ian Frazier (Family)
“
She sat back, testing the motion. His eyes went to her chest involuntarily and Saint's balls, she had magnificent breasts and they were right there and he was going to have to do vigil standing on his head, he'd stabbed a nun who was also a bear and now he was ogling her while she was bleeding, gods above, was there no end to his personal depravity?
”
”
T. Kingfisher (Paladin's Strength (The Saint of Steel, #2))
“
Pleasure and pain are immediate; knowledge, retrospective. A steel ball, suspended on a string, smacks into its brothers and nothing happens: no shock of recognition, no sudden epiphany. We go about our business, buttering the toast, choosing gray socks over brown. But here's the thing: just because we haven't understood something doesn't mean we haven't been shaped by it.
”
”
Mark Slouka (Essays from the Nick of Time: Reflections and Refutations)
“
I’ve always loved strong women, which is lucky for me because once you’re over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he’s not into strong women is fooling himself mindless: he’s into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in their makeup bags.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Once I made weapons carved from stone, I tied the weight to a wooden handle, a club to break the bones of my enemy.
Then I became wiser...
and sharpened the stone to a point and then fastened it to a stick; my arrow. I bent wood and hitched string to it; my bow. I kill my enemy with skill
Then I became wiser...
and made weapons forged from steel and took care to sharpen the blade of my sword. I kill my enemy with a stroke.
Then I became wiser...
and made the rifle that would, by exploding gunpowder, shoot balls of lead faster than the eye could see. I kill my enemy with but the pull of a trigger.
Then I became wiser...
and I built flying machine that could transport bombs to drop over the homes of my enemy. I kill my enemy from the sky.
Then I became wiser...
and created the drone, now I can guide a plane by remote control from one country and kill my enemy in another. I am a proficient killer
Then I became wiser...
and I found a way to split the atom and found the power of God hidden within. I kill the ground, scorch the sky, pollute the wind and kill my enemy with the push of a button.
Then I became wiser...
And I found that there is nothing more foolish than a "Wise Man of War
”
”
Tonny K. Brown
“
22 grams cinchona bark 4 grams dried hawthorn berries 8 grams dried sumac berries 2 grams cassia buds 3 cloves 1 small (2-inch) cinnamon stick, preferably Ceylon cinnamon 1 star anise 12 grams dried bitter orange peel 4 grams blackberry leaf 51⁄4 cups spring water 50 grams citric acid 2 teaspoons sea salt 1 stalk lemongrass, cut into 1⁄2-inch sections Finely grated zest and juice of 2 limes Finely grated zest and juice of 1 lemon 1⁄2 cup agave syrup Combine the cinchona bark, hawthorn berries, sumac berries, cassia buds, cloves, cinnamon, and star anise in a spice mill or mortar and pestle and crush into a coarse powder. Add the orange peel and blackberry leaf, divide the mixture among three large tea baskets or tea bags, and put a few pie weights in each. Bring the water to a boil in a large stainless-steel saucepan. Add the tea baskets, citric acid, and salt. Let simmer for 5 minutes. Add the lemongrass, cover partially, and let simmer 15 minutes longer. Add the lime and lemon zests and juices and let simmer, uncovered, until the liquid is reduced by a little less than half, making about 3 cups. Remove from the heat and remove the tea balls. Pour the agave syrup into a bowl. Set a fine-mesh strainer over the bowl and strain the tonic into the syrup. You will need to work in batches and to dump out the strainer after each pour. If the tonic is cloudy, strain again. Pour into a clean bottle and seal. Store in the refrigerator for up to 1 year.
”
”
Andrew Schloss (Homemade Soda: 200 Recipes for Making & Using Fruit Sodas & Fizzy Juices, Sparkling Waters, Root Beers & Cola Brews, Herbal & Healing Waters, Sparkling ... & Floats, & Other Carbonated Concoctions)
“
It's a lot of funnels and a lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break window-panes in the Window Smasher place and wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing "chicken" and "knock hub-caps". I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt one another nowadays?
”
”
Ray Bradbury (Fahrenheit 451)
“
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
”
”
Ray Bradbury
“
Steele yanked on the pistol, but the front sight got snagged on the Frenchman’s belt. Jean-Luc’s right arm hit him in the
wrist, a painful bone-on-bone collision that wrenched the Five-seven out of his grip. Steele could make out Burrows’s bodyguard
posted up ahead, faithfully guarding his boss’s booth.
Jean-Luc shouted a warning while trying to dodge the server who seemed to appear out of nowhere. The bodyguard turned to his
left, reached into his jacket, and squared up to the threat. Steele’s instincts told him that he was too far behind the eight-ball
to get the MP9 into action fast, so he improvised.
