Balloon Baby Quotes

We've searched our database for all the quotes and captions related to Balloon Baby. Here they are! All 39 of them:

Mr Willy Wonka can make marshmallows that taste of violets, and rich caramels that change colour every ten seconds as you suck them, and little feathery sweets that melt away deliciously the moment you put them between your lips. He can make chewing-gum that never loses its taste, and sugar balloons that you can blow up to enormous sizes before you pop them with a pin and gobble them up. And, by a most secret method, he can make lovely blue birds' eggs with black spots on them, and when you put one of these in your mouth, it gradually gets smaller and smaller until suddenly there is nothing left except a tiny little DARKRED sugary baby bird sitting on the tip of your tongue.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
Upon the occasion of history's first manned flight - in the 1780's aboard the Montgolfier brothers' hot-air balloons - someone asked Franklin what use he saw in such frivolity. "What use," he replied, "is a newborn baby?
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Last year, Terry threw a little “baby shower” for the entire staff, all eight of them, when the seahorses spawned. Mackenzie had stayed after her admissions shift to blow up balloons and paint a banner that read GIDDY-UP, LITTLE COWBOYS! Dr. Santiago, the veterinarian, had dropped by with a cake that read, in cursive icing: HIP-HIP-HOORAY FOR HIPPOCAMPUS BABIES!
Shelby Van Pelt (Remarkably Bright Creatures)
In the 1770s, when he was in Paris, Benjamin Franklin witnessed the flight of one of the first hot-air balloons. As the balloon soared into the air, someone asked Franklin: “What good is it?” Franklin responded: “What good is a new-born baby?
Benjamin Franklin
I dreamed you a field of running horses, Selah. For you, Bianca, a balloon the size of the sky, my body a kite you can throw into the air. Pull me by string and horse. Tell me everything won't end in death. That everything doesn't end with February. Dead wildflowers wrapped around a crying baby's throat. I've slowed my heartbeat to three beats a minute. I've redrawn the clouds into birds, a fox chasing them into the mountains. I'm going to move my hand today. I vomit ice cubes. There's a ghost next to me. Get up, Dad. (Light Boxes)
Shane Jones
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
Hey kid. Remember when John asked you to be in charge of watering the plants outside our door?' Eden frowns for a second, digging through his memories, and then a grin lights us his face. 'I did a pretty good job, didn't I?' 'You built that little makeshift catapult in front of our door.' I close my eyes and indulge in the memory, a temporary distraction from all the pain. 'Yeah, I remember that thing. You kept lobbing water balloons at those poor flowers. Did they have any petals when you were done? Oh man, John was so pissed.' He was even madder because Eden was only four at the time, well, how do you punish your wide-eyed baby brother.
Marie Lu (Champion (Legend, #3))
Baby?” Dex asked gently. “Are you okay?” I shook my head, staring out the window as the trees went past. “No.” “Do you want to quit and go home?” I turned my head to look at him. He looked so damn sympathetic. “You know I’d understand. I just want to make you happy.” Ugh. My heart started to swell like a warm balloon. I gave him a small smile. “I don’t know what I want, Dex.” He swallowed. “Do you still want me?” Everything inside me melted. I twisted in my seat to face him and reached up to touch his cheek. “Of course I still want you. Dex, I love you. You know I do. I’m just…really freaked out. Everything that’s going on in that place is…” “Too much?” “Yes. Too much.
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
Ribbons, balloons, paper flowers, candies, diapers, and dolls. An aarti tray was set up by the shrine. A long table was covered in confetti and an assortment of food: little square cakes that resembled building blocks spelling out “Welcome Baby Shah,” cups with veggie dip and long slivers of vegetables, lettuce wraps, and a watermelon carved into a baby stroller filled with fruit balls. Alongside that were silver platters of warm vegetable samosas and bowls of a dark green chutney with spicy jalapeño, and sweet date and tangy tamarind chutney. Potato and onion pakora came next, fried golden brown with hints of green herbs and creamy raita. I knew I had to get some dabeli before those went fast and plucked a small bun of what was essentially a spiced potato burger topped with peanuts and pomegranate seeds. There was, of course,
Sajni Patel (The Trouble with Hating You)
He was a middle-aged child that had never shed its baby fat, though some gifted tailor had almost succeeded in camouflaging his plump and spankable bottom. There wasn’t a suspicion of bone in his body; his face, a zero filled in with pretty miniature features, had an unused, a virginal quality: it was as if he’d been born, then expanded, his skin remaining unlined as a blown-up balloon, and his mouth, though ready for squalls and tantrums, a spoiled sweet puckering.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
The idea came from one time when I was waiting for one of the girls at the airport and I saw this huge, happy, noisy crowd carrying balloons and placards and video cameras and regular cameras and flowers and wrapped gifts, and then the plane landed and a woman walked in with a tiny little button of a baby, Korean I think or Chinese, and the crowd started cheering and this couple stepped forward and the wife held out her arms and the woman gave her the baby and … I’ve always felt sort of cheated that we haven’t had any adoptions in our family. Adoption is more sudden than pregnancy, don’t you think? It’s more dramatic. So I said, ‘Why don’t we welcome our babies like that?