He launched a kick at Jean-Luc’s ankle that would have made an NFL punter proud. His leg muscles pistoned his foot toward
its target like a hot rod on a quarter-mile track. The impact snapped the fleeing Frenchman’s puny ankle, causing him to tumble
into the server.
Now.
”
”
Sean Parnell (Man of War (Eric Steele #1))
“
was home plate, where Bill Mazeroski completed his electrifying home run while Umpire Bill Jackowski, broad back braced and arms spread, held off the mob long enough for Bill to make it legal. Pittsburgh’s steel mills couldn’t have made more noise than the crowd in this ancient park did when Mazeroski smashed Yankee Ralph Terry’s second pitch of the ninth inning. By the time the ball sailed over the ivy-covered brick wall, the rush from the stands had begun and these sudden madmen threatened to keep Maz from touching the plate with the run that beat the lordly Yankees, 10–9, for the title. Bear in mind that the story was written not at leisure but amid the din and distraction of a crowded press box in the immediate whooping aftermath of the game. Nor could a single thought or neat phrase (like “broad back braced and arms spread”) have been prepared in advance and casually dropped into the text. Since Mazeroski’s home run rudely upended a nation’s confident expectations of a victory by “the lordly Yankees,” every sportswriter present had to discard whatever he’d had in mind to say, even one batter earlier, and start afresh. Search as you will, you won’t find a better World Series game report on file anywhere, unless it was another
”
”
Bill Bryson (The Life and Times of the Thunderbolt Kid)
“
Castle Scones ¼ cup currants 2 cups all-purpose flour 2 tablespoons sugar 1 tablespoon baking powder ½ teaspoon salt 4 tablespoons well-chilled unsalted butter, cut into 4 pieces 1 large egg ¼ cup whipping cream ¼ cup milk 2 teaspoons sugar (optional) butter, whipped cream, jams, curds, and marmalades Place the currants in a medium-sized bowl and pour boiling water over them just to cover. Allow to stand for 10 minutes. Drain the currants, pat them dry with paper towels, and set aside. Preheat the oven to 400°F. Mix the flour, sugar, baking powder, and salt in the bowl of a food processor fitted with a steel blade. With the motor running, add the butter and process until the mixture looks like cornmeal. In a separate bowl, beat the egg slightly with the cream and milk. With the motor still running, pour the egg mixture in a thin stream into the flour mixture just until the dough holds together in a ball. Fold in the currants. On a floured surface, lightly pat the dough into 2 circles, each about 7 inches in diameter. Cut each circle into 6 even pieces. Place the scones on a buttered baking sheet 2 inches apart. Sprinkle them with the optional sugar, if desired. Bake about 15 minutes, or until the scones are puffed, golden, and cooked through. Serve with butter, whipped cream, and jams. Makes 12 scones
”
”
Diane Mott Davidson (Sticks & Scones (A Goldy Bear Culinary Mystery, #10))
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
Douglas M. Laurent
“
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion.
'Bayonets!' Powell bellowed. 'I want bayonets!'
'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward.
'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves.
'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!'
'Charge!' Gamble turned the order into a long, guttural yell of defiance.
Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes.
'Lunge! Recover! Stance!
”
”
David Cook (Heart of Oak (The Soldier Chronicles, #2))
“
TIO TITO’S SUBLIME LIME BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position. ½ cup finely-chopped coconut (measure after chopping—pack it down when you measure it) 1 cup cold salted butter (2 sticks, 8 ounces, ½ pound) ½ cup powdered (confectioners) sugar (no need to sift unless it’s got big lumps) 2 cups all-purpose flour (pack it down when you measure it) 4 beaten eggs (just whip them up with a fork) 2 cups white (granulated) sugar cup lime juice (freshly squeezed is best) cup vodka (I used Tito’s Handmade Vodka) ½ teaspoon salt 1 teaspoon baking powder ½ cup all-purpose flour (pack it down when you measure it) Powdered (confectioners) sugar to sprinkle on top Coconut Crust: To get your half-cup of finely-chopped coconut, you will need to put approximately ¾ cup of shredded coconut in the bowl of a food processor. (The coconut will pack down more when it’s finely-chopped so you’ll need more of the stuff out of the package to get the half-cup you need for this recipe.) Chop the shredded coconut up finely with the steel blade. Pour it out into a bowl and measure out ½ cup, packing it down when you measure it. Return the half-cup of finely chopped coconut to the food processor. (You can also do this by spreading out the shredded coconut on a cutting board and chopping it finely by hand.) Cut each stick of butter into eight pieces and arrange them in the bowl of the food processor on top of the chopped coconut. Sprinkle the powdered sugar and the flour on top of that. Zoop it all up with an on-and-off motion of the steel blade until it resembles coarse cornmeal. Prepare a 9-inch by 13-inch rectangular cake pan by spraying it with Pam or another nonstick cooking spray. Alternatively, for even easier removal, line the cake pan with heavy-duty foil and spray that with Pam. (Then all you have to do is lift the bar cookies out when they’re cool, peel off the foil, and cut them up into pieces.) Sprinkle the crust mixture into the prepared cake pan and spread it out with your fingers. Pat it down with a large spatula or with the palms of your impeccably clean hands. Hannah’s 1st Note: If your butter is a bit too soft, you may end up with a mass that balls up and clings to the food processor bowl. That’s okay. Just scoop it up and spread it out in the bottom of your prepared pan. (You can also do this in a bowl with a fork or a pie crust blender if you prefer.) Hannah’s 2nd Note: Don’t wash your food processor quite yet. You’ll need it to make the lime layer. (The same applies to your bowl and fork if you make the crust by hand.) Bake your coconut crust at 350 degrees F. for 15 minutes. While your crust is baking, prepare the lime layer. Lime Layer: Combine the eggs with the white sugar. (You can use your food processor and the steel blade to do this, or you can do it by hand in a bowl.) Add the lime juice, vodka, salt, and baking powder. Mix thoroughly. Add the flour and mix until everything is incorporated. (This mixture will be runny—it’s supposed to be.) When your crust has baked for 15 minutes, remove the pan from the oven and set it on a cold stovetop burner or a wire rack. Don’t shut off the oven! Just leave it on at 350 degrees F. Pour the lime layer mixture on top of the crust you just baked. Use potholders to pick up the pan and return it to the oven. Bake your Sublime Lime Bar Cookies for an additional 30 minutes. Remove the pan from the oven and cool your lime bars in the pan on a cold stovetop burner or a wire rack. When the pan has cooled to room temperature, cover it with foil and refrigerate it until you’re ready to serve. Cut the bars into brownie-sized pieces, place them on a pretty platter, and sprinkle them lightly with powdered sugar. Yum! Hannah’s 3rd Note: If you would prefer not to use alcohol in these bar cookies, simply substitute whole milk for the vodka. This recipe works both ways and I can honestly tell you that I’ve never met anyone who doesn’t like my Sublime Lime Bar Cookies!
”
”
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
“
The Mouse was not much heavier than a very large cat. Eustace had him off the rail in a trice and very silly he looked (thought Eustace) with his little limbs all splayed out and his mouth open. But unfortunately Reepicheep, who had fought for his life many a time, never lost his head even for a moment. Nor his skill. It is not very easy to draw one’s sword when one is swinging round in the air by one’s tail, but he did. And the next thing Eustace knew was two agonizing jabs in his hand which made him let go of the tail; and the next thing after that was that the Mouse had picked itself up again as if it were a ball bouncing off the deck, and there it was facing him, and a horrid long, bright, sharp thing like a skewer was waving to and fro within an inch of his stomach. (This doesn’t count as below the belt for mice in Narnia because they can hardly be expected to reach higher.)
“Stop it,” spluttered Eustace, “go away. Put that thing away. It’s not safe. Stop it, I say. I’ll tell Caspian. I’ll have you muzzled and tied up.”
“Why do you not draw your own sword, poltroon!” cheeped the Mouse. “Draw and fight or I’ll beat you black and blue with the flat.”
“I haven’t got one,” said Eustace. “I’m a pacifist. I don’t believe in fighting.”
“Do I understand,” said Reepicheep, withdrawing his sword for a moment and speaking very sternly, “that you do not intend to give me satisfaction?”
“I don’t know what you mean,” said Eustace, nursing his hand. “If you don’t know how to take a joke I shan’t bother my head about you.”
“Then take that,” said Reepicheep, “and that--to teach you manners--and the respect due to a knight--and a Mouse--and a Mouse’s tail--” and at each word he gave Eustace a blow with the side of his rapier, which was thin, fine, dwarf-tempered steel and as supple and effective as a birch rod. Eustace (of course) was at a school where they didn’t have corporal punishment, so the sensation was quite new to him. That was why, in spite of having no sea-legs, it took him less than a minute to get off that forecastle and cover the whole length of the deck and burst in at the cabin door--still hotly pursued by Reepicheep. Indeed it seemed to Eustace that the rapier as well as the pursuit was hot. It might have been red-hot by the feel.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Gentleman,” I purr smoothly in greeting.
Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable.
While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress.
I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait.
“Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing.
No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy.
“I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot.
“And who are you, Ma’am?” Ezra asks respectfully.
“Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling.
“Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment.
I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely.
“What did you say to upset her?” Ezra accuses Cortez.
“Nothing,” Cort complains in confusion.
“Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
”
”
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
“
My best friend may have looked and smelled like a harmless human, but she had balls of steel.
”
”
E.J. Stevens (Ivy Granger Psychic Detective Box Set (Ivy Granger #0.5, 1-3))
“
Benford wasted an hour playacting, trying to convince these two congressional bivalves that the operation had merit. By then, time was up, and Benford had avoided briefing his most sensitive cases—for today. It was a dodge that would work only once. The next day, Forsyth briefed VADM Rowland. Benford had suggested that Forsyth turn on a little of his salt-and-pepper charm to see if the dour three-striper would react to him. Forsyth later grumpily reported that mildly flirting with the admiral was like throwing cotton balls at riveted steel plate. “Christ,” said Forsyth. “I wore my dark suit with the
”
”
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
“
Oatmeal Raisin Crisps Preheat oven to 375° F.,
rack in the middle position. 1 cup melted butter (2 sticks—½ pound) 2 cups white sugar 2 teaspoons vanilla ½ teaspoon salt 2 teaspoons baking soda 2 large eggs, beaten (just whip them up with a fork) 2 ½ cups flour (no need to sift) 1 cup raisins (either regular or golden, you choose) 2 cups GROUND dry oatmeal (measure before grinding) Melt the butter in a large microwave-safe bowl. Add the sugar and mix. Then mix in the vanilla, salt, and the baking soda. When the mixture has cooled to room temperature, stir in the eggs. Add the flour and stir it all up. Then mix in the raisins. Prepare your oatmeal. (Use Quakers if you have it—the cardboard canister is useful for all sorts of things.) Measure out 2 cups and dump it in the food processor, chopping it with the steel blade until it’s the consistency of coarse sand. Dump it in your dough and mix it all up. (This dough will be fairly stiff.) Roll walnut-sized dough balls with your hands and place them on a greased cookie sheet, 12 to a standard sheet. (If it’s too sticky to roll, place the bowl in the refrigerator for 30 minutes and try again.) Squish the dough balls down with a fork in a crisscross pattern (like peanut butter cookies). Bake at 375 degrees for 10 minutes. Cool on the cookie sheet for 2 minutes, then remove the cookies to a wire rack to cool completely. Andrea likes these and she’s never liked raisins—go figure. Chapter Ten Andrea shivered as Hannah parked at the end of Vera Olsen’s alley.
”
”
Joanne Fluke (Strawberry Shortcake Murder (Hannah Swensen, #2))
“
The turret on one of his A3s swung thirty degrees to the left and fired a 120 mm round of XM1028 Canister at a platoon-sized group of the enemy, which emerged from the smoking ruins of a wooden cottage. More than a thousand tungsten balls, expelled from the container as the shot left the gun’s muzzle, swept over the Japanese like an evil wind, reducing them to pink mist and bone fragments. He saw a Japanese Type 94 “tankette” literally shredded into metal chips as four separate 30 mm chain guns took it under fire. It flew to pieces, the disintegrating steel plate perversely reminding him of leaves blown from a tree in a high wind.
”
”
John Birmingham (Designated Targets (Axis of Time, #2))
“
You said something once, Charles, that has stayed in my head like a ball bearing bouncing around the inside of an empty steel drum. You said that it was your family too, and nobody ever asked you what you wanted. Well, this is me asking you. All of you.
”
”
David Gerrold (Jumping Off the Planet (Dingilliad, #1))
“
Staring into the naked orange flames of the firepit, naked flesh, naked Carrie Donaldson on the bare rug in exhausted, sated semi-sleep beside him, Jack Barron felt a carapace of image-history-skin encysting him like steel walls of a TV set, a creature imprisoned in the electronic circuitry of his own head perceiving through promptboard vidphone fleshless electronic speed of light ersatz senses, separated from the girl beside him by the phosphor-dot impenetrable glass TV screen Great Wall of China of his own image.
First time I remember being blown feeling like wet put-down ugliness, he brooded. Ugly, he told himself, is a thing you feel — truth is ugly when it's a weapon, lie is beautiful when an act of love ugly when it's one-sided fuck is beautiful when it's simple, mutual, nobullshit balling, ugly when chick gets her kicks off you that really isn't there, is why you feel like a rotten lump of shit, man. Getting blown Sara go down being dug by woman's a pure gas; being sucked off, image-statue living lie, someone else's lie being eaten (Let me eat you, let me eat you, baby!) is a dirty act of plastic cannibalism, her dirtiness, not mine.