Anne Tyler (Back When We Were Grownups)
Still, Kagan’s decades-long series of discoveries mark a dramatic breakthrough in our understanding of these personality styles—including the value judgments we make. Extroverts are sometimes credited with being “pro-social”—meaning caring about others—and introverts disparaged as people who don’t like people. But the reactions of the infants in Kagan’s tests had nothing to do with people. These babies were shouting (or not shouting) over Q-tips. They were pumping their limbs (or staying calm) in response to popping balloons. The high-reactive babies were not misanthropes in the making; they were simply sensitive to their environments. Indeed, the sensitivity of these children’s nervous systems seems to be linked not only to noticing scary things, but to noticing in general.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape. And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.
Ekaterina Sedia (The House of Discarded Dreams)
You know, there are things that can be done easily and simply and there are things that are very difficult. When it comes to the important stuff, I always seem to take the most difficult path, for some reason. You can buy the most amazing ring and get down on one knee or write a message in the sky or go up in a hot air balloon, but all of those options are for people who do everything on time, and that’s not me. I made my choice a long time ago... But how can I tell this girl that I want to live a full and happy life and that that’s only possible with her when she’s not available? Somebody beat me to it, but it’s so much more than that. How can I tell her that I’ll never hurt her, never cause her pain? That I’ll dedicate my life to protecting her from all the bad, from every possible harm and danger? That I want to have lots of babies, but only if she is their mother? That I can’t imagine my life without her? How can I tell her all this if she has already given herself to someone else?
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space. I was not left drifting. A new string held me where I was. Not one string, but a million. Not strings, but steel cables. A million steel cables all tying me to one thing—to the very center of the universe. I could see that now—how the universe swirled around this one point. I’d never seen the symmetry of the universe before, but now it was plain.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
TRACKING GAMES Hold an object in front of the baby. When you’re sure she’s seen it, let it drop out of your hand. At five or six months, most babies won’t follow the object down. But starting at about seven months, they’ll begin to anticipate where things are going to land. When your baby has more or less mastered this skill, add an additional complication: drop a few objects and let her track them down. Then hold a helium balloon in front of her and let it go. She’ll look down and be rather stunned that the balloon never lands. She’ll also give you a priceless look of betrayal—as though you cheated by defying the laws of physics. Let her hold the string of the balloon and experiment. Another great game involves your baby’s newly developed abilities to track moving objects even when they’re out of sight part of the time. Put your baby in a high chair and sit down at a table facing her. Slowly move a toy horizontally in front of her a few times. Then put a cereal box between you and the baby and move the ball along the same trajectory but have it go behind the box for a second or two. Most six-month-olds will look ahead to the other side of the box, anticipating where the ball will emerge. If your baby’s still having fun, try it again, but this time, instead of keeping the ball on the same path, make a 90-degree turn and bring the ball out from the top of the box. You can do the same kind of thing during games of peek-a-boo. Step behind a door so the baby can’t see you. Then open the door a little and poke your head out. Do that in the same place a few times and then higher or lower than where she was expecting to see you. Most babies find this endlessly amusing. Again, if your baby doesn’t respond to some, or any, of these activities, don’t worry. Babies develop at very different rates, and what’s “normal” for your baby may be advanced—or delayed—for your neighbor’s. And keep in mind that you don’t need to spend a lot of money on fancy toys. When my oldest daughter was about this age, one of her favorite toys was a plastic dish-scrubbing pad. And I remember taking her to FAO Schwartz in New York—zillions of fantastic toys everywhere—and thinking that she was going to want to play with everything. But all she wanted to do was play with the price tags. (She’s a teenager now, and I look back at that experience as a warning—she still spends an awful lot of time looking at price tags …) Give the Kid a Break Don’t feel that you have to entertain your baby all the time. Sure it’s fun, but letting her have some time to play by herself is almost as important to her development as playing with her yourself. And don’t worry; letting her play alone—as long as you’re close enough to hear what she’s doing and to respond quickly if she needs you—doesn’t mean you’re being neglectful. Quite the opposite, in fact. By giving her the opportunity to make up her own games or to practice on her own the things she does with you, you’re helping her learn that she’s capable of satisfying at least some of her needs by herself. You’re also helping her build her sense of self-confidence by allowing her to decide for herself what she’ll play with and for how long.