Whole world's full of plastic cannibals feeding their own little bags off meals of my goddamned image-flesh, eating Jack Barron ghost that isn't there. And now Morris and my so-called friend Luke are hot to package my living-color bod into TV dinners, sell to hundred million viewer-voter cannibals for thirty pieces of power silver.
”
”
Norman Spinrad (Bug Jack Barron)
“
Dane lowered his ear to make out what Clay was saying. It sounded like “Please get better, please get better, please get better….” And Dane closed his eyes and steeled his cynical heart and prayed.
”
”
Amy Lane (Fall Through Spring (Winter Ball, #3))
“
Nothing intimidates him, and if I haven’t had a close look, I’d think he has balls of fucking steel hanging between his legs.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Page three hundred and four of The Lady's Guide," Beatrice replied. "Ladies are permitted to handle balls while playing billiards.
”
”
Julia Seales (A Most Agreeable Murder (Beatrice Steele, #1))
Danielle Steel (The Ball at Versailles)
Danielle Steel (The Ball at Versailles)
Danielle Steel (The Ball at Versailles)
“
You need me to what, sweetheart?” Her fingers touch my balls. Cups them with her free hand while stroking me, and I don’t know why the light suddenly in her eyes has me all twisted up. “I need you to go fuck yourself, Steele.
”
”
S. Massery (Devious Obsession)
“
As we can learn from every man or woman or child around us when, touched and moved, they tell of something they loved or hated this day, yesterday, or some other day long past. At a given moment, the fuse, after sputtering wetly, flares, and the fireworks begin.
Oh, it's limping crude hard work for many, with language in their way. But I have heard farmers tell about their very first wheat crop on their first farm after moving from another state, and if it wasn't Robert Frost talking, it was his cousin, five times removed. I have heard locomotive engineers talk about America in the tones of Thomas Wolfe who rode our country with his style as they ride it in their steel. I have heard mothers tell of the long nights with their firstborn when they were afraid that they and the baby might die. And I have heard my grandmother speak of her first ball when she was seventeen. And they were all, when their souls grew warm, poets.
”
”
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
“
I held it before me and put the others away, studying the blue eyes and the young, hard, slightly sharp features beneath a mass of pure white hair. He was dressed all in black, save for a bit of white collar and sleeve showing beneath the glossy tight-fitting jacket. He held three dark steel balls in his gloved hand.
”
”
Roger Zelazny (Sign of Chaos (The Chronicles of Amber, #8))
“
In a heartbeat, he scarcely could take a breath.
Wearing not a stitch of clothing, Eva stood in thigh-deep water with her back to him.
Before he blinked, his gaze slid from coppery tresses brushing feminine shoulders to a tiny waist which fanned into glorious heart-shaped buttocks. Heaven's stars, her flawless skin had to be as pure white as fresh cream.
God on the cross, save me.
Christ, he was only a flesh and blood man. Who on earth could resist such a temptation? He clenched his teeth and growled. Frigid water or nay, he lengthened like a stallion catching scent of a filly in heat. God's teeth, even his ballocks turned to balls of tight molten steel.
”
”
Amy Jarecki (Rise of a Legend (Guardian of Scotland #1))
“
Oblation
"Your prayers are your light;
Your devotion is your strength;
Sleep is the enemy of both.
Your life is the only opportunity that life can give you.
If you ignore it, if you waste it,
You will only turn to dust."
- Rabi'a
The terror that brings me to these words,
The horror and sickness I feel that words
Are not enough, the sin I make in speaking,
How can I rail against the pain without
Pain itself balling in the gut and forcing itself
through my throat? I’d fly in the wind
And merge with its velocity, drive my car
At the edge of the cliff and go over its rim,
If I thought I’d come closer to the pain
That they felt. The suffering of the child
In the suburban home, the tear in the eye
Of women and infants gathering food from ruins,
Can I sharpen the edge of my knife
On the rocks that smoke on the horizon,
Rasp its teeth on the steel girders
And console the sting of death?
Let me bring these sparks of confusion to the altar,
Set them on the pyre and merge into the light.
Then, then, will I find what I am looking for?
Find reality beyond time, the oneness that animates
All life, pulls together these fragments and ties
The knots in my muscles? I have nothing to offer
On the altar but this flesh, this desire of desire,
The lie and the fear that the flesh bears.
Then, then, will I find what I am looking for?
Find reality beyond time, the oneness that animates
All life, pulls together these fragments and ties
The knots in my muscles? I have nothing to offer
On the altar but this flesh, this desire of desire,
The lie and the fear that the flesh bears.