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
The Pressure Cooker by Stewart Stafford We arrive at the sweltering park, And disturb a larcenous squirrel, Trash can raider with easy spoils, He scampers away down the back. Solo lady in the gazebo watches, An outdoor Mrs. Bates silhouette, As a tuft of angel hair rolls along, I give the thirsty baby hydration. Transfixed by a burst helium balloon, Rocking itself to the unheard beats, Arid breeze, now ceiling conductor, Our squirrel pal returns to spy on us. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
The cleaning lady is green despite her blue eyes we love her beauty to death. we sniff unwashed since the beginning of the world lusting to know. and from too much knowledge we forgot that the intersection between giving and receiving the spring mist an empty sack gurgling not even French perfume makes it go away. we’re more organic exophthalmic eyes. muddy balloons. if we don’t want she chooses from what we have. what’s better more syrupy we keep searching our memories perhaps there’s a leftover slice of bread a good deed by mistake, a sprig of onion wide as a rope. we search through everything we have at least a sprinkle of kind words. an offering she wants us to stop for a moment to change our meaning. to make us at least leaves the kitchens of growing upward. what she puts us through what she doesn’t put us through. all that’s left is a baby the size of a baguette. who hopes and hopes. we’ve started thinning out and one who passed through the no. 9 mental hospital he says he’s a national security agent we that he’s a security guard. he isn’t sick he’s always right. a metal cup or maybe a jar that expands threateningly we don’t even curse him behind his back. not because of fear we think more positively when he’s around. it took us too long to understand that No, the nervous tic, with a question mark at the end of a sentence, is actually Yes. emotions jumped out of him like strings. he told us he wouldn’t have left that manelist diva. should’ve seen how he compared her to the woman he never had. he about smashed his phone. it wasn’t our fault he was the only man without a woman. (in english by Diana Manole)
Emil Iulian Sude (Paznic de noapte)
His countless childhood fears of grass and sand and buttons and balloons that would send him flying in our direction for a comforting cuddle, his hand reaching to squeeze ours. His love of jigsaws and building and watching me wield a wrench or saw, forcing me to speak to him in a solemn voice and pretend I knew what I was doing with them. His adoration of his older sister and his gentle approach with any baby or toddler who crosses his path. His rubber face when he impersonates us or his friends and teachers, his shaking laughter when he knows he’s made us giggle. I will miss our muddy walks
Cesca Major (Maybe Next Time)
None of the store's balloons seemed right. They offered birthday wishes, congrats on a new baby, but nothing to celebrate the reunion of a mother and child after a government-engineered separation. Then Laurie spotted some early-bird Valentine's balloons. They were red, heart-shaped, and printed with the simple words Te quiero. I love you.
Margaret Regan (Detained and Deported: Stories of Immigrant Families Under Fire)
Melinda, what are you doing?” he asked, unzipping his jeans to take them off and take a shower of his own. “Nothing,” she said, averting her eyes. He frowned and stepped toward her. He lifted her chin and looked into her eyes. “Were you covering up? In front of me?” he asked, astonished. “Jack, I’m going to pot,” she said, cinching the towel tighter. “What?” he asked, laughter in his voice. “What are you talking about?” She took a deep breath. “My boobs are drooping, my butt fell into my thighs, I have a potbelly, and if that’s not bad enough, I’m so covered with stretch marks, I look like a deflated balloon.” She put a hand against his rock-hard chest. “You’re eight years older than I am and you’re in perfect shape.” He started to laugh. “I thought you were trying to cover a tattoo or something. Mel, I didn’t have two children, a year apart. Emma’s only a few months old. Give yourself a little time, huh?” “I can’t help it. I miss my old body.” “Oh-oh,” he said, putting his arms around her. “If you’re thinking like that, I’m not doing my job.” “But it’s true,” she said, laying her head against the soft mat of hair on his chest. “Mel, you are more beautiful every day. I love your body.” “It’s not what it was…” “Hmm. But it’s better,” he said. He tugged at the towel and she hung on. “Come on,” he said. She let go and he pulled it away. “Ah,” he said, smiling down at her. “This body is amazing to me—incredible. More lush and irresistible every day.” “You can’t mean that,” she said. “But I do.” He leaned down and touched her lips with his, one hand on her breast, the other moving smoothly down her back and over her bottom. “This body has given me so much—I worship this body.” He lifted her breast slightly. “Look,” he said. “I can’t bear it,” she complained. “Look, Mel. Look in the mirror. Sometimes when I see you like this, uncovered, I can’t breathe. Every small change just makes you better, more delicious to me. You can’t think I’d have anything but complete admiration for the body that gave me my children. You give me so much pleasure, sometimes I think I might be losing my mind. Baby, you’re perfect.” “I’m twenty pounds heavier than when you met me,” she said. He laughed at her. “What are you now? A size four?” “You don’t know anything. It’s much more than a four. We’re headed for double digits…” “God above,” he said. “Twenty more pounds for me to gobble up.” “What if I just keep getting fatter and fatter?” “Will you still be in there? Because it’s you I love. I love your body, Mel, because it’s you. You understand that, right?” “But…” “If I had an accident that blew my legs off, would you stop loving me, wanting me?” “Of course not! That’s not the same thing!” “We’re not our bodies. We’ve been lucky with our bodies, but we’re more than that.” “It was my butt in a pair of jeans that got your attention….” “My love for you is a lot deeper than that, and you know it. However—” he grinned “—you still knock me out in those jeans. If you’ve gained twenty pounds, it went to all the right places.” “I’m thinking—tummy tuck,” she said. “What nonsense,” he said, leaning down to cover her mouth in a bold and serious kiss.
Robyn Carr (Temptation Ridge)
What the fuck is that?” At the sound of V’s voice, John turned with the rest of them . . . and when he saw what was up at the head of the grand staircase, he blinked once. Twice. Twelve times. Lassiter was standing at the top of the carpeted steps, his blond-and-black hair styled in a pompadour, a heavy Bible under his armpit, piercings catching the light . . . But none of that was the real shocker. The fallen angel was dressed in a sparkling white Elvis costume. Complete with bell-bottoms, balloon sleeves, and lapels big enough to tent up the backyard. Oh, and rainbow wings that revealed themselves as he held his arms out, preacher style. “Time to get the party started,” he said as he jogged down, sequins winking and flashing. “And where the hell’s my pulpit?” V coughed out the smoke he’d just inhaled. “She’s having you do the service?” The angel popped his already mile-high collar. “She said she wanted the holiest thing in the house to do it.” “She got holey, all right,” somebody muttered. “Is that Butch’s Bible?” V asked. The angel flashed the goods. “Yup. And his BoC, he called it? I also got a sermon I did myself.” “Saints preserve us,” came from the opposite side of the crowd. “Wait, wait, wait.” V waved his hand-rolled around. “I’m the son of a deity and she picked you?” “You can call me Pastor—and before Mr. Sox Fan gets his panties in a wad, I want everyone to know I’m legit. I went online, took a minister’s course in under an hour, and I’m ordained, baby.” Rhage raised his hand. “Pastor Ass-hat, I have a question.” “Yes, my son, you are going to hell.” Lassiter made the sign of the cross and then looked around. “So where’s our bride? The groom? I’m ready to marry somebody.” “I didn’t bring enough tobacco for this,” V bitched. Rhage sighed. “There’s Goose in the bar, my brother—oh, wait. We don’t have a bar anymore.” “I think I’ll just run an IV of morphine.” “Can I put it in?” Lassiter asked. “That’s what she said,” somebody shot back
J.R. Ward (The King (Black Dagger Brotherhood, #12))
The evening air smelled like secrets. The breeze that stirred his hair had been places Matt could only imagine. It had twined through trees and ushered clouds and whistled through caves. It had slid on its belly over desert sands and swirled snow on mountaintops. It had ruffled the feathers of baby eagles and extinguished the matches of sailors far out to sea. It had stolen balloons and floated bubbles. It was timeless. It had swept dust off the backs of dinosaurs, filled the lungs of pharaohs, and it would abrade the bones of the last human to fall on some distant, devastated plain. But tonight it was here, in this little town, fluttering curtains, rattling blinds, and caressing the face of a ten-year-old boy with a troubled mind.