”
”
Charles David Miller
“
If you have a steel ball, solid steel, the size of this earth, 25,000 miles in circumference, and every one million years a little sparrow would be released to land on that ball to sharpen his beak and fly away only to come back another million years later and begin again, by the time he would have worn that ball down to the size of a BB, eternity would have just begun.
”
”
David Jeremiah (Agents of the Apocalypse: A Riveting Look at the Key Players of the End Times)
“
You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam. • You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer. • You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova. • You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent. • You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it. • You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker. • You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle. • You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble. • You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped. • You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week. Of course his mother’s catching wind of any of
”
”
Michael Christie (If I Fall, If I Die)
“
French martinis or lemon drops or cosmos and impromptu viewings of Auntie Mame (the Rosalind Russell version, not the Lucille Ball version) or Steel Magnolias.
”
”
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
Danielle Steel (Amazing Grace)
“
Ruxs lifted Green’s limp cock and sucked into his mouth, making an obscene slurping noise. He gripped Green’s ass and yanked him hard against his face, taking all of the flaccid meat, down to Green’s pubic hair. He swallowed and licked, keeping his nose buried in that scratchy bush. Green was growing by the millisecond and he knew he’d have to pull back soon, only being able to take half of Green’s erect cock. It was exhilarating for him to have his lips pressed against Green’s pelvis and his own cock was hard as steel. He just barely stroked himself; he didn’t want to come yet. Green was more than half-hard and Ruxs could feel his throat resisting the intrusion. He eased back but Green grabbed the back of his head with both hands and held him there. Kept his nose buried in his pubes. Forcing him to take it. Ruxs squeezed Green’s ass, slapped him hard on it. Hard enough to leave a mark. Green grunted his name, kept forcing him to take more. Ruxs felt the head of Green’s cock against the back of his tongue; he tasted the saltiness from the precome. He balked hard, his choke muffled. Green held him tight. The bastard rocked his hips forward, making him take even more. Damn, it was hot as fuck. He got a solid grip on Green’s hip and tried unsuccessfully to push him back. He gagged hard. And oh how his lover was loving it. Ruxs’ eyes watered as he tried to fight his gag reflex. Tried to relax his throat. Wasn’t working. But the domination Green was exhibiting was sure as hell working on his cock. His dick pulsed untouched, twitched on its own. Fuck, he needed to come. He was gonna come. “Take it.” Green’s voice was barely recognizable. The command was made on a throaty growl. Almost evil. The thick steam billowing from the shower engulfed his lover and made him appear as if he had emerged from fire. Green thrust again, his solid grip on the back of Ruxs’ head still uncompromising. His strength unyielding. Ruxs rose up higher, gagged and spit, trying to open his mouth wider. He scrambled at Green’s tight ass, took his middle finger, and pressed it deep into him. No spit, no lube. You fuckin’ take it. Green shouted, releasing Ruxs’ head. Ruxs yanked back, gasping in a much need breath, still coughing and choking from the lack of oxygen. “Motherfucker,” he gasped. Ruxs pushed his finger in further, pressed against that spongy bundle of nerves that had Green cursing him back and clasping his big hand around his throat. Green’s knees buckled but he didn’t go down. The look on his face was absolute feral ecstasy. Ruxs watched him through hooded eyes as Green’s orgasm hurtled to the surface, full throttle. Green pulled on his shaft one, two, three times, and then he was coming all over Ruxs’ neck, his cheek, his lips. Green’s body jerked and jolted with each jet of come that hit Ruxs’ face. Ruxs just barely got out his own guttural shout before his balls tightened exquisitely and come burst from him, hitting Green’s shins, coating his foot. With his head bowed, and bathed in his partner’s come, he bit into the fleshy part of Green’s thigh and let his orgasm course through him. Lived in it. Loved it. “Fuuuuck,” he moaned. No one could make him come this hard but the man he loved. They
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A.E. Via (Here Comes Trouble (Nothing Special #3))
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What the Hell is a meteor hammer?” “Big heavy steel ball on the end of a long chain.” “Huh. Have you ever used it on a person?” Ember got very interested in her beverage. “Oh, no, Officer Miranda. No matter what my cheating skag of an ex-boyfriend says about the hail damage to his truck, I’ve never used it on anyone or anything that wasn’t a legitimate practice target at my sifu’s school.” Ember
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Bryan Fields (Life With a Fire-Breathing Girlfriend)
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He let Tech’s cock slide from his mouth, then eagerly began nuzzling and lapping at the crinkled skin covering his balls. The clean smell of soap mixed with Tech’s own musk had Steele ready to plunge deep inside and claim this man. “Don’t
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A.E. Via (Nothing Special V (Nothing Special, #5))
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DYIN’ POET Writing a novel I’ll never sell A dyin’ poet On the outskirts of Hell Words come easy What do they mean Very damned little Or so it would seem Addicted to verse Riddled with rhyme A dyin’ poet With the luxury of time Influenced by many Country and rural Neglectfully noticed By fraudulent fools Big city swagger Degrees on the wall Pseudo-intellectuals Come one…come all Sheep fucking sheep Beware of the wolves A dyin’ poet Among the Bulls Raw and wicked Unmercifully real A dyin’ poet With balls of steel Weathered from whiskey Purposefully planned A breathing enigma With the softest hands
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K.W. Peery (Purgatory)
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Shut the fuck up and mind your own business, Bren.” Before Furi could put up any kind of guard, Brenden had his hands around his throat and shoved him until his back slammed into the stainless steel refrigerator.