Jan Strnad (The Summer We Lost Alice)
Mommy had turned into a balloon, and she wanted to pop her with a pin and watch her fizzle-fuzzle into nothingness.
Zoje Stage (Baby Teeth)
Sometimes people can't identify their feelings because they were talked out of them as a children. The child says, "I'm angry," and the parent says, "Really? Over such a tiny thing? You're so sensitive!" Or the kid says, "I'm sad," and the parent says, "Don't be sad. Hey, look, a balloon!" Or the child says, "I'm scared," and the parent says, "There's nothing to be worried about. Don't be such a baby." But nobody can keep profound feelings sealed up forever. (...) With two chaotic parents who argued with abandon and liberal strings of expletives, sometimes so loudly that the neighbors complained - she had been forced to act as a grownup prematurely, like an underage driver navigating her life without a license. She rarely got to see her parents acting like adults, like her friends' parents. She'd had to parent herself, and her younger brother too. Children, however, don't like having to be hyper-competent. So it's not surprising that she wants me to be the mother for her now. I can be the normal parent who safely and lovingly drives the car, and she can have the experience of being taken care of in a way she never has before. But in order to cast me in the competent role, she believes she has to cast herself as the helpless one, letting me see only her problems. Patients often do this as a way to ensure that hte therapist won't forget about their pain if they mention something positive. Good things happen in her life too, but I only rarely hear about them; if I do, it's either in passing or months after they occurred.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Everything is pink and blue balloons, baby bumps, and fun Instagram announcements. I hate this cuteness. It glosses over the profound physical and psychic risks, trespasses, and burdens I’m taking on by carrying you.
Katherine Leyton (Motherlike)
Contrary to popular belief, a nursing mother’s breasts are not full of milk. They’re swollen, sure, sometimes to the point that they resemble fleshy water balloons, but they’re full of blood, fat, and glandular tissue. There’s no bladder in a breast that holds a sloshing cup of milk that empties as the baby nurses and then gradually fills up again, ready for next time. Even a dairy cow’s udder isn’t the bag of milk you might think it to be; like us, a cow’s udder is a visible mound of mammary tissue, along with a few nipples.[*10] The ductwork of a nursing human breast can hold, at most, a couple of tablespoons of milk at a time. It’s the act of suckling that normally triggers a breast’s “let-down reflex”—a cascade of signals that tell the milk glands to kick up production and dump fresh milk out the front door.
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
Sometimes people can’t identify their feelings because they were talked out of them as children. The child says, “I’m angry,” and the parent says, “Really? Over such a tiny thing? You’re so sensitive!” Or the kid says, “I’m sad,” and the parent says, “Don’t be sad. Hey, look, a balloon!” Or the child says, “I’m scared,” and the parent says, “There’s nothing to be worried about. Don’t be such a baby.” But nobody can keep profound feelings sealed up forever. Inevitably, when we least expect it—seeing a commercial, for instance—they escape.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Blanket Volleyball Materials: A towel or baby blanket and a balloon or a soft ball. Preparation and Instructions: Hold two ends of the blanket and have the child hold the other two ends. The Game: Place a ball or balloon in the middle of the blanket. On a signal given by you, you and the child toss the ball into the air and catch it in the blanket. Use visual signals, such as “When I blink my eyes, it means go.” Use auditory signals, such as “1, 2, 3, go!” You may also say that the signal is a word, such as “alligator.” Then you would say, “Always, apple, alligator.” Auditory and word signals help the child learn to listen. To structure this game: Clearly state the goal of the game. “Our goal is to work together to toss the ball and catch it. We can count how many times we are able to do so. Clearly give a signal: “The signal to begin the game will be ‘ready, set, go.’” To ensure that the child waits for the signal and is successful, do not put the ball on the blanket until just before the signal to go.
Becky A. Bailey (I Love You Rituals)
When I was little my balloon burst as we were walking home from a children’s party one afternoon. I saw a balloon about once a year so it was a huge loss. Mum bent down, picked the flaccid piece of rubber off the pavement, stretched it tight across her lips and twisted it as she sucked in her breath. Then she tied the old piece of string tightly around the little piece of rubber dangling from her lips and pulled a miniature balloon out of her mouth. She said the balloon had had a baby, it was a baby balloon. I stopped crying and trailed it after me all the way home. A baby balloon.
Viv Albertine (To Throw Away Unopened)
Flying was the bomb. The jungle slipped beneath Anna, brimming with the shrieks of birds, the buzz of insects. Three-fourths of Team Killbot skimmed the canopy like a hot-air balloon, the treetops brushing their feet. It wasn’t technically flying, Anna reminded herself. She, Javi, and Molly couldn’t maintain their altitude. They wafted down every thirty seconds or so, crashing softly into the web of branches before pushing off again. But even if it was only jumping—it was jumping really far. Each push took them hundreds of feet through the mists. Molly had found bungee cords in someone’s luggage, and the team was tied together so nobody drifted out of the gravity device’s range, which was about thirty feet. The three of them had learned to jump in tandem to keep from spinning like a bola, but whenever a gust of wind stirred the misty treetops, it carried them adrift. Anna wondered if there was a way to control their flight. Maybe if they made wings? Or some kind of fan, like the propellers on an airship? “Yoshi! Are you out there?” Molly cried out at the top of their next leap. Anna listened as they arced downward into the treetops. No answer, except for a stirring of the birds that sounded like rusty hinges. She had distinguished four species by sound: the rusty-hinge birds, the cranky-baby birds, the slide-whistle birds, and of course the shredder birds. Luckily, she hadn’t heard any of those since they’d attacked Javi back at camp. “Okay,” Molly called. “Looks like this tree’s yours, Javi.” “I got it.” Their next landing tree was coming right at Javi, who was in the middle of the three of them. As they descended into the canopy, he reached out and grabbed the passing treetop. Anna felt the bungee cord pull at her waist, then she swung in a slow arc past Molly coming from the other direction. Their combined momentum bent the tree, like a catapult readying to fire. It swung
Scott Westerfeld (Horizon (Horizon Series #1))
Large-scale elements signal that something different and important is happening in the life of a community. Giant balloons, numbers (for a birthday party), hearts (for Valentine’s Day), baby blocks (for a shower), and other big things stand out as different from everyday décor.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Mom sends me another text with pictures of cakes she found on Pinterest for a gender reveal party. “How do you feel about having a gender reveal party?” Iask. “What is that?” Archer gets up to make a pot of coffee. “Basically a party announcing if the baby is a boy or girl. You don’t tell anyone until the end, and you pop a balloon with pink or blue confetti in it or something.” “And it’s a thing people donow?” “Yeah. If you have a halfway decent Instagram following and you don’t do one, people will wonder what’s wrong withyou.” Archer chuckles. “I don’t really care either way. Any excuse to have a party is good in my book. Do you want to haveone?” “I know they’re a little lame, but yeah.” I bite my lip, looking at the photos my mom sent. I haven’t told anyone besides my family and Marissa about the baby. I’m a modern woman with a successful job, and shouldn’t worry about people judging me over having a baby when I’m not married. But I do, just abit. “Then let’s doit.” Archer’s words make me smile. “My mom is going to go crazy over this. She wants to know where to have the party?” It’s a simple question, but I know it raises the same concerns to Archer too. He turns on the coffee maker and comes back to the table. “If you’re going to take impressive Instagram pictures, your parents’ farm has the perfect setting.” “I’m glad you have your priorities in check.” He nods. “I gotcha, babe. We’ll make sure to have everything posed perfectly. I’ll even take pictures of all my food before I eat it. Actually, we could invest in some of that realistic-looking fake food. I hear it photographs better.” I look at Archer, a big smile on my face. He makes it so easy tofall. “Good idea. Anything for the likes.” “Exactly. The number of likes is a direct correlation to how loved this baby is. We really have to step itup.