“You think you can talk to me that way, you little shit?” Brenden snarled, spittle flying from his mouth. His hands twisting and burning the skin around Furi’s neck.
“Get off me,” Furi gasped, trying unsuccessfully to pry the thick fingers off. His husband and brother-in-law had both been linebackers in college. Neither minded using their brawn and strength on him, and often.
Brenden brought his knee up fast, kneeing him so hard in the groin Furi thought death would be better than the pain. Brenden stepped back and let Furi drop to the hard granite floor, slapping him hard in the back of the head before strolling off as if he owned the world. Furi couldn’t hear what the hell his husband was saying because his ears were ringing and his eyes were so filled with tears he thought best to just keep them shut.
“Patrick,” Furi groaned, clutching at his balls, knowing nothing would stop the throbbing.
“Don’t talk like a big boy if you don’t have the balls to back it up, darlin,” his husband said nonchalantly.
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A.E. Via
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BLUEBERRY CRUNCH COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup melted butter (2 sticks, 1/2 pound) 2 cups white (granulated) sugar 2 teaspoons vanilla 1/2 teaspoon salt 1½ teaspoons baking soda 2 large eggs, beaten (just whip them up with a fork) 2½ cups flour (no need to sift—pack it down when you measure it) 1 cup dried sweetened blueberries (other dried fruit will also work if you cut it in blueberry-sized pieces) 2 cups GROUND dry oatmeal (measure before grinding) Hannah’s 1st Note: Mixing this dough is much easier with an electric mixer, but you can also do it by hand. Melt the butter in a large microwave-safe bowl for 1 minute on HIGH. Add the white sugar and mix it in thoroughly. Add the vanilla, salt, and the baking soda. Mix it in well. When the mixture has cooled to room temperature, stir in the beaten eggs. When they are fully incorporated, add 197 the flour in half-cup increments, stirring after each addition. Mix in the dried blueberries. Prepare your oatmeal. (Use Quaker if you have it—the cardboard canister is useful for all sorts of things.) Measure out two cups and place them in the bowl of a food processor or a blender, chopping with the steel blade until the oatmeal is the consistency of coarse sand. (Just in case you’re wondering, the ground oatmeal is the ingredient that makes the cookies crunchy.) Add the ground oatmeal to your bowl, and mix it in thoroughly. The resulting cookie dough will be quite stiff. Roll walnut-sized dough balls with your hands, and place them on a greased cookie sheet, 12 balls to a standard-size sheet. (If the dough is too sticky to roll, place the bowl in the refrigerator for thirty minutes and try again.) Squish the dough balls down a bit with your impeccably clean palm (or a metal spatula if you’d rather). Bake at 350 degrees F. for 10 to 12 minutes or until golden brown on top. (Mine took 11 minutes.) Cool on the cookie sheet for 2 minutes, and then remove the cookies to a wire rack to cool completely. Yield: 6 to 7 dozen unusual and tasty cookies, depending on cookie size. Hannah’s 2nd Note: These cookies freeze well if you stack them on foil (like rolling coins) and roll them, tucking in the ends. Just place the rolls of cookies in a freezer bag,
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Joanne Fluke (Cream Puff Murder (Hannah Swensen, #11))
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Lucifer sang through the skies like a silver arrow; the bleak white steel of it, gleaming in the bleak blue emptiness of the evening.
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G.K. Chesterton (The Ball and the Cross)
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Okay, Mr. Balls of Steel, I’m not dissing my curves.
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Mina Carter (Her Bodyguard)
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The decorating scheme of Big World is simple in theme but complicated in execution. The theme is: things that shine and things that make noise. There are mirrors and glass railings and columns of polished steel; there are beeping lights and blaring loudspeakers; there are more reflective surfaces here than on a disco ball.