Emily Goodwin (End Game (Dawson Family, #2))
I’m going to have to talk to HR sooner rather than later about arranging for my maternity leave anyway. And people are going to find out in time. I unlock my phone and open Instagram. I have an oddly high number of followers thanks to an article Forbes did on me right after I sold the app to Apple. I’m not that interesting of a person, but I do find the best funny memes to share. I upload my favorite picture of Archer and me from this weekend, heart fluttering when I look at it. We’re standing by the pink balloons, and looking lovingly into each other’s eyes. My hair is tucked awkwardly behind my ear, but we both look so happy. So inlove. Archer’s hand is on my stomach, and his smile is genuine. Man, I miss him. Tomorrow is too far away. Long distance sucks. “We cannot wait for spring. Hashtag thirteen weeks. Hashtag baby girl,” I say out loud as Itype. “Don’t forget hashtag blessed.” “And grateful. Please. I might be basic, but I know enough not to flaunt it around on social media,” I laugh and post the photo. But I really do feel those things.
Emily Goodwin (End Game (Dawson Family, #2))
Every table is sprinkled with rose petal confetti; every place is set with a single chocolate and rosewater cupcake with swirls of pink icing, each of them topped with a frosted cinquefoil (beloved daughter) flower. Pink balloons bounce and bob against the ceiling and a vast array of cakes of every variety crowd the counter: chocolate and pistachio cream, vanilla and elderflower, red velvet, passion fruit and pear, white frosted layer cake.
Menna Van Praag (The Witches of Cambridge)
there are two pokers that can pop Baby’s balloon and ruin her fun—and ours. The first is uncoordinated play between parents. When we parents compete for Baby’s attention instead of joining together to play the same game, Baby seems to hate it. One parent may suddenly withdraw from the play, or swoop in and cut off the other parent. In response, Baby may arch her back, frown, cry, or, in baby language, seem to yell, “This is messing me up. Knock it off!” The second balloon buster for Baby is being overstimulated. When we parents are ignoring Baby’s cues that say, “No! I don’t want to do this!” Baby may signal this subtly at first, but if she’s ignored, she’ll turn up the volume. If “No” still doesn’t work, she’ll just plain withdraw. That’s not good. We’ve lost connection with Baby. But
John M. Gottman (And Baby Makes Three: The Six-Step Plan for Preserving Marital Intimacy and Rekindling Romance After Baby Arrives)
SIGNALS THAT BABY IS OVERSTIMULATED As we watched babies playing with their parents, we witnessed how babies say to their parents, “Give me a break for a minute or two!” Here are the signals they give when they need to self-soothe. • LOOKING AWAY. This signal can be very clear, with the baby turning her head away, or it can be simply looking from our face to our less-stimulating shirt. • SHIELDING FACE WITH HANDS. Babies will put their hands in front of their face and look like they are trying to shield themselves. • PUSHING AWAY. When the baby is more coordinated, he may push a toy or other object away to show that he doesn’t want to play with it. • CLEARLY WRINKLED FOREHEAD. When the medial (middle, above the nose) portion of a baby’s forehead is bunched up (that is as much wrinkling as is possible with all the baby fat in the face), it means she is getting upset, often because she is overstimulated. The forehead makes the baby look like she is sad, or angry. However, when the baby’s forehead gets only slightly wrinkled, as though there is a butterfly on her forehead, this is usually not a negative sign and means she is concentrating. • ARCHING THE BACK. One sign that a baby is upset is that she arches her back and tenses her body. • FUSSING. The baby’s voice starts what seems like the beginning of crying and protesting. • SHOWING A MIXTURE OF EMOTION, such as the baby’s expression going back and forth between joy and fear. • CRYING. There are levels of upset in the crying of babies. The baby may eventually build up to a cry in which there is about a second of “winding up” intake of breath. Then the baby really hauls off and lets out a cry that is loud, shrill, and painful to hear. This is called a Valsalva cry. In a Valsalva cry, the lungs are working against a resistance, like when we blow up a stiff balloon, or lift a heavy weight. It is very stressful for the baby. For example, the baby’s blood pressure will increase, and the number of white blood cells in the baby’s blood will increase. WHAT
John M. Gottman (And Baby Makes Three: The Six-Step Plan for Preserving Marital Intimacy and Rekindling Romance After Baby Arrives)