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Peter Hessler (Country Driving: A Journey Through China from Farm to Factory)
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NO way was she crying in front of Ike. He already treated her like an overprotective big brother as it was. And that was really freaking annoying because it meant her fantasy of climbing him like a tree and having her wily way with him weren't ever coming true. Unrequited lust sucked big hairy donkey balls.
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Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
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The Haunt The haunt walks counting the bodies held in cubicle chambers; each night the rattle of his keys reminds one of the living dead who are keyless. The Turnkey continues his nightly watch to ensure none of the living dead commits suicide. To be truly dead is forbidden, unless the State sanctions the kill. This ritual first began as a means of penitence, and Auburn was the first N.Y.S. penitentiary and silence was the means to repentance, silence and reading the bible. Back then, the penitent memorized the portions of the bible: when Cain killed Abel, Joshua’s war on Jericho, and all about Ruth, Mary, and Esther — with little thought of God. Over 100 years, the haunt walks with the sanctimonious sentiments of a sentinel, with self-righteous indignation which the living dead attempt to repel with false braggadocio — but when the lights go out, the sudden screams, and all- night talk to prohibit nightmares — awaiting the dawn — permit the haunt to smile with arrogant knowing. The torture of the night is the haunt’s pleasure, making the rounds smelling the decay of dreams deferred, the putrid stench of justice, like the full bowels of slave ships. Gun towers stand reminiscent of the hanging trees with its strange fruit that the haunt picks at leisure appraising its ripeness in terms of life sentences. As steel bangs against steel, chains clang with the echoes of gangs dressed in strips of day and night, black and white; the fright prohibits flight as jail cells constrict and severely depict the absence of liberty. The haunt of Auburn, year by year decade by decade, in a century has never escaped the nightly count of tormented souls, himself chained to the ball of the imprisoned — a spirit’s horror of lost freedom.
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Jalil Muntaqim (Escaping the Prism... Fade to Black: Poetry and Essays by Jalil Muntaqim)
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An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)
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Ivan Vladislavić, Teju Cole
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Elves are as strong as steel, quick as fireflies, and as bouncy as a rubber ball. Herk and Jerzy were making easy money. On slow days at the Pole, I’ve seen them go box with the polar bears. The bears are stubborn enough to keep on trying, but they never win.
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Christopher Bunn (The Mike Murphy Files and Other Stories)
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1. “Following the leader” 2. “Fork it over” 3. “Look out!” 4. “Nerves of steel” 5. “Odd ball” 6. “Top dawg” 7. “Scene from a Disney movie” 8. “Greetings!” 9. “What’s wrong with this picture?” 10. “Here’s Your Sign” 11. “Sharing” 12. “No pain, no gain” 13. “Wing it” 14. “More than meets the eye” 15. “Jammin’” 16. “It’s in the bag” 17. “It ain’t over ‘till . . .” 18. “Happy Camper” 19. “Shiny” 20. “Easy as pi” 21. “Heroes of a different sort” 22. “Cut your losses” 23. “Crime doesn’t pay” 24. “Tough nut to crack” 25. “Beauty is in the eye” 26. “Red-handed” 27. “Whatever floats your boat” 28. “Stand off” 29. “Blue” 30. “Tragedy!
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Kendel Christensen (Come Closer, 101+ Charming Date Ideas: The Creative, Outside-the-box Way to Connect and Romance.)
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This is for my brother, Earl Breedlove, motherfuckers!” An enormous explosion split the colossal dome into four pieces and brought the massive ceiling down on Pacifico’s entire organization, incinerating everyone in attendance in a ball of flame and obliteration. After the dust and debris settled, the stars shone down on the rubble and the burned bodies strewn about the multimillion-dollar heap of collapsed concrete and twisted steel.
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Billy Wells (Don't Look Behind You)
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The pastry kitchen is colder than I had imagined but smells delicious, as sweet and crisp as the bite of an apple. The walls are covered in white tiles, and almost everything is made of stainless steel. There are quite a few Chinese chefs in the kitchen, busy at work. They don't look rushed at all, carefully executing their tasks. One chef is releasing praline balls from their molds and then dipping them in a bowl of melted chocolate. It looks like a silken soup, and my mouth waters. He drops each ball in with a large fork and slowly stirs it around. When it comes up again, it has the satin sheen of the warm chocolate. He rolls it, the fork providing a cradle against a marble bench top until it is cool. The fork leaves no crease or mark on the finished product, a perfect sphere. There is such slow art to it; I feel hypnotized.
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Hannah Tunnicliffe (The Color of Tea)